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  • 6/8/2025

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00:00In New York City at 6 a.m.,
00:02the Wall Street Stock Exchange crashed.
00:06That's how Michael on Friday this is gonna happen.
00:08We were most definitely on pop.
00:13But you have to listen to the voices that you hear.
00:21My name's Mosley, Oswald Mosley.
00:23Yeah, I know who you are.
00:25You've come to my attention.
00:27Mr. Shelby?
00:30Mr. Levitt from the London Times.
00:32Ten years ago, I was a journalist on the Birmingham Evening Mail.
00:35Of course, working in that city,
00:37it was impossible not to know your name and your reputation.
00:42What is a Tory newspaper more afraid of?
00:45Is it evolution or revolution?
00:57Or would you call me aouter nation?
01:00Aะ aka
01:05лич
01:06bold
01:08Kindle
01:10jump
05:32Charlie!
05:34Charlie!
05:36What?
05:38Charlie!
05:40Good boy.
05:42Good boy.
05:44Good boy.
05:46Good boy.
05:48Good boy.
05:50Good boy.
05:52We'll get back to the house.
05:54And whoever's calling the operator will have their number.
05:58And I'll call them back.
06:00Hey?
06:02Good boy.
06:04Good boy.
06:06Good boy.
06:08We'll get back to the house.
06:10And whoever's calling the operator will have their number.
06:14And I'll call them back.
06:16Hey?
06:18Oh, look, Charlie.
06:20You must have violin practice.
06:22It's Mrs. Milligan.
06:24Go on.
06:26And Charlie!
06:28Charlie!
06:30If you play loudly, you might hear some bangs.
06:34Go on.
06:54Go on.
07:24Go on.
07:54Go on.
08:24Go on.
08:30Maggie?
08:32Yeah, it's me.
08:33I just missed a call.
08:35Where was he from?
08:36Belfast.
08:38Belfast.
08:40Where in Belfast?
08:42Do you have the number?
08:44Yeah.
08:50Here, can you put me through?
08:54No.
09:00Toby, don't believe me.
09:06Mr. Shelby.
09:08My name is Captain Swing, calling from the occupied Sixth County.
09:12And there are some people from the other side of our neat little city that want you dead.
09:18You should also know that this boy, this Michael, your king, was in his cabin aboard the SS Monroe in Belfast Dock, making deals with the very man who wants you dead.
09:30He told me they're lying.
09:32Now, if you want, we can put a bullet in his head here and now.
09:36Or we can send him home and you can deal with him.
09:44Send him home?
09:46Very well, Mr. Shelby.
09:48But be informed that this kin of yours was talking to representatives from the County Tyrone and Glasgow UVF about how they'd divide up the English racetracks after they'd blown away your legs.
10:00Tell me they're lying!
10:04And may I ask why you were doing me this favor?
10:11Because, Mr. Shelby, we've been informed by people at the very highest level that since your conversion to Socialism, you're now on the side of the Angels.
10:20And Angels can be useful to us.
10:50Come.
11:00Mr. Shelby, the violin teacher wants to know what all those bangs were.
11:05The fireworks.
11:06I was trying to move for Saturday.
11:11You promised the doctor not until after dark?
11:15I went to pretty dark, Francis.
11:20Also, will Mrs. Shelby and Ruby be home for dinner tonight?
11:25I don't know.
11:36Dad?
11:38I've learned something this morning.
11:41Have you?
11:45So have I.
11:47And what have you learned, my boy?
11:50Let's get this over with.
11:51It's better trying to catch.
11:52I'll get you trying, Tom.
11:53I can do with this.
11:54Wait.
11:55No.
11:56No.
11:57No.
11:58No.
11:59No.
12:00No.
12:01No.
12:02No.
12:03No.
12:04No.
12:05No.
12:06No.
12:07No.
12:08No.
12:09No.
12:10No.
12:11No.
12:12No.
12:13No.
12:14No.
12:15No.
12:16No.
12:17No.
12:18No.
12:19No.
12:20No.
12:21No.
12:22No.
12:23No.
12:24No.
12:25Come on.
12:44Come here, you.
12:46Put this on.
12:48There you go.
12:49Look at that.
12:49Looks great on you.
12:51Wrap up warm.
12:55Wake up.
13:08Rise and shine.
13:10What are you doing here?
13:12Wasting our fucking time on you.
13:17Sit down, Finn.
13:20Sit down.
13:25What do I have to do to make you fucking listen to me?
13:34Took a bullet being run around the streets with a fucking gun in your hand.
13:41Somebody has to.
13:45Finn, we've got people for that kind of work.
13:47Soldiers, captains and corporals.
13:51Well, then what am I?
13:54What am I, Jesus Christ?
13:55Yeah, what am I, Tom?
13:57Hmm?
13:58I'm the brother you never got round to.
14:02You're a general, Finn.
14:05You understand?
14:05You're a fucking Shelby.
14:06So, you're a general.
14:08When did you last see a general anywhere near the blood and the puke?
14:12Eh?
14:14These fucking rights.
14:16That's what you are.
14:18So on your feet, soldier.
14:19Come on, on your feet.
14:22I thought you just said I was a general.
14:25Oh, did you say you were?
14:27So get on your fucking feet.
14:29Arthur.
14:30Finn.
14:31Finn.
14:32Look at this.
14:34This is the bullet that I've got armor gold.
14:36Good from you.
14:38First and last.
14:42First and last.
14:43Don't lose it.
14:52I'm going to clean up.
14:53Put some clothes on.
14:55Nice suits.
14:56I've got some trouble that'll keep you out of trouble.
14:58Oh, and, uh, Tom.
15:02Yeah?
15:03While you're here, um, I've met this girl and I'd like to get married.
15:08Hook off.
15:08Go.
15:08Get dressed.
15:09Go on, move.
15:10Go!
15:12Finn, this girl you're trying to impress.
15:14Tell me about her.
15:16She likes the life.
15:18She likes the life, eh?
15:20Well, find one that hates it.
15:21Look at him.
15:22That's what he did.
15:23Now he's chairman of the board.
15:25No.
15:27Go on.
15:28Hurry up.
15:29Arthur, Lizzie and Ruby.
15:33Are they still at yours?
15:37Yes, Tom, they're still there.
15:39She's coming home today, she said.
15:41So, you'll be home later.
15:45She's been talking about me.
15:47I mean, they talk a lot, you know, women alike.
15:50Kitchen and, you know, kids running around.
15:53I don't pay them no mind, Tom.
15:55I don't listen to them half the time.
15:57Yeah.
15:58Well, everything she says is true.
16:04Well.
16:08You like the life, Tom, eh?
16:09I don't like the fucking life.
16:11I don't like the fucking life.
16:13I don't like that Michael is coming back today.
16:15I don't like the life.
16:19Try and her eyes from Liverpool at three.
16:21Polly will be there.
16:22Take a weapon.
16:25Tell Moss to clear the station to Coppess.
16:27You hear me?
16:28Yes, sir.
16:32That's all I'm...
16:33I heard him say one thing.
16:38Just talking, you know, they were saying that, uh...
16:42You don't sleep or something.
16:44You can't sleep.
16:49When I do sleep, I dream.
16:53And in my dream, someone wants my crown.
16:57I think it might be Markle.
17:01Call me at three.
17:10Arthur, I'm gonna put that bullet on the necklace and wear it as a reminder.
17:14Arthur.
17:16You're in trouble for me, then?
17:18Yeah.
17:19Uh-huh.
17:27Mr. Shelby, uh, uh, the police are here to see you.
17:38Police aren't allowed in here.
17:39Uh, he's not in uniform and said it's very unofficial.
17:48Afternoon.
17:48Let's go and get you some tea.
17:50No, I'm fine, Mr. Shelby.
17:51This won't take long.
17:52Good.
17:54I've got five minutes.
17:57Mr. Shelby,
17:58there was a shooting two days ago.
18:01A man died.
18:03It was a murder.
18:06In made of Vale.
18:08Of all places.
18:09His name was Levitt.
18:13Uh-huh.
18:16He was a journalist.
18:29The night before he was shot, he came here to see you.
18:32We found a Commons pass and your name in his diary.
18:37I was wondering what his business here was.
18:42And I'm wondering what your business here is.
18:48According to his diary, you knew him from Birmingham.
18:51What's your name?
18:54Stacker.
18:55Stacker.
18:56Okay.
18:59Mr. Shelby, Mr. Levitt was a queer.
19:03Some may think it was one of his queer friends.
19:05Mr. Stacker.
19:06I get the feeling that with a little provocation,
19:10you could be very persistent.
19:13Only within my remit.
19:14Well, your Chief Constable Wyatt,
19:16he has very clear views about persistence,
19:19which he has shared with me.
19:21Mr. Shelby.
19:21He likes persistence, as do I,
19:23and thoroughness,
19:25but not frivolity.
19:28A man who walks in the park with other men.
19:32dies in Maine-of-Hell,
19:34and you come to me.
19:37As well as his diary,
19:38we have his notebook.
19:43Your time's up,
19:44Mr. Stacker.
19:54You have no idea what I'm capable of.
20:13You have never tasted this kind of love.
20:18You have never tasted this kind of love.
20:20You have never tasted this kind of love.
20:25I'm the rest of the way.
20:27We'll see how it goes.
20:30Love you today.
20:32Hello, Mom.
20:39This is Gina.
20:42Gina Gray.
20:45The captain married us on board.
20:49She's my wife, Mom. At least look at her.
20:52Tommy said to ask you to tell me the truth.
20:56You've been traveling for 15 days, Mrs. Gray.
20:59Maybe we could talk about this at another time?
21:01Yes.
21:01Let's go home and we can talk.
21:03You have no home until you tell me the truth.
21:08Yeah.
21:09Yeah.
21:14Michael!
21:18Hello, love.
21:21Welcome to Birmingham, aye?
21:25Michael.
21:28Okay.
21:29The ship docked at Belfast.
21:34I was then taken off the ship by two men.
21:36At gunpoint.
21:37I'm speaking to my son.
21:39Fuck you.
21:42Fuck you too, Arthur.
21:44This is my fucking wife.
21:46I bring her home to this.
21:47Come on, Gina.
21:48Come on, Gina.
21:56Well, where are you going now, right?
21:58Hmm?
21:59Introduce me, at least.
22:01Excuse me.
22:01Look at this.
22:03Look at this.
22:05This is it, Gina.
22:06This is my fucking people.
22:09Do you want to know the truth, Arthur?
22:13Do you want to know the truth, Mum?
22:14I did not betray my fucking family!
22:20Now, Mum, I want to go home.
22:26I've booked you a suite at the Midland Hotel.
22:33Was that Tommy's orders, then, was it?
22:35See, the Midland Hotel is Tommy's little kingdom.
22:40Where all the porters keep an eye.
22:43Where all the telephone exchange girls are reporting on my calls.
22:46Yeah, well, why don't you think of it like, uh, quarantine, Michael, eh?
22:53I treat you like a fucking dog.
22:58Smelly one.
23:00Stinking one.
23:02Until we know you're clean.
23:06Hmm?
23:07Fuck you, Arthur.
23:09Stand aside, Arthur.
23:11No, I'll pile.
23:16Come on, baby.
23:21Forget about it.
23:23Go in front, Tommy.
23:25Tell him.
23:27Polly says Michael's telling the truth.
23:30Sorry.
23:31Forget about it.
23:32All right, Paul.
23:36Nice coat.
23:38Well, you like Cam, all right?
23:43Oh.
23:43Welcome to the family, Gina Gray.
23:52I applaud the attempt in the Trevelyan Education Bill
23:56to raise the school-eaving age to 15.
24:00I also applaud...
24:01All these folk, they think that I'm evil like I
24:06I'm the living devil in South
24:09All these folk, they think that I'm evil like I
24:15I'm the living devil
24:17We are the people.
24:21We've had enough.
24:24We are the people and we've had enough.
24:27I move in favor of the amendment.
24:29Mr. Shelby, I must say, you seem like a songbird in the house.
24:50And who is this pretty finch?
24:55My sister.
24:56Who's pregnant?
24:57And dangerous.
24:59Oh, we adore dangerous.
25:01Who's we?
25:03It's a collective noun.
25:05In this case, describing a group of people
25:07who are impatient and young
25:08and, as I have said, adore dangerous.
25:11Mr. Shelby, you had a horse of that name.
25:19Whiskey.
25:20Irish.
25:21Give him one for my bottle
25:22and one for myself.
25:24In fact, bring the bottle.
25:27And the lady.
25:28He isn't thirsty.
25:29How do you know about the horse?
25:32We have a mutual acquaintance.
25:36May Carlton.
25:37When I asked about you, she said,
25:39oh my goodness, where do I begin?
25:42And why were you asking after me?
25:45Because, as I have said,
25:47I adore dangerous.
25:50And where did she begin?
25:52You know, I was rather hoping
25:54we might have this meeting alone.
25:56My sister is my political advisor.
25:58And my advice just now was
25:59don't meet Mr. Moseley.
26:01Because I am dangerous.
26:03No.
26:03What is it you are impatient for, Mr. Moseley?
26:09I'm impatient for my fucking whiskey.
26:14Billet!
26:18May Carlton spoke about you
26:20the way I imagine one might
26:21about a party they barely remember.
26:23Where you crash the car into the dovecote
26:26and live on champagne and cocaine
26:28for three whole days.
26:30You know that kind of party.
26:32Only three days.
26:33My sister
26:41advised against meeting you
26:43because it appears
26:45you are moving away from the party
26:48in a different direction.
26:52And which direction is that?
26:54Towards fascism.
26:55We are the people
26:58and we have had enough.
27:03I thought that was excellent.
27:05Which direction are you heading,
27:07Mr. Shelby?
27:09I am my own revolution.
27:12And you prefer Irish to Scotch.
27:14As do I.
27:18Like all things regarding Ireland,
27:19it is complex.
27:21Yes?
27:22Where do you stand on the Irish question,
27:34Mr. Shelby?
27:37Never been asked this.
27:39And perhaps it's time you were.
27:40Tommy, I am the people
27:43and I have had enough.
27:46We are looking for someone
27:47to begin a dialogue
27:47with certain elements in Belfast
27:51with whom we don't officially
27:52have any dealings.
27:55I'll be too busy singing in the house.
27:58It would involve a promotion.
27:59Junior Minister
28:02to the Duchy of Lancaster.
28:06Birmingham is my concern.
28:08Ireland bores me.
28:09Thanks for the whiskey,
28:11Mr. Marsley.
28:19What the fuck was that about?
28:24Ireland.
28:24It's been Ireland's day
28:25all fucking day long.
28:27What do you mean?
28:28Go on.
28:29And start calling
28:30anyone who had dealings
28:31with Shelby Company limited
28:33while you were in Boston.
28:34Ask them about Michael.
28:37Ask them what about him?
28:39Who he's been seeing.
28:40Who he's been meeting.
28:42What deals he's made.
28:43Why?
28:44Ask him especially
28:45about people he's met
28:47from Glasgow or Belfast.
28:49Tommy,
28:50why don't you come back with me?
28:52You can play chess with Carl.
28:54I'll make some calls.
28:55You can listen in.
28:56Drive home tomorrow.
28:57Bastard.
28:58Starts talking about Irish whiskey.
29:00The fuck does he know, eh?
29:02More than me, Tommy.
29:03What are you talking about?
29:05I'm talking about an empty chair.
29:07Ada.
29:08My chair.
29:09Martha.
29:09People thinking I'm going to fall.
29:12They start behaving
29:12in a different way around you.
29:14Who thinks that?
29:16They start to circle.
29:17Who's going to take the throne, eh?
29:21Linda.
29:21She wants them for Arthur.
29:22But I'm a gold.
29:23People in the north.
29:24Michael.
29:30Just go home.
29:31Make some calls.
29:33Protestants are coming, I think.
29:35I need to get back to Birmingham.
29:36I need to get back to Birmingham.
29:50Paulie.
29:52You armed?
29:55Yeah.
29:57Yeah.
29:57You please consider putting your weapons
30:00behind the bar
30:00in case feelings begin to run high.
30:03Behind the bar, Paulie.
30:05Behind me own bar, yeah?
30:07Yeah.
30:14I prefer it there.
30:18Thomas.
30:19Thomas.
30:19Thomas.
30:19Thomas.
30:19Thomas.
30:19Thomas.
30:19Thomas.
30:19Thomas.
30:19Thomas.
30:21Thomas.
30:21Thomas.
30:23I had a dream
30:29about a black cat
30:31last night, Paul.
30:35A black cat dream
30:36means there is a traitor
30:38close by.
30:39It was you who told me that.
30:41Black cat can mean
30:42lots of things.
30:44It can mean you're hurting yourself,
30:46betraying yourself.
30:49Are you seeing things, Thomas?
30:53Yes, I am.
30:56Yes, I am.
30:56Very clearly.
31:00Common from every fucking direction.
31:16Tommy.
31:19I'd like to introduce you to my wife.
31:20I would also like to, uh,
31:24say something.
31:25Sit down, Michael.
31:27I betrayed you.
31:28Michael.
31:28But only in my heart.
31:31There was a time
31:32in America
31:33when there was a lot of money
31:35in that bank
31:36and I wondered I could,
31:37I could leave,
31:39move to California.
31:41Someone said I should invest
31:42in pictures.
31:44Hollywood.
31:47But Gina stopped me.
31:49Gina said that I...
31:50I told you to sit down, Michael.
32:00Now tell me.
32:03What happened on that ship?
32:06In Belfast Harbor?
32:10On the journey back from New York,
32:12we got married.
32:14But we needed to find a witness.
32:16A person.
32:17It was from Belfast.
32:18We got friendly.
32:20What happened when the ship docked?
32:23This purser had friends
32:25who ran a whiskey distillery
32:26in County Tyrone.
32:28They wanted a way
32:29of getting their stuff into America.
32:30So I said,
32:31okay, invite them aboard.
32:33When they came in,
32:34I realised that they didn't make whiskey.
32:37They were Scottish,
32:38from Glasgow.
32:39Couldn't understand
32:39a fucking word they were saying.
32:41They started swearing,
32:44so I asked Gina to leave.
32:46That was when they started
32:47talking about you, Tom.
32:50They said that Tommy Shelby
32:51was a spent force.
32:54The politics had got to him.
32:57That he was spent in the head.
32:59That now was a good time to move in,
33:01and did I want to be a part of it?
33:04They knew about the money
33:05we lost in America.
33:06They said that you were going to blame me.
33:08that you had a bullet
33:09with my name on it.
33:13What did you say, Michael?
33:14I didn't have time to say anything.
33:17Coppers came on board.
33:19Well, I thought they were coppers.
33:21They, uh...
33:22They were IRA.
33:25Exactly.
33:31And the first men
33:33from Glasgow?
33:36The IRA commander
33:37said the men from Glasgow
33:39were called Billy Boys.
33:42Fucking Billy Boys.
33:44I don't know who the fuck
33:45Billy Boys are.
33:46They run every man
33:47in every coal mine
33:49on every shipyard
33:51east of Glasgow.
33:53Ties with Belfast,
33:55UVF,
33:56Protestant Razor Gang.
33:58They also dabble in politics.
34:01You know,
34:02muscle,
34:03but fascist rallies.
34:04But you did no deal, Michael.
34:08You didn't even know who they were.
34:10I was too busy looking forward
34:11to giving you the good news.
34:14The reason Gina and I
34:16got married on the ship
34:17was because Gina is pregnant.
34:20You're going to be a grandmother.
34:21Okay, Michael.
34:33I believe you.
34:35Welcome home.
34:37Congratulations.
34:38Just remember,
34:42your unborn child
34:43has witnessed
34:45what you said.
34:46Thomas.
34:47And it will be born
34:48according to...
34:49You fuck!
34:50Where the fuck are you going?
34:52Hmm?
34:53You fucking mad.
34:55Hmm?
34:57You are free
34:59to fucking leave, Michael.
35:01You fucking bastard.
35:02But you're not free, Michael,
35:04are you?
35:06You lost this company
35:08a lot of money.
35:09I told you to sell.
35:12But you held on.
35:14And now,
35:14I want you
35:15to pay me back
35:16what you owe me.
35:18There is work you can do,
35:20there are risks
35:21you can take.
35:22We were close before.
35:25Now,
35:25I want you closer still.
35:29Michael.
35:30Honey.
35:31Look at your cousin.
35:35He's in trouble, huh?
35:38He needs you.
35:42Come on, baby.
35:43Let's go.
35:44Fucking cheek of her, eh?
36:10All right, Doc Jimmy.
36:14Going south.
36:21Not so mad anymore.
36:23He's got friends
36:24in our places
36:24these days.
36:28Black cat dream
36:29is never wrong, brother.
36:30Let's go.
36:49Amen.
36:49I don't know.
37:19Hello, hello, we are the Billy Boys.
37:26Hello, hello, we are the Billy Boys.
37:30We're up to our knees and fiending, but surrender or you'll die.
37:35We are the Brickton Derry Billy Boys.
37:42Throw up a pea suit or a son.
37:49A broken broom stops all gypsy curses, Mr. Gold.
37:59Who the fuck are you?
38:00Did you not hear my song?
38:03These gentlemen are the Billy Boys.
38:06And me.
38:15I'm Jimmy.
38:18Good.
38:20Mouth broke so you can't talk.
38:23But you don't need to.
38:25Your body will be the lesson.
38:29You work in a particular capacity for Mr. Thomas Shelby.
38:33OBE.
38:34Am I right?
38:35I heard you're a fighter.
38:45The best.
38:49But your fighting days are over.
38:53Because I need Mr. Shelby to understand.
38:56The best.
39:01As not.
39:03Good enough.
39:04You were the half.
39:11.
39:12.
39:14.
39:15.
39:16.
39:18.
39:20.
39:23.
39:24.
39:25.
39:27.
39:28.
39:29Oh
39:31Oh, oh, oh, oh, oh, oh.
39:56Farewell, fighter, boy. You died well.
40:10Bonnie!
40:13Bonnie!
40:27Tell Thomas Shelby it's time to fucking share.
40:33We'll take all the tracks out as far as Nottingham.
40:37We'll take Cheltenham as well.
40:40Otherwise, it will be Thomas Shelby who's crucified,
40:44and there will be no resurrection.
40:50Come on, boys.
40:56Come on.
41:09.
41:11.
41:14.
41:17.
41:18.
41:19.
41:20.
41:21.
41:22So stop your crying.
41:37Ladies and gentlemen, I'm just going to take a short break. Thank you.
41:41Yeah.
41:50Beautiful, Billy.
41:52Beautiful. Really nice. Really nice.
41:59Really meaningful, you know? Heartfelt song.
42:02I like it. I really do.
42:06Boys.
42:08This year is Billy Grad.
42:11The man I was telling you about.
42:14Billy, this year's my kid brother, Finn.
42:16Hey.
42:18Have a drink, Billy.
42:21I can't. My voice is...
42:23Drink, Bill.
42:25Yeah.
42:27Yeah.
42:28You boys won't remember.
42:36But I remember when Billy here made a living on the football pitch.
42:40Oh.
42:42Oh, yeah. That was a long time ago, Mr Shelbridge.
42:44Yeah. What a left foot, eh?
42:45Yeah.
42:47And then what?
42:49Manager.
42:50Right?
42:51Well, yeah.
42:52And now I'm a singer.
42:54Oh, yeah.
42:57Every football team in England knows Billy Grade.
43:03And he knows a few people too, don't you, Bill, eh?
43:05Hmm?
43:06I'll tell.
43:07Useful.
43:09Very useful.
43:12What do you do, Bill, eh?
43:14Hmm?
43:16You're in here.
43:17Singing.
43:18Or whatever the fuck you call it.
43:21In shithole pubs in Birmingham.
43:23There's no way to make a living, boys.
43:30To grade him.
43:31I love it.
43:33I really do.
43:34I love it.
43:36And thank you, by the way, for inviting me here tonight.
43:39I really appreciate it, so thank you for having us.
43:40No, thank, mate.
43:42I did invite you here to sing.
43:46I want to listen to music.
43:47I'll buy an Al Jolson record.
43:49Hmm?
43:51That's what I want to.
43:53Real singer.
43:54You know?
43:56Melody.
43:57June.
44:01So what is it that you want?
44:03Exactly.
44:07Finn will explain.
44:08The nature of my proposition.
44:12You're listening to him, won't you, Bill, eh?
44:15You'll be attentive, won't you?
44:16Yeah, of course.
44:17Of course.
44:18As I hear, he'll show you the fucking consequences if you don't.
44:25All right.
44:29I'll leave you with a bottle, hmm?
44:38All right.
44:39All right.
44:40All right.
44:41All right.
44:42All right.
44:43All right.
44:44All right.
44:45All right.
44:46All right.
44:47All right.
44:48All right.
44:49All right.
44:50All right.
44:51What I want from you, Billy, is for you to write down a name and a number next to every
44:56one of those football teams, yeah?
44:58Why?
44:59People like to bet on those kind of things these days.
45:02A gambling enterprise.
45:03I know who you are.
45:04To fix a horse race, you give the outside a bit of cocaine.
45:08Jesus.
45:09To fix a football match, you give the goalkeeper 20 pounds.
45:12You're a peaky blind there now, Billy.
45:27Hmm?
45:36What have you got there?
45:40I've written a letter.
45:41Oh.
45:46What for?
45:47For you.
45:49And Lizzie's written one to Tommy.
45:54Well.
45:57Can I read it?
45:58It's not finished yet.
46:00And get him rid of the parts I wrote when I was drunk.
46:04By the way, I stopped drinking.
46:06And your bottles of snow poured down the lavatory.
46:11When I was drunk, I was too hard on you.
46:12It's...
46:13It's not your fault.
46:20So...
46:23That letter's about me, is it?
46:24Yeah.
46:25About me.
46:26About the future.
46:27About the company.
46:28About the future.
46:30About the company.
46:31Lizzie...
46:32That year had made things worse the last few hours, hmm?
46:34Yeah.
46:35And we've come up with a plan.
46:36Oh, you've come up with a plan, huh?
46:37Lizzie says Tommy won't live two more years if he carries on like this.
46:41He's gone too far.
46:42Oh, so what Lizzie says, hmm?
46:43Yeah, Linda?
46:44Well, how far has he gone?
46:45Hmm, Linda?
46:46How far?
46:47He's lost all the legitimate money in America.
46:48No.
46:49No, that was Michael.
46:50He's fixing races.
46:51He's fixing football.
46:52Following the financial crisis.
46:53The Shelby Company Limited has to find other sources of cash income.
46:57Tommy went into Chinatown.
46:59He's selling out the communists to the British intelligence.
47:02In all the time, every day, he gets more and more famous, but that's okay.
47:15Because if anyone puts two and two together...
47:17That wasn't us.
47:18It's not fucking us!
47:19He's going to blow up, Arthur!
47:20It can't sustain!
47:21You know it!
47:22Oh, yeah?
47:23And what do you know, aye?
47:24You've worked it all out, you and fucking Lizzie.
47:27Got it all plumbed up.
47:29Is that right?
47:30No.
47:31I'll tell you.
47:32All you're going to do is you're going to be the good fucking wife.
47:36Yeah, like the perfect couple.
47:37We'll go upstairs.
47:38Hmm?
47:39We'll go upstairs.
47:40Yeah.
47:41Like lover.
47:42Hmm?
47:43I spent my day writing two letters and deciding which one to give.
48:02Looks like I'll have to give the other one.
48:06All of a one.
48:07What fucking other one?!
48:08What did you do with my letter?
48:21I burned it.
48:36So did Arthur.
48:37Yeah.
48:38Did you read it first?
48:40Yes.
48:41It's more than Arthur did.
48:44Didn't help that you can't fucking spell.
48:53I left school too early.
48:56Did you read the bit about the lawyers?
48:58Do you want to fuck?
49:01Didn't think so.
49:04You don't want to eat?
49:06No.
49:07You've got calls?
49:08Yeah.
49:09It's Ruby's birthday today, Tommy.
49:23Do you know why I took her to Arthur's?
49:26Because she said she's scared of you.
49:30When she knows you're not coming home, she's a different kid.
49:34But I bought a cake and I want you there.
49:38You're in the drawing room.
49:39Lizzie.
49:40I'm in a room and they're coming at me.
49:56But it's okay.
49:59I want them to.
50:01The last thing I want is silence.
50:05I'm standing up there in silence and someone says,
50:10Sorry about all that noise.
50:14Sorry about all that dust.
50:18Sorry about all that mud.
50:20And all that fucking blood.
50:24And you say, don't be sorry.
50:26It's all I can do now.
50:27You want me to write this down?
50:36Do you want me to write you a fucking letter?
50:41Me and Arthur can't write it down.
50:45Because they haven't invented the fucking words.
50:52We don't have the fucking words.
50:58And the worst thing is,
51:01we could have stayed at school,
51:04but we volunteered.
51:08Still don't have the fucking words.
51:20Should you choose to depart, Tommy,
51:22either by your own hand or someone else's,
51:24the person who would take your place is me.
51:27Legally.
51:29Financially.
51:30Everything.
51:32I need to know there'll be something left.
51:35Well, you know, Lizzie,
51:37in my head I still pay you for it,
51:39so good luck with me.
51:50I have business.
52:02Yeah, I want to ask you some questions.
52:26About the night you met Michael Gray.
52:30You wish.
52:38Yeah!
53:00Hey, kids, come on.
53:06Let's go to bed quickly.
53:07Why?
53:08Who's coming?
53:09That's the thing, Charles.
53:10We don't know.
53:11We never know.
53:30Donny!
53:31Out of the fucking car.
53:32Don!
53:33Get out of the fucking car now!
53:34We'll open fire!
53:36You're looking for traitors?
53:37There's one!
53:38With his ribs messed up!
53:39The man's gone fucking messed up!
53:40The man's gone fucking messed up!
53:41You did this.
53:42With one arm and a hammer!
53:43And a mighty pain!
53:44And a mighty fury!
53:45And a mighty fury!
53:46And a mighty fury!
53:47They killed him!
53:48They killed him!
53:49My son!
53:50My son!
53:51They shot him!
53:52And a mighty fury!
53:53And a mighty fury!
53:54They killed him!
53:55My son!
53:56They shot him!
53:57And a mighty fury!
53:58And a mighty fury!
53:59They killed him!
54:00My son!
54:01They shot him!
54:02They shot him!
54:03And they put him up with a fucking cross!
54:04And he's fucking dead!
54:05Who did?
54:06Who did?
54:07Who did?
54:11You did?
54:13Who did?
54:17My son, they shot him and they put him up with a fucking cross and he's fucking dead!
54:25Who did?
54:40Only Johnny Dogs and this kid knew where we were camped.
54:43No, Tom. No, I swear to God. I never told him so, Tom. I never told him.
54:48I fucking killed him!
54:50You fucking son of a fucking...
54:53You see him? I already fucking took him from me!
54:58I only shot him!
55:03He shunned and I shot him.
55:05You don't get it fixed to lose your arm.
55:07He's dead! I fucking killed him! I only fucking shot!
55:11I fucking killed him!
55:13Listen to me!
55:15How can a one-armed man avenge the death of his son, eh?
55:25They crucified my son.
55:29For you.
55:30Get away from my house! All of you! Get away from my child!
55:47This is my house. And I don't want you back. I don't want you back!
55:53You want to take on the Billy Boys? You need me alive.
56:00Everyone fucking needs me!
56:10Call an ambulance. While a man will lose his arm.
56:13You need me alive.
56:17Everyone fucking needs me.
56:23Call an ambulance.
56:25Or a man will lose his arm.
56:43Come on, Johnny.
56:49Come on.
56:53Tom.
56:57I'm no black cat.
56:59I know, Tom. I know.
57:03In all the world, of all of the people,
57:05you alone I know I can trust.
57:13The Peaky Blinders continues next Sunday at 9 on BBC One.
57:29Download the BBC Sounds app
57:31and get obsessed with the drama in the companion podcast
57:34that delves into the show.
57:36Travel back inside with BBC iPlayer
57:38for an arresting watch with Life on Mars,
57:40starring John Simm and Philip McGlanister. Available now.