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Short filmTranscript
00:01Thomas Michael Shelby.
00:03Today is my wedding day.
00:05Take the photograph!
00:07Russians have made contacts.
00:08Who knew we didn't know it?
00:09Whoever it is up there, he gave the wrong name.
00:12Can you do it? Can you kill?
00:14You know why he didn't come, don't you?
00:16My bloody man.
00:17There was a fire at his restaurant.
00:19We're not threatening the foreigners.
00:21He's a cavalry officer.
00:23The march will be engaged.
00:25But you are trying things first.
00:28I'm Reuben Oliver, portrait artist.
00:30You have my card.
00:31What was in your heart was beautiful.
00:36Just get this business done.
00:38Get away from things like this.
00:40Promise me.
00:41I promise.
00:43All I can say.
00:58My name is Reuben Oliver.
01:10I'm Reuben Oliver.
01:27Across the square, across the bridge,
01:30past the mills, past the stables.
01:35On a gathering storm comes a tall, handsome man
01:39in a dusty black coat with a red, bright hair.
01:44I'm Reuben Oliver.
01:46I'm Reuben Oliver.
01:56Your brother came to my house.
01:58He said the Peaky Blinders were looking for me.
02:04You're not afraid of me?
02:14So, what do you want from a simple man like me?
02:19Fear.
02:25Poor Mr. Nutley had too much to drink.
02:29He went to the railway track to relieve himself.
02:32The train came behind the factory.
02:37Then his body was found in Salt Lake.
02:39I know what you do.
02:42Tell me, what do you want?
02:49This.
02:51The entire warehouse.
02:53Bays 4, 5, and 6.
02:55Do you have the keys?
02:57Yes, I have the keys.
03:00What's in Bay 4?
03:02Type 40s and Type 21s are ready.
03:04The paint shop is on its way.
03:06Bay 5?
03:08Paint shop and parts.
03:11Then Bay 6.
03:13For whom?
03:16I need the keys to Bay 6.
03:19There's only old stuff there.
03:22I need the keys to Bay 6.
03:40I need the keys to Bay 6.
03:52For trouble.
03:54Give it to your charity.
04:05I'm doing this to save my family.
04:10I'm doing this to save my family.
04:40I'm doing this to save my family.
05:10I'm doing this to save my family.
05:33So you only have boys at your charity?
05:37Or girls too?
05:39Both.
05:42Keep them separate.
05:44You know what the kids do.
05:48Where are your people? They said they'd be here by 5.
05:52They make their own rules.
05:54You'll never understand what they are.
05:57They're like wet soap.
06:02I did some research.
06:05That's true.
06:06You must know them as the Economic League.
06:11I only got a letter from them once.
06:13It was in the name of the Vigilance Committee.
06:15Their intentions were clear.
06:17No.
06:19The name I heard was Section D.
06:23Special branches call them that.
06:25Businessmen.
06:27MPs.
06:28Army officers.
06:31It's even more fun to bring such people into a gypsy scrapyard.
06:38You said it was for privacy.
06:40Since the election, the government has seen us as enemies.
06:45But we're trying to save this country from a revolution.
06:51Are you a politician, Mr. Shelby?
06:53You're a politician, Mr. Shelby.
06:57Because people think that soon everyone will have to choose a side.
07:04Are your people coming or not?
07:07Mr. Shelby, you'll soon understand that they're not going to follow the clock.
07:13And then you'll learn to hold small meetings in the morning.
07:17They're like ascetics.
07:20So when's the Charitable Trust going to start?
07:23Whenever I want.
07:27I'll come and listen to their speeches from time to time.
07:34You should meet MP Mr. Patrick Jarvis.
07:37He wants to be a trustee.
07:40Come and meet him in the evening when he's having a drink.
07:44We'll make a formal agreement based on the big deal between us.
07:51I'll have my office there.
08:03Sometimes you get a devil in you, don't you?
08:09Mr. Shelby.
08:10Mr. Shelby.
08:12If I want to be the owner of your fake charity, I might as well be.
08:18If you want to be respected, you can't be a saint.
08:22Am I wrong?
08:28This is too much. It's 6 o'clock.
08:32Well, I hope you had a good day.
08:35Where are you going?
08:37I told you.
08:38If he doesn't show up by noon, the meeting will be cancelled.
08:44He might have got stuck in Mr. Jarvis' House of Commons meeting.
08:49The House of Lords might have stopped Admiral Hall.
08:53What do you think?
08:56They might have decided they don't want to do business with gypsies in scrap metal yards.
09:01It won't be good for you.
09:04Tell them what I said.
09:08Tell them I went to the factories.
09:11And the cars are in good condition.
09:16How many?
09:2027.
09:22And that man is ours.
09:26He's the man you're going to meet.
09:29Today, at Ritz.
09:31I have other meetings today.
09:33You have only one meeting today.
09:35This one.
09:36In London.
09:39You're smart. What else can I say?
10:37It's cold.
10:39I'm sorry, sir.
10:40How many times do I have to tell you to ask them to send utensils for our servants?
10:44What I said doesn't matter, sir.
10:47And these eggs from yesterday, and this fish from last year,
10:50and a 100-year-old tea leaf in a broken pot.
10:53Sir, I have a list of today's engagements.
10:55Shall I read it out for you?
10:56Do we have to go somewhere today?
10:58I have a duty at home today, sir.
11:01There's a lunch at Ritz.
11:03There's a lunch at Ritz with Duke Mikhail Mikhailovich.
11:08It got cancelled.
11:10Why?
11:11He said he wasn't feeling well, sir.
11:15You have a tea ceremony at 3 o'clock.
11:18With Prince Seward and Lady Mary Lewington, sir.
11:24Good.
11:25I'm sure he got rid of it and found beauty.
11:28But if Duke isn't coming,
11:30the Prince and Lady have also cancelled the ceremony, sir.
11:38That means you have an empty day, sir.
11:42But you have an appointment, sir.
11:44To discuss automobiles, sir.
11:47With Mr. Thomas Shelby.
12:00Let's go.
12:16You were supposed to have a meeting in an open space.
12:19Fresh air and the sweet smell of cow dung.
12:24You said the middle ground.
12:26This isn't the middle ground.
12:29Yes.
12:30This is what we got.
12:32Then.
12:33Por favor.
12:35Sit down.
12:37Where's Thomas?
12:38He's been called.
12:39He said he'd come.
12:40He's a little busy.
12:41And I just told you he's been called.
12:43What do you want?
12:50Peaky Blinders and...
12:53The Changretta family is doing well.
12:56It's been almost two years.
12:58Do you want tea or not?
13:00Listen, Finn.
13:01Get these Italians some tea.
13:04We don't want tea!
13:11We want an answer right now.
13:13But I'm going to drink this tea.
13:15What answer?
13:17The Little Venice Restaurant.
13:19The one on 4th Street that got burnt.
13:21No, no.
13:22We can't do that.
13:23We were at the wedding that day.
13:24You were the one who burnt it.
13:26That's why my son couldn't attend the wedding.
13:29No one remembered him.
13:35You're a grown man now.
13:38There was a time when you asked us for clothes.
13:41To look like humans.
13:42How's the tea, Arthur?
13:46It's cold.
13:50Please tell Tommy.
13:52We pay him as much as he says.
13:55We stay away from the city and the tracks.
13:59But tell him on my behalf.
14:03That my son will roam with any woman in the city.
14:08With whoever he wants.
14:10Even if that woman works for the great Thomas Shelby.
14:14My son has fallen in love.
14:18Sorry.
14:20Please forgive me.
14:22Go ahead.
14:27If he wants.
14:29He will roam with the woman he loves.
14:32Okay.
14:35Okay.
14:37It will be difficult for your son to roam anywhere.
14:40If I shoot him in both his knees.
14:50Too much.
14:53You've said too much.
14:56Sabini says we have to bear a little.
15:00But no.
15:02It's too much now.
15:05Now I will tell you what I am.
15:11It's okay.
15:12It's quite strong.
15:19What was that?
15:20Idea.
15:22Increase the number of men in all the pubs.
15:26What are you saying, Arthur?
15:27Now we are not afraid of the Italians.
15:29Don't tell Tommy about these chairs.
15:31And get all this cleaned up.
15:34But we are not afraid of the warps.
15:37Okay, John.
15:39Arthur.
15:46Hello, Aira.
15:48Tommy Shelby Library.
15:50I need a book.
15:51About the Russian Revolution.
16:01Have you found a port in Medavel?
16:04I have found all the ports.
16:06Sometimes I see our trucks.
16:09Our trucks?
16:11Shelby Trucks.
16:13What do you have to do with it?
16:15What do you have to do with it?
16:17I am just trying to use my brain.
16:20Well, this is a list of those who ran away.
16:23And this shows the point of view of those who struggled.
16:30A Russian came to your wedding.
16:33You didn't tell me who invited him.
16:39Actually, sometimes.
16:41Some rich Russians are invited to social events.
16:45To show their pride.
16:47Is that why he came there?
16:50Why do you want to know?
16:53I liked him. I want to meet him again.
16:56Is it possible?
16:58No, it's not possible.
17:00What business do you have with the Russians, Tommy?
17:05Can I tear this page?
17:06No, you can't.
17:07This is the property of the people.
17:09When Arthur took the Russians, he had a pistol in his jacket.
17:12After that, Johnny set the jungle on fire.
17:16You need details because you are getting bored here, Ada.
17:21You used to follow rats with a revolver, Ada.
17:25Oh, shut up.
17:26I might have a job for you.
17:39Let's go.
17:57Did we get him to race in the camp?
17:59Danny had a drink.
18:01And instead of giving cocaine to the horses, he gave it to his cousins.
18:06This is too much.
18:08He is your brother-in-law.
18:10Ask Esme to talk to him about this.
18:13Look, before something happens...
18:18I don't want you to do anything about this.
18:21About what?
18:24About Vincente Changreta's daughter.
18:27The one Lizzie was hanging out with.
18:29So what?
18:30She is not worth more than a penny.
18:32She said you are threatening to shoot her on her knees.
18:35Now he is telling everyone in the Nicholls that he will kill you.
18:39First of all, it's Lizzie's fault.
18:41And second, it's Tommy's fault for leaving it to you.
18:43What are you saying?
18:45We handle London.
18:46We handle the North.
18:48We handle the whole country.
18:49So why should we care about those Italians?
18:51We don't need to get involved in all this.
18:54What does Arthur have to say?
18:56That's why I am here.
18:58And not him.
19:00If he had come, there would have been a fight.
19:03He said...
19:05Apologize.
19:10What?
19:11What did he say?
19:12This city is ours.
19:14We don't need to be ashamed in front of everyone.
19:17If Changreta raises his voice against him, he can go to Sabini.
19:20Sabini is finished.
19:26Everyone is finished.
19:29Everyone pays us.
19:32But we don't need rebels.
19:38Okay, so what does Tommy have to say about all this?
19:41Tommy is busy.
19:42He has made me in charge.
19:44So what do you have to say?
19:49A compromise.
19:53I have asked Lizzie to do this.
19:55She will go to meet him.
19:56She will break up with him.
19:57She will apologize to him for all the trouble.
19:59And she will say that it was her fault.
20:02Do you know what all this is?
20:04This is all Arthur's wife's doing.
20:06One slap and the other is gone.
20:09In a few days, we will be distributing Bibles in Bullring with his cousins.
20:12John, you don't have to do anything.
20:14Lizzie will do everything for you.
20:16And then everything will be quiet.
20:18And no one will be humiliated.
20:20Yes, I will be humiliated.
20:22John, don't do anything.
20:32Check if you have a reservation for a private room in Mr. Romanov's name.
20:40You work for Romanov?
20:43Yes.
20:44Where do you work?
20:45At his house or in his office?
20:47Is there a problem?
20:48Let me tell you that Duke Mikhailovich or Lady Livington are not here.
20:52And we have to take this payment in advance from you.
20:57Can I ask why?
20:58Actually, we have four old bills of Mr. Romanov.
21:02One for his room and three for dining.
21:04And two for the rest of the banquets, which we have forgiven.
21:07His Majesty has asked us to take care of our Russian friends.
21:11But it's been a long time.
21:16Can I know your name, sir?
21:18Shelby.
21:20Thomas Shelby.
21:21I can come here a lot for dining in the future.
21:23Then I will write your name in the special guest list.
21:25Yes, keep it.
21:27This is the menu for you.
21:29The teal and poke here are very good.
21:32By the way, I know that your guests will order caviar.
21:35I, my wife and my niece first took the train, then the coach,
21:39and then walked through Crimea's Ait Ador village.
21:42During this time, the thumb of my foot disappeared.
21:45I don't know how, I woke up one morning and saw that it was not there.
21:49Then I saw a dog eating it.
21:52Everyone said that the British have mercy on us.
21:54They put us on the HMS Marlborough ship.
21:56I suddenly kissed its steel deck.
21:58My lips froze on it.
22:00I thanked God and your King for saving us.
22:05By the way, since then they have not left me to insult.
22:09Who?
22:10God or the King?
22:12Both Mr. Shelby.
22:16So, you have met my niece.
22:20Tatiana.
22:21Tatiana.
22:23Do you still love her or not?
22:27You will be sensible if you don't love a Russian woman.
22:31It is better not to talk about Russian women.
22:34And this is the worst thing here.
22:36Russian women know how to hold it.
22:39And it is also important that at what time it should be left.
22:44Your machine, understood?
22:47English women don't know all this.
22:52So, did he die properly?
22:54That spy?
22:57I had asked for the gift of life.
23:01I heard that you got this done from your brother.
23:07So, you have faith in your family.
23:09Like me.
23:12Like us, Mr. Shelby.
23:16Let's talk about trust.
23:18Shall we?
23:19Shall we?
23:21You have nothing to do with Romanovs.
23:25You are Georgian.
23:33The palace in which you live in Hampton Code.
23:36That is a charity that you have received as a help.
23:39Which the British Crown gave you for free.
23:41The manager here told me.
23:44That you have a lot of debt.
23:46Maybe here and elsewhere.
23:49Look, I have received ten.
23:52But I was promised forty.
23:56I had to kill a man first.
23:58And such a job is not done cheaply.
24:02Do you understand?
24:19Let's go.
24:30Let me tell you something, Mr. Shelby.
24:34Before boarding the ship,
24:36my niece had stitched sixteen diamonds in her dress.
24:40And along with that,
24:41there are two blue ones at her private places.
24:45My wife had also kept two blue ones and five diamonds.
24:50All this is for the murder of the spy.
24:54And for the rest of the work, advance.
25:00Now tell me, where do you keep these things?
25:02In some bank?
25:04How will we pray for poverty in London society
25:07if we use the bank, Mr. Shelby?
25:11By the way, you should know.
25:14That Hatton Gardens is not safe at all.
25:18That's why we have our own treasure.
25:23Very good.
25:25I will get the truth from my men.
25:33Before the revolution, we were soft and weak.
25:38We had to compromise.
25:40But let me tell you.
25:42We will not be soft and weak again.
25:46Do you understand?
25:51Good day, Mr. Shelby.
26:12Come, Mr. Changreta.
26:14Do your work. Come on, finish your work.
26:17It's there, sir. It's there.
26:19Look carefully.
26:21Come on, everyone. Finish your work quickly.
26:24Come on, quickly.
26:41Come on.
26:57Are you going to kill me?
27:00Stand up, scoundrel.
27:02Stay away from Lizzie.
27:12This is an order.
27:14Take Vicky.
27:16You scoundrel.
27:33Won't you introduce me to Michael?
27:35This is Charlotte Murray.
27:37His dad makes cars.
27:41I enjoyed your wedding a lot, Mr. Shelby.
27:45Pauline has asked me to call you.
27:47There is some problem.
27:49What problem?
27:51I think she doesn't want to tell me about this.
27:56It's good to meet you.
28:12Fine, Finn. You can go.
28:14Get out of here.
28:17Finn, you can stay.
28:22Sit down, John.
28:24Sit down.
28:31John, you killed Angel Changreta.
28:35While Arthur had asked you to apologize.
28:38Yes.
28:39And Pauline asked you to make a compromise.
28:42But you didn't listen to her and you didn't make a compromise.
28:47And now there is an Italian around here who says that he will kill my brother.
28:54So tell me, what should we do, John?
28:56Should we apologize or make a compromise?
29:04John just said it as a joke.
29:06Yes, but he is also your brother, Arthur.
29:08Yes.
29:10And I don't want to start a war over a silly thing.
29:18So in which language will he apologize?
29:20In Italian or English?
29:25Or should we ask Rony?
29:27You tell me, which language do you want?
29:29Because I don't understand.
29:30You said that as long as the business is going on in London, you want peace in the house.
29:34And there is only one guarantee for peace.
29:36That there is no reason left for any kind of war.
29:39Apologizing once means that you will apologize again and again and every time.
29:44Like removing the bricks from the wall of the house.
29:46You want this house to fall apart, Arthur?
29:48Yes.
29:50If you get soft on the rebels, they will climb on your head.
29:52I will not get soft on the rebels.
29:54You did the right thing, John.
29:56And now it's your turn.
29:57We will take over two pubs in Changretta and we will do it tonight.
30:00That's it.
30:02What is the need? Why?
30:04Why?
30:06Because we can do this work.
30:08Because we can do this work.
30:10And if we can do it, then we will do it.
30:12Because if we bow down in front of those scoundrels today, then they will consider us weak.
30:17Remember, these were the scoundrels who wanted the dead body of Danny Whitsbank.
30:28You are getting soft, Arthur.
30:30Soft and weak.
30:32Keep the Bible lesson for Sunday, okay?
30:38Finn.
30:40I have to go to Auckland and then home.
30:42I am very tired today.
30:48You will take over Wrexham and Five Bells.
30:52And you will get them transferred to us by morning.
30:55And remember, the police should stay away from all this.
30:58And don't use your phone, okay?
31:01Maybe someone is listening to us.
31:11Very good.
31:47All this needs to be printed, signed and sent by first mail tomorrow morning.
31:55This is for Grand Duke Mikhail Mikhailovich.
32:00To take care of his health and to propose a new date for lunch.
32:07This is for Lady Lewington.
32:10She is quite free.
32:12But I heard that she will not respond to free behavior.
32:18And this is for Mr. Shelby.
32:21He has the audacity to check our sapphires.
32:25And we need proof that he has the necessary materials for us.
32:30When it will be convenient for us.
32:36How much did you drink?
32:38Wine. I didn't drink vodka.
32:40We didn't drink.
32:44At the end of this case, maybe you will need to kill Mr. Shelby.
32:54Can you do it?
33:00Of course.
33:10Aren't you hungry, Mrs. Shelby?
33:12Hungry? No, I'm not hungry. Sorry, Mary.
33:16Your eyes will get bad.
33:21Tommy.
33:31Hello.
33:32Hi.
33:35Sit down.
33:41Guess.
33:43What should I guess?
33:49He said yes.
33:50Who?
33:51The leader of Birmingham City Council.
33:54He is coming for dinner.
33:57Everyone is saying yes.
33:59Everyone.
34:00I have to change the catering again and again.
34:04My hands are paining while writing.
34:06But why are you writing? I got a typewriter for you.
34:09We don't write letters to typewriters on such special occasions.
34:13I'm sorry.
34:17I have planned everything at home.
34:23There will be a place for children to play.
34:26And the Birmingham Charity Commission has agreed to remove the old wood.
34:31And you will get a license in a month.
34:36You are not listening to me, are you?
34:38Yes, I'm listening.
34:40Do you think I'm overreacting?
34:44Yes.
34:46So, should I ask how was your day?
34:49No.
34:50Why?
34:54It means your day was not as good as mine.
34:58It depends on one's point of view.
35:02Look.
35:03For me,
35:05there is nothing better than Sapphire.
35:09Sapphire.
35:14Close your eyes.
35:18Close your eyes.
35:20Close your eyes.
35:37Now open your eyes.
35:41Where did you get this?
35:45It's beautiful.
35:47You can wear it for the foundation dinner.
35:51Don't you think this is too much for a charity event?
35:55Grace.
35:57This is Birmingham.
35:59And luxury is only for those who can afford it.
36:04Oh, Mr. Shelby.
36:16Come on.
36:36Did you put the keys in the watch, Arthur?
36:41Come on, it's time to sleep.
36:47I have to go out.
36:53I have some work to finish.
37:02Work?
37:09But you just got here.
37:12I'll be back soon.
37:13It's ten o'clock.
37:16It's raining cats and dogs.
37:19I'll be back.
37:21I'll be right back.
37:24Arthur.
37:29The devil works in the dark.
37:32They say
37:34start your work in the light.
37:38Your own light.
37:41The light that everyone has.
37:44It's just a little paperwork.
37:57I need you to clear your men.
38:08Get your men out of nature.
38:11Tonight.
38:14I thought
38:16these things are too small for your men.
38:20Boss.
38:22Don't mind me.
38:24But does Tom like this game?
38:29You can say that.
38:32Good night, Arthur.
38:34Good night.
38:44Good night.
38:47Good night.
38:50Good night.
38:55Good night.
38:57Good night.
38:59Good night.
39:14Arthur.
39:15What are you doing?
39:21Arthur.
39:25We're going to Garrison.
39:27No.
39:28I'm going home, John.
39:32Okay.
39:33Do one thing.
39:34Go to hell, Arthur.
39:36Go to hell.
39:40Shit.
39:44Shit.
39:47Shh.
39:48Calm down.
39:49Calm down.
39:50That's enough.
39:54He'll take the train from Naples to Paris.
39:57And then to London.
40:04He could be here on Sunday.
40:14Charlie.
40:15Charlie, come here.
40:17Look.
40:19Look.
40:20It's so nice, isn't it?
40:23Charlie.
40:24Come here.
40:25Come here, Charlie.
40:27He and his brother
40:28are going to make a lot of money for us.
40:30Or they can get us hurt.
40:32What difference does it make
40:34when we have such a magnificent horse?
40:40Do you like it?
40:42Do you like it?
40:44Yes, Charlie.
40:46Hey.
40:52You do it.
40:53Do you want to touch it?
41:03Do you have a house, John?
41:05Yes, full of kids.
41:06So?
41:07You have maids for kids, right?
41:08Yes, she hears voices.
41:12Did you prepare food for tomorrow?
41:15I had some important work.
41:17She gets worse in her pregnancy, Tom.
41:21John.
41:22Esme.
41:23Now you go from here.
41:24Go through the back door
41:25and lock it.
41:29Go, hurry up.
41:31Two truckloads of policemen have come outside, John.
41:35Where is Arthur?
41:36He goes home to Madonna of Mosley
41:37at exactly 5 o'clock.
41:39You talk to him, Tom.
41:40Esme, please.
41:41You go from here.
41:42Please.
41:43This has never happened before.
41:45Call Moss.
41:46He is not from this city.
41:47He looks like he is from London.
41:50But when did we start getting scared of policemen?
41:52Since things have changed.
41:54Put your hands up.
41:55Put your hands up.
41:56No one will take it.
41:57Put your hands down.
41:58John.
41:59John.
42:00Leave me.
42:01Okay.
42:02John, this is Scotland Yard.
42:03This is Scotland Yard.
42:04Okay.
42:05Put it down.
42:06Put it down.
42:07Put it down.
42:09Let her go.
42:10She is pregnant.
42:11Leave her alone.
42:12Leave her.
42:13What is going on, Tom?
42:17Put it down.
42:18Tell Polly that this is Russian business, John.
42:21Okay.
42:22Tiki Blinders,
42:23now I will show you.
42:27Are you scared?
42:29No.
42:35Come.
42:39Sit.
42:44I am talking to you, Mr. Shelby.
42:59Two more fellows want to tell you that if you do anything
43:02other than following the instructions,
43:04the consequences will be bad.
43:05What is his name?
43:08You met your sister, didn't you?
43:10Hey, what is your name, kid?
43:14Your sister can be a threat to security.
43:18There are connections with her Bolsheviks in London.
43:21They have connections with the Soviet Embassy.
43:23I just called your dog a kid.
43:27You love your kid.
43:29Am I right?
43:30You love your kid.
43:31Am I right?
43:35Try to understand.
43:38If you have a local police in your pocket,
43:41we have a Scotland Yard.
43:44They will do what we tell them.
43:46Just like this dog.
43:48Untie him.
43:52Are you listening to me, Mr. Shelby?
43:54I can control dogs.
43:57Gypsy magic.
44:00And those I can't control,
44:01I kill them with my own hands.
44:06I learned that when I was stuck on a boat with a dog,
44:08he goes crazy in the tunnels.
44:12And I feel like I am in a tunnel too.
44:16At that moment, I feel like either I should kill him
44:19or I should die.
44:25Untie him.
44:26And order him to speak in a written language.
44:30I have heard you do this.
44:31When no one listens to you or reports you.
44:36Meet your sister once.
44:37Otherwise, she will die crossing the road one day.
44:43Sir.
44:47Now, it's your turn.
44:48Go.
44:55If you wanted, I would have died a long time ago.
45:01It's true.
45:03It's true that they want to see you alive.
45:07But when you reach home today, Mr. Shelby,
45:10look under your child's pillow.
45:14You will find a tooth fairy there.
45:19We can reach anywhere.
45:21Anyone.
45:48Tommy.
46:03Are you okay?
46:05Yes. Everything is fine.
46:09You promised me, Tommy.
46:13I have trusted you.
46:18I have trusted you.
46:23Everything is fine.
46:25Everything is fine.
46:36Grace.
46:37Grace.
46:39Come here.
46:48Come here.
46:54You are one of those impressionist artists, right?
46:56They are all very political, right?
46:59And you are not?
47:00Not at all.
47:01I want to paint what is real.
47:04For me, politics means
47:06making things easy for some people
47:08and difficult for others.
47:10Grace.
47:17I thought you should wear this.
47:23But I think this is too much.
47:24I'll wear something simple.
47:25No. This is fine.
47:29I don't think I can do this.
47:32I want to put this portrait in the office.
47:34So it should be formal.
47:35This is formal.
47:37It's beautiful.
47:40Made in Paris.
47:42And it was stolen in Birmingham.
47:44From the house where my mother used to clean.
47:46In 1901.
47:48No, no.
47:49This is yours.
47:50It's yours.
47:52You have confidence and self-respect.
47:54I have painted such women
47:56whose expensive clothes seem to be stolen.
48:01I won't charge you for this.
48:03The price
48:05will have to be paid.
48:06This is the first time this has happened.
48:09So when should we start?
48:11I've already started.
48:13Come to my studio this evening.
48:15I'm busy in the evening.
48:17Polly, invite him.
48:19Invite me for what?
48:20Ada, we're having a professional conversation here.
48:22Invite for what?
48:23Shelby Foundation Dinner.
48:24Polly is going alone.
48:25You should come too.
48:26Ada.
48:30I'll come to your studio on Sunday.
48:33And then we'll start.
48:38Okay.
49:09I love you.
49:10I love you.
49:12I love you.
49:37I have confidence too.
49:41And self-respect.
49:51Hello, ma'am.
50:00Oh, hello.
50:03You look beautiful.
50:12Hi.
50:19Hi.
50:20Tommy.
50:26Hello, Tommy.
50:27Hi, Danny.
50:28How's business, Tommy?
50:29It's going well.
50:30How are you?
50:31Do you know each other?
50:33I have a share in Cradley Heath's steel factory.
50:36Tommy helps me deliver my goods to the car makers.
50:40Congratulations, Mr. Shelby, on your wedding.
50:44That's strange.
50:45I didn't invite you.
50:46How will that look?
50:49Oh, now the real party has begun.
50:52Who's that?
50:53John Hughes's father,
50:55St. Mary Boys Reformatory.
50:57And with him is Patrick Jarvis, MP.
51:00He's a member of an organization
51:02called Economic Lead.
51:05Did you invite them, Grace?
51:07I've heard the name before.
51:09I think the Lord Mayor recommended it.
51:11Oh.
51:12The best people in the city are on your list.
51:15Do you know them?
51:16I'll introduce you to them, Tom.
51:17No, leave it, Danny.
51:19I'll go meet them myself.
51:28I think we gave you a surprise.
51:31I'm used to it now.
51:34Ever since the Socialists came to Downing Street,
51:37they've been keeping an eye on us.
51:39We have to meet them face to face.
51:41You should go to Small Heath.
51:43I'll be able to welcome you better.
51:45They want to know about the weapons.
51:47And about the chains on the wheels.
51:49When the White Guards move towards Tbilisi,
51:51the road will be very bumpy.
51:53The chains are fine for the snow.
51:55But for the wet ground here,
51:57we've already put them in the cars.
51:59And one of the weapons fields is in the BSA.
52:01It's going to the Turkish Army.
52:03How are you going to put all this in the train
52:05on your way to London?
52:07There's going to be a strike that night.
52:09You'll have to stop the train twice.
52:11How?
52:12Two drivers will be involved in the strike
52:14at two different locations.
52:16Yeah, it's fun.
52:18But I don't think I'll be able to do it.
52:21Yeah, it's fun.
52:23So the Communist Union will help
52:25the Whites get the weapons.
52:27Yeah, it's fun.
52:29I'm thinking about the future.
52:31I'm thinking about every possibility.
52:33And I'm remembering what's going on.
52:37The Russians want to check the cars.
52:40I'll give you the photographs.
52:42Duke has sent his niece.
52:44She's here.
52:46Take her to the factory tomorrow
52:48and show her everything.
52:50No.
52:52The Union convener's factory is under surveillance.
52:55I can't do it.
52:58Everything is possible, Mr. Shelby.
53:01You'll take her.
53:04You'll take her out of this hotel at 10 o'clock.
53:08Like this.
53:09An empty glass priest.
53:12Let's go back to the party.
53:16For your information, there's a hell.
53:19There's another place under the hell.
53:22I'll remember everything.
53:25I won't forget anything.
53:37Tommy.
53:38This is Duchess Tatiana Petrovna.
53:42Didn't you like meeting the real Duchess?
53:44Yeah, I know.
53:45She has a frieze too.
53:46Mr. Shelby.
53:47Don't you think you've gone too far?
53:49Too far?
53:50But it's true.
53:52I come to places like this for champagne.
53:55And where I met the Duchess again,
53:57you should have kissed my hand, Mr. Shelby.
54:02I'm sorry.
54:06She was asking about my husband.
54:08I thought I recognized him.
54:09She says he's Russian.
54:11My husband has a business deal with the Russians.
54:13Do you know that?
54:14There's no business deal tonight.
54:16Then why did you go to the concert hall?
54:18Looks like people are ready for dinner, Grace.
54:20But I didn't finish getting my money.
54:22What's that?
54:23It's something I do every day.
54:26Do you know each other?
54:29I've made a guest list,
54:31but I think my husband knows everyone.
54:33I heard he knows a lot of people.
54:35And where did a Duchess hear all this?
54:37There are some circles.
54:38Okay, enough.
54:39Ada.
54:40Grace, a lady dog wants to talk to you about coffee mornings.
54:43She mentioned a donation of 2,000 pounds.
54:45Tatiana, we'll talk later.
54:47I'd like that.
54:51It's not right to go to the factory tomorrow.
54:54It's okay, we'll go anyway.
54:57My uncle told me to seduce you,
54:59so we could benefit from it.
55:01But with such a beautiful wife,
55:03it'll be difficult.
55:04It's not right to go tomorrow.
55:05Didn't you hear?
55:06We don't have any rules.
55:07We're Russians.
55:08And we don't have brains.
55:09And no way.
55:11I'll even come to your bed for this.
55:13What will you say about it?
55:15I don't think you should drink vodka with champagne.
55:19Does your wife know
55:21that the sapphire she's wearing
55:22has a Gypsy curse on it?
55:28What did you say?
55:29No power in the world can make me wear that.
55:40Grace, look at me.
55:41I need to talk to you.
55:42Grace, listen to me.
55:43Let go of me.
55:44Don't try to make me understand.
55:46In the name of the Majesty,
55:48in the name of the King,
55:49in the name of the King,
55:51you may eat.
55:53Grace, you look beautiful.
55:54But you'll have to take it off.
55:55Why?
55:56Because it'll look better on you?
55:57Grace, look at me.
55:58Go to hell.
55:59Okay?
56:00Go to hell.
56:01I only care about you.
56:03I only care about you.
56:05I only care about you.
56:07I only care about you.
56:09I only care about you.
56:10You're my life, Grace.
56:12You're my life.
56:21You're too much, Tommy Shelby.
56:36Shall we go inside?
56:38Yes.
56:39Let's go.
56:41This is for the angels.
56:56Call the ambulance!
56:58Hurry!
57:08Call the ambulance!
57:39On a gathering storm
57:43comes a tall, handsome man
57:46In a dusty black coat
57:49with a red right hand
57:52On a gathering storm
57:55comes a tall, handsome man
57:58In a dusty black coat
58:01with a red right hand
58:03On a gathering storm
58:06comes a tall, handsome man