- anteayer
Emocionados por empezar de cero lejos de Londres, Martyn y Rebecca se mudan a una hermosa casa en Glasgow con sus dos hijos pequeños. Al principio, el nuevo hogar parece idílico, pero cuando su vecino Jan le hace comentarios inquietantes a Rebecca, resulta ser el comienzo de algo mucho más intimidante.
Categoría
📺
TVTranscripción
00:00I beg the pardon of the court. I admit I was unfaithful to my wife.
00:06Camilla has invited me to Girls Point.
00:09You want me to spend our honeymoon with your ex-wife?
00:12This will be your room, Mr.
00:14McDonald.
00:15And you've come here together. I hope this isn't some kind of unfinished business.
00:21Mary?
00:22Thomas.
00:23Best not to mention our friendship.
00:26How dare you come here when I expressly forbade it?
00:29But I will have Mr. Treves here.
00:31Why have a husband when you can have a lawyer?
00:33Well, it's your pleasure, sir.
00:35If you stop talking, I won't have to tell you that I'm a policeman.
00:39You've got the black dog on you.
00:41The devil's got yourself.
00:59The devil's got himself.
01:00Well, you've got his wife.
01:01And he fell asleep.
01:01Why is it that vocalist?
01:03Well, this he doesn't have to tell us.
01:03Well, this is how he says it, too.
01:05You've just sat on aüş.
01:06The devil's got a dog on you.
01:07Although he's exposed her, I believe he's relate to him.
01:09I think that he's really painful.
01:11Then why does he crippled me?
01:12Who can fix it?
01:12brokers
01:13They bought you for the �
01:47¡Ali!
04:19¿Qué pasa?
04:49No, of course not.
05:19No, of course not.
05:21No, of course not.
05:23No, thank you, Neville.
05:25Don't intend on drowning today.
05:29You said there were rip currents.
05:31It was perfectly safe.
05:33Race you to the rock and back.
05:35Why do you have to make everything a competition?
05:37Makes it look interesting.
05:39No, my darling husband, that is what I'm for.
05:43I'll say.
05:45Yeah.
05:47It's not interesting.
05:49What about this?
05:51Sylvia!
05:53Sylvia, be careful!
05:55Don't do that!
05:57Sylvia!
05:59Damn it, Mr. Treats.
06:01I knew I'd be made a nanny.
06:03Well?
06:04Do you love her?
06:05Audrey?
06:06Is that why you're here?
06:07I do.
06:08I do.
06:09I do.
06:10I do.
06:11I do.
06:12I do.
06:13I do.
06:14I do.
06:15I do.
06:16I do.
06:17I do.
06:18I do.
06:19I do.
06:37You sort of gravity.
06:39She pulled you to her.
06:40Yes, I know t'was.
06:41Whatever I felt for her died long ago.
06:45Why does Neville call you a liar?
06:47¡Muchas!
06:49¡Muchas!
06:51¡Muchas!
06:57¡Silvia!
07:17No, no, no, no.
07:47Watch me, dress her.
08:09Need a drink.
08:17I lost my footing.
08:39I lost my footing.
08:40Drinking.
08:41Idiot.
08:42Lucky.
08:43Idiot.
08:44A young girl from the hotel raised the alarm.
08:46Aspirin.
08:47No broken bones.
08:48No internal injuries.
08:49Sit up.
08:50Up.
08:51Here we go.
08:52Up.
08:53Here we go.
08:54I've seen something like this once before.
08:59If you enter the water right, on a calm night, it's possible.
09:06I've seen something like this once before.
09:07If you enter the water right, on a calm night, it's possible.
09:13The plantation is ruined.
09:14Mmm.
09:15Leaf blight, floods.
09:16It's too much.
09:17It's too much.
09:18It's too much.
09:19It's too much for any man.
09:20I need money.
09:21A lot of money.
09:22Please, Aunt Camilla.
09:23Please, help me.
09:24Please, Aunt Camilla.
09:25Please, help me.
09:26What is that?
09:27It's possible.
09:28It's possible.
09:29The plantation is ruined.
09:30The plantation is ruined.
09:32La plantación está arruinada.
09:40La flujo, las flujas.
09:43Es demasiado, es demasiado para cualquier persona.
09:46Necesito dinero, mucho dinero.
09:49Por favor, Anka Minna, por favor, me ayuda.
09:54Me ayuda.
09:55Me ayuda.
09:57O.
09:59O.
10:01O.
10:02I will go to the press and tell them everything I know about Neville.
10:07Everything you know about Neville?
10:09That there was a tragic accident and a boy died and Neville stood up and owned it?
10:18And it wasn't an accident. It wasn't. I know it wasn't.
10:21This is why I sent you away.
10:23Because you would keep picking at the wound.
10:26And here you are, still drawing blood.
10:30Will it bring Peter back?
10:31If you must settle your score with Neville, do it like a man.
10:39But leave Peter James in peace.
10:42Get out of my sight.
10:43Go on.
10:44Where the hell is Neville?
11:00Oh, there they are.
11:02Sorry, he's run too far.
11:19The occasion is better to walk back.
11:22I want to go dancing.
11:24You promised to take me to Easterhead.
11:25Yes, let's.
11:29Let's go dancing.
11:31Sylvia, you can come too.
11:34So good, spare.
11:35You must be back.
11:36You must be back.
11:48I'm not sure.
11:48I'm not sure.
11:49I'm not sure.
11:49I'm not sure.
11:49no no
12:15No, no, no, no, no, no, no, no, no, no, no, no.
12:17I'm a man de Neville, I can carry for her too, Gunner.
12:24Here's a little trick for ya.
12:45¿Qué es Barrett?
12:47Barrett, me pide en mi chair.
12:49Preciso, eh, suffocatoria.
12:51¿Quién eres?
12:55¿Quién eres?
12:57McDonald.
12:59Ma'am.
13:01Mr. Neville.
13:05¿Dónde está Barrett?
13:07No, no quiero que...
13:09No, no quiero.
13:11¿Dónde estabas antes de Neville?
13:19Somerbridge, ma'am.
13:21Somerbridge.
13:23No los conocen personalmente.
13:27Good people.
13:29¿Entonces por qué te dejaste?
13:33Answer me.
13:41Y oOOW.
13:43Y oooW.
13:45¿Te vas a grabar del pueblo?
13:47¿Tenemos volientes que existen depaces?
13:48Y lleno de las piranías.
13:50Y lleno de las piranías.
13:52Ser rec Fireb ignó.
13:55Hay un precικό bar para ver.
13:58Y lleno de laMaría.
13:59Tiene una cariña.
14:02Ocampo les 1200 m.
14:04Y lleno de las piranías.
14:06¿Lo ven desde hace que estén sentidos?
14:09¡Gracias!
14:39¡Gracias!
15:09¡Gracias!
15:39¡Gracias!
16:09¡Gracias!
16:11¡Gracias!
16:13¡Gracias!
16:15¡Gracias!
16:17¡Gracias!
16:19¡Gracias!
16:21¡Gracias!
16:23¡Gracias!
16:25¡Gracias!
16:27¡Gracias!
16:29¡Gracias!
16:31¡Gracias!
16:33¡Gracias!
16:35¡Gracias!
16:37Right.
16:43The point is, Sylvia, you're young, you need sleep.
16:49Well, I'm a delinquent.
16:55You're, well, I don't think you're a delinquent and I should know, I've met a few.
17:00I'm an orphan. Orphans are difficult and don't belong anywhere.
17:11Mr. Treves, let us discuss the will. If they must pursue their pleasures elsewhere...
17:29Then we shall conduct some business.
17:36Neville. He has money, youth, fame, but what he really wants is the country seat.
17:44Perhaps I shall leave him everything but.
17:52Audrey, Mary, wining for their independence.
17:58As for Thomas Royd, it is a feeble attempt at blackmail.
18:04Blackmail?
18:07Ah, Peter. Peter James.
18:11Let us not speak of it. We will not speak of it.
18:15Barrett, stop that. Take it away. Take it all away.
18:23Left me with a brood of vipers.
18:41I think by now you know I'm not the man you were hoping for.
18:53But I'm not despicable.
18:55You could have told me, Thomas. I thought we were friends.
19:08But you don't want anyone to know about that, do you?
19:10It's not a good day.
19:23Hey... I just...
19:25No, but...
19:26¡Suscríbete al canal!
19:56You lost your footing
19:57Not every day one meets a living miracle
20:03No, not a miracle, no
20:14Just, um
20:16Just bloody lucky
20:20Or unlucky
20:26Are you disturbed, Inspector
20:29In the mind?
20:37I should have died
20:39A thousand deaths
20:41All those bullets
20:44All those shells
20:45And seemingly not one of them
20:48Was for me
20:50Death doesn't seem to want you
20:53You've got to go on living
20:58You've got to
21:00No matter what the rage
21:03No matter what the blackness
21:05You've got to go on
21:07I saw him go down
21:17Matthew
21:20I saw the yacht founder
21:26At this window
21:32I watched it sink
21:33The sea decides
21:37It's a terrible thing
21:43To be angry with the dead
21:44What were you angry about?
21:50Me
22:08And my shadow
22:17Stolen down the avenue
22:25Me
22:30Me
22:31And my shadow
22:36And my shadow
22:40Not a soul
22:45To tell our trust to
22:49And when it's
22:55Twelve
22:56A cloud
22:59We
23:01I want to go
23:01I want to go now
23:03We never
23:07I want to go now
23:09Wait, I was late
23:19She's going to murder us
23:21Lady Tresillian
23:36Is not to be disturbed
23:37Neville
23:37She's reconsidering
23:38Her will
23:39Let me
23:42Let me speak
23:42Not this time
23:45Neville
24:02We should never have gone
24:04Don't you dare
24:05Blame me for this
24:06It's your idea
24:07Lucky
24:08You made me come here
24:09You said it would be alright
24:11Just you and me
24:13You said
24:13Free of her
24:14Her
24:17You know I'll say this for Audrey
24:21She'd never be so vulgar
24:23As to make a fuss
24:24She would swallow it
24:26Or leave
24:27I am not going anywhere
24:31I am Mrs. Strange
24:34Yes
24:35You are
24:37You were
24:47No
24:47I was just
24:51I feel it
24:51You are
24:52I'm
24:54I'm
24:55I'm
24:55I'm
24:56I'm
24:56I'm
24:56I'm
24:56I'm
24:57I'm
24:58I'm
24:58I'm
24:59I'm
24:59I'm
24:59I'm
24:59I'm
25:00I'm
25:01I'm
25:01I'm
25:01Gracias.
25:31Lady Tresillian is indisposed this evening after a painful and disappointing day.
26:01Excuse me.
26:26Everyone, this is Mr. Louis Morel.
26:29Please.
26:34Oh, he's staying at the hotel.
26:39Do you remember?
26:41This afternoon, I danced with your wife.
26:52You don't remember?
26:54Oh, no, of course.
26:57No, you're welcome to someone else.
26:59Who is this man?
27:09He's my guest, Neville.
27:10He's my guest, Neville.
27:11Mr. Morel, you're welcome.
27:15Good evening.
27:19Did you?
27:20I like a good detective story.
27:31But you know they begin in the wrong place.
27:34They begin with the murder.
27:36No, no, the murder is the end.
27:40The story begins long before.
27:44Years before.
27:46When the murder is seated.
27:51Someone laying a trap.
27:56Drawing us towards Zero itself.
28:01Mr. Morel.
28:02Mr. Morel, I owe you the rest of our dance.
28:13Neville, you can dance with your other wife.
28:28Good luck to you, Mr. Morel.
28:32You can throw her away just like that.
28:34Come on, Neville.
28:35Audrey?
28:36Or is this not your song?
28:38Come on, Neville.
28:39Dance.
28:40Dance with your wife.
28:41Dance with your fucking queen.
28:44Magnificent when drunk.
28:46Mm-hmm.
28:51I'll dance with you, Audrey, if he won't.
28:53He won't.
29:00Throw away your trouble.
29:02Dream a dream of me.
29:03Dream a dream of me.
29:04Dream a dream of me.
29:06Up the lazy river where the ride runs down.
29:10Way's too bright new morning.
29:12As we go along.
29:14Right, you need to sweep it off.
29:18Now.
29:19Now.
29:20Hey!
29:21You're hurting her.
29:23What's into you?
29:24Who the hell are you?
29:25No.
29:26Nobody.
29:27He's nobody, Neville.
29:28Yeah.
29:31I'm nobody.
29:33I'm the nobody she left for you.
29:40For this.
29:49I see.
29:52Where is it?
29:53Where is it?
29:55My compact.
29:56My little gold.
29:57My gold compact.
29:58Where is it?
30:00Where did you last have it?
30:03My room, I suppose.
30:08I'm gonna help her look for it.
30:10And you're not gonna say a word.
30:12Dance.
30:14Dance with your boyfriend.
30:15With your boyfriend.
30:19Go then.
30:20Go!
30:34It's not there.
30:36Must be downstairs somewhere.
30:37Maudrey.
30:46Maudrey.
31:08Also kiss me.
31:09Kiss me.
31:30¿Has visto?
31:52¿Qué es lo que ellos son?
31:55¿Ese gente?
32:00¿Qué es lo que ellos son?
32:30¿Qué es lo que ellos son?
33:00¿Qué es lo que ellos son?
33:30¿Qué?
33:34Okay, no...
33:36No...
33:38Nunca.
33:55Quieres un divorcio.
33:57Pero no obtienes uno de mí.
34:00Voy a matar a ti primero.
34:02Y a ella.
34:04Voy a ver todos muertos.
34:08¡Claro!
34:12¡Claro!
34:13¡Claro!
34:14¡Claro!
34:15¡Claro!
34:16¡Claro!
34:17Remove, Mr. Morell.
34:20¡Claro! ¡Claro!
34:29Neville?
34:30¡Sí!
34:33All right.
34:35Now I see it all.
34:38Having your cake and eating it.
34:40Is that it?
34:41No.
34:42Like some witless playboy.
34:44Is that what you are?
34:45Your father's son.
34:47No.
34:48You know how I've loved her my entire life.
34:51She's a part of me.
34:53She's a part of me.
34:54She...
34:55She is me.
34:58Kay is your wife now.
35:01Audrey will leave tomorrow.
35:03And you will do whatever you must to make things right with Kay.
35:08No.
35:09No.
35:10No.
35:11No.
35:12No.
35:13No.
35:14No.
35:15No.
35:16No.
35:22Yes!
35:24No.
35:25No.
35:26No.
35:27No.
35:28No.
35:29No.
35:30¡Suscríbete al canal!
36:00¡Suscríbete al canal!
36:30¡Suscríbete al canal!
37:00¡Suscríbete al canal!
37:30¡Suscríbete al canal!
37:31¡Suscríbete al canal!
37:32¡Suscríbete al canal!
37:33¡Suscríbete al canal!
37:35¡Suscríbete al canal!
37:36¡Suscríbete al canal!
37:37¡Suscríbete al canal!
37:38¡Suscríbete al canal!
37:39¡Suscríbete al canal!
37:43¡Suscríbete al canal!
37:45¡Suscríbete al canal!
37:49¡Suscríbete al canal!
37:50¡Suscríbete al canal!
37:51¡Suscríbete al canal!
37:52¡Suscríbete al canal!
37:53¡Suscríbete al canal!
37:54¡Suscríbete al canal!
37:55¡Suscríbete al canal!
38:09¿Qué es Barrett?
38:39¿Qué es Barrett?
38:45¿Qué es Barrett?
38:47Oh, God.
38:49Oh, you're alive.
38:52¿Qué es Barrett?
38:54¿Qué es Barrett?
39:09Oh, Jesus.
39:12If I'd have killed anyone last night, it would have been you.
39:42This is Barrett, sir.
40:05Her senna brew was laced with a good hit of something.
40:09Most likely this, veranol.
40:13Someone drug Lady Tresillian's housekeeper to keep her out of the way.
40:17Two blows to the head with a blunt object.
40:20Doctor puts time of death somewhere between midnight and two o'clock.
40:24No forced entry, no robbery.
40:27All windows and doors locked.
40:28Lady Tresillian's bell, sir.
40:31The bell wire runs from her room up to Mrs. Barrett's room, then down to the hall, and from there to here.
40:40It's disabled at all three points, so that no one would hear her upstairs or downstairs.
40:45Well, then why drug the housekeeper?
40:47What about the other servants?
40:49The valet, MacDonald.
40:51He's new to the house.
40:52Mrs. Barrett, Mr. Herstle, old faithfuls.
40:55Herstle said there was a fight last night.
40:57Who was fighting?
40:59Neville Strange, Audrey and Kaye Strange, and one guest, a Mr. Louis Morel.
41:08Frenchman.
41:10Staying at the hotel.
41:11Find him.
41:12Hold MacDonald upstairs with the others, and look into the staff.
41:15Sir?
41:36MacDonald.
41:37MacDonald.
41:45You have the will, Mr. Treves?
41:48We'll stay here now at the house.
41:54I'm the closest thing to family they have now.
42:00They will need me.
42:01They won't help you, I'm afraid, Inspector.
42:10I'd like to see it, Mr. Treves.
42:13And they each get their little pot of gold.
42:15It doesn't narrow things down.
42:19It doesn't give you the point zero.
42:23The point zero?
42:24Every murder has its moment of origin.
42:30It's point zero.
42:32We call that motive.
42:35It's deeper than that.
42:38A wound.
42:40A festering wound.
42:41A family secret?
42:53Do you want us to find her killer, Mr. Treves?
42:59Inspector, I have protected her interests for thirty years.
43:04I've held secrets she's buried in order to honor her dearest wish to hold this family together.
43:17I'll see the will, Mr. Treves.
43:21Thomas Royd, Inspector, came here uninvited, against her will, with one thought.
43:30Blackmail.
43:31First you obstruct me, now you direct me.
43:37The will, Mr. Treves.
43:43Thank you.
43:43Thank you.
44:01It seems she was in the middle of rewriting it.
44:26You didn't mention that, Mr. Treves.
44:28Mr. Strange gets the house.
44:33She's put a line through that.
44:36The wife is still named as Audrey Strange, crossed out.
44:41And you've penciled K. Strange instead, Mr. Treves.
44:47A decent inheritance for you, Mr. Royd.
44:50A very generous legacy for you, Miss Alden.
44:53Mr. Strange, you're now head of the household, so you first.
45:03There was a fight last night?
45:05A personal matter, not relevant.
45:09The fight, Mr. Strange?
45:11It would appear that I'm still in love with my ex-wife.
45:18I was so sure I'd recovered from her, but no.
45:21Wild for...
45:23Still.
45:27And then, she's screaming, I'll see you both dead.
45:30You had words.
45:39You and Lady Trusillian.
45:41No, she had words with me.
45:45And I went drinking.
45:49Is he up to this?
45:51Inspector.
45:51Um, you said you went drinking.
45:59Where did you go?
46:00The hotel at Easterhead.
46:05Thomas Royd, sir.
46:06Yes.
46:07Um, you've been accused of blackmail, Mr. Royd.
46:11It was what I was owed.
46:13For the devastation of my family.
46:17What Peter was owed.
46:18Justice.
46:20Peter...
46:21Peter James.
46:23Peter James.
46:24It's an accident.
46:26Here at Gold's Point, local boy was killed with a bow and arrow.
46:31Fifteen odd years ago?
46:32Seventeen years.
46:33It wasn't an accident.
46:34Neville killed Peter on purpose.
46:38And you witnessed it?
46:40You saw Neville Strange kill this boy?
46:44You'll make a statement, Mr. Royd?
46:46Miller found a case file on Peter James.
46:48It wasn't an accident.
46:49I know it wasn't.
46:52She sent us into exile, the other side of the world.
46:54That place killed my mother and my father.
46:57Killed them both.
46:58And I never did anything wrong.
46:59You used a dead boy to try and extort money from your aunt.
47:03What did you do when she said no?
47:09The letter is to Mr. Royd, Miss Alden.
47:29We found them in his room.
47:31Of course we have his to you.
47:33That was a private.
47:34Investigating a murder is almost as brutal as the murder itself.
47:40You worked for Lady Chisillian for seven years.
47:44Before that?
47:45I cared for my father and his illness.
47:48Nine years, I nursed him for.
47:51Camilla took us in for the last year of father's life.
47:53She saved us.
48:00Disloyal, then, to the right to Thomas Royd.
48:03Both of you with your grievances and frustrations.
48:06You desperately need independence and...
48:10Royd needs money.
48:11Money?
48:14Mr. Royd is nearly bankrupt.
48:16I see.
48:26I should have been here.
48:31I never should have left her.
48:37Why did he come back?
48:39I don't know.
48:46I have a bitch.
48:48I don't know why.
48:49I don't know why.
48:50I don't know.
48:51I don't know why.
48:52I don't know why.
48:53I can't handle it.
48:54I know why.
49:00Holy shit.
49:05No.
49:07No.
49:07¿Qué pasa?
49:37She watched him drown.
49:41Terrible thing to be angry with the dead.
49:45What was she so angry about?
49:47What did he do that she couldn't forgive?
50:07I found something.
50:24Where is it, Cooper?
50:40There.
50:40All right.
50:44Two blows to the head with a blunt object.
51:08N.S.
51:13Neville Strange.
51:14These statements from Easterhead, sir.
51:26Neville Strange.
51:28From around midnight, he was seen at the hotel.
51:31Drinking.
51:32Playing cards.
51:34Returned at 3 a.m.
51:36Mr. Hirstell had to let him in.
51:38There is a 40, 45-minute window where he is, um, unaccounted for.
51:48He says he went out to the beach to sober up.
51:52Sir.
51:52Listen, please.
51:54Sir.
51:55Yes, I am listening, Miller.
51:5645 minutes, which means it takes 80 or 90 minutes to drive there and back.
52:00So Neville Strange has an alibi.
52:02Yes, sir.
52:05There's nothing.
52:06There's nothing.
52:06Something shut trees up like a clam.
52:13We've got something, sir.
52:18Mr. Arthur MacDonald, formerly of the Howarth Estate at Summerbridge.
52:24Yes, that's right.
52:25We had this from Summerbridge.
52:27Arthur MacDonald, not known.
52:30You have smuggled your way into this house, and now the lady of the house has been murdered.
52:35I've seen people hang for less.
52:38So who are you and what do you want here?
52:43Sir.
52:47Verinald.
52:48I don't sleep well.
52:51I will ask you again.
52:52Who are you?
52:55Mrs. Barrett has been drugged.
52:57Lady Tresillian's bell disabled at three places.
52:59You had access to all three.
53:01Your identity is unknown.
53:03This is your last chance.
53:05Perhaps you'll have more to say for yourself than a police station.
53:13No, no.
53:14Come on.
53:15No, I don't want to go.
53:16No, you don't understand.
53:17Inspector.
53:26No, you didn't want to go.
53:28No, you didn't want to go.
53:29No, you didn't want to go.
53:34Inspector.
53:35Hey.
53:35es a mi madre, la carta
53:46de la Tresillian
53:47la familia cuando mi madre murió
53:49tu nombre es Matthew Hutton
53:56de Langton y Yorkshire
54:00tu madre Sally Foss
54:02trabajó como maíz
54:03aquí en Gulls Point
54:06eres el hijo de Sir Matthew Tresillian
54:14¿Qué?
54:20el secreto familia
54:22el secreto que tienes guardado
54:24todos estos años
54:25ahora están en frente de ti
54:28el secreto familia
54:29el secreto
54:30Sir Matthew
54:32and the maid
54:33she didn't watch him drown
54:41she let him drown
54:43murdering bastard
54:46yeah
54:47I'm a bastard
54:49bastard's son
54:50and everyone knows a bastard can't inherit
54:52so
54:53what do I stand to gain
54:54then why come here
54:57I didn't
55:00I didn't hurt her
55:02on my mother's shoulder
55:04I didn't
55:04Inspector Leach
55:07Point Zero
55:11was staring you in the face
55:13oh for God's sake
55:18arrest the man
55:20he's inveigled his way
55:24into this house
55:25he's an imposter
55:26mcdonald
55:38mcdonald
55:52man's my blood
55:56he was in our bedroom
55:59bastard's son
56:04she never breathed a word
56:08why didn't she tell me
56:10dreams
56:10she was trying to protect you
56:13Neville
56:13we were protecting you
56:19Leach got his man
56:21I'm quite satisfied
56:24of that
56:24let's turn in
56:28we're all exhausted
56:31and I must look in
56:35on Sylvia
56:36good night
56:46good night
56:47good night
57:17good night
57:47good night
57:49good night
57:50good night
57:51good night
57:52good night
57:53good night
57:54good night
57:55good night
57:56good night
57:57good night
57:58good night
57:59good night
58:00good night
58:01good night
58:02good night
58:03good night
58:04good night
58:05good night
58:06good night
58:07good night
58:08good night
58:09good night
58:10good night
58:11good night
58:12good night
58:13good night
58:14good night
58:15good night
58:16Gracias por ver el video.
58:46Gracias por ver el video.
59:16Gracias por ver el video.
Recomendada
57:47
|
Próximamente
56:23
55:18
56:04
2:40
1:36
37:40
2:35
2:51
1:43:32
57:24
53:32
50:46
50:17