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  • 5/21/2025
The Studio (2025) - Season 1 Episode 4 -
The Missing Reel
#ShowMovies

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😹
Fun
Transcript
00:30Mm-mm-mm.
00:47Isn't film just magical?
00:49Yeah.
00:50It's supposed to bring you back to the good old days,
00:51watching dailies projected through actual celluloid.
00:55I just love the grain.
00:57You know, the way it dances,
00:58even in the static parts of the frame,
01:00it just breathes, you know?
01:02Every frame has so much life to it.
01:05You know, most studio heads,
01:06they won't even let you shoot on film.
01:07They don't even have a good reason.
01:08They just don't like it.
01:09But me, I'm sort of single-handedly keeping film alive.
01:14Every good director in Hollywood knows,
01:16if you want to shoot on film,
01:17I'm the guy that'll make it happen.
01:19Film's a fucking pain in my ass.
01:22With digital, I just push a button.
01:24This is a whole thing.
01:25So how much more do you want to see tonight?
01:28Oh, I'm watching all the dailies tonight, my friend.
01:32This, uh, movie, Rolling Blackout,
01:35what's it about?
01:36I don't get any sound, just the images.
01:38Oh, yeah, yeah, yeah.
01:39It's a neo-noir detective film
01:41set in the world of the Los Angeles solar panel industry.
01:44Zac Efron's in it.
01:46Olivia Wilde is crushing it as a director.
01:48Tonight's actually their last night of filming.
01:50Yeah, it sounds like a rip-off of Chinatown to me.
01:53Good artist borrow, great artist steal, right?
01:55Yeah.
02:00Hey, can I ask you something?
02:03Does my hair look weird to you?
02:04I-I dyed the sides trying to get rid of the gray.
02:07I'm worried I went too dark.
02:09It's all out of proportion.
02:10How the hell should I know?
02:11It's dark as shit in here.
02:13At least you've got hair.
02:15Yeah.
02:15Hello?
02:23What?
02:25Jesus Christ, this is bad, man.
02:26This is really, really bad.
02:28Yep.
02:28How the fuck does this even happen?
02:29I don't know, but it's happening.
02:31God, are you 100% sure?
02:32Yes, I've been on the phone with John Paul,
02:34the line producer, for the last hour.
02:35Jesus Christ.
02:36Honestly, I just, I'm having a hard time believing it.
02:38Okay, well, believe it.
02:39A real film is missing.
02:41Do they think maybe someone just, like, lost it?
02:42No, they think it was stolen.
02:44Stolen?
02:44Who the fuck would steal a reel of film from a movie set?
02:47Well, maybe they're mad because the head of the studio won't pay for the wrap party.
02:50I'm done again with this wrap party.
02:52It's just a party.
02:53This movie's over budget as it is.
02:54I'm going to pay for it.
02:54I'm going to get drunk now.
02:56Film is very expensive to shoot on.
02:57You and film.
02:58I'm going to walk in on you fucking a reel of film one day.
03:00You're going to have your dick in a little hole right there.
03:02It is important that as a studio, we are known as being filmmaker-friendly.
03:05Oh, no, no.
03:05This is so you can feel fancy.
03:07No one can tell the difference between film and digital.
03:09Anyone with an artistic eye can tell the difference.
03:11Can someone with an artistic eye tell the difference between a good and a bad hair?
03:14Dye job?
03:15Jesus.
03:16Hey, John, Paul.
03:16She's in here.
03:17You look like Giuliani.
03:18Did you just for a minute?
03:19Yeah, what a shade too dark.
03:20Shit.
03:21You have a gray beard and black hair.
03:22You look nuts.
03:23Fuck.
03:23I did medium brown.
03:24I should have done light brown.
03:26Oh, man.
03:27Hey, Olivia.
03:28Thank God you're here.
03:29Yeah.
03:29You're literally the only person I trust right now.
03:31Oh, thank you so much.
03:32Me too, Sal.
03:33Yeah.
03:33Listen, Sean Paul just told me that we...
03:35Yeah, one of the reels of film from yesterday's shoot went missing.
03:37We just heard.
03:37The camera department PA Fred loaded all 10 reels of film in the van had wrapped,
03:41but the lab says that they only got nine reels.
03:43That reel has the big third-act shootout.
03:45Oh, no.
03:46Yeah.
03:47And remember the note you gave us for that?
03:48Do you remember what it was?
03:49Yeah, really.
03:50You said, really, just go for it.
03:51Go all out.
03:51Yeah, yeah.
03:52I love that.
03:52Oh, thank you so much.
03:53And you suggested my cameo.
03:55Yes, I did.
03:55Which was genius.
03:56Thank you, yeah.
03:57Also on that reel.
03:58Are you fucking kidding me?
03:59That was on that?
04:00Oh, shit.
04:00And it was such a good idea.
04:02Oh, thank you.
04:02Again, I really appreciate it.
04:03I'm sorry.
04:03Is this PA sure that he didn't leave one of these reels in the truck?
04:06You scoured the truck.
04:07Someone definitely took it.
04:08Oh, my God.
04:09What do you think, Olivia?
04:10Is there anyone on the crew that, like, has it out for you or anything like that?
04:13Anyone trying to fuck you over?
04:15I'm sorry.
04:15On this crew?
04:16Yeah.
04:18Matt, this crew is my family.
04:19Oh, okay.
04:20Each and every one of them is so devoted to the message of this film.
04:23Great.
04:23They've been working their asses off.
04:25Okay.
04:25I mean, I have no idea who would do something like this.
04:28Okay, okay.
04:28Maybe you want something?
04:29Okay.
04:30Sorry.
04:31Yeah.
04:31No, no, no problem.
04:32It's a lot.
04:32It's a lot.
04:33It's a lot for me.
04:34Just know that we are also, you know, a part of this family, and we at Continental are just,
04:40we are dedicated to solving this problem.
04:42We got your back, all right?
04:43Okay, great.
04:43So if the film isn't covered, we'll just reshoot it, right?
04:47Insurance pays for that?
04:50Yeah, you know, in order to do that, we have to officially report it missing, which I'd kind
04:54of rather not do right now.
04:56So maybe we just kind of keep this under wraps for now until we find the film ourselves,
04:59you know what I mean?
04:59Even if we don't find it, we just reshoot, right?
05:02Yeah, don't worry.
05:02We'll find it.
05:03We're on the case, okay?
05:04We got this.
05:05All right.
05:05We only got a couple more setups with the main unit.
05:07We wrapped them out, got a few pickup shots with a splinter unit by the Hollywood sign,
05:11and then it's an official picture wrap on rolling blackout.
05:15If we don't have the film by then, I have to report it missing.
05:19Shut up.
05:20Okay.
05:21Thank you so much for having my back, Matt.
05:23I can't tell you what it means to have a studio head who's also a friend.
05:27I can't tell you what it means, how much it means to hear you tell me what that means.
05:34God bless you.
05:35Great.
05:36Yo, we need to talk to this PA, Fred, whoever loaded the film into the band.
05:39Also, could you get us some jackets?
05:41It's getting, you know, a little chilly outside.
05:43Yeah, I'll get you something more.
05:44Hey, could you grab a hat for this guy?
05:46Because of the hair?
05:47Yeah.
05:48Is that noticeable, Zane?
05:49Oh, Pepe Le Pew, you fucked up.
05:50Fuck.
05:51The sun has set on the continental backlot, and I begin what could be the longest, hardest
06:00night of my entire life.
06:02A real film has gone missing.
06:04Nobody knows who took it, or why they took it.
06:09They just know it's gone.
06:12I'm so anxious right now.
06:14They're pumping this fucking fake smoke all throughout the set.
06:17It's making my throat all scratchy.
06:19My neck and shoulders are killing me.
06:21I should try to get a massage this weekend if I can.
06:23Who are you talking to?
06:24This might sound stupid.
06:27My therapist told me any time I'm spinning out, I should record my thoughts on a voicemail.
06:31No, a lot of people do that.
06:32It's really stupid.
06:33Yeah, look, I keep thinking this could be really, really, really, really, really bad.
06:39If it gets out in town, that one of our movies lost a reel of film, that'll be used as precedent
06:44by every other studio in Hollywood.
06:46Any time a director comes in and wants to make a movie on film, they'll say no because
06:50of this event.
06:51You'll be the man who killed film.
06:53Wait, you think it'll fall on my shoulder squarely?
06:56Like I'll be known for this?
06:57No, not really.
06:58No, it will.
06:58No.
06:59You're right.
07:00I didn't even think of that, man.
07:01Fuck, we've got to find this fucking thing.
07:03Hey, I don't mean to spin you out further.
07:05Did you smell booze on Olivia's breath?
07:08I mean, who can blame her for having a drink after the day she's at?
07:11No, no, this was different.
07:12It was weird.
07:13I was trying to pinpoint the smell.
07:15Is it Tito's?
07:16Is it Chopin because she's gluten-free?
07:18But it was something else.
07:19It was really harsh, powerful.
07:21What's very weird about this is that you can actually identify alcohol brands by smell.
07:25No, no, no.
07:25I'm not talking about my drinking problem anymore.
07:27She was acting odd.
07:29She was way too nice to me.
07:30She wasn't too nice to me.
07:31We were friends.
07:32She was acting friendly to me.
07:33Sorry, you're friends with Olivia Wilde?
07:35Yes, we're friends with Olivia.
07:36What's so fucking weird about that?
07:37What?
07:37I heard you were looking for me.
07:40Oh, shit.
07:42Are you Fred, the camera PA?
07:44Too many eyes and ears.
07:45Crew parking.
07:46Five minutes.
07:48What about...
07:49I don't know him, you dumb fuck.
07:50I loaded all ten reels into that van.
07:53I wrote it into the log, like every night.
07:56See?
07:58Right there.
07:59Ten reels marked loaded in van at 5.48 a.m.
08:03Zac Efron was there.
08:04He said hi.
08:05He's always nice, no matter how much Olivia grinds him.
08:09Then I went and closed up the camera truck, came back, and drove the van with the reels.
08:13Okay, how long were the reels sitting in that van?
08:15I can tell you exactly.
08:16I always mark it in the crew text chain.
08:21Camera department, wheels up, 6.08 a.m.
08:24So someone could have taken the reel in the 20 minutes the van was left unattended.
08:28Other than Zac Efron, who's around this van?
08:31Hell, everyone.
08:32It was wrap, and the van was right by the gate.
08:35Shit.
08:36I gotta get to set.
08:37Wait.
08:38Wait, hold on.
08:39Hey, hey.
08:39Did anyone else have an axe to grind with Olivia?
08:41You said she was making Zac crazy.
08:43Did I?
08:44Yes.
08:44Uh, nah, she's cool.
08:45I mean, look.
08:51She's gone full Fincher this last week.
08:54She made Zac do 40 takes of putting on a hat.
08:58It was fucking nuts.
09:00He's about to lose his shit.
09:02I've said too much.
09:05I don't want to be known for talking shit about my boss.
09:08I'm gonna go.
09:09Can I go?
09:10I'm gonna go then.
09:11Uh, okay.
09:13He's a weirdo for sure, but I believe every word he just said.
09:16Me too.
09:18It's a cold night in Los Angeles.
09:21I'm just so fucking confused.
09:24Who would steal this reel of film and why?
09:27I mean, Zac Efron was seen by the van before it went missing.
09:31He seems to hate Olivia.
09:32Maybe he has something to do with it.
09:34All I know is it's 8 o'clock.
09:36I'm gonna have to report this thing missing soon.
09:38The film could be dead forever.
09:40Are you done journaling?
09:41Fuck you.
09:41Don't mock my therapy.
09:42I was thinking, does it seem weird to you that Olivia's making it seem like they're all
09:46one big happy family, but clearly everyone thinks she's an asshole?
09:49I mean, even Zac hates her guts.
09:51I don't think that's weird at all.
09:52Honestly, as a leader, sometimes you have to make people hate you to get the best work
09:55out of them.
09:55It sucks, but I can relate.
09:57Bet you can.
09:57If anything, I'm suspicious of Zac Efron now.
10:01He seems to have it out for Olivia.
10:03Maybe he's trying to sabotage her.
10:04Let's go talk to him.
10:05I'm so glad you're gonna accuse your star of stealing him.
10:07No, I'm not gonna accuse him.
10:08I'm gonna seduce him, buttering up movie stars, getting in their head, knowing their
10:13innermost thoughts and desires.
10:14That's what I fucking do, man.
10:15That's my job.
10:16Watch and learn.
10:18He's not here.
10:19Let's go.
10:19It's open.
10:20Come on in.
10:21Watch the magic, my friend.
10:27Yo.
10:27Oh, shit.
10:30What up, baby?
10:31Hey, man.
10:31Oh, what's up, Sal?
10:33Oh, can't wrap it up with the crew, huh?
10:34I would not miss it for the world.
10:35All right.
10:36I, uh, also would not miss it for the world.
10:40Hey.
10:40This is my boss and my buddy.
10:42This is Matt Remick, Zac Efron.
10:44Nice to meet you in real life, man.
10:45Hey, Matt, how you doing?
10:46Hey, guys, I gotta be on set in five.
10:47Do you mind if I get ready while we talk?
10:48No, get ready.
10:49Do your thing.
10:50You need help with the tie, let me know.
10:51I wear one every day as an assistant.
10:53I can tie a tie.
10:54Thanks, Matt.
10:56Cool.
10:56Great.
10:57Uh, how's the shoot going?
10:59You good?
10:59Uh, everything going smoothly?
11:01You getting along with everybody?
11:02Yeah.
11:03Why wouldn't I be?
11:04I don't know.
11:05Uh, I'm doing a mask and you tell me.
11:08It's going great, actually.
11:09It would have been really nice to be able to throw a wrap party with everyone, but I guess
11:13that's too expensive, huh?
11:16Yeah, uh, it is, honestly.
11:18And, you know, we're just trying to, you know, put the money on the screen.
11:21And we're shooting on film, so that's, you know, extra expensive.
11:24Yeah.
11:25That's your 53 Corvette I drove by on the way in, right?
11:28Yeah.
11:29Wow.
11:29Isn't that the first year they made Corvettes?
11:31It's the third one ever made.
11:32He got it from a sheik in Dubai.
11:35Oh, wow.
11:36You really are putting it all on screen now.
11:38Yeah.
11:38Cool, man.
11:40First team's being invited, Zach.
11:42I'll be right there.
11:42I gotta run, guys.
11:44Great.
11:44I just, uh, I wanted to, again, just stop by, tell you how great your performance is
11:48and how much we are loving you on every reel of film.
11:52Glad you're happy.
11:55Thanks, man.
11:56Appreciate it, guys.
11:57Yeah.
11:57Great.
11:58Great job, man.
11:58Thanks for letting us hang out.
12:00Yeah.
12:00Thanks for letting us hang.
12:01Yeah.
12:02Really cool to see you prepare.
12:04Anything you need.
12:04Watch the, uh, actor's process.
12:06Let us know.
12:06Yeah.
12:06Really neat.
12:07Really neat.
12:07See you, baby.
12:08See you, baby.
12:14Oh, I nailed his sexy ass.
12:16Did you see his eye twitch when I said film?
12:18That was a fucking tell, man.
12:19What are you talking about?
12:19That didn't happen.
12:20Yes, it did.
12:21He was acting so weird just there.
12:22No, you were acting so weird.
12:24Oh, my God.
12:24He was trying to get rid of me the entire time.
12:26Because he doesn't like that.
12:27He doesn't even fucking know me, man.
12:28He knows that you killed the rap party.
12:29Also, we keep barging into his trailer.
12:31What if he was nude?
12:32We can get he-tuned.
12:33He was very suspicious when we first came in.
12:35It kind of looked like he hid something, you know?
12:37Look, I'm going to snoop around in here a little bit.
12:38You are not going to...
12:39Keep guard.
12:40You are not going to his trailer.
12:41Keep guard.
12:42Oh, my God.
12:42Oh, please.
12:43Fuck.
12:48Oh.
12:48For the goods.
12:56Ayola.
12:57Matt, you're coming back.
12:59Fuck.
13:00Fuck.
13:01Oh, shit.
13:02Oh, no.
13:03Oh, shit.
13:03Dead of fraud walking back to your trailer.
13:06Hey, man, what are you doing here?
13:08Jeez, hey.
13:08What happened to set?
13:09Why aren't you on set?
13:09Yeah, I wore my bombas to set instead of my hero socks.
13:12So I didn't know my feet were in the shot.
13:13I'm just going to grab them real fast.
13:14Then your feet are showing.
13:15And who's drags in this movie?
13:16Terrancino?
13:17Yeah, I wish.
13:19Wait, can I get a photo with you?
13:21Because we won't have time later.
13:23Because there's no rap party.
13:24No, yeah, man.
13:25Let's do it now.
13:25As long as it's just with you and not that fucking asshole, man.
13:28Oh, yeah.
13:29No, fuck him.
13:29Are you really friends with that guy?
13:30No, no.
13:30He's a stupid bitch.
13:32Good, man.
13:33Here we go.
13:33Yeah.
13:34Hey.
13:34Last quick video for my daughters, maybe?
13:38Dude, I got to go.
13:39Yeah, yeah, yeah.
13:40You got to go.
13:40You got to go.
13:41He is stepping up.
13:43Send me one of those because I can post it.
13:45And I've been doing it a little bit for this movie.
13:47And the fans are really loving it.
13:48I don't know why.
13:49We love you.
13:50We love you so much.
13:51Love you, buddy.
13:51See you.
13:51Ah.
13:52Ah.
14:04Fucking insane.
14:08That was close, man.
14:09Oh, my gosh.
14:10What's up with you?
14:10I'm just trying to solve the case, man.
14:12What do you want?
14:12I hope it was fucking worth it.
14:13It was.
14:14There was a fucking envelope full of cash in there.
14:16It's payola, man.
14:17Payola?
14:17What is he?
14:18A DJ from the 50s?
14:19It's a bribe.
14:20A payoff, you know?
14:21Clearly, Zach, who is not a good dude at all, has it out for Olivia, who is awesome.
14:26And so he paid somebody to steal the reel of film to fuck with her.
14:29You know what I mean?
14:30Someone named Evelyn.
14:32Evelyn.
14:32Evelyn.
14:32And Deirdrickson is the costume designer, but holy fuck, that's her.
14:36That's holy fucking god.
14:37She has to payola.
14:38She put her purse.
14:39She took the payola.
14:40She's tangled in Zac Efron's wicked web.
14:42Oh, my god.
14:43Okay, let's follow her.
14:44Okay, let's follow her.
14:45We've got to get to my car and follow her on the walk.
14:46Can we get another one down here?
14:48Yeah.
14:49Fingers up.
14:50Moving on to the last shot for May today.
14:52Fuck.
14:53Shit.
14:53The last shot for this unit.
14:56Do you think that wad of cash is for stealing the reel?
14:58We're going to follow that fucker.
15:00We're going to find that film.
15:02Holy shit.
15:12Zac posted this photo last night.
15:14Look at that guy.
15:15He's right next to the van when they rapped.
15:17I can't look at his face, but he's got a huge tattoo on his wrist of like a seven with flames.
15:23So what?
15:24So that's a clue.
15:26What are you talking about?
15:27This is way more suspicious than that.
15:29That's a guy on a movie set with a tattoo.
15:31Show me a guy on a movie set without a tattoo.
15:33That's suspicious.
15:34Fuck.
15:35Main unit just wrapped.
15:37Splinter unit's going to go to the Hollywood sign.
15:39That's going to wrap.
15:41We're going to have to report the film missing.
15:42I'm going to get blamed for destroying an entire medium.
15:45As we follow Ethelyn into the valley, all I can think of is what a fucked up house of cards I've gotten myself into.
16:07Shit, my mom's calling.
16:09Hey, mom.
16:10Hi, honey.
16:10I'm just calling to say hi.
16:12Hi.
16:12You busy?
16:13Yeah, no, I'm still at work.
16:14Oh, okay.
16:15We'll talk later, okay?
16:16Love you.
16:16Yeah, I love you.
16:17Bye.
16:17This is all very suspicious.
16:19What is suspicious?
16:20She's at the smokehouse.
16:21She's having garlic cheese bread.
16:22It's incredible.
16:23It's suspicious.
16:23And you know what's even more suspicious?
16:24That you don't seem to find the suspicious.
16:26Okay, enough with that.
16:27That's suspicious.
16:27You sound crazy.
16:28Fuck, there she is.
16:28There she is.
16:29Oh, God.
16:29Okay, shut up.
16:31There's a guy.
16:32Is it a tattoo?
16:32She gave him the payola.
16:34She gave him the payola.
16:35He's giving her a box.
16:36Oh, my God.
16:36God, the film.
16:37Go, go, go.
16:38Fuck, she's going.
16:38She's moving.
16:39She's going to move.
16:44As we follow Evelyn through Hollywood, the ticking clock follows us.
16:48When that clock hits zero, that's a wrap on film forever.
16:52You're doing it now?
16:53I didn't realize it was your thing.
16:55Well, it is.
16:56Look, Evelyn went in there.
16:58Shat told Marmont.
16:58Yeah, yeah, yeah.
16:59Go follow her.
16:59Go, go, go, go.
17:05Who's that, Evelyn?
17:25Hi.
17:25Can I help you?
17:26Yeah, I'm just here for a drink real fast.
17:28Matt Remick.
17:29Sorry, we have private events tonight.
17:30I can't let anyone in.
17:31I hate to be this guy.
17:33I'm the head of Continental Studios, Matt Remick.
17:35I'm here all the time.
17:36I wish I could help you, sir, if you wouldn't mind.
17:39I'll take a room for the night.
17:41How's that?
17:41I'm so sorry.
17:42No vacancy.
17:44Okay, thank you.
17:47What the fuck?
17:51Zachary fucking Efron.
17:55Dude.
17:56What the fuck is Zach Efron doing here?
17:57It's a coincidence.
17:58He just rapped he's staying here.
18:00It's beyond suspicious.
18:01He's here.
18:02Evelyn's here.
18:02The film is in there.
18:03We've got to get in there right now.
18:04We've got to find him.
18:05We have like an hour left, man.
18:06Stop it.
18:06No, there's no time.
18:07We're not doing anything.
18:08We're not breaking into the chateau.
18:09We don't even know what the fucking film's in there.
18:12I'm going home.
18:13What?
18:13I'm going to call an Uber.
18:15I'm sorry.
18:15We tried our best.
18:16It didn't happen.
18:17I know you love film.
18:19I think it's had its day.
18:21Sorry, man.
18:29Shit.
18:29I'm going to call it.
18:32Hey, man.
18:32Hey, man.
18:32I don't know.
18:33I don't know.
18:34I don't know.
18:34I don't know.
18:35I don't know.
18:36I don't know.
18:37Hey, man.
18:37Hey, man.
18:38Hey, man.
18:38Hey, man.
18:39Thanks for a ride, man.
18:39Five stars, baby.
18:40Hey, man.
18:41Hey, man.
18:42Thanks for the ride, man. Five stars, baby.
18:52Shit. Sal.
18:56Sal lied to me.
18:59I'm gone. He's working with Zach and Evelyn.
19:01That fucker.
19:12Hey, I gotta get this to Zac Efron's room.
19:41Do you know where he is?
19:4264. Great. Thank you.
19:43Got some pasta for Zac Efron.
20:11You motherfucker! I knew it!
20:18You conspired with Zach to fucking humiliate me or something?
20:22Are you jealous of me? Are you jealous of me?
20:24Are you dressed up like a waiter right now?
20:27To sneak into the wrap party? Are you in disguise?
20:30What the fuck, dude?
20:31Wrap party?
20:32You cheaped out on the wrap party, man. So I decided to throw a secret one myself.
20:45That's why you were acting so weird before?
20:47Well, yeah. I mean, what was I supposed to do, man?
20:49Like, we didn't want you to find out about the party because everyone's kind of pissed at you right now.
20:54No one likes you.
20:55And we definitely didn't want Olivia to find out because everyone's sick of her, man.
20:58No one wants to party with her.
20:59You knew this whole time about this?
21:01No, no. He told me at the valet.
21:03Why did you lie to me?
21:04Because I told him to, man. Everyone loves him.
21:07He's not the one who cheaped out on the wrap party. You were.
21:10But it's fine, dude. Like, you're here now, so you can stay. It's cool.
21:14There was an envelope full of cash. We followed Evelyn. There was a box. She bought a box.
21:20You mean that box?
21:21Yes! I do! This box! Exactly!
21:27Hats. For the crew. Which I also paid for. No, you can't have one.
21:33Okay, you can have one, dude. Fucking relax. You look so fucking sad.
21:37What'd you think was in there?
21:39There's a real film missing.
21:40There's a real film missing?
21:41Yeah.
21:42That's why we're here.
21:43Yeah.
21:43Bloody shit. From what day?
21:44The shootout at the solar factory.
21:46Are you fucking kidding me?
21:48Fuck, fuck, fuck. Fuck, fuck, fuck.
21:52That was the hardest day. That was a nightmare.
21:55Olivia hated everything we did that day, except her cameo, which was legit amazing.
21:59It was really, really good. Like, award-worthy. Fuck, man.
22:02She's gonna be pissed.
22:05Oh, I'm so over this movie, man.
22:11I'm technically not available for reshoots, so I really hope you guys find it or you're fucked.
22:15Did you really think I would conspire against you just to humiliate me?
22:27Honestly, yeah, I did.
22:29I'll take it.
22:30What's up, man?
22:33I'm your friend, dude.
22:36Something's going on with you. You never listen to me, ever.
22:38You're spending millions of dollars on, like, classic cars and dyeing your fucking hair.
22:44It's not matching your beard. What's up?
22:46I agree with everything you're saying, man.
22:48It's this fucking job, dude. It's, like, broken my brain or something.
22:54It's just so much harder than I thought it was going to be.
22:57I feel very alone, you know?
23:00It's like everyone wants something from me, and I can't give it to them.
23:03And because of that, I don't know who I can trust.
23:06I mean, you know, even you lied to me.
23:09I did, and I'm sorry about that.
23:12It's just Zach asked me to, and he looked at me with those blue eyes.
23:15He's so fucking hot, and I'm weak.
23:17I just, I'm really sorry I lied to you.
23:22I'm sorry I've been ignoring you and just acting so crazy in general, you know?
23:28I love you, dog. Come on.
23:29I love you, dog.
23:30Oh, it's the martini.
23:36Olivia Splinter unit wraps any second.
23:39Martinis it is, then, I guess.
23:40Look at that right there.
23:41What do we have here, my dear?
23:43It's Grey Goose.
23:45That is kettle one.
23:46You are disturbingly good at this.
23:48I wish I could monetize it somehow.
23:51It is still driving me fucking crazy
23:54that I cannot put my finger on what kind of booze Olivia smelled like.
23:57It's fucking driving me nuts.
24:00Oh, my God.
24:04Holy shit.
24:06You fucking did it, man.
24:07You did it.
24:08Did what?
24:09What the fuck are you talking about?
24:10You stole the missing reel of film.
24:11Hey, the perp had the same tattoo.
24:13That tattoo, yeah.
24:14This tattoo.
24:15Yes.
24:15Start talking.
24:16It's fake.
24:17All the actors in the 7th Street Riders gang have them.
24:19Yo, riders.
24:20Show them your tats.
24:23Fuck, they're fake?
24:24Yeah.
24:25We shot the scene yesterday.
24:27They stay on for days unless you scrub them off with rubbing alcohol.
24:30Holy fucking shit.
24:33Rubbing alcohol.
24:35It wasn't Tito's.
24:36It wasn't Beefeater Chopin.
24:37She smelled like rubbing alcohol.
24:40God, Olivia's cameo.
24:42She was in the 7th Street Riders.
24:43She had the tattoo.
24:45And then she wept it off after Zach posted that photo.
24:47Oh, my God.
24:48And that's why she smelled like rubbing alcohol.
24:49Fucking shit.
24:50Zach said that she didn't like how the shootout scene turned out.
24:52I bet she fucking stole the film and trashed it so she could reshoot it and not act like
24:57she fucked it up in the first place.
24:59And they are still rolling in the hills.
25:00If we leave right now, we can catch her.
25:01Let's go bust her fucking ass.
25:08Boom, right there.
25:08There she is.
25:09Busting everyone around.
25:11I thought it was right.
25:12You know, I said, can we move sound?
25:15Can I have sound to move out of the way?
25:16Because if you're in my eyeline and I feel like I just need to see it, like, in a pure...
25:21Guys, hold on.
25:23I've got to talk to you.
25:23Just give me a second.
25:25Hi.
25:25What's up?
25:26Okay.
25:27Update?
25:28Yeah.
25:29Yeah?
25:29Did you figure it out?
25:29Yeah, we did.
25:30Did you find the film?
25:31Yeah.
25:32Okay.
25:33It was you.
25:35You stole the film.
25:36What?
25:37Yeah.
25:39You're joking.
25:40No.
25:42I...
25:42You...
25:42Why would I steal my own film?
25:44I'll tell you why.
25:44Because you didn't like how the end shootout turned out.
25:46Zac Efron told us.
25:47That's why you smelled like rubbing alcohol earlier.
25:49Yes.
25:50Why did you cut two off after he posted the picture?
25:51Exactly.
25:52You knew you were busted.
25:54You're busted, sis.
25:55Is that it?
25:55You have it on you right now.
25:56What's his back?
25:57Hey, hey, hands off!
25:58Hands off!
25:59You know what?
26:03Good artist borrow and great artist deal.
26:06Holy...
26:06Oh, you fucking dick!
26:08Get your fucking hands off!
26:09Hey, hey.
26:10It was the most important day of the shoot, and I realized as we were filming that it's not
26:15big enough, okay?
26:17Efron should have a machine gun.
26:19He shouldn't have a stupid little handgun.
26:22It'll be way more badass.
26:23I mean, it's Scarface.
26:25But you, you're so fucking cheap.
26:27I knew you wouldn't approve the reshoot, so I had to force your stingy little hand.
26:31Okay.
26:31Hey, Olivia, we haven't seen what's on that cannon.
26:33Exactly.
26:33It could be incredible.
26:34It could be great.
26:34It is.
26:35That's the problem.
26:36You're just gonna say it's fine, but fine is not good enough.
26:39Why the fuck are you keeping it?
26:40Yeah, why do you still have it then?
26:42My cameo, okay?
26:46It is the best performance of my career.
26:48I just fucking nailed it.
26:50I don't know.
26:51I just took the frustration from that day, and I just put it into the character, and it
26:55was fucking transcendent.
26:57And I was just gonna secretly cut my close-up into the reshoots, but looks like that's
27:02gonna have to get re-gottened.
27:03Do not, don't do not, no, no.
27:04No, no, no.
27:04I have to.
27:04I have to.
27:05No, no, no.
27:29I can't catch her, fuck!
27:35Hey, give me this goddamn thing.
27:38I got it!
27:44Holy fuck!
27:47What the...
27:49No.
27:50Are you okay?
27:52Get her ass back.
27:53No!
27:54Stop! Stop!
27:55Look, look, you can reshoot the scene!
27:58Marketing will pay for it.
27:59I don't love the machine gun thing, I swear!
28:01Just give me back the film!
28:02I don't believe you, Matt.
28:04You would say anything right now.
28:06I can't.
28:06I can't let you destroy my masterpiece.
28:09Forget it, Olivia.
28:10It's Chinatown.
28:12It's just a ripoff of Chinatown.
28:15Oh, fuck you, Matt.
28:18No, no, no, no, no!
28:19No!
28:22No!
28:26So Olivia destroyed the fucking film.
28:29But, thank God, film itself will live on.
28:34We didn't report it missing.
28:35Instead, I sold my Corvette to Zac Efron for two million dollars,
28:39and I used my own money to pay for the reshoots out of pocket.
28:41The director got what she wanted,
28:43because in this town, they call the shots.
28:46Classic Hollywood ending.
28:48Pretty, isn't it?
28:49I know it's a really big part.
28:52Even though I was looking for the ones now,
28:53and I was in the way of reclaiming it.
28:54Indeed, it can't be, it can't be.
28:55That's enough to have it...
28:56Even if someone said that way,
28:57let me love you.
28:58This has kind ofрок
29:01another.
29:02There he is,
29:02it can't be big.
29:03ORGAN PLAYS
29:33ORGAN PLAYS

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