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00:00Now just take a look at this. Look, look at the quality. I mean, that quality, that is the titmus test, isn't it, eh, the quality? Now these are hand-made from Indonesian steel, they've got an ivory effect handle, and they come in, look at that, a genuine synthetic leather look-alike case.
00:20Right now, these canteens of country are a very exclusive line. You can only buy these in Harrods, Lippides and Patels Multimart. Right now, take a look at that label. Just take a look, what can't speak, can't lie. All right, darling, put your binoculars away, because I can tell you exactly what it says. A manufacturer's recommended retail price, £42.99. Now I'm not going to...
00:42You could have printed them yourself.
00:43You what?
00:44I said you could have printed them yourself.
00:46Do me a favour, pal. Do I look like Rupert Maxwell? Now listen, before I tell you how much I want for this wonderful canteen of cutlery, I want anyone of a nervous disposition, anyone with a weak heart to move along, please, because I do not want to be held responsible, as I'm only insured for third-party fire and fact.
01:04Right, now here we go, listen to me, here we go, a 36-piece canteen set of cutlery, made in Indonesia, handmade, genuine synthetic leather cake, manufacturer's recommended retail price, £42.99.
01:17Yours for, first come, first served, £3.50.
01:20Hey!
01:22What do you mean, you...
01:24Now listen, come on, you'll not get another bargain like this again.
01:28Yeah, I feel we don't get any guarantees with them.
01:30Yes, you do, you do get a guarantee.
01:32Go away and annoy someone else for a month or two.
01:34Are you?
01:35Now look at me, take a look.
01:36Hello.
01:38Hi.
01:39Is this your first day in the market?
01:41Mm, first day.
01:43Thought I hadn't seen you here before.
01:44It's all your own work?
01:49Mm, afraid so.
01:50Oh, nice.
01:51It's really good, you know.
01:53Do you really think so?
01:54Well, it's awfully sweet of you.
01:57I'm an artist.
01:58I went away to college for a while.
02:00Really?
02:01I was at the Milan School of Art for two years, then I had a spell at the Sorbonne.
02:05Where were you?
02:07Basingstoke.
02:09Basingstoke?
02:09I don't think I've heard of it.
02:13It's a big town in Hampshire.
02:15Oh, no, I meant that I hadn't heard of the Basingstoke College of Art.
02:18Oh.
02:19Oh, it's quite famous.
02:21Well, in Basingstoke, you know.
02:24Oh, by the way, my name is Rodney.
02:26Victoria.
02:28Well, Vicky.
02:29Right, come on then, ladies.
02:30Come on now, make your neighbours just.
02:31Look, only the finest steel goes into making this premier cutlery,
02:35producing the sharpest cutting edge you've ever experienced.
02:39Yeah, but how do we know that?
02:42Run your wrist gently down the blade and you'll find out.
02:46All right.
02:47Oh, boy.
02:48All right.
02:49All right, Trey.
02:50Come on.
02:51I'd rather have shingles than these knives and forks.
02:54At least you can get rid of shingles.
02:55How have these for you, Trey?
02:57None at worst.
02:58Have you?
02:58I haven't.
03:00All right, listen to me.
03:01I'll let you have them at cost, all right?
03:03Now, that's three quid a box.
03:04Now, come on, you know it makes sense.
03:06Three quid?
03:07Here, I'll have one of them, Del.
03:15What do you mean you'll have one of them?
03:17Three pounds here, a bargain.
03:20Trigger.
03:21Those are the ones that you sold me last week for a knicker each.
03:25No, they ain't the same.
03:29Mine didn't have them on.
03:33All right, come on.
03:34Listen.
03:35Now, listen, I've got to get rid of this stuff now, because I'm...
03:38All right, quick, away you go.
03:41Everyone, everyone, go on, before you get your collars felt.
03:43Go on, away you go.
03:44Look at that stupid little dipstick.
03:57Quick, quick, quick, quick.
04:00Listen, just do exactly as I say.
04:02You are looking for the Hilton Hotel?
04:09Si, Hilton Hotel.
04:11Turn left at the top of the road.
04:15Si.
04:16And you'll see a bus stop.
04:19Si.
04:20Take the 159 to Park Lane, and that is where the Hilton Hotel is.
04:31Oh.
04:31Si.
04:32Thank you, John.
04:33Bonsoir.
04:34Don't get many tourists round this way, eh, officer?
04:44No.
04:46Especially tourists that speak three different languages, all at once.
04:49How much is that one?
04:54That's 50 pounds.
04:56Oh.
04:57And what about the one next to it?
04:59That's 85.
05:01Oh.
05:03Do you mind if I give you a bit of advice, Vicky?
05:06See, people round here don't pay 85 pounds for a painting.
05:10People round here don't pay 85 pounds for a car.
05:14But surely everybody has paintings in their homes.
05:16Yeah, but they don't get them from galleries and what have you.
05:19They're getting them from British home stores and prize bingo, you know.
05:23I don't want to pick the wrong market here.
05:25You might go down and have a crack at Portobello Road.
05:27You might be in with a shout, then.
05:29Hmm.
05:30Perhaps you're right.
05:32Oh, well.
05:33Nothing ventured.
05:36Would you be in absolute love and help me take this stuff back to my car?
05:41Oh.
05:41Well, I'd like to, but I'm a bit busy with me...
05:44Oh.
05:45Well, you must have sold in early and gone for something too late, eh?
05:50Well, in that case, I'm at your service, miss.
05:52Oh, that's awfully sweet of you.
05:55I'm sorry, I didn't...
05:57Oh, Rodney.
05:58What's your dive?
05:59Oh, my name is Rodney.
06:03He's just very fake.
06:05I see.
06:06What line of business are you in, Rodney?
06:08I'm a partner in a...
06:10In a partnership.
06:11Me and my brother, we buy and sell this and that.
06:15I envy you.
06:16It must be wonderful to work in the market every day.
06:19I find it very stimulating.
06:21It's all the hustle and bustle and all the lovely, lovely characters that one sees.
06:25Of course, I know that they're not all lovely.
06:29Did you spot that noisy little person selling the tatty cutlery?
06:33Yeah.
06:34That's my brother.
06:36Well, look, I'm quite so sorry.
06:37Look, I mean, when I said that he's noisy...
06:39No, no, no, you're right.
06:40He is noisy.
06:42He's always been noisy.
06:44But he's as good as gold, really, you know.
06:46I sort of look after him.
06:48I see.
06:49I haven't got any brothers or sisters.
06:51No?
06:52Do you want him?
06:53Uh, no, thank you.
06:56Well, here's the old crate.
06:58Oh.
07:00Nice car.
07:01Yes, I got it for a birthday, yes.
07:03Yeah?
07:05I've got a Nick Kershaw LP.
07:15Right.
07:16Well, I'm off for something to eat.
07:17I'll see you around here, Vicky.
07:18Where do you lunch?
07:19Lunch?
07:20Oh, I usually go down to Fatty Fun.
07:23The Fatty Thumb?
07:24Well, yeah, it's Sid's calf, really.
07:26But we call it the Fatty Thumb just out of affection, you know.
07:29May I join you?
07:31You?
07:32At the Fatty Thumb?
07:34Oh, I don't think you'd like it, Victoria.
07:36You know, it's all steam and bacteria.
07:38It's horrible, really.
07:39Do you know, Rodney?
07:40I get the feeling that you're an inverted snob.
07:44Come on.
07:45Jump in and I'll show for you down there.
07:46You won't like it, Victoria.
07:52I don't like it and I'm a regular.
07:56Iron chips, fried chips and pea.
07:58Let's bubble beans toss it.
07:59Oh, here you go, Rodney.
08:00Don't get your teas.
08:02Two friggin' toast, bacon and egg and a slice.
08:07Two eggs, toast and chips.
08:09Sorry.
08:11Two teas, fried and toast.
08:12Well, here we go, Dean Bickley.
08:17I think it's absolutely lovely in here.
08:20Oh, yes.
08:22It's good, isn't it?
08:23Oi, you think this machine's broke again, Sid?
08:25If you wouldn't keep tilting the sodding thing, it wouldn't break, would it?
08:29Heard a chicken.
08:30So you're not from round Peckham, why, Dean?
08:32No.
08:34I was born and raised up in Berkshire.
08:36I've been in London for about three months now.
08:40Have you always lived on here?
08:42Yeah, always.
08:43I've been wanting to go to London for ages.
08:46But Berkshire's so boring.
08:49Boring Berkshire, I call it.
08:52I wanted to be near the art galleries.
08:55I suppose you're always in them.
08:57Well, not always, no.
09:00I did actually go up to the National Gallery a couple of weeks back.
09:03But I suddenly realised, and I am ashamed to admit it,
09:07but in all the years it's been housed here,
09:09I've never actually seen a Da Vinci cartoon.
09:12Well, I'm ashamed to admit it, but I haven't seen it either.
09:16Mm-hm.
09:16What did you think of it?
09:19Well, they were shut.
09:20Look, you know what?
09:21I'm going back.
09:23Why don't we go together?
09:25Oh, yeah.
09:26Krusty.
09:27Krusty?
09:28Yeah, it means, um, you know, wonderful, terrific.
09:31How frightfully I'll look square.
09:33Shall we say tomorrow at noon?
09:37I don't know if I'll be able to get time off work.
09:41But I thought you said you were a partner.
09:44Oh, yeah, well, yeah.
09:45Yeah, I'm a partner, yeah, but, um...
09:49Yeah, all right, then.
09:50I know, I'll give myself the day off, eh?
09:53Right, tomorrow at noon, then.
09:55Krusty.
09:58Do you like Oprah, Rodney?
10:00Of course you do, I can tell.
10:03Yeah.
10:05There's a gala performance of Carmen on the Theatre Royal Drury Lane next week.
10:09I've tried everywhere to get tickets, but it's absolutely impossible.
10:14Impossible, yeah, I know, I've tried not.
10:19Um, I don't know me saying this, but, uh, I didn't really think that, you know, Peckham would be your scene.
10:26Oh, no, I absolutely adore this area.
10:30Oh, it's so rough and raw and vibrant.
10:34I saw a woman spit yesterday.
10:38You see, I was brought up in this tiny community in the wilds of boring Berkshire.
10:45My world was one of nannies and live-in tutors and incarners and village fates.
10:51I didn't even realise there was a real world until I decided to make art my life.
10:57Egg and chips.
10:58My mother was a painter.
11:00She had some work exhibited at the Royal Academy.
11:02Egg sausage and chips, egg sausage, beans and chips.
11:05What?
11:05Oh, my God.
11:07The Royal Academy.
11:09Oh, does she still paint?
11:11No.
11:14What's there, something wrong?
11:16You see, she died when I was 12.
11:19A skiing accident in Austria.
11:22Oh, look, I'm really sorry, Vicky.
11:24I know how much that must have hurt you.
11:27I don't think so, Rodney.
11:28Oh, yeah, I do.
11:29See, same thing getting to me when I was only five.
11:32Pine chips, pine chips and peas.
11:34Oh, Rodney, how absolutely awful for you.
11:39Where was your mother skiing?
11:42No, my mum won't ski.
11:44According to what the rest of the family tell me, mum didn't do a lot of skiing.
11:49That, she just did something wrong in her shop.
11:51Oh, I see.
11:52Sorry.
11:55Oh, Lord, look at the time.
11:56I must dash, otherwise they start worrying.
11:58I do.
11:59Special bunch.
12:02Special branch.
12:05Yes, it's all incredibly tedious.
12:08They have to protect us.
12:10Well, Daddy mainly.
12:12Well, is he a super branch?
12:13I know he's silly.
12:15He's...
12:16Oh, he's terribly boring.
12:19He's the Duke of Mailbury.
12:24Duke of Mailbury?
12:25Yes, I said it was terribly boring.
12:28Look, I must dash.
12:30See you tomorrow at the National.
12:32Yeah.
12:35Cushty.
12:36Ciao.
12:45Mailbury.
12:47Mail...
12:48Mailbury!
12:49I don't know why you couldn't have left it till tomorrow.
13:01Oh, leave it out, will you, Albert?
13:03You've done more whining than a bleeding spin dryer.
13:06Rodney's back, dear boy.
13:09Someone must have paid the ransom.
13:13Hmm.
13:14And where have you been?
13:16I went down the library.
13:17What for?
13:19Well, see, if my shoes was done, what do you think I went down the library for?
13:22Oh, I went to get a book, didn't I?
13:25Books.
13:26Teach yourself, book, is it?
13:28It is a genealogical and heraldic history of British peers.
13:33I'll tell you this much, Rodney.
13:34You ain't gonna get no wages at the end of the week.
13:36Oi.
13:36Oi, come on, Del.
13:38That bird I was talking to in the market, I said I'd take her out tomorrow and I'm potless,
13:42ain't I?
13:42Yeah, well, that's your problem, innit?
13:44Oh, well, thanks a bunch.
13:46Oh, that's gonna be right embarrassing, innit?
13:48Especially with her coming from a money background.
13:50Yeah, I know, it's a tough old work.
13:52What do you mean, money background?
13:54Her old man's very wealthy.
13:56Is he?
13:57Well, what's his game?
13:57I've got to tell someone, Del.
13:59But you've got to promise me it's to go none further.
14:02Yeah, no, no, no, no.
14:02Of course not.
14:03Just between us two.
14:04Have you ever heard of the Duke of Mailbury?
14:09The Duke of...
14:11Oh, leave it out, you twonk.
14:13It is God's honest truth, Del.
14:15No.
14:16Del, I cross my heart and hope to die in a cellar full of rats.
14:20What do you mean, that little girl?
14:22I heard that eat.
14:22Honest, it's for real.
14:25Bloody hell.
14:26But it's got to be our little secret, though.
14:28Well, yeah, of course it is.
14:29Did you hear that, Albert?
14:30Look, you know that little sort that Rodney's been chatting up down the market?
14:34What about her?
14:35Her father only owns a pub.
14:38You're pulling my leg.
14:40No, no, it's straight up.
14:41It's the Duke of Mailbury, innit?
14:42It's over Nunheadway, innit, wouldn't it?
14:43No, no, listen.
14:45He don't own the Duke of Mailbury.
14:47He is the Duke of Mailbury.
14:49He's an ability, innit?
14:51You know, he's a peer of the realm.
14:52Oh, leave it out, Rodders.
14:55Look, I've seen a picture of the real Duke of Mailbury in the sporting life.
14:58He owns that horse.
14:59Ampsom Samson.
15:00Second favourite for the Derby next year.
15:02And that little girl, she don't look nothing like him.
15:04She looks like the horse, maybe.
15:06Not him.
15:07She's no more than a new one.
15:09No?
15:10Have a look at that, then.
15:11What?
15:14Blimey, I don't believe it.
15:15It's her.
15:16That's the girl from the market.
15:18Which one?
15:19Which one?
15:20No, look, the one without the top hat on.
15:21She's standing there next to Princess Anne at a rodeo or something.
15:25They're in here and all, right?
15:27Her father, right, is a sort of second cousin to the Queen.
15:31Vicky's in here and all.
15:33Here you are.
15:34Her proper title is Lady Victoria Marsham Hales.
15:38Only child of Sir Henry Marsham.
15:41KBE, MVO, MC and Bar.
15:4514th Duke of Mailbury.
15:49Family home, Covington House, Upper Stansmere, Berkshire.
15:56You ain't had a go at her, have you?
15:58No, I ain't.
15:59Well, you keep your mucky mitts off her.
16:01Otherwise, we'll have her mother round here throwing royal prerogatives all over the shop.
16:05I doubt it.
16:06My mum died in a skiing accident about nine years ago.
16:09All right, then.
16:10Answer me this.
16:11If she is a titled lady, what's she going out with him for?
16:14He is giving me the right hand, Bill.
16:16It's all right.
16:17No, listen, Albert.
16:19No, Rodney's got some very nice qualities.
16:21I mean, she may have been smitten by his rakish charms or his boyish good looks.
16:27On the other hand, she could be a posh tart fancying a bit of scrag.
16:30You never can't tell her.
16:35Now, wait a minute, though.
16:36Wait a minute.
16:37Wait a minute.
16:39I got it now.
16:40Got it.
16:41Listen, it's a well-known fact, you know, that every three or four hundred years, the old
16:46aristocracy, they've got to bring in a bit of the old, you know, common stock to water
16:50the old blue blood down a bit.
16:52What?
16:52And they can't do better than that.
16:55Cracking my only head in a minute.
16:56No, no, no.
16:56It's all right.
16:57No, no.
16:57Listen.
16:58Listen to me.
16:58I don't care what you say.
16:59I bet you any money you like that her old man has told her to find herself an husband.
17:03And Rodney's in the frame.
17:06Rodney, ask her to marry you.
17:09I won't get married.
17:11Look, just think about it for a minute, will you?
17:14Think of all the advantages.
17:15Listen, that Vicky or whatever her name is, she's the sole heiress of the Maylbury fortunes,
17:20right?
17:21She's got no brothers or sisters.
17:22And the old girl popped her clogs halfway down a giant slalom, right?
17:25So when the old Duke finally says, you know, like, bonsoir to this mortal girl, she'll
17:30become the Duchess.
17:31And do you know what that means?
17:34What?
17:36Now, what?
17:37I'm here.
17:39I want you to remember this moment.
17:41Because we could be looking at the future Duke of Maylbury.
17:45He don't look like a peer of the realm.
17:48Well, no, not at the moment, he don't, no.
17:50But stick a coronet on his head, bit of vermin, get rid of them boots, he's a dead ringer.
17:53That won't be a joke.
17:55Listen, think of all the advantages.
17:58You'll be sitting in the House of Lords.
18:00Yeah.
18:01Well, we can watch you on the telly having a kip.
18:04Look, me and Vicky, well, we're more mates than anything else.
18:09We have one mutual interest, art.
18:12Other than that, we're worlds apart.
18:14I mean, she wants us to go to places like, well, the opera.
18:18Why, what's on?
18:19Carmen or something.
18:20It's a gala performance.
18:22Why don't you take her, then?
18:23Where do I do that?
18:24I don't know the first thing about operas.
18:26And besides, it's impossible to get tickets, innit?
18:28If you want tickets, you shall have tickets, cinders.
18:33Now, from Limpy Lion Order, tickets out.
18:37You can get tickets for anything.
18:38Good to cost, Del.
18:41What does money matter?
18:43What does money matter compared with little Rodney's happiness?
18:46I still don't understand how you managed it.
18:50Even Daddy couldn't get tickets for tonight, and he tried everywhere.
18:54Oh, it was nothing, really.
18:56I have, let's just say, contacts.
18:59I hope they're not forgeries.
19:15Good evening, Lady Victoria.
19:16Hello.
19:16Thank you, sir.
19:24Thank you, sir.
19:25Have a nice evening.
19:27Oh, yeah.
19:28All right, thank you.
19:29Thank you very much.
19:31I'll get some programs, shall I?
19:37Uh, two programs, please.
19:39That's eight pounds, sir.
19:41Oh.
19:43All right.
19:46Rodney, I know you'll think I'm a frightful old boy,
19:54but you know you've invited me to a soccer match on Saturday.
19:57Yeah?
19:57Well, I'm afraid I'm going to have to cancel.
20:01Oh.
20:02Oh, worse.
20:03That's no problem, okay?
20:04Well, I must go home, you see.
20:06Daddy's invited a few friends down to the estate for the weekend.
20:09A shoot and then dinner.
20:10I simply have to be there.
20:13I am the lady of the house these days.
20:15Well, that's all right.
20:16I understand.
20:19Would you like to join us as my guest?
20:23Oh.
20:25Um.
20:26Well.
20:27You could stay overnight.
20:29And then on Sunday, I'd take you for a wonderful lunch at our little local.
20:32Uh.
20:35Yes.
20:36Thank you, Vicky.
20:37I'd love to.
20:38Oh, that's super.
20:44Sorry, Vicky.
20:45Can I get you a drink?
20:48A very dry white wine and soda, please.
20:50I won't be a minute, then.
20:52Ah.
20:52Ah.
20:59Um.
21:00Could I have two very dry white wine and sodas, please?
21:03It's all right, kids.
21:04Great.
21:10Rocky?
21:11Brothers?
21:14It's all right.
21:15Excuse me.
21:15Excuse me.
21:16Ah.
21:17All right, bruv?
21:17I was getting a bit worried, you know, the whole time.
21:19I was creeping on there.
21:20All right, darling?
21:21Yeah, they reckon it's going to be a good one tonight.
21:23Oi, John, when you finish your dinner break, can we have some service up here?
21:28He is already serving me.
21:30Who is he?
21:31Oh, right.
21:31Oi, Cooper, Libra, in there, for moi, all right?
21:35Dale, what the bloody hell are you doing here?
21:37Oh, that's charming, that is, isn't it?
21:39That's charming.
21:41Well, there were four tickets, right, up for grabs.
21:43You know me, I love a bit of opera.
21:46You?
21:47The only opera you've ever seen was Tommy, and that was on video.
21:51What?
21:51Oh.
21:53Um, Victoria, this is my brother Derek.
21:55Oh, hello.
21:56How nice to meet you.
21:57And you.
21:57And may I say, Victoria, how particularly lovely that you are looking tonight.
22:05I didn't realise that you were going to be joining us.
22:08Oh, yes.
22:08Well, there were four tickets available, you see.
22:10And I bought them all.
22:11Hmm?
22:12Oh, yes.
22:12Rodney bought them all.
22:13Well, that's him, you know.
22:14He's generous to a four.
22:17Well, cheers.
22:17I don't believe it.
22:23What don't you believe?
22:25Look, this is the Theatre Royal, Drury Lane, right?
22:29And somebody has ordered a kiss a grain.
22:32There you go.
22:33We are.
22:33Er, there.
22:37You saucy git, that's my bird.
22:41Don't it, I ain't.
22:42It is, it's Juney.
22:44You know June, she lives over in Zimbabwe house.
22:46I think I'll have to go out with her don't ask.
22:50Oh, I know.
22:50Don't worry, she won't say a word.
22:53Oi, Juney!
22:55Here, girl.
22:57I'm not sure where you've got to.
23:00Them cars is enough posh.
23:02Yes, well, you always go to the best place even with me, sweetheart.
23:06Oh, allow me to introduce you.
23:09Lady Victoria, I want you to meet June Snell.
23:14Good evening, June.
23:15Hello, you all right?
23:19Lady Victoria, remember?
23:22Oh, yeah.
23:25It's a great pleasure to meet you, Mum.
23:34Oh, no, please.
23:35I mean, it really isn't necessary.
23:37No, no, no, no.
23:38Please, Victoria.
23:39Juney likes to keep herself in perspective, don't you, girl?
23:42Oh, yeah, I think it's best.
23:45Oh, of course, you know Rodney, don't you?
23:47Whatcha?
23:47Whatcha?
23:49He used to go out with my daughter, Debbie.
23:54Sue, you're an opera buff as well, are you, June?
23:57I saw one once on BBC Two.
24:00Our telly had gone up the wall.
24:01It was the only channel we could get.
24:03It was that world-famous foreign bloke singing, weren't there?
24:05Oh, yeah, wonderful voice.
24:07Oh, yes, very talented.
24:10Great big fat git, weren't he?
24:12Yeah, you could not put a song across, though, couldn't you?
24:14Of course, this is my most favourite opera, this one, you know, Carmen.
24:20Oh, love it.
24:22Figaro, Figaro, Figaro, Figaro.
24:25Um, that's from the Barbara of Seville.
24:28Oh, of course it is, of course it is.
24:30I don't know what's the matter with me.
24:31Now, I always get those two mixed up, you know, the Barbara of Seville and Carmen.
24:34Well, Carmen's an air dryer, isn't he?
24:37Yeah, well, of course it is, yeah.
24:43God, he's rung that one early, hasn't he?
24:45We've got time for that one, haven't we?
24:46So, what's that?
24:47White wine and soda, June?
24:49Oh, Benedictine and lemonade.
24:53Excuse me.
24:54It's better simply to tell the audience that the performance is about to begin.
25:02Oh, yeah, we knew that.
25:03Oh, yeah, knew that.
25:05I really think we ought to be taking our seats.
25:09Right, well, may I?
25:17Right, come on.
25:18Come on.
25:20It's a blinding opera, isn't it?
25:43It's all right, I suppose.
25:45It don't get going, does it?
25:49Well, it's supposed to get going.
25:51I mean, it's culture.
25:53But you don't come to an opera to enjoy it.
25:56You come because it's there.
26:00Oh, I didn't know that.
26:02Oh, yeah.
26:03Shh.
26:04What's that about?
26:08I don't know.
26:09Maybe there's someone talking somewhere.
26:12Maybe.
26:14Some people have got no protocol.
26:16I know.
26:17I've got a few licorice of soap left.
26:24What if you've got one with hundreds and thousands on it?
26:27Only one.
26:28Oh.
26:32Let's have a look.
26:32Rodney.
26:45Oh.
26:47Do you want a licorice of soap?
26:50Wow.
26:53Vicky.
26:54Vicky.
26:55Shh.
26:59Here.
27:00There's only a couple left.
27:01We might as well finish them off.
27:02There's no place in this world.
27:05Oh.
27:08Your dear hot friend.
27:11You have my love.
27:16Today.
27:19Where's Dale?
27:21He's gone out to the ice cream lady.
27:25Oh.
27:28The flies free as the bird in springs.
27:32And it is really goes and comes.
27:37One can catch him on the big feeling.
27:40Why waste your time in casting cards.
27:45Rodney.
27:46We're over here, Dale.
27:50Excuse me.
27:52What a tar.
27:52Thanks, girl.
27:53Excuse me.
27:54Oh.
27:54Oh.
27:55Is that your fault?
27:56Yes.
27:56Oh.
27:56Oh.
27:57Oh.
27:57It's an insult.
27:58Oh.
28:06Rodney.
28:07What?
28:10Do you want an ice cream?
28:11No.
28:13I bought you one.
28:15I don't want it.
28:19Vicky?
28:21Yes?
28:23Do you want a ice cream?
28:25No, thank you. I don't eat ice cream.
28:27And I bought it for you.
28:29She don't eat ice cream.
28:31I've never ever liked ice cream.
28:33What am I supposed to do with these two?
28:37Well, you can stick them where the sun don't shine as far as I'm concerned,
28:39as long as you...
28:49I am sorry. I am so, so sorry.
28:52But it wasn't your fault, Rodney.
28:54I'm not blaming you, and you shouldn't blame yourself.
28:57No, but if...
28:59Oh, God.
29:01A breath of fresh air, madam.
29:09Feel as right as rain.
29:11Thank you very much, Doctor.
29:18Well, the Phantom of the Opera strikes again, eh?
29:20Still, I don't suppose it's the first time someone's been sick in there, eh, Victoria?
29:23I honestly don't know. I haven't read a full history of the building.
29:26Oh.
29:27Well, if that's your bite to eat.
29:29No.
29:30I'm really not very hungry.
29:39Is everything all right, Miss Victoria?
29:41Not really, Eric.
29:42But not to worry.
29:51Oh, well. Come on, Junie. Let's get you back home.
29:54I'm sorry about tonight, dear boy.
29:57I don't know what'll come over me.
30:00Lordy, the woman in front of you.
30:07Is this the shop you was on about?
30:09Yep.
30:10Bill, when you said,
30:11let's go and get some clothes for my weekend,
30:13I thought you meant we'd pop down to Solbros in Ballham
30:15for an airy shirt or something.
30:17I didn't realise I'd get dressed up like a free-range wally.
30:20Listen to me, Rodney.
30:22I'm not having you going down to Covington House
30:24decked out like a Bob Geldof look-alike.
30:28I mean, have you had a look at yourself recently?
30:31I've seen wounds dress better than you.
30:34I'm not having anyone look down on you.
30:36You're as good as them and I want them to see that you are.
30:39I appreciate that, Del, and thank you.
30:42But putting me in a pair of green wellies
30:43will not turn me into Archduke Ferdinand.
30:46I will be Rodney trottering a pair of green wellies.
30:49And that is another thing...
30:51Can't do that.
30:52Another thing, they're having a shooting party, aren't they?
30:54I disagree with Bloodsports.
30:56Do me a favour.
30:58You'll never hit one of them grouse things.
31:00They're fast.
31:01Tell him you've got a wart on your trigger finger.
31:04Ain't that say nothing about warts, Albert?
31:07The old Duke would love that, wouldn't he, eh?
31:08His only child marrying someone covered in warts.
31:11Don't you say nothing about warts, Rodney?
31:12No problem, I assure you.
31:13I have to go, Sir Alan.
31:17Something's just come in.
31:19I mean, up.
31:21Goodbye.
31:23Good afternoon, gentlemen.
31:25May I help you?
31:27Well, I hope so.
31:28I want to buy some gear.
31:29I see.
31:30And what is Sir's pleasure?
31:33Well, birds and curry, I suppose.
31:36I want you to tog him out for a weekend in the country, right?
31:39That's the acking jacket, stout brogues and all the exes.
31:43Now, look.
31:44Got a monkey there.
31:45That should cover it.
31:47Yes.
31:48Yes, of course.
31:50If you'd like to come this way, sir.
31:52Right.
31:53Come on, Rodney.
31:54Let's sort this out.
31:55Of course, he's got some very strange measurements, you know.
31:57Pull!
32:00Good shot, Sir Grace.
32:01I was rather pleased with that myself.
32:03Are you hungry?
32:10Oh, no, no, I'm fine, thank you.
32:12Well, there's plenty to eat.
32:14Well, perhaps I'll have some in a moment, thank you.
32:17Well, what do you think of it so far?
32:20Oh, very interesting.
32:21You know, I'm really enjoying myself, thank you.
32:24Rodney, you keep on saying thank you.
32:28Do I?
32:29Yes.
32:30I just thought I'd mention it.
32:32I hope you don't mind.
32:33No.
32:34Thank you...
32:35Sorry.
32:36Don't mention it.
32:38I said that one on purpose, though.
32:40I know you did.
32:42Have you ever used a double-barreled before?
32:47Oh, I...
32:48No.
32:49No.
32:50Well, I had an air gun, you know, when I was a kid.
32:52Would you like to come?
32:54No.
32:55No, you're all right.
32:56I'll just watch.
32:57You're such an old stick in the mud.
32:59Daddy?
33:00Do you have a gun there for Rodney?
33:02Uh, yes.
33:03Yes, of course, darling.
33:04Patterson, let's have that purdy there, will you?
33:06Yes, Your Grace.
33:08Have you done this sort of thing before, Rodney?
33:10Uh, no.
33:11Well, I'll just watch, if you like.
33:12Oh, nonsense, nonsense.
33:13There's nothing to it.
33:14Now, look, this is what you do to load it.
33:16You close the gun, right?
33:17There's a safety catch.
33:18You let that off.
33:19Both triggers.
33:20Now, what you do is keep this close in because of the kick,
33:22and then get the two balance.
33:23Get both eyes open, cover it, and then fire.
33:25All right?
33:26All right?
33:27Oh, all right, yeah.
33:28Thank you, Your Grace.
33:29Oh, Henry, Henry, please.
33:30Henry, thank you.
33:31Would you like these?
33:32Oh.
33:33Yeah, thank you.
33:49What do I say to him?
33:50No!
33:51What did he do?
33:52What?
33:53What did he do?
33:54Victoria!
33:55Put the gun!
33:56Put the gun!
33:57Put the gun!
33:58Put the gun!
33:59Don't hurt me!
34:00Put the gun down!
34:01Look, I'm sorry, old boy, but when you have a gun,
34:05you never, never point...
34:06I just realized what I did.
34:08I'm sorry.
34:09Sorry.
34:10Yes, well, it's probably my fault.
34:11I'm sorry.
34:12I should have told you.
34:13All right?
34:14Like that.
34:15Now, when you're ready, just say pull, and then...
34:18Yes, all right?
34:19Pull, right.
34:20Yes.
34:22Pull!
34:29Pull!
34:41Is he of a nervous disposition?
34:43Not as far as I know.
34:45Would you like me to take that for you, sir?
34:48What?
34:49Oh.
34:51Well, that was a jolly good try, Rodney.
35:00Well, that was a jolly good try, Rodney.
35:04Are you all right?
35:05Yes, thank you.
35:06You seem somewhat shocked.
35:07It wasn't the gun, was it?
35:09No.
35:10No, I'm fine.
35:11I'll get you a drink.
35:13Come on.
35:14Come on.
35:15Where are you?
35:16I know you're out there somewhere, you three-wheel jello.
35:17I know you're out there somewhere, you three-wheel jello.
35:21I'm sure it was there.
35:22Thank you, Rodney.
35:24No, no, I'm fine.
35:25I'll get you a drink.
35:28Come on, where are you?
35:33I know you're out there somewhere, you three-wheel jello.
35:36I'm sure it was there.
35:51I saw it.
35:55Tally-ho there, Rodney!
36:19Good morning, tally-ho there.
36:22Couldn't have picked a better day for it, could you?
36:24Come away!
36:28Hello again.
36:29I didn't expect to see you here.
36:31Oh!
36:32Well, I didn't expect to see me here.
36:34And I didn't expect to see me here, either.
36:37I was supposed to be Darren Elysium playing in a quib championship.
36:41Still of that, he drags me all the way out to bloody Berkshire.
36:44Oh, cheers, darling.
36:46I needed that.
36:47Mmm.
36:48Mmm.
36:49It's lovely.
36:50Listen, let me explain what happened, right?
36:52Well, I was tidying up the flat, and guess what I found in one of the wardrobes, eh?
36:58Only his evening suit.
37:01Well, I thought to myself, he's left it behind.
37:03He can't go to dinner dressed like that.
37:05So I had no option but to drive it down here.
37:08Oh, I see.
37:09Well, that was very nice of you, wasn't it, Rodney?
37:13Yeah.
37:14Daddy!
37:15You bloody liar.
37:16I packed my evening suit.
37:17I packed it my...
37:18I...
37:19I packed it myself, personally.
37:20I couldn't have done, because I had to get back in the wardrobe.
37:21Because you took it out of my suitcase after I'd packed it.
37:23Now, why would I want to do a thing like that, eh?
37:24As long as you could bloody well come down here.
37:26No, I didn't.
37:27Daddy?
37:28This is Rodney's brother, Derek Trotter.
37:30Derek, I'd like you to meet my father.
37:32No introductions necessary.
37:33I recognise your photograph from a sporting life.
37:35Tell me, how's, er, Amson Sampson?
37:36Has he got over that fatlock sprain yet?
37:37Yes, he's doing very nicely, thank you.
37:38Ah, good.
37:39And what about a derby next year?
37:40You know, will he be trying?
37:41Trying?
37:42Mr. Trotter, it's a derby.
37:43Everyone will be trying.
37:44Ah, good.
37:45As long as no word to put my money, your grace.
37:46Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
38:01Victoria tells me you've driven all the way down from London with, er, Rodney's dinner jacket.
38:06That's jolly decent of you.
38:07You must be exhausted.
38:08Well, I am cream cracker, your grace, but don't worry.
38:11I'll just mooch around here until I get my strength up for the journey back.
38:14Yes, well, do.
38:15Make yourself at home, won't you?
38:16And if you're around later, I'm sure, cook will provide you with something to eat.
38:19Oh, stay for dinner.
38:20Ah, well, pas de deux.
38:22And as luck would have it, as I was getting Rodney's evening suit out of the wardrobe, mine came along with it.
38:28So I've got all my gear here.
38:30Dinner, yes.
38:34Patterson, will you set another place for dinner tonight, please?
38:38For this gentleman?
38:39Yes, Patterson.
38:40Of course, your grace.
38:41Well, that's very civil of you.
38:43Thank you very much.
38:45Ah.
38:46Would you mind if I had a pot shot?
38:50Er, no, no, of course not.
38:52Patterson, can I have a gun for Mr Trotto, please?
38:55No need, no need to.
38:56I have brought my own weapon.
39:04Would you like these, sir?
39:07No, I can't listen to music while I'm shooting.
39:12Right, ready when you are, John.
39:14Do you mean Paul?
39:15Oh, sorry, Paul.
39:16In your own time, my son.
39:17I'll be all right when I get me eye in.
39:32Oi.
39:33Where did you get that gun from?
39:34Iggy Higgins.
39:35Iggy Higgins robs banks.
39:36No.
39:37But it's Saturday.
39:38Look at that, Rodney.
39:40Hey, what a sight, eh?
39:41Makes you proud to be British.
39:43Oh, look at that.
39:45What a sight.
39:46Eh?
39:47Makes you proud to be British.
39:49Oh, look at that, Rodney.
40:00Hey.
40:01What a sight, eh?
40:03Makes you proud to be British.
40:06Makes you proud to be British.
40:08They know the difference between cucumber sandwiches
40:11and an egg on toast this lot, doesn't they?
40:15All right.
40:18Spend it.
40:20Derek, Derek.
40:21Listen.
40:23I was nervous enough about this weekend,
40:26and that was without you being here.
40:28But you arrived,
40:31and your presence alarms me.
40:33Hey, what I'm trying to say is
40:36behave yourself, eh?
40:38Please.
40:39All right, all right, Rodney.
40:41Listen, I want you to know something.
40:42No matter what happens tonight, right?
40:45I'm doing it for you.
40:46All right.
40:48What do you mean?
40:49What's going on?
40:50Nothing, nothing.
40:52What are you going to do for me?
40:53Nothing.
40:54I'm just going to help you make a good impression.
40:56Look at that.
40:57Look.
40:58We've got a cremated month of British nobility down there.
41:01Look at that, mate.
41:03There's no-one down here lower than a dower gut.
41:05What do you mean to think that we're...
41:07We're just the hoi polloi?
41:09No.
41:11We're going to be on our bestest behaviour tonight.
41:13Right.
41:14So we all agreed on that, then?
41:16Right.
41:16All right?
41:25You in?
41:26Evening.
41:27Evening, did you?
41:28All right.
41:29Thank you, John.
41:40All right, Henry?
41:43Good evening.
41:44Good evening.
41:47Is that a Da Vinci?
41:50No, it's not.
41:52Ah, what a shame.
41:53Because he's my most favourite artist.
41:54That is a Pissarum.
41:59Oh, I don't know.
42:00It seems worse.
42:05Keep your eyes on those peas, Shirley.
42:10There you are, Albert.
42:13Thank you very much, Mrs Miles.
42:15Here, I'll give you a word of warning.
42:17Don't give Mr. Trotter any peas.
42:19They go everywhere.
42:21I'll tell Mr. Patterson.
42:25Who are your people, Albert?
42:27They're not people.
42:28They're my nephews.
42:30So they're not of noble birth, then?
42:33Noble?
42:34The nearest them two who had gotten the nobility was their great Uncle Jack.
42:37He was a tobacco baron.
42:40The noisy one is a fly pitcher, and the young one's his apprentice.
42:44So that's what you lot do, then?
42:46Sell things on street corners?
42:49Not me, madam.
42:50I was a career man.
42:52I was in the Navy for 30 years, man and boy.
42:56I thought, in the back of the Atlantic, back of the Pacific, Russian convoys, you name it,
43:01I was there.
43:02Oh, I bet you could tell a tale or two, eh, Albert?
43:05Never talk about it.
43:08Thanks.
43:09I remember once we was in the South China Sea.
43:12Hey, we knew there were mines about.
43:14You see, and this...
43:15That little fella out there is really knocking back the champers.
43:18He's had nearly three quarters of a bottle to himself already.
43:21He keeps talking about Leonardo da Vinci.
43:23It's like you knew him.
43:24Oh, dear.
43:24Oh, Patterson, give us a little topperoonie, will you, pal?
43:27Ha, ha, ha.
43:27Cheers.
43:28Go on, my son.
43:30Yeah.
43:32Oh, well.
43:33Now, would you leave that wine alone?
43:36You're hitting a star of Bengal now.
43:38I just enjoy myself, that's all.
43:40Ha, ha, ha.
43:41Oh, no, but when you enjoy yourself, nobody else does.
43:46Trust me, Rodney, trust me.
43:49They're reaching the point in the evening when I'm going to project you.
43:55Oh, look, I do not want to be projected.
43:57Have you got that?
43:58I want to stay extremely unprojected.
44:01Henry, who's that young chap of Victoria?
44:16Oh, he's just a friend.
44:19She met him in a street market.
44:20She's going through her working artist stage of the night, just like her mother, bless her.
44:25It's just a phase, you know.
44:27She often brings these colorful characters down for the weekend.
44:30Do you remember that chap who looked like a gypsy, arrived with a bull terrier and a stolen escort?
44:36Oh, yes.
44:37Yes, he beat up Patterson in the library.
44:40Oh, yes.
44:41Well, anyway, this chap, Rodney, Rodney, he's an artist, too.
44:46And the other fellow, his brother?
44:50He's the biggest artist of them all.
44:53Henry, is that a da Vinci?
44:58No.
44:59Nice, though.
45:00I think he's a little drunk.
45:04He's always been a little drunk.
45:06That was a blinding meal at your ladyship, wasn't it, eh?
45:09Yes, excellent.
45:10Yeah, what did you have, the fessant?
45:12Yes, fessant.
45:12Yeah, well, I had the quails with peas and gravy.
45:16So you did.
45:18Tell me, it's Trotter, isn't it?
45:21Yes, that's right, but me friends call me Del.
45:24I see.
45:25Tell me, Trotter, how do you come to know Henry?
45:30Oh, Henry, Henry.
45:31Oh, yeah, well, his daughter, the tricky one here in the blues,
45:35is getting engaged to my younger brother, Rodney.
45:39Engaged?
45:40Keep it under your terrara, huh?
45:42We don't want the media to hear about this.
45:44Remember what happened to Andrew and Fergie?
45:46They couldn't even fart without it being a newsflash.
45:49Could they, eh?
45:51Oh, there he is.
45:53Ah, good man.
45:56Whoops.
45:56Hello.
45:57You've drawn a blank there, you ladyship.
45:59Never mind.
46:00I expect your cariff will be coming along in a minute.
46:02Here we go.
46:04Slow to mine, if you like.
46:05I was in the life raft about to 20 yards from him.
46:11Cariff was so strong, poor, did you?
46:13It was awful.
46:15Well, that story will haunt me to the day I die.
46:19I know the feeling.
46:22These are nice, Victoria.
46:24What are they, Raven Eilishly?
46:25Oh, no, it's Stowbridge Crystal.
46:27Well, it's been in the family for generations.
46:29Oh, nice.
46:30All right.
46:33Look at that, that's nice, isn't it, eh?
46:38What a craftsmanship, that.
46:40Here, Henry, this knife.
46:41It is not a da Vinci.
46:45Short in silver, though, I wager.
46:47Yes, they were made by William Cordhill in 1648.
46:51They come up well, though, haven't they, eh?
46:54Of course, me and Rodney, you know, we're involved in cutlery.
46:58Well, it's canteens of cutlery, par excellence, actually.
47:02Actually, I've got some in the van.
47:05I can pop out and get you and some for you, if you like.
47:06Deal.
47:07Eh?
47:08Just leave it, eh?
47:10All right, all right.
47:12Which part of London are you from, Rodney?
47:16Er, Peckham.
47:19Really?
47:20Not too far from me.
47:21I have a flat in Chelsea.
47:23Rodney's taking me to Stamford Bridge to see someone play soccer.
47:26Oh, you're one of the faithful.
47:28I'm a blues fan myself.
47:30Have you taken a box?
47:32Er, he doesn't need a box, does he?
47:35He's tall enough to see, isn't he?
47:50That Rodney.
47:52Rodney, he had a great future, you know, as an athlete.
47:55In fact, the headmaster of his university wanted him to go on to the Olympics.
48:00Hmm?
48:00Really?
48:01But he said, no, no, no, no.
48:02He said, no, because he wanted to concentrate on his business.
48:05Because that is where his true talent lies, there.
48:08I mean, he's a future whiz kid.
48:10Yeah.
48:10Well, he's got two GCEs.
48:13Well, uh-oh.
48:15Best time next year, he's going to be a millionaire.
48:17That's very nice to hear.
48:20Which university were you at?
48:23Rodney was at an art college, Daddy.
48:26In Basingstoke.
48:27Oh, yes, I've heard very good things about it.
48:34How long were you there, old chap?
48:37I had three weeks.
48:41Weeks?
48:42Well, I left for personal reasons.
48:48Weren't his fault.
48:50They weren't his drugs.
49:05Now, listen to me, trotter.
49:07Are you still staying overnight?
49:12Or not?
49:22Yes.
49:24I want you and all your kith and kin out of my house and off my land now!
49:31We don't want to talk about the arrangements.
49:33Arrangements?
49:34What arrangements?
49:34Oh, for Victoria and Rodney's wedding.
49:37Wedding?
49:38Wedding?
49:38What do you mean, wedding?
49:40Oh, well, hey, hang on, Henry.
49:43Oh, no, don't tell me that no one's told you.
49:45I hope I haven't gone and spoiled a wonderful surprise.
49:48A wonderful surprise for whom?
49:50Oh, for you.
49:51Yeah, I thought, you know, we might make the announcements in the Times,
49:56the Country Life and the Pec-a-Bec-o.
50:00What do you think, eh?
50:01I don't believe what I am hearing.
50:06My daughter is marrying no one.
50:08In two months' time, she is going to America.
50:10She is doing a year's course at the New York School of Art.
50:15Well, they're probably going to take that in on their honeymoon.
50:17What?
50:18Two months?
50:19Cool, we're going to have to book the old cathedral a bit lively, don't we?
50:21The only thing that you will be booking is a bed in intensive care.
50:26Your brother is not, I repeat, not marrying my daughter!
50:33Well, just a minute, Henry.
50:36We're not just a couple of yippity-oys.
50:38I mean, we know how to conduct ourselves.
50:41In fact, there is a rumour going around that we are related to the Surrey Trotters.
50:45I don't care if you are related to the Surrey Trotters or to the Berkshire Trotters or to the Harlem bloody Globe Trotters.
50:53I want that young man out of my daughter's life!
50:55I don't know how you're going to do that, because that Victoria seems pretty stuck on him.
51:04Well, I will find some way of unsticking her.
51:07I have no fear of that.
51:09Well, it's not going to be easy, because I know Rodney and I know him only too well.
51:13I can't think of anything that would make him leave her.
51:16Well, you know, when I say anything, well, it's one thing.
51:21And what's that?
51:22Hmm?
51:23Well, why don't we go into your study and discuss it over a glass of brandy?
51:29All right, come on, come on, come on, in here.
51:31Come on!
51:33Ah!
51:34And what is that one?
51:35That's a bloody da Vinci!
51:36That's a bloody da Vinci!
51:53You're trying to make an impression!
52:01Oh, you made an impression, Del.
52:07Well, Rodney, I was trying to make an impression.
52:14Oh, you made an impression, Del.
52:18It was similar to the impression the Americans made at Nagasaki.
52:22Listen, Rodney, just a minute, will you?
52:30For as long as I can remember, Del, it's always been the same.
52:33It's just you sticking your oar in.
52:37What about that time I joined the army, cadets, eh?
52:42And then you discovered the boy I shared a tent with
52:45had a relative who was a big noise in show business,
52:47and, well, that was the end of my military career, wasn't it?
52:51I was going to be a child star.
52:54So I was demobbed and straight into a tap-dancing school
52:57before I could say who goes there.
52:59And that was just an embarrassment as well, just like tonight.
53:03I was the only kid in that school
53:06who never had a proper set of tap-dancing shows.
53:12It's only because your army boots made more noise.
53:15You made more noise at all, right?
53:18I used to make zippity-doo-dah sound like the advance on Leningrad.
53:21You see?
53:24You had to interfere!
53:29And now you've interfered between me and Vicky, haven't you?
53:33You humiliated me.
53:35You destroyed me in front of all them people.
53:39And you ruined my opportunity of sharing a warm and friendly relationship
53:43with somebody I respected.
53:47And on top of all that, Dill,
53:49on top of all that,
53:52I think I've broken my hand.
53:56Shall we look at it, then?
53:57No, just don't wait for it.
54:00Leave me alone.
54:01You even went and told the joke
54:06about the Irish bloke on a skiing holiday, didn't you?
54:13But do you know what the most painful incident
54:16of the entire evening was?
54:19His grace called me into his study
54:21for a little chat.
54:26Said he wanted me to stop seeing Victoria.
54:28Said he wanted me out of her life now and for good.
54:34Do you know he even offered me money?
54:39No.
54:40Yeah?
54:41Well, you can imagine how I felt, can't you?
54:43Well, yeah.
54:45Horrible, Rodney.
54:46He must have felt really horrible.
54:49Well, I would have told him what he could do with his money.
54:51I did, son.
54:52Good boy.
54:56What?
54:57You said nitto to a grand?
55:00Yes, I did.
55:03I'll still have some of my self-esteem left in...
55:06How did you know he offered me a grand?
55:12Aye?
55:14How did you know he offered me a thousand pounds?
55:18Well, it's about the going rate
55:20to get a plonker out your daughter's life.
55:22You arranged it, didn't you?
55:25No.
55:26No, not actually arranged it.
55:30Look, them sort of people,
55:32they're looked after by the special branch in MI6.
55:35Don't you think that when they ran your name
55:37through their computer
55:38and found out that you'd got a conviction,
55:40if you'd refused to get out of Vicky's life,
55:42well, they would have sent a hit team?
55:44You would have been brown bread, brother.
55:49I thought to myself,
55:50well,
55:51grand on a hip is worth more than a
55:53poison umbrella up your jacksie, innit?
55:56But you turned it down, didn't you, dipstick?
55:59Yes, I did.
56:01Dale, I...
56:02I refused to become a lock number
56:04in one of your auctions.
56:06But you can't understand that, can you?
56:08You just can't understand.
56:13Yeah, of course I can understand, Rodney.
56:17Look, I'm...
56:19sorry I hurt you, Rodney.
56:23Come on, don't hate me, please, brother.
56:27Don't hate you.
56:29I don't bloody like you.
56:35Well, that'll do me, Rodney.
56:38Put it there.
56:45Now, what are you?
56:46What are you, eh?