Bolji život (1987-1991) - Epizoda 4 - Domaća serija - video Dailymotion

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Bolji život (1987-1991) - Epizoda 4 - Domaća serija U centru zbivanja serije je petočlana beogradska porodica Popadić, koju čine muž, žena, dva sina i kćerka. Oni se sukobljavaju sa svakodnevnim problemima u društvu. U ulozi glavnog junaka, Dragiše Popadića, glave porodice Popadić je Marko Nikolić. Njegovu suprugu Emiliju glumi Svetlana Bojković, starijeg sina Sašu, Boris Komnenić, kćerku Violetu Lidija Vukićević a najmlađeg Bobu, Dragan Bjelogrlić. Povremeni član domaćinstva je i Emilijin ujak, Kosta Pavlović koga glumi Predrag Laković, vlasnik idealne trećine njihovog porodičnog doma u koji se vratio iz Pariza.

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01:57We're talking about children, we're working together, we're buying new things.

02:03She bought a Chinese paper, and I'm paying for it.

02:06The little girl is in school, and now I'm working with the owner,

02:10and she's a young woman. I think everything is going to be better.

02:14Don't push the emoticon.

02:17I tell you, it was only figurative.

02:19I love it, I love it.

02:21Drugarica Konstantinović, you can do it here.

02:26That positive turn is possible throughout the whole process.

02:31You see, those two who have been here before you,

02:34they've got a knife. Not a knife, but a knife.

02:37Not figuratively, but a concrete knife.

02:40They're out of here.

02:43Do you hear it?

02:46I'm waiting for you to tell you two.

02:56Do you have any advice?

02:58I suggest that the decision will be peace.

03:01Do you want peace?

03:03That's right.

03:04Your boss wants to be in this post.

03:09I've heard what he wants, but what does it mean?

03:12It's about peace, not peace, but peace.

03:16It's about time, and a little time.

03:18How much time?

03:19Three months.

03:20And after that, he's right to me again?

03:22I don't know what I understand about that.

03:24I understand the situation in the court.

03:26I'm going to do my job in the parking lot, okay?

03:29She has the right to protect me when she falls back in memory

03:33and I'm going to look at myself.

03:35The law about a partial statement doesn't know the term.

03:39I'm going to do my job in the parking lot.

03:42If you're going to do my job in the parking lot,

03:44or if you're going to look at myself,

03:46it's an individual thing.

03:48After three months of your husband,

03:52your cousin has the right to continue the action.

03:55You know what is the right to do,

03:57but I know what to do with us.

03:59I'm going to do it for me,

04:00and she's doing it for me.

04:01You see, you're going to do it for me.

04:03You're going to do it for me.

04:05Do you want me to continue the decision

04:09or accept the example?

04:18I'm going to do it for me.

04:20I'm going to do it for me.

04:22I'm going to do it for me.

04:24I'm not going to hear myself.

04:26Let's see what I'm going to do then.

04:30Družeupravniče,

04:33I'm going to do it for now, Violeta Popadić.

04:36I'm going to do it.

04:37Excuse me.

04:38Good morning,

04:41I'm going to do it for you.

04:42Good morning,

04:45Good morning,

04:46I'm going to do it for you.

04:47Good morning.

04:48Good morning.

04:49I've been doing your advice.

04:51Yes, yes, yes.

04:53I'm sorry.

04:54I'm sorry.

04:55I'm sorry.

04:56I'm sorry.

04:57Good morning.

04:59I'm going to do it for you.

05:01I want to leave you on Wednesday.

05:03I'm going to do it for you.

05:05I'm thinking of being here first.

05:08Yes, yes.

05:09Yes.

05:10I've bought a workbook,

05:12and I have all the necessary documents.

05:14Yes.

05:15Yes, only do you do it for me.

05:18Yes, I'll do it.

05:22Yes, yes.

05:23I'm sorry, but how do you sign it?

05:34I don't have a call, Dugarice.

05:36I don't have a call.

05:39Let me show you something.

05:42No, just to see and don't tell you how I think.

05:45Is this a king costume?

05:47Is this a Zagrepa?

05:49Is this a Zagrepa?

05:51Is this a Zagrepa?

05:56I have a call.

05:57Every time, Dugarice.

06:00I'm not sure.

06:02Only you will have a call.

06:04I'll see you in our call.

06:06I'll see you in the division.

06:08I have a call.

06:10I have a call.

06:12I have a call.

06:14I have a call.

06:16That's why the president is already failed because of me.

06:18The president is already failed, Vilović.

06:21Please, please, please.

06:23The new nature will soon be needed to everyone.

06:26Please, please, please, please, please, please.

06:31I'm sorry, colleagues, but see you yourselves.

06:34Nothing, but I didn't need to go now.

06:37Let's get here. Dugarice.

06:40Popadić.

06:42Let's get here.

06:44You need to go.

06:46And I need to go.

06:48I'm sorry, why don't you take care of me?

06:52There are 104 reasons, colleagues.

06:55Only you don't need to worry.

06:57You are young people.

06:59And I have to think about my health.

07:02You know, it's a duodenum.

07:06Oh, you're on the job, my colleague.

07:11Did you enjoy it?

07:13I'm going to go.

07:14You're going to go.

07:15I'm going to go.

07:16I'm going to go.

07:17You need to go.

07:18You're going to go.

07:20You've got a little bit of a little bit.

07:22This is a little bit of a little bit.

07:24This is the manager, the best manager who has been able to get to you.

07:27But he's just the one who is left.

07:29What's left?

07:30To the left?

07:31To the right.

07:32You're waiting for the young people?

07:34I'm going to go.

07:35The glass is full, Baron.

07:37Do you want to go ahead?

07:39I'm sorry, colleagues.

07:41Do you know that Hamlet failed?

07:43Hamlet is less or less, not the first one.

07:45What about the last one,

07:47the police officers won't play in the game,

07:49but they won't pay for it.

07:51I'm sorry, colleagues.

07:53I'm sorry, colleagues,

07:55but I'm the owner of Hamlet's father.

07:57I'm the owner of Hamlet's father.

08:01I don't pay anything,

08:03and I'm all wrong.

08:05I'm the owner of Hamlet's father.

08:07I'm the owner of Hamlet's father.

08:09I'm the owner of Hamlet's father.

08:11I'm sorry, colleagues,

08:13but the woman's mother lasts for one hour,

08:15and the house is four and a half hours.

08:17We don't have a repertoire,

08:19we don't have money,

08:20we don't have a support in the community.

08:22We're all wrong.

08:23The requisite has been broken,

08:25and I'm all wrong.

08:26I'm sorry, I'm sorry,

08:28here's my last one,

08:29and I'm the owner of Hamlet's father.

08:31That's it.

08:33What you're doing?

08:35Batali piskaranja upragniče.

08:37Gore, glavujjateviše nisam video pogrdljano.

08:39Gde su reči dobrotošlice

08:41i optimizma za mladu generaciju?

08:43Dedoček?

08:44Dede piće, dede...

08:45I don't know where my head is.

08:47No, thank you. You don't need to.

08:49Allow me, young colleague, to make the manager's mistake in the evening.

08:53How do you make it?

08:55Very well, as well as the beginning of a career.

08:58With flowers, with flowers, with flowers.

09:06The manager's problems come and come,

09:09but the skills and skills are more.

09:15I'm sorry, I just had a little bit of a conversation.

09:20I'm sorry, I'm sorry.

09:23I'm sorry, I'm a little bit of a conversation.

09:26How about you?

09:27You stop eating in the office, but I'm just feeling a bit of a little.

09:30I'm not, I'm not, I'm not, I'm not, I'm not.

09:32What does it matter, you can't be able to share.

09:34Is it ready for a session?

09:36I'm ready. I'm ready.

09:38Technically and tactically.

09:4016 hours of the day, oh my God.

09:43I'm ready.

09:45You're ready?

09:46Yes, I'm ready.

09:47I'm ready.

09:48I'm ready.

09:49If you want.

09:51From the place.

09:53From the place.

09:54From the place.

09:55From the place.

09:56From the place.

09:57For the place.

09:58For the place.

09:59I'm really trying.

10:00I'm not going to do this.

10:02I'm not going to do this.

10:03Look, I'm actually eating.

10:05The meat is so much better.

10:07What should I do?

10:08The meat is so much better.

10:10You are, the chef, very drunk.

10:12You are?

10:13Excuse me.

10:14You are a strong man. You have to eat.

10:17Excuse me, but you?

10:19I ate.

10:21I could have just a little bit.

10:23If you don't have to,

10:26I would have to drink a little bit.

10:28How do you drink?

10:30I have it.

10:32Do you want it?

10:34No, it would be bad.

10:36Do you want it?

10:38Do you want it all in there?

10:40Yes.

10:41In the kitchen,

10:43I have a beer and a steak.

10:45In the kitchen,

10:46I have a beer and a glass.

10:48And the glass.

10:49And the glass.

10:50And the glass.

10:51And the other glass.

10:53I can't do it without the glass.

10:55Yes.

10:56Yes.

10:57Yes.

11:01Yes.

11:02Okay.

11:07Yes.

11:08Yes.

11:13Yes.

11:14Hmm.

11:15Yes.

11:16Yes.

11:17Are youル?

11:18Great.

11:19Great.

11:20Hang on.

11:21Will you have a taste?

11:22laughs

11:23Yes.

11:24Right.

11:25All right.

11:26All right.

11:27I am a taste of taste.

11:28I have not been eating a taste like that.

11:30What's your wife?

11:32It's not me.

11:34I'm sorry.

11:36I forgot the pepperoni.

11:40Let's go.

11:42We'll go.

11:44And we'll go...

11:46...to the coffee.

11:48You say that the coffee are domestic.

11:50I'm ready to go.

11:52Do you know where I haven't been domestic in the coffee?

11:55What's your wife?

11:57No, don't you take any coffee?

11:59You know how they call it?

12:01Lepa, debela.

12:03You know, they're right.

12:16Is this a lot of people?

12:18Do you know the director?

12:20I'll just tell you...

12:22I'll just tell you...

12:23There's water there.

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26:31You don't see that you don't know more about it.

26:34God damn it!

27:01You don't see the yellow one, and the third, what is the point?

27:05What is the value?

27:07It's not a value, but it's a point.

27:09What is the point?

27:10I don't know what it means, but it's not a cat.

27:12Lafa gubo.

27:13What is it, Lafa gubo?

27:15It's from God's god's declinations.

27:17Yes, thank God!

27:19When we started to work on one point,

27:23while we talk about declinations,

27:25when we go back to the table,

27:27and I'll see you in the sleep.

27:31You have to stop me, Gabri.

27:44Good morning.

27:45Good morning.

27:46It's very pleasant.

27:48Yes, you can go to peace.

27:50Do you want a coffee?

27:51Yes, I can.

27:52Two coffee.

27:53I've always found a place.

27:55Do you now have time?

27:56Yes, yes.

27:57Did you tell me that I was able to do it later?

27:59No, no.

28:00No, no.

28:01No, Mari Slobodan.

28:02He is more important than everything.

28:03Unfortunately, there is no reason

28:04to be praised.

28:05Really?

28:06Well, God bless me.

28:08What?

28:09He says that he has answered

28:11and that he has a clue.

28:13Yes, that's true.

28:15What does it mean, the clue?

28:19Nothing.

28:20He doesn't know.

28:21He doesn't know.

28:22I didn't have a heart to give him a clue.

28:25I gave him a clue.

28:27He's trying to do it.

28:28He's trying to do it.

28:29And he needs to do it.

28:31Really?

28:32He said he would have answered

28:33and he answered

28:35the sixth of a teacher

28:36who doesn't need to do that.

28:37He's trying to send him as the director.

28:39Oh, my God.

28:40Believe me,

28:41he does learn a day.

28:42He does not see anything.

28:43He does not see anything.

28:44He does not see anything.

28:45He is sleeping.

28:46He is angry.

28:47He is angry.

28:48He is angry.

28:49Mathematics and physics

28:51do not learn a campaign.

29:02Now you've got me completely cold.

29:06Emilia, we are pedagogues.

29:09I can't give her a rating

29:13which I'd give you to.

29:16It needs to be a part of your spiritual wealth,

29:20a part of your knowledge and personality.

29:25What I know, I'll give him,

29:27but I didn't know math and physics.

29:33I'm done.

29:35Give me these questions.

29:38I'm ready.

29:41And I'll finish this.

29:44You're amazing.

29:50In the truth, this is how it is,

29:54colleague Popadić.

29:56I'm the testament of your beloved sisters.

30:00I've told you detail.

30:05Unfortunately,

30:07there is no one.

30:09How do you do?

30:13How do you do not?

30:15colleague Popadić,

30:16I'm the testament of this seven times.

30:20We can do it logically and grammatically,

30:23but there is no one.

30:24There is no one.

30:25There is no one.

30:27There is no one.

30:29It's no one.

30:33It's obvious to me,

30:35the conditions are not so difficult.

30:40The difficult,

30:42always,

30:44the little boy may be very good,

30:47but only to go back to the principal school.

30:50I think that is on your daughter.

30:52What do you think?

30:53How do you look at your daughter?

30:54Philadelphia.

30:55Is there one, I'm sorry that I ask you, a man?

31:00What kind of man?

31:01No.

31:02No man.

31:03Why can't she be forced?

31:04Because she is a nightmare.

31:07For science.

31:08She says, science is a nightmare.

31:10Who is the science?

31:11She knows her.

31:12She doesn't want to be forced, she's dead, she's dead, she's dead, she's dead, she's dead, she's dead, she's dead, she's dead, she's dead.

31:16It's fictional, I'm not mistaken.

31:18It's fictional.

31:19I'm a fictional.

31:20I'm a little bit of a doubt.

31:22My sister is going to take a look at it.

31:24I'm going to figure out what the hell should I do?

31:26To be sure if I could do anything else to do with the most.

31:28But, everything is jasno.

31:30Your sister's sister is a precizno.

31:33And what kind of thing is.

31:36And I thought I would have been a killer.

31:38I thought I was going to be an advocate.

31:42I know that it doesn't want to be something that you're writing here.

31:46Your sister looks like you are well-known.

31:50I don't know what is going to do.

31:57Can I have a lot of wine?

32:01For our future.

32:03Let's go.

32:04Pardon.

32:07Who?

32:08Can I have to do that?

32:10I just said, flowers and wine.

32:13I don't want to be surprised.

32:15I'm not surprised.

32:16But I'm not surprised.

32:18What?

32:20I expected you to be your friend.

32:22I'm going to replace them all.

32:24I'm a man with thousands of eyes.

32:26I'm a man of fun.

32:27I'm a man of fun.

32:29I'm a man of fun.

32:30I can be Julius Caesar,

32:32if you want to pour the blood in front of you.

32:34And maybe your nature is more than a shame.

32:36I can even hear.

32:41Like Hamlet.

32:43If you don't listen to what I'm saying.

32:45I'm not sure.

32:46I'm sorry.

32:47I've learned they don't look at me.

32:49And you look at a spot behind me.

32:53That's not a spot.

32:54It's a man who kills me.

32:56A maniac?

32:58Or a acquaintance?

33:00One and the other.

33:02A friend and the other.

33:03You're lying.

33:04You're lying.

33:05I'm not lying.

33:06I'm not lying.

33:07I'm not lying.

33:08I'm not lying.

33:09I can't get away on this.

33:10I can't avoid anyone.

33:11I'm not lying.

33:12I can't wait for any one.

33:13I'm not lying.

33:14Maybe I'm not joking.

33:15No, I'm not lying to you, maestro?

33:17Maestro, I'll just go to the toilet and take a look at him.

33:25It'll be good.

33:28Why?

33:30I'll tell you.

33:32I'll tell him myself.

33:47What do you want?

34:02I asked you what you want.

34:05To be a grueless.

34:07I would ask you to go to your table.

34:11First, let's talk about something.

34:13There's no place nor time.

34:15It may be later.

34:17As it relates to me, you've already been later.

34:19And you can go right away.

34:21I don't mind.

34:22Do you want your career?

34:24Do you want me to leave a career?

34:28Those careers that start at the cafe,

34:31mainly on the street,

34:33on the street.

34:35Younger, do you want me to give you a place?

34:41I respect your years,

34:43but this is not a tramway.

34:45If it may be caught up with you,

34:47then you won't see me.

34:49This is my table.

34:50Maybe yours,

34:51but my girl is mine.

34:53We are trusted.

34:54Do you not?

34:55Mrs. Violeta,

34:57is it true that you are trusted for this maniac?

35:00We have just left.

35:02Did you hear it?

35:03We haven't yet.

35:04Then, let's leave.

35:06Yes, no, sir.

35:07I'll be right back.

35:08I'll be right back.

35:13Well,

35:14well,

35:15when will you be stalking me

35:16and you will play as a red cow?

35:18Your dark miracles

35:19do not care for me.

35:20You've hurt this strange man

35:22and the author,

35:23but you've lost me forever.

35:25The flower of the soul.

35:27Please.

35:34Who will pay, sir?

35:35What to pay?

35:36What was for the stove?

35:37What do you have with him?

35:38I don't know, but the last one is paid.

35:40How much is it?

35:41$7,010.

35:45Okay.

35:57Mama.

36:07Say, Dragička.

36:08Dragička.

36:11I'm going to say that I'm going to say that I'm going to say that.

36:14My father is going to teach you a lot.

36:16Lupus in fabula.

36:18What a lupus, what a fabula?

36:20Myo Vuku, a Vuk na vrata.

36:22I say that you teach you a lot when you hear.

36:25What do you hear?

36:27I decided to get married.

36:29Mama.

36:30What is it?

36:31Mama.

36:32What is it?

36:33What is it?

36:34What is it?

36:35Vuku?

36:36Vuku!

36:37I'm a virgin.

36:40A virgin, son.

36:42You have to find a job, and she is to get rid of it.

36:45And you are all over.

36:47Oh my God!

36:48What a fabula, what a lupus, what a lupus!

36:51I'm a virgin!

36:53A virgin!

36:54A virgin!

36:55I want to live, a better life.

37:00I want to grow it like a tiger.

37:07I want to live, a better life.

37:12I want to live, a better life.

37:14I want more, I want more, I want everything, but what will be,

37:28I want more, I want more, I want more, I want more.

37:37I want more, I want more, I want more, I want more.

38:00And we hope you have a great day.

38:03And we're all in the world.

38:05We're all in the world.

Bolji život (1987-1991) - Epizoda 4 - Domaća serija

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