CC9. The Cinder Path. (1994) Part 1 of 2.

deaddogsdam

A farmer's son gets involved with two sisters then goes to fight in the trenches in WW1.  Catherine Zeta-Jones - Victoria Chapman Lloyd Owen - Charlie MacFell Ralph Ineson - Arthur Benton Antony Byrne - Ginger Slater Polly Adams - Florence Chapman Maria Miles - Nellie Chapman Victoria Scarborough - Betty MacFell Rosalind Ayres - Mary MacFell Tom Bell - Edward MacFell Lucy Akhurst - Polly Benton David Hounslow - Sgt. Timms Rupert Wickham - Lt. Radlett Alan Bird - Old Arnold Madelaine Newton - Mrs. Benton Jeremy Child - Colonel Osmund Bullock - Major Smith Declan Donnelly - Stable Boy John Warnaby - Lt. Swaine Tony Mathews - Hal Chapman Gareth Forwood - Surgeon Michael Wardle - Fred Gary Sefton - Johnny Tullett David MacCreedy - Private #1 Neil Armstrong - North Country Soldier Nicholas Hutchison - Doctor Michael Parkhouse - Major D. James Newton - Bag Packing Soldier Valerie Hanson - Determined Lady #2 Phil Corbitt - Alec Alison Ambler - Young Nurse Mark Wharton - Pvt. Harkness Rod Jinks - Private #2 Garry Catlin - Corporal Bren Laidler - Woman Neighbour Allison Jupp - Nurse Patricia Dunn - Determined Lady #1 John Gill - Solicitor

Transcript

00:00:00THE END

00:00:29Shoot!

00:00:31Hurry up with that milk, Polly.

00:00:33All right, Rhys, and we'll put it on the cover.

00:00:59We'll be here in a minute.

00:01:01We had young Charlie.

00:01:03Well, where do you think he'd be?

00:01:23Mind you rub him down well, lad, or you'll get what you got last time.

00:01:29Charlie!

00:01:33Well, you're ready for once.

00:01:35Now, we're not putting this off any longer.

00:01:37You've got to learn.

00:01:53Go on, Charlie, do it.

00:01:59Charlie, come back here!

00:02:01Come back here, Charlie!

00:02:03Oh, sorry.

00:02:05Sorry.

00:02:06Charlie!

00:02:07Sorry.

00:02:09There, Harvey.

00:02:10For the last time.

00:02:12Leonard!

00:02:13Where you going there, lad?

00:02:15Nothing, Mr. McPhail.

00:02:17Nothing.

00:02:18Nothing, eh?

00:02:28So.

00:02:30This is nothing, is it?

00:02:33Still stealing our books, are you, eh?

00:02:35Now, this is how he pays us for taking him out of the workhouse, giving him a home and a job for all these years.

00:02:43You're a thief, Slater.

00:02:44I'm not a thief, sir.

00:02:46I only meant to borrow it.

00:02:48You.

00:02:49Borrow a book.

00:02:50The books are for educated people, Slater.

00:02:54Now, you've got ideas over your station.

00:02:57Polly!

00:02:58Fresh cinders on the path!

00:03:00Father, you can't, surely.

00:03:01And you!

00:03:02You sit down there and don't move till I tell you.

00:03:28Bless the food on this table, Lord.

00:03:30Bless my labor that has provided it.

00:03:32And give me strength for the rest of this day.

00:03:34Amen.

00:03:35Amen.

00:03:56Stop fumbling, woman.

00:03:59What do I tell you about those hams?

00:04:02If you can't clean them well enough, I'll clean them for you.

00:04:14Now, Charlie, I may not have the benefits of your university education,

00:04:19whereas I am paying for yours.

00:04:21I believe I have the right to say how you can divide up your time.

00:04:25Of course, Father.

00:04:28Then you'll confine your studies to the university,

00:04:32and on holiday, you'll devote your energies to running this farm.

00:04:35Yes, Father.

00:04:36Yes, Father.

00:04:41Father, I want...

00:04:42Not a word about Slater, Charlie.

00:04:45It's not a sin, wanting to read.

00:04:48It is when it's books stolen from me.

00:04:51It didn't steal.

00:04:54I left it lying around.

00:04:59Well, there's obviously something more to say, Charlie.

00:05:02Spit it out.

00:05:04I think, Father, Charlie means that Ginger's too old

00:05:07to be put on the cinder path.

00:05:12You see, indeed.

00:05:15Well, when I'm dead and gone and Charlie runs the farm,

00:05:19if he ever has the gumption to, he can do what he likes,

00:05:21but until that day...

00:05:22And you can speak when you've spoken to, young lady,

00:05:24not before!

00:05:41Above the knees.

00:05:51Right...

00:05:58Down...

00:06:12You know what to do?

00:06:13Start crawling!

00:06:21Move it!

00:06:41You want to stop?

00:06:43You only have to ask.

00:06:51That's enough, Father!

00:06:52He's had enough!

00:06:53Hold it, Joe!

00:06:55He's getting no more than I got from my father

00:06:56on this very spot!

00:07:14A nice small cinder path from a bed of roses,

00:07:16and you best learn that right now.

00:07:19Oh!

00:07:41Take your trousers off.

00:07:42We'll not!

00:07:43Don't be silly.

00:07:44I've got three brothers.

00:07:45I'm used to bare back sides.

00:07:46Well, you're not used to mine. I can look after meself.

00:07:50Get away!

00:07:57It frees mutton!

00:08:00Now, come on, Ginger Slater, and let us get that grit off you.

00:08:10Get out, Slater!

00:08:12You're not kids anymore, you two. You're not supposed to be doing that sort of thing.

00:08:16Don't be daft after he's been hurt.

00:08:18It'll get worse than that if he carries on as he does.

00:08:21You, you want a taste of it, know what it feels like.

00:08:24I've had me share of the cinder path in me time.

00:08:28Ginger, I've told you, you can always borrow my books.

00:08:31I don't need your charity.

00:08:36Polly, get back to the house and me dad will be wanting his tea.

00:08:40And pull your skirt down.

00:08:42You mind your own interference as our author?

00:08:46I'll put my skirt round my neck if I like.

00:08:52She gets cheekier every day.

00:08:55Well, that's Polly.

00:08:56Aye, that's Polly.

00:08:57Forget about your work, Benton.

00:09:06Charlie calling me when I talk to you.

00:09:08Sit down.

00:09:20You had a woman yet?

00:09:21Well, talk to me, boy. There's no shame either way. You needn't go into details. Just say yes or no.

00:09:32Uh...

00:09:33Uh...

00:09:34No.

00:09:35No.

00:09:36Nobody's taken your fancy hereabouts.

00:09:37I, um...

00:09:38I haven't given it much thought, Father.

00:09:39About time you did, isn't it?

00:09:40About time you did.

00:09:41Leave it to me, then.

00:09:42Leave it to me.

00:09:43Leave it to me, then.

00:09:44Leave it to me, then.

00:09:45Er...

00:09:49No.

00:09:54Nobody's taken your fancy, you know, Barnes?

00:09:58I, um...

00:10:00haven't given it much thought, Father.

00:10:05About time you did, isn't it?

00:10:10Leave it to me, then.

00:10:15Charlie.

00:10:20How do you like Victoria Chapman?

00:10:24Stop capes, old lad.

00:10:26I didn't mean to start on her.

00:10:28I'm just asking, do you like her?

00:10:33She's all right.

00:10:34All right.

00:10:36She's the best catch in these parts, lad.

00:10:40What do you say is the end of this visit of yours this afternoon?

00:10:45Yeah.

00:10:46I don't know, Father.

00:10:47The, um...

00:10:49The Chapman's just invited me round for tea.

00:10:52When I go back to university next week, I suppose it was to say goodbye.

00:10:56Oh.

00:10:57Well, I suppose it's a little more than that, Charlie.

00:11:01There's more to marriage than a bit of romance, you know?

00:11:08Now just consider how valuable to two families of substance a union like that can be.

00:11:15Well, let me down.

00:11:19When I get back here for five o'clock, I'll have a lass ready and waiting.

00:11:29Don't worry.

00:11:30Don't worry.

00:11:32She'd been all out, she.

00:11:43What did he want you for?

00:11:44Nothing, Mother.

00:11:46He was just talking about my visit to the Chapmans.

00:11:48And what did the great man have to say about that?

00:11:52Yeah.

00:11:53He asked me what I thought about Victoria Chapman.

00:11:56Oh.

00:11:57So it's out in the open.

00:12:02I don't like the idea.

00:12:04She's a bit too versed in the ways of the world, that one.

00:12:09He thinks we'd make a good match.

00:12:12Oh, he does, does he?

00:12:14As though he cares about your happiness.

00:12:17Any more than Hal Chapman cares about hers.

00:12:21Charlie, wake up!

00:12:24The Chapmans are always short of money and your father's greedy for land.

00:12:29Each one wants what the other has.

00:12:32And not for their families either, but for their own self-importance.

00:12:38If you want to see that kind of marriage, just look at your father and me.

00:12:45Men.

00:12:47Men.

00:12:50Why do you let him bully you?

00:12:53Stand up for yourself, boy.

00:12:57Stand up for yourself.

00:13:01Come on.

00:13:02Thanks for coming over, Charlie.

00:13:08Let's have some tea.

00:13:10Thank you, Mr Chapman.

00:13:11Now, where are the girls? I expressly asked.

00:13:26Don't fuss, Hal. They'll be here any moment.

00:13:28Charlie, you're looking well. Do sit down.

00:13:32Will you have some tea?

00:13:33Yes, please.

00:13:34I suppose you're looking forward to the new term.

00:13:37Um, yes and no.

00:13:38I'll be glad to get back to my books.

00:13:41And away from the farm.

00:13:42Oh, Florence, come on.

00:13:44Just because he's a farmer's son doesn't mean to say he has to be a farmer.

00:13:49I mean, Charlie may have another career in mind.

00:13:51You always did love reading.

00:13:54Even when you were children, Nellie used to come home with books you'd lent her.

00:13:59Well, no, it's a grind.

00:14:01I have to read only what's laid down on the course.

00:14:04A little discipline, that's all it takes.

00:14:07But when one's young...

00:14:08Mother, don't let your poor Charlie so.

00:14:10You'll never want to come here again.

00:14:12And that would never do, would it?

00:14:14Hello, Charlie.

00:14:16Hello to you, Nellie.

00:14:17Nellie, where's Victoria?

00:14:19I don't know.

00:14:20Am I my sister's keeper?

00:14:50Oh, no 사람 belongs to you.

00:14:51My wife is so wild.

00:14:53Sure.

00:14:54Oh, my God.

00:14:55Oh,nya.

00:14:58Oh, yeah.

00:14:59It's not, my mother.

00:15:00Oh, you hungry.

00:15:02Oh, my mother.

00:15:05Did you go to her son?

00:15:15No.

00:15:16Oh no, stop, Ollie, please!

00:15:40All right!

00:15:42Now, wait for the mark.

00:15:44We'll send her down here between 4 and 5 and 5!

00:15:49Don't be a need to check out this wonderful...

00:15:51Do it yourself!

00:16:05Come along, Father.

00:16:07Polly, here. And hurry up.

00:16:22Why'd you come in upsetting our door like that?

00:16:31He's got enough to...

00:16:33You...

00:16:37You're for the cottage.

00:16:50You must be tired of Ma.

00:16:52You told her to get you there this afternoon.

00:16:54I'd rather die.

00:16:58I'll run away.

00:17:00Arthur, let's go.

00:17:02Let's all go away from him and his place.

00:17:05He'll die sick and as bad as he is.

00:17:08Polly, you know that's not possible.

00:17:12I'm not going there.

00:17:14I'm not.

00:17:15I'm not.

00:17:23You won't have to.

00:17:24You won't have to.

00:17:34Oh, God.

00:17:36Victoria.

00:17:37Charlie McPhail.

00:17:38Sorry, I forgot.

00:17:39Where were you?

00:17:40Father's been practically eating the carpet.

00:17:42Oh, Charlie, how tiresome for you.

00:17:45Only Nelly and my parents to talk to.

00:17:47We'd much rather have a private little chat, wouldn't we?

00:17:50Private chat?

00:17:51You hadn't given a thought until this minute.

00:17:55Who have you been with?

00:17:56Oh, Nelly, why didn't you go and play in the nettle patch?

00:17:59Come along, Charlie.

00:18:00Come along, Charlie.

00:18:30It's as far as I go for the time being.

00:18:49Oh, Charlie, don't look so solemn.

00:18:53Sorry.

00:18:56I hadn't noticed.

00:18:58You're growing up.

00:19:00Quite the gentleman farmer already.

00:19:03My father doesn't think so.

00:19:05Fathers, Charlie, should be kept very firmly in their place.

00:19:08I suppose mine dragged my name into the conversation at every opportunity.

00:19:13No.

00:19:15You're a terrible liar.

00:19:19He has a bean his bonnet about settling me down.

00:19:22But I think you should know, Charlie, I don't want to be settled down.

00:19:25And I won't be settled down.

00:19:28Not yet.

00:19:30No.

00:19:31No.

00:19:32No.

00:19:33No.

00:19:34No.

00:19:35No.

00:19:36No.

00:19:37No.

00:19:38No.

00:19:39No.

00:19:40No.

00:19:41No.

00:19:42No.

00:19:43No.

00:19:44No.

00:19:45No.

00:19:46No.

00:19:47No.

00:19:48No.

00:19:49No.

00:19:50No.

00:19:51No.

00:19:52No.

00:19:53No.

00:19:54No.

00:19:55Nobody's taken your fancy year amounts.

00:20:03Get back here for five o'clock.

00:20:05I'll have a last ready and waiting.

00:20:08Polly.

00:20:11Go on, go on.

00:20:17Polly.

00:20:19Polly.

00:20:22Charlie.

00:20:25Polly, I know how you must be feeling, but you've nothing to worry about, I promise you.

00:20:30I may not have stood up to my father before, but by God, I'm going to now.

00:20:33Oh, Charlie.

00:20:35Thank you, Charlie.

00:20:37But tell Arthur.

00:20:38Speak to Arthur.

00:20:39He's in a terrible state.

00:20:40I don't know what he might do.

00:20:53Peter.

00:20:54Where's your brother?

00:20:55What's going on, Mr. Charlie?

00:20:57I said, where is he?

00:20:59I saw him going off down towards the woods.

00:21:01And the master?

00:21:02He wrote it about a half hour ago.

00:21:03The master, I said, where is he?

00:21:16What?

00:21:20Let's go.

00:21:50Oh, God. I didn't mean to kill him.

00:22:01He was going to take young Polly today in the cottage.

00:22:07Arthur, no.

00:22:20Let someone else find him. Come on.

00:22:35Yeah, what's the matter? What's happened?

00:22:48What is it?

00:22:53There's been an accident.

00:22:55What kind of accident?

00:22:56My father. He fell from his horse.

00:22:59I didn't mean it, Ma. I just meant to trip him, break his leg or something.

00:23:03I thought the rope would catch him and...

00:23:04You mean you've killed him?

00:23:09He's dead.

00:23:10He only wanted to stop him taking Polly.

00:23:13Have you not told him?

00:23:16We just ran.

00:23:17There wasn't time.

00:23:18Oh, my God.

00:23:22You stupid little fool.

00:23:24You know fun well.

00:23:26He got everything he wanted of me.

00:23:28It wasn't very self.

00:23:30He was taken there.

00:23:31It was for the young master.

00:23:34He wanted his son broken in.

00:23:37What was I to know?

00:23:38Oh, God.

00:23:40Oh, my God.

00:23:41Arthur, you'll hang for nothing.

00:23:43Wait.

00:23:44I've told you.

00:23:45It was an accident.

00:23:47The horse must have stumbled.

00:23:48He fell and broke his neck.

00:23:49Nobody knows the facts but us.

00:23:53We'll leave it that way.

00:23:57Oh, God bless you, Charlie.

00:24:02Master Charlie.

00:24:09Right.

00:24:10We'll leave it at that.

00:24:13Now, this will was drawn up by your father, not I.

00:24:26But when it was signed and witnessed, I was present.

00:24:30So it's all in order.

00:24:37I, Edward McFerr, being of sound mind,

00:24:40to leave entirely to my son, Charles McFerr,

00:24:46the real estate, which includes Moorburn Farm,

00:24:50the farm and freehold land there attached.

00:24:54Nonsense.

00:24:56Everything to Charlie?

00:24:57That can't be right.

00:24:59Oh, please, Mrs. McFerr,

00:25:00your husband did not forget you.

00:25:02And to my wife, Mary McFerr,

00:25:06one-third of the monies in my bank account and bonds.

00:25:11One-third of his money?

00:25:15One-third?

00:25:17One-third.

00:25:19And the remainder to my son, Charles.

00:25:23Goodbye.

00:25:27Goodbye.

00:25:28Goodbye.

00:25:28Not a mention.

00:25:51Not one mention.

00:25:52Betty.

00:25:52None of you cared for him like I did.

00:25:54And he's left me nothing.

00:25:58Look, I'm sure we can sort of...

00:25:59You hated him.

00:26:01Yes, you did.

00:26:03And she did too.

00:26:06And you were afraid of him.

00:26:08I had no fear of him.

00:26:10And he knew it.

00:26:11But you...

00:26:13Not a mention.

00:26:15He knew you'd be taken care of, Betty.

00:26:17He don't take care of anybody.

00:26:20You're too weak in need.

00:26:24And him.

00:26:25Obsessed.

00:26:26Obsessed with making you what he could never be himself, a gentleman.

00:26:32Well, you'll just have to forget that now.

00:26:34And get down to some real work.

00:26:36Muck work.

00:26:38A man's work.

00:26:39If you can ever be a man.

00:26:40If only I was in your shoes.

00:26:52I wish you were, Betty.

00:26:54I wish you were.

00:26:55Get out!

00:27:12Get out!

00:27:17Get out!

00:27:18All right.

00:27:25All right.

00:27:31Maybe it will only be one third.

00:27:34But for the first time in years, I'll have money of my own to spend as I like.

00:27:39And spend, I will.

00:27:45As for you two.

00:27:49I am mistress in the house now.

00:27:52And you will do as you're told.

00:27:54Mother, where are you going?

00:28:19Where do you think I'd be going?

00:28:20To the Benton's cottage to give them notice.

00:28:23They're to leave the lot of them.

00:28:24You can't do that, Mother.

00:28:26Throw out a whole family.

00:28:27Oh, can't I?

00:28:28Jim Benton is an invalid.

00:28:30His wife's a whore.

00:28:32You know what I've suffered from that woman all these years.

00:28:34And you know what would have happened if she'd refused him.

00:28:36He'd have thrown them all out.

00:28:37Good riddance.

00:28:38You will not do it, Mother.

00:28:43Not as long as I'm here.

00:28:45You?

00:28:46And who are you?

00:28:48The legal owner of this farm.

00:28:56And who's going to run your farm for you while you're at university?

00:29:01Tell me that, Mr Bigfellow, all of a sudden.

00:29:05I'm not going back to university.

00:29:08I shall manage it myself.

00:29:15You don't know the first thing about it.

00:29:18You're born and bred here, but you've never shown the slightest interest.

00:29:22What I don't know, I can learn.

00:29:24Fred, Arthur and old Arnold will help me.

00:29:27They'll laugh at you.

00:29:29They'll take more notice of Betty.

00:29:32Well, we'll see.

00:29:34Right now.

00:29:38My father, as perhaps you know, my father left the farm to me.

00:29:56Arnold, during the carving last year, you remarked that you didn't think I was cut out to be a farmer.

00:30:08Well, at that time, I would have agreed with you.

00:30:10But, um, well, I mean to have a shot at it.

00:30:18With your help, of course.

00:30:21The help of all of you.

00:30:23I'm sure we'll all pull out our weight, sir.

00:30:32Well, that's all.

00:30:33Well, that's all.

00:30:57Oh, good, huh?

00:31:27Slinger, you don't treat animals like that, give out, come back where you can treat the

00:31:55beast properly, what was he doing, Polly? He knows, Charlie, he knows, he saw what happened.

00:32:21Oh, God, Polly, he could destroy us all. He'll not go to the police. It's enough for him,

00:32:29he's got something over us. One thing he does want, I'm to tell Arthur to go easy on him,

00:32:35or else. Don't worry, Polly, I'll tell him.

00:32:39Bloody workhouse brat. He's got me. Got me. If he opens his mouth, he's got you and all.

00:32:55You know, I'm what the law calls an accessory after the fact. But don't worry about me,

00:32:59Arthur. Just go easy on him, for your own good.

00:33:06Aye.

00:33:09Charlie, he's not deceived, rattled us. You let him get away with it now,

00:33:15he'll never stop the bastard.

00:33:29What do you think you're doing?

00:33:48Just having a bite.

00:33:49Polly, what time do the farmhands have their breakfast?

00:33:52One past eight.

00:33:53And their dinner?

00:33:55One o'clock.

00:33:55You can finish that, Slater, but in future, stick to your mealtimes. Is that understood?

00:34:02Aye.

00:34:07Aye what?

00:34:12Aye.

00:34:14Sir.

00:34:22Finish your food, lad.

00:34:25All right.

00:34:36Aye.

00:34:37No.

00:34:38You're not.

00:34:44No.

00:34:45No.

00:34:47No.

00:34:48No.

00:34:53No.

00:34:54I saw you out there.

00:35:01George Pringle's the latest, is he?

00:35:03He's simply out riding with one of my admirers.

00:35:06Not that it's any of your business.

00:35:07It's so unfair to Charlie.

00:35:09Charlie and I have the perfect relationship.

00:35:12I see him when I feel like it.

00:35:14And he does exactly what I say.

00:35:24Would you please leave my room?

00:35:33It doesn't wash Vicky, that so refined voice.

00:35:37Your course is a pig's back.

00:35:39How dare you?

00:35:39Well, you are.

00:35:40All you think about is horses and men.

00:35:43The things I've seen.

00:35:46What things?

00:35:49Have you been spying on me?

00:35:51You're such a hypocrite.

00:35:53Like father.

00:35:55So polite on the surface.

00:35:57And underneath, just like Billy the Bull.

00:36:00I've seen you with them.

00:36:01Josh and all the others.

00:36:03And not just kissing.

00:36:05Get out!

00:36:07I said.

00:36:09Get out!

00:36:11I too will stop this.

00:36:14Before everyone in the hills hears you.

00:36:16Nellie, you're far too blunt.

00:36:19You'll please keep whatever opinions you have about your sister to yourself.

00:36:21Now, the party tomorrow evening will be very important for us.

00:36:30Charlie McFell will be here.

00:36:32And you know your father's ambitions for our two families.

00:36:35It's my birthday party, not hers.

00:36:37Why should she get all the attention?

00:36:38Oh, shut up, Nellie.

00:36:40Mother, make her be quiet.

00:36:41Yes, it's your birthday.

00:36:43But your father and I feel, if naturally Victoria and Charlie agree, it will be an ideal occasion to announce their engagement.

00:36:53And if you spoil it for your sister, Nellie, you will be punished.

00:36:56You're not so grown up, but your father won't give you the slippering you deserve.

00:36:59Poor Charlie's been thrown to the lions.

00:37:02She'll eat him alive.

00:37:04Nellie, you will apologize to your sister.

00:37:06And you might learn a little discretion, too, Victoria.

00:37:16And if you want to make your father happy.

00:38:19May I have a pleasure, Mrs. Whittell?

00:38:35Oh, thank you very much.

00:38:43Can I turn you honey more evening?

00:39:15Hello, Polly.

00:39:21Hello, Polly.

00:39:37Polly, so long since we've had a chat.

00:39:40I wanted a word with you.

00:39:43What about?

00:39:45About Ginger.

00:39:47It's later.

00:39:49He...

00:39:50I better just say it.

00:39:53He wants me to marry him.

00:39:57Do you want to marry him, Polly?

00:39:59No.

00:40:00Well, then.

00:40:02Charlie, there's nothing else for it, is there?

00:40:05I mean, if I don't, he could split.

00:40:09Split on Arthur and on you and...

00:40:12Hang on a minute.

00:40:14Who's going to believe him?

00:40:17A year after it's all happened?

00:40:20No, you'll not marry him, Polly.

00:40:22Leave it to me.

00:40:23No, I'll sort it out.

00:40:31I've got to go.

00:40:32They'll be after me.

00:40:33Oh, God, Nellie, you startled me.

00:40:51Come with me, Charlie.

00:40:52I'm quite prepared to startle you even more.

00:40:54Nellie, we should get back.

00:41:07They'll be waiting for us.

00:41:08You think about that with Polly a minute ago?

00:41:11Nellie.

00:41:11Charlie.

00:41:12Come along.

00:41:16You're not too tipsy to climb up here?

00:41:17Yeah.

00:41:42That's brandy.

00:41:44My father doesn't know half what he's got in his cellar.

00:41:46And this isn't in his cellar anymore.

00:41:50Jeez.

00:41:54Nellie.

00:42:00It's giant blood.

00:42:02Nellie Chapman, you drink like a fish.

00:42:04So?

00:42:05Well, you're only a baby.

00:42:07Oh, Charlie.

00:42:08Oh, no.

00:42:09No baby feels the way I feel.

00:42:12Well, what about?

00:42:14Everything.

00:42:16I dreamt that I dwelt in my home of halls

00:42:22With vassals and sows at my side

00:42:27And o'er war I've assembled within those walls

00:42:34That I was the home and the pride

00:42:39I had riches to bring to count on walls

00:42:46You know this tonight.

00:42:48It's all for your benefit.

00:42:50What's that?

00:42:50The party.

00:42:51It's all for you.

00:42:52To see if you come up to scratch.

00:42:55Scratch?

00:42:55What's scratch?

00:42:57Charlie, don't be so dim.

00:42:59Vicky.

00:43:01Victoria the Great.

00:43:02You were meant to pop the question tonight.

00:43:06No.

00:43:09It's a fact.

00:43:10No, it's your imagination.

00:43:11Imagination the bull's backside.

00:43:13She'd trample you to death.

00:43:24She'd never get the chance, Milly.

00:43:26Oh, but she will.

00:43:28It's like when...

00:43:29When she puts her legs over a horse

00:43:33And digs her heels in

00:43:36And the poor old thing

00:43:38Goes and does whatever she wants

00:43:40You're her next poor old thing.

00:43:44Not me, Nilly.

00:43:45Not me.

00:43:47I'll tell you something.

00:43:48I'll tell you something, Charlie.

00:43:50I'd hate to see you marry her.

00:43:55You're too nice for her.

00:43:58You're too nice for me, too

00:43:59But I wouldn't treat you

00:44:00The way she treats you.

00:44:03Would you marry me, Charlie?

00:44:04Of course I'll marry you.

00:44:12Is that a promise?

00:44:14A promise.

00:44:17A promise.

00:44:20A promise.

00:44:25Charlie?

00:44:29All right.

00:44:30What's happening here?

00:44:32Nothing.

00:44:32It doesn't look like nothing to me.

00:44:35You little bitch.

00:44:37Not what you think.

00:44:40I'm not a mucky-minded harlot like you.

00:44:44We're engaged.

00:44:46You engaged?

00:44:47Charlie proposed to me

00:44:49And I accept it.

00:44:50He's not meant to be marrying you, miss.

00:44:55By God, you're drunk.

00:44:57You just brush that straw off you

00:44:59And you get back to the house

00:45:00And go up the back stairs to your room

00:45:02You're not fit to be seen.

00:45:03Charlie and I are friends.

00:45:04We've always been friends.

00:45:06She doesn't care one bit about him.

00:45:09And you, Victoria.

00:45:10This was going to be my engagement party.

00:45:14Are we making an announcement or not?

00:45:17With him in that state.

00:45:19Go on, get back to the house.

00:45:23As for you,

00:45:25You've no father to guide you,

00:45:27So you better listen to me, lad.

00:45:28You just get yourself off home.

00:45:31We'll give it out that you've been taken poorly.

00:45:32But if you're not here,

00:45:34First thing tomorrow morning

00:45:35To sort all this out,

00:45:36I...

00:45:36So,

00:45:39I don't think I want to get married just yet.

00:45:42You don't have to.

00:45:44You just have to get engaged.

00:45:46I don't think I want to get married just yet.

00:45:53You don't have to catch up.

00:45:55I don't know.

00:45:56I don't know.

00:45:58Why don't I top you up?

00:45:58I don't know.

00:45:59I was at the Chapman's last night.

00:46:18I saw Polly.

00:46:21Yeah.

00:46:22Said you goodbye, sir.

00:46:25It's true, is it?

00:46:27You mean to marry her?

00:46:29I do, sir.

00:46:34And by what rights, Slater, do you have to marry her?

00:46:37Rights?

00:46:39Let's not talk about rights.

00:46:41You wanted her, didn't you?

00:46:42For years you wanted her, but you didn't have the guts to take her.

00:46:46Not even when your father offered her on a plate.

00:46:49Oh, aye, she told me.

00:46:50Had to be a reason why bully boy Arthur throttled your old man.

00:46:53Watch your tongue, Slater.

00:46:54God, how I used to envy you.

00:46:57You, me without a father, and you given everything.

00:47:01And what did you do?

00:47:03You watched him.

00:47:05Watched your own father murdered and covered it up.

00:47:08Slater.

00:47:09Not to save Arthur's skin, no, but to shine in Polly's eyes.

00:47:12And it was all for nowt.

00:47:14She's coming to me.

00:47:16And you, you loser, you have lost her.

00:47:18You lose everything before you're finished.

00:47:21Everything.

00:47:21Get out!

00:47:22Good.

00:47:23Cut the knot.

00:47:24I'll go and be glad to.

00:47:30But you, Charlie McFell,

00:47:32you may never see me again in this life,

00:47:35but you'll always carry the fear to me.

00:47:38Because I know how your father died.

00:47:40And you'll know that I could let the cat out of that bag

00:47:43any time I like.

00:47:46I'll go and be glad to see you.

00:48:16Well, Mr McFell,

00:48:35what a pickle we found ourselves in.

00:48:40You know, I always thought you rather weak.

00:48:44Charming.

00:48:44Unattractive.

00:48:47But weak.

00:48:50But maybe you're a little stronger than I thought.

00:48:54Drinking in the haylof with my little sister.

00:48:57She ought to have her ears boxed.

00:49:00I don't know how that happened.

00:49:02You couldn't possibly care for Nellie, could you?

00:49:05No, of course not.

00:49:06Not in that way.

00:49:08She's only a baby.

00:49:09Oh, and you're so mature.

00:49:12Don't worry, Charlie.

00:49:14I'm mature enough for both of us.

00:49:18So,

00:49:19what are we going to do about this engagement?

00:49:22Well, we've never really talked about it.

00:49:26I felt we've been seeing each other because that's what our families want.

00:49:29But we have to decide, don't we?

00:49:33What we want.

00:49:35Why, Charlie, that's quite eloquent for you.

00:49:37There is something else.

00:49:42I'm never sure how you feel about the others.

00:49:44What others?

00:49:47Victoria, you know what others.

00:49:49You're very beautiful, and it's natural that men should want to chase you.

00:49:55But I do need to know.

00:49:59Are you interested in them or me?

00:50:02I've never been interested in marriage or settling down.

00:50:06But now I think I am.

00:50:09I want my independence, Charlie.

00:50:12Mother rules the roost here.

00:50:14We could have a much better life on our own.

00:50:16And that is what your father wants, isn't it?

00:50:20Mm, quite.

00:50:22So, you see, you'll be giving pleasure all round.

00:50:27And talking of pleasure...

00:50:44Oh, God, Charlie.

00:50:46You'll have to do better than that.

00:50:52Oh!

00:50:52There we go.

00:50:57There's water.

00:51:02Great happiness, great happiness.

00:51:04Oh, it's all right.

00:51:08My every happiness.

00:51:10Yes.

00:51:12Yes.

00:51:39I'm here.

00:51:39Give us, give us, who are leaders, who are leaders?

00:52:09Young man, why aren't you at the front?

00:52:36May I pass, please, ladies?

00:52:37Oh, and don't you tell me you're in a reserved occupation, great big fella like you.

00:52:43Maybe it's flat feet or weak eyes, weak knees more like.

00:52:47I've got a husband and a son over there in mud and water and covered in lice.

00:52:53And you walk about large as life.

00:52:55For your information, ladies, he's a farmer.

00:53:00He runs a big farm.

00:53:01And anything you can still get here, like his knot, came from him to feed you.

00:53:08Oh, fair Charlie.

00:53:14Look at you.

00:53:15You got much of that?

00:53:16White feathers.

00:53:18Oh, yes.

00:53:21Are you on leave?

00:53:22Oh, we're doing one for over the water any time now.

00:53:24Can I buy you a drink?

00:53:25Now, let me buy you one.

00:53:27I'll fix yourself up.

00:53:30How does Miss Vicky like being a farmer's wife, then?

00:53:33Not much.

00:53:34She spends most of her time in the house in Jesmond.

00:53:36Jesmond?

00:53:37Posh, eh?

00:53:38When did you get that?

00:53:40Victoria's aunt died soon after the war started, and she left her and Nellie her house each.

00:53:45What about the farm?

00:53:47Oh, that's still going strong.

00:53:49Always will, as long as Betty's in charge.

00:53:50All right.

00:53:58I'm ready for this.

00:54:01Charlie.

00:54:02Cheers.

00:54:07I missed you, you know, Arthur.

00:54:08When you left the farm.

00:54:10I didn't think I'd manage without you.

00:54:12Had to get away, Charlie.

00:54:13Polly married to that red-headed bastard Slater.

00:54:16Couldn't take it.

00:54:17Well, he went too.

00:54:19And you know where he is.

00:54:20In the army.

00:54:22If I come across him on a dark night, I don't know what to do.

00:54:28How's Polly?

00:54:29Up the flu again.

00:54:33Pregnant.

00:54:35She'll have a squad of kids for Slater and be worn out with 30.

00:54:39Now, kids you have for you and Miss Vicky?

00:54:42What's the matter, Charlie?

00:54:44You don't look a bit happy.

00:54:45Marriage.

00:54:47No, don't feel sorry for me, Arthur.

00:54:48I got what I deserved.

00:54:50But what's the trouble?

00:54:52Victoria and I, we're the trouble.

00:54:55We should never have got married.

00:54:58There's nothing between us anymore.

00:55:02Another drink?

00:55:02Aye.

00:55:03Martin.

00:55:05Aye, Charlie.

00:55:06Aye.

00:55:07Aye.

00:55:08Aye.

00:55:09Aye.

00:55:10Aye.

00:55:11Aye.

00:55:12Aye.

00:55:13Aye.

00:55:14Aye.

00:55:15Aye.

00:55:16Aye.

00:55:17Aye.

00:55:18Aye.

00:55:19Aye.

00:55:20Aye.

00:55:21Aye.

00:55:22Aye.

00:55:23Aye.

00:55:24Aye.

00:55:25Aye.

00:55:26Aye.

00:55:27Aye.

00:55:28Aye.

00:55:29Aye.

00:55:30Aye.

00:55:31Aye.

00:55:32Aye.

00:55:33Aye.

00:55:34Aye.

00:55:35Aye.

00:55:36Aye.

00:55:37Aye.

00:55:38Aye.

00:55:39Aye.

00:55:40Aye.

00:55:41Aye.

00:55:42Aye.

00:55:43Aye.

00:55:44Aye.

00:55:44well my dear husband

00:56:12what wind blows you in Charlie boy

00:56:14I've come to ask you something

00:56:17I know

00:56:18you're going to beg me

00:56:22beg me to go to bed with you

00:56:24aren't you

00:56:24wouldn't that make a change

00:56:30my mother is very ill

00:56:38most of the staff are offered the war

00:56:41and Betty can't manage on her own

00:56:42if you would come back with me for a while

00:56:46to help us look after her

00:56:47you're seriously asking me to look after your bitch of a mother

00:56:51and help your bloody minded sister

00:56:53you've come all this way to ask me that

00:56:56I think my mother is dying

00:56:57as for Betty

00:56:59you wouldn't have to put up with her for long

00:57:01she's engaged to Weatherby

00:57:03if she marries him she'll go to his place

00:57:05and you'll be left all on your own

00:57:08I see that's why you want me back isn't it

00:57:11you must be mad

00:57:14go back to that prison

00:57:15I hadn't even someone to keep me warm in bed had I

00:57:19had I

00:57:21you had a man here last night didn't you

00:57:23did I

00:57:24and what makes you think so

00:57:27he left his message of approval on the mirror

00:57:29oh silly me

00:57:33I should have rubbed it out shouldn't I

00:57:36but then I wasn't expecting my husband today

00:57:39I can divorce you

00:57:44sorry you can what

00:57:45I can divorce you

00:57:47oh no you can't

00:57:49but I can divorce you

00:57:52for non-consummation of our marriage

00:57:55you know that's a lie

00:57:58who cares

00:57:59you blacken my character

00:58:02and I'll stand up in court and tell them how I tried

00:58:04every way I knew to make you love me as a man should

00:58:07but you wouldn't

00:58:09or couldn't

00:58:11you do that

00:58:13and I'll contest it

00:58:15I'll contest it and you'll wish you'd never started

00:58:17mama

00:58:20have I made a mistake

00:58:23maybe there is a man in there somewhere after all

00:58:28if you want some help with your mother why don't you try Nelly

00:58:35if you can find her sober

00:58:45Charlie

00:59:07Charlie come in

00:59:10come in

00:59:11look at that can't get scotch anywhere but alec's got ways haven't you alec shares in the brewery

00:59:21nelly ought to have anywhere buy that much booze wait drink up mate aren't they lovely

00:59:29always dropping in to keep me company i'll never be lonely as long as i've got this lot

00:59:35so what brings you into town charlie i had some business to do everything all right on the farm

00:59:44not really old arnold's off with back trouble and my mother's not very well

00:59:51i better be off i've got a train to catch but you just got here

00:59:59i'm sorry nelly i just just wanted to say hello we're short-staffed i'd better get back

01:00:06goodbye so long miss

01:00:09charlie what's the matter aren't you well i'm all right nelly did you see vic

01:00:20any progress downwards

01:00:24do you ever see her oh only when we can't help it i bumped into her in some canteen she was doing

01:00:30her bit for the war effort ready to serve in more ways than one don't nelly you should never have

01:00:38married her you must know that by now do you still love her love victoria i don't think it was ever

01:00:48love i felt for her i didn't know any better you'd have made a better bargain with me charlie

01:00:57don't be silly you would i know you would

01:01:01charlie

01:01:06look after yourself

01:01:10gosh

01:01:25thanks philip

01:01:29through the

01:01:33yeah

01:01:36yeah

01:01:37Thanks for the lift.

01:01:39Right now.

01:01:40Bye, lad.

01:02:07Mother?

01:02:17Mother?

01:02:19Come on, Mother.

01:02:33It'll ease your throat.

01:02:37Oh, get downstairs, will you, and leave her to me.

01:02:41Don't go out.

01:02:42I want a word with you.

01:02:46Come on.

01:02:50Oh, sit down.

01:02:51I'll feed you.

01:02:53She's in a pretty low state.

01:02:55Is she?

01:02:57Doctor said it could be weeks.

01:03:01I'm at the end of a tether running in this place.

01:03:05Looking after her.

01:03:08I've got to have help.

01:03:11No, Betty.

01:03:13You can marry your...

01:03:15What's his name? Weatherby tomorrow, if you like.

01:03:17But I'm not having him here.

01:03:19If he marries you, he has to find a home for you.

01:03:22And if I go, who's going to look after this place?

01:03:25Inside and out.

01:03:26I'll get along somehow.

01:03:28You're just afraid of losing me.

01:03:31I'm worth two men on the outside and a couple of women on the inside to you.

01:03:36But what do I do out of it, eh?

01:03:38If you want to marry him, marry him, and he won't go empty-handed.

01:03:41But he is not coming here.

01:03:42All right, I'll go.

01:03:44And then who'd look after this place if you happen to join up?

01:03:47Me.

01:03:48Go to war.

01:03:49Stick bayonets into total strangers just because my government's quarrelling with theirs.

01:03:55No.

01:03:56That's what this war's about, Betty.

01:03:58And I'll have no part of it.

01:04:00Don't you ever read the papers, Charlie.

01:04:02They're brought in conscription.

01:04:06Come on.

01:04:07Get yourself in, lads.

01:04:08Move along.

01:04:09Find yourself up there.

01:04:10Good afternoon, children.

01:04:11Get yourself in there.

01:04:12Any whey will do.

01:04:13Get yourself in there.

01:04:14Move along now, lads.

01:04:19I'm here.

01:04:20Johnny Tilly.

01:04:21Hello.

01:04:23Charlie Mac.

01:04:24James, man.

01:04:25I'm here.

01:04:26Good afternoon.

01:04:27It's been there.

01:04:28Good afternoon.

01:04:29I'm here.

01:04:30I'm here.

01:04:31Good afternoon, gentlemen.

01:04:32Get yourself in there.

01:04:33Anywhere will do.

01:04:34Good afternoon, gentlemen.

01:04:35Hello, Charlie McBelt.

01:04:36Now, if you're listening to me, get it right.

01:04:39I will give you instructions as to what to do with your bed and your kit.

01:04:43I will also tell you what will happen to you

01:04:45if you don't do what I tell you what to do with your bed and your kit.

01:04:49Right?

01:04:50Come round.

01:04:52Sergeant!

01:05:05Well, well, now.

01:05:28Private McFell.

01:05:30Strange world, isn't it?

01:05:31I said, it's a strange world, isn't it?

01:05:40Yes, it is.

01:05:42Yes, it is.

01:05:44Who?

01:05:48Sergeant.

01:05:56Had to be dragged in, didn't you?

01:05:58Bloody conscript.

01:06:00Well, McFell, let me tell you something.

01:06:04The army's going to be a cinder path.

01:06:06Very hard cinder path for you.

01:06:09And if it lies with me, there'll be fresh ashes on it every day.

01:06:20Shoulders back!

01:06:21Shoulders back!

01:06:21Get up with the top of the ditcher!

01:06:24phenomenal!

01:06:24Oh, God!

01:06:25Don't go!

01:06:25You're the ground!

01:06:27There!

01:06:27Come on!

01:06:29Come on!

01:06:31Come on!

01:06:32Five!

01:06:33Two!

01:06:33On!

01:06:38Get it together!

01:06:41Come on!

01:06:42Someone got доп!

01:06:44There!

01:06:45Someone got off!

01:06:46That was a young man!

01:06:47That was a bigzel hormel!

01:06:48If he was aêmeas trader that he wascą armisting...

01:06:50Get up there!

01:06:52How much longer have I got to spend with the new lazy lot in the shade?

01:06:58Strike back!

01:07:02Those people don't like jellyfish!

01:07:06Even if you haven't got any spy!

01:07:14Hey, front!

01:07:17Squad!

01:07:18Lift! Lift!

01:07:20Slope!

01:07:21Out!

01:07:22Out!

01:07:31That's all right, Sergeant.

01:07:33We all have to learn.

01:07:35Carry on.

01:07:40Left right!

01:07:41Left right!

01:07:43Left right!

01:07:45Left right!

01:07:46Left right!

01:07:48Left right!

01:07:49Left right!

01:07:50Left right!

01:07:51Slope!

01:07:53Up!

01:07:54Up!

01:07:55Oh!

01:07:57Order!

01:08:07That man!

01:08:09You're meant to be standing to attention, you slummoch!

01:08:11Straighten up there!

01:08:13And don't move a muscle!

01:08:15Hang on a minute.

01:08:21I don't know how some of you got into the harvey.

01:08:24You'd be better employed selling knickers in a lady's shop.

01:08:28Genson, leave it be!

01:08:33He can get up in his own town.

01:08:37You're all right.

01:08:39D-smissed!

01:08:43Not you.

01:08:45I've got a plan for you.

01:08:54Get out of there, McFerrin.

01:08:58Left right, left right, left right, left right, left right.

01:09:03Don't tell her now, lads.

01:09:04Left right, left right, left right, left right, left right.

01:09:06Get out of there, McFarlane.

01:09:12Left-right, left-right, left-right, left-right, left-right.

01:09:16Don't tire now, lads.

01:09:18Left-right, left-right, left-right, left-right, left-right.

01:09:21Come on, McFarlane!

01:09:23What the bloody hell do you think you're doing?

01:09:25Does that hurt?

01:09:26Left, left, come on, come on!

01:09:32Right, turn!

01:09:36Good!

01:09:38Dead!

01:09:39Smash!

01:09:41Not you, McFarlane.

01:10:06You don't have to pick up with it, you know.

01:10:08We've been picking on you from the start.

01:10:09Even in this bloody armour, you can complain.

01:10:11Can I?

01:10:12Can I?

01:10:18It is you, isn't it, Charlie?

01:10:19Polly.

01:10:20Polly.

01:10:21Polly Benton.

01:10:22Polly's later, Charlie.

01:10:23It is you, isn't it, Charlie?

01:10:24Polly.

01:10:25Polly.

01:10:26Polly Benton.

01:10:27Polly's later, Charlie.

01:10:28Oh, yes.

01:10:29My sergeant's wife.

01:10:30Oh, yes.

01:10:31My sergeant's wife.

01:10:32PHONE RINGS

01:10:33PHONE RINGS

01:10:35PHONE RINGS

01:10:36PHONE RINGS

01:10:37PHONE RINGS

01:10:38PHONE RINGS

01:10:39PHONE RINGS

01:10:40PHONE RINGS

01:10:41PHONE RINGS

01:10:42PHONE RINGS

01:10:43PHONE RINGS

01:10:44It is you, isn't it, Charlie?

01:10:45Polly.

01:10:46Polly Benton.

01:10:47Polly Benton.

01:10:48Polly's later, Charlie.

01:10:49Oh, yes.

01:10:50My sergeant's wife.

01:10:51PHONE RINGS

01:10:52PHONE RINGS

01:10:53PHONE RINGS

01:10:54Oh, yes.

01:10:55My sergeant's wife.

01:10:56PHONE RINGS

01:10:57PHONE RINGS

01:11:06So glad I've bumped into you.

01:11:07We wanted so much to talk.

01:11:09Oh, can we have a cup of tea somewhere?

01:11:11Right, nowhere posh.

01:11:23There we are.

01:11:28He's busy, isn't it?

01:11:32Just to say, I know what he's been putting you through.

01:11:37He gets great pleasure out of telling me whenever he's home on leave.

01:11:41And I'm sorry.

01:11:45He's bent on getting his own back.

01:11:48Your father did lay into him so.

01:11:51But I didn't.

01:11:54I tried to help him.

01:11:57You refused my help.

01:12:00Charlie, it's all mixed up in his mind.

01:12:03Me and that business with your daughter and our Arthur.

01:12:08It frightens me sometimes.

01:12:11Especially when it's you he's all steamed up about.

01:12:18How does he treat you?

01:12:19Oh, he's good to me.

01:12:21Loves me.

01:12:23And the Bairns.

01:12:25Two Bairns now.

01:12:27Another on the way.

01:12:32I'd be happy.

01:12:34Really happy.

01:12:36If it wasn't for what he's done to you.

01:12:38I'd better go.

01:12:39No.

01:12:40Don't come with me.

01:12:41In case we're seen.

01:12:42That'd take too much explaining.

01:12:43Charlie.

01:12:44Be careful.

01:12:45Don't let him...

01:12:46Don't let him...

01:12:47Don't ever let him provoke you.

01:12:48No, he's provoked me many times.

01:12:52Almost to see how far he's got to go before I...

01:12:53But that's it.

01:12:55If you get back at him then he's got an excuse.

01:12:58Charlie.

01:12:59Charlie.

01:13:00Charlie.

01:13:01Charlie.

01:13:02Charlie.

01:13:03Charlie.

01:13:04Just be careful.

01:13:05I'm sorry.

01:13:07What do you mean, Polly?

01:13:08Just...

01:13:09Be careful.

01:13:11I'm sorry.

01:13:12What do you mean, Polly?

01:13:13Just...

01:13:14Be careful.

01:13:15Be careful.

01:13:16I'm sorry.

01:13:20What do you mean, Polly?

01:13:22Just be careful.

01:13:26What do you mean, Polly?

01:13:28Just...

01:13:30be careful.

01:13:38Left-right! Left-right! Left-right!

01:13:40Wish you hadn't joined now, eh?

01:13:42Wish you hadn't joined!

01:13:44Left-right! Left-right!

01:13:46Head back!

01:13:48That's it! That's what I want to see!

01:13:56Oh!

01:13:58Oh, fuck hell, you bloody

01:14:00moving town!

01:14:02Go on! Go on! Go on! Go on!

01:14:04Now, stick that bird in it! That's how you meant it!

01:14:08And it's a real thing to be someone trying to run

01:14:10you through, too!

01:14:12So get him first!

01:14:14Unless you're like some,

01:14:16I can mention.

01:14:18If they never had the guts to kill a pig on a farm,

01:14:20how the hell are they ever gonna kill a bloody

01:14:22German?

01:14:24Sergeant!

01:14:30You wouldn't be thinking of complaining,

01:14:32private.

01:14:34I'd have another think about that

01:14:36if I was you.

01:14:38You utter

01:14:40one word,

01:14:42mister.

01:14:44And I tell the army,

01:14:46and the whole bloody world

01:14:48just how your father lost

01:14:50his life.

01:14:52in line.

01:15:04God, I didn't mean to kill him.

01:15:10Are you gonna kill him?

01:15:18Come on!

01:15:20I couldn't stop your cock!

01:15:32No!

01:15:33Squaaaaad!

01:15:36High far!

01:15:38Front rank!

01:15:40On trust at the line, enemy! At the double, advance!

01:16:10On the other hand, enemy!

01:16:15On the other hand, enemy!

01:16:19On the other hand, enemy!

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