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  • 2 days ago
First broadcast 10th/17th/24th January 1993.

Mental patient Joe is saved from jumping under a train by Sandor.

Michael Sheen - Joe
Valerie Hunkins - Nurse
Jane Lowe - Iris
Ian Lindsay - Derek
John McArdle - Paul Garnet
Harriet Owen - Jessica
Paul Rhys - Sandor
Zoe Hilson - Sales Assistant
Arkie Whiteley - Nina
Gary Waldhorn - Ralph Apsoland
Claire Hackett - Tilly
Deobia Oparei - Neville (as Dhobi Oparei)
Maryann Turner - Landlady
Merelina Kendall - Librarian
Trevor Cooper - Stan
Susan Porrett - Doreen
Barbara Hicks - Joan
Giorgio Conti - Prince Piraneso
Bruno Scipioni - Adelmo
Paolo Giovannucci - Cesare
Stefanie McFeat - Debbie
Arkie Whiteley - Nina
Alan Palmer - Vic
Nerys Hughes - Diana
Charlotte Barker - Hairdresser
Mariella Minnozzi - Maria (as Mariella Minnozze)
Pietro Genuardi - Colombo
Eryl Maynard - Receptionist
Richard Syms - Hotel Manager

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TV
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00:32:08Patrick, and my heart is on my sleeve, but a lady stole it from me on St. Gallo
00:32:14Glass's Eve. What was that? Gallo something? Didn't you tell me you were half Irish,
00:32:22little Joe? In ancient Ireland, the Gallo Glass was the chief's servant. Is that me,
00:32:29then? The Gallo Glass? Is that what I am? If you like.
00:32:38Tomorrow we move closer.
00:32:52You're locals here, aren't you? I don't know of any cottages to rent in the area.
00:32:59Cottages? Yes, I heard there was one at the big house. What's it called? Jared?
00:33:03No, it's not from the Jared's. Their chauffeur's got that. Mr. Garnett.
00:33:07I can't think of any vacant cottage these parts. So the, um, Jared's place is left permanently,
00:33:14then, to the chauffeur's family? Well, there's only him and his daughter, Jessica. Nice little thing,
00:33:19isn't she, Stan? The wife works up there. There's a bit of domestic. I'd rather she didn't,
00:33:23but she likes her independence, don't you, girl? There's nothing to rent up there.
00:33:27Can I get you both a drink? No, no, no, no, please. So it's Stan. And... Doreen. Doreen.
00:33:42How did you pay for it? Where? My mother's. I conned the spare one.
00:33:49She'll be mad. She doesn't know. And when she does, where will she find me?
00:33:55Sheesh! It's brighter than a traffic light. This resprays because you haven't been doing
00:34:02your job properly, little Joe. I'll need you to do better this time. All right.
00:34:12Are we being followed? I don't think so. Why do you ask? We keep looking in the mirror
00:34:25with a grave expression. The other day I thought we might have been, but I was mistaken.
00:34:30It's easy to get neurotic, isn't it? My husband sees burglars and bag snatchers in every crowd.
00:34:36If his own mother called, he'd demand an ID. It's made me worse.
00:34:41Ralph is the very essence of caution. You could call it paranoia. He lives it. That's why I'm...
00:34:52He chose you out of 25 applicants. He has a whole team of private detectives vetting everyone.
00:34:59You went to those lads? I shouldn't have told you. Are you angry?
00:35:03It's not my place to be angry, is it?
00:35:06What would you do if you were offered money to betray me?
00:35:17What?
00:35:18I said if you were offered money to betray me.
00:35:20I don't understand.
00:35:22You'll know when it happens.
00:35:24Do you mind if I say something?
00:35:26What?
00:35:27I think your husband's paranoia is rubbing off.
00:35:34I mean, when was the last time there was even a burglary in the village?
00:35:37I don't know if you've been told, but that switched their locks, all the windows and doors, in one go.
00:35:53No!
00:36:10Not every man's a thief or a rapist, Mrs. Upsley.
00:36:13Please, call me Nina. I hate to be called Mrs.
00:36:20I knew I'd have to tell you sometime.
00:36:22Tell me what?
00:36:26It's just that it's hard for me to talk about.
00:36:31I was kidnapped once.
00:36:33That's why I'm so nervous.
00:36:37You haven't answered my question about betraying me.
00:36:39I'm just your driver. There's no question of that.
00:37:04Look out at me.
00:37:05Listen, Ralph is going to an agricultural show on Saturday, and I need to visit Alba briefly.
00:37:12Why don't we take Jessica to the seaside for the afternoon?
00:37:16I don't know. I'll have to ask her.
00:37:24It would be nice to spend some time with her. I don't know any children.
00:37:26I don't know any children.
00:37:39Now this is the best thing anybody ever gave me. I'm going to keep it forever.
00:37:44Only guaranteed for a year.
00:37:45Hello. Just arrived.
00:37:51Oh, you're going to have a jolly good time, aren't you?
00:37:56We'll eat in style tonight. Somewhere smart. I'm sick of slumming it.
00:38:00When it was all over, the old man had a heart attack.
00:38:06Is it a shock?
00:38:08Strain would be a better word. The kidnappers held the princess for three weeks.
00:38:14When the prince stalled on the ransom demand, they sent him a whole fingernail with dried blood at the root of it.
00:38:19The younger Italian was a medical student. He got it from a corpse.
00:38:26And all the time, she was chained up in a tent.
00:38:32It was a very long chain. It didn't hurt.
00:38:36Everything all right, sir?
00:38:38Very good, thank you.
00:38:42She only saw the foreigner.
00:38:44They talked. The princess and he talked for hours.
00:38:51He brought her meals.
00:38:53Waited on her as though he were a servant.
00:38:56She slept a lot.
00:38:58Worried about her husband or said she did.
00:39:04The kidnappers sent Piraneso another tape and instructions about what he should do next.
00:39:14Very early Sunday morning, the old man was to bring 800 million lira, the sum they'd finally agreed on, to a church in Florence.
00:39:34The church was reached by a trail of clues, placed carefully along the route.
00:39:39He arrived at the church at 7.45 a.m., just after the doors had been opened.
00:40:03Signora.
00:40:09Signora.
00:40:13Come.
00:40:33Signora.
00:40:34Signora.
00:40:35Signora.
00:40:36Signora.
00:40:37Signora.
00:40:38Signora.
00:40:39Signora.
00:40:40Signora.
00:40:41Signora.
00:40:42Signora.
00:40:43Signora.
00:40:44Signora.
00:40:45Signora.
00:40:46Signora.
00:40:47Signora.
00:40:48Signora.
00:40:49Signora.
00:40:50Signora.
00:40:51Signora.
00:40:52Signora.
00:40:53Signora.
00:40:54Signora.
00:40:55Signora.
00:40:56Signora.
00:40:57Signora.
00:40:58Signora.
00:40:59Signora.
00:41:00Signora.
00:41:01Signora.
00:41:02Signora.
00:41:03I have to sequestrate your car.
00:41:18When he came out, the beggar had gone.
00:41:21There was only a note telling him where to find the princess.
00:41:26Where was she?
00:41:27On a train heading for Rufina station.
00:41:33I'd like to write to my sister.
00:41:47Do you think I could?
00:41:48Relatives are a pain in the arse.
00:41:50Not Tilly, she's different.
00:41:52She hates families.
00:41:53And she's had three different ones.
00:41:56And she says she'll never have children.
00:41:57Please yourself, and he don't go on.
00:41:58How can I get Garnet's telephone number?
00:42:05Where were the princess's relatives?
00:42:08In England.
00:42:09They didn't know?
00:42:11Nobody knew.
00:42:12Only the prince.
00:42:14The details were never revealed, and the kidnappers never caught.
00:42:18That's the way it was then in Italy.
00:42:20The rich just paid up.
00:42:21They didn't want the publicity.
00:42:22But, I mean, if it weren't in the papers or nothing,
00:42:25and the prince didn't tell anybody, I mean,
00:42:28how do you know about it?
00:42:32How do you think?
00:42:36I was the foreigner.
00:42:37I was the foreigner.
00:42:44I was the foreigner.
00:42:58I was the foreigner.
00:43:07What's Mrs Abbeyland's Christian name, Daddy?
00:43:23I don't know.
00:43:24What are you doing out of bed?
00:43:26Can you wash my hair, please?
00:43:34Princess.
00:43:34Ten years ago, when she was a top fashion model.
00:43:43At Anasso's funeral.
00:43:47I've kept them all this time.
00:44:03Now you know everything.
00:44:04So let's do it.
00:44:12Who's your friend, Richard, Daddy?
00:44:15I haven't got a friend, Richard.
00:44:16Yes, you have.
00:44:17He rang while I was at Debbie's house.
00:44:19Richard?
00:44:20He said, could he have our phone number?
00:44:23You've talked to him.
00:44:25Stan did first.
00:44:26Then me.
00:44:27He said he was your friend, Richard.
00:44:29And could he have our phone number?
00:44:31So I gave it to him.
00:44:33Stan said I was clever to remember it.
00:44:36How'd he get Stan and Dorian's number?
00:44:38That's what Dorian said.
00:44:40Who is he, Dad?
00:44:41I think he made me somebody I taught at school.
00:44:49I think I should have a solicitor here.
00:44:51Well, shouldn't I?
00:44:55Look.
00:44:58I know it seems stupid.
00:45:00It sounds ridiculous, but I just wasn't taking it very seriously, that's all.
00:45:05Well, well, I would have, but I suppose I had other things on my mind.
00:45:15I'm in a safe.
00:45:16How is this?
00:45:17My grandma told me that she should have been a secret for all night.
00:45:21Daddy was born somewhere in the last day.
00:45:23Was he?
00:45:24We have something in common, then.
00:45:26He doesn't look too happy.
00:45:37We are rather late, I'm afraid.
00:45:39Likes his tea on the table, doesn't he?
00:45:49I've been worried sick.
00:45:51I'm sorry, darling.
00:45:53We were having fun.
00:45:55Fun?
00:45:56See to it you'll collect the photographs and descriptions of the landscape gardens before they arrive tomorrow.
00:46:02There's a good chap.
00:46:03Don't want any mishaps.
00:46:23Indigo, it's ready.
00:46:26Mr. Garnet?
00:46:33Yes?
00:46:33You don't know me.
00:46:35I'm in a position to offer you a large sum of money.
00:46:39You there?
00:46:41What do you want?
00:46:42The princess.
00:46:44The princess?
00:46:44Mrs. Epsiland.
00:46:48We want Mrs. Epsiland.
00:46:50Two hundred thousand pounds, Mr. Garnet.
00:46:55Mr. Garnet.
00:46:57What do I have to do for it?
00:46:58Look the other way.
00:46:59That's all.
00:47:00When you drive her to Cambridge on Thursday...
00:47:02Are you Richard?
00:47:03You'll get the instruction later.
00:47:08I'll give you 15 minutes to think about it.
00:47:10All right?
00:47:10You'll get the instruction later.
00:47:11I'll give you 15 minutes to think about it.
00:47:12He asked me if I was Richard.
00:47:30What are you doing, Daddy?
00:47:46Nothing, sweetheart.
00:47:47Just doing this.
00:47:49I'm getting out soon.
00:47:51Throw yourself in the bedroom.
00:47:53I don't know why I didn't call the police.
00:48:00I was afraid I'd lose everything, I suppose.
00:48:04My job.
00:48:05My home.
00:48:08That Epsiland might take her away.
00:48:22Yes?
00:48:22I gave you an extra five minutes just for good measure.
00:48:26Who are you?
00:48:27Have you thought about it?
00:48:29Leave us alone.
00:48:32I can hardly hear you.
00:48:34Two hundred thousand pounds, Mr. Garnet.
00:48:36The answer's no.
00:48:42I heard.
00:48:51Daddy!
00:48:52What if I could have offered him after, man?
00:48:59He's straight away.
00:49:00We haven't got it, have we?
00:49:02All we've got is a poxy credit card.
00:49:09Shall I try again?
00:49:10Have you got a hundred grand?
00:49:11How are we going to do it, then?
00:49:21The only way now is by force.
00:49:23The only way now is by force.
00:49:23I don't know why I didn't call the police.
00:49:35I was afraid I'd lose everything, I suppose.
00:49:37My job, my job, my home.
00:49:39The Epsiland might take her away.
00:49:42No, I don't smoke, thanks.
00:49:48I thought I could protect them myself.
00:49:54Maybe these cranks would just give up.
00:49:56But what I mean is, at that stage, I thought I could handle it.
00:50:03I'll leave early on Thursday.
00:50:09It will only be a short trip, but I have a range of ten in the village instead.
00:50:13It's imperative to one, though, that those landscaped gardeners be checked every day.
00:50:19Do you understand that?
00:50:22Ah, gardeners.
00:50:23There you are.
00:50:24I have all the details here for you.
00:50:27Details?
00:50:28Of the landscaped gardeners.
00:50:30It will be the same three workers each day.
00:50:32We'll find descriptions inside.
00:50:35Is all this really necessary?
00:50:37I'm sure you have great powers of observation, but we can't be too careful, can we?
00:50:40Good morning.
00:50:43Do you want me to drive you today, Mrs. Epsiland?
00:50:46Today, it's Sunday.
00:50:47I drive my wife on Sundays.
00:50:50Yes, of course.
00:50:52Perfect day for a spot of shooting practice.
00:50:56How about it?
00:50:57We'll shoot clays.
00:50:59I'll ring the range.
00:51:03I'm in a good mood today.
00:51:05I might even let you win.
00:51:13Oh, hello.
00:51:21Hello.
00:51:22There was a telephone call for you from a young lady.
00:51:27Did she leave her name?
00:51:29She said she was your sister.
00:51:31What?
00:51:32You're Jo, aren't you?
00:51:33I'm sorry, she's been a bit upset today.
00:51:47I'm Jo.
00:51:48Is there a message?
00:51:50Only to say hello?
00:51:51I'm much better at a sharper angle.
00:52:17That's right, Mr. Epsiland.
00:52:19You are.
00:52:22You ready, sir?
00:52:23Yes.
00:52:25Swing with the target and keep moving.
00:52:28All right?
00:52:35Bad luck.
00:52:36Try again.
00:52:40Remember, point the gun.
00:52:43Don't aim it.
00:52:44Don't aim it.
00:53:14you allowed me to think you couldn't pop a bloody air gun at a funfair
00:53:21it's been a long time that's all well obviously you've lost none of your
00:53:24tough you made a fool of me out there
00:53:27you should be thankful I'm capable that's what you're paying me for
00:53:32I don't care for your tone actually
00:53:44how much are we going to ask for a million two million what does it matter
00:53:54pounds well of course pounds what do you think I mean lira
00:53:57two million pounds rats so what does it matter how much
00:54:01I've never had a lot of money
00:54:04what did I do with it
00:54:09what did you do with it all before
00:54:12really there thank God I'm tired today little Joe
00:54:16I should have let you dry
00:54:18what have you done to Ralph he's sulking like a schoolboy
00:54:28was there something you wanted
00:54:29no not really no
00:54:32after I visited my mother on Tuesday
00:54:42I do want to go shopping in Cambridge
00:54:43which will mean you hanging around a bit do you mind
00:54:46it's not for me to mind is it
00:54:48I better put these away
00:54:51oh Christ
00:55:04Alex Alex how wonderful what a surprise what a treat I thought you were in Greece
00:55:13airport strike delayed 48 hours
00:55:16yeah well I've just come for some of my suits that's wrong
00:55:19smarten myself up a bit
00:55:20this is my friend Joe Herbert
00:55:23can you give us lunch
00:55:25I see you're making good use of my credit card Alex
00:55:31yes thank you mama
00:55:33well you might as well have it now
00:55:35why wait until I'm dead and gone
00:55:37I've no one else to leave it to
00:55:38why not indulge him
00:55:41while I'm still here and can enjoy giving him the pleasure
00:55:45of course his stepfather might possibly not agree
00:55:48I'll have to take a nap
00:55:50sorry
00:55:51yes you better have a little sleep on my bed darling
00:55:54I'll look after Joe
00:55:55that was delicious
00:55:59thank you Mrs. Wendkamp
00:56:00call me Diana
00:56:02I'm so happy that Alex has found a nice young man at last
00:56:09shall we have some coffee
00:56:11I'll be fine
00:56:13well
00:56:17I'll be fine
00:56:20thank you
00:56:30for all the time
00:56:32I want to take a nap
00:56:33and ask people to get a nap
00:56:34I want to take a nap
00:56:36I want to take a nap
00:56:38I want to take a nap
00:56:40he left me alone for nearly three years and then suddenly about five months ago the letter
00:56:51started coming again threats to kidnapping who knows what he wants there was one last week
00:57:00i don't tell ralph how i feel he'd overreact i keep it from everybody except you why why do you keep it to
00:57:14yourself it was my fault i was to blame because you're driving alone
00:57:30at the time i thought i was losing my mind
00:57:37i'd have promised anything done anything to save my life
00:57:43i can't tell you
00:57:47finally they put me on a train going to ruffinan he traveled part of the way with me
00:57:54they taped dark glasses to my face and tied on a headscarf
00:58:00i don't know what was happening it's completely worn down
00:58:04totally demoralized
00:58:09i didn't know what
00:58:14that's going on it's so gloomy in here
00:58:30so
00:58:35I don't know.
00:59:05We'll meet again.
00:59:11It won't be long.
00:59:18After he'd gone, I was sick.
00:59:21I threw up in the carriage over and over.
00:59:24What did he mean when he said it won't be long?
00:59:28I don't know.
00:59:31Who knows what's in the mind of such a man?
00:59:36You think once you're free it's over, but it's not.
00:59:39How can you live like this?
00:59:43How else can I live?
00:59:49I'm a very jealous mother, Jo.
00:59:52I just can't help it.
00:59:53I couldn't stand to see Alex with another woman.
00:59:55I'm sure you understand.
00:59:59It seems to me you're a very genuine person.
01:00:02I wish I had a mother like you.
01:00:06What's your mother like?
01:00:07My real mother.
01:00:08I don't know.
01:00:09They took me away from her.
01:00:11Oh, poor darling.
01:00:14Have some more brandy.
01:00:15Come on.
01:00:15No, I'm driving.
01:00:18Alex had a nice friend once before, when he was postgraduate in Bologna.
01:00:23Gianni, his name was.
01:00:25Gianni Vianni.
01:00:26It always made me laugh.
01:00:27Gianni?
01:00:28Gianni Vianni.
01:00:30He had a middle name, but I can't remember.
01:00:33Whatever it was, he should have called himself that.
01:00:34What happened to Gianni?
01:00:36Oh, I don't know.
01:00:37His people probably disapproved.
01:00:38You know what these Italians are like?
01:00:39All for marriage and the family.
01:00:42But not me.
01:00:45I'd hoped that Alex and Gianni would be a pair, if you see what I mean.
01:00:50But now he has you.
01:00:53And I'm so pleased.
01:00:59Oh, if only Alex had met you before he went to prison.
01:01:04Things might have been very different.
01:01:06I went to prison.
01:01:08Hasn't he told you?
01:01:09Well, yeah, he does tell me things.
01:01:13Do you know, Joe, I was in labour with Alex for 46 hours.
01:01:18Can you believe it?
01:01:1846 hours!
01:01:20He was my first and last.
01:01:22But he was worth it.
01:01:24Don't you agree?
01:01:26His father was such a handsome man.
01:01:29Well, you can see that, can't you?
01:01:31Dead now.
01:01:31My new husband, Alex, don't see eye to eye.
01:01:35Jealousy, I expect.
01:01:38Perhaps I shouldn't have told you about that prison thing.
01:01:41But it was all such a terrible mistake.
01:01:47He's been very hurt, Joe.
01:01:50You will be kind to him, won't you?
01:01:51So, what did the old bat say?
01:02:07She was really nice to me.
01:02:09I think she's lovely.
01:02:10Jesus Christ!
01:02:12I don't give a shit what you think of her.
01:02:14What did she say?
01:02:15She thinks we're lovers.
01:02:21She doesn't know her arse from Christmas.
01:02:25She mentioned Gianni.
01:02:28Did she?
01:02:31He was just a friend from university.
01:02:33Cesare's brother.
01:02:34Cesare?
01:02:35Cesare, the medical student.
01:02:37Do you want to pull the nail from a corpse?
01:02:39He's a doctor somewhere now.
01:02:41Adelmo was the father.
01:02:46They corrupted me.
01:02:48Nice English boy that I was.
01:02:50Was Gianni your money?
01:02:51Not then, no.
01:02:53Later, he demanded a cut just for introducing me to his villainous family.
01:02:57Did you get it?
01:02:59What do you take me for?
01:03:03Are you pissed?
01:03:05You're driving like a sodding maniac.
01:03:08Sorry.
01:03:11What else did my mother say?
01:03:15Nothing.
01:03:18I think she really likes me.
01:03:19She likes anyone who likes me.
01:03:22It's nothing personal.
01:03:41Joe!
01:03:44Joe!
01:03:44Is it really you?
01:03:47What happened to your hair?
01:03:49Oh, thanks very much.
01:03:50Look at you.
01:03:51You're blonde.
01:03:51Only he didn't recognise you.
01:03:53I can explain that.
01:03:55No, I can't.
01:03:58Look, I don't know what Shanda will say.
01:04:00He might be a bit...
01:04:01Oh, I don't give a bugger.
01:04:03You know, it's you I've come to see.
01:04:05You're looking great.
01:04:06Really great.
01:04:07All down to Brian.
01:04:08What, is he here?
01:04:09No, I told him to shove it.
01:04:11He said if I lost two stone, he'd buy me 500 quids worth of clothes.
01:04:14So I did and then I dumped him.
01:04:17Cheeky sod.
01:04:17So is him right.
01:04:18Well, come on.
01:04:19I want to hear about you.
01:04:20Get in the van.
01:04:21Look, I don't think you can just leave it here.
01:04:22Well, why not?
01:04:23It's a car park, isn't it?
01:04:24Yeah.
01:04:26Who's that?
01:04:28Shandor.
01:04:29Jesus.
01:04:30Is that him?
01:04:31He might be a bit rude, but he don't really mean it.
01:04:34He's going to be a bit rude.
01:04:34He's going to be a bit rude.
01:04:39Hi.
01:04:39Hi.
01:04:40I'm Tilly, Jo's sister.
01:04:42I'll be staying for a day or two.
01:04:45Tilly, this is my friend.
01:04:47Shandor Wynne Clangton.
01:04:49Bit of a mouthful, isn't it?
01:04:54Are you sleeping in this?
01:04:56That's right.
01:04:57we'll have to see if there's a room for you in the guest house
01:05:04no I'm not forking out good money
01:05:05I'm quite happy in the van
01:05:07it's got everything I need
01:05:09has it really
01:05:11so that's Tilly
01:05:17yeah
01:05:18is she with anyone
01:05:25a lover
01:05:27not at the moment but she's had lots
01:05:28I bet she has
01:05:29and she just wanders round in that old van does she
01:05:33with a gypsy
01:05:34I wonder if she'd like some money
01:05:38are we gonna tell her
01:05:41we
01:05:41this is my enterprise
01:05:44I mean are you gonna tell her what we're doing
01:05:46if I think she'll be useful
01:05:49I might
01:05:49otherwise she goes
01:05:51we have a bargain
01:05:54little Joe remember
01:05:55still
01:05:59I'm sure your foster sister will be just as Nina does you are
01:06:04Nina Abbott
01:06:09the model
01:06:10we share the same birthday
01:06:13we do
01:06:14both Scorpios
01:06:15I read it in a magazine once
01:06:17I used to be a big fan
01:06:18tried to get that look she had
01:06:20you know sort of sulky and superior
01:06:22I'm not the right type though
01:06:25I'm a bit earthier
01:06:26which is her house?
01:06:28not yet
01:06:29I'll take you past it
01:06:31I'd love to meet her
01:06:32I really would
01:06:33I always wonder what happened to her
01:06:36it's a big house
01:06:36almost a mausoleum
01:06:38well she sort of disappeared
01:06:39you know I'd really love to meet her
01:06:41I really would
01:06:42yes well don't go on and on
01:06:44I'm not on social terms exactly
01:06:45part of me
01:06:47electric fences
01:06:52security screens
01:06:53god knows what else
01:06:54what is it they're so afraid of?
01:06:58being kidnapped
01:06:59kidnapped?
01:07:01well drive on
01:07:01go to Cambridge
01:07:03are they filthy rich then?
01:07:06yes but it's not that
01:07:07it's Absalant
01:07:07he wants to control her
01:07:09own her like a possession
01:07:10look look there's Garnett
01:07:11and his daughter
01:07:11that's him
01:07:12is that him?
01:07:15that's him
01:07:15and his daughter
01:07:16he's a hard looking bastard isn't he?
01:07:22I'd like to meet him on a dark night
01:07:23I can't say I know a lot about Botticelli
01:07:32no
01:07:32you must have seen the birth of Venus
01:07:34you've only on a soap band
01:07:36oh don't use soap
01:07:37it's bad for the skin
01:07:38it's in the Uffizi in Florence
01:07:40I know it very well
01:07:41look
01:07:43over there
01:07:45that's where I first saw her
01:07:47Nina Abbott
01:07:49she was modelling a ball gown
01:07:52for some Sunday magazine
01:07:54a few years ago
01:07:56I was a mere student
01:07:58where's this posh restaurant then?
01:08:02not far
01:08:03do you know Cambridge?
01:08:06never been
01:08:07quite attractive
01:08:08could get attached to it
01:08:10there was a time
01:08:12I thought I might live here forever
01:08:13become a don
01:08:15what?
01:08:17like in the Mafia?
01:08:28is he for real or what?
01:08:31he's been to the university and everything
01:08:32well
01:08:33it's not his mind I'm after
01:08:35is it?
01:08:46well
01:08:47this is all very cosy
01:08:49here's to crime then
01:08:52what crime?
01:08:55you're planning to kidnap Nina Abbott aren't you?
01:08:57shh
01:08:57you should see your face
01:09:08it was a joke
01:09:11okay
01:09:12I couldn't resist it
01:09:13well why are you looking at me like that?
01:09:20what would you say
01:09:21if I told you we actually were?
01:09:24I'd say you were pissed
01:09:26but I'm not pissed
01:09:27am I?
01:09:28you've got to be joking
01:09:34no
01:09:37no
01:09:38I've done it before
01:09:39it's true
01:09:42I intend to do it again
01:09:44you've been writing her letters
01:09:53you're nuts
01:09:55shut up
01:09:56just shut up
01:09:57do you really think she's gonna walk out sobbing
01:10:00and endure a buck of money?
01:10:01it was a mistake telling you
01:10:03I accept that
01:10:03now just forget about it
01:10:05you've never heard it right?
01:10:07but I did hear it didn't I?
01:10:08and what about my brother?
01:10:10what's all this doing to him?
01:10:11your brother
01:10:11your twat of a brother
01:10:13was gonna throw himself
01:10:14under a tube train
01:10:15what do you think
01:10:16that would have done to him?
01:10:18I saved his life
01:10:19he does what I tell him
01:10:22is that a fact?
01:10:43I know how to do it
01:10:53do what?
01:10:58I know how to get Nina Abbott
01:11:00how?
01:11:03you wouldn't have to worry about fences and alarms and all that stuff
01:11:07this way
01:11:09this way there wouldn't be much risk
01:11:10not once the first bit was over
01:11:13like
01:11:19well
01:11:19I've got to know how to get
01:11:24I assume
01:11:25what about
01:11:26how to do it?
01:11:30if you get yourself
01:11:31I'll give
01:11:32Where are we going?
01:11:47See you in the morning.
01:11:57I tried to tell myself it was all right.
01:11:59I was the gallow glass going back to barracks.
01:12:03But the truth is, I felt rejected.
01:12:10Then, when I lay down, I had these thoughts.
01:12:12Tilly and Shandor were my mum and dad,
01:12:14and I was tucked up in a car at the foot of their bed while they slept.
01:12:19I even thought I could hear them breathing.
01:12:21Sort of gentle and regular.
01:12:27But I think I might have dreamt that.
01:12:29I didn't mean to cut the old guy.
01:12:45It was a mistake.
01:12:46What did you then?
01:12:48He wouldn't do what I told him.
01:12:51Right.
01:12:51So, how long did they give you?
01:12:56Five years.
01:12:58I did three.
01:13:00That must have pissed you off a bit.
01:13:02Putting it mildly.
01:13:04So, you've been waiting all this time for another go at Nina Rabbit.
01:13:09Just lying in your cell and dreaming about it.
01:13:13And then I came along to show you the way.
01:13:19When you kidnapped her before, did you have sex with her?
01:13:25Did you?
01:13:26Don't be so crude.
01:13:28Well, what's crude?
01:13:30You are.
01:13:31Well, I'd have sex with my kidnappers.
01:13:32Passes the time, doesn't it?
01:13:34You're hardly in the same class, are you?
01:13:36You're hardly in the same.
01:13:48Come on, dear.
01:13:49Come on.
01:13:49Come on, dear.
01:13:50Come on, dear.
01:13:50Come on.
01:13:51Come on.
01:14:00Come on.
01:14:02Come on, dear.
01:14:02Come on.
01:14:04He's been in jail for cutting some poor old bloke with a razor.
01:14:28It was during a robbery.
01:14:31He made a right cock of a bit by all accounts.
01:14:34About the only sort of cock-up he's any good at.
01:14:38What did he tell you?
01:14:40Gives him some sort of sadistic turn-on.
01:14:43I mean, he's really weird, Joe.
01:14:45If you weren't in this, I'd be away in that van like a shot.
01:14:49You're still going through with it, then?
01:14:51No, I've done all the brain work.
01:14:52You bet I am.
01:14:54I want my hands on some of that money.
01:14:57Why should Nina Abbott have it all?
01:14:59So I'm going through it.
01:15:09Oh.

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