A British policeman travels to France in 1938, to investigate the death of one of his colleagues.
Stephen Dorff - Jeremy Graves
Gabrielle Anwar - Celia Graves
Adrian Dunbar - Alan Cross
Sophie Aubry - Solange Montfort
Joanna Lumley - Lady Helena Graves
Florence Hoath - Angela Cross
Alexis Denisof - Christopher Wood
Marianne Denicourt - Maud Graves
Melvil Poupaud - Louis Bernard
Bernard Haller - Georges Montfort
Rosalind Bennett - Janet Blain
Keira Knightley - Young Celia
Robin Saunders - Celia's Brother
Tobias Saunders - Celia's Brother
Charles Duron - Beach boy
Michel Winogradoff - Albert
Yvon Back - Inspector Talmi
Alexandra Monvoisin - Zaza
Marianne Segol - Gigi
Tatjana Verdonik - Maud's Mother
Oskar Freitag - Maud's father
Alan Ross - Station Clerk
Stephen Dorff - Jeremy Graves
Gabrielle Anwar - Celia Graves
Adrian Dunbar - Alan Cross
Sophie Aubry - Solange Montfort
Joanna Lumley - Lady Helena Graves
Florence Hoath - Angela Cross
Alexis Denisof - Christopher Wood
Marianne Denicourt - Maud Graves
Melvil Poupaud - Louis Bernard
Bernard Haller - Georges Montfort
Rosalind Bennett - Janet Blain
Keira Knightley - Young Celia
Robin Saunders - Celia's Brother
Tobias Saunders - Celia's Brother
Charles Duron - Beach boy
Michel Winogradoff - Albert
Yvon Back - Inspector Talmi
Alexandra Monvoisin - Zaza
Marianne Segol - Gigi
Tatjana Verdonik - Maud's Mother
Oskar Freitag - Maud's father
Alan Ross - Station Clerk
Category
🎥
Short filmTranscript
00:00:00I don't know what I'm doing here, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I
00:00:30am doing, I don't know what I'm doing, I don't know what I'm doing, I don't know what I'm done,
00:01:30What is left of our love, what is left of these beautiful days?
00:01:48A photo, an old photo of my youth.
00:01:55What is left of the soft bills, of the months of April, of the appointments?
00:02:04A memory that pursues me non-stop.
00:02:11Faded happiness, hair in the wind, kisses stolen, moving dreams.
00:02:20What is left of all this, tell me.
00:02:28A small village, an old bell tower, a landscape so well hidden.
00:02:36And in a cloud, the dear face of my past.
00:02:44The words, the words of so many walls, the purest caresses, the oaths at the bottom of the woods.
00:02:54The flowers, which are found in a book, whose perfume you are intoxicated with, have flown away.
00:03:02Why?
00:03:06A small village, an old bell tower, a landscape so well hidden.
00:03:16And in a cloud, the dear face of my past.
00:03:36And in a cloud, the dear face of my past.
00:04:06And in a cloud, the dear face of my past.
00:04:37Do you speak English?
00:04:38Well, I do my best.
00:04:39Just the woman I need.
00:04:50The mobilization started two days ago. They're distributing gas masks.
00:04:55Is it the same in your country?
00:04:57Yeah, but there's a channel between us and you lot.
00:05:02You knew him?
00:05:04Yeah, I was working with him as an interpreter. He often spoke about you and Angela.
00:05:10Working? But he retired three years ago.
00:05:12He told my father he was on a case.
00:05:17I thought he was with his sister in Wales.
00:05:19Put those down.
00:05:22Daddy, might we have time to go to the beach?
00:05:26How long are you staying?
00:05:27Just until tomorrow.
00:05:29This woman, is she the center of this investigation?
00:05:33Officially, no.
00:05:37I don't understand.
00:05:39Joe was on a case. Why'd he up and kill himself?
00:05:45Pretty face. Wouldn't mind mating her.
00:05:48Dangerous woman.
00:05:49Is that a fact now?
00:05:50A fact, believe me.
00:05:52Just my type then.
00:06:04I won't be long.
00:06:16Can I help you, Inspector?
00:06:19Uh, I'm not here as a policeman. I'm here as a friend of Joe Green's.
00:06:24I see.
00:06:26How well did you know him?
00:06:29Inside out.
00:06:32Uh, I was an orphan, you see, and, uh, he was...
00:06:38He was the nearest thing I ever had to a father.
00:06:41Since his death, I've had a very uneasy feeling here in my stomach.
00:06:45It's your heart, Inspector.
00:06:48Why did he ask to be buried here?
00:06:52Did he never talk to you about me?
00:06:55His room across the river is full of photographs of you and your family.
00:07:02Let me tell you a secret.
00:07:05He was in love with me.
00:07:08My late husband barely touched me and...
00:07:12One day when I really needed someone, Joe was there.
00:07:17Of course, it was impossible between us in other respects, but...
00:07:22I loved his hands, his face, his smell.
00:07:29You think he was here because of my son, don't you?
00:07:34Well, you're wrong.
00:07:36You think he was here because of my son, don't you?
00:07:41Well, you're wrong.
00:07:44My son's not a murderer.
00:07:47Your late boss seemed to suspect that Jeremy killed his twin brother in cold blood.
00:07:53It's stupid. It was an accident.
00:07:57Did you notice the big conservatory here as you came in?
00:08:01That's where our tragedy happened all those years ago.
00:08:04Children were playing bows and arrows.
00:08:07In the dark.
00:08:09No one could have prevented it. No one.
00:08:13For a child to be responsible for the death of his own twin...
00:08:17Such a tender age.
00:08:19Imagine that.
00:08:22Carry me.
00:08:27You're still young, Inspector.
00:08:29I hope one day you'll discover there's more to truth than justice, than mere reason.
00:08:34I'm sorry.
00:08:36I'm sorry.
00:08:38I'm sorry.
00:08:40I'm sorry.
00:08:42I'm sorry.
00:08:44I'm sorry.
00:08:46I'm sorry.
00:08:48I'm sorry.
00:08:50There's reason. There's impulse.
00:08:53Chaos. The human animal. The human heart.
00:08:57Yeah, I know. It's part of my job.
00:08:59So that's what keeps you so cool.
00:09:01Ah, the bride-to-be, my daughter Celia.
00:09:04Just returned from the United States.
00:09:06Celia, let me present Inspector Cross from London.
00:09:10He's here for the funeral of a close friend.
00:09:14I'm so sorry.
00:09:16How do you do?
00:09:20You can put me down.
00:09:22And this is Mr. Christopher Wood from Wisconsin.
00:09:26He's Celia's new fiancé.
00:09:28No.
00:09:30Madame, Monsieur Jérémie et sa femme viennent d'arriver.
00:09:33It's only me.
00:09:35She's supposed to be in Oxford.
00:09:37I'm on a research trip.
00:09:39Inspector Cross, my son Jérémie, and his...
00:09:43Wife.
00:09:45Maud, how do you do?
00:09:47I do.
00:09:49I do to you too.
00:09:51And you must be the new fiancé.
00:09:53I'm not that new.
00:09:55But you're a bit of a surprise to me.
00:09:57And so are you to me. Join the club.
00:09:59Don't go.
00:10:01Hello, Jérémie.
00:10:13My darling sister.
00:10:16You can hide and seek again, all right?
00:10:32And when is the happy event to be?
00:10:35Next week.
00:10:37Fair enough.
00:10:39We're due back in Oxford the day after tomorrow, aren't we, darling?
00:10:42Are we?
00:10:46Yes.
00:11:06We have to stop.
00:11:08Stop?
00:11:16Joe didn't kill himself.
00:11:18How do you know?
00:11:20He wasn't crazy, you know.
00:11:24There was something about this family that he just couldn't let go.
00:11:30The daughter of his fiancé was killed in a car crash three years ago.
00:11:34Joe seems convinced it was a murder, but that wasn't why he stayed and stayed.
00:11:39Are you part of the police or what?
00:11:41Officially, no.
00:11:43Just help my father from time to time.
00:11:46All right.
00:12:16I love you.
00:12:41Pardon. So sorry to be late.
00:12:44Monsieur Monfort, the department prefect, also my father.
00:12:47This is Inspector Cross.
00:12:49Enchanté.
00:12:51Joe Green, how did he die?
00:12:53Suicide, without question.
00:12:55His own gun.
00:12:57No suspicious circumstances, but if you like to check again, you have all my blessings.
00:13:02Right.
00:13:07What did he say?
00:13:09He says he'll be delighted to have dinner with you before you leave.
00:13:11Right. Thanks very much.
00:13:15Hold me, Jeremy. I'm cold.
00:13:20If my sister had deceived me like that, I don't know what I'd do.
00:13:23It wasn't Celia.
00:13:25It was Mother.
00:13:27Divide and rule has always been her style.
00:13:30Have you told her we're getting divorced?
00:13:34But I do need you. You know that.
00:13:36For what?
00:13:38I don't know.
00:13:40But I do need you. You know that.
00:13:42For what?
00:13:44It's all for outsiders.
00:13:46There's nothing for you.
00:13:48You made a whore just to kill your mother.
00:13:52I like you very much, Jeremy.
00:13:54But three years is enough.
00:14:10Fifteen thirty.
00:14:41Thirty-all.
00:14:55Thirty-forty.
00:14:57Thirty.
00:15:09Deuce.
00:15:11Deuce.
00:15:27Mr. Graves retires.
00:15:29Mr. Wood wins by default three games to two.
00:15:41Good night.
00:16:11Good night.
00:16:38Looking for something special?
00:16:40Look, while I'm here, do you mind if I ask you a couple of questions?
00:16:43Fire away.
00:16:45It's about your sister's ex-fiancé, Alistair Jennings.
00:16:48My best friend. What about him?
00:16:50You were here when he died.
00:16:52Once is enough, surely.
00:16:54I've been through all this with some pest of a policeman called Green.
00:16:57Who also died.
00:16:59Pass that over, would you?
00:17:02Good man.
00:17:05Inspector.
00:17:07When I was eleven years old, I killed my twin brother.
00:17:10Entirely my fault.
00:17:12Stupid, dangerous game in the dark, but I make no excuses.
00:17:15Seven years later, my closest friend died in a car crash.
00:17:18Do you know what real friendship is?
00:17:21Perhaps I could have prevented it.
00:17:23I've suffered enough, Inspector.
00:17:25Do enjoy the rest of your stay.
00:17:38The End
00:17:57Now I'm at the Hotel Defar, Joe Green's old room, number 17.
00:18:00You remember it? Someone saw you leave.
00:18:02Madame Bocal, the owner. Very good witness.
00:18:04Careful how you answer.
00:18:07You don't have a sadistic streak, do you, by any chance?
00:18:09No, several, yeah. One or two more and I get a promotion.
00:18:12Inspector?
00:18:16Duty calls.
00:18:19Let's pick this up where we left off, eh? Soon. Later.
00:18:26I've been looking for you all morning.
00:18:28What is it?
00:18:30Nothing special. I just found a boy who's such a green die.
00:18:33Why didn't you say so before?
00:18:37Ask him again.
00:18:46It's hopeless. He's told us all he knows.
00:18:49We're just confusing him.
00:20:38Shh.
00:21:03Mother's absolutely livid.
00:21:05She'd do anything to get rid of me.
00:21:10So would I.
00:21:35Shh.
00:21:54Get away from this house.
00:21:56Call the police.
00:21:59No, no, my dear.
00:22:01You asked me to stay, remember?
00:22:06I haven't asked you for anything.
00:22:08I have.
00:22:10You recognise this?
00:22:12You asked to see Joe Green the day he died. What happened?
00:22:16I never saw him.
00:22:18I waited for him and he never came.
00:22:20I swear to you.
00:22:31Shh.
00:22:36Shh.
00:22:46You were supposed to get married three years ago. What stopped you?
00:22:49My fiancé died.
00:22:51In a car crash engineered by your brother? No.
00:22:53That's what Joe Green thought. Suppose he was right. No wonder you're terrified.
00:22:56That's insane. My brother is ridiculous.
00:22:58Why didn't you invite him to the wedding? Why did you want to see Green?
00:23:01He was investigating my family.
00:23:03I wanted to ask him to find out exactly what he was looking for.
00:23:06We knew.
00:23:10All right, listen to me. Now just listen to me.
00:23:12I'm after a murder the same as Joe was.
00:23:15I'll give you a very simple choice.
00:23:17You either stand in my way or you help me.
00:23:20That's fair enough, yeah?
00:23:34The road was perfectly straight.
00:23:37The car veered off and hit a tree.
00:23:40It was a sunny day.
00:23:44Alistair was 24 years old.
00:23:47It was a week before our wedding.
00:24:04Celia, I have to leave for London tomorrow. Do you want me to stay?
00:24:13All right.
00:24:15I'll stand.
00:24:33I'll stand.
00:25:03I'll stand.
00:25:33I'll stand.
00:26:03I'll stand.
00:26:33Your family's crazy.
00:26:36Did you know that Lady Helena was mixed up with the Nazis?
00:26:39She's not the only one.
00:26:41They are becoming quite fashionable, you know.
00:26:45Joe... Joe knew something.
00:26:48I don't believe all this love story nonsense.
00:26:51It just got too hot for her when he was around.
00:26:53Listen, my friend.
00:26:55Lady Helena called Scotland Yard to lodge a formal complaint against you.
00:26:59And they called me. And they want you out of here.
00:27:02You have no case. Where is your evidence? For what?
00:27:05I'll find the evidence.
00:27:07There is an aeroplane at 8 tomorrow morning.
00:27:10Solange will make the arrangements for you.
00:27:16There's something I have to tell you.
00:27:18Go on.
00:27:19I found a book in Green's room with a list of certain people in the area.
00:27:22And your name. Solange's were included.
00:27:26It's kind of you, but a bit late.
00:27:29Unfortunately, it's not the first of these lists to come my way.
00:27:37Goodbye, Inspector.
00:27:47Solange, what's up?
00:27:49Nothing's up, not at all.
00:27:51I'm fine. Never been better.
00:28:00Daddy, why is she crying?
00:28:03Why shouldn't she? It's a woman's privilege. Don't you ever cry?
00:28:06Never.
00:28:08I can't stay here any longer.
00:28:10I'm leaving as soon as I can.
00:28:14Where will you go?
00:28:16Anywhere. Anywhere would be better than this.
00:28:29How did you feel?
00:28:46I'm so happy for you both.
00:28:48Maybe as peaceful and contented together as Mort and I are.
00:28:51To the happy couple.
00:29:00My only regret is there's to be no chocolate cream for the wedding breakfast.
00:29:06Such a shame your parents are unable to join us, Mort.
00:29:09Whereabouts are they exactly?
00:29:11I'm not sure.
00:29:12Not sure? That sounds a little heedless.
00:29:15They've had to move around a lot recently.
00:29:18Like gypsies.
00:29:20And why is that?
00:29:21It doesn't matter.
00:29:23It clearly matters to you.
00:29:25Let's drop the subject, shall we?
00:29:27I didn't think you liked me very much, do you, dear?
00:29:30Not much, no.
00:29:33Now why is that, I wonder?
00:29:35Mother, you're evil.
00:29:37Because you live in your own little world like a goldfish.
00:29:40Does the word Nazi mean anything to you at all?
00:29:43Much more than it did.
00:29:46Mother wants to rule the world.
00:29:48Same as she ruled her family.
00:29:50Ignore her.
00:29:53Perhaps you and I can find an opportunity
00:29:56to discuss this in more detail now that you're here.
00:29:59Perhaps.
00:30:00But Jeremy and I will be leaving tomorrow.
00:30:03Won't we?
00:30:04Oh, no.
00:30:05You can't desert us now, can you, sweetheart?
00:30:22I love you.
00:30:24Sometimes you feel so far away from me.
00:30:52You still sure you want to get married?
00:30:54Of course.
00:30:56You're like a little boy.
00:30:59Now, five more nights, that's all.
00:31:02Delicious.
00:31:03I can eat.
00:31:22Jeremy, you frightened me.
00:31:50A wedding gift.
00:31:52Now you're absolutely perfect.
00:31:55Oh, beautiful.
00:31:59To remind you of me.
00:32:20Jeremy, we're not children anymore.
00:32:34Why not?
00:32:51My little hot water bottle.
00:33:02Better now?
00:33:05A little.
00:33:09Who is it?
00:33:11Christopher, let me in.
00:33:15It's very bad luck to see the wedding dress before the big day.
00:33:21If you want to talk to me, I'll be awake.
00:33:33Don't touch me.
00:33:36I don't want it anymore.
00:33:42I'm marrying Christopher in six days' time.
00:33:46We're leaving straight away for New York.
00:33:48I won't let you.
00:33:50I don't want to see you again, Jeremy.
00:33:52I won't let you.
00:34:19She belongs to me.
00:34:49Come in, come in.
00:35:19Give me your coat.
00:35:22It's soaked.
00:35:23Let me take your coat.
00:35:42I want you to stay in France.
00:35:44I can't.
00:35:45I've been recalled to London.
00:35:46I'm in the doghouse.
00:35:47I've no evidence.
00:35:48I've no case.
00:35:49I'm sorry I can't help you.
00:35:51Jeremy, you could kill me.
00:35:53My daughter's asleep in there.
00:35:56If you really want to help Celia, there's a nice traditional way to get it.
00:36:00You simply make a statement against your brother.
00:36:05It's your choice, Celia.
00:36:08You either start talking sense to me or you go away and leave me in peace.
00:36:22Please stay.
00:36:37Angela, what are you doing?
00:36:38Go back to bed, Angela.
00:36:39Daddy, I can't sleep.
00:36:42You shouldn't be up at this time.
00:36:43Listen, I've got to get you to shut your eyes, right?
00:37:11Your wife married you under an assumed name.
00:37:25She's a Jewish upstart.
00:37:27So, made her a lot of friends in North Oxford.
00:37:30Don't be flippant.
00:37:32It's bad enough that she's a tart.
00:37:35She's also one of the chosen.
00:37:37Ah, yes.
00:37:38Helena Graves, Uber Ali's.
00:37:40You're ridiculous.
00:37:41Oh, be quiet.
00:37:43A Jew in our family endangers my position.
00:37:47Your position?
00:37:49No more champagne soirees with your fancy fascist friend Mosley and the Duke and Duchess of Windsor.
00:37:55If you knew how little all that matters to me.
00:37:57Well, it should.
00:37:59Our family needs...
00:38:01For God's sake, this isn't a family.
00:38:04You and father never spoke to each other from one year's end to the next.
00:38:08You did your utmost to keep Celia and me apart.
00:38:11You forced her to go to America.
00:38:13Celia had to leave Europe to get away from you.
00:38:16You made her life impossible after Alistair's death.
00:38:18She needed me.
00:38:20I've heard enough of this.
00:38:21You have no place here.
00:38:23I want you back in England by tomorrow night.
00:38:26And if this wedding is a catastrophe, as the last one was, I shall strangle you with my bare hands.
00:38:31Do you understand me?
00:38:32You will leave my house.
00:38:35I have every right to attend my sister's wedding.
00:38:38If you and that Jewish slut aren't out of here by noon tomorrow, I shall call the police.
00:38:43Oh, policemen. What a good idea.
00:38:46Don't play with me, Jeremy.
00:38:48I'm not playing, mother.
00:38:50I haven't played for years.
00:38:52Jeremy.
00:38:54Jeremy, don't imagine that I shall go on protecting you forever just because you're my son.
00:39:01There's no love in you, mother.
00:39:04No love at all.
00:39:31I love you.
00:40:01Come on.
00:40:31Come on.
00:41:01No!
00:41:32And neither have I the wings to fly.
00:41:42I wish I had a lonesome boatman.
00:41:53Hurry over.
00:41:59I love you, mother.
00:42:11Merci.
00:42:13Do you think you will ever come back to France again?
00:42:16I don't know.
00:42:17Maybe you could come to England.
00:42:19You could teach me French.
00:42:35Are you always like this with women, or is it only me?
00:42:40What a waste.
00:42:42Just as I'm getting the hang of you.
00:42:44Solange.
00:42:46You could have been a good team, you and I.
00:43:05Apparently, she was strangled between 10 and midnight.
00:43:20There is no sign of a break-in.
00:43:22They found two sets of fingerprints on the door.
00:43:25One would belong to the valet who found her.
00:43:27The others would be...
00:43:29His.
00:43:30The killer's.
00:43:31Or hers.
00:43:32The killer could be a woman, no?
00:44:01I don't know.
00:44:31Judith Sarah Sonnenberg, born Berlin, October 17th, 1912.
00:44:45This is yours, isn't it?
00:44:46Not a good time to lose your passport.
00:44:49Where did you find it?
00:44:51Helena's room.
00:44:52Bitch.
00:44:54You're married under a false name, why?
00:44:56Because I'm Jewish.
00:45:01Good daughter-in-law material, especially for a Nazi.
00:45:05She hired private detectives to follow me everywhere.
00:45:08Even the house of my parents was burgled.
00:45:10Twice.
00:45:11And now you're being blackmailed.
00:45:12I saw you yesterday with Louis Bernard.
00:45:14It must take a lot of money to shut up a little twister like him.
00:45:16The money I give Louis is to help him get my parents out of Germany.
00:45:20This is nothing to do with your murder investigation.
00:45:23Where did you come to France?
00:45:24What the hell do you want to know this for?
00:45:26Just answer the question.
00:45:27Just give me my passport.
00:45:28Where did you meet your husband?
00:45:31He picked me up at a hotel in Nice.
00:45:33He even helped me get false papers.
00:45:37Now, please, I want to be alone.
00:45:42Where are your parents now, Mrs. Graves?
00:45:47I've heard nothing for three weeks.
00:45:53Destroy this. I hope you get the message.
00:46:00Nobody here could possibly have murdered my mother.
00:46:03You think so?
00:46:05But the problem is no one has broken in.
00:46:08The servants were out of the house.
00:46:10That only leaves.
00:46:11This is intolerable.
00:46:17This must be a terrible shock for you.
00:46:19I'm very sorry.
00:46:21Thank you, Inspector.
00:46:23See you.
00:46:31Bon.
00:46:32The valet, Albert, thought he overheard a violent argument after dinner.
00:46:36Between Lady Helen and her son.
00:46:38Maybe Miss Graves heard something.
00:46:40Did you?
00:46:41No.
00:46:43Could you tell us where you were yesterday evening?
00:46:46In bed.
00:46:48Reading.
00:46:50Went to bed directly after dinner?
00:46:52Directly after dinner, the housekeeper brought my wedding dress to my room.
00:46:55And then?
00:46:57And then...
00:47:00I went to bed.
00:47:04Inspector?
00:47:06So where's this damned housekeeper, then?
00:47:09I don't know.
00:47:11Right, that'll be all for now, Miss Graves, unless...
00:47:13I have nothing further to add.
00:47:15If you change your mind, I'm here.
00:47:16Did you know your mother had Nazi connections?
00:47:19Of course.
00:47:20Does it surprise you?
00:47:23What do you mean, if she changes her mind?
00:47:26I don't know, no special meaning.
00:47:29Forget it.
00:47:31Forget what?
00:47:32Since this morning, you can't even look me in the eyes.
00:47:35Just give me a simple answer, I'm strong, I can take it.
00:47:39Get off my back.
00:47:40I can't take on the Jewish problem, the refugee problem, the Spanish Civil War, Hitler, Mussolini, you know?
00:47:46I'm only human.
00:47:51You've really landed me in it now.
00:47:54Are you sorry you kissed me, Inspector?
00:47:59Where did you learn to play games like these?
00:48:01Off your mother?
00:48:11Lovely.
00:48:15Can I?
00:48:16Yeah.
00:48:45Where were you last night?
00:48:49Gambling, why?
00:48:51Never mind why, where?
00:48:53At that little whorehouse across the river, know it?
00:48:56The Hotel du Port?
00:48:58Du Port.
00:48:59You should try it sometime, Inspector.
00:49:01Girls, cabaret, cockfighting in the basement, something for everyone.
00:49:05Plenty of good character witnesses, eh?
00:49:07The odd tot, a few drunken sailors.
00:49:10Oh, and a friend of my wife's, Louis Bernard.
00:49:12True officer and gentleman.
00:49:14Sounds like a cast-iron alibi.
00:49:16Now, you put it like that, I suppose it is a little leaky.
00:49:22Your mother was strangled with the catgut from your racket.
00:49:25Anything to say?
00:49:27To you?
00:49:28Nothing in particular.
00:49:59No, no.
00:50:24No!
00:50:27No! Celia!
00:50:29No! Angela! Angela! Stop that! Stop that, Angela!
00:50:32Celia!
00:50:57No!
00:51:03No!
00:51:07No!
00:51:11No!
00:51:21No!
00:51:27No!
00:51:57No!
00:52:15He's confirming Jeremy's story.
00:52:22Hey! Just cut that out!
00:52:28I bet Jeremy bribed him to set up that alibi.
00:52:31Then he must also have bribed the landlord, the barman and all the girls.
00:52:35I checked.
00:52:37Well, now you can check with the ferryman.
00:52:39All right?
00:52:58Well?
00:53:00Jeremy Grace met the crossing when he said he did.
00:53:03But there is something better.
00:53:05Celia came across on the ferry before and went back around 10.30.
00:53:10So she was lying to us.
00:53:12Yes, I know.
00:53:13What?
00:53:14She came to see me.
00:53:16Why didn't you tell me?
00:53:19Because... I don't know.
00:53:21Because it doesn't make any difference, does it?
00:53:23But it means you deliberately lied to us.
00:53:26But it means you deliberately covered her up for her.
00:53:28Look, let me do things my way.
00:53:30I'm the detective around here, not you.
00:53:32Oh, no, I won't cover up for you and that streetwalker.
00:53:35Nobody's asking you to cover up.
00:53:37Simmer down. You're getting hysterical over nothing.
00:53:40Oh, really?
00:53:42May I remind you, in case you forgot already,
00:53:44that she got back to the house in good time to kill her mother.
00:53:47Why can't you do your job properly?
00:53:50If you're lying to me, you must have a damn good reason.
00:53:54Oh, for Christ's sake, we're not married, are we?
00:53:57What are you doing creating a scene?
00:53:59If you want to know the truth about Celia Greaves, yes.
00:54:04I trust her.
00:54:06She needs my protection. Got it.
00:54:08Anything else you want to know?
00:54:13What?
00:54:24And I can't swim
00:54:30And neither have I the wings to fly
00:54:40I wish I had
00:54:45A lonesome boatman
00:54:53I wish I had
00:54:59A lonesome boatman
00:55:07I wish I had
00:55:15A lonesome boatman
00:55:23A lonesome boatman
00:55:53Anna, I just cannot cope any longer.
00:56:05Yes, I know, but that's not the point.
00:56:09Christ.
00:56:12Christ, why can't you understand, you know?
00:56:14There's been another murder here.
00:56:16I don't need the child under me feet.
00:56:18She's too young to be dragged through all this.
00:56:21Anna.
00:56:26Thanks a million.
00:56:36There's plenty of poor people in the world who'd be grateful for that.
00:56:52Andy, what's the matter?
00:56:54You haven't spoken a word to me since we got here.
00:56:56What have I done wrong?
00:57:01Miss your mother?
00:57:21I'm so sorry. I'm so busy and so late.
00:57:24First of all, the bad news.
00:57:26Alistair Jennings' car.
00:57:28Tell Miss Mann I've discovered nothing at all to suggest sabotage.
00:57:32Three years after the event, I'm hardly surprised.
00:57:34So this is the bad news?
00:57:35Now the even worse news.
00:57:37This, just back from the laboratory.
00:57:40The blood and hairs match Lady Helena's perfectly.
00:57:44But this was not the murder weapon.
00:57:46Too fragile.
00:57:49Rotten.
00:57:53So you're telling me this was all deliberately set up to frame Jeremy?
00:57:56Somebody wants to get rid of him.
00:57:58And somebody's making a monkey out of me. Who is it?
00:58:18I don't know.
00:58:44Wait a minute.
00:58:49Please.
00:59:02One night in jail, what's the matter? You didn't like the food?
00:59:05Listen, Inspector, I'm a tolerant man.
00:59:07But now you're ruining my walk.
00:59:09And that's serious.
00:59:11Somebody's trying to wipe you off the face of the earth.
00:59:13I've an enemy in the world.
00:59:15Present company. Accepted, of course.
00:59:17What about your sister?
00:59:19Is she any reason to hate you?
00:59:21Quite the reverse.
00:59:23I don't understand you.
00:59:24Not your job, Inspector.
00:59:26Not anymore.
00:59:31Queensbury rules, Inspector.
00:59:34Leave my sister alone.
00:59:36I've already written the Home Office last night on prison notepaper.
00:59:40By the time you get back to England, your career will be over.
00:59:44I'll recommend you for a position in the sewers.
00:59:49See you down there.
01:00:08Tell me about this.
01:00:11Tell me.
01:00:19Say something. Say something.
01:00:21Celia.
01:00:25Nothing's going to be held against you.
01:00:27It's all over for me. Your brother's shopping me to Whitehall.
01:00:30Just for Christ's sake, stop me from going back to England.
01:00:34You've got to let them do it.
01:00:39I thought you'd protect me.
01:00:41That's what I hoped.
01:00:46You don't care about me.
01:00:48You know I do.
01:00:51It's not enough.
01:01:00You're not ready for me, damn you.
01:01:04You're not ready for me.
01:01:23Where are you going?
01:01:25I don't know yet.
01:01:27We have to find another boat this afternoon.
01:01:34Give me a hand.
01:02:05It's all right about the wedding.
01:02:07Christopher's fine.
01:02:10Just don't go back to America.
01:02:13Stay in Europe with me, please.
01:02:19It's finished, Jeremy.
01:02:22You and I are finished.
01:02:25But I can't just disappear.
01:02:27Not exist.
01:02:29Mother's dead.
01:02:32She's dead.
01:02:35Do you miss her?
01:02:40Do you?
01:02:49Do you make me friend with myself?
01:02:53Do you?
01:02:56Do you make me friend with myself?
01:03:00There's no way out.
01:03:04Don't you know how much you mean to me?
01:03:09You're my life.
01:03:11I don't want you anymore.
01:03:17Your love.
01:03:19Your voice.
01:03:22Your eyes on me.
01:03:24You're killing me.
01:03:26You can't do this.
01:03:29Nothing can pull us apart.
01:03:31Not even you, Sam.
01:03:39You belong to me.
01:03:41Always.
01:03:43Remember.
01:03:45Remember.
01:03:55Come on.
01:04:12She belongs to me.
01:04:20She belongs to me.
01:04:25She belongs to me.
01:04:29Try to make the yellow.
01:04:54She belongs to me.
01:04:56She belongs to me.
01:05:24She belongs to me.
01:05:50Just give me an answer, can't she?
01:05:55Okay.
01:05:57We're going back to America.
01:06:02You don't need me.
01:06:24She belongs to me.
01:06:26She belongs to me.
01:06:28She belongs to me.
01:06:30She belongs to me.
01:06:32She belongs to me.
01:06:34She belongs to me.
01:06:36She belongs to me.
01:06:38She belongs to me.
01:06:40She belongs to me.
01:06:42She belongs to me.
01:06:44She belongs to me.
01:06:46She belongs to me.
01:06:48She belongs to me.
01:06:50She belongs to me.
01:06:52She belongs to me.
01:06:54She belongs to me.
01:06:56She belongs to me.
01:06:58She belongs to me.
01:07:00She belongs to me.
01:07:02She belongs to me.
01:07:04She belongs to me.
01:07:06She belongs to me.
01:07:08She belongs to me.
01:07:10She belongs to me.
01:07:12She belongs to me.
01:07:14She belongs to me.
01:07:16She belongs to me.
01:07:18She belongs to me.
01:07:20She belongs to me.
01:07:22She belongs to me.
01:07:24She belongs to me.
01:07:26She belongs to me.
01:07:28She belongs to me.
01:07:30She belongs to me.
01:07:32She belongs to me.
01:07:34She belongs to me.
01:07:36She belongs to me.
01:07:38She belongs to me.
01:07:40She belongs to me.
01:07:42She belongs to me.
01:07:44She belongs to me.
01:07:46She belongs to me.
01:07:48She belongs to me.
01:08:02Not yet.
01:08:04I'm not ready.
01:08:10You know.
01:08:12You know.
01:08:14You know you can tell me now.
01:08:16You know you can tell me now.
01:08:28The two of us.
01:08:36We made Alistair kill himself.
01:08:40Three days before the wedding.
01:08:46We let him see us making love.
01:08:52We watched him.
01:08:56Watching us.
01:09:00It was the best it's ever been.
01:09:04Like tempting a doll.
01:09:12Show me the rest. Come on.
01:09:14Show me the rest. Come on.
01:09:16Come on.
01:09:18Ask me.
01:09:20Ask me and I'll tell you everything you want to know.
01:09:22What else did you do?
01:09:24Everything.
01:09:26Everything.
01:09:40Did you kill your mother?
01:09:42Yes.
01:09:44Both of you murdered her.
01:09:46Both of you.
01:09:52Yes.
01:10:12What are you doing?
01:10:42What are you doing?
01:11:12Wait.
01:11:14Wait.
01:11:20Jamie.
01:11:22Jamie.
01:11:24Jamie.
01:11:42Jamie.
01:12:12Jamie.
01:12:26It could hurt trying to escape across the border.
01:12:32I'll handle this.
01:12:34Just leave. She's mine.
01:12:42You've found enough evidence.
01:12:44They've found enough evidence to hurt you.
01:12:50You stockings, you wash them.
01:12:52You dry them.
01:12:54You put them in your housekeepers' room
01:12:56and then you leave your mother's blood
01:12:58and hair all over one of them.
01:13:00You think I can cover up for you?
01:13:02What can O'Malley think I am, for Christ's sake?
01:13:06What can I do now?
01:13:08It's too late. It's too late.
01:13:10What can I do now? It's too late! It's too late!
01:13:14Unless you lie to me.
01:13:21Unless you went there.
01:13:25Unless your brother came here on his own.
01:13:36Just say the word and you'll be released.
01:13:40Say it.
01:14:00Don't let me die.
01:14:10Don't let me die.
01:14:14Don't let me die.
01:14:18Don't let me die.
01:14:21Don't let me die.
01:14:24Don't let me die.
01:14:27Don't let me die.
01:14:30Don't let me die.
01:14:33Don't let me die.
01:14:36Don't let me die.
01:14:38Don't let me die.
01:14:59Bruno?
01:15:08You're coming with me.
01:15:13Come on.
01:15:38All right, you're on your own.
01:15:42Move.
01:15:45There's a train to Le Havre in ten minutes.
01:15:48From there you can go back to New York.
01:16:08No.
01:16:15Go. Go. Move!
01:16:38Come on.
01:17:08Come on.
01:17:21Roger, the light!
01:17:23Wait, I'll be right back.
01:18:38Celia?
01:18:41I'm lost.
01:19:08I'm lost.
01:19:10I'm lost.
01:19:12I'm lost.
01:19:14I'm lost.
01:19:16I'm lost.
01:19:18I'm lost.
01:19:20I'm lost.
01:19:22I'm lost.
01:19:24I'm lost.
01:19:26I'm lost.
01:19:28I'm lost.
01:19:30I'm lost.
01:19:32I'm lost.
01:19:34I'm lost.
01:19:37I'm lost.
01:19:44I'm lost.
01:19:47I need you.
01:19:57Both our lives are over.
01:20:06♪♪
01:20:16♪♪
01:20:26♪♪
01:20:36♪♪
01:20:46♪♪
01:20:56♪♪
01:21:06♪♪
01:21:16♪♪
01:21:26♪♪
01:21:36♪♪
01:21:46♪♪
01:21:56We're one person, you and I.
01:21:59Twins.
01:22:01♪♪
01:22:11Aah!
01:22:13♪♪
01:22:23♪♪
01:22:33♪♪
01:22:43♪♪
01:22:53♪♪
01:23:03♪♪
01:23:14Get back!
01:23:16Aah!
01:24:13What remains of those beautiful days?
01:24:20A photo, an old photo, of my youth.
01:24:32What remains of those sweet days?
01:24:38Months of April, appointments,
01:24:44A memory that pursues me, non-stop.
01:24:56Faded happiness, hair in the wind,
01:25:02Stolen kisses, moving dreams.
01:25:08What remains of all this, tell me.
01:25:20A small village, an old bell tower,
01:25:26A landscape so well hidden,
01:25:32In a cloud, the dear face of the past.
01:25:56What remains of all this, tell me.
01:26:26Faded happiness, hair in the wind,
01:26:37Stolen kisses, moving dreams.
01:26:43What remains of all this, tell me.
01:26:54A small village, an old bell tower,
01:27:01A landscape so well hidden,
01:27:07In a cloud, the dear face of the past.
01:27:19In a cloud, the dear face of my past.