A gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.
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FunTranscript
00:01Thomas Michael Shelby.
00:03Today is my wedding day.
00:05Take the photograph!
00:07Russians have made contact on your wedding night.
00:09Whoever it is up there, he gave the wrong name.
00:12Can you do it? Can you kill?
00:14You know why he didn't come, don't you?
00:16My bloody mum.
00:17There was a fire at the restaurant.
00:19No fraternising with the foreigners.
00:21He's a cavalry officer.
00:23The march will be engaged.
00:25But you want to try things first.
00:28I'm Reuben Oliver, portrait artist.
00:30You have my card.
00:31It was in your heart.
00:33It was beautiful.
00:36Just get this business done.
00:38Get away from things like this.
00:40Promise me.
00:41I promise.
00:43Not like a sign.
00:57My name is Reuben Oliver.
01:28Across the square.
01:29Across the bridge.
01:30Past the mills.
01:31Past the stables.
01:35On a gathering storm
01:37comes a tall handsome man
01:39in a dusty black coat
01:41with a red bright hair.
01:44Your brother came to my house.
01:46He said the Peaky Blinders
01:48wanted to talk to me.
01:52Aren't you afraid of me?
02:14So?
02:15What do you want from a simple man?
02:19Fear.
02:25Poor Mr. Nutley had too much to drink.
02:29He went to the rail track to lighten himself.
02:31Behind the factory.
02:33The train came.
02:37Then his body was found in a sawdust pile.
02:39I know what you do.
02:41Tell me what you want.
02:45This.
02:47The entire warehouse.
02:49Bays 4, 5 and 6.
02:51Do you have the keys?
02:53Yes, I have the keys.
02:56What's in Bay 4?
02:58Type 40s and Type 21s are ready.
03:00The paint shop is on its way.
03:02Bay 5?
03:04Paint shop and parts.
03:07Then Bay 6 is yours.
03:09For whom?
03:11I want the keys to Bay 6.
03:14There's only old stuff there.
03:17I want the keys to Bay 6.
03:41For trouble.
03:44Give it to your charity.
03:55I'm only doing this to save my family.
04:11Bay 6.
04:41Bay 6.
05:12Ah.
05:34So your charitable institute
05:36will only have boys or girls?
05:39Both.
05:42Keep them separate.
05:44You know what little kids do.
05:48Where are your people?
05:50They said they'd be here by 5.
05:52They make their own rules.
05:54You'll never understand what they are.
05:57Just like wet soap.
06:01I did some research.
06:05That's true.
06:07You must know them as the Economic League.
06:11I only got a letter from them once.
06:13It was in the name of the Vigilance Committee.
06:15Their intentions were very clear.
06:17No.
06:19The name I heard was Section D.
06:23That's what the Special Branch calls them.
06:26Businessmen, MPs, Army Officers.
06:29Yes, it's even more fun to bring them
06:31into a gypsy scrapyard.
06:35You said it was for privacy.
06:37Since the election,
06:39the government has considered us
06:41its enemies.
06:43But we're trying to save this country
06:45from a revolution.
06:49You're a politician, Mr. Shelby.
06:53Because people think
06:55the revolution will happen soon.
06:57Because people think
06:59everyone will have to choose a side soon.
07:03Are your people coming or not?
07:07Mr. Shelby, you'll soon understand
07:09that these people don't walk
07:11by the hand of the clock.
07:13And then you'll learn to hold
07:15small meetings in the morning.
07:17They're like monks.
07:21So when will this Charitable Trust
07:23start?
07:25Whenever I want.
07:29Sometimes I'll come here
07:31to listen to their stories.
07:35You should meet MP Patrick Jarvis.
07:37He wants to be a trustee.
07:39It's his habit.
07:41Meet him in the evening
07:43when he sits down for a drink.
07:47We'll make a formal agreement
07:49with him on a big deal.
07:51My office will be there.
08:03You know, sometimes
08:05the devil gets into you.
08:09Mr. Shelby,
08:11if I want to be the owner
08:13of your fake charity,
08:15I might as well be.
08:17If you want to become
08:19a respectable person,
08:21you can't become a saint.
08:23Am I wrong?
08:27This is too much.
08:29It's 6 o'clock.
08:31Come on.
08:33I hope you had a good day.
08:35Where are you going?
08:37I told you
08:39that if he doesn't come here
08:41by noon,
08:43the meeting will be cancelled.
08:45Maybe he's stuck
08:47in the House of Commons meeting.
08:49Maybe the House of Lords
08:51have stopped Admiral Hall.
08:53What do you think?
08:55Maybe they've decided
08:57not to do business
08:59with the gypsies
09:01in the scrap metal yards.
09:03That won't be good for you.
09:05Tell them about me, Priest.
09:09Tell them I went to the factories
09:11and the cars are in good condition.
09:17How old are you?
09:2127.
09:23And that man is mine.
09:27He's the man you're going to meet
09:29at Ritz today.
09:31I have other meetings today.
09:33You have only one meeting today.
09:35This one.
09:37In London.
09:39You're smart.
09:41What else can I tell you?
09:47I don't know.
10:17Cold.
10:19I'm sorry, sir.
10:21How many times do I have to tell you
10:23to ask them to send utensils
10:25for our servants?
10:27I don't know.
10:29I don't know.
10:31I don't know.
10:33I don't know.
10:35I don't know.
10:37I don't know.
10:39I don't know.
10:41I don't know.
10:43I don't know.
10:45Why don't you tell them to send utensils
10:47for our servants?
10:49What have I said doesn't make any sense.
10:51What about the eggs from yesterday
10:53and this old fish from last year
10:55and the old tea bowl analysis from last year?
10:57Sir, I have today's meeting list.
10:59Can I have it, sir?
11:01No. I have to go home today.
11:03I've a duty at home today.
11:05We have a lunch at Ritz
11:07with Duke Michael Mikalovich.
11:09Cancelled.
11:10What for?
11:12He said he's not well.
11:14You have a tea show at 3 o'clock with Prince, Seward and Lady Mary Lewington, sir.
11:22Hmm.
11:24Good.
11:25I'm sure he got away with it and got the beauty.
11:28But if Duke isn't coming, the Prince and Lady have also cancelled the show, sir.
11:37That means your whole day is empty, sir.
11:42But you have an appointment, sir.
11:44To discuss automobiles, sir.
11:47With Mr. Thomas Shelby.
12:12You were supposed to have a meeting in an open space.
12:15Fresh air and the sweet smell of cow dung.
12:20You said the middle ground.
12:22The middle ground is nowhere to be found.
12:25So?
12:26Is this all we got?
12:28Then, por favor, sit down.
12:33Where's Thomas?
12:34He's been called.
12:35He said he'd come.
12:36He's a little busy.
12:38And I just told you he's been called.
12:40What do you want?
12:46Everything between Peaky Blinders and the Changretta family is going well.
12:52It's been almost two years.
12:54Do you want tea or not?
12:56Listen, Finn.
12:57Get these Italians some tea.
13:00We don't want tea.
13:04We don't want tea.
13:11We want an answer.
13:13But I'm going to drink this tea.
13:15What answer?
13:17The Little Venice Restaurant.
13:19The one on 4th Street that was burnt.
13:21No, no, we can't do that.
13:23We were at the wedding that day.
13:24You were the one who burnt it.
13:26So that my son couldn't attend the wedding.
13:29No one remembered that.
13:34You're a grown man now.
13:37There was a time when you asked us for clothes.
13:40To look like humans.
13:42How's the tea, Arthur?
13:45It's cold.
13:50Please tell Tommy.
13:52We pay him as much as he says.
13:55We stay away from the city and the tracks.
13:58But tell him on my behalf.
14:03That my son will roam with any woman in the city.
14:08With whomever he wants.
14:10Even if that woman works for the great Thomas Shelby.
14:14My son has fallen in love.
14:18Sorry.
14:20Please forgive me.
14:22Go on.
14:27If he wants.
14:29Then he will roam with whomever he loves.
14:32Okay.
14:35Okay.
14:37It will be difficult for your son to roam anywhere.
14:40If I shoot him in both his knees.
14:50Too much.
14:53You've said too much.
14:56Sabini says that we have to bear it.
15:00But no.
15:02It's too much.
15:05Now I'll show you what I am.
15:10Okay.
15:12It's strong.
15:19What was that?
15:21Idea.
15:23Send men to all the pubs in Brussels.
15:26What are you saying, Arthur?
15:28We are not afraid of the Italians.
15:30Don't tell Tommy about these chairs.
15:32And get it cleaned up.
15:34But we are not afraid of the warps.
15:37Okay, John.
15:39Arthur.
15:46Hello, Aira.
15:50Tommy Shelby Library.
15:52I need a book.
15:54About the Russian Revolution.
16:03Did you get a share of a port in Medavel?
16:06I have got all the shares of such ports.
16:08Sometimes I see our trucks going.
16:11Our trucks?
16:13Shelby Trucks.
16:15What do you have to do with it?
16:17I am just trying to use my brain.
16:20Well, this is a list of those who ran away.
16:23And this shows the point of view of those who struggled.
16:30A Russian came to your wedding.
16:33You didn't tell me who invited him.
16:39Actually, sometimes...
16:41Rich Russians who have left the country...
16:44are invited to social events...
16:46to show their pride.
16:48Is that why he came there?
16:50Why do you want to know?
16:53I liked him. I would like to meet him again.
16:56Is that possible?
16:58No, that's not possible.
17:00What business do you have with the Russians, Tommy?
17:05Can I tear this page?
17:06No, you can't tear this.
17:07This is the property of the people.
17:09When Arthur took the Russians...
17:11there was a pistol in his jacket.
17:12After that, Johnny set the jungle on fire.
17:16You need details because you are getting bored here, Ada.
17:21You used to follow rats with a revolver, Ada.
17:25Shut up.
17:26I have a job for you.
17:45Come on.
17:57Did we have a race in the camp, or not?
17:59Danny was drunk.
18:01Instead of giving cocaine to the horses...
18:03he gave it to his cousins.
18:06This is too much.
18:08He is your brother-in-law.
18:10Ask Azmi to talk to him about this.
18:12Look, before anything happens...
18:18I don't want you to do anything about this.
18:21About what?
18:24About Vincente Changreta's son.
18:26Lizzy was hanging out with him.
18:29So what?
18:30He is not worth more than a penny.
18:32He said that you are threatening to shoot him.
18:35Now he is telling everyone at Nichols that he will kill you.
18:39First of all, this is Lizzy's fault.
18:41And secondly, Tommy's fault.
18:43What are you saying?
18:45We take care of London.
18:47We take care of the North.
18:48We take care of the whole country.
18:50Why should we care about those Italians?
18:52We don't need to get involved in all this.
18:54What does Arthur have to say?
18:56That's why I am here.
18:58And not him.
19:00If he had come, we would have had a fight.
19:03He has told me to apologize.
19:08What?
19:10What did he say?
19:12This city is ours.
19:14We don't need to be ashamed in front of everyone.
19:17If Changreta raises his voice against him, he can go to Sabini.
19:20Sabini is finished.
19:26Everyone is finished.
19:29Everyone pays us.
19:32But we don't want rebellion.
19:38What does Tommy have to say?
19:41Tommy is busy.
19:42He has made me in charge.
19:44What do you have to say?
19:49I agree.
19:53I have told Lizzy to do this.
19:55She will go to meet him.
19:56She will break up with him.
19:57She will apologize to him.
19:59And she will say that it was her fault.
20:01That's enough.
20:03Do you know what this is?
20:05This is all Arthur's wife's doing.
20:07One slap and the other is gone.
20:09In a few days, we will be distributing Bibles in Bullring with his cousins.
20:13John, you don't have to do anything.
20:15Lizzy will do everything for you.
20:17And then everything will be quiet.
20:19And no one will be humiliated.
20:21Yes, I will be humiliated.
20:23John, don't do anything.
20:25Come in.
20:33You have a reservation for a private room in the name of Mr. Romanov.
20:41Do you work for Romanov?
20:43Yes.
20:44Where do you work?
20:45At his house or in his office?
20:47Is there a problem?
20:48Let me tell you that Duke Mikhailovich or Lady Livington are not here.
20:52And we have to take this payment in advance from you.
20:57Can I ask why?
20:58Actually, we have four old bills of Mr. Romanov.
21:02One for his room and three for the dining room.
21:04And two for the rest of the banquets, which we have forgiven.
21:07His Majesty has told us to take care of our Russian friends.
21:11But it's been a long time.
21:16Can I know your name, sir?
21:18Shelby.
21:20Thomas Shelby.
21:21I can come here a lot for dining.
21:23Then I will write your name in the special guest list.
21:26Yes, keep it.
21:27This is the menu for you.
21:29The teal and poke here are very good.
21:32By the way, I know that your guests will order caviar.
21:35I, my wife and my niece first took the train, then the coach,
21:39and then walked through Cremia Cavila Ait Ador.
21:43During this time, the thumb of my foot disappeared.
21:46I don't know how.
21:47I woke up one morning and saw that he was not there.
21:50Then I saw a dog eating him.
21:53Everyone said that the British have mercy on us.
21:55They put us on the HMS Marlborough ship.
21:58I suddenly kissed his steel deck.
22:00My lips froze on it.
22:01I thanked God and your King for saving us.
22:06By the way, since then, they have not left me to insult.
22:10Who?
22:11God or the King?
22:13Both, Mr. Shelby.
22:17So, have you met my niece?
22:21Tatiana.
22:23Do you still love her or not?
22:27You will be smart if you don't love a Russian woman.
22:30Understand?
22:31It is better not to talk about Russian women.
22:33And this is the worst thing here.
22:36Russian women know how to catch him.
22:39It is important to know when to leave him.
22:43Do you understand?
22:46English women don't know all this.
22:54So, did he die properly?
22:56That spy?
22:59I asked for the gift of life.
23:03I heard that you asked your brother to do this.
23:09So, you have faith in your family.
23:11Like me.
23:13Like us, Mr. Shelby.
23:17Let's talk about trust.
23:19Shall we?
23:22You have nothing to do with Romanovs.
23:25You are Georgian.
23:34The mansion in which you live in Hampton Code
23:36is a charity given to you by the British Crown.
23:42The manager told me that you have a lot of debts.
23:46Here and elsewhere.
23:49I have received ten loans.
23:52But I was promised forty.
23:56First, I had to kill a man.
23:58This kind of work is not done cheaply.
24:02Do you understand?
24:27Let me tell you something, Mr. Shelby.
24:32Before boarding the ship,
24:34my niece had stitched sixteen diamonds in her dress.
24:37And besides that,
24:39there are two blue ones at her private places.
24:43My wife had also kept two blue ones and five diamonds.
24:48All this is for the murder of the spy.
24:52All this is for the murder of the spy.
24:54And the rest is for the advance.
25:00Now tell me, where do you keep these things?
25:02In a bank?
25:04How can we pray for poverty in a London society
25:07if we use a bank, Mr. Shelby?
25:11By the way, you should know
25:14that Hatton Gardens is not safe at all.
25:18That's why we have our own treasure.
25:23Very good.
25:25I will ask my men to find out the truth.
25:32Before the revolution, we were soft and weak.
25:37We had to compromise.
25:39But let me tell you,
25:42we will not become soft and weak again.
25:46Do you understand?
25:49Good day, Mr. Shelby.
26:12Come, Mr. Chengretta.
26:14Come, Mr. Chengretta.
26:16Do your work. Finish your work.
26:18It's over there.
26:19Sir, it's over there.
26:21Be careful.
26:23Come on, finish your work quickly.
26:25Come on, hurry up.
26:45Are you going to kill me?
26:48Stand up, you scoundrel.
26:50Stay away from Lizzie, do you understand?
27:03Beware of me.
27:06I will kill you.
27:08I will kill you.
27:10I will kill you.
27:13This is the order of a bloody blind man.
27:33Won't you introduce me to Michael?
27:35He is Charlotte Murray.
27:37His dad makes cars.
27:40I enjoyed your wedding, Mr. Shelby.
27:44Pauline asked me to call you.
27:46Is there any problem?
27:48What problem?
27:50I think she doesn't want to tell me about this.
27:55It's good to meet you.
28:10Okay, Finn, you can go.
28:12Get out of here.
28:15Finn, you can stay.
28:20Sit down, John.
28:22Sit down.
28:30John, you killed Angel Chengretta.
28:34Arthur asked you to apologize.
28:36And Pauline asked you to make a compromise.
28:39But you didn't listen to her and you didn't make a compromise.
28:44And now there is an Italian around here who says that he will kill my brother.
28:50So tell me, what should we do, John?
28:52Should we apologize or make a compromise?
28:55John was just kidding.
28:58Yes, but he is your brother too, Arthur.
29:00Yes.
29:02And I don't want to start a war over a silly thing.
29:09So in which language will you apologize?
29:11Italian?
29:13Or English?
29:15I don't know.
29:17I don't know.
29:21So in which language will you apologize?
29:23Italian?
29:25Or English?
29:28Or should I ask Rooney?
29:30You tell me, which language do you want?
29:32Because I don't understand.
29:36You said that as long as business is going on in London, you want peace in the house.
29:39And there is only one guarantee for peace.
29:41That there is no reason left for any kind of war.
29:44Apologizing once means that you will apologize again and again and every time.
29:48Like removing bricks from the wall of a house.
29:50Do you want this house to fall apart, Arthur?
29:52Yes.
29:53If you get soft on the rebels, they will climb on your head.
29:55I will not get soft on the rebels.
29:57You are absolutely right, John.
29:59And now it's time to attack.
30:01We will occupy two pubs in Cangretta and we will do it tonight.
30:03That's it.
30:04Oh, what is the need? Why?
30:06Why?
30:07Why?
30:08Because we can do this work.
30:10Because we can do this work.
30:11And if we can do it, then we will do it.
30:13Because if we bow down in front of those scoundrels today, they will consider us weak.
30:19Remember, these were the scoundrels who wanted the dead body of Danny Wisban.
30:28You are getting soft, Arthur.
30:30Soft and weak.
30:32Keep the Bible lesson for Sunday.
30:33Okay?
30:38Finn.
30:40I have to go to Auckland.
30:41And then home.
30:42I am very tired today.
30:48You will occupy Rexham and Five Bells.
30:52And you will get them transferred to us by morning.
30:54And remember, the police should stay away from all this.
30:59And yes, don't use your phone.
31:01Okay?
31:02Maybe someone is listening to us.
31:03Okay.
31:12Very good.
31:34This is for you.
31:46You have to sign all this.
31:50And send it by first mail tomorrow morning.
31:55This is for Grand Duke Mikhail Mikhailovich.
31:59I would like to congratulate him on his recovery and offer him a new date for lunch.
32:07This is for Lady Lewington.
32:10She is quite frivolous.
32:12But I have heard that she will respond to free behavior.
32:18And this is for Mr. Shelby.
32:21He has the audacity to check our sapphires.
32:24And we need proof that he has the necessary materials for us.
32:30When it will be convenient for us.
32:36How much did you drink?
32:38Fine.
32:39I didn't drink vodka.
32:40We didn't drink.
32:44At the end of this case,
32:49maybe you will need to kill Mr. Shelby.
32:55Can you do it?
33:00Of course.
33:10Are you hungry, Mrs. Shelby?
33:11Hungry?
33:12No, I am not.
33:14Sorry, Mary.
33:16Your eyes will get spoilt.
33:21Tommy.
33:31Hello.
33:32Hi.
33:35Sit down.
33:41Guess.
33:43What should I guess?
33:49He has said yes.
33:50Who?
33:51The leader of Birmingham City Council.
33:54He is coming for dinner.
33:57Everyone is saying yes.
33:58Wow.
33:59Everyone.
34:00I have to change the catering again and again.
34:04My hands are paining while writing.
34:06But why are you writing?
34:07I got a typewriter for you.
34:09You don't write to a typewriter on such special occasions.
34:12I am sorry.
34:16I have planned everything.
34:22There will be a playground here.
34:24Look.
34:26And the Birmingham Charity Commission has also agreed
34:28that they will remove the old wood.
34:31And you will get a license in a month.
34:33You will get it.
34:37You are not listening to me, right?
34:38Yes, I am listening.
34:39I am listening.
34:41Do you think I am overreacting?
34:44Yes.
34:47So, should I ask you how your day was?
34:50No.
34:54That means your day was not as good as mine.
34:58Everyone has their own opinion about what is good or bad.
35:01Look.
35:02For me,
35:05nothing is better than Sapphire.
35:09Sapphire.
35:13Close your eyes.
35:18Close your eyes.
35:31Okay, now open your eyes.
35:36Where did you get this?
35:40It is very beautiful.
35:44You can wear this for the foundation dinner.
35:48Don't you think this will be too much for a charity event?
35:51Grace.
35:53This is Birmingham.
35:55Oh, Mr. Shelby.
36:25Come on.
36:36Did you put the keys in the watch, Arthur?
36:41Come on, it is time to sleep.
36:49I need to go out.
36:53I have some work to finish.
37:02Work?
37:09But you just got here.
37:12I will be back soon.
37:13It is 10 o'clock.
37:16It is raining so heavily.
37:17It is raining so heavily.
37:20I just got here and left.
37:24Arthur.
37:29The devil works in the dark.
37:32As they say,
37:35start your work in the light.
37:38Your own light.
37:41The light that is within everyone.
37:44It is just a little paperwork.
37:57I need you to clear your men.
38:08Get your men out of nature.
38:11Tonight.
38:14I thought that for your men,
38:17these things have become trivial.
38:20Boss.
38:22Don't feel bad.
38:24By the way, does Tom like this game?
38:29You can say that.
38:32Good night, Arthur.
38:34Good night.
38:43Good night.
38:45Good night.
38:47Good night.
38:49Good night.
38:51Good night.
38:55Good night.
38:57Good night.
38:59Good night.
39:01Good night.
39:03Good night.
39:05Good night.
39:07Good night.
39:09Good night.
39:11Good night.
39:14Arthur.
39:16What are you doing?
39:21Arthur.
39:25We are going to Garrison.
39:27No.
39:29I am going home, John.
39:32Okay.
39:33Do one thing.
39:34Go home, Arthur.
39:36Get lost.
39:40Shit.
39:44Shit.
39:47Shh.
39:48Calm down.
39:49Calm down.
39:50That's enough.
39:54He will take the train from Naples to Paris.
39:57And then he will go to Garrison.
40:04He could be here on Sunday.
40:14Charlie.
40:15Charlie, come here.
40:17Look.
40:19Look.
40:20Isn't it beautiful?
40:23Charlie.
40:24Come here.
40:25Come here, Charlie.
40:27He and his brother are going to make a lot of money for us.
40:31Or they can make us suffer.
40:32What difference does it make?
40:34When we have such a magnificent horse.
40:40Do you like it?
40:42Do you like it?
40:44Yes, Charlie.
40:46Hey.
40:52You do it.
40:53Do you want to touch it?
41:03Do you have a house, John?
41:05Yes, full of kids.
41:06So?
41:07You have maids for kids, right?
41:08Yes, she hears voices.
41:12Did you prepare food for tomorrow?
41:15I had some important work.
41:17She gets worse in her pregnancy, Tom.
41:21John.
41:22Esme.
41:23Now you go from here.
41:24Go through the back door and lock it.
41:29Go, hurry up.
41:31Two truckloads of policemen have come outside, John.
41:35Where is Arthur?
41:36He goes home in Madonna of Mosley at 5 o'clock.
41:39You talk to him, Tom.
41:40Esme, please.
41:41You go from here.
41:42Please.
41:43This has never happened before.
41:45Call Moss.
41:46He is not from this city.
41:47He looks like he is from London.
41:50But since when have we started to fear policemen?
41:52Since things have changed.
41:54Put your hands up.
41:55Put your hands up.
41:56No one will take it.
41:57Put your hands down.
41:58John.
41:59John.
42:00Leave me.
42:01Okay.
42:02John, this is Scotland Yard.
42:03This is Scotland Yard.
42:04Okay.
42:05Put it down.
42:06Put it down.
42:07Put it down.
42:09Let her go from here.
42:10She was pregnant.
42:11Leave her alone.
42:12Leave her.
42:13What is happening, Tom?
42:17Put it down.
42:18Tell Polly that this is Russian business, John.
42:21Okay.
42:22Peaky Blinders.
42:23Now I will show you.
42:27Are you scared?
42:29No.
42:35Come.
42:39Sit.
42:44I am talking to you, Mr. Shelby.
42:59Two more fellows want to tell you that if you do anything
43:02other than following the instructions,
43:04the consequences will be bad.
43:05What is his name?
43:08You met your sister, didn't you?
43:10Hey, what is your name, kid?
43:14Your sister can be a threat to security.
43:18There are connections with her Bolsheviks in London.
43:21They have connections with Soviet embassies.
43:23I just called your dog a kid.
43:27You love your kid.
43:29Am I right?
43:30You love your kid.
43:32Am I right?
43:35Let me make it clear.
43:38If you have a local police in your pocket,
43:41we have a Scotland Yard.
43:44They will do what we tell them.
43:46Just like this dog.
43:48Untie him.
43:52Are you listening to me, Mr. Shelby?
43:55I can control dogs.
43:57I found the gypsy magic.
43:59And I kill those I can't control.
44:05I learnt it when I was stuck with a dog on a boat.
44:08They go crazy in the tunnels.
44:11And I feel like I am in a tunnel too.
44:15At that moment, I feel like either you kill me
44:18or you die.
44:24Untie him.
44:26And order him to speak in English.
44:30I have heard you do that.
44:32When no one listens to you or reports you.
44:36Meet your sister once.
44:38Otherwise, she will die crossing the road one day.
44:43Ma'am.
44:47Now, you tell me.
44:48Tell me.
44:55If you wanted, I would have died a long time ago.
45:01That's true.
45:03That's true. They want to see you alive.
45:07But when you reach home today, Mr. Shelby,
45:10look under your child's pillow.
45:14You will find a tooth fairy there.
45:19We can reach anywhere.
45:21Anyone.
45:48Tommy.
46:03Are you okay?
46:05Yes. Everything is fine.
46:08Everything is fine.
46:10You promised me, Tommy.
46:12Yes.
46:14I have trusted you.
46:18Everything is fine.
46:20Everything is fine.
46:32Grace.
46:34Grace.
46:36Come here.
46:48Come here.
46:54You are one of those impressionist artists, right?
46:57They are all very political.
46:59And you are not?
47:01Not at all.
47:03I want to paint what is real.
47:05For me, politics means
47:07making things easy for some people
47:09and difficult for others.
47:10Grace.
47:17I thought you should wear this.
47:23But I think this is too much.
47:25I will wear something simple.
47:27No. This is fine.
47:29I don't think I can do this.
47:32I want to put this portrait in the office.
47:35So it should be formal.
47:37This is formal.
47:38Made in Paris.
47:40Made in Paris.
47:42And it was stolen in Birmingham.
47:44The house where my mother used to clean.
47:46In 1901.
47:48No. No.
47:50This is yours.
47:52You have confidence and self-respect.
47:55I have painted women
47:57whose expensive clothes are stolen.
48:01I won't take the price for this.
48:03You will have to take
48:05the price.
48:06This is the first time.
48:09So when should we start?
48:11I have already started.
48:13Come to my studio this evening.
48:15I am busy in the evening.
48:17Polly, invite him.
48:19Invite me for what?
48:21Ada, we are having professional talks here.
48:23Invite for what?
48:25Shelby Foundation Dinner.
48:27Polly is going alone.
48:29Ada.
48:31I will come to your studio on Sunday.
48:33And then we will start.
48:34And then we will start.
49:05Come on out.
49:07Come on over.
49:09Help me forget.
49:11Keep the walls from falling
49:13as they're tumbling in.
49:15Come on out.
49:17Come on over.
49:19Help me forget.
49:21Keep the walls from falling
49:23as they're tumbling in.
49:25Keep the walls from falling
49:27as they're tumbling in.
49:29This is love.
49:31This is love
49:32This is love
49:34This is love
49:36This is love
49:38I have confidence
49:41and self-respect.
49:43This is love
49:45This is love
49:47This is love
49:49This is love
49:51Hello ma'am.
49:55This is love
49:57This is love
49:59This is love
50:00Oh, hello.
50:12Hi.
50:19Hi.
50:20Tommy.
50:26Hello Tommy.
50:27Hi Danny.
50:28How's business, Tommy?
50:29It's good.
50:30How are you?
50:32Do you know each other?
50:34I have a share in Cradley Heath's steel factory.
50:37Tommy helps me deliver my goods to the car makers.
50:41Congratulations, Mr. Shelby, on your wedding.
50:45That's strange.
50:46I didn't invite you.
50:47How about that?
50:49Oh, the real party has begun.
50:52Who's that?
50:54John Hughes's father
50:55from St. Mary Boys Reformatory.
50:58And with him is Patrick Jarvis MP.
51:01He's a member of an organization called Economic Lead.
51:05Did you invite him, Grace?
51:07I've heard of him.
51:09I think the Lord Mayor recommended him.
51:12Oh, the best people in town are on your list.
51:15Do you know them?
51:16I'll introduce you to them, Tom.
51:18No, let it be, Danny.
51:20I'll go meet them myself.
51:26I think I gave you a surprise.
51:29I'm used to it now.
51:32Ever since the Socialists came to Downing Street,
51:34they've been keeping an eye on us.
51:36We have to meet them in person.
51:38Come to Barzara Small Heath.
51:40I'll be able to welcome you better.
51:42They want to know about the weapons.
51:44And about the chains on the wheels.
51:46When the White Guards, the Blue Guards,
51:48and the Red Guards came to town,
51:50they wanted to know about the weapons.
51:52And about the chains on the wheels.
51:54When the White Guards move towards Tbilisi,
51:56the road will be very bumpy.
51:59The chains are perfect for the snow.
52:01The ground here is wet.
52:02I've already put them in the cars.
52:04And one of the weapons fields is in the BSA.
52:06It's going to the Turkish Army.
52:08How are you going to load all this on the train to London?
52:10There's going to be a strike that night.
52:12All over the city.
52:13You'll have to stop the train twice.
52:15How?
52:16Two drivers will be involved in the strike in two different places.
52:19Is it going to be fun?
52:21Yes, it's going to be fun.
52:23The Communist Union will help the Whites get the weapons.
52:27Yes, it's going to be fun.
52:29I'm thinking about the future.
52:31I'm thinking about all the possibilities.
52:33And I'm remembering what's going on.
52:37The Russians want to check the cars.
52:40I'll give you the photographs.
52:43Duke has sent his niece.
52:45She's right here.
52:47You take her to the factory and show her everything.
52:50No.
52:51The Union convener's factory is under surveillance.
52:55I can't do that.
52:58Everything is possible, Mr. Shelby.
53:01You'll take her there.
53:04You'll take her to this hotel at 10 o'clock.
53:08Like this.
53:09An empty-glass priest.
53:12Let's go back to the party.
53:15For your information, there's a hell.
53:18And there's another place under that hell.
53:22I'll remember everything.
53:25I won't forget anything.
53:36Tommy.
53:38This is Duchess Tatiana Petrovna.
53:41Didn't you like meeting the real Duchess?
53:44Yes, I know she has a face.
53:46Mr. Shelby, don't say that.
53:49Very much.
53:50But it's true.
53:52I come to places like this for champagne.
53:55And where I met the Duchess again.
53:57You should have kissed my hand, Mr. Shelby.
54:02I'm sorry.
54:06She was asking about my safari.
54:08I thought I recognized her.
54:09She says she's Russian.
54:11My husband runs a business with Russians.
54:13Do you know that?
54:14There's no business tonight.
54:16Then why did you go to the concert hall?
54:18Looks like people are ready for dinner, Grace.
54:20But I haven't paid them yet.
54:22What do you mean?
54:23It's what I do every day.
54:26Do you know each other?
54:29I've made a guest list.
54:31But I think my husband knows everyone.
54:33I've heard he knows everyone.
54:35And where did a Dutchess hear all this?
54:37Check out circles.
54:38Okay.
54:39Ada.
54:40Grace, a lady dog wants to talk to you about coffee mornings.
54:43She mentioned a donation of 2,000 pounds.
54:46Tatiana, we'll talk later.
54:48I'll like it.
54:52It's not right to go to the factory tomorrow.
54:55It's okay.
54:56We'll go anyway.
54:58My uncle asked me to seduce you so we could benefit.
55:01But with such a beautiful wife, it'll be difficult.
55:04It's not right to go tomorrow.
55:06Didn't you hear?
55:07We don't have any rules.
55:08We're Russians.
55:09And we don't have brains.
55:10And we don't have a way out.
55:12That's why I'll even come to your bed.
55:14What will you say about this?
55:16I don't think you should drink vodka with champagne.
55:20Does your wife know that the sapphire she's wearing is cursed by the gypsy?
55:29What did you say?
55:30No power in the world can make me wear that.
55:36Let's go.
55:47Grace, look at me.
55:48I want to talk to you.
55:49Grace, listen to me.
55:50Let go of me.
55:51Don't try to make me understand.
55:54In the name of the majesty, the king,
55:56In the name of the king,
55:59you can eat.
56:00Grace, you look beautiful.
56:01But you have to take it off.
56:02Why?
56:03Because it'll look better on her?
56:04Grace, look at me.
56:05Look at me.
56:06To hell with them.
56:07Okay?
56:08To hell with them.
56:09I only care about you.
56:11You're my life, Grace.
56:13You're my life.
56:21You're too much, Tommy Shelby.
56:36Should we go inside?
56:37Yes.
56:39Let's go.
56:41This is for the angels.
56:56Call the ambulance!
56:58Hurry!
57:05Call the ambulance!
57:35Call the ambulance!
57:36Call the ambulance!
58:05Call the ambulance!
58:06Call the ambulance!