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00:00El Espíritu Santo
00:29El Espíritu Santo
00:59El Espíritu Santo
01:01El Espíritu Santo
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01:53El Espíritu Santo
01:55El Espíritu Santo
01:57Él está aquí.
02:12Gracias, Ferry.
02:22¿Puedes irme?
02:23¿Puedes irme?
02:23¿Puedes irme?
02:27Soy Noel Evans.
02:28¿Sit down?
02:39¿Puedes irme?
02:40¿Puedes irme?
02:40¿Puedes irme?
02:41¿Puedes irme?
02:53¿Puedes irme?
02:55¿Puedes irme?
02:57¿Puedes irme?
02:58¿Puedes irme?
02:59El número es cuatro.
03:09No lo buscamos.
03:11Cuatro son personas, prácticas.
03:15Uninspired.
03:16Bueno, estoy afraid que no voy a ser suitable.
03:18Cuatro no es un resultado.
03:20Cuatro es el número de la pobreza y la muerte.
03:25Bueno, fue muy bien hablar con usted, señor.
03:28Look it over.
03:38¿Vid you care for some brown sherry and walnuts?
03:58¿Verdad?
03:59¿Verdad?
03:59¿Verdad?
04:00¿Verdad?
04:01¿Verdad?
04:02¿Verdad?
04:03¿Verdad?
04:04¿Verdad?
04:05¿Verdad?
04:06¿Verdad?
04:07¿Verdad?
04:38¿Verdad?
04:39I'd expect you to live in.
04:42We haven't discussed salary.
04:43The salary is 750 dollars a week.
04:57700.
04:59700.
04:59You will get your clothes and your dictionaries will start tonight.
05:26Uh, uh, uh, look, I'm, um, I'm not into, uh, occultism or, uh, Satanism or anything like that.
05:35I'm really a very square person.
05:37I know Arabic.
05:38I know Arabic.
05:39I happen to have this, uh, this inner thing for Arabic.
05:42That's all.
05:42That's exactly what I want, is a month's salary.
05:47I'm delighted that you were able to start right away.
05:51My, my brother used to live here.
05:56We always worked together.
05:57Uh, but he passed away and, well, I'm, I'm swamped.
06:06And I might say a little lonely.
06:09We were twins.
06:10And we were very close.
06:28Can you find your way out all right?
06:30Darling, maybe you shouldn't go through with it.
06:54Maybe you shouldn't have it translated.
06:56You shouldn't know.
06:57Now, now, I must know.
07:03I must, I must.
07:27He's waiting in the study.
07:42He wants you to come right away.
07:44Tell me, uh, have there been any other translators before me?
07:47Two.
07:49They quit or were they fired?
07:51Quit.
07:55Fern.
07:59I, uh, I don't mind telling you I'm, I'm a little, uh, I'm a little spooked.
08:05Can I depend on you as a friend?
08:15Sure.
08:16I've made a, a life study of demonism and sorcery.
08:30Much of the practice of sorcery is based on a Latin work, the Necronomicon.
08:34But that was based on this Arabic work.
08:39This one here.
08:40But you see, some of the most, the most, the most, and I use this word literally, the most fiendish passages were, well, they were simply never rendered into the Latin.
08:57Can you tell me why the, uh, the two translators before me quit after only one day?
09:05Well, there was one passage in here that they just refused to translate.
09:17Excuse me.
09:27Whatever is in the passage must have terrified them.
09:46They left.
09:48What makes you think that I won't leave after I've run it?
09:53Dinner.
09:57What a glorious bloody color.
10:18Oh, I beg your pardon.
10:20I, I forgot to introduce you to Mr. Evans.
10:24This is my father who built this house and who is back with us.
10:30He goes by the name of the Falling Tower.
10:34How do you do Falling Tower?
10:39Here's to you, darling.
10:42Fern is indispensable to me.
10:45Did you know
10:45that for every sorcerer
10:48there must be at least a thousand sorceresses?
10:53Um,
10:54you, you said that she was indispensable to you.
10:58In what way?
10:59In the black arts,
11:01women are always the dominant ones.
11:03And enslaved by men,
11:06they develop sorcery as a way to power.
11:09You see what Fern does for me.
11:11I'm sorry.
11:12Um,
11:13I don't understand.
11:15Uh,
11:15exactly what does she do for you?
11:20Listen.
11:22Do you hear that?
11:24Rats!
11:27I'm afraid we have rats.
11:28No, it isn't rats.
11:30I tell you it isn't.
11:31Yes, it is, dear.
11:33But what else could it be?
11:36You see,
11:38it was despair
11:39that brought on the black mass.
11:42Life in the Middle Ages
11:43was saturated with despair.
11:46And the feeling of helplessness
11:48against the establishment,
11:50the nobles,
11:51and the clergy,
11:53and...
11:59Fern.
12:01The way you say that,
12:03you're really into this.
12:06Don't you really hear that?
12:12Are you expecting somebody?
12:18Is he expecting somebody?
12:20Okay.
12:31Are you going to give mommy a kiss?
12:39Huh?
12:39Uh-huh.
12:40Well, uh...
12:59I have it.
13:01Well, go ahead.
13:04It's grizzly.
13:06Read it.
13:06Mr. Carnby,
13:10I, uh...
13:12I can see why they quit.
13:15And in fact,
13:15if you don't mind,
13:17uh...
13:18Here's your check.
13:19If you don't read that,
13:21you'll never leave this house.
13:24Sit down, Noel.
13:24It is verily known
13:38by few
13:40that the will of a dead sorcerer
13:43has powers upon his own body
13:45and can raise it up from the tomb
13:48and perform therewith
13:51whatever actions
13:52were unfulfilled in his life.
13:55You see?
13:56Those are the sounds
13:57you said were the rats.
13:59Such resurrections
14:00are invariably
14:01for the detriment of others.
14:05Now, this,
14:05this part is really incredible.
14:08But he can only do this damage
14:10to another person
14:12if that person knows
14:14of his peculiar power.
14:18Go ahead.
14:21There are cases
14:22in which the will of the wizard
14:24was so powerful
14:26that even though his body
14:28had been
14:29hewn
14:30in many
14:32fragments
14:34or segments,
14:35these fragments
14:37can rise
14:38either separately
14:39or in concert
14:42to serve
14:43the wizard's end.
14:45Ah,
14:46well, that,
14:46that's,
14:47that's it.
14:53Mr. Carnaby.
14:58Is there anything
14:59we can do for him?
15:05Have you finished
15:06with the passage?
15:06Well, there's a preamble.
15:11It's a curse.
15:13I suppose
15:14that's where
15:15the other two left.
15:16Well, let's hear it.
15:26By all the dark powers
15:27of this world,
15:29may he who reveals
15:31this secret
15:31be flayed slowly
15:34over burning coals.
15:35and,
15:38and then
15:39thoroughly dismembered.
15:45Well, it's been
15:46quite an evening.
15:49I think I'll leave now.
15:53Fern.
15:54Don't you feel
16:01as if there's some
16:02hidden horror
16:04in this house?
16:05He killed his brother.
16:25He cut his twin brother
16:27up into pieces.
16:28Oh, my God.
16:30He buried the pieces
16:31in the oak grove,
16:32except for his head.
16:33His head?
16:34What did he do
16:35with his head?
16:36Shh.
16:36Cool it, man.
16:38Believe in the oneness.
16:40Terror is joy.
16:41Joy is terror.
16:43Life is death.
16:45And torture is ecstasy.
16:48We're holding
16:48black mass later.
16:50I'll see you then.
16:53Ah, no.
16:54I, I, I can't
16:55kiss you with that frog.
16:56But it's beauty, man.
16:59I mean, life is beauty.
17:02Kiss the toad.
17:05Oh, some other time,
17:06maybe.
17:14You didn't finish
17:16the translation,
17:17dear boy.
17:17Astrodot, protect me.
17:22Three, three, three.
17:28Elehu, elehu, elehu.
17:33Asmodeus, destroy him.
17:37Five, five, five, five, five.
17:44Elehu, elehu, elehu.
17:50Val, protect me.
17:54Nine, nine, nine, nine, nine, nine.
18:05Mr. Comby?
18:06Mr. Comby?
18:21What is that?
18:23You heard what Fern said?
18:25It's the rats.
18:27It's only the rats,
18:28I tell you.
18:29I tell you.
18:36It's my brother.
19:06Your brother's dead.
19:11Don't you think I know that?
19:14I buried him
19:15in pieces
19:17in the oak grove.
19:19Except his head.
19:22His head is in the closet.
19:25I hated him.
19:28He was stronger than me.
19:31His magic was stronger.
19:33But it was fine.
19:34The thing she caused that.
19:37She wanted to be stronger
19:39than both of us.
19:41The woman is insatiable.
19:43But she taunted me
19:45by loving him
19:47for power.
19:49For power over both of us.
19:51Well,
19:53I can put a stop to that.
19:56Go to the study.
20:19Your brother's waiting.
20:20That's my brother.
20:30He's calling me to mass.
20:33And you will preside.
20:36For power!
20:38Don't I always?
20:39The woman is insatiable.
20:49The woman is insatiable.
20:49Come in now.
21:04It's an experience
21:05one ought not to miss.
21:07Ah,
21:08if it's all the same to you,
21:09he's coming.
21:11Ah,
21:11um...
21:13Ah...
21:15Um...
21:20Ah,
21:20um...
21:21Ah,
21:21um...
21:23I...
21:24I...
21:24I...
21:27I...
21:28I...
21:28all...

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