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00:00Hello, make-up room.
00:08Oh, yes.
00:09Yes, Mr. Benny.
00:11Well, he just finished his rehearsal.
00:14Well, hold on.
00:14I'll call him for you.
00:16Mr. Burns.
00:17Yeah.
00:18Mr. Burns, call him.
00:18Okay, thank you.
00:27Hello.
00:27Hello.
00:28Oh, hello, Jack.
00:30What?
00:32Oh, stop.
00:33Gracie and I were very happy to be on your television show Sunday.
00:38Oh, really?
00:39The reviews were good, huh?
00:41Well, that's great.
00:42Yeah.
00:43Oh, you left it here in the make-up room?
00:46Oh.
00:46Okay, I'll drop it off at your house.
00:49Goodbye.
00:50Leo, would you put that toupee in a box for me, please?
00:53Sure, Mr. Burns.
00:56If I say I beg your pardon,
00:58then I'll come back to you.
01:01If you ask me to forgive you, I'll return.
01:04Oh, I'll return.
01:07Like the Swallows in Serrano.
01:08George, if it's choking, you don't tie it so tight.
01:11I'm Swallows in Serrano.
01:15Harry, I'm glad you dropped in.
01:17Yeah?
01:18Your rehearsal was four minutes over,
01:20and I want you to cut 20 seconds out of your commercial.
01:22Cut, cut my commercial?
01:2620 seconds, Harry.
01:28My carnation commercial?
01:29Just 20 seconds.
01:30George, you can't do that.
01:32Listen, cut my jokes, cut my big dramatic scene,
01:34but don't cut my commercial.
01:36Harry, it's only 20 seconds.
01:38I'm not asking for your blood.
01:40Well, if it'll save the commercial, take it.
01:42Stop overwracking.
01:46I'm cutting a minute out of my model.
01:48Well, I know, but that's not the same thing.
01:50When you cut things out...
01:51George.
02:00Yeah?
02:00Say, tonight after our show,
02:02can we go see a picture?
02:03Sure.
02:04Would you like to see the death of a salesman
02:06with Fred McMarch?
02:07Well, I'd rather go with you,
02:08but if you're busy, I'll go with him.
02:10Gracie, what are you looking for?
02:14My diamond ring.
02:16You mean the engagement ring I gave you?
02:18Yeah, I lost it.
02:19Again you lost it?
02:21Well, do you remember where you had it last?
02:22Yes, I do.
02:23Where?
02:23Right there.
02:26Well, I'd better go tell the stage manager
02:28that the diamond ring is missing.
02:29Oh, dear.
02:31See, Gracie, that's too bad.
02:32Look, if you describe your ring to me,
02:34maybe I can help you find it, huh?
02:35Well, it was my engagement ring,
02:37and it was a white gold ring,
02:39and it had a diamond in it.
02:41It was about that big.
02:42Wow, that big?
02:44Yeah, and the diamond was
02:45a little tiny one like that.
02:48Are you sure you wore it
02:49to the studio this morning?
02:50Yeah, I remember wearing it
02:51during rehearsal.
02:52Mm-hmm.
02:53Oh, Gracie.
02:54Yeah.
02:54Gracie.
02:55Hmm?
02:55Did you have it at lunch?
02:57No, I had a Swiss cheese sandwich.
03:02Oh, my, Jack Benny's getting gray, isn't he?
03:05You know what I was thinking, Gracie?
03:09That ring could have been stolen.
03:11We ought to report it to the police.
03:12Oh, all right.
03:13But let's go to the Hollywood police station this time.
03:16Then I won't have to change clothes.
03:18Oh.
03:18Wait a minute.
03:19What do you mean, change clothes?
03:21Well, you see, I wear this dress at Brady
03:23when I'm driving my car,
03:24and they must be sick of it
03:26at the Beverly Hills station.
03:27Gracie's ring.
03:40The, uh, the cleaning woman found it in the,
03:42in the, uh, she found it in the powder room.
03:46Wish you could see the diamond.
03:49Wish I could see it.
03:52You know, I bet she's lost this about a hundred times.
03:54It's not that she doesn't care for it,
03:56she loves it.
03:57If I offered to buy Gracie a $10,000, uh, diamond
04:00to replace this, uh, she wouldn't let me.
04:04Uh, you see, the sentiment is so strong
04:06that she couldn't bear to part with it.
04:08Which makes it kind of nice,
04:09because I feel the same way about the $10,000.
04:14Brings back a lot of memories.
04:16I got this engagement ring
04:17when, uh, we were playing the Colonial Theater
04:20in Akron, Ohio.
04:22Yeah, things were kind of tough in those days.
04:24I used to eat in cafeterias,
04:26and before I got to the cashier,
04:28I would hide the meat under the mashed potatoes.
04:34I'll never forget the night
04:35I, I gave this to Gracie.
04:37I slipped it on her finger,
04:38and I got down on my knees to propose,
04:40and, uh, she took a look at the ring
04:42and got down on her knees, too.
04:47She thought the diamond fell out,
04:48and she started to help me look for it.
04:53You know, a guy can't be too careful
04:55with an engagement ring.
04:56You know, engagements are broken.
04:58It's, it's a gamble.
04:59It's like a horse race.
05:00If you get the right dope, you'll...
05:10Well, anyway, we're very happy.
05:13I'd better give this back to Gracie
05:14before she worries herself.
05:16Now, keep it in my pocket,
05:19let her worry a little bit.
05:21Teach her not to be so careless.
05:24I should have thought of this years ago.
05:27Wonder why I didn't.
05:28Oh, I know, we weren't on television.
05:30We didn't need a plot.
05:34I must tell you what she got me
05:36for my anniversary.
05:37See, I wish I could find Gracie's ring.
05:39Blanche Morton talking to herself.
05:42Not under there.
05:44What are you doing over here?
05:46Oh, hello, Harry.
05:47Look, I want my lunch.
05:49What are you looking for?
05:50Gracie's diamond ring is missing.
05:52That isn't all of Gracie's that's missing.
05:55Come on over and get me my lunch.
05:56I have to be back to the office
05:57in half an hour.
06:01Come on, Blanche.
06:08Look, if you don't stop neglecting me,
06:10you're going to wake up one morning
06:11and find that you've lost something
06:12more than a ring.
06:14You'll lose a beautiful house
06:15and a wonderful man.
06:16So what?
06:17I'll still have you
06:18in that shack we live in.
06:22All right, I'll help you
06:23look for the ring.
06:24Oh, that's a good idea, Harry.
06:25Maybe it's around here
06:26in the kitchen someplace.
06:31It's not in here.
06:32Hey, what a delicious looking hand.
06:37No, it's not in here.
06:39You keep on looking, Harry.
06:40Yeah, yeah, I will.
06:44Not in here.
06:45Don't miss anything.
06:47I'll try not to.
06:48It's not in here.
06:58It's not in here.
07:08Not under there.
07:12Not under there.
07:13Not there.
07:18Not there.
07:23No, not there.
07:26I wonder where she put it.
07:33That's not in here.
07:37No.
07:39I wonder where Gracie
07:40lost that ring.
07:41Have you tried looking
07:44in the pickle jar?
07:47That's a very good night.
07:52Blanche, if there's one thing
07:53I detest,
07:54it's a sneaky wife.
07:57Harry, did it ever occur
07:58to you that Gracie
07:59might be planning
08:00to serve those
08:01cold cuts for dinner?
08:02Don't be silly.
08:02She's got a big ham.
08:04I know.
08:04That's who she's planning
08:05to serve them to.
08:06No.
08:06No.
08:06No.
08:07No.
08:07No.
08:07No.
08:07No.
08:07No.
08:08No.
08:08No.
08:08No.
08:09No.
08:09No.
08:09No.
08:09No.
08:10No.
08:10No.
08:10No.
08:11No.
08:12I mean this.
08:14Oh, that.
08:14That.
08:16Well, I'm going
08:17to continue looking
08:17for the ring.
08:20Harry, don't you
08:21touch that ham.
08:22Oh, no.
08:23No.
08:23No, of course not.
08:24I wouldn't touch the ham.
08:25After all, I'm going
08:26to have my lunch
08:28in half an hour.
08:29I wouldn't want
08:30to spoil my appetite.
08:32I know how much
08:33ham costs.
08:33You're going to get it.
08:36No, I'm not going
08:37to eat it.
08:41I guess I'm not going to eat it.
08:49What are you looking for, Harry?
08:51Oh, I was looking for Gracie's ring.
08:56With a knife? What are you going to do, kill it?
09:02Harry.
09:02Yeah?
09:03I got a little surprise for you.
09:07Look.
09:08Hey, that's Gracie's ring.
09:10Yeah, I'm teaching her a little lesson.
09:11I thought it was a diamond.
09:17Well, keep turning it.
09:19Harry, you just passed it the other way.
09:25Well, not a word to Blanche about this.
09:27Oh, I don't know where else to look at.
09:29Oh, hello, George.
09:30Oh, the ring is stolen.
09:32I'll bet it's in some dirty crook's pocket right now.
09:38Could be.
09:39Well, should I give Gracie the ring back?
09:58Now, I got a little worry about 17 more minutes until Amos and Andy come on.
10:03And you know, it takes more to worry, Gracie, than it does the average person.
10:10No?
10:11There I go.
10:12Always do that.
10:13I'll never forget when Gracie and I were booked to play the Palladium Theater in London.
10:22And the second day out, it got very stormy.
10:25Sea got rough and it started to pitch.
10:27And everybody got kind of panicky and they put on their life preservers.
10:29So, uh, everybody except Gracie.
10:33So I said, Gracie, aren't you worried?
10:35She said, why should I be?
10:36We have a round-trip ticket.
10:40Put it off with my water wings and relax.
10:43There's somebody at our door.
10:45Come in.
10:47Oh, how do you do?
10:49Mrs. Burns?
10:49Yes?
10:50I'm Detective Lieutenant Smith.
10:51I've been detailed to handle the theft of your ring.
10:54Oh, well, you're a little late.
10:55It's already been stolen, but sit down anyway.
10:59Let me take a hat.
11:00I'll put it in the hall.
11:02Hey, Lieutenant.
11:03I tell you, I don't know nothing about her ring.
11:05I've never seen her before.
11:07We caught you hanging around the studio.
11:09If she identifies you, you're in trouble.
11:10Well, now, come on.
11:11Let's sit down and visit.
11:13Now, what shall we talk about?
11:15Mrs. Burns, we're here on business.
11:17I'd like to know if you can identify this man.
11:21No.
11:22Don't you know who you are?
11:25Mrs. Burns, this man is Fingers Leeds.
11:27He's a notorious pickpocket.
11:29Now, he's been hanging around the studio,
11:30and we think he got your ring.
11:32Stand up here, Fingers.
11:33I want you to look him over carefully
11:35and see if you don't recognize him.
11:36Oh, all right.
11:44Mmm, my, that's a pretty tie.
11:46Mrs. Burns, this man's been an Alcatraz.
11:50San Quentin.
11:51He's got a long record.
11:52Oh, I'd love to hear it,
11:55but our phonograph only plays the standard sign.
12:00Well, do you recognize him?
12:02No, I don't think I've ever seen him before.
12:05Well, I'd like to try something.
12:06Would you mind getting his hat?
12:07Oh, all right.
12:10Tell you, Lieutenant,
12:11I don't know nothing about her ring.
12:13I didn't steal it.
12:13We'll see, we'll see.
12:16Now, Mrs. Burns,
12:17I want you to take a look at him with his hat on.
12:19All right.
12:20I think it's silly, but I'll do it.
12:29Now, look at him.
12:31No.
12:31I, I, I still don't recognize him.
12:34Sit down, Fingers.
12:36Now, Mrs. Burns,
12:37I have some other suspects I'd like to show you.
12:40Do you mind if I sit down?
12:41No, go right ahead.
12:44Now, you may recognize one of them.
12:46All right.
12:47Now, does he look familiar?
12:49No.
12:52No.
12:53How about this one?
12:55Mm, no.
12:57No.
12:59Well, I guess we'll be going.
13:02Oh, no, no.
13:03You've been so nice.
13:04I want to show you something.
13:06Now.
13:07Now, that's me when I was three.
13:12And that's my sister, Bessie, when she was three.
13:15And this is Hazel.
13:18And, oh, Fingers, come here.
13:20Come on over here.
13:22I'll show you my brother.
13:24And this is my brother, Willie.
13:27And, oh, that's Aunt Clara.
13:30Aunt, oh, of course you know who that is.
13:32Say, wait a minute.
13:33That looks like a guy I sent up last year.
13:35Flathead Thompson.
13:36Oh, no, no.
13:37That's not Flathead.
13:38Well, it looks like it.
13:38Well, no.
13:39I see you've got company.
13:40Oh, George, we were just looking at your picture.
13:46Oh, this is Lieutenant Smith.
13:48And the notorious pickpocket, Fingers Leaves.
13:52What's going on here?
13:54Well, your wife reported her diamond ring missing.
13:56And I picked up this suspect.
13:58Oh, well, uh, uh, uh, uh, uh, uh, uh, Gracie, uh, would you take this in the, in the den and put it in my briefcase?
14:06Yes, all right.
14:07Uh, look, uh, uh, Captain, um, um, here's the ring.
14:12I, I've been trying to teach my wife a lesson.
14:15I'm going to give it to her as soon as she comes back.
14:17So I wind up with a joker detail.
14:19Well, I didn't mean it.
14:20Okay, fingers, you're in the clear.
14:23Oh, thanks.
14:23Well, goodbye.
14:24Oh, uh, Mr. Burns, uh, you seem like a nice guy.
14:27I'd like to give you a little tip.
14:29Never, never keep anything valuable in that pocket.
14:32Oh, this is a bad pocket?
14:33Yeah, I'll show you why.
14:34Here, you walk towards me, huh?
14:36All right.
14:36You pass me.
14:37Like, that's it.
14:40There, you see?
14:42Oh, gee, how do you like that?
14:44Well, I'll never keep it in that pocket again.
14:46Yeah, that's, that's a good idea.
14:48I, I tell you what, if you want to keep this and not lose it, this is where you keep it, right down in there, like that.
14:52Right here.
14:53You see?
14:53Well, thanks.
14:54That's all right, Mr. Burns.
14:56Goodbye.
14:56Bye.
14:57Bye.
14:58And it certainly was an honor to meet you.
15:01And you too, Lieutenant.
15:03Well, Gracie, I think this has gone far enough.
15:06And, uh, I, I, I've got something for you.
15:09I hope you, I hope you've lent you.
15:13I, uh.
15:15What?
15:16I got something for you.
15:17I, I, uh.
15:19I, uh, I, uh, I, I, I, I, I, I, I.
15:25I'll be right back.
15:26Hey, George, George, George, where you going?
15:28I've got to see a man about an empty pocket.
15:30Yeah.
15:32What's the matter with him?
15:33I don't know.
15:34Look, Gracie, I've got some friends just came into town.
15:36They want to see the show tonight.
15:37Do you have four tickets for it?
15:38Oh, yes, I have.
15:39Oh, good.
15:40Okay, now.
15:42One, two, three.
15:45There you are.
15:45Uh-huh.
15:46Uh, oh, George forgot to take Jack Benny's toupee to him.
15:50Thanks for the tickets, Gracie.
15:52I'll have to be running along now.
15:53Oh, all right.
15:54I have to read my script over anyway.
15:56Okay.
16:09I have to read my script over anyway.
16:39Gracie.
16:47Hey, Gracie.
16:48Yes, what is it?
16:49How do I look?
16:50Oh, you look wonderful, Harry.
16:52You know, you should always wear red ties.
16:59Blanche.
17:00Oh, Blanche.
17:01Blanche.
17:09Well, I just came from the police station.
17:12I reported the, uh, I told them that Fingers stole the ring.
17:16But the minute they find out you're in show business, they're always trying to get laughs.
17:19When I describe the diamond to the police captain, he says, go home and stop worrying about it.
17:23As soon as Fingers sees it, he'll bring it back.
17:25You know, people don't realize that I bought that diamond 25 years ago when things were cheap.
17:32You know, if you went in to buy that today, it would cost you $30, $40.
17:40You know, there's not a floor in that stone.
17:44There is a room for one.
17:47Hope I get the ring back.
17:49There's a nostalgic...
17:50Oh, excuse me.
17:51I want you to meet my mother.
18:00Oh, well, Mrs. Bonzel.
18:01How do you do, Mr. Burns?
18:03May I take your coat?
18:04Oh, there you are.
18:05And won't you sit down?
18:07May I get you something?
18:08A cup of coffee?
18:09We're just going to stay a minute.
18:11Well, George, we better get started.
18:12Oh, hello, Harry.
18:13Hey, Gracie, this is Mrs. Bonzel.
18:16Oh, how do you do, Mrs. Bonzel?
18:18How do you do, Mrs. Burns?
18:19Oh, Harry, you rascal.
18:21Why didn't you tell us you were married?
18:24This is my mother, Gracie.
18:26Oh, oh, excuse me.
18:28George said that you were Mrs. Bonzel.
18:30It never gets anything straight.
18:34Gracie, Harry's mother has the same name that he has.
18:38Oh, oh, I see.
18:40Well, I have to start and get ready.
18:42I'll see you later, Harry.
18:43And you too, Harry.
18:51I have to change my mind.
18:52I think I can use that cup of coffee now.
18:54Cup of coffee, okay.
18:55I'll warm it up for you.
18:56We'll go with it.
18:56I'll watch you.
18:57I'll watch you see my kitchen.
18:58Have a look.
18:59Right in here.
19:00There you are.
19:01What a pretty kitchen it is.
19:02Isn't it nice?
19:03Oh, look.
19:05What?
19:06Oh.
19:06Here's the kind of carnation.
19:07Well, of course.
19:08Don't you want to run through your commercial?
19:11See if you know it?
19:11Well, Mother helps me rehearse all the time.
19:15I always help you rehearse all the time.
19:16God, good, good, good.
19:17But I know it backwards, Mother.
19:19We ran through it at the studio this morning.
19:21I know, but practice makes perfect.
19:23Oh, but, Mother.
19:24Son.
19:26Well, all right.
19:28I'll go through it for you.
19:30See, I'll be about here.
19:31Just a minute, though.
19:35All right.
19:36Okay.
19:37Now, shoulders out.
19:38Shoulders back, head up.
19:39Good.
19:40Atta boy.
19:40Now, you all know how wonderful carnation is for babies.
19:44Eight out of ten mothers who use carnation say their doctor recommended it.
19:48Why, it's not only...
19:50It's not only...
19:51Wonderful for babies.
19:53I said that, didn't I?
19:54Say it again.
19:54Oh, I do, sir.
19:55I say it again.
19:56Thank you, Mother.
19:57It's not only wonderful for babies, but it's marvelous for cooking, too.
20:02Now, this is where the camera comes in for a real close-up.
20:05Right like this.
20:07Now, we dissolve back to the kitchen table.
20:09Oh, yes.
20:09Well, we don't have the groceries.
20:11At the kitchen table, I say, almost every homemaker these days includes, in her shopping,
20:17cake mix, biscuit mix, pancake mix.
20:21These foods are naturals for carnation.
20:23You see, carnation evaporated milk gives them a richer flavor, makes them tender and light.
20:28Because carnation evaporated milk is heat-refined, and no other form of milk gives you the results you get with heat-refined carnation.
20:35So, for a wonderful effect on your cooking, and for a wonderful effect on your milk bills, too, start tomorrow to use double-rich carnation, the milk from contented cows.
20:46Harry, that was fine.
20:47That was fine, fine, fine.
20:49Fine, indeed.
20:50You left out the part about cream vegetable soup.
20:53Oh, no, Mother.
20:54I didn't leave it out.
20:55You see, Mr. Burns cut 20 seconds.
20:57You cut his commercial?
20:59His carnation commercial?
21:01Oh, Mr. Burns, please, don't cut Harry's speech about the cream vegetable soup.
21:09Now, Mother, don't get upset, George.
21:11Mother, George, what Mother means is that everybody should know how easy it is to make cream vegetable soup with carnation evaporated milk.
21:18You see, you just pour a can of soup into a pan like this.
21:21Add an equal amount of carnation evaporated milk, and there you are, so rich, so creamy, so wonderful.
21:27There is nothing like cream vegetable soup made with carnation evaporated milk.
21:31So, you see, you can't cut my boy's commercial.
21:37Okay, the 20 seconds are back.
21:39Oh, thank you.
21:40Mrs. Bonzell, I'll fix you some coffee.
21:42Not now.
21:42No, I have to get back and change my script, George.
21:45Mother, you can stay and have a cup.
21:47But you give a good performance tonight.
21:48What?
21:49Jane, what an actress you are.
21:51My own mother couldn't have played that far better.
21:52Anybody could have done it.
21:54Well, how much do I owe you?
21:56If I took money from you, I couldn't sleep a week tonight.
21:59Oh, well, here's $10.
22:01As long as I'm going to be awake, I'll take another $10.
22:07Well, I certainly hope George never finds out about this.
22:11Well, Mother, goodbye, dear.
22:13I'll see you later.
22:14Now, take care of yourself.
22:15Goodbye, son.
22:16Bye.
22:23Well, Jane, what did he pay you?
22:25$20.
22:25Should have given you $40.
22:28That was quite a performance.
22:29Thank you, George.
22:31I hope you can use me on your television show sometime.
22:33I certainly will, Jane.
22:35Hey, Jane, how about some coffee?
22:36Cut the coffee.
22:37I've got a date at Paramount.
22:38Well, wait, Jane.
22:39I'll take you with me.
22:40Fine.
22:40I'm going right down to CBS.
22:44No, Mrs. Burns.
22:45This is the first time I've made you up.
22:46How does it look?
22:47Oh, it looks fine.
22:49Just fine, Bob.
22:50Oh, well.
22:53Hello.
22:54Hello, George.
22:55I'm a little late.
22:56Hey, will you brush me up a little bit?
22:57Yes, Mr. Burns.
22:58Okay, Leo.
23:00Gracie, what happened to you after a whistle today?
23:03Well, you know, the police said that my ring might turn up in the pawn shop.
23:06So I went to one.
23:07Have you ever been to a pawn shop?
23:09Not since I've married you.
23:13Gracie, while you were in the pawn shop, did you browse around a little bit?
23:17No, I was too busy looking at everything.
23:19I didn't have time to browse.
23:20Well, the next time you get there, try browsing them.
23:25Ten minutes, everybody.
23:26Okay.
23:28You certainly see interesting things in the pawn shop.
23:31Well, yeah, I saw my Uncle Harvey's watch.
23:33Well, there's nothing like seeing a nice familiar face.
23:37Uncle Harvey didn't need his watch anyhow.
23:39He always told time by his wallet.
23:42A little more black on the side here.
23:44Uncle Harvey told time by his wallet?
23:46Mm-hmm.
23:47Every night he'd go to the corner bar and keep looking in his wallet and when it was empty, he'd say,
23:52Well, it's time to go home.
23:57That's how he told time by his wallet?
23:59Mm-hmm.
23:59I'm surprised he doesn't see with his mouth.
24:02He does.
24:03Sees with his mouth?
24:05He sees if the soup is hot.
24:10Leo, a little more black.
24:11I'm getting grayer every minute.
24:13You know, while I was in the pawn shop, a man came in to pawn his glasses.
24:17He said they were his reading glasses.
24:19Well, that's too bad.
24:20Oh, but I guess after he learned how to read, he didn't need them anyhow.
24:25Yeah, as soon as I learn to read, I'll throw my glasses away.
24:28Mr. Barnes here?
24:29Yeah, I'm here.
24:31Yeah, I got a look at it.
24:38Tracy, your engagement ring.
24:40Huh?
24:40Oh, thank you, George.
24:42Now, be careful now.
24:43Oh, thank you.
24:45You know, George, while I was in the pawn shop today, I bought my sister Hazel a beautiful camera.
24:51One of those real expensive kinds.
24:53You know that foreign make?
24:54Uh, like her?
24:55Well, of course I like her.
24:56I wouldn't have bought her the camera if I didn't.
25:00I wonder if she can do that with stereopticon.
25:04Gracie, would you mind repeating that again?
25:06Well, all right.
25:07I was in the pawn shop today and I bought my sister a beautiful,
25:10camera, one of those real expensive ones.
25:13You know, a foreign make.
25:15Stereopticon?
25:15Well, of course I like her.
25:16If I didn't, I wouldn't have bought her the camera.
25:21Yeah, I guess you can do it with everything.
25:23On stage, here we go.
25:24Oh, on stage.
25:25Here we go.
25:25All right.
25:26Okay.
25:26Good luck back here.
25:28Good luck.
25:28Hurry up.
25:29Here we go.
25:30Thanks, fellas.
25:30You're welcome.
25:31Here we go.
25:33You know, Leo, I've never worked on Burst and Alan before.
25:38It's just wonderful listening to him rehearse.
25:41Bye-bye.
25:42Yeah?
25:43She wasn't rehearsing.
25:46You mean she's like that?
25:48All the time.
25:50Heartache and evaporated milk presents the George Burns and Gracie Allen show.
25:54Thank you very much.
26:11Gracie and I will be back again two weeks from tonight.
26:14And next week, don't forget to watch that charming couple, Mary Healy and Peter Lynn Hayes.
26:19And, uh...
26:19Oh, George, I'm worried.
26:21What are you worried about?
26:21I lost a piece of Kleenex.
26:23I wouldn't worry about that.
26:24My engagement ring is in it.
26:28Gracie, say goodnight.
26:29Goodnight.
26:29Goodnight.
26:30Goodnight.
26:30Goodnight.
26:31...
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