कन्यादान : वर में आते श्वसुर के प्राण

Patrika

11/15/2024

Transcript

00:00Namaskar, let me tell you the story of Dr. Gulab Kothari who is the chief reporter of Rajasthan

00:08Patrika.

00:09His body was published in the world's magazine called Brahmanda Shrinkhna, whose editor is

00:14Kanya Daan, the death of his father-in-law.

00:17Our life is both visual and invisible.

00:20The vision is three-fourths, the vision is one-fourth.

00:24This is the reason that the invisible is always out of the discussion.

00:31We consider the body as a complete entity.

00:34Life runs in subtleties.

00:36Jeevatma, Prana, etc. are the parts of life.

00:39Due to being away from the scale of this science, matter and energy have become the means of

00:46life.

00:47They are constantly changing.

00:48They are solid and can be caught in the grip of objects.

00:51Due to the subtlety of both men and nature, their discrimination should also be considered

00:56as a visual factor.

00:57A man's representation is in accordance with his nature.

01:00The basis of the entire age-old creation is the male body, whether it is of the mortal

01:06world, the heaven world or the father world.

01:09The bodies of both are different.

01:11The principles are different.

01:14The age-old element is found in all the seven worlds.

01:17In every man's body, the seed is the same Brahma.

01:20Then is the Maya also the same?

01:22Otherwise, the creation cannot be in the opposite direction.

01:25When there is the presence of Soma in the fire, it does not burn in the Soma yajna.

01:30It becomes a new element.

01:32In the heaven world, the presence of Soma increases the reflection of Soma on the other

01:38life.

01:39In the fire, the presence of Soma increases the reflection of Soma on the other life.

01:44In the fire, the solid part of Soma comes to work.

01:47The motherly air itself takes Soma to the other life.

01:52This other life itself takes the form of Jeevatma.

01:56Brahma resides in the male heart.

01:59In all three letters, Brahma, Vishnu and Indra keep this reputation.

02:04All three powers are determined by Mahakali, Mahalakshmi and Mahasaraswati.

02:09Brahma becomes the reputation of Brahma Prana.

02:12In the heaven world, in the womb of the Prana, Brahma comes towards this solid part.

02:18In the creation of the body, the mother's role is the main role.

02:23The mother's Prana keeps the circulation of the body according to the age and situation.

02:29The father's Prana remains in the seed form throughout the body.

02:33The Prana of the father's seven generations remains in the child.

02:37In the process of marriage, the Prana of the bride's father is also attached to the Prana of the groom.

02:44The Prana of their seven generations also become one.

02:48Now the seed of the bride's father has also been found in the seed of the groom.

02:53The Prana of the bride's mother is also attached to the Prana of the groom.

02:58Now the seed of the bride's father has also been found in the seed of the groom.

03:02The part of the bride's mother is the body of the bride.

03:06The body of the groom is manifested by his mother.

03:10In the process of creation, the sand of the father of both sides,

03:14in the original, the mother of the bride is manifested in the sand.

03:20In the subtle sense, the power is transmitted from front to front.

03:25From one body to the other, the journey of the Brahman seed is based on the Prana power.

03:31The mother itself creates the seed form in the womb.

03:36The seed has an extra Prana.

03:39There is no Karta Bhava in the Brahman.

03:41The complete process and the creation of the form is controlled by nature at a subtle level.

03:48The nourishment of the mind and Prana on all three bodies is equally important.

03:56All three create the Ashram of Brahma.

03:59His life is run by Pranas.

04:02The most important among them is the nourishment of the mind.

04:05The mind is the reflection of the self-dependent mind.

04:08It is the center of desire.

04:10And it is constantly disturbed by the sensory Prana.

04:13chanchalam hi manah krishna brahmati dalva dridham

04:17tasyaham nigraham manye vayodin sudhushkaram

04:20Gita 6.34

04:22The mind is Brahman.

04:24Desire is Maya.

04:26The male mind is female desire.

04:28Desire is life.

04:30Therefore, the mind is called a friend and an enemy.

04:33Desire as a whole makes the example of Vasudhaiva Kutumbakam a target.

04:38Life becomes divine.

04:41Vyashti roopme sankuchit hokal svayam ko hi karta maan baithta hai.

04:46Man ko prem ka mandir kaha jaata hai jahaan Ishwar pratishthit rahta hai.

04:51Ishwarah sarva-purtanaam hrityeshe arjun tishthati Gita.

04:55Man madhurya ka mandal ban sakta hai.

04:58Is prem ki predhna kuthri pehen roopi maya se prapt roop.

05:02Matrityu bhaav strend man ka mool swaroop hai.

05:06Har umr me iska sakshat kiya jaa sakta hai.

05:09Maa roopme vatsalya deti hai.

05:11Vah bhi man ka hi poshan hai.

05:13Ma ke paas jao ya putri ke saath khelo.

05:16Man hi zript kota hai.

05:18Mithas aur anand milta hai.

05:20Buddhi jeevi purush akela jeeta hai.

05:23Toosre uske ahankar ko chote lagte hai.

05:25Man niras kota hai uska.

05:27Tab usko mithas kaun dega.

05:29Ya to maa ya putri.

05:31Patni hi maya ka hi shakti roop hai.

05:33Vah to ardhangini hai.

05:35Maa to pati ke praan ke saath pati ke hiday mein pratishthit hote hai.

05:39Yaha maa ki sooksh praan janam se hi pravahit rehte hai.

05:43Aaj gandharva vibha ka yudh aaramb ho chuka hai.

05:46Kanyadharan kod mein hota hi nahi hai.

05:48Patni ke pita ke praan pati tak mahochte hi nahi.

05:52Pihar mein hi chhut jate hai.

05:54Puri umr pihar se judhi rehte hai.

05:56Pati ke paas keval maa ka vatsalya rehte hai.

05:59Shraddha, sneha chhute rehte hai.

06:02Yahi isthiti tab bhi hoti hai.

06:04Jab patni bhi buddhi jeevi hoti hai.

06:07Tab dono ke buddhi ka dharadhar prabhavi rehte hai.

06:10Shraddha, vatsalya, prema ka abhav rehte hai.

06:13Achche kshanon mein sneha mil jata hai.

06:15Prakrati roop mein patishthit patni ka shraddha, prema, vatsalya aur sneha

06:20maa ke vatsalya mein lean ho jata hai.

06:23Maa ne jeevatma ka ek swaroop nirmaan garbh mein kiya.

06:26Vartamaan mein jeene ke liye.

06:28Patni bhavishya ka nirmaan haath mein le reti hai.

06:31Usi anuroop purush ka moorta roop tayyaar karne lagti hai.

06:35Yeh bhoomika itni sookshna hoti hai ki swayam pati ko bhi dikhai nahi padti.

06:40Uska saara karm sookshna istar ka hota hai.

06:43Doosri aur stool istar par pati ke karmon mein bhaagidari bhi karti hai.

06:48Karmon ka aakalan bhi karti hai.

06:50Usi ko aadhar bana kar pati ki moorti karti hai.

06:53Shayadhya karya vishwa karma bhi nahi kar sakte.

06:57Beej shunya hone se bah brahm ka ansh nahi ho pati.

07:00Kintu pati roopi brahm ki ardhangini hone se bah pravesh sambhav ho jata hai.

07:06Athah brahm ke mann mein virakti peyda karti hai.

07:09Pehle swayam prajnan karm se mukta hokar vanprastha mein pravesh leti hai.

07:14Pati ko saumya bhaag ka poshan karke bhakti seva mein pravritt karti hai.

07:19Vairagya aur aishwarya ke shetra ka prasar karti hai.

07:22Ant mein pati ke saath swayam bhi mukta ho jati hai.

07:27Brahm swayam nishkaam hai.

07:29Maya hi kaamana hai.

07:30Asakti hai.

07:31Maya hi virakti ban jati hai.

कन्यादान : वर में आते श्वसुर के प्राण

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