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  • 5/16/2025
A gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.

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Transcript
00:01A vacancy has appeared, and you're going to fill it.
00:06From now on, Mr Shelby, you shut your gypsy mouth and listen to your instructions.
00:11I know it was you who carried out the murder of Mr...
00:15You are on my hook, Mr Shelby.
00:20Name?
00:21Harold Hancocks.
00:23You ever been arrested?
00:24No.
00:25Arthur, we can stand him up.
00:28Last night, one of our men had his throat cut in Winston Green.
00:32Gentlemen, this is your cousin, Polly's son, Michael.
00:36I want to go with them.
00:37Over my dead body?
00:39They were here eight hundred minutes.
00:41They can't. They breed racehorses and train them.
00:44So will you consider me?
00:45I will consider you.
00:47Thomas Shelby!
00:48Arthur!
00:52They behaved themselves.
00:54They were really amazing.
00:57Shh.
01:28Take a little walk to the edge of town and go across the tracks
01:35Where the viaduct looms like a bird of doom as it shifts and cracks
01:44Where secrets lie in the board of fires in the humming wires
01:50Hey man, you know you're never coming back
01:53Across the square, across the bridge, across the mills, across the stacks
02:00On a gathering storm comes a tall handsome man
02:04In a dusty black coat with a red right hand
02:23Hey man, you know you're never coming back
02:26I'm sorry.
02:47You may find my meeting place a little strange.
02:51But you'll keep getting surprises like this.
03:06You're a little hesitant, Mr. Shelby.
03:10Sit down.
03:18You guys work together?
03:21It was your idea to blow up the garrison.
03:24You chose me for that.
03:30What a joke, Irene.
03:32I heard it was the Freemans' policy.
03:34Stop it.
03:35They don't mix personal and political life together.
03:37I said stop it.
03:38I'll decide whether to stop it or not.
03:40Oh, so who's in charge here?
03:42Who's in charge here?
03:43Okay, first explain this to me.
03:45You answer to the Crown agent.
03:47Why don't we...
03:48This is very interesting.
03:49Let's talk on an agenda.
03:50What agenda?
03:51Let's talk politely.
03:52What politeness?
03:53You arrogant bastard.
03:56You can't talk to me like this.
03:58Keep your mouth shut.
03:59I'll listen to business.
04:00I'm not here to listen to his nonsense.
04:02Stop it now.
04:08A few weeks ago, Mr. Shelby...
04:10...committed a military mission for the Republicans...
04:12...in the Birmingham Pro-Treaty Partnership.
04:15You work for the King.
04:18This is a different political situation.
04:20So what do you think?
04:22Wait a minute.
04:23Tell me.
04:24What do you think about working for the King?
04:26We all have the same goal here.
04:28Should I make you stop laughing?
04:29Will you make me stop laughing?
04:32Tell me how.
04:33After your mission is successful...
04:35We'll make you do it again and again.
04:37Keep your mouth shut.
04:38How many times do I have to remind you of politeness?
04:40Behave yourself.
04:41Politeness.
04:42People in this room don't even want to see each other's faces.
04:48Still...
04:49So, the Irish and the King...
04:51...want the same dead man.
04:55Am I right?
05:19Why me?
05:20Did you ask that question in France?
05:23Yes.
05:24And the answer is the same.
05:26Because...
05:34Why me?
05:36Because...
05:38Because...
05:42Because once I'm in this...
05:44...it'll be taken for granted that it's a criminal case.
05:46Not a politician's case.
05:48No.
05:49You shouldn't be afraid.
05:51Because...
05:52I'll make sure that you don't get any leads about your involvement.
05:56Once this is done, you'll have full immunity.
05:59But the Crown agents won't help you in doing this.
06:03And we shouldn't be involved in this.
06:07You've been chosen, Mr. Shelby.
06:11You can't do anything about this.
06:12No one will survive.
06:13Understood?
06:14You and your people won't get a chance to shed a single tear.
06:23Whatever happens...
06:26...I won't do it.
06:34Mr. Shelby!
06:35Mr. Shelby!
06:42What about your export license, Mr. Shelby?
06:45You made a deal with Mr. Churchill, didn't you?
06:53What he's talking about...
06:54Donald Henry...
06:55He's a spy.
06:56He's working for someone else.
06:57He's trying to get to the bottom of everything...
06:59...against the supporting Irish.
07:01It's impossible.
07:02My department has investigated both of them.
07:05My men are where your men can't reach.
07:08The Irish who are against Donald's deal...
07:10...are found in the back room of the Motherhead Cab Pub...
07:12...in Salt Lake.
07:13Sometimes twice a week.
07:15These Irish brothers and cousins are enemies of each other.
07:18You have no idea what you're getting yourself into.
07:24If this is proven to be true...
07:26...we'll deal with him.
07:28Show me proof...
07:30...that this spy is dead.
07:32We'll deal with him.
07:50Mr. Shelby.
07:51Billy boy.
07:52Look at him.
07:53Get out of here.
08:01Get out of here.
08:23Billy boy.
08:24Billy boy.
08:25Billy boy.
08:26Billy boy.
08:27Billy boy.
08:28Billy boy.
08:29Billy boy.
08:30Billy boy.
08:31Billy boy.
08:32Billy boy.
08:33Billy boy.
08:34Billy boy.
08:35Billy boy.
08:36Billy boy.
08:37Billy boy.
08:38Billy boy.
08:39Billy boy.
08:40Billy boy.
08:41Billy boy.
08:42Billy boy.
08:43Billy boy.
08:44Billy boy.
08:45Billy boy.
08:46Billy boy.
08:47Billy boy.
08:48Billy boy.
08:49Billy boy.
08:50Billy boy.
08:51Billy boy.
08:52Billy boy.
08:53Billy boy.
08:54Billy boy.
08:55Billy boy.
08:56Billy boy.
08:57Billy boy.
08:58radio Billy boy.
08:59Come, lads.
09:00Give me a kick!
09:22Mario!
09:23Mario!
09:24Mario!
09:25Now I'll show you.
09:26Mario!
09:27Mario!
09:28Mario!
09:29Now I'll show you.
09:54The days of Sabini are over.
09:58From now on, you are my responsibility.
10:03Oh, shut up!
10:04Stop this whining and whining.
10:08Everyone, listen carefully.
10:12Your neighbors have complained that the music here is very inauspicious.
10:18Now, you will tell me or I will tell you.
10:21The management of this place is changing.
10:31This is the order of Peaky Blinders.
10:48Woohoo!
11:19Sabini
11:21Sabini
11:23Sabini
11:25Sabini
11:27Sabini
11:29Sabini
11:31Sabini
11:33Sabini
11:35Sabini
11:37Sabini
11:39Sabini
11:41Sabini
11:43Sabini
11:45Sabini
11:47Sabini
11:49Sabini
11:51Sabini
11:53Sabini
11:55Sabini
11:57Sabini
11:59Sabini
12:01Sabini
12:03Sabini
12:05Sabini
12:07Sabini
12:09Sabini
12:11Sabini
12:14Sabini
12:30Sabini
12:32Sabini
12:34Sabini
12:36Sabini
12:38Sabini
12:40Michael, the vacancy is not vacant now.
12:53According to the morning paper.
13:04I was a topper in Maths in school.
13:06And I did an accountancy course in the night school of Worcester College.
13:11Mom says that six accountants have changed in the last six months.
13:16When decent people look at your other work, they leave it.
13:22By the way, like Lizzie, I also know what you do.
13:28Mom told me that in the next two years you want to be 80% legal.
13:32Three.
13:33Can I help?
13:35I know both the works.
13:37And you can trust me.
13:40I want to help, Tommy.
13:42To do legal.
13:46To choose the right path.
13:52I want to help this family.
14:01Does Polly know that you have come here, Michael?
14:05I am 18 years old. I can do whatever I want.
14:10Okay.
14:24Call your mom.
14:28Good luck.
14:29Good luck.
14:39Jeet's money is not available now.
14:41I have come to meet Thomas Shelby.
14:48I have an appointment.
14:50Come in.
15:00I am Carlton.
15:01Mr. Shelby has meetings in his other office.
15:06But he gave me this address.
15:09He gave you this address?
15:10He said that this is a gambling den.
15:13I want to see the gambling den.
15:15There is a lot of news about him in the papers.
15:17He was in Harlem.
15:18There was a big scandal in the Telegraph.
15:20Anyway, he said that I can come here and see.
15:23I have come early and he is late.
15:25And I don't know how they behave here.
15:27In the gambling den.
15:30I will wait in the car.
15:33If I open the door again, everyone will come in.
15:37Like flies.
15:43What do you think?
15:44Do you think that I am a fool?
15:47I am not a fool.
15:49I am not a fool.
15:51What do you think?
15:53What do I think?
15:55Of Thomas?
15:58I am his horse trainer.
16:01For Absinthe.
16:03Do horses understand?
16:05Yes.
16:07And you?
16:08I was born a horse rider.
16:11When I was small, I used to sleep next to him.
16:15I was also born a horse rider.
16:21There is a Riley Park out there.
16:23And no one is even looking at him.
16:25John.
16:26She is saying that she will train Thomas's horse.
16:33She praised you a lot.
16:37Do you know where she is?
16:42Sorry, I am late.
16:43There was a family matter.
16:45Esme, keep it closed for a minute.
16:47Okay, Thomas.
16:48I will show you this place.
16:50Okay.
16:59So.
17:01Come with me.
17:12This is my brother Arthur's office.
17:15And down there is another brother John's office.
17:17We horses and jockeys settle accounts there.
17:23This is outside and also open.
17:25Esme, what about the police?
17:28What about the police?
17:31When I came to Small Heat, I thought I would be killed here.
17:35When I told your name,
17:38I thought I was going to the king.
17:40So you have come to take my daughter, right?
17:42Yes.
17:59He has taken good care of her.
18:01But it seems that she has not gone to any race yet.
18:03There is no horse rider like Curly in the whole of England.
18:06But it seems that she has not gone to any race yet.
18:08There is no horse rider like Curly in the whole of England.
18:10There is a man, Mickey.
18:11He will not agree to this.
18:13But Curly has become a half horse himself.
18:15What a race!
18:16Very lucky.
18:18After all, they are the best stocks.
18:20But I would have taken a colorful pony.
18:21Milly Julie is really powerful.
18:23Not to win the derby, Curly.
18:24They don't like to see me race.
18:25They beat me badly.
18:27This is yours.
18:33When someone leaves, he becomes sad.
18:36When will your box van come?
18:38By afternoon.
18:39You have time to take madam to the garrison.
18:42You can show her the spa and tea rooms.
18:46Yes, I will like it.
18:55I got it repaired recently.
18:56There was a fire here.
18:58This...
19:00Yes.
19:02What will you have?
19:03Will you have tea?
19:05I don't have time.
19:06But I will have gin.
19:24Wow!
19:25With what?
19:28What do you mean?
19:30Tonic water or...
19:35We have...
19:37Cordial.
19:40The glass is full, but still.
19:53So, what do you want from me, Mrs. Gorton?
19:55I...
19:57I think I...
19:59I think I don't mean much to you.
20:04Before Sharha starts talking instead of us,
20:07let's talk first.
20:12You have a mare.
20:16Yes, I do.
20:18That's why I came here.
20:22Only for her.
20:23Only for her.
20:25You are paying a lot of money to train your mare.
20:28That's why I came here.
20:30Do you understand?
20:35Okay.
20:38Okay.
20:39Let's make a toast.
20:41In the name of the mare.
20:42In the name of Dobby.
20:47Cheers.
20:48Cheers.
20:54Is this how you talk to women?
20:59Only when I don't know what they want.
21:02And what if you know?
21:05Then life is easy.
21:07You want an easy life?
21:13Do you think I am someone who wants an easy life?
21:17Then what do you want?
21:20The mare for which I am paying you, Mrs. Gorton.
21:24I want a mare that can make us win all the bets in Epsom.
21:34Before coming here, I...
21:37I got some information about you.
21:41But you are nowhere to be found.
21:49You will find out if I am there or not.
21:54Gypsies don't like registers.
21:57Look, I am not a gypsy like you think I am.
22:01But you registered in France.
22:05I even sent your name to the War Office.
22:08My friends were there.
22:10You won two medals for bravery.
22:14So you are really impressed, Mrs. Gorton.
22:20You can call me May.
22:29Charlie says the box van is here.
22:32Thank you, Finn.
22:37What's the name of your horse?
22:42His name will be Grace's Secret.
22:49Grace's Secret.
22:57I told him he can't take this job.
23:01He said he'd go to London.
23:04Blackmailing won't work on me.
23:07No, I mean, no.
23:09Okay.
23:11That's it.
23:14I'll give this job to another candidate.
23:16He's more qualified anyway.
23:19He's worked somewhere.
23:21Six months.
23:23But he doesn't know how to race, Paul.
23:26He knows how to ride a horse.
23:28But not how to race.
23:30And that other guy knows how to race.
23:32He's a good guy.
23:34He'll learn soon.
23:37What if Michael really leaves?
23:40Then you'll have to let him go, Paul.
23:43He'll get a job at the London office.
23:47He gave a big speech.
23:49He can help you make your work better.
23:53He makes me cry like my dad.
23:56There are a lot of trains to London.
23:58Should I just let him go?
24:00He'll be back in a month or two.
24:03If he doesn't find a girl.
24:06Otherwise, I don't know.
24:13This is too much.
24:16You want him to do this job.
24:19Pauli, I want what you want.
24:23And what about that candidate?
24:25The one who's more qualified.
24:29That's what I said.
24:31There's no one.
24:36How much will you pay him?
24:39As much as it says in the newspaper.
24:41So cheap.
24:43Bullshit.
24:45Three and six.
24:47Four.
24:49Four.
24:55I love him very much.
24:57Yes, I know.
24:59That's why I'll keep him away from the old business.
25:02And make him the new in-charge.
25:04Deal?
25:06Deal.
25:15Okay, friend.
25:17You have two options.
25:19Mild or mild.
25:21Take it.
25:23He's here.
25:28Happy birthday, Michael.
25:3018 years old.
25:32You're a man now.
25:34Give him a drink, John.
25:36Here you go, Michael.
25:38And then we'll find a partner for you tonight.
25:41Michael.
25:43What's this?
25:45This will help you get to work on time.
25:51Welcome to the business, Michael.
25:54Welcome to the business.
25:58Okay, drink it all.
26:00Right, whiskey.
26:02He doesn't want whiskey.
26:04He has to go to work tomorrow.
26:06So give him a dark mild.
26:08Toast.
26:10Toast.
26:29Is everything okay?
26:31Ahem.
26:38What's this? Just us?
26:40Yes, just us.
26:42What are you celebrating?
26:44Drink this.
27:00How do you like it, Arthur?
27:02It's good.
27:04It's a great thing.
27:06Great for garrison.
27:08We can sell it to the rich kids of Aden Club.
27:11Why? What happened?
27:13It's part of an export drive.
27:17Now we have a safe warehouse in Camden Town.
27:20And a safe route to the popular docks.
27:23So on Monday morning,
27:25we'll send our first export crate.
27:27A crate of spare parts for a relay car.
27:31To Halifax.
27:33For Nova Scotia.
27:35Where there's a ban.
27:37Yes, where there's a ban.
27:39In every corner of Canada and America.
27:42People make their own liquor.
27:44In bathtubs.
27:46But rich people,
27:48in cities like New York, Toronto and Boston,
27:51are still spending a lot of money on real liquor.
27:54So on Monday,
27:55Shelby Company's first crate will take
27:581,000 relay carburetors.
28:01But in the packing,
28:03we'll hide 500 bottles
28:05of the best quality
28:07single malt Scotch whisky.
28:12And we, the Shelbys,
28:14have a license that the Empire's minister gave us.
28:17Which means our crates won't be searched.
28:20And all the whisky will be packed at the docks.
28:22Even if you do the math,
28:24you won't be included.
28:26Remember what I've been saying for the past year?
28:29It's time for motor cars.
28:32Come on, hurry up.
28:35So, how's life going, Tom?
28:38It's getting better, Johnny.
28:40That's fine, Tom.
28:42But tell me the truth.
28:44How's it going?
28:46You know, I don't like seeing you in a coma.
28:48I have a beautiful cousin.
28:50She can ruin your life.
28:52She's good enough for you.
28:56Really, Tom.
28:58It's been a while since I've seen someone get married.
29:01Have you seen what's in these boxes, Johnny?
29:04Why would I look at these car parts, Tommy?
29:06When I don't even have a car.
29:10You should always trust your family, right?
29:13And I'm not even counting them.
29:16If 25 becomes 24,
29:18I'll count 24.
29:20You know I can't count, Tom.
29:23And if 24 becomes 30,
29:27I'll have to pay a tax.
29:30And I don't pay taxes.
29:32No, Tom.
29:35Good.
29:42Let's get to work.
29:46I've installed an iron door.
29:48And we've installed iron bars on all the windows.
29:50Good.
29:52So what are you going to keep here, Tommy?
29:54Greed, Billy.
29:56Greed.
30:10Morning, Arthur.
30:12How was this bussing?
30:13How was this bussing?
30:19I think I'm in love.
30:22Drink.
30:29He doesn't understand a thing.
30:32Whiskey, Tommy.
30:34No, I want to drive to Belim.
30:37Are you going home?
30:39No.
30:41Where else?
30:43Belim.
30:49What's this?
30:53Olives.
30:55Yes, I've mixed them all up.
30:57I mean, olives.
30:59On a stick.
31:02And small pieces of onion.
31:05Yes, that's it.
31:09So why did we make 600 pounds on olives?
31:11Yes, there's a little onion in it.
31:21I told you, Arthur.
31:25We sell cocaine to dealers.
31:27We get a cut.
31:29We don't sell it directly.
31:31The Home Secretary is being strict.
31:33And because of that,
31:35I don't want to ruin everything else.
31:37Do you understand?
31:39Yes, I do.
31:41So how much did you get out of the 600 pounds?
31:51I took care of everything.
31:53I sent you here because people are afraid of you.
31:58But if you don't change,
32:00then John will be sent to London.
32:03There's no need.
32:05I'll take care of it.
32:08You'll take care of it like this?
32:09I'll take care of it.
32:21This guy is worth as much as the profit.
32:27It's happening, Tom.
32:31Okay.
32:34Okay.
32:40Stand up, soldier.
32:55Yes, Sergeant Major.
33:09Okay.
33:28Can I help you?
33:30I'm sorry.
33:32I'm lost.
33:34You can't stay here.
33:36Go ahead.
33:39Okay.
33:47Twenty-three seconds.
33:58Okay, Ada.
34:00I think Andrew is here.
34:05Hello.
34:07I want to meet Ada.
34:09Okay.
34:18Ada.
34:20I asked you something.
34:22It's okay, James.
34:24He's my brother.
34:26Who is he?
34:28I gave him a room on rent.
34:30Why did you give him a room on rent?
34:32He doesn't take rent from me.
34:34He's a writer.
34:36And he doesn't earn much.
34:37You wake up late these days, Ada.
34:39Because I sleep late.
34:41Where's Carl?
34:43What do you want, Tommy?
34:46Stop looking at him in a wedding dress.
34:49Because I'm not interested in him.
34:51And I'm not interested in any girl.
34:53Ada.
34:55Tommy won't judge you.
34:57He won't go to the police at any cost.
34:59Look, I'm going to get ready.
35:01James.
35:03I'm Thomas.
35:05Nice to meet you.
35:08Can I talk to my sister in private, please?
35:12Yes, of course.
35:22So, does James know your name?
35:25Yes.
35:27Thorn.
35:29Do you think I'll tell anyone?
35:31Your broomy boys have sold all the papers.
35:33Just one try and all the wrong work is done.
35:35Just one more try and everything will be fine.
35:38Absolutely right.
35:40I'm laughing at you.
35:43It's fashionable to be like you these days, isn't it?
35:46No society party in London is complete
35:49until the girls are crazy about a gangster.
35:52Anyway, leave it.
35:54Tell me, what do you want?
35:57I don't have a child, Ada.
36:01So, I thought of a plan.
36:03So, I've made a trust fund.
36:07The beneficiaries will be John's children and Carl.
36:12I need your signature to get the money to Carl.
36:19I've made an account,
36:22and the money will be transferred
36:25when I die.
36:28This will be the beginning of a new life for the kids.
36:34You're sick?
36:36I'm just doing what any common man would do.
36:39Fulfilling my responsibilities.
37:04You knew he was going to take Eden Club?
37:07I know about Eden Club.
37:09You knew he was going to do it
37:12because that's the specialty of an in-charge, isn't it, Alfie?
37:15He knows what's going to happen.
37:18What I know, he knows.
37:21And if you don't know,
37:24you don't know what's going to happen.
37:27You don't know what's going to happen.
37:29What I know, he knows.
37:32And if you don't know, you don't know what's going to happen.
37:36Did you know he was going to take the Wimbledon Docks?
37:39The Haringey and the Trotting Tracks?
37:43Talk to me.
37:45I really want to hear you.
37:48You're losing your grip.
37:50Really?
37:52Everyone knows.
37:55Talk to me, Alfie.
37:57Should I talk to you?
37:59Okay, I'll talk to you.
38:01I'll tell you.
38:03It so happened that
38:05you were calling the Jews disgusting all the time.
38:09You were calling them dirty.
38:11You were badmouthing them.
38:13You were calling them dirty thugs.
38:15Everyone makes jokes.
38:17Who doesn't make jokes?
38:19Now I know you don't have a sense of humor.
38:22And I didn't even want to talk about it.
38:24What's going on in front of you right now?
38:29Look, Alfie.
38:31Last May, some of my bookies did something in Epsom.
38:35No one. No one.
38:37Not a single one.
38:39So for some disgusting jokes and Epsom,
38:43you're inviting the Jews to the city.
38:46You're opening the door for those scumbags.
38:54I'm sorry. What are you trying to say?
38:57I said
38:59I'm ashamed of what I did to the Jews.
39:03Are you apologizing?
39:05Yes.
39:07You're ashamed of what you did to the Jews?
39:09Yes.
39:11Really?
39:13Really.
39:15Oh, write this down for me.
39:17He said, I'm sorry.
39:19And also write that
39:21all our bookies can go to Epsom now.
39:24Write this down right now.
39:26Don't think about it.
39:28Alfie is our old friend.
39:32My friend?
39:35And now,
39:37the Peaky Blinders have gone too far.
39:41Yes, they've gone too far.
39:44They've come into the city and spread like a disease.
39:47Exactly.
39:49Now they're a problem for everyone.
39:51Alfie
39:52Alfie
39:54you and I
39:56we've been fighting since school.
39:58Right?
40:00And we're good friends.
40:02Yes, we are.
40:04In life, it goes on and on.
40:06But being friends is something else.
40:09Yes, you're absolutely right.
40:11Write this down.
40:15So what are we doing here?
40:18A deal, right?
40:20Yes, a written deal.
40:22Good, a written deal.
40:24Then let's talk about
40:26the border between the Jews and the Italians
40:28which goes all the way to Farringdon Road.
40:30Farringdon Road?
40:32Yes, Farringdon Road.
40:34That's an old story.
40:36No, no, write it down.
40:38Camden Road.
40:40Camden Road.
40:42Camden Road.
40:44That's all you need to write, Shanti.
40:46That's all you need to write, Shanti.
40:47Camden Road.
40:49That's all you need to write, Shanti.
40:51That's the border between the Jews and the Italians.
40:54And
40:56it's a battle against the gypsies.
41:17That
41:28Mr.. Thomas Shelby madam
41:30I
42:01Sorry, my bestie. Oh, yeah, y'all say
42:05Guzzara
42:06Humber Bingham road keyed me possible. Yeah, it's what does a more
42:11soft milk a decamon
42:13He took a short a modem on a job
42:17To make short a modem
42:20Atcha
42:24Tomari Gordy's fuck daughter. Yeah, man, I'm a kiss report. I got that right here. Don't tell her to dig something
42:29I'm a similar to Lincoln
42:39To me but Nicky Roshni to me later, huh? Take a copy there or GK
42:56Billy get a key to scale and Sahadi Jason
42:59Harry's a mean party. He's already here. Socks. I mean purchase a
43:04Sorry, don't burn
43:08So I said, okay, well not on the mean kill each other. Yeah, it's what you know me. Oh, yeah
43:14Do you have some kill each other?
43:18Yeah, we'll switch that give some kill like me
43:20Oh
43:50I
44:21But my bus car
44:25Ha ha or to her a pass engine oil a
44:32Shire
44:36But yet about our mother
44:40Conceit
44:43Guest car up now. How my repairs guest giving a guest being over here
44:47I
44:49Don't have a guest wing
45:02Hey
45:13Cigarette thank you
45:17You
45:24Supposed to take a spurt. Yeah, I'm at all
45:29Many of the sorry photos ignore me lockers. Yeah, just as a quick but I forget
45:39Maybe walk out lighthouse a jockey dark evening
45:41I
45:46Supposed to somebody
45:49Duckie lighthouse Milo jockey, right? Hopper job. Look lighthouse key Roshni. Take the Tony sub-sahab ticket
45:57I
46:09Watch it on a bus map
46:14It's got got money bus map
46:19Jockey
46:21That's my skirmish and they don't need
46:27They call Adhi Ratko
46:30When I clean up my wings, eh
46:34I'll put me to my yard. Oh, no
46:37Fair me to my bedroom. Okay, was it a handle?
46:40Then how could you ask you?
46:42It's a kissy be made to put on a chilega
46:45To me it's gonna eat on day
46:50Can't say that they don't care
46:52I've got gonna go yeah, man. Yeah, I do can't look at it. So did it. Yeah, so let down
47:05Take a dinkadown south shillings loading unloading ratatam teen coolness
47:13Jello drink art. I
47:15Make them Joe Shalona a payday payday. Oh, how could drink art?
47:19I but man, he to me like that. Give to my mom drink. Make a tip a day
47:24to me like that. Keep up our Allah
47:27What drink make art a payday?
47:30Yeah, I'll come on home. I'm a BSA key or take a baton. Yeah, come on
47:35Watch can open it. I don't mean okay, man. I'll do that. Oh, don't eat in a car
47:40Mickey
47:49The Marcus
48:09I
48:39Don't know
48:44To me I don't like JG or fair to me for Nipa
48:53Ma'am kiss art Nipita
48:55shall Nick I'll y'all say daddy
48:59Renato
49:00No, I don't even a dunga map of my kiss art Nipita to challenge. Oh
49:05dick
49:07Mary dad, yeah, I'm a preacher. I don't get connections. I sub-gent. I don't know. She's a fuck me
49:11But that's a good view. I can't own a rain. It was a buddy or man
49:16I'd miss a car. I own can make low y'all say Mary Barton Nick. I'll ask you know, I said I never do
49:20I'm very cousin keep up my children. We're young people. I
49:25Saw a community
49:37I
50:07Come on, let's go.
50:11We ordered drinks.
50:13We don't want them without drinking.
50:26His face! Did you see his face?
50:29What a punch you gave me!
50:30It was like a bullet. I enjoyed it.
50:32I hit him a lot.
50:34Okay, I want another drink.
50:36You'll pay for it.
50:37Why me? I just paid for it.
50:39Just like that.
50:41There's a lot of people here.
50:43Okay, let's go.
50:49There's a lot of people here.
50:52Is it that easy?
50:53Yes, it's very easy, John boy.
50:55You won't believe it.
50:56Finn, aren't you playing carefully?
50:58No.
51:00Women, John boy.
51:01Women.
51:03There's a woman who's a bar dancer.
51:05And she's an amazing...
51:10If Finn leaves, I'll be able to explain it to him.
51:13Go.
51:14If she's so good, why are you here?
51:16Good liquor.
51:18You won't understand all this.
51:20He misses us, Finn.
51:21That's why he's here.
51:23And here they are.
51:25Junior picky boys.
51:30What happened to you? Did you have a fight?
51:32Yes.
51:33There were some idiots in the Marks of Lawn.
51:35They were stopping me and Isaiah from drinking,
51:37so we had a little fight.
51:39And Arthur, we killed them and drove them away.
51:42Oh, the Marquis.
51:44Where's your dad?
51:46He's preaching.
51:47Good.
51:51Don't take my chips, Finn.
51:53Where are you guys going?
51:57Where are they going?
51:59The Marks of Lawn.
52:02Poor guy.
52:04It was a good pub.
52:32Is this desire
52:36Enough, enough
52:39To lift us higher
52:42To lift above
52:47To lift above
52:58Hour long
53:01By hour may we too stand when we're dead
53:09Between these lands the sun set
53:14Behind his eyes and jokes said
53:21Is this desire
53:31Is this desire
53:35Enough, enough
53:38To lift us higher
53:42To lift above
53:45Is this desire
53:48Enough, enough
53:51Enough, enough
53:54Is this desire
53:58Ah!
53:59Ah!
54:00Ah!
54:01Look.
54:02Looks like they've burnt the whole pub.
54:07You didn't have to do this.
54:08We didn't do it for you, Michael.
54:10We did it for our company.
54:13Forget what happened.
54:16Come on, let's drink again.
54:40The date has been set.
54:44Three weeks from today.
54:49Have you seen his house?
54:53There are policemen everywhere.
54:56You'll take care of him.
54:59No, he'll create suspicion.
55:02You'll have to deal with him yourself.
55:05You'll have to deal with him yourself.
55:07You'll have to deal with him yourself.
55:11What if one of the policemen dies?
55:16It won't affect you.
55:18I promise.
55:20It's no use to me.
55:23That's why I'm putting an end to this.
55:26Because I don't believe in death.
55:31You won't have any complaints from God.
55:37Then good luck.
55:43I've made all the arrangements.
55:46With my men.
55:49If I die,
55:51you won't live either.
55:54Remember that.
56:07I love you.
56:37I love you.
57:07Reds Hotel.
57:09London, Piccadilly.
57:37Hello.
57:43Hello.
57:46Hello.
57:53Who was it?
57:54The call got disconnected.
57:56I think the telephone lines in England are bad.
58:07Reds Hotel.
58:37Reds Hotel.

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