- 5/31/2025
Pelagijin venac (2025) - Epizoda 9 - Domaća serija
U Pelagijinom vencu su likovi međusobno isprepletani u poslovnim, rodbinskim, (ne)prijateljskim i komšijskim odnosima koji kreiraju njihove živote i unutrašnju dinamiku ulice. To su ljudi uglavnom srednjeg staleža koji sebi daju za pravo da se mešaju jedni drugima u živote, vire kroz prozor i zabadaju noseve, ali kada je potrebno, u kriznim momentima, sve barijere padaju i oni pokazuju ljudskost, ujedinjeni protiv zajedničkih neprijatelja - stranih okupatora - investitora i došljaka.
U Pelagijinom vencu su likovi međusobno isprepletani u poslovnim, rodbinskim, (ne)prijateljskim i komšijskim odnosima koji kreiraju njihove živote i unutrašnju dinamiku ulice. To su ljudi uglavnom srednjeg staleža koji sebi daju za pravo da se mešaju jedni drugima u živote, vire kroz prozor i zabadaju noseve, ali kada je potrebno, u kriznim momentima, sve barijere padaju i oni pokazuju ljudskost, ujedinjeni protiv zajedničkih neprijatelja - stranih okupatora - investitora i došljaka.
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Short filmTranscript
00:00I
00:30Mmmmm...
00:32How can be the river?
00:35The river?
00:36The river!
00:38Ah!
00:40Or a fun thing,
00:42or a pit!
00:44For you, what do you want?
00:48I just know that my golden hands
00:51become unique in my hands.
01:00This is Kladenac, a small, but not so usual in Serbia.
01:05In the near future, they say that many come to drink only to drink water from him.
01:11The legend says that the king Milano Brenović has heard about this.
01:16He has to make the Kraljevskan Banju.
01:19When he came to Kladenac, the king of Belagij.
01:23The king of Belagij in the main way was plucked back,
01:30It was only 16 years ago.
01:32The king of Elagij.
01:35So the king of Belagij was also a source of the king.
01:40And like the king of Belagij for his time,
01:43the king of Belagij is ottoman and his wealth of life.
01:46He was on the main cause of the king and his great and beautiful order.
01:50Spasoje samo ponekad trebalo da zažmuri kad kralj dođe u posadu.
01:54Sreća utroje je moguća, mislili su kralj, Pelagija i Spasoje.
01:59No kralj je ubrzo umro.
02:01Ni Spasoje nije poživeo dugo. Pelagija jeste.
02:05Nadživela je još tri muža.
02:07I sada već kao promučurna starica, odlučila da na imanju podigne nekolicinu kuća i da ih rentira.
02:14Vreme je prolazilo, generacije su se sminjivale, kuće i njeni stanovnici također.
02:19For them, it was Pelagijin Veenac, a place with a personal story and tradition tradition.
02:26A place where everyone would want to be just one day.
02:49Hey, hey! Ciao! Ciao!
03:13What?
03:17What?
03:19What?
03:20What are you doing now?
03:21What are you doing now?
03:22What are you doing now?
03:23Now I'm a cool dad.
03:25I'm crazy.
03:26I didn't know that you had to be like a hipster.
03:30I didn't.
03:31I saw it in the description of the work and said,
03:33now or never.
03:35It's fantastic.
03:36Really?
03:37You're like a constant?
03:38I don't think so.
03:39No, totally.
03:41Why do you say that you need to change the style?
03:43That's your...
03:44I don't know...
03:452018.
03:46Ha!
03:47You're definitely listening to me.
03:49Yes, yes.
03:50Okay.
03:51Well, not too much.
03:52I don't know if it's a minus 50, of course.
03:53Okay.
03:54No, no, no, no.
03:55No, no, no, no, no.
03:56Just tell me that it's better to be a little bit.
03:58Let me know.
03:59No, I will.
04:00No, I will.
04:01Now I will.
04:02I will.
04:03Just like this.
04:04Just like that?
04:05That's how you sleep with a cup.
04:07How much time is it?
04:08Maybe I want to.
04:10I will.
04:11Okay.
04:12I saw the cup.
04:13Now you can go.
04:14You can go.
04:15You can go.
04:16You can go.
04:17You can go.
04:18Wait.
04:19Now you said you should sleep in her.
04:21When you go.
04:22You can go.
04:23You can go.
04:24You can go.
04:25Now you go.
04:26No, I'm sorry.
04:27I'm sorry.
04:28No.
04:29I'm sorry.
04:30I'm sorry.
04:31I'm sorry.
04:32It's cold.
04:33You're cold.
04:34Yes.
04:35You don't have a temperature.
04:36No, no, no.
04:37I don't even know.
04:38I don't see you.
04:39You can go.
04:40I'm sorry.
04:41No, I will.
04:42No, no, no.
04:43I don't have a seat.
04:44I'll have a seat.
04:46I'll call you.
04:47No, no.
04:48I'm sorry.
04:49No, no, no.
04:50I'm sorry.
04:51No, no, no, no.
04:52I don't have a seat.
04:53No.
04:54No, no, no.
04:55Dad, what happened?
05:08Hello.
05:18Hello.
05:20You won't regret it. I was a little bit inspired by myself.
05:25I don't have time. I'm afraid of myself.
05:28I'm just going to be able to do something.
05:31What's going on?
05:33What's going on?
05:35When are you going to tell me what's going on?
05:38I'm your secretary.
05:40Well, I'm your secretary, but I'm your spouse.
05:43I'm your partner.
05:45I'm your partner.
05:47I'm your husband.
05:49I'm your husband.
05:51Okay.
05:52You really think that they'll wait for me to tell you?
05:56I think that I want you.
05:58I think that's your strength.
06:01Listen.
06:02You need to use your main power.
06:05I'm your husband.
06:08I really don't have time now.
06:10Let's go to the other way.
06:12I'm your husband.
06:14I'm your husband.
06:15I know.
06:16What did you say?
06:19I know.
06:20Be at Curovilliana.
06:21I know, but you don't want to tell me.
06:22Do you speak with my partner and �owgil?
06:24I know.
06:25No, I have nothing to tell you.
06:26I don't want to tell you.
06:27I don't want to tell you, I don't need a matter of rules.
06:29I want to tell you on the truth, don't put that information anymore.
06:30Okay.
06:31Do you know the number of your mobile phone Yup1 Et tio?
06:35I know.
06:36I know, but nothing, I can decide.
06:38I know.
06:39I don't know what the number is wrong.
06:41And then I'll give you the payment immediately.
06:43Please.
06:44I'll give you the SMS that you can see me when you come back to school and I'll give you a package for some children.
06:50It can be online, but I know it can be online, but I'd like to call them.
06:56Wait, wait, it's 064, I know.
07:00Okay, my dad's number is the date of birth.
07:04That's the date of birth?
07:08Yes, that's definitely not mine.
07:11Mm-hmm.
07:15A, don't you want me to use the package?
07:21We'll see.
07:25You're on a thin glass.
07:29Watch how you feel.
07:33I told you 100 times that it wasn't a freezer.
07:36I wanted to change.
07:38Obviously, that wasn't the best idea.
07:41Why can't you tell me who is that freezer?
07:44Why is it not important?
07:46Okay, that's it.
07:48That's a male freezer.
07:50I don't want anything to tell you.
07:52I said it because it's a freezer of a male.
07:56Yes?
07:57Yes.
07:58Look at this one.
08:00How many are these?
08:02I don't know how much they are.
08:04I don't know how much they are.
08:06I don't know how much they are.
08:07I can't do it.
08:08I can't do it.
08:09I can't do it.
08:10I can't do it.
08:11I can't do it.
08:12I can't do it.
08:13What's the first name?
08:15What's the name of Milano?
08:17Oh, Blan, what's the name of Milano?
08:23How could you name him in the house?
08:25What's the name of Milano?
08:26The name of Milano?
08:27Vuki?
08:29I don't have to ask me, you know how they say?
08:31You have to buy a girl and a girl from all the village.
08:34I know she's found a beautiful world,
08:37and she can buy a house for a house.
08:40She can buy a house, she can buy a house,
08:42she can buy a house, she can buy a house.
08:44She can't buy a house.
08:46She can't buy a house if she can't buy a house.
08:49The world is karma.
08:51And people live their lives.
08:53Yes, I don't do this.
08:55But I ask for the battle and the battle.
08:58What are you saying about me?
09:00What does that mean?
09:02It's better when someone would hear me.
09:04What?
09:05About me you're selling
09:07the simple paintball,
09:08and I'm trying to buy a house for you,
09:10for you in trouble,
09:12and other colors,
09:13some reds for that.
09:17But you're all there for you.
09:19But it will be the special place in the garden where you still have the food.
09:23That's the question.
09:25I wouldn't be surprised if I would go to another place.
09:28I would like to buy a little bit of a problem.
09:37Good day.
09:39Is there Jay?
09:41Jay?
09:42Yes, you didn't see him.
09:44No, I didn't.
09:45Juki?
09:48Did you see Jay?
09:49I didn't.
09:50I have to ask him something.
09:52I don't know where he is.
09:55I don't know where he is.
09:56What do you want to ask?
09:57I want to ask him for...
09:59Can I ask you something?
10:01Yes, of course.
10:02What do you want to say, Vuki?
10:04Why did you not married?
10:06George wants to say...
10:08It's nice that you married Vuki.
10:15I want to ask you something.
10:17I need to go to a house.
10:19Because you are the best master in the city.
10:22Is it possible?
10:23Yes, it is possible.
10:24You know what I want to say?
10:25It's a lot better when two people do this.
10:27Then they are full of a chat and they add to the other one.
10:30Then they are just changing.
10:31And it will end up quickly when two people do this.
10:33It will be very quickly.
10:34It will be very quickly.
10:35No, I don't want to say that I will pay two people for one person.
10:41Mastery, mastery.
10:42Yes.
10:43Okay.
10:44I understand the problem.
10:46It can be like this.
10:47You pay one person, and we both go and work.
10:50That's the price of one person.
10:52And we will end up for two hours in one person.
10:55Three.
10:57The agreement is gone.
10:58Yes.
10:59And tomorrow or past tomorrow?
11:00I don't know which day.
11:01I will tell you for a minute.
11:02Tell me.
11:03That's when I find Jay.
11:04Yes.
11:05Let's go.
11:06Let's go.
11:07Let's go.
11:08Let's go.
11:09Let's go.
11:10Let's go.
11:11Let's go.
11:12You're welcome.
11:13Let's go.
11:14Let's go.
11:17Lidia lived alone and was accustomed to some of her.
11:21Yes.
11:22Yes.
11:23Yes.
11:24I think that when we think about Lidia, she would have been happy to come to her.
11:33I came to her, but she didn't want me to say that she was a bit of a bit.
11:39You know?
11:40I mean, it's not good.
11:41It's not good.
11:42It's not good.
11:43It's not good to be able to live alone.
11:45Yes.
11:46Yes.
11:47Yes.
11:48It's a lot of people and a lot of people.
11:50Yes.
11:51It's true.
11:52It's not good to live alone.
11:54Now I'm talking about health.
11:57I mean, Milunka would be a good thing.
12:00She would look for a good thing ainer.
12:04Yes.
12:05She would find a woman who would change her.
12:08No, but she would see a good thing.
12:10She would do it anyway.
12:11She wouldn't be especially good for a good thing.
12:12I do it with Milunka, but she is fine.
12:16She is fine.
12:19She is fine.
12:20She is fine with talking, but she is fine.
12:23I think that she will be happy to be the woman.
12:27She will be happy to be the woman who will be the woman.
12:31How did she know that she was in the chorus?
12:35It was strange, she was really caught up.
12:39It was amazing, amazing, amazing, beautiful,
12:43amazing, beautiful, beautiful, beautiful, beautiful, beautiful, beautiful.
12:47What?
12:48Olga!
12:49Olga!
12:50You were born for Dađe!
12:52No!
12:53No!
12:54No!
12:55No!
12:56No!
12:57No!
12:58Olga!
12:59You didn't need to remember that you had to go home?
13:03I needed to get two or three decades to understand who you are and who you are.
13:08But Olga came to us on the floor.
13:10Good God!
13:11You are free!
13:12You are free!
13:13You are free!
13:14You are free!
13:16I came to visit Dade.
13:19I don't think I have to talk about it.
13:21Now it's nice to me.
13:23Everything turned out and I don't want to talk about it.
13:26Let's go.
13:27Let's go.
13:28Let's go.
13:29Let's go.
13:30Let's go.
13:31Let's go.
13:32I don't want to go.
13:33I don't want to go.
13:34I don't want to go.
13:36Let's go.
13:37Hello Lenin.
13:39Let's go.
13:41Let's go.
13:43Let's go.
13:44Let's go.
13:45Let's go.
13:46Let's go.
13:47Let's go.
13:48Let's go.
13:49Let's go.
13:50Let's go.
13:51Let's go.
13:52Let's go.
13:53Let's go.
13:54Let's go.
13:55Let's go.
13:56Let's go.
13:57Let's go.
13:58Absolutely.
13:59Dada.
14:00Oh je kao razvio onaj stokholmski sindrom.
14:05Prosto se ne odvaja od mene.
14:08Islazi nako o ne.
14:10Radimire.
14:11갖 Oh화 Mir.
14:13Olga je moj gost.
14:15I molim te nemoj tako da se ponašiš.
14:16Znači ti si skroz na njenoj strani.
14:23Ma nemoj da me stavljaš u poziciju da biram strana.
14:26You are strong, you are strong for me.
14:29You are strong for me.
14:31You are strong for me.
14:35Subotić is much better than what he eats.
14:38No harm for me, of course.
14:46What is this?
14:50It's a bill.
14:52Yes, and it's not a bill.
14:54What is this?
14:56You know, it wouldn't happen.
14:58It wouldn't come to a mistake.
15:00Do you know how such a mistake costs our television?
15:04Well, I'll do it.
15:06Some things can't be done, colleagues.
15:10Some mistakes in my life can be horrible.
15:14And irreversible.
15:17Do you remember that?
15:19Well, it's been a long time.
15:21I'll...
15:22I don't understand.
15:24I can't do everything and make sure anything.
15:26There's no one else.
15:28There's no one else.
15:30Do you understand that I can take you financial aid?
15:36How do I make financial aid?
15:38That's so nice! I got a mistake in my company, I got my obligation to make it,
15:44that I won't get into a position to be responsible or to be a member of the team.
15:51And I'm going to be just like Suza.
15:53And you?
15:54And you are just like Suza.
15:57I can't look at it.
16:02There's no mistake, it's like 20.000 as needed.
16:05You didn't look at it?
16:09Yes, but the inspection has a lot of rules.
16:12Although it's not bad to call the writer,
16:14so we'll be sure that it's like that.
16:16What am I going to do to her mistakes?
16:20Listen, she works a little better,
16:24and she won't come to such an unpleasantness.
16:28The decision is in your hands.
16:32And you know that.
16:35And you don't want to be so critical in front of yourself.
16:39This decision can happen to everyone.
16:48What a shame!
16:50This man would never admit the wrong thing.
16:53Never!
16:56Ma!
16:57I want to be a blessing.
16:58Even a coffee.
16:59Coffee?
17:00Always.
17:01Where are you?
17:02Where are you, G?
17:03You're a normal man.
17:05What are you doing?
17:07I'm looking for a whole day.
17:08I'm looking for a whole day.
17:09Where are you?
17:10I'm here for a whole day.
17:11I was at the WC.
17:12And I'm here.
17:13I'm here.
17:14I'm not worried.
17:16Listen, I'm on the floor.
17:18We'll go in tomorrow.
17:20We'll go in tomorrow.
17:21I don't know.
17:22And listen, you said you have a problem in your house?
17:27You want to change something?
17:28Yes.
17:29If you just put yourself in the middle,
17:31something happens to get an opportunity.
17:33No, you don't just put yourself in the middle,
17:34but you put yourself in the middle.
17:35Thank you, brother.
17:36No problem.
17:37Listen, what's happening?
17:38I'm just talking about one honor.
17:40So, I'm not going to grab a bagel.
17:42We'll get a couple of things to do.
17:44But I'll give you all of it to you.
17:46Well, we'll share it.
17:47We'll share it.
17:48There's no chance to share it.
17:49We'll share it.
17:50But you don't need it.
17:51You don't need it.
17:52You don't need it.
17:53You don't need it.
17:54We'll share it.
17:55No, no.
17:56We'll share it.
17:57Let's start doing it.
17:59Let's finish the job.
18:00Then we'll see how we'll share it.
18:01I didn't ask you.
18:03I didn't ask you.
18:04I know.
18:05I know.
18:06I know.
18:07I'll give you a little bit.
18:08Here we go.
18:19Hey.
18:20What are you going to do now?
18:22Well, it was the last five times
18:24and I decided to make a film tomorrow.
18:35I don't know.
18:36I don't know.
18:37I don't know.
18:38I don't know.
18:39Matrix.
18:40I don't know.
18:41I don't know.
18:42I don't know.
18:43I don't know.
18:44I don't know.
18:45I don't know.
18:46Matrix.
18:47We've watched it 100 times.
18:48It's a good film.
18:49It's a good film.
18:50It's a good film.
18:51It's something that has a little story.
18:53It's a little romantic.
18:57It's a good film.
18:58It's a good film.
18:59It's a good film.
19:00I'm on Notting Hill.
19:04Well, I don't have to live my life, so I don't have to watch the film.
19:08You have to live my life?
19:10That's right, I don't know.
19:15Do you know who comes every day in the evening?
19:17Hugh Grant. I've heard that I'm shooting in the movie.
19:21Russia?
19:23Russia is shooting.
19:25Russia comes every day and buys one red.
19:28What?
19:30Is it normal?
19:31She doesn't have to be cold.
19:33He needs to go further.
19:35Where will he go further?
19:36What further?
19:37It's not over 9 months, man.
19:40What do you think?
19:42What do you think?
19:45What do you think?
19:47What do you think of another level of existence?
19:50What do you think of another level of existence?
19:53What do you think of another level of existence?
19:56What do you think of another level of existence?
19:58Until you don't get cold, as you say.
20:00You're so cool that you should be more likely.
20:05However, let's say a year and a day.
20:08Even a year.
20:11Is it enough?
20:14I'm sorry, brother.
20:16I'm sorry.
20:18I'm sorry.
20:19I'm sorry.
20:20I'm sorry.
20:21I'm sorry.
20:23I'm sorry.
20:28Good evening.
20:29Good evening.
20:31Are you there, Deda?
20:33Yes.
20:34Yes, of course.
20:35Oh, Olga.
20:37Welcome.
20:39Marko, I'm free.
20:42I'll open you.
20:44Thank you, Deda.
20:45I'm sorry, I'm sorry.
20:47Come on.
20:48Come on.
20:49Come on.
20:50Come on.
20:51Come on.
20:53Come on.
20:54Come on.
21:02Simo,
21:04if you want to make a partnership together,
21:08you have to start reading.
21:12Yes, I'm not a bookman.
21:14Yes, I'm not a bookman.
21:18Yes, I'm a bookman.
21:20I'll give you a gift.
21:22There's also a gift.
21:24Yes.
21:25Yes.
21:26Yes.
21:27Yes.
21:28That's the end.
21:29Yes.
21:30Yes, of course.
21:33Yes, of course.
21:34Yes.
21:35Yes.
21:36Thank you, M.
21:38Thank you, Olga.
21:39That's the end.
21:41That's the end.
21:42That's the end.
21:43Yes, I'm happy.
21:45Okay.
21:47I'm sorry.
21:51I'm going to tell you what we need to do.
21:55I'm going to tell you what the plans are and where you need.
22:01I'm going to be on the floor, Mr.
22:17It was so nice that you got to meet when you came.
22:37It was so nice that you got to speak on the message.
22:39Do you know what is the end of the love?
22:49I don't know what is.
22:51When you get to someone.
22:56What is it for you?
22:57Everything is.
22:58Are you okay?
23:00I'm not sure about it.
23:02I'm not sure about it.
23:04You go and you go and you go and you go and you go and you don't do it.
23:10I'm not sure about it.
23:11I'm telling you.
23:12You're telling me, you're telling me.
23:14I'm not sure about it.
23:16Wait.
23:18Here, I will...
23:19I'm sorry.
23:20I'm sorry.
23:22I'm sorry.
23:24I'm going to see how she is here.
23:26I'm going to go to the station and she's always going to do the same.
23:28What is your problem?
23:31No, no. I'm stupid. I can't understand that, because I have confidence in my own man.
23:38Here, here, I didn't get anything. Here, see.
23:46How did you get it?
23:53Okay, now we're going to talk about it.
24:01Hey, we haven't lost enough time for stupidity.
24:15Are we going to go up?
24:17I don't know. I don't know.
24:19How do you know?
24:21I don't know if you were quite good to take you off.
24:31Good evening. Where are you?
24:45Decisions, Ka.
24:47I've come to the cafe.
24:49I've been waiting for you.
24:51I've been waiting for the profile.
24:53And what do you have? Do you like the likes?
24:57I think, yesterday, I've got a photo with Vuki.
24:59I've never heard of him.
25:01You know it.
25:03Isn't it a little strange?
25:05No, no. Why is it strange?
25:07Well, he's on the profile.
25:09And he's constantly shooting photos.
25:10And now, when I want to take a photo,
25:12he's like, he doesn't want to.
25:14I don't know.
25:15I don't care about these social networks.
25:18You see, I have to.
25:20Because of the job.
25:21And then, that's what I want to do.
25:23And then, that's what I want to do.
25:24And now, when I want to take photos,
25:26I'm going to hit the like button.
25:28What do you want to do?
25:29What do you want to do?
25:30What do you want to do?
25:31Everything is good.
25:32I thought I could do it.
25:34Dunja, Dunja, what do you want to do?
25:36Ah, what do you want to do?
25:38If you want to do a Turkish?
25:39You can.
25:41I mean, everything I like,
25:43but Turkish is really...
25:45It's impossible.
25:46We have the same taste.
25:47Yes?
25:52This will you see.
25:54What is it?
25:55What is it for?
25:56What is it for?
25:57I...
25:58I'm so good.
25:59Yes?
26:00Yes?
26:01You like it?
26:02Yes.
26:03But, what is it for?
26:04I'm grateful for that I was a model.
26:08I really didn't need to do that.
26:10I just want to give you a hug.
26:12I want to give you a hug.
26:13And then, you give me a hug?
26:18What do you want to give me?
26:20I'm sorry.
26:21I've tried him.
26:24What did you get, Fora?
26:26You're dead.
26:27I've got a hug.
26:28I've got a hug.
26:29I've got a hug.
26:31I can't see it.
26:32I don't know why you're talking.
26:33I don't know why you're talking to me.
26:40You see, I'm nice to see someone holding you up.
26:47I think that Vuki didn't tell you for me.
26:52Well, I'm doing everything here, so I can finish it.
27:05What did you say about it?
27:08Really?
27:10Yes, our relationship is based on honesty and openness.
27:15I don't know why you're doing it.
27:18What did you say?
27:20What do you say? It doesn't matter.
27:23I don't care about the past.
27:26It's important that today, and today I'm here.
27:29And today, and tomorrow, and always.
27:36Today I'm coming with a super dresser.
27:39From the side of the side of the side of the side,
27:41and in the middle of the side of the side of the side.
27:43It's like that.
27:45It's like that.
27:47Well, maybe it's just a change.
27:48It's just a change.
27:49How do you not?
27:50Who would you want to do that?
27:51I don't know.
27:54I don't know.
27:56From the time she died, everything has changed.
28:00Before, he was only guilty.
28:01And that's a long time.
28:03Even I cared for him.
28:05And now?
28:06Now he's uncomfortable.
28:07Now he's uncomfortable.
28:08I just wanted to say that.
28:09Maybe it's just a change.
28:10But if he's just a change.
28:11If he's only guilty, I know he's not like that.
28:16Believe me.
28:17It's something of his strength.
28:18And if he's his strength?
28:19Well, it's a freezer.
28:21You know what?
28:26Maybe it's because of the psychotherapy, maybe it's a process.
28:31Oh my God, hear me.
28:33The theory is over. I'm broken.
28:36You know what I mean?
28:39What?
28:40That's how you talk all about open.
28:43I said that you would say something constructive.
28:46Constructive, constructive.
28:48Let's find the freezer.
28:51That's not a bad idea.
28:54Great.
28:55We'll find a crime.
28:56Let's go.
28:58Let's go.
29:06It's a shame, unknown.
29:10What is happening in this book?
29:13Who is Jane?
29:15Jane is a brave woman.
29:20She only wants to live her own life.
29:24Even with her and with her evil.
29:27Who doesn't want that?
29:29That's why it's a great literature.
29:33We're all a little Jane.
29:37Eir.
29:39Eir.
29:40A man would have thought of a woman's lemonade.
29:45It's a serious kniževst.
29:48Every lemonade has a wisdom of truth.
29:54Only that it doesn't have a wisdom of a kochice.
29:57That a man doesn't have a wisdom of a woman.
30:01It's actually a story about the same knowledge.
30:05Jane is living in a time when she is waiting for sure and peace,
30:12and she is like a fire on the ground.
30:18She is waiting for freedom, for adventure, for nobustness.
30:24She is waiting for a new experience, she is waiting for a new young age.
30:31How many years?
30:37How many years?
30:40It is a soul. There is no years.
30:44Police, what are you doing here?
30:47Oh, my God.
30:49You are normal.
30:51Why do you want me to die here?
30:54My God, my God.
30:57The job is like that. I can get to where I want to stay.
31:03What do you want to stay here?
31:06What do you want to stay here?
31:08There is a light light and it is like, I don't know, it needs to be closed.
31:13Let's go.
31:14Okay, you are working on your job, you are ready.
31:17Let's go, you are free.
31:19Let's go.
31:20Oh, once I die.
31:25You are free.
31:28But you want your whole job.
31:29And Jane? Jane also wants your whole job.
31:33I would like to drink another drink of wine but I have to leave a lot of them.
31:43like once in a while.
31:47What does it mean? It's not difficult.
31:52Look at this, a former man.
32:03Every woman can't be degraded by a woman
32:06and show her where she thinks she's the place.
32:10I think it seems to me that I was 50 years old than today,
32:15that I had a little more right.
32:17I know, but it was a different time.
32:20Yes, but she's the same.
32:23I've got you.
32:25One of the worst.
32:27I have to use the church language when I'm going to use it.
32:31It's a shame.
32:34It's a shame to be a shame to be a shame.
32:36It's a shame to be a shame to be a shame.
32:39Why should I be a shame?
32:41Why should I go to a psychiatrist?
32:43You know what I'm talking about?
32:45It's a shame to be a shame.
32:47What a shame to be a shame?
32:49Why are you afraid of this freedom?
32:51I have the right to ask you,
32:53when she's in the old days
32:55that she's a shame,
32:57that she's a shame.
32:58I'm a shame.
33:00You're all right, I'm a shame.
33:02What are you asking for?
33:04You're right, my life.
33:07You're right to control my actions.
33:09You have a baby, Olga.
33:11You're right, you're right.
33:13Did you get a baby?
33:14You're right, she's a young woman.
33:17It's a young woman.
33:18How many years I've tried to do it?
33:19I'm not aware of you.
33:20How are you?
33:21How are you?
33:22You are our...
33:26...unitimate!
33:28Let's pray!
33:30Don't go anywhere!
33:31What?
33:32What are you doing?
33:33You will need me to look for a permission.
33:35Why?
33:36For Olgu.
33:37For the meetings, the meetings, the meetings, the meetings, everything!
33:40Is it right?
33:41You are not me, father!
33:42Let's pray!
33:43Olga!
33:45Olga!
33:47You just announced the war!
33:50You have revealed the war for the health of Gradimire!
33:54Ever!
33:55Ever!
34:11Thank you for this today!
34:13I pray for you to stop you, you would have done it for me!
34:16What did you do?
34:17I don't know why Subotić was so close to me.
34:20I don't know.
34:21I saw him all of a sudden.
34:23But this life is never done.
34:26Really.
34:27But you know what?
34:28You have to make a difference.
34:30When you are not.
34:32It's easy for you.
34:33Why is it easy for me?
34:35I don't know if you understand that you have everything.
34:38You have something.
34:39You have something.
34:40You have something.
34:41You have something.
34:42And charisma.
34:43You have something.
34:44You have something.
34:45And charisma.
34:46You know?
34:47You know when you see a woman immediately that is Mrs. Etina.
34:50I don't know.
34:51When someone tells me that Mrs. Etina, I don't know if it's a compliment or a regret.
34:55I always have to say something.
34:56When I tell you, I believe that it's a really big compliment.
35:00Really.
35:01I don't know what to do.
35:04I was literally on the dark street.
35:08And tell me, in Indy.
35:11Was it better?
35:16I was just there.
35:19What was it?
35:22I loved it.
35:25Very, very, very.
35:27And?
35:28I was really sad.
35:31I loved that man.
35:33A lot.
35:34But he...
35:35He was...
35:36And he was really good.
35:37He was a problem.
35:40I don't like that.
35:42I don't want to think about that, and I'm talking about it.
35:45And I remember that...
35:46And I don't want to talk about it.
35:48You don't want to be more.
35:49You don't want to add more than you can.
35:50How do you understand?
35:51My ladies.
35:52How are you?
35:53Super.
35:54Your wife is today a real hero.
35:57I'm a heroine.
35:59You're a heroine.
36:01Only today. My wife is always a heroine.
36:04I believe it.
36:06But what happened today?
36:08She took me to the chef and she could just fall into the problem.
36:11Who would do that?
36:13I see that you will soon be able to be on the job of Kokaia in school.
36:21Nesi!
36:22Why are you so upset?
36:24Something that you see me, that you have a health problem?
36:26Yes, that's the day.
36:28Let's go to the ordination to show you the blood.
36:31That's why it's because of you.
36:33Now you see who is a real heroine.
36:36All of us are drinking blood, doctors.
36:41What are you doing?
36:43One glass.
36:45A glass?
36:46A change? No whiskey?
36:48No.
36:49I'm a patriot.
36:53I was gonna call me.
36:56Hey.
37:11What did you say?
37:14You think I'm stupid.
37:19What do you think?
37:21Don't do it, fool!
37:23What did you say to you?
37:26I wanted to tell you.
37:28I wanted to tell you.
37:30I wanted to tell you.
37:32I was born, fool!
37:34You told me.
37:36I drank coffee, I was wearing glasses.
37:38I showed you the pictures.
37:44There was a chance to...
37:46I had a thousand chance to get out of the fool!
37:50You didn't get out of the fool, fool!
37:54I was born, fool!
37:56I was born, fool!
37:58I was born, fool!
38:00I was born, fool!
38:02You didn't get out of the fool!
38:04I was born, fool!
38:06I was born here because of you.
38:08I don't know anyone.
38:10I'm sitting here with a tree.
38:12I'm getting out of the fool.
38:17Hey, Dunja.
38:18Listen to me.
38:19Listen to me.
38:20If you're loving...
38:22How do you understand?
38:24Do you think I don't know if you had a girl before me?
38:26What is the problem?
38:28The problem is that this is your place, your friends, your life.
38:32I feel like I'm not a part of all of this.
38:44How do I see you, I don't care for all of you.
38:46Good morning, everybody.
39:02Yes!
39:03Good morning for me...
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