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Dylan
  • 01/06/2025
Transcription
13:39Sous-titrage Société Radio-Canada
14:09...
14:39...until you turn your back.
14:45A hyperdrive would have split open on impact.
14:47That whole ship's going to be flooded with drive-barm radiation,
14:49in fact, electrons and gravity storms.
14:51Deadly to almost any living thing.
14:53Deadly to an angel?
14:54Dinner to an angel.
14:55The longer we leave it there, the stronger it will grow.
14:57Who built that temple? Are they still around?
14:59The Atlants, indigenous lifeforms.
15:01Died out 400 years ago.
15:02200 years later, the planet was terraformed.
15:04Currently, there are six billion human colonists.
15:07Woof! You lot, you're everywhere.
15:09You're like rabbits!
15:10I'll never get on saving you.
15:12Sir, if there is a clear and present danger to the local population...
15:15Oh, there is. Bad as it gets.
15:17Bishop, lock and load.
15:19Virgin, how are we doing with those explosives?
15:20Dr. Song with me.
15:23Two minutes. Sweetie, I need you.
15:27Anybody need me?
15:29Nobody?
15:45I found this.
15:47Definitive work on the angels.
15:48Well, the only one.
15:48It's written by a madman.
15:50It's barely readable, but I've marked a few passages.
15:52Ooh.
15:53Not bad. Bit slow in the middle.
15:54Didn't you hate his girlfriend?
15:55No, no. Hang on.
15:56Wait, wait, wait, wait, wait, wait.
15:57Dr. Song?
15:59Did you have more than one clip of the angel?
16:01No, just the four seconds.
16:03This book is wrong. What's wrong with this book is wrong?
16:18It's so strange when you go all babyface. How early is this for you?
16:23Very early.
16:25So you don't know who I am.
16:26How do you know who I am?
16:27I don't always look the same.
16:28I've got pictures of all your faces.
16:29You never show up in the right order, though.
16:30I need the spotter's guide.
16:31Pictures? Why aren't there pictures?
16:31Why aren't there pictures?
17:01You're just a recording.
17:27You can't move.
17:28Move.
17:50Doctor?
17:58This whole book is a warning about the weeping angels, so why no pictures? Why not show us what to look out for?
18:05There was that bit about images. What was that?
18:07Yes. Hang on.
18:09That which holds the image of an angel becomes itself an angel.
18:16Doctor!
18:19What does that mean?
18:21An image of an angel becomes itself an angel.
18:23Doctor! It's in the room!
18:30Amy!
18:31Doctor!
18:32Are you all right? What's happening?
18:34Doctor?
18:35Doctor is coming out of the television. The angel is here.
18:39Don't take your eyes, Doctor. Keep looking. It can't move if you're looking.
18:42What's wrong?
18:43Deadlocked.
18:43There is no deadlock.
18:45Don't blink, Amy. Don't even blink.
18:47Doctor?
18:48What are you doing?
18:49They're cutting the parachutes in the screen. I'm turning the screen off.
18:52No good. It's deadlocked the whole system.
18:54No deadlock.
18:55There is now.
18:56Help me!
18:57Can you turn it off?
18:58Doctor!
18:59The screen. Can you turn it off?
19:01I tried.
19:02Try again, but don't take your eyes off the angel.
19:04I'm not!
19:04Blinking! Have you ever tried not blinking?
19:28Just keep switching back on!
19:31Yeah, it's the angel.
19:32It's just a recording.
19:35No, anything that takes the image of an angel is an angel.
19:41What are you doing?
19:43I'm trying to cut through. It's not even warm.
19:44There is no way in it. It's not physically possible.
19:46Doctor?
19:47What's it gonna do to me?
19:49Just keep looking at it. Don't stop looking.
19:52Just tell me.
19:54Tell me.
19:56Tell me!
19:58Amy, not the eyes. Look at the angel. Don't look at the eyes.
20:00Why?
20:03What is it?
20:04The eyes are not the windows of the soul. They are the doors.
20:06Beware what may enter there.
20:08Doctor, what did you say?
20:09Don't look at the eyes!
20:10No, about images. What did you say about images?
20:13Whatever holds the image of an angel is an angel.
20:17Okay.
20:20Hold this.
20:22One, two, three, four.
20:34I froze it.
20:35There was a sort of blip on the tape and I froze it on the blip.
20:38It wasn't the image of an angel anymore.
20:40That was good, yeah?
20:42It was, wasn't it?
20:43That was pretty good.
20:44That was pretty good.
20:45That was amazing.
20:46River, how are you going to be?
20:47Why?
20:48Because I'm busy.
20:49I'm fine.
20:50You're brilliant.
20:51Thanks.
20:52Yeah, I kind of creamed it, didn't I?
20:54So it was here?
20:55That was the angel.
20:56That was a projection of the angel.
20:57It's reaching out, getting a good look at us.
20:59It's no longer dormant.
21:01It's no longer dormant.
21:06It's not positive.
21:09Doctor, we're through.
21:12Okay.
21:14Now it starts.
21:22Coming?
21:23Yeah, coming.
21:24There's just something in my eye.
21:31Do we have a gravity globe?
21:41We have a globe.
21:42Where are we?
21:46What is this?
21:47It's an Apline Mortarium.
21:49Sometimes called a maze of the dead.
21:51What's that?
21:52Well, if you happen to be a creature of living stone...
21:55Perfect island place.
22:09Well, I guess this makes it a bit trickier.
22:12A bit, yeah.
22:13A stone angel on the loose amongst stone statues.
22:16A lot harder than I prayed for.
22:18Needle in a haystack?
22:20A needle that looks like hay.
22:21A hay like needle of death.
22:22A hay like needle of death in a haystack.
22:24A hay like needle of death in a haystack of statues.
22:28No, yours is fine.
22:30Right.
22:31Check every single statue in this chamber.
22:33You know what you're looking for?
22:34Complete visual inspection.
22:36One question.
22:38How do we fight it?
22:39We find it.
22:40And hope.
22:46He doesn't know yet, does he?
22:47Who and what you are.
22:50It's too early in his time streaming.
22:52Well, make sure he doesn't work it out.
22:54Or he's not gonna help us.
22:55I won't let you down.
22:57Believe you me, I have no intention of going back to prison.
23:00Sir.
23:03Sir.
23:04Sar chamber.
23:05One visible exit.
23:09Check it out.
23:10Angelo, go with him.
23:30You all right?
23:31Yeah.
23:32You all right?
23:33Yeah.
23:34You all right?
23:35Yeah.
23:36I'm fine.
23:37So, what's a maze of the dead?
23:38You all right?
23:39Yeah.
23:40I'm fine.
23:41So, what's a maze of the dead?
23:43You all right?
23:44Yeah.
23:45I'm fine.
23:46So, what's a maze of the dead?
23:48Oh, it's not as bad as it sounds.
23:50It's just a labyrinth with dead people buried in the walls.
23:54Okay.
23:55That was very bad.
23:56Right.
23:57Give me your arm.
23:59Oh, come on.
24:00This is the enemy.
24:02Oh, you're right?
24:03Yeah.
24:04You're right.
24:05You're right?
24:06Yeah.
24:07Yeah.
24:08I'm fine.
24:09So, what's a maze of the dead?
24:10Oh, it's not as bad as it sounds.
24:12It's just a labyrinth with dead people buried in the walls.
24:14Okay.
24:15That was very bad.
24:16Right.
24:17Give me your arm.
24:18Ce n'est pas duré un peu.
24:22Oww!
24:23Vous voyez, j'ai lusé.
24:25C'est un stabilisateur.
24:27C'est stabiliser votre mentalité contre la radiation, dry burn, etc.
24:31Vous allez devoir le faire quand nous arrivons à ce bateau.
24:34Alors, qu'est-ce que tu es?
24:37Dans le futur, je veux dire.
24:38Parce que tu sais que je suis dans le futur, non?
24:41Le docteur?
24:43Le docteur est le docteur.
24:46Oh!
24:48C'est un peu...
24:49Beaucoup d'aide pour moi.
24:51Est-ce que je peux mettre ça?
24:52Oui, nous sommes.
24:54Pardonne-moi, quoi?
24:55Je parle de toi.
24:56Je ne suis pas écouté.
24:58Ah, l'autre côté.
25:06Oui.
25:07Tu es toujours sa femme.
25:09Oh, Amy, Amy, Amy.
25:10C'est le docteur qui parle de toi.
25:12Tu penses que ça pourrait être quelque chose de ça ?
25:14Oui.
25:15Oui.
25:18Tu es bien.
25:19Je ne dis pas que tu es correcte.
25:21Mais tu es très bien.
25:25Tu es très bien.
25:26C'est mieux que je ne vais avoir de l'intérieur.
25:27Puede-tu que tu es correcte ?
25:28Tu penses que ça va ?
25:32Est-ce que nous sommes t januants de statues ?
25:33Est-ce que c'est mieux que tu es petit à chasing d'ellino-ci.
25:38En fait, l'ellino-ci n'est pas mal.
25:43Ce n'est pas mal.
26:13Qui est-ce là ?
26:19Qui est-ce là ?
26:21Il y a quelqu'un là ?
26:25Angela !
26:28Angela !
26:35Christian, c'est toi ?
26:37Angela, venez ça.
26:43Qu'est-ce que c'est ?
26:46Juste venez ça.
26:49Ce n'est pas un voyage.
26:51Juste venez ça.
26:53Oh, vraiment ?
26:54Venez ça.
27:14Réalisé.
27:18Réalisé par...
27:19Désolée.
27:20Réalisé par 2.
27:22Réalisé par 4.
27:24Réalisé par 4.
27:25Réalisé par 5.
27:26Réalisé par 5.
27:28Bé, si...
27:29Nous sommes confrontés à un ennemi de l'innové de pouvoir et de l'infinite de l'infinite,
27:32donc c'est bien, c'est très bien si nous pouvions tous rester tranquillement dans la présence de décor.
27:38Quel est votre nom?
27:40Bob, sir.
27:41Ah, c'est un bon nom. Je l'aime, Bob.
27:43C'est un nom sacred.
27:44Nous avons tous des nomes sacred.
27:46Ils sont donnés à nous dans la service de la Chirque.
27:50Sacré, Bob.
27:51C'est plus comme un père, Bob, non?
27:55Oui, sir.
27:56Ah, bon.
27:56Non, c'est dur. C'est dur, c'est dur.
27:59C'est dur, c'est dur.
27:59C'est dur, c'est dur, c'est dur, c'est dur.
28:04C'est dur.
28:10Nous allons passer dans le maize dans deux minutes.
28:12Vous restez avec Christian et Angela.
28:15Gardez l'approche.
28:15C'est dur, c'est dur.
28:31Il a eu un petit peu plus de l'architecte.
28:32Il a eu un petit peu plus de l'architecte.
28:33Il a eu deux heads.
28:34Il a eu un peu plus de l'architecte.
28:35Tu as eu un peu plus de l'architecte.
28:36Non, je veux que tu as deux heads.
28:37C'est à l'heure qu'il a eu un peu plus de l'architecte.
28:38Qu'est-ce que tu as dit?
28:39Oh, attends.
28:40Read it to me.
28:45Qu'est-ce que nous avons des idées qui peuvent penser pour nous-mêmes ?
28:48Qu'est-ce que nos rêves n'ont pas besoin de nous ?
28:51Quand ces choses se sont en train de se faire,
28:53le temps sera sur nous.
28:56Le temps...
28:57...
28:58...
28:59Hey, Angelo.
29:01Christian.
29:02Where are you ?
29:12Are we there yet ?
29:13It's the hell of a climb.
29:15The maze is on six levels representing the ascent of the soul.
29:18Only two levels to go.
29:20Lovely species, the Aplans.
29:22We should visit them sometime.
29:26I thought they were all dead.
29:28So is Virginia Woolf.
29:29I'm on her bowling team.
29:31Very relaxed.
29:32Sort of cheerful.
29:33Well, that's having two heads, of course.
29:34You'll never shorten the snob with an extra head.
29:37Doctor.
29:38There's something.
29:39I don't know what it is.
29:40Yeah, there's something wrong.
29:41Don't know what it is you're tired of working on it.
29:42Of course, then they started having laws against self-marrying.
29:45I mean, what was that about?
29:46But that's the church for you.
29:48No offence, Bishop.
29:50Quite a lot taken, if that's all right, Doctor.
30:01This point in the wreckage is only about 50 feet up from here.
30:05That way.
30:06Church had a point, if you think about it.
30:08The divorces must have been messy.
30:10I see you.
30:13Oh.
30:15What's wrong?
30:19Oh.
30:29Exactly.
30:30How could we not notice that?
30:32No level perception filter or maybe we're thick.
30:34What's wrong, sir?
30:35Nobody move, nobody move.
30:36They will stay exactly where they are.
30:38Bishop, I am truly sorry.
30:39I've made a mistake and we're all in terrible danger.
30:42What danger?
30:46The Aplans.
30:49The Aplans?
30:50They've got two heads.
30:51Yes, I get that, so.
30:52So why don't the statues...
30:56Everyone over there, just move.
30:59Don't ask questions, don't speak.
31:06Okay.
31:08I want you all to switch off your torches.
31:10Sir.
31:12Just do it.
31:17Okay.
31:19I'm gonna turn off this one too, just for a moment.
31:21Are you sure about this?
31:24No.
31:25No.
31:31Oh, my God.
31:32They've moved.
31:33No.
31:50They're angels.
31:52All of them.
31:53They can't be.
31:54Clerics, keep watching them.
32:04Every statue in this maze, every single one, is a weeping angel.
32:09And they're coming after us.
32:11Bob, come and see this.
32:12Angelo?
32:13Come and see what we found.
32:14Are you with Christian?
32:16The bishop said you'd be five minutes.
32:17I'm here, Bob.
32:18Come and see this.
32:19Angelo?
32:20Come and see what we found.
32:22Are you with Christian?
32:23The bishop said you'd be five minutes.
32:24I'm here, Bob.
32:25Come and see this.
32:26Angelo?
32:27Come and see what we found.
32:28Are you with Christian?
32:29The bishop said you'd be five minutes.
32:30I'm here, Bob.
32:31Come and see this.
32:32Where are you?
32:33Through the arch, Bob.
32:34Honestly, you've got to come and see this.
32:35What have you found?
32:36Come and see.
32:37No, but...
32:38What is it?
32:39Come and see.
32:40Then, where are you, Bob?
32:41Come and see.
32:42The bishop said you'd be five minutes.
32:43I'm here, Bob.
32:44Come and see this.
32:45Where are you?
32:46Through the arch, Bob.
32:47Honestly, you've got to come and see this.
32:49What have you found?
32:50Come and see.
32:51No, but what is it?
32:52Come and see.
32:54Come and see.