- yesterday
Stiletul / Kortik (1973)
Partea 3
La oră, învățătoarea îi confiscă lui Mișa o carte despre cifruri. Profesorul de desen BorFed — Boris Fedotovici — îl întreabă pe Mișa despre pasiunea lui pentru cifruri și îi ajută pe copii să descifreze mesajul codat de pe teaca stiletului. Mesajul era: „Sim gadu zavesti ceasî poneje prosleduet strelka poluden bașne samoi poviornutoi bît” — „Prin acest șarpe să pornești ceasul, căci acul va urma amiaza turnului celui mai rotit”. „Gadul” din mesaj se referea la șarpele de pe mânerul stiletului.
Copiii ajung astfel la mama lui Vladimir Terentiev, ucis de Nikitski. Mișa merge la ea și, spre groaza lui, îl găsește acolo pe Nikitski, care se dă drept prieten al lui Vladimir. Simțind că ceva e în neregulă, Nikitski pornește în urmărirea lui Mișa, dar este imobilizat de Polevoi, care apare la timp. Văduva le povestește că soțul și fiul ei, amândoi ofițeri de marină, erau pasionați de scufundări și visau să scoată la suprafață epave de pe fundul mării. Cu ajutorul stiletului, anchetatorii descoperă în ceas ascunzătoarea lui Terentiev, unde se află o listă cu nave ce transportau diverse încărcături valoroase și care s-au scufundat în diferite colțuri ale Oceanului Planetar.
Partea 3
La oră, învățătoarea îi confiscă lui Mișa o carte despre cifruri. Profesorul de desen BorFed — Boris Fedotovici — îl întreabă pe Mișa despre pasiunea lui pentru cifruri și îi ajută pe copii să descifreze mesajul codat de pe teaca stiletului. Mesajul era: „Sim gadu zavesti ceasî poneje prosleduet strelka poluden bașne samoi poviornutoi bît” — „Prin acest șarpe să pornești ceasul, căci acul va urma amiaza turnului celui mai rotit”. „Gadul” din mesaj se referea la șarpele de pe mânerul stiletului.
Copiii ajung astfel la mama lui Vladimir Terentiev, ucis de Nikitski. Mișa merge la ea și, spre groaza lui, îl găsește acolo pe Nikitski, care se dă drept prieten al lui Vladimir. Simțind că ceva e în neregulă, Nikitski pornește în urmărirea lui Mișa, dar este imobilizat de Polevoi, care apare la timp. Văduva le povestește că soțul și fiul ei, amândoi ofițeri de marină, erau pasionați de scufundări și visau să scoată la suprafață epave de pe fundul mării. Cu ajutorul stiletului, anchetatorii descoperă în ceas ascunzătoarea lui Terentiev, unde se află o listă cu nave ce transportau diverse încărcături valoroase și care s-au scufundat în diferite colțuri ale Oceanului Planetar.
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30¶¶
00:01:00Кто дежурный?
00:01:03Я!
00:01:06А почему нет мела?
00:01:08А разве нет?
00:01:09Перед уроком был.
00:01:11Вот как?
00:01:12Значит, он убежал.
00:01:14В таком случае, поди верни его.
00:01:21Тетя Бруша, дайте, пожалуйста, мил.
00:01:28Что с вами, тетя Бруша?
00:01:29Кто вас обидел?
00:01:3220 лет прослужила.
00:01:35Слову худого не слышала.
00:01:39А теперь дурой старой назвали.
00:01:42Кто? Кто вас назвал?
00:01:44Спасибо и на том.
00:01:46Бог с ним.
00:01:48При чем тот Бог?
00:01:49Никто не имеет права оскорблять.
00:01:51Кто вас обругал?
00:01:52Юра обругал.
00:01:56Опоздал он.
00:01:58Ну, я ему и говорю.
00:02:01Мне не велено пускать.
00:02:03Иди к директору, говорю.
00:02:04Он мне старый и дурой говорит.
00:02:06Итак, китов, что ты должен доказать?
00:02:11Равенство углов.
00:02:12Я должен доказать равенство углов в равнобедренном треугольнике.
00:02:20Доказывай.
00:02:21Для доказательства равенства углов в равнобедренном треугольнике надо...
00:02:26Надо квадрат гипотенузы.
00:02:27На доску смотри.
00:02:29Надо квадрат гипотенузы помножить на сумму квадратов качества.
00:02:33Прекрасно.
00:02:38Доказывай.
00:03:03Нужно устроить показательный суд.
00:03:14Шурка будет за прокурора.
00:03:16Надо отлупить его как следует, чтобы помнил.
00:03:25Поляков.
00:03:30Покажи, что у тебя в руке.
00:03:33Я тебя спрашиваю.
00:03:37Что ты писал на уроке?
00:03:43Оставь класс.
00:03:56Здравствуйте.
00:03:57Здравствуйте.
00:03:58Проходите.
00:03:59Спасибо.
00:03:59Проходите, пожалуйста.
00:04:07Садитесь.
00:04:08Спасибо.
00:04:16Дело меня такое к вам, понимаете, неприятное привело.
00:04:20Да, я вас слушаю.
00:04:22Беда с ребятишками.
00:04:25Сами знаете.
00:04:26Лучше в их дела не суваться.
00:04:28Сами разберутся, кто прав, кто виноват.
00:04:31Одному подзатыльник, другому подзатыльник.
00:04:34Такой у меня, понимаете, суд.
00:04:36Такая, значит, вроде система.
00:04:38Но уж когда до воровства доходит, то знаете.
00:04:44Я вас не понимаю, о каком воровстве вы говорите?
00:04:47Ну, воровство не воровство, а обман.
00:04:50А насчет обмана у меня строго.
00:04:52Вашего сыночка ножик?
00:04:59Не знаю.
00:05:01У него есть, во всяком случае, был перочинный ножик.
00:05:04Но этот или другой, я затрудняюсь сказать.
00:05:07Его, его ножик.
00:05:08Мой обормот признался.
00:05:09Миша Поляков, говорит, дал.
00:05:12Он от него ножик получил,
00:05:14а от меня ремня по известному месту.
00:05:19За что же?
00:05:20Может быть, Миша и дал ему этот ножик?
00:05:23Дать-то он дал.
00:05:25Но вот вопрос, за что?
00:05:27Он за этот ножик все мое обмундирование отдал.
00:05:32Я ведь раньше на флоте служил.
00:05:34Ну, сами понимаете, остались вещички кое-какие.
00:05:38Бескозырка, тельняшка, брюки, клеш.
00:05:42Я не видела у Миши ни тельняшки, ни без козырки, ни брюки, клеш.
00:05:46Прячут.
00:05:47Прячут до поры до времени.
00:05:50Хотел я в милицию обратиться,
00:05:51но зачем, думаю.
00:05:53Ведь это придут, протоколы,
00:05:56ведь это, знаете, пятно на всю жизнь.
00:05:59А тут по-соседски между собой можем как-нибудь разобраться.
00:06:04Чего же вы хотите?
00:06:05Да ничего особенного, вот.
00:06:08Заберите ваш нож,
00:06:10а мне вещички верните,
00:06:12которые мой обормот вашему передал.
00:06:15Хорошо.
00:06:16Я спрошу у Миши.
00:06:18Он придет из школы, и я узнаю,
00:06:19если он что-нибудь взял у вашего сына,
00:06:21он обязательно вернет.
00:06:22Да что вы, что вы, он же отопрется и глазом не моргнет.
00:06:26Сейчас самим поискать надо.
00:06:29Нет.
00:06:34Без Миши я этого делать не стану.
00:06:36Вот как?
00:06:38Ну что ж, тогда придется милицию позвать.
00:06:41А уж милиции церемониться не станет.
00:06:43Сразу обыск, скандал на весь дом.
00:06:46Сообщат в школу.
00:06:48Можете обращаться куда угодно.
00:06:50Мой сын не вор.
00:06:53Вы сами сказали, что они обменялись.
00:06:56А обмен не воровство.
00:06:57Кстати, ножичек заберите.
00:06:59Я не уверена, что это Мишин ножик.
00:07:01Ну, знаете,
00:07:03я трудящий человек.
00:07:06Не интеллигент какой-нибудь.
00:07:08Мне мое добро дорого.
00:07:10Могу получить, когда захочу.
00:07:12Полное имею право.
00:07:13Может, прикажете самому поискать?
00:07:16Могу.
00:07:17Уходите отсюда.
00:07:18Сейчас же.
00:07:19Или зовите милицию.
00:07:21Иначе я позову.
00:07:25Так, значит.
00:07:36Зря.
00:07:38Люблю заниматься у барфеда.
00:07:40Не придира, не зануда.
00:07:42На уроках делай что хочешь.
00:07:43Хороший парень этот барфед.
00:07:45Побольше бы таких барфедов.
00:07:47Преподавателя рисования зовут не барфед.
00:07:50Борис Федотович, повтори.
00:07:52Борис Федотович.
00:07:53Борис Федотович Романенко.
00:07:56Повтори.
00:07:57Борис Федотович Романенко.
00:07:59Вот так.
00:08:00И ты запомни это.
00:08:00Не бежка несчастная.
00:08:07Не мог раньше меня предупредить.
00:08:15Холодное оружие.
00:08:16Интересуешься?
00:08:18Да.
00:08:20Я тоже.
00:08:22У меня небольшая, но любопытная коллекция.
00:08:24Можешь посмотреть, если хочешь.
00:08:25Thank you. I really want you.
00:08:28But at the same time. If you're in class, you're going to look at nature, not in the book.
00:08:33Okay, Boris Fedorovich.
00:08:39KIT!
00:08:41Oh, KIT!
00:08:42What?
00:08:43You're from what kind of ocean?
00:08:45I'm sorry.
00:08:47Very،.
00:08:49Please, don't mind.
00:08:53It's something that you drew from.
00:08:55It's a nice idea.
00:08:56I want to make a convent.
00:08:59I don't even know.
00:09:00I want to make a convent.
00:09:01I want to make a convent.
00:09:02I want to make a convent.
00:09:04Well, you should call me the cheap wannads.
00:09:05Haha, that's it.
00:09:07It's not that you can relate.
00:09:10I love you when you keep the convent.
00:09:12You were in class in Tretiakov's gallery.
00:09:16Remember?
00:09:18Repin.
00:09:20Right, Repin.
00:09:22What do you remember Repin?
00:09:24What do you remember Repin?
00:09:26Ivan Groszny killed his son.
00:09:28Ivan Groszny killed his son.
00:09:30What do you remember Remanenko?
00:09:34Remanenko painted a horse.
00:09:38Remanenko painted a horse.
00:09:40What?
00:09:42What did you say?
00:09:44Who he?
00:09:46Who he?
00:09:48Remanenko.
00:09:50Remanenko.
00:09:52Remanenko.
00:09:54Remanenko.
00:09:56Remanenko.
00:09:58Remanenko.
00:10:00Remanenko.
00:10:02Uh...
00:10:09I thought, it was bad.
00:10:11Well, I think it was bad.
00:10:13I said it was like a spy, but you repeat it.
00:10:16You used to work at the barfet.
00:10:18I went to get your head.
00:10:20You have to go.
00:10:32Come on.
00:10:34It's good to see him.
00:10:37I haven't heard him.
00:10:41I'm sorry.
00:10:42It's bad.
00:10:44I'm sorry.
00:10:47I'm sorry.
00:10:49I'm sorry.
00:10:51I get it.
00:10:53I'm sorry.
00:10:55But it's been a good situation.
00:10:57I'm sorry.
00:10:59He couldn't be the most famous artist.
00:11:01I can't believe that this is not a good idea.
00:11:04He is a very talented artist.
00:11:07He'll have a great way to study.
00:11:10He was the most famous person of the world.
00:11:12He was the most famous artist.
00:11:14He had the most famous artist for her life.
00:11:16He was the most famous artist.
00:11:18He would have a great way to study.
00:11:20He was the most famous artist.
00:11:23He was a famous artist.
00:11:26He created a free school for children and workers.
00:11:33He was able to find people,
00:11:35he was able to teach them.
00:11:37This allowed him to be an example of a life,
00:11:40a life of a person,
00:11:42who suffered a huge loss of people,
00:11:45because they were able to do it in the time.
00:11:48They were only very rich and rich people.
00:11:51What did he do?
00:11:53What did he do with his life?
00:11:55Yeah, he needed to change the strife,
00:12:01create a society,
00:12:03to help each person develop his skills.
00:12:05This was the revolution.
00:12:07And all of this,
00:12:09looking at his life,
00:12:11we say,
00:12:13that he can be proud of his life.
00:12:17He was a pure and noble goal.
00:12:21He was a pure and noble goal.
00:12:29I will tell you why.
00:12:31The great artist,
00:12:33the great writer,
00:12:35the great writer,
00:12:37the great writer,
00:12:39the great writer,
00:12:41the great writer.
00:12:43It's a very interesting work.
00:12:45He is a teacher.
00:12:47He is a culture in the most gush of the world.
00:12:49He is a first stone on the new talent.
00:12:53And if someone of you
00:12:55will become a famous person,
00:12:58then,
00:12:59if he,
00:13:00увидев a strong teacher,
00:13:02he will take a hand in front of him,
00:13:05remember that he,
00:13:07he,
00:13:08he,
00:13:09he,
00:13:10he,
00:13:11he,
00:13:12he,
00:13:15he,
00:13:28he,
00:13:30he,
00:13:31he.
00:13:34BORIS FEDOTOVICH, EXPENSIVE ME!
00:13:38Это я подсказал Китову!
00:13:43Значит и киты попадаются на водочку!
00:13:48Ты зачем тетьу Брошу обругал?
00:13:50У тебя какое дело?
00:13:52Что ты на меня так смотришь!
00:13:54Ты не смотри!
00:13:58Why did you look at me?
00:14:00You look at me like this.
00:14:02You look at me, you'll be able to get a good job.
00:14:05You're going to take a chance to get a good job.
00:14:08You're going to have to take a good job to get a good job.
00:14:11You'll have to forgive me before the tess.
00:14:14I'm going to forgive you before the tess.
00:14:17You'll have to wait for me.
00:14:19Why are you talking so loud?
00:14:22Guys!
00:14:27You're not going to have to go, you'll have to go.
00:14:30You're not going to get a good job.
00:14:33Tic-tic-tic-tic!
00:14:35It's a great ceremony!
00:14:37It's like you're not going to do another moment.
00:14:40You're not going to stay.
00:14:42I don't want to stay.
00:14:43I'm going to have to go.
00:14:45We will discuss the question about Юрия.
00:14:54The word is Gennady Petrov.
00:14:57Юра is a weird class.
00:15:00It's a weird class.
00:15:02It's a weird class.
00:15:03It's a weird class.
00:15:05It's a weird class.
00:15:06It's a weird class.
00:15:08It's a weird class.
00:15:10It's a weird class.
00:15:12You're just a weird class.
00:15:13It's a weird class.
00:15:14I'm a weird class.
00:15:16The words happen in my own class.
00:15:18It's so weird as a rest.
00:15:19I'm a weird class.
00:15:20It's so weird.
00:15:21I'm an English teacher.
00:15:22I'm not an English teacher.
00:15:23It's so weird.
00:15:24I think I've got to meet the Luca.
00:15:26It's a weird class.
00:15:27It's so weird.
00:15:28It's an English teacher.
00:15:29I'm a hard guy.
00:15:31Did you get to see that?
00:15:32It's so weird.
00:15:33It's an English teacher,
00:15:34it's kind of a problem.
00:15:37I'm a smart guy.
00:15:39You're a little bit older.
00:15:41I don't understand why he attacks on her.
00:15:45Before we stop standing here.
00:15:49I am sorry to you.
00:15:51I am not sure, why they hate on her.
00:15:56He is a τοingy brandy, than she does.
00:15:59I believe that you should listen and listen to her.
00:16:02I'm not sure what he is saying.
00:16:04If he doesn't know, he does not say.
00:16:06I'm not agree with you.
00:16:09It's not a nice- guilty.
00:16:10But I'm not going to do this.
00:16:12I'll give you a chance to the police.
00:16:14You can do it all, what you want.
00:16:16I'm not a big fan.
00:16:18The incident with the tete Broshy is a bit deeper.
00:16:22What do we have?
00:16:24We have two facts.
00:16:25One is a statement of a woman, which is completely not a real statement.
00:16:28Second, the expression of a dure.
00:16:31Such words, my dear, the beautiful, the great, the great and wonderful language,
00:16:36as said Nekrasov.
00:16:37Not Nekrasov, but Urgenev.
00:16:39Actually, they said they all together, but Nekrasa was a little bit earlier.
00:16:42I suggest to you guys that you have to suppress the word, and so on.
00:16:46Let's go on the subject, say, Zina.
00:16:49Guys, this is a joke. I saw how the girl is crying.
00:16:53And I don't have to protect Yurka.
00:16:55If he likes Lulee Podvolozka, then she will say it right away.
00:16:59Then Shurka. He writes to the girls on the classes.
00:17:03I didn't write to you, so she didn't write to me.
00:17:06You didn't write to me, but Lulee Podvolozka wrote.
00:17:09Then Genka. He always keeps me on the classes.
00:17:13Yurka forgot to tell her, because he thinks he is above her.
00:17:18I suggest Yurka sorry to tell her.
00:17:21If he doesn't agree, then he will put this question in the classroom.
00:17:25Let's decide the school.
00:17:27Who is this proposal?
00:17:30Who is against?
00:17:36Well, if it is done.
00:17:39You are right.
00:17:54I would tell you.
00:17:57You need a blender of the alligator from the Zina.
00:18:00I gave him a knife.
00:18:02He gave him a knife.
00:18:04But he said that he has lost his hand.
00:18:08He said he has lost his hand.
00:18:10He's lost his hand.
00:18:12I don't know what he has lost his hand.
00:18:14He's asked for his hand.
00:18:16He's got his hand.
00:18:18And his arrival is very sad.
00:18:20I feel some fear for you.
00:18:22And you have something to hide from me.
00:18:24Why did you need this?
00:18:26Why did you need this?
00:18:28When he fell,
00:18:32I went to the store.
00:18:34And I met him again.
00:18:36He stood with a high man,
00:18:38with a very nice look.
00:18:40And he said something to him.
00:18:42And I was convinced that he gave him our conversation.
00:18:46I wanted to know
00:18:48if he was a man on the lincor.
00:18:50And it turned out,
00:18:52that he did.
00:18:58What is it?
00:19:00You're interested in the cold.
00:19:02I don't know, Boris Fedotov,
00:19:04that I'm interested in the cold.
00:19:06I'm interested in the cold.
00:19:08I'm interested in the cold.
00:19:10And many kinds of things you collected?
00:19:12I have only one.
00:19:14I have a cold.
00:19:16I have a cold.
00:19:18I have a cold.
00:19:20I have a cold.
00:19:22And I can't understand what this is.
00:19:24What is a cold?
00:19:26A cold.
00:19:28Yes.
00:19:30There are three clays.
00:19:32The wolf, scorpion and lily.
00:19:34And I can't understand them.
00:19:36Well, you can't see the cold.
00:19:38I can't understand them.
00:19:40I can't understand them.
00:19:42I can't understand them.
00:19:44The wolf.
00:20:00This is a keystone of the Zalengen of Germany, which is called Volchata, which is a very famous mark of the weapon.
00:20:11Scorpion is a keystone of the Italian masters of Milan.
00:20:17And finally, Lillia is a keystone of the Florentine master of Paragini.
00:20:23Who did this?
00:20:27You understand the paradox.
00:20:32All these masters were living in the 16th century,
00:20:36and the corset was only in the 17th century.
00:20:42Why are these these claims?
00:20:46The master, who made this claim,
00:20:52I wanted to show you that his mark is the most famous mark.
00:20:57The famous masters came to this trick.
00:21:01So, by these claims, you can't find anything?
00:21:05No.
00:21:07No.
00:21:08No.
00:21:09I can't find anything.
00:21:23I will find something else.
00:21:53You come back?
00:21:57Yes, I'm still waiting for you.
00:21:59I can tell you that this cork is made in Russia a Russian master.
00:22:04It's seen by material, by the way.
00:22:08Well, the wolf, the scorpion and the lily are only in trouble.
00:22:15This is a Russian cork.
00:22:17But what?
00:22:19In Russia there were three types of cork.
00:22:24One cork, four-grann.
00:22:27Your three-grann.
00:22:29It's not suitable for your.
00:22:31One cork, one-grann.
00:22:34He's much longer than yours.
00:22:36It's not suitable for your.
00:22:38It's not suitable for your.
00:22:40These cork were the military military military.
00:22:45It's an emperor for the army.
00:22:48It's not worth it.
00:22:50It's not a sign of an army for the army.
00:22:52It's not a sign of an army.
00:22:54It's not a sign of an army for the army.
00:22:56And, of course, it didn't give me anything.
00:22:58What do you want?
00:23:00I want to know the second, one of the last, one of his cork.
00:23:04Well, the last one of this cork was born.
00:23:07Yes, I understand, but the court is not simple, it's a mermaid.
00:23:11Yes, I see a mermaid.
00:23:18What are you doing?
00:23:20Don't worry, sir.
00:23:27You see?
00:23:29There is a number of letters.
00:23:32What did you do?
00:23:34There were a number of letters, letters, letters.
00:23:38In the pockets of silver, the mighty stones,
00:23:41the copper...
00:23:42...wferred character.
00:23:44It was just a sword.
00:23:46I got it.
00:23:48This is a force.
00:23:51I heard that it is litarte.
00:23:53What is that...
00:23:54I don't know.
00:23:55Well, litarte —
00:23:57it's a copy of
00:24:01If you look at the ancient Russian literature, if it's a literary, then there's only half of the text.
00:24:08Where should it be another?
00:24:31What is it?
00:24:36It's a 10-seller.
00:24:40So, write.
00:24:51S
00:24:54I
00:24:57N
00:24:58What is it?
00:25:007
00:25:01So, let's go ahead.
00:25:05G
00:25:08A
00:25:10D
00:25:13O
00:25:15M
00:25:17What is it?
00:25:19G
00:25:20G
00:25:22G
00:25:23G
00:25:24G
00:25:25G
00:25:26G
00:25:27G
00:25:34G
00:25:35G
00:25:36G
00:25:37G
00:25:38G
00:25:39G
00:25:40G
00:25:45G
00:25:47G
00:25:48G
00:25:49Странная надпись
00:26:02Значит, эта бронзовая змейка
00:26:06И есть тот самый гад, которому надо завести часы
00:26:09Но не достает часов, которые надо завести
00:26:14У тебя есть, например, такие часы?
00:26:19Нет
00:26:49По многим смертный бой, но даже смерть
00:26:55Но и тогда никто нас, товарищи, не победит
00:26:59Это был он тот высокий
00:27:01Какой высокий?
00:27:03Я каждый раз хожу за тобой
00:27:05Сегодня опоздала и наткнулась прямо на него
00:27:07Не волнуйся
00:27:11Красный, миру новому надень
00:27:13Разворачивайтесь в марше
00:27:15Юн день празднуют СССР
00:27:17Тише, товарищи старшие
00:27:19Твое слово, пионер
00:27:21Беспризорных детей
00:27:23Братьте смрабного хлеба
00:27:25Накормить и одеть
00:27:27Эй, левой, левой, левой
00:27:31Левой, левой, левой
00:27:33Левой, левой, левой
00:27:35Левой, левой, левой
00:27:37И так решили
00:27:43В школу и обратно ходить только втроем
00:27:46Один никто из нас не имеет права выходить за пределы двора
00:27:50Я вас оставлю на часок, скажу в магазин
00:27:53Только обо мне не беспокойтесь
00:27:54Я на казенной квартире, на казенных харчах
00:27:56Ничего, ничего
00:28:14Я по этому вопросу кое-что узнал
00:28:16Мне случайно попался морской сборник 1916 года
00:28:20Здесь
00:28:22Перечислены те, кто погиб
00:28:24При взрыве
00:28:26На линкоре императрицы Мария
00:28:28И какая штука вышла
00:28:30При взрыве погибло очень много офицеров
00:28:32Я тебе про них рассказывал
00:28:34Но по имени Владимир
00:28:36Только трое
00:28:38Иванов, Мичман
00:28:40Терентьев, капитан третьего ранга
00:28:42Неустроев, лейтенант
00:28:44Но кого из них убил Никицкий
00:28:46И кому принадлежал кортик
00:28:48Вот некрологи
00:28:50Послушай, интересная штука
00:28:52Трагическая смерть
00:28:54Трагическая смерть
00:28:56Унесла В.В. Терентьева
00:28:58Выдающегося инженера
00:29:00Российского флота
00:29:02Его незаурядные способности
00:29:04И глубокие познания
00:29:06Приобретенные под руководством
00:29:08Незабвенного П.Н. Подволотского
00:29:10Давали ему основания
00:29:12Стать для вооружения русского флота тем
00:29:14Чем был для вооружения сухопутных войск
00:29:16Чем был для вооружения сухопутных войск
00:29:18Его знаменитый предок П.И. Терентьев
00:29:22Вооружение сухопутных войск
00:29:24Может быть, это и есть тот самый оружейный мастер
00:29:28А я о чем?
00:29:30Тут написано, что предок его был знаменитый
00:29:34Значит, о нем должно быть написано в энциклопедии
00:29:37Нет, в военном справочнике
00:29:39Пойдемте в Румянцевку
00:29:41В Румянцевскую библиотеку
00:29:43Ну что ж, можно пойти
00:29:45Но сначала дождемся мать
00:29:47И сделаем так
00:29:49Первым выйдешь ты
00:29:51Я следом за тобой
00:29:55Между прочим
00:29:57Здесь у вас написано
00:29:59Что у этого офицера учителем был
00:30:01Подволотский
00:30:03А у нас в классе девочка учится
00:30:05Лёля Подволотская
00:30:07Может быть, они родственники
00:30:09Все может быть
00:30:11Да, вот еще что
00:30:13Кортик
00:30:15Я оставлю у себя
00:30:16Не беспокойся
00:30:17Придет время, верну
00:30:20Я ж теперь его подарил
00:30:22Значит, он твой
00:30:24Ну, пока что собирайся
00:30:35Участник сражения при Ачакове, Столучанах и Хотине
00:30:55Терентьев Поликарп Иваныч
00:30:57Создатель первой конструкции
00:30:59Водолазного прибора
00:31:00Известен как автор
00:31:01Фантастического для своего времени
00:31:03Проекта подъема
00:31:04Фрегата Трапезунт
00:31:05Вот видишь
00:31:07Пригодился твой оружейник
00:31:09Слушай, Миша
00:31:13У меня к тебе будет большая просьба
00:31:15Вы с ребятами
00:31:17Ни во что больше не вмешиваетесь
00:31:19Остальное будут делать те, кому это положено делать
00:31:23Добро
00:31:25Добро
00:31:27Мы достали ножны
00:31:29Провели серьезные исследования
00:31:31Все выяснили
00:31:33Мы достали ножны
00:31:35Провели серьезные исследования
00:31:37Все выяснили
00:31:38А теперь, когда остается только взять клад
00:31:40Он забирает у тебя и ножны и кортик
00:31:42Тихо
00:31:43Лёля
00:31:44Лёля, скажи, пожалуйста
00:31:46Под Володский, профессор морской академии
00:31:49Твой дедушка
00:31:50Да, а что?
00:31:52Видишь ли
00:31:53Дедушка давным-давно умер
00:31:55А жива только бабушка и тетя Соня
00:31:58А они не знали дедушкиных учеников?
00:32:00Дедушка проводил лекции
00:32:02Один
00:32:03Без бабушкиной помощи
00:32:05Секретничаете?
00:32:06Да
00:32:07Миша интересуется моими предками
00:32:10Если они тебе так нужны
00:32:12Могу дать их адрес
00:32:32Без бабушкиной
00:32:34Без бабушкиной
00:32:35Без бабушкиной
00:32:36Без бабушкиной
00:32:39Без бабушкиной
00:32:40THE END
00:33:10THE END
00:33:40THE END
00:33:42THE END
00:33:46THE END
00:33:48THE END
00:33:50THE END
00:33:52THE END
00:33:54THE END
00:33:56THE END
00:33:58THE END
00:34:00THE END
00:34:02THE END
00:34:04THE END
00:34:06THE END
00:34:08THE END
00:34:10THE END
00:34:12THE END
00:34:14THE END
00:34:16THE END
00:34:18THE END
00:34:20THE END
00:34:22THE END
00:34:24THE END
00:34:26THE END
00:34:28THE END
00:34:30THE END
00:34:32THE END
00:34:34THE END
00:34:36THE END
00:34:38THE END
00:34:40THE END
00:34:42THE END
00:34:44THE END
00:34:46THE END
00:34:48THE END
00:34:50THE END
00:34:52THE END
00:34:54THE END
00:34:56THE END
00:34:58THE END
00:35:00THE END
00:35:02THE END
00:35:04THE END
00:35:06THE END
00:35:08THE END
00:35:10THE END
00:35:12THE END
00:35:14THE END
00:35:16THE END
00:35:18THE END
00:35:20THE END
00:35:22THE END
00:35:24THE END
00:35:26THE END
00:35:28THE END
00:35:30THE END
00:35:32THE END
00:35:34THE END
00:35:36She was not a dorynka, she was a prostitute.
00:35:38But now it's in modern mode.
00:35:40It's a strange family.
00:35:42It's some kind of things.
00:35:44Some kind of things.
00:35:46What are they now?
00:35:48Where are they now?
00:35:50They live in Petersburg.
00:35:52But I don't know the address.
00:35:54I don't know the address.
00:35:56Because there is an address to my father.
00:35:58But in such a house, you'll find something?
00:36:02I'm very sorry, I'll do it.
00:36:04I'll do it.
00:36:06What do you need to do?
00:36:08Sonia, find him.
00:36:10Find him, find him.
00:36:24I'm going to go to the concert.
00:36:26If he's going to the concert,
00:36:28we'll have to do it without him.
00:36:30Okay, okay.
00:36:32All right.
00:36:34I'll go to the concert.
00:36:36How are you going to...
00:36:38I think, In fact, you are going to get up.
00:36:40Sorry, Lava.
00:36:42I mean, don't even go to the concert.
00:36:44I'll pay attention.
00:36:46I will go to the concert.
00:36:48And now, in that moment.
00:36:50Not now.
00:36:51Only a young man, like your father, could agree with him.
00:36:56Let's leave him alone alone.
00:36:58I don't know where, I don't know why.
00:37:00I don't know how to live in a palace.
00:37:06Don't be afraid of him.
00:37:08I'm sorry.
00:37:11Okay, read it again.
00:37:15His previous address is Petru Nikolaevich Podvolodskom.
00:37:20So, an address.
00:37:22From M.V. Terentia,
00:37:24Sanct. Petersburg.
00:37:26Myka.
00:37:27Domen S.S. Vasilev.
00:37:30An address is.
00:37:32One last letter from 12.09.1915.
00:37:36It's interesting.
00:37:39Read it.
00:37:41I'm sorry, Peter Nikolaevich.
00:37:44I wrote from the bus.
00:37:46I'm 30 minutes.
00:37:48I'm not allowed to be able to tell you what I'm personally.
00:37:53I'm in Puskin.
00:37:55I must be in the place of the bus.
00:37:59I must be in the past 15-year-old.
00:38:02I'm sorry to be my fate, I'm truly proud of you, Vladimir Terenтьev.
00:38:08Maybe my house is not the street?
00:38:12My house is the river.
00:38:14How interesting, what are they living in the river?
00:38:17Okay, I'll write.
00:38:21Well, now the place of the house is nowhere to go.
00:38:24In those days, everyone was growing up and hid out of it.
00:38:29And even the person who will find the place, it will belong 25%.
00:38:34We will take it immediately, a little while you'll be going to walk.
00:38:38Do you want to buy money?
00:38:40You want to buy money?
00:38:42We're going to build a stadium.
00:38:44Let's play football,
00:38:46we're going to be free for kids.
00:38:48We don't have to pay attention.
00:38:50I don't believe it.
00:38:52But if there was a club,
00:38:54it would be better to build a house for the bus.
00:38:56Or, for example, music schools.
00:38:58You think?
00:39:00You think that music schools don't need a stadium?
00:39:04You think that music schools need?
00:39:08And, Slavka,
00:39:10if you're going to be a club,
00:39:12I'd like to take care of your future.
00:39:14You think you're going to be a musician.
00:39:16Let's say.
00:39:18What do you mean?
00:39:20What?
00:39:22What?
00:39:24What is this for Paganini?
00:39:34Paganini?
00:39:36It's a musician.
00:39:38He was a musician.
00:39:40He was the enemy of the concert.
00:39:42He threw a string on the strings.
00:39:44But he played on one string.
00:39:46And no one saw it.
00:39:48He was the string on the strings.
00:39:50He was the same.
00:39:52He was the same.
00:39:54I think.
00:39:56He was the same.
00:39:58He did a group of people on the car.
00:40:00He played on theirsiniz.
00:40:02He played on the buffet.
00:40:04He played the prices.
00:40:06I would see you,
00:40:08how will your Budorne play a book?
00:40:10He heard you speak about the repetition of the army?
00:40:12How does this mean the army work?
00:40:14That's right.
00:40:16But why music?
00:40:19How about you?
00:40:20You will build a new car, and you will be on the royale.
00:40:23This number will not be done.
00:40:25You will build a lot.
00:40:27I found a lot.
00:40:29Of course.
00:40:30I will be a new car.
00:40:32I will be a new car, a new car.
00:40:35There will be a new car in the commons.
00:40:37Right?
00:40:38I am saying?
00:40:40Oh!
00:40:41We have a company in the сбora.
00:40:43Well, hello, Guse and Lepied.
00:40:46What is the conversation?
00:40:49What is the conversation?
00:40:51The address of the room?
00:40:53Who are you looking for?
00:40:55One person.
00:40:57The secret secret.
00:40:59How are you talking about?
00:41:01What are you talking about?
00:41:03We have a professional.
00:41:05I said to myself, I wanted to become a musician.
00:41:08And he said to myself, that the commons are not a musician.
00:41:11I said to myself, that the music is not a musician.
00:41:13I don't know.
00:41:14I was going to be a new car.
00:41:15I said to myself, that the music is not a real person.
00:41:16I said to myself.
00:41:18And that the music is not a real person.
00:41:19And that the music is not a real person.
00:41:20And that is the place.
00:41:21And that's what I said.
00:41:22I said to myself.
00:41:23Right.
00:41:25You need to have a special skill.
00:41:28You need to have a hard time,
00:41:31and then you can play.
00:41:33Here's Borodin.
00:41:35He was a composer.
00:41:37He was a composer.
00:41:39He was a musician.
00:41:41And music is an air and air.
00:41:43So...
00:41:45How many people of the art of Russia?
00:41:48Chaykovsky, Glynkov, Repin, Tolstoy.
00:41:53Well, brother...
00:41:55Well, brother...
00:41:57You've got it.
00:41:58It's giants, titans.
00:42:01It's not everyone else.
00:42:03I agree with you.
00:42:05He will be a musician.
00:42:07He will be a musician.
00:42:09He will be a musician.
00:42:11Well...
00:42:13Let's talk about it.
00:42:15When I was 14,
00:42:17my mother said to me,
00:42:19how will you go to life?
00:42:21You have to have a disability.
00:42:23That's what I can do.
00:42:25It's crazy.
00:42:26It's crazy.
00:42:27That's a thing for me.
00:42:28It's crazy.
00:42:29It's crazy.
00:42:30You want to build something else?
00:42:31It's crazy.
00:42:33It's crazy.
00:42:34You're not crazy.
00:42:35It's crazy.
00:42:36It's crazy.
00:42:37You think,
00:42:38some of us were a man named in your age.
00:42:41Yes, Glynkov.
00:42:43Why did they kill us?
00:42:48Why did they kill us?
00:42:50What a thing!
00:42:52You just agreed with my point of view.
00:42:55When did it happen?
00:43:05Well, that's what a hell of a mess.
00:43:08Where did we know where and when she was born?
00:43:11What did we do?
00:43:13We were told that it was just a good weather.
00:43:15What did we do, if we stopped at the table,
00:43:17to push back in a place of Paris?
00:43:19What did we do?
00:43:21We will write it up.
00:43:23We will write it up from the other people.
00:43:25And we will write it up.
00:43:27The answer to it is a matter in process of reading some files.
00:43:29We are so happy about it.
00:43:31That the situation, the place that is not the right one thing,
00:43:33but the existence is a grave,
00:43:35and the situation is an angel of clay.
00:43:37What do we do, for example,
00:43:39Well, not to be able to give up.
00:43:41But you need to know about the bureaucratism.
00:43:43They need to know them how hard to get to the lawn.
00:43:45And they need to know everything.
00:43:53Look, you go to the road.
00:43:55You look at it.
00:43:57You have a way up to the lawn?
00:43:59You can go home or in the door.
00:44:01Going to?
00:44:03Well, show you this Peugeot.
00:44:05You scared? You scared?
00:44:07You scared? You scared?
00:44:09I was scared, yes?
00:44:11Let's go!
00:44:13Good job!
00:44:15Get out of here!
00:44:17Get out of here!
00:44:19One, two, three!
00:44:23One, two, three!
00:44:25One, two, three!
00:44:27Come on!
00:44:29Let's go!
00:44:31Let's go!
00:44:33Let's go!
00:44:35Let's go!
00:44:37Let's go!
00:44:39Let's go!
00:44:41Let's go!
00:44:43Let's go!
00:44:45Oh, sorry!
00:44:47If you had such a car...
00:44:49I'm not a car!
00:44:51I'm not a car!
00:44:53I'm invited to the day of the day!
00:44:55I'm already a kid!
00:44:57I'm a kid!
00:45:25I'm not a car!
00:45:27I'm a kid...
00:45:29You can't.
00:45:31I have to go!
00:45:33Let's go!
00:45:35You have to get in the car!
00:45:37You have to get in the car!
00:45:39The way through the car is the car!
00:45:41You have to rent!
00:45:43It's very that way!
00:45:45Yes, what is it possible!
00:45:47What the crap you don't have to do?
00:45:49I told you, Gennady, that you have these products for a month, and he doesn't want to listen to the table, and the deal is at the end.
00:46:01And the confets, Gennady, he sent you.
00:46:05Tiet, I was asked.
00:46:07Well, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:46:10I'm sorry, I'm sorry, I'm sorry.
00:46:12I'm sorry, I'm sorry.
00:46:14But if you buy a pair of shoes, you're afraid to buy your clothing.
00:46:18But Kim already bought any bar and bought some jewelry?
00:46:21Well, so.
00:46:23He wants to buy a coat, he wants to be a real woman.
00:46:26Maybe.
00:46:28If I knew that you would buy some things around you, I'd never come to get you.
00:46:32Well...
00:46:35You try.
00:46:40Yes.
00:46:42You are right.
00:46:43There are several thousand Terenтьева.
00:46:46But the former owner of Vasily, who I found out, said,
00:46:51that Terenтьев and his wife really lived there before the war.
00:46:54His mother Terenтьева lived somewhere in Moscow.
00:46:58With a greeting from Kupriyan.
00:47:01And on the opening, Terenтьев wrote,
00:47:05that he was in Pушкиno.
00:47:07And this is where it was in Moscow.
00:47:11How are you, Kurovin?
00:47:15I'm moving a little bit.
00:47:18I'm going to 4th-year-old.
00:47:21I'm going to get 90 rubles in a month.
00:47:24Well, you're good.
00:47:27I'm not going to go to the master.
00:47:31I need to clean it.
00:47:33Show me.
00:47:36How are you?
00:47:38How many?
00:47:3915.
00:47:40Two камней не хватает.
00:47:42Каких двух камней не хватает?
00:47:43На один камень часы положить, другим прихлопнуть.
00:47:46А ты знаешь, за что убил брат брата?
00:47:50Это сказка про Каина.
00:47:52Что-то они там не поделили.
00:47:54Нет.
00:47:55Один убил другого за то, что тот рассказывал старые анекдоты.
00:48:02А меня в комсомол принимают.
00:48:04Живут же люди, а мы все в пионерах ходим.
00:48:07Вот только с летней колонией у нас тут не получается.
00:48:11Надо найти дом, усадьбу какую-нибудь.
00:48:15Наш Севастьянов хлопочет-хлопочет, а дело не идет.
00:48:19Геннадий, ну что ж ты не приглашаешь гостей за стол?
00:48:23Угощай.
00:48:27Дорогие гости, принимаю поздравления и подарки.
00:48:30Да, чуть не забыл.
00:48:32А где второе?
00:48:43Второго не достал.
00:48:45Ну ничего, поездишь пока на одном, а там видно будет.
00:48:49Как так на одном?
00:48:50Вот так, на одном.
00:48:53Прошу к столу.
00:48:54Подожди, у меня тоже есть подарок.
00:49:00Разыграли.
00:49:02Значит, коллекция марок, кожная куртка, шахматы.
00:49:13Мы сбежали, а Николай Севастьянов хочет здесь приручить всю беспризорную орду во главе с Коровиным.
00:49:19Могли не тащиться за столько верст.
00:49:21Тебе что, плохо?
00:49:22Я не говорю, что плохо.
00:49:23Я только объясняю, что Николай мог сказать, что мы не просто делаем однодневную вылазку, а ищем усадьбу для труд колонии.
00:49:29Ребята!
00:49:30Ребята!
00:49:31Ребята!
00:49:32Ребята!
00:49:33Николай зовет всех!
00:49:34Как с усадьбой?
00:49:35Все растащено, запущено, разырено и неизвестно кому принадлежит.
00:49:47Но самая большая трудность – это собрать сюда ребят.
00:49:50Зимой они живут в детдоме, а летом разбегаются.
00:49:53Вот я и думаю, предложить им провести лето в такой вот усадьбе.
00:49:56Правда, можно еще поискать.
00:49:59Ну что ж, мы сейчас с Коровиным сходим в деревню, а потом пора собираться и домой.
00:50:04Вы нас не ждите.
00:50:05Почему?
00:50:06Есть кое-какие дела.
00:50:08А, ну хорошо, как хотите.
00:50:10А мы?
00:50:11А вы с нами.
00:50:12Идем.
00:50:14Сначала пойдем по этой улице, потом по другой.
00:50:26Главное – не пропустить ни одной таблички.
00:50:28Лучше спросить в сельсовете.
00:50:31Кого спросить?
00:50:32Терентьеву?
00:50:33Да.
00:50:34Это вызовет подозрение.
00:50:36Подумаешь, кого бояться.
00:50:37Старушка сама обрадуется, когда узнает, что мы найдем клад.
00:50:44Видишь?
00:50:45На табличке только номер дома.
00:50:48Здравствуйте, ребята.
00:50:49Привет.
00:50:50Здравствуйте.
00:50:53Сколько лет, сколько зим.
00:50:56Загородная вылазка?
00:50:58Почему к нам не зашли?
00:50:59Вы же знаете, где мы живем.
00:51:01А мы, собственно, и идем.
00:51:03К тому же, у нас есть одно дело.
00:51:05Какое дело?
00:51:06Так, ерунда.
00:51:08Тетку разыскиваю.
00:51:10Тетка?
00:51:11Да она же в Москве живет.
00:51:13Да, тетка в Москве живет, а эта совсем другая.
00:51:16У меня их несколько.
00:51:18Другую я нашел, а эту никак не могу найти.
00:51:21Знаю, что в Пушкино живет, а ни дома, ни улицы не знаю.
00:51:25А как ее фамилия? Мы всех знаем здесь.
00:51:30Терентьева Марья Гавриловна.
00:51:32Терентьева Марья Гавриловна.
00:51:35Она живет рядом.
00:51:36Пойдемте, мы вам покажем.
00:51:47Это длинная история.
00:51:49Ведь она думает, что Генка умер, а он, оказывается, жив.
00:51:53Ее надо сначала подготовить.
00:51:55А то, если бухнуть ей так, то у нее от радости может случиться разрыв сердца.
00:52:00Здоровье у нее хрупкое.
00:52:02Мы с ней почти не знакомы.
00:52:04В общем-то, вы никому не говорите.
00:52:08И отцу своему, ладно?
00:52:10Папа умер.
00:52:12Извините.
00:52:13Я не знал, как же вы теперь.
00:52:14Одни живем, работаем на два буш-два.
00:52:15Воздушный аттракцион.
00:52:16Вот здесь она живет.
00:52:17Что ты с одним поленом возишься?
00:52:18Полено какое-то суковатое.
00:52:19Никак его не разрубишь.
00:52:20Чертого полена.
00:52:21Брось его, возьми другое.
00:52:22Полено упрямое.
00:52:23А я его еще упрямее.
00:52:25Посмотрю, кто это.
00:52:27What are you doing?
00:52:29What are you doing with one piece of wood?
00:52:31Your thing is a little bit crazy.
00:52:34You don't have to crush it.
00:52:36You don't want to destroy it.
00:52:38Your thing is a little bit better.
00:52:40It's a little bit better.
00:52:43He is a little bit better.
00:52:46I'll take it to him.
00:52:48I'll take it to him.
00:52:50I'll take it to him.
00:52:52Who will take it.
00:52:57We are here in the free days, when we do not participate.
00:53:03So we need to go to Moscow.
00:53:05It's a shame to leave this house.
00:53:07Here are父 and mother.
00:53:11We will be here every week.
00:53:12Come to us in a week.
00:53:20Can we go to the table?
00:53:22Of course. Why are you here?
00:53:24They definitely look at the table.
00:53:26I've noticed in the last time.
00:53:28The table?
00:53:29Who is who?
00:53:30I'm not going to do such a mess.
00:53:35Can I go to the table over the door of Terenтьева?
00:53:38It's possible with the staircase.
00:53:43Terenтьева is one living?
00:53:46Like, she is one.
00:53:48Why are you asking me?
00:53:51It's so simple.
00:53:54Hey, you!
00:53:55I thought you were dead.
00:53:56You're dead.
00:53:57You're dead.
00:53:58You're dead.
00:53:59You're dead.
00:54:00Normal people got into trouble.
00:54:01Did you walk away?
00:54:02They were laying tight?
00:54:03Do you think they were dead?
00:54:08Yes, Tomください.
00:54:09He's aаксator toy.
00:54:13.
00:54:14.
00:54:20.
00:54:23.
00:54:25.
00:54:26.
00:54:31.
00:54:34.
00:54:38.
00:54:41.
00:54:42.
00:54:43The ghost of the king is here.
00:54:45It's not that you're going to be here.
00:54:47It's not that you're coming to the king.
00:54:49I don't know what to say.
00:54:51You're going to be with him.
00:54:53I'm not going to be here.
00:54:55We're going to be here.
00:54:57The man.
00:54:59The man is here.
00:55:01The man is here, the man from Moscow.
00:55:03He is the man from Moscow.
00:55:05He lives here.
00:55:07Good evening.
00:55:09And this is Misha from Moscow. He is interested in working with Polycarp.
00:55:16But I don't know how I can help him.
00:55:26Where is the fear of a cold weapon in this young age?
00:55:31I'm going to go, Marjorie Gavrilovna.
00:55:44I'll go, Marjorie Gavrilovna.
00:55:46I'll go home.
00:55:52I'll go to the young man, Marjorie Gavrilovna.
00:55:56It will be nice with you, Valery Sigismundovitch.
00:56:01conquering your mind.
00:56:03And...
00:56:04Can't beat me again.
00:56:05I'll go, Marjorie Gavrilovna...
00:56:15In the first way...
00:56:16for the vaz abert loses ...
00:56:25beans, like them,
00:56:28when they take theocking go...
00:56:29The End
00:56:59The End
00:57:29The End
00:57:59The End
00:58:29The End
00:58:59The End
00:59:29The End
00:59:59The End
01:00:28The End
01:00:58The End
01:01:28The End
01:01:58The End
01:02:28The End
01:02:58The End
01:03:28The End
01:03:58The End
01:04:28The End
01:04:58The End
01:05:28The End
01:05:58The End
01:06:28The End
01:06:58The End
01:07:28The End
01:07:58The End
01:08:28The End
01:08:58The End
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