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  • 5/18/2025
A gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.

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Transcript
00:01Where do you keep these things? A bank?
00:03We have our own treasury.
00:05One cellar.
00:06And a tunnel under the river.
00:07My guess is they've turned one of the cellars into a stronghold.
00:10Did you find someone, Arthur?
00:11Stefan Relicheski.
00:14And he speaks Russian?
00:15Yeah, he works in the house for four weeks.
00:17Keeps his ears up.
00:18Alright.
00:19I have a bright future too.
00:22Mapped out.
00:23But you want to try things first.
00:25Michael.
00:26Why does a pen pusher who sits on his arse all day want to fire a gun?
00:33There's going to be a vacancy at Shelby Company Limited.
00:37No revolvers, all legal.
00:38Get me a meeting with someone from the Soviet embassy.
00:57I've got scars that can't be seen.
01:06I've got drama that can't be stolen.
01:13Everybody knows me now.
01:26He was in the war.
01:29He was in a tunnel collapse.
01:33He won medals.
01:38Take care of him.
01:57I've got nothing left to lose.
02:04I'm so high it makes my brain whirl.
02:12Drop my cell phone down below.
02:27He's here, Mr. Shelby.
02:31Thank you, nurse.
02:35Tommy.
02:43I need to talk to you about the priest.
02:50I need to talk to him about the priest.
02:54I know something about him.
03:00I've known him since I was a kid.
03:11I'll shoot him myself, Tommy.
03:16Just teach me how to shoot.
03:20It's very easy, Michael.
03:25Aim.
03:27Press the trigger.
03:49I'm so hungry.
03:51So am I.
04:19I'm so hungry.
04:49Tommy.
04:59He asked me today.
05:01Me.
05:04Not his mother.
05:07For the first time.
05:10He called you.
05:12Where is he? In the kitchen?
05:14He's with the girl and Johnny.
05:20Did you take your medicine, sir?
05:25Do you read the Bible, Mary?
05:29Sometimes.
05:31Do you read it loudly?
05:33Without your clothes next to my bed?
05:37Because when I take morphine,
05:40you do this.
05:42I'm awake.
05:44You're standing there without your clothes.
05:47Do you know what happens
05:49when you read Leviticus?
05:54Do you want to know what happens next?
05:58No.
06:00I don't want to know either.
06:03That's why I threw my medicine away.
06:07Go and call Johnny.
06:17I'm so hungry.
06:20I'm so hungry.
06:23So am I.
06:26I'm so hungry.
06:29I'm so hungry.
06:32I'm so hungry.
06:36I'm so hungry.
06:39I'm so hungry.
06:43You can't shoot without a firing pin.
06:46They don't even have replacements.
06:47They don't make them anymore.
06:48And they won't make them in the future either.
06:51We had a foreman who took out the spare parts.
06:53If we take out the pins, they won't be able to fire.
06:56They'll know when they unload these things in Tbilisi.
07:00Or until they come to us in Kutaisi.
07:03Take out all of them and give them to me.
07:05That's enough.
07:06And I'll tell the Soviet ambassador that there's no need to fly the train.
07:10I'll tell Tommy that you've agreed to the plan.
07:17You know, when I wake up in the morning,
07:19I feel like I'm dead and I'm in heaven, Tom.
07:23I mean, my wife and kids are camping in the valley.
07:26And they're sitting peacefully.
07:28And me?
07:29I've got my mates, food and liquor all around me.
07:36Do you see that line over there?
07:40No.
07:42That's the edge of heaven.
07:44That's where the train is coming from.
07:48The border between Birmingham and heaven.
07:53And today, my friend,
07:55you've got to jump that line
07:58and come back to this world.
08:00That means you've got a job for me, Tom.
08:05Have you ever heard of the Hampton Court Palace, Johnny?
08:08No.
08:09Never.
08:10You and three Lee families
08:12will set up camp 100 yards away from the palace gate.
08:16No one will move you away
08:17because I've recently bought the land.
08:19Some of my friends will come with you.
08:21They're going to dig a pit under your tent and caravan.
08:26Look, you've got a head injury, Tom.
08:28And if you let them dig the pit,
08:30you'll get 5,000 pounds,
08:32which will be split between you and three Lee families.
08:35I'm taking so much money
08:37so that I don't have to ask questions, right, Tommy?
08:42You're right, Johnny.
08:43And when the pit is filled,
08:46you can go back to heaven.
08:52Mr. Shelby, your brother is here.
08:56And there's a man who calls himself a homeless Jew.
09:04Take that Jewish gentleman to the drawing room.
09:10And give my brothers tea and rum in the kitchen.
09:13Yes, sir.
09:25Good morning, Mr. Solomons.
09:27Good to hear.
09:30I like this place of yours, Thomas.
09:34What is this?
09:35A house that's been snatched from you
09:37in the name of repaying a poor king's gambling debt
09:40that you've filled with opium in your casino?
09:43Or is it just rum?
09:45Want a drink?
09:46No, I'm not even going to touch it.
09:48Your housekeeper said you're not allowed to drink.
09:52Huh?
09:53She told me
09:55that you're suffering from such old wounds
09:58from your gambling life
10:00that your head has become like a broken bouquet
10:04that no one can tie.
10:09Now, there's a rumor in London
10:12that you can be seen roaming around
10:14naked in the streets of Birmingham.
10:17And you've lost your mental balance.
10:20And you're starting to believe that you're very strong.
10:24So strong
10:26that you can finish
10:28a juice.
10:31And that too, a very powerful juice.
10:34To the extent that you want to finish
10:37the juice that has made your life.
10:40And yet you came here?
10:42Yeah, I was just passing by.
10:49Tell me something, Alfie.
10:51This morning, when I was trying to read the paper,
10:54I realized
10:56that my dangerous accident
10:58has had only one effect,
11:00and that is that I need glasses now.
11:05I see.
11:10So, it's like this.
11:12I know a man
11:15who can make your glasses.
11:18He's no less than a magician.
11:20He really is a magician.
11:23Then, not only will you be able to read your newspaper,
11:27but also,
11:29you'll be able to see your bright future
11:31with these glasses.
11:35And I know this because
11:37he has made these glasses for me.
11:41So, don't worry about telling me
11:43what all this is about,
11:45because I've seen all of this.
11:51You're fooling around with the Russians, aren't you?
11:55You have two options, Michael.
11:58Either you go to America with Arthur
12:00and get rid of the Apache,
12:02or you marry that girl.
12:04This is no joke.
12:06Arthur, are you really going to live with the Apache?
12:09Did you tell his dad?
12:11No.
12:12He'll shoot you.
12:14He's your son, isn't he?
12:16I wish I hadn't told you.
12:18Then think about marriage.
12:20It's a beautiful path,
12:22full of happiness.
12:24You're kidding, aren't you?
12:26It's hard to tell these days.
12:31What?
12:33Do you love her?
12:36What did you say?
12:38Then you should marry like us.
12:40She doesn't want her family to know.
12:42And she doesn't want a child.
12:44I know a woman.
12:45Shut up, John.
12:46The same woman who helped you twice.
12:48You don't know anything.
12:50I know what you did to her.
12:52Charlotte needs better.
12:54She's the best.
12:55Better?
12:56She was a nurse.
12:57Just 20 minutes and done.
12:58And you don't have to go in
13:00or wait.
13:01You go to Calisthenes,
13:03drink whiskey,
13:04have fun.
13:05Remember, John?
13:07Then a kid comes
13:09without shoes.
13:10He says, it's done.
13:12When it happened the second time,
13:14he said, it's done.
13:16But this time,
13:18he wore shiny shoes.
13:20He said, it's done.
13:22Then what?
13:26He bought new shoes.
13:30With my money.
13:34It was for a good cause.
13:36Arthur,
13:37if you keep doing this to Apaches,
13:39they'll cut your head off.
13:42Tommy said,
13:43when the bell rings,
13:45we should go to the big room.
13:52Come on.
13:53He said, he has a plan.
14:02Hello.
14:12Arthur.
14:14Arthur.
14:15Arthur, come here.
14:17Shalom.
14:20Arthur, shalom.
14:23Alfie.
14:24Shalom.
14:25Come here.
14:26Listen to me.
14:27I want to tell you something.
14:29Really.
14:30Come here.
14:31Sit down.
14:33Please, sit down.
14:34Let's sit down.
14:36Okay?
14:39Now listen.
14:41Arthur,
14:43I want to tell you,
14:45whatever happened between us,
14:47before that,
14:49it was just business.
14:51Just business.
14:52Okay?
14:54And I also want to tell you,
14:57that I have apologized to God
14:59for my mistakes.
15:01That I chose a very holy day
15:03to send you inside
15:05and get beaten up.
15:07Which was wrong.
15:08And now,
15:09I also apologize to you
15:11for my mistakes.
15:23Okay?
15:27I have heard that
15:28you also believe in God now.
15:32So, you heard it.
15:33Very good.
15:34Very good.
15:35This is very beautiful.
15:37This is good.
15:39But I am surprised that
15:41seeing your work,
15:42how do you do this
15:43every day?
15:50Apology accepted.
15:54Because I have heard
15:55that your actions
15:56have not decreased yet.
16:00You are listening, right?
16:02I mean that
16:04every person
16:05needs a reassurance.
16:07And then,
16:08even if your reassurance is little,
16:10even if,
16:13even if that reassurance
16:14is in the air.
16:17Isn't it?
16:31I am of old thoughts.
16:34I am of old thoughts.
16:39Hey, look at this face.
16:43I am afraid of him.
16:46Yes.
16:47Congratulations, Tommy.
16:48You got what you wanted.
16:50Isn't it?
16:52So, it means that
16:53he will kill people
16:55and God will be on his side.
16:59Isn't it?
17:04Do you want to keep him?
17:07We are going to do business
17:08with this scoundrel.
17:10I want to know why.
17:16That is because
17:18when I was in the hospital,
17:21I had prepared a plan.
17:26And it will work like this.
17:28Russians don't believe
17:29that they will give us money.
17:32So, we will take
17:33what is ours.
17:35We want to know
17:36what is in their treasure.
17:39And for that,
17:40we need Mr. Solomons.
18:03Okay, boys.
18:05Remember one thing.
18:07They are all crazy.
18:10They are dangerous.
18:12They do drugs
18:13which we have never heard of.
18:15And they are worse than us
18:16in the matter of ghosts and spirits.
18:21So, today
18:22they will test us.
18:25To hell with it.
18:34These Russians
18:35all ran away.
18:38The Cossacks didn't run away, Arthur.
18:52Mr. Shelby, welcome.
18:55How is my car?
18:56I am in love with it.
18:58I am in love with your car.
19:00So, why don't we keep
19:01the one we love?
19:02I don't think it's a good idea.
19:03Whenever we open a treasure,
19:04the Cossacks keep an eye on it.
19:15In Russia,
19:16people who do illegal things
19:18get tattoos on their bodies.
19:21Good.
19:22Now, some of these tattoos
19:23are evidence of being
19:25connected to their underground organization.
19:28They are the enemies
19:29of the royal family.
19:31So,
19:32it's a tradition
19:34that in the Russian royal families,
19:37before doing business with a man,
19:39such tattoos are checked.
19:41And now that we are
19:42close to the date,
19:43these women will make sure
19:45that you are not a murderer
19:46or an intruder.
19:48No, we are not like that.
19:49So, they would like to check
19:50your skin.
19:53So, they will check
19:54our skin?
19:56Yes.
19:57So, my body
19:58has already been checked.
19:59Although, I didn't know
20:00that this was the reason.
20:02So, now it's your turn.
20:04Come on, boys.
20:06Take off your clothes.
20:09Go to hell.
20:11No, no, no, no.
20:13Ubi.
20:16I agree, Arthur.
20:19I don't want to listen
20:20to anyone.
20:21Get out of my way.
20:22Arthur, come here.
20:25I don't want to listen to anyone.
20:27I don't want to listen to anyone.
20:31The dog was pushed by a Spelende.
20:33Look, they are all
20:34used to curling bits of ice,
20:35eh?
20:36Eh?
20:41Take it off, Arthur.
20:43Shut up, John.
20:46I will tell the maid
20:47to collect it from the button
20:49and sew it back.
20:53You are the second handsome one.
21:01Please.
21:07Okay.
21:09Right.
21:10Look, ladies.
21:12We have increased the bombing.
21:16Okay.
21:17I think we have checked enough.
21:20Tatiana.
21:27Your face almost
21:28popped the picture.
21:29Sometimes assassins hide
21:30their allegiances
21:31behind their balls.
21:39But your boss
21:40is a death soldier
21:43with flying colours.
21:56Did you see that?
22:00He wants to be a good man.
22:11But now
22:13here
22:18every man has
22:19a devil inside him.
22:29I am a devil.
22:40They are real diamonds, right?
22:42According to tradition
22:44a successful test
22:46is celebrated
22:47with vodka
22:48and music.
22:55What was all this, Tommy?
22:57Can you tell me?
22:58You are a very good boy.
23:01Very good, Arthur.
23:05You know what to do next.
23:07Right?
23:09One last thing.
23:11Make contacts
23:13and be polite.
23:24Let's finish it quickly.
23:28I have brought Michael
23:29because he is
23:30the chief accountant.
23:31He should be the witness.
23:33Can I use your phone?
23:34Michael.
23:37First, work.
23:56Michael, stop looking
23:57at your watch.
24:02Ada, as long as you are
24:03reading this
24:04can I use your phone?
24:06Who is that lucky girl, Michael?
24:08Her name is Charlotte.
24:09And Michael can't even breathe
24:10if she doesn't
24:11talk to him
24:12every two hours.
24:13Ada, please.
24:15The phone is in the hall.
24:16Dial zero for the line.
24:19And talk soon.
24:20I'll pay the bill.
24:21Okay.
24:22Don't be late.
24:28Michael.
24:41Think about it, Polly.
24:42We can take control
24:43together.
24:45If we are together
24:46we can fix everything
24:47in the company.
24:48And what about politics?
24:49You and I
24:50will fight together
24:51and win.
24:52That will be politics.
24:53A new kind of politics.
24:55And this way
24:56I'll get money
24:58and a good Christmas tomorrow.
25:00Good.
25:02Welcome to the business.
25:07My name is Smith.
25:11My girlfriend is pregnant.
25:14And
25:16we want you to
25:21fix our appointment.
25:27Welcome to
25:28Shelby Company Limited.
25:31Shelby Company Limited.
25:33Limited or unarmed.
25:37Michael,
25:38would you like to welcome
25:39Ada, our Head of Property
25:40and Acquisitions?
25:42Congratulations.
25:44Where do I sign?
25:51Ada,
25:53do you have
25:54whiskey?
25:56Yes, Tommy.
26:02I've told him.
26:04He's becoming
26:05like his brothers.
26:06I thought you wanted
26:07this.
26:08Yes, but Tommy
26:09has his own charm
26:10and class.
26:11Yes.
26:12Yes, he'll get help.
26:14Where am I going
26:15to sleep, Ada?
26:16Michael.
26:17In the room
26:18near the car.
26:19Michael.
26:20Good night.
26:21Oh,
26:22heartbroken
26:23poor lover.
26:25So,
26:26how do we celebrate?
26:27Now,
26:28when Michael
26:29has gone to sleep,
26:31I was thinking
26:32of going for a drive.
26:33Drive?
26:34Where are you going
26:35for a drive?
26:36Polly.
26:37The artist
26:38who is making
26:39my portrait,
26:40we are talking
26:41about that.
26:42Polly.
26:44When I
26:45am standing
26:46there,
26:48in that dress
26:49we are just
26:50talking.
26:51And did you...
26:52No.
26:54Not yet.
26:56But he called me
26:57two nights ago
26:58and said the portrait
26:59is ready.
27:00And I said
27:01I'll come in the morning.
27:02But he said
27:03no, I want you
27:04to come tonight.
27:12Ada,
27:13don't tell anyone
27:14about this.
27:15Okay,
27:16but how is he?
27:17I'm not joking.
27:18Is he rich?
27:19No.
27:20His friends
27:21call him
27:22Ada.
27:23Tommy will try
27:24to stop him.
27:25Then go.
27:27Maybe he's
27:28crazy about me.
27:32But I think
27:33he has lost hope.
27:37Then go
27:38quickly.
27:45Why should
27:46only boys
27:47take him
27:48out of life?
27:51I don't know.
28:17What the fuck.
28:21Oh
28:45One day
28:51You're doing the best you can, Stephen
28:56Everyone's crazy here
28:58How would I know?
29:00The prince wants me to sleep with him
29:03So how much money you gonna take for saying yes?
29:05It's not just for the raid, it's for sleeping with the prince
29:12When are you gonna get rid of me?
29:14Soon
29:15So what did you figure out?
29:17No.
29:21There were no guards in that room.
29:23But he said he'd kill the three brothers in Yogla Dior.
29:26Near the coal yard.
29:28Duke said he'd kill them with a sword.
29:30But that woman said she'd kill them with a machine gun.
29:44The whole house is crazy, John.
29:48We're building your pub in Nature's.
29:51It's looking good.
29:55Just focus on your work, Peaky boy.
30:09We're almost there.
30:11This way.
30:18This pub was built 200 years ago
30:20to save the king from the French attack.
30:29We're under the Thames.
30:47Your jeweler.
31:00I don't think they trust me, Tommy.
31:02I only trust Mr. Solomons in London.
31:05Trust. Trust.
31:07I think I'll have to add this to my old account.
31:12As agreed, your jeweler will choose 70,000 pounds worth of items.
31:17When you choose your items,
31:19they'll be locked away in a box.
31:21When you're done with your work,
31:23this box will be delivered to you.
31:30Before we begin, I'd like to say
31:33that I don't want to stay here.
31:35I'd rather starve to death.
31:37I'd rather starve to death.
31:39I'd rather starve to death.
31:41I'd rather starve to death.
31:43I'm saying this because there's a reason behind it, my friend.
31:47Because my shop is right above Rum House.
31:49You speak Russian?
31:50Yes.
31:51Because of my mom.
31:53Yes, because of her.
31:55You people...
31:57You people killed my mom.
32:03Out of mercy.
32:06Yes.
32:09But today is the day of forgiveness, isn't it?
32:14And the day of the election.
32:17That's why...
32:19Now...
32:21Hello.
32:23I think it's the right price.
32:251,500.
32:271,500.
32:28Okay, I'll give you 1,800.
32:30I know its current value.
32:32It's only 1,800.
32:36Okay, then.
32:38Let's see this.
32:40You have a very nice thing.
32:42Isn't it?
32:43This is a gift from Sir Nicholas.
32:45I'm not asking you.
32:47Did I ask you?
32:48I came here to do my business.
32:52To do my professional service.
32:54If you keep stopping me, I won't be able to do my job properly.
32:57Do you understand?
32:58Mr. Romanov.
32:59Let me remind you.
33:00We were told to come here and choose whatever we like.
33:03Sir Nicholas gave this to you.
33:05I'll give you 4.
33:075.
33:08Because it's expensive.
33:12Done.
33:13Okay, Rumpelstiltskin.
33:15Let's see what's in these boxes.
33:192.
33:20This is good.
33:2210.
33:23This is definitely 5.
33:26But why are you quiet?
33:28Any problem?
33:29One more 5.
33:307.
33:316.
33:32Put it on 6.
33:33Beautiful.
33:34Isn't it?
33:35Beautiful, isn't it?
33:36It's amazing.
33:37Beautiful.
33:38Beautiful, isn't it?
33:39Yes.
33:40It's beautiful.
33:41It's the work of an artist.
33:42Do you know this work?
33:43One or two.
33:44I'm slowly understanding that the environment here is bad because of you.
33:47Only because of you.
33:48Isn't it?
33:50What do you mean?
33:51Tommy.
33:52Look at this.
33:53It's polished.
33:54This is polished.
33:55I would like to say something.
33:57If someone comes to my shop with this kind of polish,
34:01I will take the same polish and put it on their face.
34:06Understood?
34:07Which game are you playing?
34:14Tell me.
34:15Mr. Solomons.
34:20Should we finish this work?
34:22What do you mean?
34:28Yes.
34:30Yes.
34:31So, what are we getting?
34:343600.
34:38Okay.
34:46Do you have eggs?
34:49I'm just asking.
34:50It's not a part of the Faberge eggs deal.
34:53We won't give you Faberge eggs.
34:55Mr. Romanoff, my jeweler, has advised me about Faberge eggs.
35:00So, tell me.
35:01It will be our life, Tommy.
35:20That's more like it.
35:22That's great.
35:25I bought this from Cremia.
35:28That's great.
35:33What's special about this is that it was bought by a very beautiful woman.
35:40And that's why this selection cost 70,000 pounds.
35:46Yes.
35:53It's a deal.
35:54Very good.
35:55And now, Mr. Shelby, you will join your brothers from here and Mr. Solomons will go his own way.
36:02Tell me.
36:04With all honesty.
36:23Oh, sorry. Can I...
36:25Yes, of course.
36:36This is the unique combination of beauty and strength.
36:47I'm learning to read silences.
36:49Is this a good silence or a bad silence?
36:52It's good.
36:57Really.
37:04Very good.
37:05No, it's still wet.
37:11You may not believe me, but this is the best thing I've ever done.
37:23Will you remember this message?
37:28There will be many more messages.
37:53Sorry.
37:55Sorry.
37:56Please don't do this.
37:59Please don't do this.
38:00I'm sorry.
38:01I'm sorry.
38:02I'm sorry.
38:04I'm sorry.
38:05It's okay.
38:06Sorry.
38:07It's okay.
38:08It's okay.
38:22It's okay.
38:52Vodka.
38:58Vodka.
39:04I wanted to see if I did a good job.
39:09Yeah, you did.
39:16Sir?
39:22Come on.
39:39My aunt only employs the best whores.
39:52Yeah, I'll say.
39:54Right?
40:08Because in Russia, we get bored.
40:12And in England, we don't know when to stop.
40:18At least there are silly games and orgasms.
40:23Shall we start?
40:25Here?
40:27Yes.
40:29In a dark place.
40:53All right!
40:56Slugi!
40:59For me!
41:22For me!
41:52Tommy.
41:57You still love her, don't you?
42:05You want her?
42:07Why are you saying this?
42:09Answer me.
42:10Tommy.
42:11You love her.
42:12Why are you saying this?
42:13You want her?
42:14You want her?
42:18Who are you?
42:22Huh?
42:28Why are you saying this?
42:34Why are you saying this?
42:52Huh?
42:53Huh?
42:55Huh?
42:59Huh?
43:01Huh?
43:02Huh?
43:04Huh?
43:06You want her?
43:08Huh?
43:09Tonight?
43:10Huh?
43:12Huh?
43:14Look.
43:23In the palace in Tbilisi, there was a priest.
43:26And he would put his hands here.
43:31And with that strangulation, there was also ecstasy.
43:33It's called klisti.
43:34A Siberian prayer.
43:37You were almost hung over.
43:39You were almost dead.
43:40But in that moment...
43:46Tell me.
43:48Tell me.
44:00You want her, don't you?
44:03You want her?
44:17You want her?
44:47If you are the dealer, let me out of the game.
44:57If you are the healer, I'm broken and lame.
45:01If thine is the glory, mine must be the shame.
45:06You want it darker?
45:09We kill the flame.
45:13Now you should drink this.
45:16It's holy water.
45:17Get the fuck away from me.
45:20See?
45:22I've opened another room for you.
45:36You should name this painting.
45:41Everyone should go to hell.
45:46I'll keep it.
45:51Parish.
45:54The king.
45:58And the policeman.
46:16Especially the policeman.
46:29Should I tell you the craziest story?
46:36I killed a policeman.
46:38With a cold heart.
46:40With a cold heart.
46:45With a gun.
46:47Really?
46:50The one he was looking at.
47:10The one he was looking at.
47:11The one he was looking at.
47:12The one he was looking at.
47:13The one he was looking at.
47:14The one he was looking at.
47:15The one he was looking at.
47:16The one he was looking at.
47:17The one he was looking at.
47:18The one he was looking at.
47:19The one he was looking at.
47:20The one he was looking at.
47:21The one he was looking at.
47:22The one he was looking at.
47:23The one he was looking at.
47:24The one he was looking at.
47:25The one he was looking at.
47:26The one he was looking at.
47:27The one he was looking at.
47:28The one he was looking at.
47:29The one he was looking at.
47:30The one he was looking at.
47:31The one he was looking at.
47:32The one he was looking at.
47:33The one he was looking at.
47:35The one he was looking at.
47:46…I don't expect…
47:50I don't expect…
47:53I swear once…
47:55I saw his face…
47:58I thought he will find…
48:00he found my Pushpa…
48:03He ruined my condition and I was sweating profusely.
48:10Many nights have been worse than this.
48:14You are very quiet, Arthur.
48:15Yes, yes, yes. Be quiet.
48:17How was your night, Arthur?
48:18Did you put all the buttons back?
48:20Yes, yes, yes. Be quiet.
48:21What does God have to say, Arthur?
48:23Be quiet, both of you.
48:28He tells Linda everything.
48:30Everything.
48:32Everything.
48:34Okay, let's see what he has to say.
48:42After you leave, I'll miss you a lot, Arthur.
48:48Drive quietly.
49:01Let's go.
49:19Private Lettsall.
49:20I'm on duty, Sergeant Major.
49:24At ease, soldier.
49:26I'm glad to meet you.
49:31There are seven kids.
49:33Fifty of them.
49:35Should I bring tea for them?
49:37Bring beer for them.
49:38After drinking it, they run away like cars from petrol.
49:41Give them black country stuff.
49:43They are in the back room, in the barrel.
49:46They will investigate me very well.
49:48Whatever they take, they will bring back.
49:50They are good people.
49:52John.
49:53Arthur.
49:54Do you remember these boys?
49:58They are the same people who dig tunnels.
50:00Am I right?
50:02Tunnel diggers.
50:08It's good to meet you.
50:10It's good to meet you.
50:11This is William Lettsall.
50:12From South African Native Labor Corps.
50:15He was sent to Flanders
50:16from Bloemfontein Diamond Mine.
50:18The most powerful tunnel digger.
50:20There are three floors below this house.
50:22Wine, kitchen and septic.
50:24There is a tunnel in it.
50:26The path goes from the river to the strong room.
50:29The treasure of the palace used to be here.
50:32The tunnel goes straight to the west.
50:35There are three iron doors between the house and the tunnel.
50:38We can't open the locks of these doors.
50:40We need a tunnel that goes from here to the strong room.
50:44Straight.
50:50Come on.
51:21Pringles Hill 23.
51:22Ada phone.
51:26Ada.
51:28Is Michael there?
51:34Listen.
51:35Tell him that I'm going out with the car.
51:37If he wants to go, he can go by train.
51:39And find out why he is so changed these days.
51:41I'm going out with the car.
51:43If he wants to go, he can go by train.
51:45And find out why he is so changed these days.
52:11I'm going out with the car.
52:41I'm going out with the car.
53:11I'm going out with the car.
53:30It's not good to interfere in other people's stuff.
53:33He is my son.
53:36This bullet was mine.
53:37I didn't get a chance to use it.
53:38And Gypsy Rule says that it should be extended.
53:42It's not about the rules, Paul.
53:44He asked me.
53:47He told me.
53:49Why he wants to do this.
53:51If I tell you.
53:54It won't be right for him.
53:58Don't get involved in this.
54:04Is this when he was with Parrish?
54:06I said don't get involved in this, Paul.
54:08I said don't get involved in this, Paul.
54:20This happened when he was with the Fathers?
54:23This happened when he was with the Holy Fathers.
54:27Michael doesn't want you to know.
54:39That priest.
54:41That priest.
54:43He was there.
54:45When they took him.
54:47And he is still roaming around in this world without fear.
54:50Rascal.
55:00Rascal.
55:01He asked me, Paul.
55:03And I said yes.
55:09And I told him.
55:11Shoot him.
55:13In his head.
55:17This is the order of PG Blinders.
55:31No.
55:35Not my son.
55:39If Arthur does, he will die too.
55:42But one part of him will always die.
55:47Believe me.
55:49This happened in this house, Paul.
55:51If my son shoots.
55:54Then I will destroy your entire organization.
56:38AVAILABLE NOW