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19:53Yes.
19:55Yes, please.
19:57You know what?
19:59It's interesting to me, your poet's thinking.
20:03Yes.
20:04What is it?
20:06It's genetics, life, I think, just life.
20:12You're the right person, you're the outsider.
20:15He left a woman who loves her,
20:17and is sad, and is sad, and is sad.
20:20Yes, life is full of catastrophic decisions,
20:24and some actions that we can't explain ourselves.
20:28Right.
20:29Yes.
20:30Well, at the end, everything is set up and gets on their own.
20:34Muček.
20:35Muček.
20:36I want to say that there is no chance.
20:39Because...
20:41How was it?
20:43You are...
20:44Stevan.
20:45Stevan, I am Mila.
20:48Goran, Goran.
20:49He is just Goran.
20:51In my life, everything goes, goes, goes, goes, goes.
20:54And always ends up bad.
20:56I will not protect the guest.
20:58Hmm.
20:59Wait, wait, wait.
21:00Maybe you have faith?
21:02Yes, sir.
21:04Listen to the famous man.
21:06Okay.
21:07I will believe.
21:09I will go to my house to...
21:14Do you believe?
21:15Yes, sir.
21:16Yes, sir.
21:17I will believe you.
21:18I will believe you.
21:19I will believe you.
21:20Come and believe you.
21:21I will not believe you.
21:22On account of your house.
21:23Come and believe you.
21:24Yes.
21:26Lord, we will believe you.
21:28Let's go, Goranek.
21:30Something I am...
21:31I am sorry for him.
21:32I mean, it is not easy for him.
21:34It is not.
21:35God is.
21:36Let's go, let's try to blow up.
21:37Amen.
21:54And?
21:55What?
21:56What is it?
21:57Can you tell me how everything looked up?
21:58I have nothing to tell you.
22:00Well, Alex, undoubtedly there is nothing to tell you.
22:02It is strange.
22:03Let me see.
22:04It was a sad mistake about the process of making decisions, but it's important that it was so bad.
22:08Okay, I'm just going to be sad, despite how much you are being thanked me.
22:13I'm going to ask you, Gavriela.
22:14I'm going to ask you, I think she really thinks she is so much over the way she calls us to go to the evening to say.
22:25She has asked us to go to the evening.
22:29She wants to go to her house.
22:33What did you say?
22:35I said that it's a request that I can't answer.
22:39I mean, of course, I have to consult with you before.
22:42That's it.
22:44Okay.
22:46What are we going to do?
22:49We plan tomorrow, because I'm finished with the plan for today.
22:54Can you?
22:57Okay, that's good.
22:59Because I had a very good plan for us, but it doesn't matter.
23:05What is the plan?
23:07Let's go, let's go, what is the plan?
23:10I gave us the Chinese.
23:13They're coming soon.
23:14And I found a very good series for us to watch and sit.
23:18That's phenomenal.
23:23Can I?
23:24Yes.
23:29Good.
23:30Good.
23:31Good.
23:32Good.
23:33Good.
23:34Good.
23:35Good.
23:36Good.
23:37Good.
23:38Good.
23:39Good.
23:40Good.
23:41Good.
23:42Good.
23:43Good.
23:44Good.
23:45Good.
23:47Good.
23:49Good.
23:51Good.
23:53Good.
23:55Good.
23:57Good morning, Panić.
23:59Good morning, Mina.
24:01Good morning.
24:03Good morning, Mina.
24:05The time of the cafe is ready.
24:07You're so wonderful.
24:09Thanks.
24:11No, no.
24:13My phone.
24:15I'm going to do the phone before you.
24:17I'm going to do that.
24:19Why do you blink it nonstop?
24:21It's okay.
24:23Nothing, nothing, nothing.
24:25We are sending messages out of the morning.
24:27Do blink!
24:29Yes!
24:31Look, look.
24:35Look, look.
24:37Because of the interview.
24:39Yes, because of the interview.
24:41We have a big problem because of your memory, because of your memory, because of your love and beauty.
24:48Panchi!
24:50Panchi!
24:51Here we go, Darko.
24:53Darko, good morning.
24:55Sedaj.
24:56The coffee is warm.
24:57Sipaj.
24:58Good morning.
24:59What is there?
25:01God, everything!
25:03I don't think.
25:04How and who?
25:06I don't understand.
25:08I know.
25:09I know.
25:10But I understand.
25:12Darko, I'm going to tell you that we have a big problem because of your personality.
25:20What is your personality?
25:23Because of mine, Darko.
25:26Because of mine.
25:27What?
25:28Why do you have a big problem because of mine?
25:31How is it?
25:32I don't think of this phone.
25:34I don't think of this phone.
25:35I don't think of it.
25:36I don't think of it.
25:37I don't think of it.
25:38I don't think of it.
25:39I don't think of it.
25:40I don't think of it.
25:41Pardon?
26:02Hey.
26:03I don't think of it.
26:04I don't think of it.
26:05I don't think of it.
26:06I don't think of it.
26:07I don't think of it.
26:08I don't think of it.
26:09I don't think of it.
26:10I don't think of it.
26:11I don't think of it.
26:12I don't think of it.
26:13I don't think of it.
26:14I don't think of it.
26:15I don't think of it.
26:16I don't think of it.
26:17I don't think of it.
26:18I don't think of it.
26:19I don't think of it.
26:20I think of it.
26:21I don't think of it.
26:22I don't think of it.
26:23I don't think of it.
26:24Okay.
26:25Let me see.
26:26I don't think of it.
26:27I do.
26:28I don't think of it.
26:29Give me Anthony for real.
26:31Do you want proces?
26:33Wait.
26:34Wait.
26:35If you're not an agreement,
26:36I need to take.
26:39I don't think of it's going to get you at her.
26:43That's what I'm talking about.
26:45Okay.
26:47Olga, sit down. Sit down.
26:53I'll tell you.
26:57You don't have to tell anyone.
27:09What do you know? What did you hear?
27:13I said Lazar.
27:15Who was Lazar?
27:17From Dona.
27:19Stop, let me tell you.
27:21Wait, wait, wait, wait, wait.
27:23No, no, no.
27:25Nobody say anything about me, especially mine.
27:27I'm single myself.
27:29No, no, no, no, no, no.
27:31Lazar is a Dona.
27:33You're the only one can't come to your voice.
27:37Really?
27:39I told you that I'm gonna have a problem because of you.
27:41I'm going to leave you here. I'll leave you here.
27:45I'll catch you.
27:46Where are you now?
27:47I'm going to go.
27:48I'm going to work. I'm working.
27:51I'm going to be a place.
27:52I'm going to help you.
27:53I don't want to help you.
27:54I don't want to help you.
27:55You don't want to help you.
27:58I'll catch you.
27:59Ciao.
28:02You're linda.
28:03Yes, you're not able to do that.
28:04I love you.
28:05I love you.
28:11I love you.
28:25Kada ti je poslednji pacijent?
28:29Ne znam, nisam pogledao.
28:31Nisi pogledao?
28:33Izvini, sad ću da pogledam. Nešto si bio zamislio.
28:36Kako si se zamislio?
28:38Veljko, ti si jedini pa i glavni internist u ordinaciji.
28:43Ne, možeš da se zaboraviš.
28:45Zamisli tako, dođe ti pacijent, a ti ga ubiješ.
28:48Ne bi mi se to desilo u životostu.
28:51Šta ti je?
28:52Olabavi, Zezan.
28:53Naravno ti se ne bi desilo.
29:00Vidi.
29:02Možda si ne, Zezan.
29:04Šta nije u redu? Stvarno deluješ pomalo odzupno.
29:11Nisam znala da bi izgledam tako stvarno.
29:14Sve okej.
29:16Ja sam psihoterapeutkinja i meni se takve stvari ne učine.
29:21Imaš problem?
29:23Je li nešto u vezi sa poslom?
29:25Ne, ne, ne, nije stvarno.
29:28Na poslu je i više nego okej, zaista.
29:31Je li se desilo nešto dok nisam bila tu?
29:33Ne, ne, ne, nije, nije ništa stvarno.
29:36Da nije nešto sa Anđelom?
29:37Ne, ne, ne, nije. Kunijep ti se, nije.
29:39Nema veze uopšle.
29:40Onda ti se desilo nešto privatne?
29:46Možda je samo takav dan, eto.
29:50Veljko, mene ne možeš da farbaš.
29:53Ako ti nije dobro, uzmi slobodan dan.
29:56Nema potrebe da uzimam slobodan dan, baš mi ne treba.
29:59To je jedan dan, nije tragedija ako ga uzmeš.
30:06Ti ovde, koliko ja vidim,
30:11nemaš ni jednog ozbiljnog pacijenta.
30:14Sve neke kontrole, psiknice.
30:16Ne, ne, zaista okej sam stvarno.
30:19Nema potrebe da uzimam slobodan dan, ne treba.
30:22Aha.
30:23Dobra, ajde onda mi kaže šta se dašava.
30:40Piše dnevnik.
30:42Dnevnik pišeš?
30:43Da, počeo sam da vodim dnevnik pre nekog vremena.
30:48Bože, nikad ne nisam vidjela da pišeš dnevnik, a baš dugo te poznajem.
30:53Eto, počeo sam to da pišem i eto, nastavio sam.
30:59Čekaj, čekaj, čekaj, čekaj, ono baš dnevnik, kao dragi moj dnevniček, pa šta je bilo tog dana?
31:04Ne, ne, ne u tom smislu, nego više onako kao neke crtice iz poslovnog života, nešto o našem bendu, kakve su bile reakcije na kom nastupu, kakav bio repertoar. Ono čisto da se ne zaboravi. A onda se poče da pišem i ove crtice iz privatnog života, eto.
31:26Dobra, nikad ne bih rekla da ti pišeš dnevnik. Pa da, da imam neki pregled situacije, znaš.
31:35Dobra, mogu da vidim. Pa ne, ne, ne možeš.
31:38Zašto, pa rekao si da nije ništa bitno, da samo neke crtice da...
31:41Ne, pa ne može, znaš šta, ne može, to su moje intimne stvari što bi ti čitala moj dnevnik, znaš.
31:47Tako da, ovaj...
31:49Hili, jel ti to nešto pišeš, ne bi li možda stvarno počeo da pišeš?
31:55Da budeš pisac ili tako.
31:57Eh, sad me još izlezaš ono. Pa šta je čudno što čovjek vodi dnevnik, šta ti?
32:01Pa zvi, nije ništa čudno što neko vodi dnevnik, ali da ti vodiš dnevnik, mislim, to je stvarno.
32:07Usti to, zaboravi to. Niko vidi, ti ja imam puno posla, znaš.
32:10Mi moramo da vidimo šta ćemo sa repertoarom za stajeći nastup.
32:15Znaš, on se približava i onda moramo stvarno...
32:18Možda ne bi bilo loše uz gitaru to da sredimo.
32:23Da, da, da, ajde, ajde, ajde, vaše. Idemo.
32:27Da, da, ajde, ajde, ajde, ajde, ajde, ajde.
32:31Pravost.
32:33Stipo ludo. Rekli smo da nećemo da bersiramo jedno drugom.
32:35Dobro, okej, u pravosti.
32:37Desilo mi se nešto što...
32:39...možda i nije toliko važno.
32:41Desilo ti se nešto privatno ili baš lično?
32:45Ba, kao što rekla, nije, nije, nije važna stvarno.
32:47Pa da nije važno, ne bi bilo tako pogubljen.
32:49Pa da nije važno, ne bi bilo tako pogubljen.
32:51Nisam znao da izgledam pogubljen.
32:53Rekoh ti da ne farbaš terapeutke.
32:55Nikla, nisam znao da baš tako vidljivo izgleda.
33:14Rekoh ti da snetsajš terapedutke.
33:21Nisam znao da baš tako vidljivo izgledam.
33:23Someone in the third is not visible, but I don't know what happened to you.
33:27Come on, let me tell you what happened to you.
33:31It's hard to talk about that, honestly.
33:34Even if we don't have enough confidence in each other?
33:39I don't know if you tell me what happened to you.
33:41I tell you what happened to you.
33:43I don't want to tell you what happened to you.
33:50Tell you what happened to you.
33:53Okay, okay.
33:57I saw you with the former, in which I still have some emotions.
34:03And?
34:05I didn't expect that it happened to you.
34:10What happened to you?
34:11Nothing happened to you.
34:13I understood that...
34:15What did you understand?
34:17The story was just finished.
34:19I was just a man who was really upset.
34:21I was just a man.
34:22Yes.
34:23What did you say?
34:24I understand.
34:26I understand.
34:27I understand, but...
34:29I'll go.
34:31Okay, I'll go.
34:32I'll go.
34:33I know.
34:34I think that it would be really useful to take the freedom of the day.
34:39I'll go.
34:40No, I don't need to take the freedom of the day.
34:42I'll go.
34:43I'll go.
34:44I'll go.
34:45I'll go.
34:46I'll go.
34:47I'll go.
34:48I'll go.
34:50I'll go.
34:51Let's go.
34:54There, we are.
34:55I will tell you the most...
34:57No.
34:58No, no.
34:59No.
35:01No.
35:02No.
35:03Nothing.
35:04No.
35:05I don't want you to call me.
35:07No.
35:08I'll kill you for tomorrow.
35:09I'll take care of 10 minutes.
35:1020 minutes later, that's it.
35:12It's like...
35:13Certainly.
35:14Yes.
35:15Let's see.
35:17It's very nice.
35:34It's hard.
35:37People cannot know what is going to happen in your life.
35:41You can't even know when you will open a new door in which you are waiting for something unrecognito.
35:51But it's nice.
35:53Like what happened to me at the same time.
35:56I accidentally went to a cafe and I also accidentally found something very nice.
36:04I found a friend.
36:08I don't think it was a coincidence.
36:12I mean, the cafe in Maldives has something that makes a joy.
36:19It's something that makes a life.
36:23Something that I never had the opportunity to meet before.
36:27And that's the Mille and Goran.
36:30They are really nice.
36:32They are really nice.
36:34They are really nice.
36:36I think I have found two new friends.
36:42They will go to Jovane and say,
36:50Why would I not write for Dona?
36:54And then I sit here and write some days.
36:58It's a bit of a lament for a friend.
37:02In my time.
37:04But they are really nice.
37:05They are really nice.
37:06They are really nice.
37:07They are really nice.
37:08They are really nice.
37:09But Jovane will receive it.
37:10And I will receive it.
37:11I will receive an honor.
37:15If I get away, I will receive some super nice.
37:21I will receive it.
37:22Good.
37:23Good.
37:24Good.
37:37Yeah.
37:41Hello, you're welcome.
37:42Yes.
37:43Sit alone.
37:44Hmm?
37:47Go ahead.
37:49What does it mean to call him in the evening?
38:05How does this smell?
38:08It's not a perfume.
38:11Let's see how he plays.
38:14What is it?
38:18What are you doing?
38:32Nothing, Mr. Jovanovic.
38:35Jovanovic?
38:36Jovanovic, yes. Sorry, it was a little dangerous day.
38:39Five days, aspirin in the evening and in the evening.
38:42And if there was a need for you, come back again.
38:46All right, thank you very much.
38:47I pray.
38:48Have a nice day.
38:49Have a nice day.
38:50Have a nice day.
38:51Have a nice day.
38:56Man, I forgot about man, after two minutes.
39:06Is this the last one?
39:09Yes, I'll just write the diagnosis.
39:13I think I know what would be able to do.
39:16Some people are in love.
39:17We are in love.
39:18No matter.
39:23You see, I have finished my work step.
39:25But yes, you didn't.
39:26Once you finished your first task, we have already many jobs.
39:31Is this again for Vanya?
39:32Yes.
39:35It looks like you learned a lesson.
39:37I learned a lesson and I.
39:38That was.
39:39I wanted to ask you something.
39:51What do you do?
39:53What do you do?
39:55I have an idea.
39:57I thought I would like to make a woman.
40:01Oh, maybe.
40:03I know that I have been doing it for 100 years.
40:07It's not the same.
40:09It's not the same.
40:21To your pudding was the answer.
40:25The secret of your lover.
40:27Listen to me.
40:29I don't have to be stupid.
40:33I know that this pudding is my secret.
40:39I don't know what you do with my secret pudding.
40:45What do you do?
40:46What do you do?
40:47What you do?
40:49What do you do?
40:51Now I'm calm.
41:07And you?
41:08Did you leave me or did you leave?
41:21How do you think?
41:27You know, I'm very good. How do you think?
41:31I'm nothing.
41:34I'm talking to someone else.
41:36Mama, I'm nothing.
41:38I'm good to invite my friend to the evening.
41:40I'm good to invite my friend to the evening.
41:43Yes.
41:44I understand what you want to say.
41:47You don't need to care for me.
41:51But God, I need to care for you.
42:04Gala, what do you think about Gala?
42:07Nothing.
42:09Nothing.
42:11What?
42:13It's just a heart that we celebrate every day.
42:16Ah, I want you to get rid of it.
42:18You know, it was a wine, but you can get rid of it.
42:20You can get rid of it.
42:21I want you to get some medicine.
42:23No, I don't think so.
42:25I think it's better that I start.
42:28I'll see you.
42:40Thank you for this.
42:41It's okay.
42:42It's okay.
42:43It's okay.
42:44It's okay.
42:56I really like you so much.
43:05Thank you, Vaj sigla.
43:09How do you feel like that with us?
43:11I can't get into the speech how it is doing well.
43:14I love hearing what I'm doing.
43:17But you should be in a culinary series.
43:20You'd be 100%.
43:21No.
43:51No.