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00:00You have a date with the Angels, starring Betty White, Bill William Van Guthangel, presented
00:28by Plymouth, star of the forward look, and the Plymouth Dealers of America.
00:40The time, three months after Vicki and Gus Angel were married.
00:44The main character, call me honey.
00:47The plot, everybody else does.
00:49And this is the reservations list, and that's the room index.
01:01Now, I can't press upon you too strongly that the main attractions at this hotel are rest
01:07and quiet.
01:09So, uh, eliminate the loudmouths before they register.
01:14I've been in the hotel business all my life, sir.
01:16Well, this is your first night at this hotel, Mr. Slyke, and we can't be too careful.
01:22Now, uh, oh yes, Mrs. Lyons in 57 is virtually a year-round guest.
01:28Then we have a Mr. Stacey L. Stacey, who is a bit of a loud, uh, problem.
01:34But, uh, don't get smart with him, because he's a Texan, and he can buy the hotel and have
01:40us all fired.
01:42And, uh, oh, incidentally, in his bovine way, he's in love with the young lady who's singing
01:48out there, so...
01:49Mr. Corey, I know my craft.
01:52Huh?
01:53Oh, well, all right.
01:55Good night.
01:56Good night.
01:57It's just a gypsy in my soul.
02:01It's just a gypsy in my soul.
02:04It's just a gypsy in my soul.
02:07What do you think, sweetie?
02:10Oh, God, it's beautiful.
02:17Good evening, sir.
02:19Madam?
02:20Hi.
02:20Reservations for Mr. and Mrs. August Angel.
02:23Angel?
02:24Oh, certainly, sir.
02:25Delighted to have you with us.
02:33How you doing, honey?
02:37The reason my girlfriend never got the letter is that she moved to Milwaukee.
02:48Oh, I knew you'd be surprised.
02:59See you later, honey.
03:00Be with me in a minute, sweetie.
03:06I was, uh, just telling your husband, Mrs. Angel, if you've come here for relaxation,
03:10you've come to the right place.
03:12The people are very friendly here.
03:18He certainly are.
03:20Your luggage, sir?
03:21It's in the car.
03:22Oh, front boy.
03:24Mr. Angel's luggage?
03:25Uh, White Plymouth convertible up front.
03:28Hey, your rooms are this way.
03:29Another thing you can count on if you're looking for relaxation is
03:33Absolutely nothing ever happens here.
03:42It's deeper, dear, by far
03:46Than any ocean
03:49I thought
03:51Please, Jimmy.
04:06I can handle this.
04:08All right, folks.
04:09The excitement's over.
04:09Look, I'm sorry, honey.
04:18I just saw a red one at the...
04:19Well, I'm sorry.
04:22I can't stand those buzzards making eyes at you.
04:26That buzzard happens to be the most important man in this town.
04:30He's happily married.
04:32He has three lovely children.
04:33He was asking me to sing at the Chamber of Commerce picnic.
04:38Oh.
04:39Oh.
04:41He should have said something.
04:43Well, it's a little hard to talk while you're flying through a door.
04:49Dainty, I need this job.
04:52Not if you marry me, you don't.
04:54Look at that.
04:55The song stylings of Honey Mitchell.
04:57Where's that gonna get you?
04:59Well, you don't even own that piano.
05:00You big clown.
05:03And don't you dare buy it for me, either.
05:06Now, you listen, honey.
05:07You told me you've been waiting all your life
05:09to marry the first fathead that came along with a million bucks.
05:13So?
05:13So here I am.
05:17I've changed my mind.
05:19I've got work to do, sir.
05:22Oh, no, you don't.
05:25There are a few customers in there you haven't thrown out yet.
05:28Let's keep it that way.
05:30Oh, boy.
05:38Isn't this the greatest?
05:40Uh-huh.
05:41What do you want to do today?
05:44Nothing.
05:47You know what I think I'll do?
05:49I think I'll go to the village and have someone shave me for a change.
05:54Uh-huh.
05:55A barber might be nice.
05:56While I'm gone, why don't you get dressed and meet me on the terrace later on?
06:04Well, instead of that, why don't I get dressed and meet you on the terrace later on?
06:10How did it go last night?
06:19Quiet as a mouse eating cottage cheese, sir.
06:25Oh, good morning, Mrs. Lyons.
06:27Good morning.
06:29Oh, it's you.
06:31I thought it was a masher.
06:34Which would have been nice.
06:36You...
06:37The reason my girlfriend moved to Milwaukee was...
06:50Well, come closer, dear.
06:52You can't expect me to shout across the lobby.
06:54Uh, the reason my girlfriend moved to Milwaukee was...
07:02I liked your hair better the way you wore it last night.
07:07This is the way I wore it last night.
07:11Poor baby.
07:12That face has got you so you can't even think straight.
07:15Now, why don't you tell Mrs. Lyons all about it?
07:21I know exactly what you're going through.
07:23You'd marry Stacy in a minute if he didn't have all that money.
07:26And then, of course, that jealous streak of his.
07:28Well, that's something else again.
07:30But you know deep in your heart that he really loves you or he wouldn't be jealous.
07:33So it is the money after all.
07:35You're afraid that if you marry him, everybody will say you married him because he was rich.
07:40Because you've always said you'd marry the first millionaire who came along.
07:43And then you think after you've been married for a year or two, he'd remember that.
07:47Why don't you tell Mrs. Lyons all about it?
07:53Why bother?
07:55That's the latest bulletin.
07:57Well, I say if you're not absolutely sure about Stacy, you'd better start shopping around for a new man.
08:04You're welcome, dear.
08:06And do try to get some rest.
08:08You look terrible.
08:08Thanks again.
08:14You've set me up for the entire day.
08:16Well, I'm right.
08:18Where are you going?
08:21Backstage.
08:22Oh, madam, I don't think our guests are allowed backstage.
08:25Oh, for heaven's sake.
08:28Madam!
08:30Oh, say, friend.
08:32I want you to deliver this to Miss Mitchell for me when she comes down to breakfast.
08:36That'll probably be about noon.
08:37Oh, well, I'm sorry.
08:39I don't know the young lady.
08:40I'm new here.
08:41Oh.
08:42Well, I got her this ring.
08:44You think she'll like it?
08:50What's so funny?
08:51It looks like the headlight on a locomotive.
08:55Now, I know it's not much of a ring.
08:57I only paid $11,000 for it.
08:59$11,000?
09:00I'm sorry.
09:02I thought it was some sort of a joke or something.
09:05I really don't know, Miss Mitchell.
09:07I'm new here.
09:12Oh.
09:13Mrs. Lyons, ma'am?
09:15Hello.
09:16Oh, it's you, Mr. Stacey.
09:19Throwing anybody out of the hotel yet this morning?
09:22No, ma'am.
09:24Mrs. Lyons, I wonder if you'd give this present to Miss Honey for me.
09:28It's the kind of make up for the ruckus I caused last night and all.
09:31You know, she's not exactly talking to me.
09:36Well, this should make her start talking.
09:40I'll give it to her.
09:41But I think it's only fair to warn you she's shopping around for a new man.
09:45Oh, no, ma'am.
09:46Miss Honey wouldn't do that.
09:47Now, you just...
09:49Well, you make up something to tell her, huh?
09:52Buying honey presents won't win us, Stacey.
09:55Well, what will, then?
09:58Well, I don't know exactly.
10:01Have you tried poverty?
10:11Clerk, will you see that this is sent up to my wife and make a big production out of it?
10:16Do you think she'll like these?
10:23Yeah, I'm sure they'll be...
10:26Most welcome, sir.
10:29It's a gag.
10:29We've only been married a short while and we do this sort of thing all the time.
10:33Mrs. Angel.
10:34I remember.
10:35I beg your pardon, sir.
10:37I couldn't help overhearing what you just said, on account of I was deliberately listening.
10:41Oh, that's all right.
10:43You might be able to do me a favor, sir, if you ever mind to.
10:46My name's Stacey.
10:47Uh, Gus Angel.
10:48Well, glad to make your acquaintance.
10:50You know, down home, I wouldn't hesitate a minute asking a complete stranger for advice.
10:54Right up here, folks don't always cotton to it.
10:57Sure.
10:57I don't have a thing to do.
10:59Well, good.
10:59Now, I've got a little problem called Honey Mitchell.
11:02And you seem to be getting along just fine with your woman.
11:04So I thought possibly if the four of us could get together somehow and you could contrive to sit with Honey and...
11:09Oh, there you are.
11:13They left...
11:14Where'd you get that?
11:18Backstage.
11:18What?
11:19Oh, no reason.
11:21What are you going to do with it?
11:24Press it.
11:26Oh, swell.
11:28But, uh, we are going to put it right back where we found it when we get through pressing it, aren't we?
11:35You may have to take turns.
11:37My iron only has one handle.
11:42Oh, uh, excuse me.
11:44This was left here for you, madame.
11:47For me?
11:51I'm sorry, I was crotchety.
11:53Please, call me Honey.
12:01Oh, hello, uh, Honey.
12:03Hello.
12:07My name is Mrs. Angel.
12:12Oh, I see it didn't take you long to get your hair fixed.
12:28I didn't know it showed.
12:35You're up early, honey.
12:36Well, I'm always up early.
12:40Oh, for a minute I thought he meant me.
12:44Which would have been nice.
12:46I thought Hollywood was the only place where everybody called people Honey.
12:53I haven't been called anything else since I got here.
12:56Oh, yeah.
12:58A very handsome young man asked me to give this to you.
13:04Really?
13:05That silly character.
13:10I knew he'd do something like this.
13:12For a minute I thought it was real.
13:14Oh, now you mustn't laugh, dear.
13:16He probably paid a great deal of money for that.
13:20Sure he did.
13:21All at 15 cents.
13:24He can't resist a dime store.
13:26Guess who?
13:36Jerome?
13:37Nope.
13:40Pierre?
13:42Nope.
13:42Last chance.
13:46Suppose it turns out I don't even know you.
13:51Danis lost.
13:52Isn't he silly character?
13:57Oh, honey, I want you to...
13:59I guess I wasn't very good company.
14:03The nicest lady's been talking to me.
14:06I don't know what she's been saying, but she's been talking.
14:09And I was talking to some rich Texan about how to rope and hogtie some girl singer.
14:14Aren't there friendly people around here?
14:16Uh-huh.
14:22Mrs. Coyne, during the time I've lived here in your hotel, I have never seen such an exhibition.
14:29Hello, Miss Lyons.
14:31Hello, Cleopatra.
14:35What?
14:36Now, honey, what you do on your off hours is none of my business.
14:42You're so right.
14:44Well, anyway, I have heard that you have been indulging in a display of impromptu affection on the terrace today.
14:55I don't know why I'm bothering to answer this, but I slept all day.
15:01You want a written excuse?
15:04Ask her about Stanislaus.
15:06Well, anyway, I wish you'd be a little more careful how you flirt with other men.
15:14Mr. Stacey will throw the whole hotel out in the street, and I'll wind up with a vacant lot.
15:22As far as I'm concerned, Stacey is a dead issue.
15:27Which would be nice.
15:29Ask her about Stanislaus.
15:32I don't care about Stanislaus.
15:34Well, there are other hotels, you know.
15:40Now, Mrs. Lyons, I...
15:41Be careful.
15:43Pardon me.
15:47She's wearing the dress.
15:50Well, I should hope so.
15:53Now, about that dress.
15:55You know, we talked it over, and you promised to put it back after you got through pressing it.
15:59Hey, buddy.
16:00Who do you think you are, anyway?
16:03Nobody.
16:04Nobody.
16:04You never saw anybody as nobody as me.
16:10Well, honey, what do you saw about?
16:14Didn't you get my present?
16:16Yeah.
16:17Just what I needed.
16:19Striped seat coverage.
16:20Gus, we could eat here tonight.
16:33We could.
16:35But I noticed a place down the road that has dancing.
16:39Why don't we go there instead?
16:41Oh, you've got yourself a deal.
16:42Goodness.
16:44And, honey, baby, that's what must have happened.
16:46You see, this Gus fella, he wanted to give his new wife those bloomers for a joke sorter.
16:50I guess somebody switched the presents.
16:55I'm sorry, Stacy.
16:57I thought it was your way of being sarcastic.
17:00I've got to get to work.
17:02You sing that song.
17:03You know the one.
17:04Day by day, I'm falling more in love with you.
17:30And day by day, my love seems to grow.
17:38There isn't any end to my devotion.
17:51It's deeper, dear, by far than any ocean.
17:58I find that day by day, you're making all my dreams come true and come what may.
18:13I want you to know I'm yours alone and I'm in love to stay as we go through the years
18:36Day by day, day by day, day by day.
18:51Day by day, day by day, day by day.
19:02Let's have a little quiet for the artist.
19:04Please!
19:10Say, what's a pretty little girl like you doing in a joint like this?
19:14Sam, she's trying to entertain mavericks like you, friend.
19:19And I'd be mighty obliged if you'd just close your jaws.
19:23J.C.
19:25Go ahead and sing, honey.
19:27What would you like to hear?
19:29The answer to my question.
19:31What's a pretty little girl like you doing in a joint like this?
19:36I asked you real nice to close your jaws.
19:42Go ahead and sing, honey.
19:43Honey, I can handle it, Stacy.
19:45Sure she can.
19:47I'm real easy to handle.
19:57Now you just go ahead and sing, honey.
19:59Now go ahead and sing, honey.
20:05How do you like that guy?
20:07Drag somebody through the door for making a lot of noise,
20:10and then he says, go ahead and sing, honey.
20:13Are you making fun of him?
20:16Oh, heck no.
20:17All I meant was...
20:19James.
20:21James.
20:21Everything's been going wrong lately.
20:33Do you know what that fathead of a new clerk did?
20:36He went and gave honey those bloomers that was supposed to be for your wife.
20:39Yeah, and my wife got quite a kick out of your ring, too.
20:45Here you go.
20:46Thanks.
20:47Well, now if I can over fry my little old honey pie,
20:50maybe I can patch things up.
20:53Well, maybe I'll see you before you check out, Gus.
20:55Take it easy, Stacy.
20:56All right.
20:56Oh, Harry.
20:59Oh, hi there, Mr. Stacy.
21:00Harry, you seen honey today?
21:07Well, uh, yeah.
21:15Well, now take it easy, Mr. Stacy.
21:17Well, now take it easy, Stacy.
21:30Boy!
21:32Bell boy!
21:36Stacy.
21:40Stacy, I spent all afternoon driving around and thinking and...
21:45Well, I've made up my mind.
21:50I'm, uh...
21:52I'm going to quit my job.
21:54Well, good luck to you, honey.
21:57Good luck.
22:01Are these yours?
22:02Yep.
22:03Even the dumbest steer knows when he's grazing the wrong pasture.
22:08Oh, skip the cow country philosophy, Stacy.
22:11I'm trying to tell you something.
22:13Well, you waited a mite too long, didn't you?
22:16Oh, Mr. Stacy, you're not leaving us, are you?
22:18Yep.
22:18Tilt up my bill while I put these in the car, please.
22:21Oh.
22:21Honey, I want you to know that it was your pleasure.
22:25I don't see you again.
22:26I...
22:26Oh, Mrs. Lyons, you're not...
22:36I'm not mentioning any names.
22:48But a racy element has taken over in your girl's singer department.
22:53Add up my bill.
22:54Oh, Mrs. Lyons, I...
22:56Oh, no.
23:00You too?
23:01I've had it, Mr. Corey.
23:02There's things going on in this hotel that...
23:05What are you doing?
23:08Selling luggage?
23:08I'd like my bill.
23:12We're checking out.
23:12Oh, yes.
23:18Gus, we never did hear her sing.
23:20Honey, while I'm getting the bill, would you get me a package of cigarettes?
23:23Oh, sure.
23:24Oh, yes.
23:54And I'm in love.
23:58Oh!
24:02Everything back to my room.
24:04Oh, no.
24:06You heard her.
24:07I'll take care of the angels, Bill.
24:09The light just went on.
24:14Goodbye, my dear.
24:17Goodbye.
24:19Goodbye, Stanislaus.
24:24Honey, I just wanted to sing.
24:36I want you to know
24:38Oh.
24:38Oh, I'm yours alone.
24:46And I'm in love to stay.
24:51Oh.
24:51As we go through the years
24:58Day by day
25:00I was just telling Flike
25:01The next weekend we have free
25:03We're coming right back up here.
25:05Oh, we certainly are.
25:07Honey, you know the people really are friendly.
25:10You know that nice lady said goodbye?
25:12Have you noticed that?
25:13Yes.
25:13And that tall boy conjecture?
25:15Mm-hmm.
25:15Give me a special point of love
25:17and say goodbye.
25:28Got a date with an angel
25:30Going to meet her at seven
25:32Got a date with an angel
25:35And I'm on my way to heaven
25:37Ladies and gentlemen,
26:05Your Plymouth dealer invites you to watch
26:07The Lawrence Welk Program
26:08Top Tunes and New Talent
26:09On this same network
26:10Tom Kennedy speaking
26:12Good night, everybody
26:13Thank you
26:14Good night, everybody
26:16Thank you
26:25Good night, everybody
26:26Thank you
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