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00:00The next day
00:13Kayo, just one drink and we're going home, what's wrong?
00:17I don't know, I really don't know, sorry.
00:20Do I need to call Panchetta to get you to go?
00:24No.
00:25You know her better than I do.
00:26No, please, just don't bother her anymore, she's really enough for me.
00:30So you're sure she didn't bluff?
00:34Yes, yes, she told me.
00:36She doesn't do it herself.
00:40And who else is talking about it?
00:42I don't know.
00:45And who is that Zhila doing it for?
00:47I have no idea who she's doing it for, maybe she's doing it for herself.
00:52I don't know why Sara Berger would start that campaign.
00:55I don't know either, but we'll find out.
00:58What does Sara have to do with us?
01:01I'm going to call her right now.
01:04This is your last chance.
01:07Oh, no.
01:10Oh, God.
01:17Yo!
01:19Why are you hiding, you're scaring me!
01:22Are you trying to steal my phone?
01:25I'm not, but I am.
01:27I stole it because my camera doesn't work.
01:30I really can't live without you, you brought me to this place.
01:33What?
01:35What do you mean, what?
01:38I don't think so.
01:41In which universe does this remind you of Mileta?
01:44Believe me, it's a long story.
01:46I have time to hear it.
01:48I was here last time I was with Mileta's aunt from Australia.
01:52Disaster.
01:53So?
01:54I better not remember that hell, it was disgusting.
01:59Hey.
02:05What happened?
02:08You really went too far, Lenka.
02:13I don't know, I can't wait, and on the other hand, I don't know what to do.
02:17Why didn't you call the police?
02:20Well, Sara told me something,
02:23that it wouldn't be good.
02:26Well, yes.
02:28What am I supposed to do with Sara?
02:31Nothing, I think you should leave it as it is.
02:34You don't believe me?
02:36She would have given you a rejection right now.
02:38No, no, no.
02:40It's best to keep the enemy close to you.
02:43Leave it as it is.
02:45Tell me the exact date of birth.
02:47What? Why?
02:49I'm not going to do a natal chart twice.
02:51A natal chart?
02:52Yes.
02:53December 5th.
02:54Okay, December 5th is fine.
02:56In the morning, a dark cloud, dawn, night.
02:58Dark cloud, dark cloud 2230.
03:00Okay, and what now?
03:02Was it that hard?
03:04Come on, that's all I needed.
03:07Nothing.
03:08December 5th, 2230.
03:09I know.
03:10Come on, enjoy the candy,
03:12the cocktail will be ready soon.
03:15She's looking at the natal chart for the first time.
03:19What are you going to do with it?
03:21I'm asking you, what are you going to do with it?
03:23Put this here, put this here.
03:27This was here.
03:29This was here.
03:31Come on.
03:32Come on, Marica, bow down.
03:35And begin.
03:36Respect the video.
03:38I'm turning on the camera.
03:40Take it easy.
03:41You're slow.
03:42It's an old phone.
03:43Come on, then.
03:45Okay, here it is.
03:48You can also google it.
03:50They're both symmetrical.
03:53You can say it.
03:55I have to talk now.
03:58I've decided to accept your proposal.
04:00Really?
04:01Yes.
04:02I mean, I have a feeling that
04:05I can't do it alone again.
04:08Of course, that's what I told you.
04:10Yes, and I don't think there's anything wrong with you being my manager.
04:14No, Olga, I'm very glad you made that decision.
04:18Look, I can do a miracle in this room.
04:22But what does that natal chart say?
04:25And?
04:26When did you take it off?
04:29How do you know we took it off?
04:32The natal chart knows everything.
04:34And the stars know even more.
04:37Is it possible that it says here that I took it off?
04:40Is it possible that I'm so disappointed?
04:42No, don't worry.
04:43It says it's here.
04:44It says it's here.
04:45We don't know what you're talking about.
04:47I really have a lot of these toys.
04:49This is too much.
04:50I'm sorry, Aleks, but what toys?
04:53You, Vlado, you, you, you, you, you, you, you, you.
04:56I'm sorry, Aleks, but what toys?
04:59You know very well that I've never played any games with you,
05:02nor do I plan to.
05:04So please stop attacking me in vain and tell me what this is all about.
05:10Why did you tell Gabriela about our situation regarding the baby?
05:15How do you know that?
05:16Because she told me.
05:18Wait, wait, let me tell you.
05:19Why wouldn't you be my manager and play and sing with me?
05:23We've already talked about it.
05:24I'm a good thinker and that's it.
05:27So you're 100% sure?
05:29100% sure.
05:30This is professional.
05:32It's a clear division of the job.
05:34You sing and perform, I'm the manager, and that's it.
05:39This looks like, you know what?
05:41This looks like you'll never have another man in your life.
05:45What?
05:46Yes, yes, that's what you heard.
05:48How can I not have another man in my life?
05:50That's what you heard, Kaja.
05:52Yes.
05:53She told you well, I told her, and what's the problem?
05:57And what's the problem?
05:58What's the problem?
05:59Why do you go around our team and talk to people on the air?
06:22I'm sorry.
06:23I'm sorry.
06:24I'm sorry.
06:25I'm sorry.
06:26I'm sorry.
06:27I'm sorry.
06:28I'm sorry.
06:29I'm sorry.
06:30I'm sorry.
06:31I'm sorry.
06:32I'm sorry.
06:33I'm sorry.
06:34I'm sorry.
06:35I'm sorry.
06:36I'm sorry.
06:37I'm sorry.
06:38I'm sorry.
06:39I'm sorry.
06:40I'm sorry.
06:41I'm sorry.
06:42I'm sorry.
06:43I'm sorry.
06:44I'm sorry.
06:45I'm sorry.
06:46I'm sorry.
06:47I'm sorry.
06:48I'm sorry.
06:49I'm sorry.
06:50I'm sorry.
06:51I'm sorry.
06:52I'm sorry.
06:53I'm sorry.
06:54I'm sorry.
06:55I'm sorry.
06:56I'm sorry.
06:57I'm sorry.
06:58I'm sorry.
06:59I'm sorry.
07:00I'm sorry.
07:01I'm sorry.
07:02I'm sorry.
07:03I'm sorry.
07:04I'm sorry.
07:05I'm sorry.
07:06I'm sorry.
07:07I'm sorry.
07:08I'm sorry.
07:09I'm sorry.
07:10I'm sorry.
07:11I'm sorry.
07:12I'm sorry.
07:13I'm sorry.
07:14I'm sorry.
07:15I'm sorry.
07:16I'm sorry.
07:17I'm sorry.
07:18I'm sorry.
07:19I'm sorry.
07:20I'm sorry.
07:21I'm sorry.
07:22I'm sorry.
07:23I'm sorry.
07:24I'm sorry.
07:25I'm sorry.
07:26I'm sorry.
07:27I'm sorry.
07:28I'm sorry.
07:29I'm sorry.
07:30I'm sorry.
07:31I'm sorry.
07:32I'm sorry.
07:33I'm sorry.
07:34I'm sorry.
07:35I'm sorry.
07:36I'm sorry.
07:37I'm sorry.
07:38I'm sorry.
07:39I'm sorry.
07:40I'm sorry.
07:41I'm sorry.
07:42I'm sorry.
07:43I'm sorry.
07:44I'm sorry.
07:45I'm sorry.
07:46I'm sorry.
07:47I'm sorry.
07:48I'm sorry.
07:49I'm sorry.
08:15I'm sorry.
08:16Haven't you noticed, Aleks, that Gabriela and I have become very close lately?
08:21And I don't know what the problem is that I share intimate things with someone who is a friend of mine.
08:26Or maybe it bothers you that I share something that bothers me with anyone?
08:30It doesn't bother me at all.
08:31But what bothers you?
08:32It bothers me that he interferes privately and business. These people work with us.
08:35Well, you talk as if I went to the whole company and talked about how I can't hire.
08:40Come on, please.
08:41I found a person from the company I trust and for whom I know that he won't abuse such a story.
08:47And?
08:48How are you sure she won't abuse it?
08:50What's going on with you?
08:52I have the right to choose who I'm going to tell what.
08:55And I have the right to assess who I'm going to tell what.
09:00Can I ask you not to do that anymore?
09:03Why? Because you don't like it?
09:05Yes, I don't like it.
09:06Aleks, listen to me carefully now.
09:09What you're doing looks like an attempt to control me.
09:12Look, Lenka, I'm not controlling you at all, I'm just...
09:14Just what? You're just doing that.
09:17And you and I know you're not like that, and I'm begging you not to cross that line.
09:22Okay.
09:23And since you crossed the line for me too, I would only ask you not to talk about our intimate things with other people anymore.
09:30And it bothered you so much?
09:31Yes, it bothered me.
09:32Okay.
09:33I will try to be very discreet in the future when it comes to what I'm talking about and who I'm talking to.
09:40I agree.
09:41And I'm begging you to give me some space.
09:44Because I have to share something that's bothering me, and I just can't keep it all to myself.
09:49That's not normal.
09:50Okay, okay, okay.
09:51You're right, I exaggerated a bit, I admit.
09:54I'm just asking you one more time to be careful about those things.
09:58Okay, I'll be careful.
09:59Okay.
10:00We're done now, right?
10:01Under these conditions, yes, ma'am.
10:02Okay.
10:04Great.
10:06I'm very tired of all this.
10:10Let's go for a swim.
10:15Okay.
10:24So, we made a deal.
10:26You're in the foreground, and I'm going to be the brain of the operation.
10:30If you put it that way, it doesn't sound bad at all.
10:32I will try to be the best manager in the world, don't doubt that at all.
10:37I don't doubt my job.
10:39Look, I will try to make your artistic potential always come first.
10:44I know, I know.
10:45I know you're the best man for that.
10:47It's an honor for me to be the manager of one of the future big stars.
10:52Because the stadiums and arenas are waiting for you.
10:56Okay, now let's not bother me anymore, really.
10:58No, I'm not bothering you.
10:59Actually, I'm bothering you a little bit.
11:01Believe me, I wouldn't bother you if I really didn't like it.
11:05I really think that people adore you, listen to you, look at you, you know?
11:09Well, your support means a lot to me, really.
11:12Well, who's going to support you if I don't?
11:14But I seriously feel that we can do great things together.
11:20Yes, I think so too.
11:23Hey, you know what?
11:25Now it's time to go to sleep, to be fresh for that new business venture.
11:30Artistic venture, don't forget the key word.
11:33I'm sorry, boss, I beg you.
11:35Artistic business venture.
11:37Let's go to sleep for beauty pictures.
11:39Let's go.
11:53I'm sorry, I beg you, I'm sorry.
11:55I'm sorry, this is a little incident.
11:59And this is an incident for you too.
12:01Well, I mean, considering how many cocktails I've had, maybe not.
12:05I agree.
12:07Why do you agree?
12:09Well, I agree that this can never be attributed to an incident.
12:13Aha.
12:15But what if it's not an incident?
12:18But what if it's not an incident?
12:21Here, I'll explain.
12:23Attracting pretty girls to me can't be called an incident.
12:27It's complicated.
12:29There's too much information for me.
12:31I'm Nemanja.
12:33When we got to know each other so well...
12:35We clashed.
12:36Yes.
12:37Should we switch to you or me?
12:40To you.
12:41To you.
12:42I wanted to say to you.
12:43We can switch to us too.
12:45Well, to you, to you.
12:47I haven't seen you often here.
12:50You haven't.
12:51You haven't, because I've never been here in my life.
12:54Yes, I know.
12:55I've never been here.
12:57If you were here, I'd definitely notice you.
13:00I have an eye for that.
13:01Really?
13:02Yes.
13:03Well, yes.
13:04I'm a photographer.
13:05Photographer?
13:06Like that...
13:08Yes, I notice people, especially pretty girls and so on and so forth.
13:12I'm a pretty girl?
13:13Yes.
13:14Great.
13:15Super.
13:16Nice.
13:18What are you doing?
13:22I'm working in the Don magazine.
13:25Don magazine?
13:26Yes.
13:27It's so small, I can't believe it.
13:29Why?
13:30Well, I work in the Don magazine.
13:32Really?
13:33Yes.
13:34I take photos for them, some events and some interviews.
13:37We're colleagues.
13:38Wait a minute.
13:39Do you know anyone from Don?
13:41Well, I know you.
13:43No, I don't.
13:46We're colleagues.
13:47Colleagues?
13:48Colleagues.
13:49Colleagues?
13:52Look, this is fate. I think this is fate.
13:54Kajo.
13:56Mina.
13:57I'm ready.
13:58I'm ready, too.
13:59This is definitely Nemanja.
14:03I'm definitely Nemanja.
14:04I'm definitely Mina.
14:07Me, too.
14:08Kajo.
14:09This is Kajo.
14:11I'm glad we met.
14:13Me, too.
14:14We have to go. Bye.
14:16Let's go.
14:21Bye.
14:30Give me something to drink.
14:33I will, I will.
14:40Hi.
14:55Hi.
14:56Hey.
14:57Hey.
14:58Hi.
14:59Where are you from?
15:00What do you mean where I'm from?
15:02I came to see you, to call you.
15:05To call me?
15:06We're here.
15:07What do you want to call me?
15:09We haven't been here for a long time.
15:11What do you mean?
15:14You forgot.
15:15What did I forget?
15:17I'm going to work.
15:19I'm going to work and I won't be here until later.
15:22Aleksa.
15:23Sorry, sorry.
15:24I forgot.
15:25Yes, you're right.
15:26I'm glad you came back.
15:28Okay.
15:30I accept your apology.
15:32I wanted to ask you again.
15:37Are we okay after last night?
15:39I mean, is there anything left unsaid?
15:42No, everything is okay.
15:44I'm fine, everything is fine.
15:46Great.
15:47I'm glad to hear that.
15:48Hey, good luck on the set.
15:50Yes, thank you.
15:51God, I will need luck.
15:53I'm pretty nervous.
15:55You're nervous?
15:56Yes.
15:57How can I not be nervous?
15:58This is my first full report.
16:00You would be nervous, for sure.
16:01Okay, listen.
16:02You're going to be great.
16:03I don't doubt that at all.
16:08Okay, see you.
16:09See you later.
16:10Bye.
16:11Bye.
16:31Something must be wrong.
16:32It's so dark in here.
16:33Who turned off the lights?
16:34You have no idea.
16:35I'm telling you.
16:36What time is it?
16:37You have no idea.
16:38It must be between 8 and 9.
16:39We're going to the store.
16:42It's supposed to open at 8.
16:43We start working at 9.
16:44What is this?
16:45I'm just asking.
16:46I'm just asking.
16:47Where's Mile?
16:48I don't know.
16:49That's why it's weird.
16:50He has to go to the bathroom at 8.
16:53Didn't he lock himself in the bathroom for five minutes?
16:56What bathroom?
16:57He has the right to mess with me.
16:59Mile!
17:00You're overreacting.
17:01Don't be nervous.
17:02Mile!
17:03You're overreacting.
17:04Don't be nervous.
17:05Mile!
17:06Black Mile, Black Mile.
17:08Where are you?
17:09What do you mean?
17:10Do you know what time it is?
17:12I don't know.
17:13It doesn't matter.
17:24I was at a meeting with the Hungarians.
17:26I proposed this sponsorship.
17:28How did they react?
17:29They didn't immediately turn down the idea.
17:31I sent them the offer via e-mail.
17:33We're waiting for their response.
17:34I don't know what they're waiting for.
17:35That's their process.
17:37I didn't think they'd respond right away.
17:40How long do we have to wait for their response?
17:42I think until the end of the week.
17:44I'm sorry.
17:45I have to take this call.
17:47What's up?
17:48Alex, I'm sorry to bother you,
17:50but Lula is not well.
17:52What's wrong with him?
17:53He has a stomach ache.
17:54You should go see him.
17:56OK, I'm on my way.
17:58I'm sorry.
17:59I'm sorry.
18:00I have a situation.
18:02I have to go.
18:04Can I help you?
18:05I hope it's nothing serious.
18:07Lula has a stomach ache.
18:09I don't know.
18:10He's probably fine.
18:11I'll see you later, OK?
18:13I'll be there when you get back.
18:15OK, thanks.
18:17Mile, you're not normal.
18:19You're totally crazy.
18:21What do you mean?
18:22You're not normal either.
18:24I'm not saying it out loud.
18:26Look at him.
18:27What are you talking about?
18:28How can you talk like that?
18:30Do you even know what the problem is?
18:32Do you know what we're dealing with?
18:34Sleepiness.
18:35Sleepiness.
18:36What else can I do?
18:37I can't sleep.
18:38I can't sleep.
18:39I can't sleep.
18:40I can't sleep.
18:41I can't sleep.
18:42I can't sleep.
18:43I can't sleep.
18:44I can't sleep.
18:45What else can I do?
18:46What do you mean?
18:48Get up on time for a change.
18:50Open the tavern.
18:52When I open the tavern on time,
18:54I'll open it on time.
18:56Mile, look.
18:58We all have an understanding of your problems.
19:02And you know we're on your side.
19:04We support you in everything.
19:05That's what I meant.
19:06I support you too.
19:08Thank you, Uncle Mido.
19:10But Mile, please, listen to me.
19:12I'm listening.
19:14Come on, come back to life.
19:17I'm really sorry about your problem.
19:19Believe me.
19:20My soul doesn't hurt.
19:21But you can't do that.
19:22You have to run a little,
19:23to come back to life.
19:25We all have our problems,
19:26don't we, Goran?
19:27Yes, especially.
19:28I know, Uncle Mido.
19:29Here, he has problems too.
19:31Life is not just black and white.
19:33We all have problems.
19:35You can't be like this anymore, Mile.
19:37I'm begging you.
19:40I mean,
19:41I was really planning
19:43to get a job.
19:45Right.
19:46And,
19:47for starters,
19:48I can do two shifts,
19:51if necessary.
19:52Mile, Mile, Mile,
19:53we didn't get it.
19:54There's no need to overdo it.
19:56You're doing two shifts,
19:57there's no need.
19:58Right, Goran?
20:00Don't do that.
20:01Listen, for starters,
20:02wake up on time,
20:04come to work,
20:05open a cafe,
20:06and great.
20:08We'll take care of the rest.
20:09It's not a problem.
20:11For starters, here you go.
20:12Hey.
20:13Hey.
20:14What are you talking about?
20:15Did you know that I've been
20:17sleeping with cats all night?
20:18Because there are two of them now,
20:19if you didn't know.
20:20And I didn't close my eyes,
20:22just so you know.
20:23And what do you want,
20:24the first day is a bed?
20:25Is it a bed?
20:26I can't do anything without coffee.
20:28Tell him to put the coffee.
20:30Tell him to put the coffee.
20:31Come on.
20:32And now I'm going to sleep
20:34for another five minutes,
20:36and you talk.
20:37The most normal thing is silence.
20:39Okay?
20:40Six times four.
20:41That's it.
20:42Four?
20:43That's it.
20:44Seven times five.
20:45That's it.
20:46Eight times eight.
20:49Six.
20:50That's it.
20:51There's nothing else you can say.
20:53Come on.
20:55Goran.
20:56Yes?
20:58I think
21:00our real Mila is back.
21:03I think so too.
21:09I think so too.
21:16I'm really glad
21:17that you came back to me before work.
21:20We haven't had coffee together in a long time.
21:23Look, maybe it'll become a routine for me.
21:27I hope so.
21:30You look good.
21:32Yes.
21:33Not the usual.
21:35Because I look like
21:37I've been thrown out of the water.
21:40You look good.
21:42Like when?
21:43Now you look so fresh and healthy.
21:48Probably because I slept a lot.
21:51Really?
21:52Just that?
21:54Just that.
21:55What else could it be?
21:56I don't know.
21:57Maybe something nice happened to you in life.
22:01How do you know everything?
22:03That's weird.
22:04It is.
22:05What is it?
22:06Did something nice happen to you in life?
22:11Something like that.
22:14A woman.
22:16Okay, Milorad.
22:17Does it have to be a woman
22:19to make me feel good?
22:22Okay, it's either a woman or she's in a hurry.
22:35Let's go inside.
22:36Come on, get in.
22:37Let's sit around Dad.
22:39Wait.
22:40Come on, come on.
22:41What's up?
22:42I fell asleep.
22:43Did you fall asleep?
22:44Good.
22:45Come on.
22:46Let's sit down.
22:50Is this good?
22:52Listen, Dad has an important meeting.
22:55But we'll finish it quickly.
22:57And as soon as we finish, we'll go home.
23:00Okay?
23:01Let's go.
23:02Come on.
23:03Let's go.
23:04Come on.
23:06Hey.
23:07Where are you?
23:08Where are you?
23:09Is everything okay?
23:11Yes, everything is fine.
23:13He has a stomachache.
23:16Okay.
23:17That's great.
23:18He'll get over it soon.
23:20Everything will be okay.
23:22Yes, he's strong.
23:24But he wanted Dad to come to him.
23:26Okay, that's normal.
23:28You're a brave man.
23:29He's a brave man.
23:30And I don't doubt that everything will be okay.
23:33It's just a meeting with Jovan.
23:35I don't know how I can leave him alone.
23:37Oh, yes.
23:38Jovan surely won't like children going to meetings.
23:40That's the problem.
23:42I'm free.
23:43If you want, I can talk to him.
23:45Really?
23:46Yes, seriously.
23:48I can't ask you.
23:49It's not...
23:50It's not a problem.
23:51I'll make him tea.
23:52We'll draw and everything will be okay.
23:55Are you sure?
23:56Yes, seriously.
23:57Come on, come on.
23:59He'll be back soon.
24:00But it's okay.
24:01Come on, I'll make you something nice.
24:03It's okay.
24:04Let's try.
24:05What are you going to draw?
24:07A cat.
24:08I really like it.
24:10And what brand will it be?
24:12The same.
24:13I'll draw the same.
24:15We'll decide that together, okay?
24:17Can we?
24:18We'll add a little blue.
24:21Or not yet.
24:28And?
24:29One or the other?
24:32And it looks like it's mixing up in progress.
24:37Really?
24:38Yes.
24:39I carved out that stain with the razor.
24:42I solved a few seriously fucked up cases.
24:46And then they called from the board of directors.
24:49And they said they were satisfied.
24:51Well, okay.
24:52Yes.
24:53So, what do you think?
24:55And they said they were satisfied.
24:57Well, okay.
24:58Yes.
24:59So, what do you think?
25:01They came from the board of directors.
25:04And...
25:05That's it.
25:06Wait, and...
25:08What exactly?
25:11Well, they say they're satisfied.
25:14What exactly?
25:18I have to warn you about something.
25:21About what?
25:22What?
25:25That they sometimes give false hope.
25:29What do you mean false hope?
25:31That's right.
25:32When you say you're satisfied, you hope, and then...
25:36And then what?
25:37You don't wait like that.
25:39You wait, and then...
25:41Nothing.
25:42Fuck it.
25:43Fuck it.
25:44That's why I left the police.
25:46Come on, Milorad.
25:47It was like that.
25:49What was like that?
25:51It wasn't like that at all.
25:52Now you're talking.
25:53Are you real?
25:54Me?
25:56I'm too real for you, Milorad.
25:59How can you know what it was like?
26:02I know what it was like, what you did, and who fired you.
26:06Okay, now...
26:07Why are you talking about that now?
26:09I don't get it.
26:10Because it's the truth.
26:11What's the truth?
26:12What's the truth?
26:13The truth is that you were messing with criminals,
26:16that you took a gun, right?
26:18That Vukasin beat you up and kicked you out.
26:21And that's why you had to run away.
26:23Yes, but I'm not the subject here.
26:25You are, Batica.
26:26Batica?
26:28You're talking to me about Batica?
26:32Okay, come on.
26:33Come on, don't change the subject, please.
26:35I'm not changing the subject.
26:37It's you and me.
26:38We're always talking nonsense.
26:40And thank you for the coffee.
26:42Yes, yes.
26:43When you don't have an argument, you leave, right?
26:46When you don't have an argument, I don't have time to lose.
26:49See you.
27:09He's sleeping, he doesn't care.
27:12What do you think, how long will I wake up?
27:16I have no idea.
27:18Let's make a bet.
27:20What?
27:21Have you ever made a bet?
27:23No.
27:24Okay, never mind.
27:25What do you think, when will he wake up?
27:28In an hour, I think.
27:31An hour?
27:32Who has two more hours to sleep?
27:35There's no chance before two hours.
27:37What do you mean, there's no chance?
27:38See how calm he is.
27:40Come on.
27:41We all know you don't do anything.
27:43You don't have to fake it.
27:46That's not true.
27:47Don't get upset.
27:48You'll have a lot of work until the end of the day.
27:50I don't understand.
27:52What is it?
27:53Do we have anything else to finish?
27:55For example, to help me.
27:58But...
27:59What is it?
28:00Contracts.
28:03What kind of contracts?
28:05Contracts.
28:07What kind of contracts?
28:09Contracts that need to be signed.
28:14I mean, that's not our job.
28:16It is now.
28:18You have work until the end of the day.
28:20You'd better finish it.
28:22Don't worry, you'll know for sure.
28:28Damn.
28:35No, really.
28:36We're journalists.
28:37No.
28:38We're administrators.
28:39I don't know.
28:40This is really unpopular.
28:42Look.
28:48Can you tell me the brand of that van?
28:52Charming?
28:53Yes.
28:54Charming.
28:55Charming.
28:56There are boxes inside.
28:58Really?
28:59What do you carry in those boxes?
29:00Toys for kids.
29:01Oh, yes.
29:02Batman and Charming.
29:03There must be some Batman in there.
29:05Batman.
29:06Hey.
29:07Hey.
29:08Where are you?
29:09It's too salty.
29:10What?
29:11Oh, yes.
29:12It's too salty.
29:13How is it?
29:14What's wrong?
29:15The neighbor.
29:16The neighbor.
29:17Super.
29:18The neighbor who carries toys in boxes.
29:19Yes.
29:20Yes.
29:21Is it good?
29:22Do you feel better?
29:23Yes.
29:24Well, yes.
29:25You don't feel sick anymore.
29:26He drank tea so well.
29:27Everything is fine.
29:28You can even go to Sladole.
29:29Thank you very much.
29:30What do you think?
29:31Do we want to go to Sladole?
29:32Yes.
29:34We should go to Sladole together.
29:36What do you say, we take her to Sladole?
29:38If you want to go with us.
29:39Why not?
29:40Come here, let's see what's here.
29:41I'll help you.
29:42What do we bring?
29:43Now we put something here.
29:44Here we will put something for you.
29:45You can choose.
29:46Here is some books.
29:47I have a book.
29:48I would like to read.
29:49I have a book.
29:50I will read.
29:51I will read.
29:52I will read.
29:53I will read.
29:54I will read.
29:55I will read.
29:56I will read.
29:57I will read.
29:58I will read.
29:59I will read.
30:00I will read.
30:01I will read.
30:02We're going to die. We're both going to die now.
30:06You're so sweet, you don't want to die.
30:11I don't know.
30:12I really don't know this.
30:14Me neither.
30:15I've never signed a contract in my life.
30:19Give me that piece of paper.
30:21And here, you cross this out.
30:25That's it.
30:26You think we're going to split up like that?
30:28Well, I don't have any other solution.
30:30Okay, then we'll do it this way.
30:32Yes.
30:36What's that?
30:37Those are the contracts.
30:39What contracts? What are you doing?
30:42Well, we don't know, but we failed.
30:45We're dead now.
30:47Yes.
30:48Wait, I don't think I owe you a lot of work today.
30:52No, you didn't.
30:53No, you didn't.
30:54No.
30:55Then who did?
30:57Vanja did.
30:59Wait, wait, wait.
31:00I'm the only one giving you the orders.
31:02Is that clear?
31:05Vanja.
31:08Vanja gave us these envelopes full of contracts
31:11that need to be signed.
31:13Put them down.
31:14Put them down.
31:15Stop.
31:16Pack up.
31:17Pack up the papers, quick.
31:18In those envelopes.
31:19Come on.
31:30Jovana.
31:31I'm sorry, please.
31:32I know it's working hours, but I had to come.
31:38Sorry.
31:40So, Gala, what's going on?
31:42We have a problem with Pončetini's blog.
31:53Here.
32:01Here you go.
32:02What were you thinking?
32:13Good afternoon.
32:14Good afternoon.
32:15Are you Kaja?
32:16Yes, I am.
32:18I told you over the phone that I don't expect any packages, so...
32:22Look, whether you expect it or not, I really don't care.
32:25I only care that this is for you.
32:27I need you to take this and sign here.
32:30And that's it.
32:31I mean, it's very simple.
32:33If you could just sign here.
32:35No problem.
32:36No problem.
32:39Here you go.
32:41Have a nice day.
32:42Thank you, have a nice day.
32:44Have a nice day.
32:52She thought.
32:53Are you sure you can talk to me like that?
32:56I'm 100% sure.
32:58Good.
32:59And what exactly do you mean?
33:01You know very well what I mean.
33:02No, I don't.
33:05Don't play dumb, Vanja.
33:07What is this?
33:10Look, Vitomir,
33:11we can talk about anything at any time,
33:14but you can't just barge into my office like that.
33:17Vanja, I'm begging you, stop this nonsense.
33:20This is not nonsense.
33:21This is nice behavior.
33:22You can't just barge into my office like that.
33:24And you shouldn't have done what you did, so you did.
33:27Vitomir, I really don't want to continue the conversation
33:31if you don't adjust your behavior.
33:34I'm just asking you nicely.
33:35What is this?
33:37Adjust the tone.
33:38I'll adjust the tone.
33:40Do you know to whom?
33:41To whom?
33:42To those colleagues
33:43who don't push their noses into other people's work.
33:46Did I push my nose?
33:47Yes.
33:48Good.
33:49And where did I push it exactly?
33:50You know very well where you pushed your nose.
33:52I don't know, you tell me.
33:54Vanja, don't play dumb.
33:56You shouldn't have done this.
33:58What should I do, Vitomir?
34:00You can't give any tasks to my journalists.
34:04You shouldn't have issued an order to Lazar and Matej.
34:07Do you understand?
34:08I understand, Vitomir.
34:09Let me explain.
34:10I have a lot of work and I don't have time for everything.
34:13And I think it's okay to give tasks to my younger colleagues
34:16to help me.
34:17What's wrong with that?
34:22We have a problem with Mr. Četin's vlog.
34:24Yes.
34:25It's not of satisfactory quality.
34:29Well, I didn't expect that, I mean...
34:31There's no one, let me tell you.
34:34Wait, what happened?
34:35Until now everything was okay.
34:36The audience adores him.
34:37Everything he's done so far, they liked it.
34:39I don't know what the problem is.
34:41Wait, are you talking about the content?
34:43Yes.
34:44What do you think?
34:45No, no, no.
34:46The content...
34:47It's all as it should be.
34:48The content is excellent, as it has been so far.
34:50The quality is the problem.
34:51Wait, I have to show you this.
34:54Here.
34:55Look at what it looks like.
34:57Technically, it's a total mess.
35:00And we can't post it on social media,
35:02not on our platform.
35:04What are we going to do?
35:05I don't know.
35:06I know that we can't post that video.
35:10Is there any way for us to improve that video?
35:13No.
35:14We're not a studio for editing.
35:16And now we're bringing it to the professionals,
35:18believe me, it's more expensive than...
35:23What do you think?
35:24Should we let him go like this?
35:26He loves Panchetta so much,
35:27maybe he won't go to America.
35:28Believe me, Jovana,
35:29this can't be used like this.
35:31Believe me.
35:33Okay, what are we going to do?
35:45I really don't expect a bouquet.
35:49Although it's really pretty.
35:52But it's a shame.
35:54Now we'll see who it's for.
35:57Here.
36:02I'm sorry.
36:06For any more coincidences,
36:11no less.
36:24Really?
36:25Yes, really.
36:26You needed help, right?
36:28Yes, I needed help.
36:29Look, Vitomir,
36:30I don't know how to explain this to you.
36:31I wanted my colleagues,
36:34my younger colleagues,
36:35to meet me.
36:36They don't do anything,
36:38but they get paid.
36:39Vanja, you can't do that.
36:41Why not?
36:43Because you need to talk to me first.
36:45Why you?
36:46Because there's a hierarchy.
36:48Do you understand?
36:49Every company has a hierarchy,
36:50including ours.
36:51Okay, since we're talking about hierarchy,
36:53let me explain something.
36:54I'm the financial director.
36:56I have a lot of work,
36:58and I can't do everything.
36:59I don't see why it's bad
37:00to ask my younger colleagues
37:01to help me.
37:02Okay, listen to me.
37:03I really don't have the time
37:04or the space
37:05to argue with you
37:06about who's higher
37:07and who's lower.
37:08Do you understand?
37:09I...
37:10I'm definitely superior to them.
37:11Okay.
37:12Okay.
37:13But I don't understand.
37:16I can see you don't understand.
37:18But I hope
37:19you'll understand very soon.
37:21Okay.
37:22I probably will.
37:23But I'm still standing
37:24for what I did.
37:25Listen to me.
37:26I really don't intend
37:27to argue with you.
37:28Do you understand?
37:29They're my journalists.
37:30I'm responsible for them,
37:31and that's the end of the story.
37:32Okay?
37:33Of course not.
37:34There.
37:35There.
37:36See?
37:37Everything can be fine.
37:38Okay.
37:39Just tell me first.
37:40It's none of your business.
37:41How is it?
37:42And we'll talk about everything.
37:43We'll talk about everything.
37:44Okay.
37:45Okay?
37:46Of course not.
37:47There.
37:48Come on.
37:49So you're telling me.
37:50Yes.
37:51Okay.
37:53I'm going to tell you.
38:08Come in.
38:09Hey.
38:10Hello.
38:11Hello.
38:12Sit.
38:16How are you?
38:17I'm good.
38:18How are you?
38:19I'm good.
38:20I'm good.
38:21Where are you from, Vukasin?
38:22Pretty much the same.
38:24Okay.
38:25I'm the same.
38:28What's new?
38:29Nothing yet.
38:30Nothing?
38:31Nothing at all?
38:32There's nothing.
38:33I just need a little more time
38:34to make the campaign
38:35against you.
38:37Right.
38:38But it'll work out.
38:40Yeah.
38:41I'll have to step up my game a bit.
38:47Do you know what time it is
38:49that I have to take care of your business?
38:53I don't quite understand.
38:56Okay, let me explain.
38:59I actually did your job.
39:06Did you find out who's behind that campaign?
39:11No.
39:14Who?
39:16Who?
39:19Sarah Berger.
39:25Let's prevent this bad material from getting to us,
39:28because then we'll be late.
39:30The readers will ask where are the new clips,
39:32and all of that has a very bad effect on our log.
39:35Yes, okay, and what should we do?
39:37That's what I'm asking.
39:39What's the solution?
39:47Lula!
39:50Marijana!
39:52Hey!
39:53Hey!
39:54You're here.
39:55Hi.
39:56Here I am.
39:57Tell me, where are these two?
39:59They're not here.
40:01They didn't come?
40:03I've been here all the time, I haven't seen them.
40:17Okay, we all have our own channels,
40:19and you have some evidence.
40:21I have no evidence.
40:22Listen, that's not important.
40:24What's important is that it's 100% confirmed.
40:30Okay.
40:42I would love every day
40:44to get one of these bouquets of flowers.
40:48But?
40:49But I'm afraid for you.
40:52I'm afraid you'll steal them.
40:55What am I going to do?
41:08What are you laughing at?
41:10You and the kids.
41:13So what?
41:15I would never say that.
41:17Okay, Mom, you don't have to be like that.
41:20I want to be a mother one day.
41:23And the cat?
41:36It was really dynamic.
41:38Let's see what we're going to eat.
41:40Here you go.
41:50What is it?
41:51What?
41:52What is it?
42:03Fancy!
42:06Girl!
42:08I'm Kucah, but you don't look like you've heard of Fudzoh.
42:12Of course.
42:13Gala, I'm here.
42:15Oh, I see.
42:17Sit down, welcome.
42:21Gala, where are you from?
42:33Show me, who are you thinking of?
42:38I don't know.
42:39You don't know?
42:41Look, if I say I don't know,
42:44that means we're going to find out very soon
42:47who's behind all this.
42:51Okay?
43:04What should we do? Should we call?
43:06Call.
43:08Let's call.
43:17Good evening, Mr. Horvat.
43:19I'm really sorry to bother you, but...
43:23we have a problem.
43:36You