- 2 days ago
Samonikli (2025) - Epizoda 56 - Domaća serija
Serija prati život poznatog influensera Svaja, mladića koji je odrastao u domu za nezbrinutu decu. Kada je imao 4 godine ostavljen je ispred doma sa violinom i ključem na crvenoj vezici. Upravnik doma, Branko, na putu odrastanja bio je poput oca malom Ciletu, kako su Svaja zvali u detinjstvu, pružajući mu bezrezervno ljubav i podršku. U domu je Cile stekao i najboljeg prijatelja, Duleta i njih trojica su bila Tri musketara.
Nakon što je napunio 18 godina, Cile odlazi iz doma. On i Dule donose odluku da postanu influenseri Svaj i Jesman. Putevi im se brzo raziđu jer Svaj u želji za brzim uspehom plasira neprimeren i provokativan sadržaj, a svojim novim stilom života zagovara bahatost. U svojoj nameri uspeva, postaje miljenik masa na društvenim mrežama i influenser sa najveći brojem pratilaca u zemlji. Odabir to puta, dramatično ga udaljava od Branka i Duleta, a on, kako kaže stih njegove pesme postaje Sam sebi dovoljan, živeći u luksuzu i bogatstvu. Mogao je sada da ima sve što novac može da kupi, ali izgubio na tom putu sve što novac više nije mogao da vrati...
Svej spoznaje da je na vrhu sam i da svi lažni prijatelji koji se utrkuju oko njega da mu pokažu divljenje ga ustvari mrze i samo čekaju priliku da ga zbace sa trona. Osetivši to, Svej kreće u obračun sa njima i kao rezultat toga Svej dobija svog velikog protivnika Spinera koji je, osim što mu zavidi na njegovom tronu, sada ostrašćen i činjenicom da je odbačen iz Svejevog društva. U trenutku kada otkrije da je opet oboleo od ozbiljne bolesti od koje se lečio u detinjstvu, Svej je usamljen i bez pravih prijatelja. Donosi odluku da se povuče iz virtuelnog sveta na spektakularan način, organizujući takmičenje u kojem će glavna nagrada biti njegov profil. Takmičenje organizuje u svojoj kući gde gotovo nasumičnim odabirom okuplja grupu mladih, neafirmisanih influensera različitih interesovanja. Među takmičarima će biti i Sofi,influenserka, sa kojom će Svej ostvariti ljubavnu vezu.
Serija prati život poznatog influensera Svaja, mladića koji je odrastao u domu za nezbrinutu decu. Kada je imao 4 godine ostavljen je ispred doma sa violinom i ključem na crvenoj vezici. Upravnik doma, Branko, na putu odrastanja bio je poput oca malom Ciletu, kako su Svaja zvali u detinjstvu, pružajući mu bezrezervno ljubav i podršku. U domu je Cile stekao i najboljeg prijatelja, Duleta i njih trojica su bila Tri musketara.
Nakon što je napunio 18 godina, Cile odlazi iz doma. On i Dule donose odluku da postanu influenseri Svaj i Jesman. Putevi im se brzo raziđu jer Svaj u želji za brzim uspehom plasira neprimeren i provokativan sadržaj, a svojim novim stilom života zagovara bahatost. U svojoj nameri uspeva, postaje miljenik masa na društvenim mrežama i influenser sa najveći brojem pratilaca u zemlji. Odabir to puta, dramatično ga udaljava od Branka i Duleta, a on, kako kaže stih njegove pesme postaje Sam sebi dovoljan, živeći u luksuzu i bogatstvu. Mogao je sada da ima sve što novac može da kupi, ali izgubio na tom putu sve što novac više nije mogao da vrati...
Svej spoznaje da je na vrhu sam i da svi lažni prijatelji koji se utrkuju oko njega da mu pokažu divljenje ga ustvari mrze i samo čekaju priliku da ga zbace sa trona. Osetivši to, Svej kreće u obračun sa njima i kao rezultat toga Svej dobija svog velikog protivnika Spinera koji je, osim što mu zavidi na njegovom tronu, sada ostrašćen i činjenicom da je odbačen iz Svejevog društva. U trenutku kada otkrije da je opet oboleo od ozbiljne bolesti od koje se lečio u detinjstvu, Svej je usamljen i bez pravih prijatelja. Donosi odluku da se povuče iz virtuelnog sveta na spektakularan način, organizujući takmičenje u kojem će glavna nagrada biti njegov profil. Takmičenje organizuje u svojoj kući gde gotovo nasumičnim odabirom okuplja grupu mladih, neafirmisanih influensera različitih interesovanja. Među takmičarima će biti i Sofi,influenserka, sa kojom će Svej ostvariti ljubavnu vezu.
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Short filmTranscript
00:00The
00:03The
00:07The
00:10The
00:19The
02:33Come on.
02:34Come on.
02:35Come on.
02:36Come on.
02:37Come on.
02:38Come on.
02:39Come on.
02:40Come on.
02:41Come on.
02:42Come on.
02:43Come on.
02:44Come on.
02:45Good morning.
02:47Good morning.
02:48Good morning.
02:49Jare.
02:50Jare.
02:51Hello.
02:52Come on.
02:53Come on.
02:54Come on.
02:55Come on.
02:56Come on.
02:57Come on.
02:58Come on.
02:59Come on.
03:00Come on.
03:01Good morning.
03:02Is there something to stay closer or just three kilometers away from this car?
03:06It's just up above the road, that's it.
03:08I want you to help me go home, eh?
03:12Wait.
03:23I took you the evening.
03:28Why are we going with the truck?
03:31Do you have any better idea?
03:37It's obvious.
03:41Let's just give me my hand.
03:47You don't know what this is.
03:49Okay, you can.
03:50Get out of the car.
03:51Let's go.
03:52Let's go.
03:53Let's go.
03:55Let's go.
03:56Let's go.
03:57Let's go.
03:58Let's go.
03:59Let's go.
04:00Let's go.
04:01Let's go.
04:02Let's go.
04:03Let's go.
04:04Let's go.
04:05Let's go.
04:06Let's go.
04:07Let's go.
04:08Let's go.
04:09Let's go.
04:10Let's go.
04:11Let's go.
04:12Let's go.
04:13Let's go.
04:14Let's go.
04:15Let's go.
04:16Let's go.
04:17Let's go.
04:18Let's go.
04:20Let's go.
04:21Let's go.
04:22Let's go.
04:23And you want to be friends?
04:25So, don't you want to be a bird?
04:29That's it, if I'm a bird, you'll have all the birds around your head.
04:35Just some...
04:37...cute pain in the world.
04:39Yes, but it's still working.
04:41Let's go!
04:43Let's wait, the boy!
04:45Momo!
04:47What did you call it?
04:54It's very, very much, even more!
04:58Okay, let's go.
05:02Okay.
05:04It's a little bit, but it's okay.
05:19Okay, let's eat another one.
05:21I can't, I'm not going to go up.
05:23No, don't eat all day with him.
05:26Okay, I'm going to be in the whole night.
05:31You call me Kravat?
05:35No, I don't want to do that.
05:37I don't want to do anything.
05:39We can talk about something,
05:41we love each other.
05:43You're so sweet.
05:45I'm so sweet.
05:47You're so sweet.
05:49Come on, come on!
05:51Come on, come on!
05:53I'm here, I'm here.
05:55You really love me.
05:57Don't stop, it's for me.
05:59I'm here, I'm here.
06:01Come on, come on.
06:03Come on, come on.
06:05I'm here, I'm here, I'm here.
06:07I'm here, I'm here, I'm here.
06:09I'm here, I'm here, I'm here.
06:13It's really nice.
06:15Thank you, I'm here.
06:17I'm here, but come on.
06:19This...
06:20Give me this flash to...
06:22Yes.
06:24You're sitting there?
06:25Yes.
06:26Yes.
06:27Yes.
06:28Yes.
06:29Yes.
06:30Okay...
06:31As I can read it, I have to go...
06:33Yes.
06:34Yes...
06:35Yes.
06:36Yes, yes.
06:37Let me...
06:38Yes, yes.
06:39Yes.
06:40Yes, yes, yes.
06:41Yes.
06:42Yes, yes.
06:43Okay...
06:44Now, as I read, I have to...
06:46I have to go...
06:47Internet is here.
06:49Let's go.
06:50Let's go.
06:51Let's go.
06:56Oh, look at him.
06:59He's going to fire and he's going to fire.
07:04Bravo.
07:06Who is the boy with him?
07:08Who is Sophie?
07:13Sophie, Sophie.
07:16Sophie, Sophie.
07:17Let's go.
07:19Let's go.
07:21Let's go.
07:23Who is this?
07:25Let's go.
07:27Let's go.
07:29Let's go.
07:31We have 10 seconds.
07:33Here.
07:35You have 10 seconds.
07:37You have 8, 7, 6, 5, 4.
07:43I'm coming back. Three, two, one, two, one, two, one.
07:58Good morning. Good morning. I'm Branko.
08:01Sophie, dear. This is your meal for your meal.
08:08Do you have anything?
08:10Good morning.
08:20Good morning.
08:21Where are you from?
08:22Good morning.
08:23Good morning.
08:24Good morning.
08:25Good morning.
08:26Come on.
08:29Come on, come on.
08:30No, just a little bit.
08:32Come on.
08:33Good morning.
08:36Come on.
08:37I'm going for it.
08:38I'm going for it.
08:39I'm going for it.
08:41I don't know what I mean.
08:50I'm a stupid guy.
08:53Or is this the best look in my life?
08:56Is that I'm a lead or a cash?
09:02Is that I'm a bad guy?
09:04Or is that I'm a bad guy?
09:06Or is that what I'm doing?
09:09What are you doing?
09:18You won't say anything.
09:39I'm a bad guy.
09:45I'm a bad guy.
09:47I'm a bad guy.
09:49I'm a bad guy.
10:19I'm a bad guy.
10:21I'm a bad guy.
10:23I'm a bad guy.
10:25I'm a bad guy.
10:27I'm a bad guy.
10:28I'm a good guy.
10:29I have a bad guy.
10:31You don't like me?
10:33I have a bad guy.
10:35I have some tips for him.
10:37I don't know.
11:07I'm sorry that I didn't know about you.
11:30And me.
11:32Did you plan to tell me?
11:35I'm sorry.
11:40It was so nice.
11:43I really couldn't think about it.
11:53I want to live.
11:59In the moment, I got my hands out of my life.
12:02I didn't mean anything.
12:05I got my hands out of my life.
12:09I don't do that.
12:11I'm sorry.
12:13I'm sorry.
12:15I'm sorry.
12:17I can't call on my life.
12:18I'm sorry.
12:19I can't be satisfied with anything.
12:21I'm sorry.
12:23No, I don't want to go away from everything.
12:29I am with my heart.
12:33I just want to hope that I will be forgiven.
12:36Go ahead.
12:38Go ahead.
12:40I am a man.
12:43What does that mean?
12:45What do you mean?
12:47I don't know. Tell me.
12:49I don't know. I don't want to ask if I know.
12:54When the young people come to love with their children,
12:59they say that they are not young,
13:01they become a man.
13:04And now, let me ask.
13:07Let me ask you.
13:11Okay.
13:13I will make a man.
13:16Oh.
13:19Oh.
13:24Oh.
13:26Oh.
13:40Oh.
13:41What are you doing?
14:11I don't care if you're screaming or alcohol.
14:18Tefano, brother.
14:20No, brother.
14:22I don't care.
14:24I don't care if we're going to write these contracts.
14:27Wait, brother.
14:29I mean, I'm drinking because of you, brother.
14:33I don't care if you love me now.
14:35No, brother.
14:37I took all the files from Zegric and...
14:40...and then I'm just left.
14:41And I don't care if you've ever seen anything.
14:43Wait.
14:44I get you here,
14:46I take the whole team,
14:48we work from here,
14:49all the way you say,
14:51and then we go to Cannes to finish the job
14:54and you're afraid to...
14:56We don't do anything more about that.
14:58No, brother.
14:59I don't think so.
15:00I don't care.
15:02Don't worry.
15:03Write this down,
15:04then you're sure.
15:06I don't know if you don't like anything.
15:08No, no, brother.
15:09We're not going to read anything.
15:10I mean,
15:11we're going to start today.
15:12Let's do it.
15:14Let's do it.
15:15What?
15:17And then,
15:18when I only had a chemist...
15:21Here.
15:23Let's do it.
15:27Where do I need to write?
15:29What?
15:30What?
15:35What is that?
15:36There.
15:37Hello.
15:39We're going to talk about it.
15:41Then we're going to talk about it.
15:44Then we're going to talk about it.
15:46All right,
15:46let's do it.
15:48Hey.
15:51Hi, brother.
15:52We'll see your job.
15:53We'll see.
15:54Hey, brother, I'll be able to see you in the game.
15:59It will be the end of the game.
16:01Let's call me.
16:02Let's hear it.
16:03Let's go.
16:04Let's go.
16:24Let's go.
16:35Let's go.
16:36Let's go.
16:38Let's go.
16:44Let's go.
16:54What is it, my dear?
16:56Why are you crying?
16:58Why are you crying?
17:00Go, go, go, go, go, go.
17:02Go, go, go.
17:06Who is crying?
17:08Don't cry.
17:10It's your girl.
17:12It's good.
17:14It's good.
17:16It's good.
17:26Hello.
17:30Is there any help?
17:32Everything is fine.
17:34It's just needed time.
17:36See you.
17:38See you.
17:42Look.
17:44Good.
17:46Yes.
17:48What?
17:50What did you say?
17:51What did you say?
17:52Tell me.
17:54Yes.
17:55Yes.
17:56Yes.
17:57Yes.
17:58Yes.
17:59Yes.
18:00Yes.
18:01Yes.
18:02Yes.
18:03Yes.
18:04Yes.
18:05Yes.
18:07I'm sorry.
18:27This is the funer.
18:29It's for you and for me.
18:31Yes, I have one for you, specially. I think it will be nice to see you.
18:43That's not the truth.
18:44Yes, what is the truth?
18:46I don't know what is the truth, but it's just feminism.
18:53Do you remember that you mentioned me in one of my life before that time?
18:59I don't know that I saw you earlier.
19:02Yes, yes, and that's what I wanted to do for you.
19:05Then your fans hate me and hate me.
19:08They were all about everything I said.
19:12What did I say for you?
19:14Among other things, a feminist feminist, who is very good to reset.
19:24Did you write someone?
19:29What is the truth?
19:32What is the truth?
19:33What is it?
19:34Forgive me.
19:40It's really interesting to me.
19:44Why are you doing this?
19:45I'm not aware of it.
19:49But out of the sand.
19:51And yet, when I talk to you, I'm not aware of it.
19:52I'm not aware of it.
19:54I'm not aware of it.
19:55I'm not aware of it.
19:56I'm not aware of it.
19:57That's not aware of it.
20:02I mean...
20:03Do you remember how you felt the people that you were doing?
20:10I didn't remember how far you were.
20:13Yes, yes, yes, yes.
20:16I don't know if you were aware of someone's life.
20:23I want you to feel bad.
20:26Many of you felt bad.
20:29No, okay.
20:39I think.
20:59I don't know how much I was drinking.
21:04What did you tell me?
21:07It was a little...
21:09I didn't know how much I was eating.
21:15Well, I know now that I'm going to get cold.
21:19Well, if it's easier, I think he's already killed.
21:28Excuse me, please.
21:39I think.
21:40Who was the most impressive and the Smarać ?
21:42Who was the most interesting guy and the Smarać?
21:44The most impressive guy is Ana Klabrka, definitely.
21:50The Smarać was the most interesting guy and the rest of them.
21:53The Direx, Delta, Mare, Iobi.
21:57The most good friends.
21:59I'm the most beautiful.
22:00I have one person that would be the most sympathetic and the most attractive person.
22:09I understand that it goes a little out of the way that your fear is your greatest desire.
22:17So, Marko.
22:20I mean, Marko was such a surprise to me,
22:24but I've never understood who I am thinking.
22:27Wait, wait, wait, let me explain why I'm sympathetic.
22:32Sympathy?
22:34Sympathy, a female.
22:36I mean, like a female, like a other.
22:38You can do everything, yes.
22:40That's why I ask.
22:43Sympathy of a society, for example, is Delta.
22:50Delta, from a girl, as a other, is Anna Klaberga.
22:57And who was the smarach?
23:00Oh, that's a little bit.
23:03Klyocik, klyocik, because they loved me.
23:06That's a great deal.
23:08I can hear you again.
23:10And then?
23:11Pa, Kalina je bila glavni smarač, uglavnom.
23:14Žao mi je nekog vremena provedenog sa njom.
23:19Ali najsipatičniji bi mi bio možda čak Marko Life Coach.
23:28Joj, svi su simpatični na svoj način.
23:31Zaista i poprilično su osobeni, interesantni.
23:34Nikoga ne bi nazvao smaračem.
23:36Zaista svako ima nešto individualno što je meni bilo zanimljivo.
23:40Ne verujem ja u prijateljstva, u gradu de bi svako daje zvezda.
23:52De svako ti je brat zbog interesa, a niko te u stvari ne zna.
23:57U gradu de se svako pretvara, u gradu de je život predstava.
24:01De si niko ako si bez para.
24:04Pita se da je ljubav nestala.
24:06Ne verujem ja u obećanja, jer oko sebe vidim samo sranja.
24:11Ovde došlo je do tačke usijanja.
24:14Pa čemu da se nada?
24:16Ne verujem ja u ljubav.
24:18Obrađen sam bio milijom puta.
24:20Kažu posle kiše uvek dođe duga.
24:22Mi se molimo za bolje sutra.
24:25Mi smo nova generacija.
24:29Pula slova i frustracija.
24:34Osuđu jedna cijela nacija.
24:39Tu grad ne zguta.
24:42Mrak i svota.
24:44Mi smo nova generacija.
24:48Pula slova i frustracija.
24:53Osuđu jedna cijela nacija.
24:58Svi traže čuda.
25:00I bolje sutra.
25:02A svima samo treba.
25:04Ljubav, ljubav.
25:07A svima samo treba.
25:09Ljubav, ljubav, ljubav.
25:12A svima samo treba.
25:13Ljubav, ljubav.
25:16A svima samo treba.
25:18Ljubav, ljubav, ljubav, ljubav
25:23Mi smo nova generacija, pula slova i frustracija
25:40Osuđu jedna cijela nacija, to grad ne zguta
25:47I mrake su da, mi smo nova generacija, pula slova i frustracija
25:58Osuđu jedna cijela nacija, to grad ne zguta
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