Peaky Blinders S02 E05 In Hindi Dubbed

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A gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.  . 🎬 Welcome to Film World – The Ultimate Destination for Hindi Blockbusters & Dubbed Action Movies!  Are you a fan of adrenaline-pumping action, gripping drama, or edge-of-your-seat thrillers? You're in the right place!  At Film World, we bring you the latest Hindi movies, South Indian action films dubbed in Hindi, top-rated web series, and exclusive trailers — updated regularly for your entertainment.  🟢 Why Subscribe to Film World? ✅ HD Hindi Movies – Classic hits to recent blockbusters ✅ South Indian Action Films – Dubbed for maximum impact ✅ Popular Web Series – Full episodes & ongoing shows ✅ Movie Trailers & Teasers – Be the first to know what’s coming ✅ Cult Action Scenes – Iconic fights, stunts & chase sequences ✅ 100% Entertainment – Free, nonstop, and updated frequently!  Whether you're looking for a weekend binge or a quick action fix, we’ve got something for every movie lover. We aim to create a cinematic escape right at your fingertips!  📲 Stay Connected: 🎥 New videos uploaded weekly 🔔 Hit the follow button and turn on notifications so you never miss a release 💬 Like, comment, and share your favorites with friends  🔥 Trending Hashtags (For Search & Discovery): #HindiMovies #DubbedActionMovies #SouthIndianCinema #WebSeries2025 #MovieTrailers #FullHDMovies #BollywoodBlockbusters #ActionMovies #FilmyWorld #WatchOnline #DailymotionMovies #LatestReleases #BingeWatch #MasalaMovies #TeluguDubbedHindi #TamilMoviesHindiDubbed #FreeMoviesOnline #EntertainmentHub #ThrillerMovies #SouthToHindi  This version does the following:  Addresses viewers directly (user-friendly tone)  Highlights what you offer with clarity and keywords  Includes emotional/engagement-driven CTAs (e.g., "Stay Connected")  Optimizes for search with high-traffic hashtags

Transcript

00:01This price is on the new management

00:07It's like that piece between the Jews and

00:13Italians and war

00:16Against the gypsies

00:21That's why I'll keep him away from the old business

00:24Could have been charged in the new many. It's the Marcus of law

00:28Try to stop me in a saw from drinking the sewer. We fought them off

00:32Mark was I

00:38What do we want with a thousand guinea horse we make our move and surveillance rising pitches good racehorse is a passport to the

00:44Owners enclosure. Hey Carter, I breed racehorses and train them

00:54I've made arrangements with men. I trust if I should die and you will die

01:24Cross the

01:43Would you stop the noise

01:54Storm comes a tall handsome man a dusty black coat with a red

02:10As rata of Kamkar

02:13It's not calm. He is it's not our own way. There's a low hand. Oh, man, I can't bring it

02:19gentlemen, welcome

02:22Welcome, mr. Solomon to Martha Rona

02:26Arthur

02:27Arthur up cement. I don't know what's going on. Shalom

02:33Say Ghana, man

02:35Shalom

02:40Lucky

02:52Oh

03:00Yeah, this is a nice operation the commanding officer or apnea surf nazar Rukhini

03:07Apnea comes a camera

03:11Hey up early

03:13Apnea Juby Kuchami DIA. I was killing him up. Keshuka Guzara Hingi. I mean

03:22I mean

03:26I'm in

03:30Passover

03:31Kikudu

03:32Doorish a man read me Sahara man Johnson a report here. I think I'm John Teoh

03:37Yeah, who did you do? We do more like which can I go this room?

03:40I asked my particular Tanisha and Jason Arthur you take nine

03:43Hey, Billy, don't you come up?

03:44Oh, I got to make John I hit the tomb job to a bunch of a pass. Yeah, can you or John I touch?

03:48Basically, I've been a hole in a while. Okay. Well, could you know say Billy boy? Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah, I think

03:53Oh, so Tom Rook. Okay. How do Gunga?

03:56To me Rukhna yet. Oh, okay. Okay, so

03:59Pharaoh is Kibar. I'm a son. I can't it's never a logo. Oh Jewish logo. Oh, Hazar

04:05Oh, Hazar. Oh, so I'll go long. I got a cake satay. We come

04:10Us to satay us to have our logo. Go satay. Oh, it's name. Ah, so mocha cutler Kia

04:15Seda

04:17Hamas da what can I say?

04:19I'd say that I saw my vote in here. Just juice for Ishtar a shaytani Egyptians go

04:25Okay, pure a camo. Okay. Yeah, so that they not a Kia

04:29Velcourt say that I'm already parampara kahisah

04:32Kuki upper wallet. Oh, who's gonna kill you?

04:36Raja Komar, I'm both Zulu Rita

04:39I'm a Corban passage. Oh, I'm John Dana. He put a gah-gah-gah

04:46Passover kill ye Bakri ki Kurbani Dini hogi

04:54Yeah, but right, huh, or I'm easy key Kurbani Denge

04:59Azharath

05:01Or yeah, he a vajayaki. I'm a Darwazi be punk

05:05Or easy, yeah, it's all Hamas Bakri Koik Nambi Tia. Hey, don't miss a Nambia. Ha ha bilkul

05:11Sashmi, you know, they Bakri Konami. I was coming a shaytan Egyptian fair. Okay now

05:15I'm coming out this one Sarah will go say but I can I'm Rick I can I'm Tommy Shelby

05:34I

06:04Jigga

06:11Yes, I've been a key Terrence's

06:15Appearance gypsy King Koba

06:18It has out me to be I got one north me to create to create Hokey Jaya

06:34Oh

06:39Yeah, Camilla John were you have who's I am a gun or a crazier Laker or escape a character goalie Marty

06:45Mary Larkin is a rope Nikki both Koshy's key. Oh, they go that I'm a guy. I'm a guy. Yeah

06:50Yeah, I'm a guy

06:51So to look at the arrest Kuroge, huh?

06:54Haka Rogi

06:55leisurely

07:04Oh

07:25To me but I do man. Yeah, it's not that Tommy Shelby, Nia Bachega

07:34Oh

07:44Mickey

07:50Ha ha

07:53Mickey England

07:57It's a passive Rana Kashok

07:58Jantam the reports mujah milty on Kim at a big harmony to Ponce catch cut their warming powder

08:03Hacha to me worms or a good a passant a good okay, but worms ponies a hot air

08:07Panini goldfish dollar warms can take goldfish

08:12Yeah, gypsy on Kagya no no

08:15Accounting Kagya

08:17Goldfish kiki my take penny. I said to moon a fair maybe cheat Satya

08:20I

08:24Got some chatia, Tom is dr. Coyota. They don't excuse me

08:31To make a big diplomacy make a year came out in a switcher

08:38Hello, hello, yes, you're too much goldfish such me huh? Do you want to go bought good secret?

08:51I

09:04Don't know the butcher keep guest room in our journey

09:10Many monarchy

09:13I'll keep it up a sake hog

09:16But I'll give you a big hoof, huh, there's a meet me be bothered me

09:33Drink

09:45Oh

09:49Madam a call I my drawing room is a key lady. Oh, mr.. Shelby kill you

09:58My deal with

10:00Hey

10:02Amari beats deal with he bought a chocolate. I got to miss Jagger, but the me say bad girl

10:10Amara beach deal with

10:15Mr.. Shelby

10:18To make talk about a hoagie

10:21So they kind of a key home secretary

10:25Get the morals cool a car for a Parisian

10:31Protection the khadi sharaf Kodi cocaine or Bishak

10:36do a cool a car

10:38Only upset not each other to know for the other

10:42protection

10:43What I get on a protection car? No, it's a new time. I know you mr. Churchill. They don't see a water key. I thought say Kana

10:50or home secretary car rank on say ooper hair to

10:56Much big coils on a bunt up your key. It'll have a pogo pie

10:59I just a dinner make whoopie Nica shock to that. I'll be back was bunkers. I'm not yeah

11:04I'll be a stretch my pet car. What's a joke my ball?

11:07I

11:37Make a day was a billy kitchen K murder Kyle's arm hair

11:41Was the khilaf case bought my booth hair?

11:44Mujhe Pura a queen a kioski kismet me passika funda

11:48Or about a polica betae Michael per water could he man chuka a kiosk in Marquess pub go Jelani me Arthur key Madaki

11:57or

11:58Us like a CEO galvana bought musculature, but a galvania

12:02It's what the Mara by fancy Kali a tire hair to Mara cousin our laguna clay pants all jail me a to Mara

12:09organization Birmingham or London me Puri

12:12Terasse a big heart chuka a carabao let her get out of them

12:16Make it out of them

12:18Me make it some Jani

12:22My belly Razi, okay, it's a Mara Lee a co-curricular. Yeah, that's it

12:27So I'm catching it to me. What's it?

12:32Busy about the Kutum

12:36Samjhauta honey me or yakin dilana me for Kota Anna

12:42Biko Mujhe lagaki man

12:45Cheeks a son a paratha

12:48Yes, if a skirmish key

12:50Babu or sure key, which is a night, huh?

12:54bulky, Kui baht chubh rahi thi samajh anna

12:58samajh anna key

13:01Tommy Shelby Kuma sit down a lot

13:06To a sleigh

13:09To meet John kick a trace a darana fizool hita

13:12Yeah, Pucca karna take a Mac. I was didn't do me a calm car, though

13:19Mujhe tumhara parivaar key zindagi or mod ke upar control chaiyat

13:24Ha or woe up mera pass. Hey tumhara by tumhara cousin

13:29Or tumhara ban

13:32Mujhe uske ghar ka pata malum tha dis din se wo primrose hill may it

13:37Woe sirf taptaki safe. I

13:40Jeptak match ahunga samjhay

13:42met him say harbhaar

13:45Kaya, kadam aage rehta

13:48ha

13:50Jaisa mere pitaji kate de

13:52Tum chahate ho ki tumhara kutta tumhari baat sunay toh usse kabhi kabhi tanda bhi dikhana chahiye

14:06Tommy Arthur solitary jail mayhem Michael Green ke remand me. How much a penny Maluma a bar jawa darwaza bunker

14:22Tommy

14:27Tommy

14:30May

14:34Tommy media waza

14:37Ha

14:39Mujhe laga tumhe call kiya

14:42May so he need

14:44I

14:48Think I'll get you

14:53Ha

14:57Cup

15:01Grace major cheese in a tiny house

15:03I

15:13Don't

15:15Police wallow na hamara das logo camden so talia

15:18Or Bucky for our hoga Tommy. We'll look Michael Kool-Aid business. Well, we'll come right Michael Kool-Aid a poly business

15:25Oh

15:28Honey, I'm already sorry whiskey lily a

15:30Pocky bother to Christmas, but Mosey Karenga

15:33On holiday, I'm already sorry Vance up curly hair or go down for tala laga diya

15:39Eden Club or hamares are a pups per police niche hapa martia or una wapas sabini or Solomons kahawale kardia

15:48Black country boys kulak taa ki Arthur nebili kumara kyuki police naunay yahi bataya hai

15:53To have a mariposa whiskey Wiley boards ka free pass be Kaya

15:56Mujhe whiskey ke koi parwa nahi or Billy kitchen se bhi koi matlab nahi

15:59Mujhe mera beta bahar chahiye jail se Thomas many Johnny docs a baat ki. Yeah meeting sir

16:05Parivar walo ki huni chahiye manipula parivar walo ki yeh hamaya. What is it Tommy?

16:13Both who have only

16:15Yes, man

16:16Many Johnny docs a baat ki lease rishkidar. He will come in a lead. Oh, I'm a admin. They suck. They have our

16:22I'd be nice. Ah, yeah, well, I'd be here. I don't know what I'm KIA in

16:28Admirable a yogi, but just say he harlot. Yeah, I think I'll see him. Yes, man. We don't go for man's order. I'm a

16:35Midget

16:43Agar

16:44Michael jail se bahar aya toh mai usse is parivar se door le jaoongi hamesha ke liye

16:53Yes in the generic hair

16:55I

17:00Know it's a big butter. Hey, I'm Paul. I've got her name. I took her over to the house

17:14Thomas my black back Jackie Queen Mary Lisa, but

17:26Well, I'm a good shot. Don't play soldiers. They suck tea. Hmm, but yeah

17:33John Joe our car liquor

17:56Such a Hindu Nicole Jana

18:00Ashley's in the kitchen Thomas

18:03Don't worry. Give me a second. I thought I'd say

18:07Tomba's do Jana Jada

18:11France I'm already in a Jaga Hogi

18:15Look at him. I'll give you both Loha guns trucks or Kali shells or both coach

18:22Our pair is out

18:24St. Mary's

18:27John black Madonna

18:30Mary by welfare Kali Jada

18:34Hamar a leg heart Jessa

18:40Tom bahar puri Tarasic, okay

18:54My friends marriage, okay

18:58Or John me

19:01I'm not good law

19:03But job never take it up

19:15I'm a diva. I don't think about key to card. Don't go to me this family say

19:24I

19:31Can't see family

19:33Oh

20:00Polly

20:03Baby

20:06There was a bunker door

20:11My bus of the egg

20:14postage car Ratha

20:16Hatho pays the car of us are part time

20:19Mira beta Michael kaha haifa

20:22Jumbo's a shape car lineage. I

20:25Had bought Kanta

20:28Shape car near mojito manila

20:30I

21:00Mr. Campbell, please, sir.

21:31Now, what is it that I can do for you?

21:40What do you want?

21:44Information.

21:46You mean the information about Tommy Shelby's criminal empire?

21:52I'll tell you.

21:55I know a lot about it.

21:58For example, he doesn't harass his family for Irish business.

22:04So, no.

22:07I don't want this information.

22:16What else can you give me in return for the signature?

22:23I'm talking about a simple deal.

22:29I think it's strange.

22:33When a magpie sees something shining in the mud,

22:42it takes it when it doesn't need it.

22:58Sign the form.

23:01Please, sir.

23:04Please, sir.

23:08I'll sign the form.

23:11With this hand.

23:14When the magpie sees something shining in the mud,

23:20it takes it when it doesn't need it.

23:25With this hand.

23:28When the work is done.

23:31Deal?

23:33Deal.

23:37Do you cry?

23:40I can cry.

23:42Then, this is what I want.

23:46You'll have to cry.

23:49I'll try.

23:52I need a favor, Mr. Campbell, sir.

23:57I'll do anything for you.

24:00Anything.

24:02That's what you said, right?

24:06I felt something.

24:09When I saw you in front of the car and touched you,

24:14you felt something too.

24:17Right?

24:18And now you feel you're respected.

24:25With your family and kids.

24:28And your maid.

24:30But I know you.

24:32I know you very well.

24:35Where do you want it?

24:37On the floor or on the desk, Mr. Campbell?

24:48Now you cry.

24:51Cry now.

25:00Get out.

25:02Get out.

25:04Get out.

25:06No.

25:08Please let him go.

25:11Let him go.

25:13You don't have to shave.

25:17You don't have to do anything.

25:22You can win without doing anything.

25:26I'll do it slowly.

25:36Should I knock or not knock?

25:39Knock.

25:40Should I talk or not talk?

25:45Should it be like I'm weak, small, yes?

25:51Do you want me to talk or not to talk?

25:56Talk.

25:58Not small or weak.

26:01That is what I am.

26:04Small and weak.

26:07Look.

26:10You...

26:14You made me cry.

26:20No.

26:23We made a deal, didn't we?

26:26Yes.

26:36Where were you?

26:38I went to the dig bath with the spotted dog.

26:42To have a couple of glasses of rum.

26:45For a glass or two?

26:48Three.

26:50Where is the baby?

26:53Sleeping.

26:56Looks like five.

27:02Actually six.

27:05Did you meet the maid?

27:08I talked to her about politics.

27:11She got bored and went to sleep.

27:15I called James.

27:18He has spoken to the lawyer.

27:21He'll fight Arthur's case for free.

27:24So we don't need Tommy.

27:27Polly.

27:29We'll get Michael released.

27:31We'll get Michael released. I promise.

27:34No need. He'll be released tomorrow morning.

27:40If the baby needs anything at night, ring the bell on the side.

27:45We pay the maid to work 24 hours a day.

27:50And...

27:54We take advantage of being good.

28:01I love you.

28:32He wrote.

28:35I'm broke.

28:37Please send for me.

28:42Her skin is white.

28:45And I'm light as the sun.

28:48So holy light shines on the things you have done.

28:54So I asked him how he became this man.

28:59How did he learn to hold fruit in his hands?

29:04And where is the lamb that gave you your name?

29:09He had to leave, though I begged him to stay.

29:14We speak when spoken to.

29:20And that suits us well.

29:25That suits us well.

29:29That suits me well.

29:34You'll have to put medicine on the wounds or they'll get worse.

29:44The guards told us how Ria died.

29:51They told us what you did.

29:59They thought it was a joke.

30:09Maybe it was.

30:29What are you doing, Tommy?

30:32Cleaning up the mess.

30:35Like you.

30:42Why are you doing this?

30:44I'm reminding myself what I would have been.

30:47If not for what I am today.

30:51I'm not what I used to be.

30:54I'm not what I used to be.

30:56I'm not what I used to be.

31:27Tommy.

31:29What's going on?

31:30I think Tommy's gone mad.

31:35It's a matter of honesty, Kali.

31:39But I don't want to get used to it.

31:42I need six cans of petrol.

31:45Get it from the garage.

31:48Put it in my car.

31:51Six cans?

31:53Tommy.

31:54I'll get you a new Fawda whenever you want.

31:59Petrol.

32:24I've overseen

32:28Cast down on heaven

32:32Cast down on my knees

32:36I've lain with the devil

32:40Cursed God above

32:44Forsaken heaven

32:48To bring you my love

32:52Isn't she too beautiful for a half-blind woman?

32:56She's got so many flaws.

32:58She has to look good.

33:01She's half deaf, half blind.

33:04When will you be back?

33:07Late at night.

33:09I'll stay awake.

33:21I'll stay awake.

33:51I'll stay awake.

34:08Is this your house?

34:09Yes.

34:11Have a seat.

34:22Won't you offer me a drink?

34:25Please.

34:30Do you want one?

34:32Yes.

34:33Whiskey?

34:35Yes.

34:37But a lot has changed.

34:39I've seen vans with your name on them.

34:41A few things have changed.

34:52Tommy, I wasn't sure if you'd come or not.

34:54I've lit a fire in the bedroom upstairs.

34:58I was planning to sit here for a while.

35:02We'll talk about the past and have some whiskey.

35:08I was going to tell you

35:11that I had a dream one day.

35:14I had a dream.

35:17I had a dream.

35:20That I spent a day without thinking about you.

35:24Then we'll go upstairs and sleep together.

35:28But as soon as you came in,

35:32my mind changed.

35:36So just one more drink.

35:38Tell me how happy you are in New York.

35:40And then you can go.

35:42So you've changed your mind.

35:45You can go.

35:49Look, the thing is, I'm happy in New York.

35:52And I'm married, too.

35:54Oh, yeah. He's rich. I know.

35:56He's very sweet.

35:58And he's soft-hearted, too.

36:00So why did you think I'd come to bed with you after a whiskey and a little chat?

36:05Well, I thought I'd have three whiskies.

36:07How dare you?

36:09What difference does it make? I've changed my mind.

36:11I came here because you called me.

36:13He's very sweet and soft-hearted with you, still.

36:15Now it seems like I'm a fool.

36:17Then leave.

36:19Oh, come on.

36:31You're still here.

36:37Why do you believe me so much?

36:39Because you still love me.

36:42I used to, but not anymore.

36:48You don't have a gun, Grace, do you?

36:50No, I don't.

36:53I don't keep a gun.

36:55I don't need one.

37:02And now you don't even have that thing, Grace.

37:05What are you trying to say?

37:18The thing is...

37:20I don't like reunions.

37:22I don't want to sit here with you for hours and waste time talking nonsense.

37:26You understand, don't you?

37:28So now?

37:30I know you're happy in New York.

37:32Your husband's rich, he's sweet, he's soft-hearted with you.

37:35And you don't have a gun.

37:37And you didn't come here to sleep with me.

37:39Because you don't love me anymore.

37:42And it's been three minutes now.

37:45One more drink.

37:50I'll take it as a yes from you.

37:56It was nice meeting you, Grace.

37:59So you didn't burn the man?

38:05Look, my real plan is...

38:09to go abroad with you.

38:11You'll love it.

38:14I want to impress you.

38:16So...

38:20Do you like Charlie Chaplin?

38:24Yes, I like Charlie Chaplin.

38:26Good.

38:28I'm sure you've never heard Charlie Chaplin speak.

38:33I thought we were going to see Charlie Chaplin.

38:36But this isn't a movie theater.

38:38No, this isn't a movie theater.

38:40So how are we going to see Charlie Chaplin?

38:42You'll see him, and you'll hear him.

38:44Just like I promised.

38:46And look, this is Charlie Chaplin.

38:48Yes, that's him.

38:50That's the real Charlie Chaplin.

38:52He's announcing his film in England.

38:54And how do you know Charlie Chaplin?

38:56I don't, but I know his bodyguard.

38:58Wag MacDonald.

39:00There he is.

39:02I was in Birmingham when he went to Los Angeles.

39:04By the way, Wag is a Roman Gypsy.

39:06Just like Chaplin.

39:08He has a secret.

39:10Chaplin was born in a black patch,

39:12in a Gypsy camp in Birmingham.

39:14And that's why he gave Wag this job,

39:16when Wag himself was a fugitive.

39:22Everyone has their own secrets, Grace.

39:24Come, I'll introduce you to him.

39:28Hi, Wag. How are you?

39:30Hello, sir. This is Grace.

39:32Hello, Mr. Charlie.

39:34How are you?

39:36Nice to meet you.

39:42Hello.

39:44Hello, Mr. Campbell.

39:46You told me that you know the address

39:48of my sister's house in Primrose Hill.

39:50So I hope that your men will be watching

39:52the people coming and going.

39:54So tonight your men will see me

39:56returning home with a very beautiful woman.

39:58And she's going to stay with me

40:00until midnight.

40:02Anyway, I'll keep the curtains closed.

40:04Can you guess who that woman is?

40:08It's a lie.

40:10Sleep peacefully, Mr. Campbell.

40:22Tommy.

40:24Is there someone in your life?

40:34It's too late, Tommy.

40:38It's only 11 o'clock, Grace.

40:40I mean, it's too late.

40:44What if you want to come to New York with me?

40:48I have work here.

40:52You mean the coin fell on the wrong side?

40:56Yeah, something like that.

40:58That was the question.

41:04Tommy.

41:14Tell me who she is.

41:20She's a race horse.

41:22She's going to win the race.

41:34She's going to win.

42:04She's going to win.

42:18I'll drop you off.

42:24So when are you going back?

42:28I don't know yet.

42:30You don't have a return ticket.

42:32That's not right, Tommy.

42:36When are you going back, Grace?

42:42We're both being tested.

42:44And I don't know how long that will last.

42:50We're being treated

42:52by a doctor on Harley Street.

42:56I can't hear him.

42:58But I can hear him.

43:00It's very effective.

43:04We're trying for the baby.

43:28Grace.

43:32Why did you come here tonight?

43:40The doctor is sure that I'm the one who's missing.

43:46I'm sorry.

43:50It's not your fault.

43:52I know, but I'm tired of all this.

43:58I know.

44:06Will you meet me again?

44:12Grace.

44:18You're still working undercover.

44:22I never lie to him.

44:28I'll show you.

44:48Hands up.

44:58What are you hiding here?

45:04Hands up.

45:08Look who's here.

45:10London's king.

45:22Having fun in jail?

45:24Yeah, I'm having a lot of fun.

45:26I'm Sabini's man.

45:28There are rats everywhere.

45:30All of them are traitors.

45:34You're going to get what you wanted.

45:36And what's that?

45:38You tried to hang yourself twice.

45:40And now the king himself will hang you.

45:46I was crazy.

45:48Yeah.

45:50I never respected anyone.

45:52Are you regretting it now?

45:54I was good at drawing.

45:56Arthur, let it go.

45:58I wish I could focus on my class.

46:00What class are you talking about?

46:02You never went.

46:04I used to draw horses.

46:06Arthur.

46:07Stallions.

46:08Arthur.

46:09The big ones.

46:10Arthur.

46:11The real ones.

46:12Not the stallions.

46:13Enough.

46:14I could do a lot of things.

46:16Good things.

46:18Enough, Arthur.

46:19I trusted you.

46:20Will you listen to me or not?

46:22That's not going to happen.

46:24Who said that?

46:27Tommy.

46:32And he's going to get me out of the magic?

46:34He...

46:35Don't say that.

46:36He has a plan.

46:38And you don't know what that plan is.

46:40Because we're just brothers.

46:42He doesn't trust us.

46:44Understand?

46:45If he's so smart,

46:47then why am I here?

46:49Because...

46:50Why was Tommy and Whiskey kidnapped?

46:54And why did the Jews surround him?

46:56Will you shut up?

46:57Look at yourself.

46:59You've become a fool.

47:01Shut up, Arthur.

47:05He told me what the plan is.

47:21What are you doing here?

47:23I just stopped.

47:25I don't smoke while driving.

47:27Where are you from?

47:28I'm from Ireland.

47:30From the beautiful North, where there's music in the air.

47:32And where in that beautiful North?

47:34I just stopped for a cigarette.

47:36Do you have anything for identification?

47:38Stop.

47:50Stop.

48:21Look.

48:22Come on.

48:27Look at them.

48:32Do they stop giving the horses worms?

48:35Yes.

48:36They stop giving worms.

48:43I thought you'd be happy with this.

48:46I'm sorry.

48:47You've been driving all night.

48:49You can sleep if you want.

48:53No.

48:56We have to stop this.

48:58This...

49:00Everything that's going on between us.

49:05Why?

49:07Because we're different.

49:09That's the old reason.

49:11Is there another reason?

49:13It's been a long time.

49:20And I don't want you to think about moving forward after this race.

49:29A lot of your people don't know about me.

49:31So I haven't caused you any harm yet.

49:34My people?

49:38Yes.

49:39My people.

49:43I just want to say that you haven't been harmed.

49:46That's right.

49:47So...

49:50And if that's the case, I want to keep my horse here.

49:53Yes, okay.

49:54It'll stay here.

49:55Epsom is nearby.

49:56I didn't bring my clothes.

49:58But it's okay.

50:00Still, you'll be in the circle with me.

50:02Thank you very much, sir.

50:04Get me something to wear.

50:06It's fun, isn't it?

50:07Because you'll be up there and I'll be in the lower ring.

50:11It's all upside down, isn't it?

50:14You can stay with me and wear whatever you want.

50:17I'll stick to the mud of the ring.

50:22Don't forget about people like me.

50:24I was going to tell you how much she's improved.

50:31There are other people in the world who...

50:33I think there's a chance of winning.

50:35If our business works out, you can go straight to Birmingham.

50:45What if I say...

50:47Okay, I'll stay.

50:49After saying all this.

50:57That'll be fine, too.

51:05You talked about a loss.

51:06Don't you think it's a loss?

51:08Don't you know that half of London knows that I sleep with cheaters?

51:12They're making fun of me.

51:13They're betting on when I'll steal again.

51:18Maybe you don't know about the people here.

51:25So, all this will go on, right?

51:28Because you won't back out.

51:31One of your other stupid reasons...

51:36You go straight because...

51:38I don't have any petrol in my garage.

51:44I have some petrol left in the car, so...

51:46Okay, so you can go.

52:05Okay.

52:20They're so happy here, right?

52:24And why wouldn't they be?

52:36Who is he?

52:40Someone who's going very far.

52:51Then let him go.

52:56Don't behave like a gangster by telling him the truth.

53:06Don't be sad for me. I'm fine.

53:19Because your horse will be fifth or sixth.

53:23I can make you win.

53:25Come on.

53:34Mr. Shelby is parking the car. He wants to see you.

53:43This is great.

53:46So, what do you do here?

53:50I'm actually Mr. Shelby's secretary.

53:53Oh, secretary. Wow, wow, wow.

53:56What's the paperwork?

54:00Would you like some tea?

54:02No.

54:23Come on.

54:49I lock everything, Mr. Campbell.

54:51Everything.

55:01Have a seat.

55:07How's your company's treasurer, Polly?

55:12Why do you ask?

55:14Give her my love.

55:22You like to play with fire, don't you, Mr. Shelby?

55:28Yesterday, in Belgravia,

55:32Field Marshal Russell's house was set on fire.

55:35The firewood was thrown out of his letterbox.

55:38That means,

55:40he'll have to find another place to stay.

55:43At least for the next three months.

55:45You mean,

55:47you want me to enter his house and shoot him in his bedroom?

55:51That won't work.

55:52Of course.

55:54But that won't finish your job.

55:57Remember that.

55:59I'll take advantage of my share.

56:01That's what I hope.

56:02I'll shoot Field Marshal,

56:04but only if my job is done.

56:06If your job is done,

56:09I'll shoot Field Marshal.

56:11I'll shoot Field Marshal,

56:13but only if my job is done.

56:15If your job is done,

56:17I'll shoot him in his bedroom.

56:22Listen to me.

56:24Both of you must agree to the details of the operation.

56:27I'm an ex-soldier, and I have experience.

56:29I'll decide when and where.

56:31And that man has 24 hours of weapons and security.

56:34Your plan lacked a lot, Mr. Campbell.

56:36Both of us agreed to it.

56:38Just focus on your hunting.

56:40I've found a way to kill him.

56:42Now tell me, what do you mean?

56:45How will you get to him?

56:50I won't.

56:51He'll come to me.

56:57Listen to me, Mr. Shelby.

56:59After this meeting is over,

57:01I'll have to give all the information to Mr. Churchill.

57:05I don't care about your relationship with Mr. Churchill.

57:09And Mr. Winston Churchill needs all the details.

57:14Then tell him to trust me.

57:20Listen, Mr. Campbell.

57:23I'll do my job.

57:25Good. Very good.

57:28But I'll do it in a place

57:30where it's impossible for you or your men to shoot me.

57:36That was your plan.

57:39Right?

57:40There's no way out.

57:42Kill me and bury me in Thames.

57:45I'll kill you for sure.

57:47But in a place where you can't do it.

57:52I bought a horse recently.

57:55Mr. Campbell.

57:59Oh.

58:00Yeah.

58:03You can guess which one is mine.

58:09Come on.

58:25When and where?

58:29Epsom.

58:31On the day of the doobie.

58:39On a gathering storm comes a tall handsome man

58:43In a dusty black coat with a red right hand

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