Armchair Theatre: Regan. (1974)

deaddogsdam

First broadcast 4th June 1974.  When a member of Scotland Yard's elite Flying Squad is found having been brutally attacked in the Thames near the London docklands, fellow Squad member Jack Regan investigates.  John Thaw - Det. Insp. Jack Regan Dennis Waterman - Det. Sgt. George Carter Lee Montague - Arthur Dale Garfield Morgan - Det. Chief Insp. Frank Haskins David Daker - Tusser Janet Key - Kate Regan Maureen Lipman - Annie Morris Perry - Det. Chief Supt. Maynon Stephen Yardley - Det. Insp. Laker Barry Jackson - Morton Miquel Brown - Miriam Peter Blythe - Peter Carl Rigg - Det. Sgt. Kent Michael Da Costa - South Ron Pember - Landlord (as Ronald Pember) Jonathan Elsom - Interviewer Betty Woolfe - Mrs. Berry Seymour Matthews - Doctor Don Henderson - Strip-Club Heavy Nancy Gabrielle - Johno's Wife Del Baker - Det. Sgt. Cowley Eileen Bellson - Woman in pub Barbara Bennett - Woman in Pub Jim Brady - Man in Pub Peter Brayham - Edward Grenfell Les Conrad - Detective/Police Constable Maxwell Craig - Henchman in Photo Renee Cunliffe - Woman in pub Billy Davis - Pub Patron Hugh Elton - Detective Suzanne Fleuret - Woman in Pub Josie Grant - Woman in Pub Joe Griffiths - Miriam's Pianist Gordon Hann - Boxing coach Peter Hannon - Detective Aidan Harrington - Man in Pub Tony Hayes - Flying squad officer Walter Henry - Detective Danny Holland - Boxing coach Helen Keating - Busty Woman in Pub Eric Kent - Man in Gym Danny Lyons - Man in pub Mark McBride - Man in Pub James Muir - Prison officer Gerald Paris - Man in Pub Quentin Pierre - Boxer Dinny Powell - Henchman Bob Ramsey - Man in Pub Bess Rogers - Woman in Street Peter Roy - Superintendant Pat Ryan - Mallory Cy Town - Prison officer Joseph Tregonino - Man Being Photographed Reg Turner - Detective Mickey Varey - Boxing Coach

Transcript

00:00:00My old man said, follow the band, and don't dilly dally on the way.

00:00:14Off with the band, with the old wagon in it, I follow, don't twist it, don't fall with it.

00:00:24I dilly-da-dally, dally-da-da-dally, I dilly-da-dally, I lost my way and don't go where to go.

00:00:33Now you can't trust the species like the old time's coming when you can't find your way home.

00:00:41All together now.

00:00:43My old man said, follow the band, and don't dilly dally on the way.

00:00:50Off with the band, with the old wagon in it, I follow, don't twist it, don't fall with it.

00:00:59I dilly-da-dally, dally-da-dally, I lost my way and don't go where to fall.

00:01:05Mr. Dale. Sweeney.

00:01:07You what? That bloke. Sweeney.

00:01:11I ain't.

00:01:12I ain't.

00:01:20I ain't.

00:01:22I ain't.

00:01:24I ain't.

00:01:25I ain't.

00:01:26Ma is awfully nice to you.

00:01:32Ma is almost breaking my heart.

00:01:38I'm beside him.

00:01:41Mercy, let his conscience guide him.

00:01:56Mercy, let his conscience guide him.

00:02:02I'll go, don't put this.

00:02:32Let's go.

00:03:02Get rid of this.

00:03:32Get rid of this.

00:04:02Oh, my God.

00:04:32Oh, my God.

00:05:02Oh, my God.

00:05:31Oh, my God.

00:06:01Oh, my God.

00:06:31Oh, my God.

00:07:01Oh, my God.

00:07:02Oh, my God.

00:07:03Oh, my God.

00:07:05Oh, my God.

00:07:07Oh, my God.

00:07:08Oh, my God.

00:07:09Oh, my God.

00:07:10Oh, my God.

00:07:11Oh, my God.

00:07:12Oh, my God.

00:07:13Oh, my God.

00:07:14Oh, my God.

00:07:15Oh, my God.

00:07:16Oh, my God.

00:07:17Oh, my God.

00:07:18Oh, my God.

00:07:19Oh, my God.

00:07:20Oh, my God.

00:07:21Oh, my God.

00:07:22Oh, my God.

00:07:23Oh, my God.

00:07:24Oh, my God.

00:07:25Oh, my God.

00:07:26Oh, my God.

00:07:27Oh, my God.

00:07:28Oh, my God.

00:07:29Oh, my God.

00:07:30Oh, my God.

00:07:31Oh, my God.

00:07:32Oh, my God.

00:07:33Oh, my God.

00:07:34Oh, my God.

00:07:35Oh, my God.

00:07:36Oh, my God.

00:07:37It's going to be filled with us.

00:07:38After all, our tours will be filled at times.

00:07:39allas are projector and présentation.

00:07:40Right.

00:07:41Oh, my God.

00:07:42Oh, my God.

00:07:43Oh, my God.

00:07:44Oh, my God.

00:07:45Oh, my God.

00:07:46Oh, my God.

00:07:47Oh, my God.

00:07:48Oh, my God.

00:07:49Oh, my God.

00:07:51Oh, my God.

00:07:52Oh, my God.

00:07:53Oh, my God.

00:07:54to St Cuthbert's Hospital.

00:07:55Sergeant Cowley involved in personal injury,

00:07:58most serious and most urgent.

00:07:59Squad 501 received, over and over.

00:08:02Hospital, Burks.

00:08:05How is Cowley?

00:08:07Bravo, sir.

00:08:08Where is he?

00:08:09In X-ray.

00:08:11No one lets you talk to him.

00:08:13Oh, yeah.

00:08:16He won't be longer.

00:08:18Well, Dr Richardson, please go to casualty.

00:08:21Dr Richardson, to casualty.

00:08:36Doctor, I'm Detective Inspector Regan.

00:08:38This is one of my boys.

00:08:40How is he?

00:08:41Not good.

00:08:42What do you mean, not good?

00:08:43Keep your voice down.

00:08:45When can I see him?

00:08:46Later.

00:08:47What time later?

00:08:48Later.

00:08:49Look, it's our problem now.

00:08:50Just go away.

00:08:53Doctor, you don't understand.

00:08:54If this man dies, there are 30,000 policemen involved.

00:08:58Well, that's your problem.

00:08:59He's very ill.

00:09:01But what are his chances?

00:09:07He was semi-conscious.

00:09:08God, they only gave me a minute.

00:09:10So?

00:09:11Well, he was rambling.

00:09:13Kept mumbling something about the Mallory lot.

00:09:16Mallory mob.

00:09:17Mallory?

00:09:18George Mallory?

00:09:19Yeah, I think so.

00:09:20Oh, no.

00:09:21He didn't have his nose up the Mallory farm.

00:09:31Governor couldn't understand it about his diary.

00:09:33Carlis?

00:09:34They checked it.

00:09:35He ain't put pen to paper in four days.

00:09:38I don't follow.

00:09:39Nothing.

00:09:40Nothing.

00:09:41Not even expenses?

00:09:43Are you saying he hasn't written a line in four days?

00:09:46Nobody knows what he was doing south of the river last night.

00:09:49What he was up to or who he saw.

00:09:51You got your driver here?

00:09:53No, go.

00:09:54Right, get him.

00:09:58We're going back to the yard.

00:09:59Sure, as soon as there's any news.

00:10:08I don't understand why Carly said Mallory mob.

00:10:11It was over the river.

00:10:12That's Tusser country.

00:10:13Mallory's West End.

00:10:14Yeah, that's what I've all got.

00:10:17Somebody must know what Carly was up to.

00:10:21He must have done some paperwork.

00:10:23Go through his desk again, then check his place.

00:10:25Run, go.

00:10:29You heard about Carly?

00:10:31Yeah. Haskins wants you. Urgent.

00:10:36Give me serious crime squad. Mr. Laker.

00:10:38Laker's in the conference room, Jack.

00:10:42Mallory.

00:10:43Three years back.

00:10:46He'd just bought a chain of garages.

00:10:48Involvement with foreign registered cars.

00:10:51Look out for the man on his left.

00:10:54Albie Tucker.

00:10:56Ex-boxer.

00:10:57A key man.

00:11:01Tusser.

00:11:02He got 18 months last year.

00:11:04And Edward Grenfell.

00:11:06Tusser's draftsman.

00:11:08Picture taken August 68.

00:11:12We haven't seen Grenfell for three months.

00:11:14He's probably working on something.

00:11:17Tusser and Mallory.

00:11:18We understand this is the only time they met.

00:11:21Non-reliable informants states they met to divide certain areas of action in London.

00:11:30Says night ended with Mallory getting very drunk.

00:11:32What the hell are you doing here?

00:11:38This one's down to serious crime squad.

00:11:41We've had one of our young skippers smashed up in Tusser country.

00:11:44Yes, I'm sorry.

00:11:47We've had most of our resources on that Tusser lot since Mallory went off to Spain.

00:11:52And now your lad's blown it.

00:11:55He's badly smashed up.

00:11:58Yes, and that's not all the damage, is it?

00:12:00So let us pick up the pieces.

00:12:02How could Cowley, only six months with us, go through the last four days without writing a line?

00:12:16There's two reasons blokes like Cowley don't fill in their diaries. You know them better than I do.

00:12:20Do I?

00:12:22You get a phone call from a Fulham pup, get down here in ten minutes you'll catch a suspect.

00:12:27You don't have time to find your diary.

00:12:29For four days he writes nothing.

00:12:31So he was on at the Mallory mob.

00:12:33He writes Mallory in his diary, you pull him off.

00:12:36It's a gangbusters case.

00:12:38What do you think he had on Mallory?

00:12:41Stump tip.

00:12:42Whatever it was, they sussed him out.

00:12:44It was your responsibility, you should have known what he was doing down there.

00:12:48I accept that, sir.

00:12:49Now I suppose you want to go crashing in there.

00:12:52See what you can find out.

00:12:54Well, don't!

00:12:55I've already told the gangbusters that we won't interfere.

00:12:57I don't want any more hassle, right?

00:13:05Cowley isn't married, is he?

00:13:06No, lives with his grandmother.

00:13:08Anybody been to see her?

00:13:09Not yet.

00:13:10She does know he's been injured.

00:13:12Go and see her.

00:13:13Tell her everything's all right.

00:13:16You know there are going to be some changes around here.

00:13:18I heard, yeah.

00:13:19There's a meeting at six o'clock in the squad room.

00:13:22Be there.

00:13:24I've got a feeling it's going to clip your wings.

00:13:27Meanwhile, stay away from Tusser and Mallory.

00:13:31They belong to Serious Crime Squad, understood?

00:13:33Hey, Tom.

00:13:34Your bad news, Jack.

00:13:35The worst.

00:13:36Look, Tom.

00:13:37You're off the case.

00:13:38What do you want?

00:13:39My boy's on the danger list.

00:13:40You cornered the market in Mallory and he's the only lead we've got.

00:13:41We're moving on the boy.

00:13:42So?

00:13:43I've already picked up two of Mallory's lot.

00:13:44Like?

00:13:45Chapel and Tick Benton.

00:13:46Oh, shrimp fishing.

00:13:47Look, give us a line.

00:13:48I might have something for you.

00:13:49I just want to know what happened.

00:13:50What harm can that do?

00:13:51Why, Mallory?

00:13:52Every snout in London knows it is in Spain.

00:13:54He won't be back till Tusser's out of jail in two months.

00:13:56What else?

00:13:57For you.

00:13:58For you.

00:13:59For me.

00:14:00For me.

00:14:01For me.

00:14:02For me.

00:14:03For me.

00:14:04For me.

00:14:05For me.

00:14:06For me.

00:14:07For me.

00:14:08For me.

00:14:09For me.

00:14:10Well, give us a line.

00:14:11I might have something for you.

00:14:12I just want to know what happened.

00:14:13What harm can that do?

00:14:14Why, Mallory?

00:14:15Every snout in London knows it is in Spain.

00:14:17He won't be back till Tusser's out of jail in two months.

00:14:18What else?

00:14:19For you.

00:14:20Nothing.

00:14:33For me.

00:14:43Local, Nick?

00:14:44Right.

00:14:45I got through the hospital guard.

00:14:46They just finished operating.

00:14:47How's Cali?

00:14:48They're not saying.

00:14:49What are they saying?

00:14:50Bruises on the head and forehead consistent with a severe fall.

00:14:53Gravel embedded deep in the skull.

00:14:55Traces of mud.

00:14:56What kind of a fall?

00:14:57Like out the window.

00:14:59So, he was around here somewhere.

00:15:02Who's picked up here.

00:15:08Meanwhile, he fell out of a window.

00:15:11I think the doc was suggesting he was pushed.

00:15:14Thanks.

00:15:16Get a torch.

00:15:18Sir.

00:15:19What kind of a guy is Cali?

00:15:22Oh, he's quiet.

00:15:24A little strange lives with his granny.

00:15:26Is he a pup?

00:15:27Nah.

00:15:28Just a bit odd.

00:15:30Cigar rash.

00:15:31That couldn't have been here long.

00:15:44Come here long.

00:15:45Come here.

00:15:46Come here.

00:15:47Go.

00:15:48Oh, leave that to Laker.

00:15:49He must find his way here sooner or later.

00:15:53You want me to get the photographers and fingerprinters?

00:15:55No, that's Laker's job.

00:15:56We're freelancers.

00:15:57We're freelancing here, son.

00:15:58You want me to get the photographers and fingerprinters?

00:16:00No, that's Laker's job.

00:16:02We're freelancing here, son.

00:16:03Look, if you've got a big tip.

00:16:04Something to do with the matter.

00:16:05Look, if you've got a big tip.

00:16:06Something to do with the matter.

00:16:07You want me to get the photographer's and fingerprinters?

00:16:08No, that's Laker's job.

00:16:09We're freelancing here, son.

00:16:10Look, if you've got a big tip, something to do with the matter.

00:16:11If you knew that the gangbusters had a big op on against Mallory, what would you do?

00:16:24I'd inform Mr. Raskins, gov.

00:16:26Would you?

00:16:27If you've got a big tip, something to do with the Mallory firm and you knew that the gangbusters

00:16:32had a big op on against Mallory, what would you do?

00:16:36I'd inform Mr. Raskins, gov.

00:16:39Would you?

00:16:40Would you?

00:16:41I wouldn't go out alone, not against a mob like that.

00:16:44That's what made Cowley different.

00:16:46What?

00:16:47Reckoned he could do it all on his own.

00:16:50Where do we get all these heroes from?

00:16:53Got good teachers, ain't they, Gough?

00:17:03Well, this is Tusser's patch.

00:17:05Do you know South London?

00:17:06I know it. Not like the back of me hands.

00:17:10Bye-bye, Ken.

00:17:12Okay, go.

00:17:21Move, come on, move.

00:17:23Come on, carry that car, come on, move.

00:17:25Come on.

00:17:33Come on, jab.

00:17:35Keep in the middle there, come on.

00:17:37Step away, George, come on.

00:17:39Come on, George, jab away, mate.

00:17:41Now, keep off them ropes, George.

00:17:43Jab, jab, come on, George.

00:17:46Jab away, mate, come on, jab.

00:17:48Jab it out, come on, come on, jab it out.

00:17:52Jab, come on, George, jab it out.

00:17:54Come on, come on, George.

00:17:56Come on, George, jab it away.

00:17:58Come on, Ron, Ron.

00:18:00Come on, give me a chance.

00:18:01I'm sorry about that, Danny.

00:18:02I should flip them with pizza, too.

00:18:03I thought I needed you.

00:18:04Hello.

00:18:05Be careful there, George.

00:18:06Getting a bit rusty.

00:18:07How'd you do that?

00:18:08Come on, look.

00:18:09I'm sorry about that, Danny.

00:18:10I should flip them with pizza, too.

00:18:11I thought I needed you.

00:18:12Oh, look.

00:18:13How'd you do that?

00:18:14Good care less there, George?

00:18:15Okay, what's that, George?

00:18:24Getting a bit rusty.

00:18:27How's division suiting you?

00:18:31That?

00:18:33How's division suiting you?

00:18:35It's all right.

00:18:36Working for Mr. Castle?

00:18:39Yeah, that's right.

00:18:41Yeah, he's a mate. He owes me a few favors.

00:18:45You hear about Sergeant Carley?

00:18:48Yeah, I did hear something. Didn't he get beaten up?

00:18:51Badly.

00:18:53How badly?

00:18:53Very.

00:18:55You know him?

00:18:56No, no, not really.

00:18:58He joined the squad a month before I left.

00:19:00He was on to the Mallory mob.

00:19:03Now listen, you know more about South London than any skipper in the force, George.

00:19:07I need you.

00:19:10I can't leave Mr. Castle.

00:19:12Not even for about two weeks.

00:19:13Now, you know that other villain, Tusser, right?

00:19:16Tusser, like, yeah, I grew up with him.

00:19:18Mallory and Tusser are warring.

00:19:20I think Carley walked in the middle of it.

00:19:22He was worked over then accidentally hit by a car, but he took a big hiding.

00:19:27Now, I need your knowledge, George.

00:19:29If I can square it with Mr. Castle, okay?

00:19:31Look, Mr. Regan, I worked for you for 18 months, right?

00:19:45And now I work for Mr. Castle.

00:19:47The hours are regular and the wife's happy.

00:19:49And I'm up for a promotion.

00:19:50Well, not only that, quite frankly, I didn't like your methods very much.

00:19:57Would it take a lot of courage to say that?

00:20:01No, not really.

00:20:02Now, look, Mary, darling, I'm not trying to start an affair with you.

00:20:05Don't lift a bloody finger for me.

00:20:06I'm not asking for that.

00:20:08But you can help me put these bastards away.

00:20:10They've done one of ours.

00:20:11Okay?

00:20:12Now, just yes or no.

00:20:19Well, if Mr. Castle agrees, then yes.

00:20:24My wife will go spare.

00:20:26Right.

00:20:26I'll be in touch.

00:20:33Hurry up, Annie.

00:20:35Okay, that'll do, love.

00:20:38Hmm, that's fine.

00:20:40Right, turn over.

00:20:42Action.

00:20:48Okay.

00:20:50Legs up, love.

00:20:52Yeah, that's good.

00:20:54Hold that position.

00:20:58Hello, Jack.

00:20:59Hello, Lola.

00:21:01Impeccable timing, as usual.

00:21:03I didn't know they still wore those.

00:21:05Quiet, please.

00:21:12Where is it, then?

00:21:15Shirts.

00:21:16I want my shirts.

00:21:17Did you manage to get them done?

00:21:18Yeah, you'll have to square it with wardrobe, though.

00:21:28I'm breaking in five minutes.

00:21:30You want to buy me lunch?

00:21:31Sorry, love.

00:21:32I'm in a bit of a rush.

00:21:33Well, if that's all that's wanted,

00:21:36I'll go back to work.

00:21:38Well, I haven't got time for anything else.

00:21:41Will I see you tonight?

00:21:42No.

00:21:44Tomorrow night?

00:21:45Definitely.

00:21:46Hmm, one night in nine.

00:21:47Not bad.

00:21:48Who gets you the other eight?

00:21:50Oh, I'm sorry, Annie.

00:21:51I've got a big job on.

00:21:52Is that right?

00:21:53Tell me, Jack,

00:21:54when do you ever have a small job on?

00:21:56Tomorrow night, I promise.

00:21:58Knockout.

00:21:59I'll run home now,

00:22:00get into my negligee,

00:22:01and wait by the window.

00:22:02Promise.

00:22:06Thanks for the shirts, love.

00:22:07Yeah, I reckon it's your relationship

00:22:10with my ironing board

00:22:11that keeps us together.

00:22:12And the rest, love.

00:22:14Tomorrow night.

00:22:17Tomorrow night.

00:22:27Where's your driver, Gov?

00:22:30This is my own car.

00:22:32I've been told to stay off this case.

00:22:36I see.

00:22:39You heard the latest brainwave?

00:22:41No.

00:22:42Flying squad, robbery squad,

00:22:44regional crime squad,

00:22:45all amalgamated in one sprawling mess.

00:22:48There'll be hundreds of little grey men

00:22:50all working on top of each other,

00:22:52pots of tea and committees.

00:22:54I'm one of the best DIs in the squad.

00:22:56You know that.

00:22:57They don't listen to me.

00:22:58They listen to committee men, no?

00:23:03You know, Tusser and Mallory

00:23:04will have to sort it out sooner or later.

00:23:06Even with Tusser in jail,

00:23:09these boys have still tried to host Mallory.

00:23:11She's out in two months, right?

00:23:13Right, yeah.

00:23:16I'll tell you something.

00:23:16That's a Tusser pub.

00:23:22Okay.

00:23:26Used to be a good pub, this.

00:23:32Before he passed out,

00:23:33he said Mallory's mob,

00:23:35Mallory's lot.

00:23:37Question.

00:23:38If this is a Tusser pub,

00:23:39how could Mallory's lot be in here?

00:23:41Two whiskies.

00:23:44Two large whiskies.

00:23:48Remember me?

00:23:50Should I?

00:23:51Well, I used to drink in here with my old man.

00:23:53Carter.

00:23:54He was a docker.

00:23:56Yeah, you short-changed him one night.

00:23:58He put one on you.

00:24:01We want to ask you some questions.

00:24:03Oh, boy, how many more times?

00:24:05What does that mean?

00:24:06Well, the old builder.

00:24:07Only left here an hour ago.

00:24:0976 pence.

00:24:10There are a few of us.

00:24:12What did you tell them?

00:24:13Look, mate,

00:24:13I've got better things to do than myself

00:24:15than stand around here

00:24:16answering the same old questions

00:24:17over and over again for the bloody law.

00:24:19Don't call us bloody law, mate.

00:24:22What did you tell them?

00:24:23Nothing.

00:24:24I don't know nothing.

00:24:2676.

00:24:27I think there was a detective sergeant in here last night.

00:24:30He got beaten up.

00:24:31Not in here, mate.

00:24:32He left.

00:24:33He went.

00:24:34What time?

00:24:34Oh, I don't know.

00:24:35Closing time.

00:24:3611 o'clock.

00:24:36Look,

00:24:37you keep your license

00:24:39if we say you keep it, okay?

00:24:41Yeah, okay.

00:24:43Were any of Tusser's or Mallory's

00:24:45lot in here last night?

00:24:46No one.

00:24:47Sergeant,

00:24:48is there much pimping in here?

00:24:50License infractions?

00:24:53Yeah, I would say so.

00:24:55Are we going to come back here tonight

00:24:56and find one tart

00:24:57that'll lose him his business?

00:25:00Yeah, we might.

00:25:02Everyone knows

00:25:03Tusser's lot drinking here.

00:25:06Names?

00:25:07I don't know their names.

00:25:09Oh, I know they're villains.

00:25:11But I don't ask for their custom

00:25:12and I don't ask questions.

00:25:1576.

00:25:16You ever done Bird?

00:25:17No, I couldn't get a license, could I,

00:25:19if I'd been inside?

00:25:20We do make mistakes, you know.

00:25:22Let's check.

00:25:23May I use your phone?

00:25:31Funny fellow, my governor.

00:25:33He hates publicans.

00:25:37Inspector Regan here, squad.

00:25:40Regan,

00:25:41you get me my office.

00:25:42Ken?

00:25:44I'd like a clearance

00:25:45through CRO and a publican.

00:25:48What's your name?

00:25:50T Maddox.

00:25:52T for what, two?

00:25:54Terry.

00:25:56Terrence Maddox.

00:25:57Terrence Maddox.

00:26:00Yeah, oh, your ex-wife phone,

00:26:01go after she wants to see you urgently.

00:26:02Yeah, and Mr. Haskins

00:26:03wants to talk to you.

00:26:04Well, I don't want to talk

00:26:05to Mr. Haskins.

00:26:06Regan,

00:26:09where the hell are you?

00:26:10I've just finished

00:26:11some lungs, sir.

00:26:15What?

00:26:16The doctors say that

00:26:17medically they can't

00:26:17distinguish between

00:26:18the injuries from

00:26:19the beating up

00:26:19and the injuries

00:26:20from the car accident.

00:26:21Well, they have to.

00:26:22Well, they say they can't.

00:26:36Cowley's dead.

00:26:44The doctors say

00:26:45they can't make a case

00:26:45about which injuries

00:26:46killed him.

00:26:47The beating of the car.

00:26:56Yeah.

00:26:58It means we can't even

00:26:59do the bastards

00:27:00for murder.

00:27:06We're about to form

00:27:18the largest

00:27:19crime-fighting force

00:27:20in Europe.

00:27:21It'll be an amalgamation

00:27:22of all groups,

00:27:23flying squad,

00:27:23robbery squad,

00:27:24regional crime squad.

00:27:25The identities

00:27:26of the three squads

00:27:27will remain.

00:27:28You've seen Regan.

00:27:29All resources,

00:27:30equipment,

00:27:31and intelligence

00:27:32will be pooled

00:27:32and shared.

00:27:34From now on,

00:27:35any top criminal

00:27:36who departs

00:27:37from his normal

00:27:37routine for one second

00:27:39will have 200 men

00:27:40on top of him.

00:27:42In the past,

00:27:43all we've been able

00:27:43to do from time

00:27:45to time is to

00:27:46disorganize major crime.

00:27:48Now we're going

00:27:49to hit it for six.

00:27:51Where's Regan?

00:27:53Well, it's all right.

00:27:54Find him.

00:27:55The only time

00:27:55I really talked to Carl

00:27:56it was a month

00:27:57after he joined.

00:27:59I asked him

00:27:59if he had a girlfriend.

00:28:02Said he had an old

00:28:03girl of 78.

00:28:05His granny.

00:28:05How can I walk

00:28:10in there

00:28:10and tell our lady

00:28:11it's over?

00:28:18Do you want me

00:28:19to come with you?

00:28:22No, it's my job.

00:28:35Mrs. Berry.

00:29:02Yes.

00:29:03My name is Jack Regan.

00:29:05Flying squad.

00:29:05Oh, I, Tom,

00:29:07talked about you.

00:29:08How is he?

00:29:10Can we come in?

00:29:11Yes.

00:29:12What are you doing here,

00:29:13love?

00:29:14It's all right.

00:29:14I asked her to.

00:29:21Have you seen Tom?

00:29:25Is he going...

00:29:25Mrs. Berry.

00:29:26I'm afraid that Tom's dead.

00:29:30Dead?

00:29:30I'll gamble the cat lock.

00:29:38Dead.

00:29:39Tom died in the line

00:29:48of duty.

00:29:52He was a good policeman.

00:29:55We'll get the people

00:29:56who did it.

00:30:00Look, I'm going to leave

00:30:01you my phone number.

00:30:03Now, if there's anything

00:30:04you want,

00:30:05you just ring me

00:30:06and I'll come immediately.

00:30:08Mrs. Jones says

00:30:09she'll stay with you tonight.

00:30:19I'm sorry.

00:30:20I'm very sorry.

00:30:24We'll get him, though.

00:30:34I'm going to leave

00:30:36my telephone number.

00:30:39There'll be somebody down

00:30:40from the yard

00:30:40to make the arrangements.

00:30:42Okay.

00:30:43I've got to go now,

00:30:44but you make sure

00:30:45she's all right.

00:30:46She'll be all right.

00:31:00How's she take it?

00:31:03Do you know something?

00:31:05That old lady's got no reason

00:31:07to go and live in that.

00:31:09Whoever killed Carly

00:31:11killed two people.

00:31:17I rang the yard.

00:31:18Yeah?

00:31:20Apparently, Mr. Lake

00:31:21has been making a lot of waves.

00:31:22Got blokes crawling everywhere.

00:31:24Anything else?

00:31:26Your ex-missive phone.

00:31:28Yeah, I heard.

00:31:31I'll drop you at a bus stop.

00:31:34Get off.

00:31:39Yeah.

00:31:44Yeah.

00:31:44See you next week.

00:31:45I'll stop now.

00:31:47I'll stop.

00:31:50Go on.

00:31:52Hello, Kate.

00:32:15You're late.

00:32:18So what's new about that?

00:32:20I kept Susie up till 7.30.

00:32:23She was so excited she thought she was going to see her dad.

00:32:26Poor kid fell asleep on the couch.

00:32:28I had to put her to bed.

00:32:30Why can't you ever be on time for us?

00:32:32I'm on an important case.

00:32:34There's a young cop.

00:32:35I'm not interested anymore in your silly cases and your stupid criminals.

00:32:50What do you want to tell me?

00:33:03It would be a good idea if you ate regularly and drank less.

00:33:05Have you looked at yourself lately?

00:33:08You look terrible.

00:33:09You're 35 years old and you look 45.

00:33:11What do you want, Kate?

00:33:20I'm thinking of getting married.

00:33:22Peter's coming around later.

00:33:24Who's Peter?

00:33:25Teacher.

00:33:28They don't make much money.

00:33:30He works in a language laboratory, Oxford Street.

00:33:32He's got an income from that and a few hundred quid from a couple of textbooks he's written.

00:33:37Can he support you?

00:33:39No.

00:33:40Not immediately.

00:33:42We calculate in a couple of years.

00:33:44So what's his problem?

00:33:47He's got an ex-wife and two kids.

00:33:49Look, Jack, if you could keep up the mortgage payments on here and Susie's school fees and expenses just for a couple of years.

00:34:01You don't want much, do you?

00:34:06Let me think about it.

00:34:08You need to think about it?

00:34:10Yes, I need to think about it.

00:34:17Get that out of the way.

00:34:19Did you tell him?

00:34:30Yeah.

00:34:32Jack, this is Peter.

00:34:34Peter.

00:34:36Sit down.

00:34:42Scotch?

00:34:43Yes, thank you.

00:34:49Right then.

00:35:01Why do you want to marry Kate?

00:35:04I love her.

00:35:05I want to live with her as man and wife.

00:35:08You did love someone else.

00:35:10Two kids.

00:35:11Both Kate and I are free.

00:35:14It happens to be our decision.

00:35:15But you want me to part finance, sir.

00:35:18Look, will you continue to pay Kate some money for two years at the most until I can straighten myself out?

00:35:24You're pretty blunt, aren't you?

00:35:27I'm simply asking a question.

00:35:29Let me ask you one.

00:35:30Aren't there a lot of young, sexy ladies without children in your part of the world?

00:35:35Swedish girls or Dutch girls?

00:35:37I don't come from Sweden or Holland.

00:35:39I come from Germany.

00:35:40Germany?

00:35:41Yes.

00:35:45Have I said something funny?

00:35:48No.

00:35:49No, no.

00:35:49I've just had a couple of drinks.

00:35:52I don't like crowds.

00:35:55You know, that's quite insulting.

00:35:58Fact.

00:35:58I've never met a German that I've liked.

00:36:03Don't rise to it, Peter.

00:36:04It's hard for him to be confronted with the kind of person he could have been.

00:36:08This?

00:36:09I think you'd better leave.

00:36:11Uh-huh.

00:36:12It requires a sense of responsibility you just don't have to sit down and calmly discuss our and Susie's future.

00:36:19You'll always run away from it.

00:36:21I'm not running away.

00:36:22I am sitting in this house for which I pay 700 pounds a year, listening to a young Adolf who intends to move in rent-free.

00:36:32Well, I'm sorry, but I've got to have time to think about all this.

00:36:36I mean, your love affair may be fun, darling, but it does involve my daughter and my bread.

00:36:42I think I'd better go.

00:36:44Yes, I think you'd better.

00:36:45Don't go.

00:36:51Don't worry.

00:36:52I'll go.

00:36:55I'll be in touch.

00:36:57Don't bother.

00:37:00I'll be in touch.

00:37:19Where to?

00:37:21Fiesta Club.

00:37:21What's there?

00:37:27Colourbird.

00:37:28Miriam Leslie.

00:37:30Where does she connect?

00:37:32Mallory's girlfriend.

00:37:36Some girlfriend with him in Spain and her here.

00:37:39Yeah, that's the way it goes, Gov.

00:37:41When you dropped me off last night, I went round to see a few friends.

00:37:45They said Mallory's a one-girl guy, and this one's been with him ten months.

00:37:51You've been to that club?

00:37:53No, I can't afford it.

00:37:54Not like you skippers.

00:37:56Yeah, that's right.

00:37:57Where did you get the information?

00:37:58Cyclops Goldberg.

00:37:59Cyclops Goldberg.

00:38:00It used to be a snout for me.

00:38:01Yeah, I went round to his place.

00:38:02He was watching telly.

00:38:03Big fight.

00:38:04Did you see it?

00:38:05No.

00:38:06No.

00:38:07It's rubbish.

00:38:08What about the girl?

00:38:0925, Jazz singer.

00:38:10Good class bird, no fool.

00:38:12I'm ready.

00:38:13No.

00:38:14I'm ready.

00:38:15I'm ready.

00:38:16You've got all the time.

00:38:17I'm ready for the girl.

00:38:18What about the girl?

00:38:1925, Jazz singer.

00:38:21Good class bird, no fool.

00:38:26There's a good girl.

00:38:28I'm ready for this.

00:38:29What about the girl?

00:38:3125, Jazz singer.

00:38:33Good class bird, no fool.

00:38:36Oh, dear, look at the state of her.

00:38:46Did you see that?

00:39:06I killed that Cyclops. He said she'd be here this morning.

00:39:36Do you think that's a good idea, sir?

00:39:44What does that mean?

00:39:46Look, we can't get a warrant because I'm not on this case.

00:39:49Understood?

00:39:55Do you think that's a good idea?

00:39:58I think it's a good idea, yes.

00:40:00Because if I don't sort this out in the next 12 hours

00:40:02before they get their Cowley inquiry organized,

00:40:04I'm out of the force.

00:40:05Yes, for good.

00:40:07Now, if you don't see that, then on your bike and out of my way.

00:40:11Yeah, it's a question, you know, Carter.

00:40:12Are you with me 100% on this or not?

00:40:15Just yes or no?

00:40:19I must be out of my tiny mind.

00:40:22Yes, Garth.

00:40:24You won't hear.

00:40:35Can I help you?

00:40:44I'm looking for Miss Miriam Leslie.

00:40:46Not anymore.

00:40:47Why not?

00:40:49Because I'm bigger than you.

00:40:52Yep.

00:40:53Bigger and thicker.

00:40:55My job in life is to see that no one bothers Miss Leslie.

00:40:58I'm not looking for trouble, but I'm going to see...

00:41:05No, pal.

00:41:06You're not.

00:41:07You're not.

00:41:08No!

00:41:12A one, two, three, four, and...

00:41:16Hello, babe.

00:41:18I'm Beulah Mae.

00:41:19Nice and cheeky.

00:41:20You can call me, honey.

00:41:23That's my girl.

00:41:24You can call me anytime at home.

00:41:29Detective Inspector Regan.

00:41:37Are you Miriam Leslie?

00:41:39Why?

00:41:40Well, I'd like to talk to you if you are.

00:41:42How'd you get in here?

00:41:43Personality.

00:41:45Take your personality and get out.

00:41:47We're closed.

00:41:49Same place.

00:41:49Three, four, stay.

00:41:52Stay right here, I'll entertain.

00:41:55Though I don't be...

00:41:57Let's do it, Father.

00:41:58Let's take it down some more.

00:41:59Okay, and it's still right there.

00:42:01Three, four, stay right there.

00:42:06What do you want?

00:42:07Just a few questions.

00:42:10Look, I'm a working girl, and I'm working.

00:42:13This won't take long.

00:42:15Promise?

00:42:15Promise.

00:42:17Go on through the break.

00:42:19Okay.

00:42:27You don't drink on, do you?

00:42:30Only scotch.

00:42:36Ask your questions.

00:42:38Who's the heavy out the back?

00:42:40The one who's not supposed to let you in?

00:42:43We came to an arrangement.

00:42:45Who is he?

00:42:46He hangs around.

00:42:48I'll let you into a secret, Miss Leslie.

00:42:50He's guarding you.

00:42:52What's that supposed to mean?

00:42:54Have you ever seen the Trooping of the Colour?

00:42:57No.

00:42:58Well, that's the Queen of England,

00:42:59surrounded by a lot of heavies in various uniforms.

00:43:03And what kind of queen are you, Miss Leslie?

00:43:06Mallory's queen, right?

00:43:17Let's try from the middle eighth again.

00:43:19Right.

00:43:19Why don't you go and get yourself a coffee?

00:43:47Mallory.

00:43:50Okay.

00:43:55What's the guard doing here?

00:43:57Don't you know?

00:43:58No, I don't know.

00:44:02There are a lot of rumors going around

00:44:04about Mallory and Tusser people,

00:44:06which explains why you're here, I suppose, officer.

00:44:11I'm Mallory's woman, and he digs me, right?

00:44:14But he's worried the cops or somebody

00:44:17will get a hold of me,

00:44:18and because I'm a weak little woman,

00:44:19I'll blab.

00:44:21No way.

00:44:23I don't talk to nobody about nothing.

00:44:25There's a lot of pressure on your pal.

00:44:27I've been hearing things.

00:44:30He writes.

00:44:31The faithful lover.

00:44:37So he's on holiday,

00:44:39but he comes back to me.

00:44:40What's that round his neck,

00:44:41an Ormloo clock?

00:44:42His mother gave him that.

00:44:44He loves his mother.

00:44:46And you.

00:44:47And me.

00:44:49I'm worried about your friend.

00:44:52You know, when he comes back from Spain,

00:44:54one's got to chop the other,

00:44:55Mallory or Tusser.

00:44:56But I don't know anything.

00:44:58Well, you don't know until I ask.

00:45:01What name is he using?

00:45:02I don't know.

00:45:04There's a 50-50 chance

00:45:06Hugh could be responsible for his death.

00:45:09I don't know what name he's using.

00:45:12He's got a false passport.

00:45:14Where did he get it?

00:45:17Do I have to spell it out again?

00:45:21Try George South.

00:45:22He took these photos.

00:45:25Where do I find him?

00:45:27In the yellow pages,

00:45:28west, under photographers.

00:45:30Thanks.

00:45:31There's a small charge

00:45:33for keeping Mallory alive.

00:45:38What's your name?

00:45:40Jack Regan.

00:45:49To Jack.

00:45:50For all those sensational nights.

00:45:54Miriam.

00:45:58Thanks.

00:46:01Okay, Jill.

00:46:02Let's try it again.

00:46:05Let's try it for a minute.

00:46:06Let's try the ending.

00:46:08Okay?

00:46:08Yeah.

00:46:09So if you'd like me hanging around.

00:46:13Three, four.

00:46:14So if you'd like me hanging around,

00:46:18whether dull or sunny,

00:46:21I'll come running anytime at all.

00:46:27All you gotta do is call.

00:46:30I'll come running.

00:46:32That's my girl.

00:46:33Say, I'll come running.

00:46:37I'll come running.

00:46:38Oh, I'll come running.

00:46:40Yeah.

00:46:41Anytime at all.

00:46:44All day.

00:46:46That's all.

00:46:50Trouble?

00:46:52Come on, Maria, darling.

00:46:54Smile.

00:46:55Look how glennie.

00:46:57Smile.

00:46:58Look at Uncle Ernie.

00:46:59Look at Uncle Ernie.

00:47:00Love you miserable little bitch.

00:47:01I'll wait a minute, gents.

00:47:02You know what it is.

00:47:03These spaghetti benders,

00:47:04they're common market, you know.

00:47:05I mean, they only charge them a quid.

00:47:06They come in here,

00:47:07you'd think they were being photographed

00:47:08at a royal wedding.

00:47:09Do you mind holding that a minute, sir?

00:47:10Uncle Ernie's nearly ready.

00:47:11Good old Uncle Ernie.

00:47:12Good old Uncle Ernie.

00:47:14What was all this, sir?

00:47:15Uncle, my sergeant's gonna take

00:47:16Mama, Papa, and the bambino walkies.

00:47:18Take them upstairs, George.

00:47:19We'll have a word with Uncle Ernie.

00:47:20Excuse me, Mama, Papa.

00:47:21What was all this, sir?

00:47:22Come on.

00:47:23Come on.

00:47:24Come on.

00:47:25Come on.

00:47:26Come on.

00:47:27Come on.

00:47:28Come on.

00:47:29Come on.

00:47:30Come on.

00:47:31Come on.

00:47:32Come on, Maria.

00:47:33Come on.

00:47:34Come on.

00:47:35Come on.

00:47:36Come on.

00:47:37Come on.

00:47:38Come on.

00:47:39Come on.

00:47:40Come on.

00:47:41Come on.

00:47:42Come on.

00:47:43Come on, Papa.

00:47:44Cheers.

00:47:45Grazie.

00:47:46You can't do this.

00:47:47Ain't legal.

00:47:48Watch me.

00:47:49Spin the dark room, George.

00:47:50Right.

00:47:53What are you doing?

00:47:56Hey, you can't do this.

00:47:57You need a search warrant.

00:47:59We're not searching, Mr. South.

00:48:01I know, but well, you know what I mean.

00:48:05Look, you know why we're here.

00:48:07Why don't make it easy for yourself?

00:48:09Come on.

00:48:11Come on.

00:48:12Come on.

00:48:13Come on.

00:48:14Come on.

00:48:24She's a nice girl, you know.

00:48:26I mean, real close.

00:48:27Used to be a school teacher.

00:48:28Needs the money.

00:48:29I mean, everybody does it.

00:48:30There's no harm done.

00:48:32No, she needs a mortgage, help the kids at school, that.

00:48:35All that sort of thing.

00:48:37It's the common market.

00:48:41Be on assistant.

00:48:43Naughty Uncle Ernie.

00:48:47I'm not surprised you keep this lot in the loop.

00:48:50It seems that Tom Manston's going on holiday calling himself Albert Jones.

00:48:56And George Mallory.

00:48:59Alias.

00:49:01Alias.

00:49:03Altersmith.

00:49:05Not very imaginative.

00:49:07Right then, what are we going to do about Uncle Ernie, George?

00:49:12Oh, naughty photos, phony passports.

00:49:17I'd say that was a ten stretch.

00:49:19Certainly.

00:49:20Yeah, leave it out.

00:49:21Do me favours.

00:49:22Come on, Mr. South.

00:49:23Look, I'm only interested in Mallory.

00:49:25No, you help us out.

00:49:27Who knows?

00:49:28Promise you take it easy on me.

00:49:30I don't make promises.

00:49:31Did you photo Mallory?

00:49:33Oh, I copied a negative.

00:49:35Who brought it?

00:49:36Andy Morton.

00:49:37Morton?

00:49:40Mallory's driver.

00:49:41And where's he now?

00:49:42Spain?

00:49:43No.

00:49:44Notting Hill Gate.

00:49:45I delivered it myself.

00:49:46Address?

00:49:47Pinsdale Flats, number 28.

00:49:50Is he still there?

00:49:51I don't know.

00:49:52I heard he got a new job down the ice rink.

00:49:58Right.

00:49:59You're nicked.

00:50:00Yeah, you promised me that...

00:50:01South, you're a villain and a dirty old man into the bargain.

00:50:04Look, I run a legitimate business there.

00:50:06So does the government.

00:50:07They make a lot of money out of passports.

00:50:09Come on.

00:50:10Signore!

00:50:11Signore!

00:50:12Oh, shut up!

00:50:14I'm gonna play him in the car.

00:50:15I saw this one.

00:50:16Excuse me.

00:50:17Excuse me.

00:50:18Excuse me.

00:50:19The camera?

00:50:20Caput.

00:50:26A bit cold in here.

00:50:28Yes, because of the ice.

00:50:29Thanks.

00:50:30How many other levels have you got?

00:50:36Andy Morton.

00:50:37Detective Inspector Regan.

00:50:40Client Squad.

00:50:41Now, you worked for Mallory, so you know the score.

00:50:44I want to ask you some questions.

00:50:46You don't want to answer them, so up front I laid on.

00:50:49This is a colleague of mine.

00:50:51He hits people.

00:50:52Isn't that right, colleague?

00:50:54He's got a miracle technique.

00:50:56You want to see it?

00:50:57What do you want to know?

00:50:58He used to be a chauffeur for Mallory, right?

00:51:01Yeah.

00:51:02Where is he now?

00:51:03In Spain.

00:51:04Mallory's got a house in the country, hasn't he?

00:51:06No.

00:51:07Hit him.

00:51:08Address!

00:51:10Hadley Farm.

00:51:11Barn Inn.

00:51:12Tringle.

00:51:13Well, what are you doing working as a sweep?

00:51:25Mallory's so mean he wouldn't keep you on half pay while he was away.

00:51:28No.

00:51:29How long he was going to be away for?

00:51:31He'll be away till Tusser gets out.

00:51:33Maybe you know that.

00:51:34Maybe you know that when Tusser gets out, there won't be any Mallory for you to chauffe her.

00:51:38Because you're smart.

00:51:40No, you stay smart.

00:51:42You think of all the things you'd tell us if you got very smart.

00:51:47We'll be back.

00:51:50You ever thought of having a place in the country, George?

00:52:08But on the copper's bunts, do leave off.

00:52:11You were set up in the sticks, weren't you?

00:52:14Yeah.

00:52:15Swinging rice-lip.

00:52:17Yeah, my missus would like to get out of the smoke.

00:52:21And you out of the job, eh?

00:52:23Look, Governor, I'll do a deal with you.

00:52:27You don't talk about my wife.

00:52:29And I won't talk about how Mr. Laker might be right.

00:52:33And we might be messing up the whole murder squad investigation.

00:52:36I'll tell you something.

00:52:38He's on a winning streak with this amalgamation.

00:52:42You watch.

00:52:43You'll be in charge of giving the pencils out any day now.

00:52:46Yeah, and we'll be back to taking old ladies across the road.

00:52:48If we're lucky.

00:53:06Ciao, I'll get top off of you.

00:53:11Ready?

00:53:16Good evening, 분들.

00:53:18Bye.

00:53:27Bye.

00:53:28No way.

00:53:29Huh.

00:53:30Thanks, one time.

00:53:31Yes, one time.

00:53:32May your choice.

00:53:33Yes, you'll be happy.

00:53:34Well,Can you stop last night, dear?

00:53:35How many acres?

00:53:54About 20.

00:53:59Keep looking.

00:54:05Let's look upstairs.

00:54:16Look down there.

00:54:25George?

00:54:53George?

00:54:55Let's go.

00:54:59Mallory was wearing this in the photograph the girls showed me.

00:55:04He didn't have this in Spain with him a month ago,

00:55:07and then sent it back here.

00:55:09And according to the guard, he took it everywhere with him.

00:55:11It was a present from mummy.

00:55:13That's right, he loves his old lady.

00:55:15That's why he's not a great womanizer.

00:55:17No, it's all Sunday lunch with mum.

00:55:20Mallory's got money, and yet he doesn't give his faithful driver

00:55:23a few weeks off with pay.

00:55:26It's just not his style, Guf.

00:55:28He looks after his boys.

00:55:32Mallory didn't go to Spain.

00:55:35I reckon that was an old photograph and somebody else sent it.

00:55:38And Andy Morton got another job because he knew.

00:55:43I think Tussis had him killed.

00:55:46I reckon Mallory's dead.

00:55:53I think Tussis had him killed.

00:55:54I think Tussis had him killed.

00:55:55I think Tussis had him killed.

00:55:56Tell me something.

00:55:57You were doing well with me in the squad.

00:55:59Eighteen months passed, and you get up and quit.

00:56:01Why?

00:56:02I told you, Guf.

00:56:03New married, too much work.

00:56:04My wife never saw me.

00:56:05And I want to stay married.

00:56:06I told you, Guf.

00:56:07Hey, the bastards caught up with us.

00:56:12Isn't that one of Lakers sergeants in the driving seat?

00:56:17Yes.

00:56:18I've found my wife.

00:56:19I don't know how I want to stay.

00:56:21And I have to stay married.

00:56:23So did I.

00:56:24Hey, the bastards caught up with us.

00:56:26Isn't that one of Lakers sergeants in the driving seat?

00:56:29The bastard's caught up with us. Isn't that one of Laker's sergeants in the driving seat?

00:56:35Yes.

00:56:37I think we'll lose him.

00:56:44But hold on, Gubb. What happens if they put a call on MP?

00:56:47They'll have every mobile in London trying to stop us.

00:56:49And have every PC knowing that CIDs are each other's throats.

00:56:53Laker hasn't got the guts to start something like that.

00:56:57Hold on.

00:56:59I've never had you for a wills man, Gubb.

00:57:03Right.

00:57:04We see Mallory's dead.

00:57:07So Carly walks into that pub. Now what does he see that's his death warrant?

00:57:12He sees Tusser boys drinking with Mallory's.

00:57:17So Carly walks into that pub. Now what does he see that's his death warrant?

00:57:23He sees Tusser boys drinking with Mallory's.

00:57:28So Tusser's had Mallory knocked off.

00:57:31And his boys have sold out and they're celebrating.

00:57:33Right.

00:57:34They recognize Carly as a copper.

00:57:36They realize he'll suss him.

00:57:37So they've followed a poor bastard outside and kicked him to death.

00:57:41And the man who set it all up his miles away tucked up in bed.

00:57:48In the choker.

00:57:49And the man who set it all up his miles away tucked up in bed.

00:57:51In the choker.

00:57:55And the man who set it all up his door.

00:57:57Set it all up to you, Mr. Brown.

00:58:00Set it all up to me!

00:58:04Set it all up to me.

00:58:08Come on.

00:58:22Sit down.

00:58:23They don't.

00:58:35Detective Inspector Regan, Flying Squad.

00:58:42James Edward Tusser.

00:58:43I'd like you to answer a few questions.

00:58:46As a general rule, I don't do that kind of thing.

00:58:49You somewhat special?

00:58:51Yeah, I was told you was something special, so I looked at your form.

00:58:55I came to the conclusion that you're nothing.

00:58:58You couldn't move in on a sophisticated West End operation.

00:59:01The doorman would boot you around the back.

00:59:03What do you want?

00:59:05You want information.

00:59:07So where do we go from here?

00:59:09A colleague of mine was murdered yesterday.

00:59:12You hear about it?

00:59:13I've been in jail for 10 months.

00:59:15And when do you get out?

00:59:17Two months.

00:59:18You were sentenced to 18 months.

00:59:20Six months remission.

00:59:22For good behavior?

00:59:23Yeah.

00:59:24Sometimes it's a good idea to follow the rules.

00:59:27Look, people like you can kill each other.

00:59:30I don't give a damn.

00:59:32When you murder one of us, there are no rules at all.

00:59:36I don't know what you mean.

00:59:38Now you say you get six months off for good behavior.

00:59:42I'm saying what good behavior?

00:59:44You just hit me.

00:59:46That means the full 18 months plus an additional sentence for assaulting a police officer.

00:59:52I haven't hit you.

00:59:53No, no.

00:59:54My sergeant's going to hit me.

00:59:56But I'm going to say you hit me.

01:00:01You'd pull that one, eh?

01:00:03You know I would.

01:00:05Now you're going to give me information.

01:00:07I'm going to go away and check it.

01:00:10And if it's wrong, I'm going to come back and you're going to hit me again.

01:00:14And you're going to get another three years.

01:00:17You bastard.

01:00:20Now we know there are 15 key mugs in Mallory's lot.

01:00:24But Mallory never had a crown prince.

01:00:27So, who's running the shop while he's away?

01:00:32Three years is a long time when you've got a lot of bread waiting.

01:00:40Okay, Sergeant. Make you look good.

01:00:44Dale.

01:00:46Arthur Dale.

01:00:48He's number one.

01:00:50Yeah.

01:00:52Arthur Dale.

01:01:09Andy Morton, please.

01:01:11Yeah, speaking.

01:01:12Listen to me.

01:01:13I know Mallory's dead.

01:01:14Who's that?

01:01:16I know who killed that young copper.

01:01:18I want money.

01:01:20What?

01:01:21You tell Dale I want 10,000 in cash.

01:01:24Tonight at nine o'clock.

01:01:26I met him in the sheds near where the cop was slammed.

01:01:29Who are you?

01:01:30Nine o'clock on the waste ground.

01:01:32It's Regan here.

01:01:33You get me Sergeant Kent.

01:01:35Mr. Regan?

01:01:36Look, I just had a call from a Mrs. Annie Morris.

01:01:37She wants you to contact her.

01:01:38Yeah.

01:01:39Look, I'll put you through to Mr. Askins.

01:01:41He's very anxious to speak to you.

01:01:42No, don't do that.

01:01:43Look, I was instructed to put you through to Mr. Askins as soon as you're called.

01:01:44Shut up, Sergeant.

01:01:45And write this down.

01:01:46Hadley Farms, Barn End, Tring.

01:01:47Tell Mr. Askins Mallory's dead.

01:01:48That's where he's buried.

01:01:49Regan.

01:01:50What the hell do you mean by visiting Tusser?

01:01:51He out of your mind?

01:01:52I'll listen to you.

01:01:53I'll listen to you.

01:01:54I'll listen to you.

01:01:55I'll listen to you.

01:01:56I'll listen to you.

01:01:57I'll listen to you.

01:01:58I'll listen to you.

01:01:59I'll listen to you.

01:02:00I'll listen to you.

01:02:02OK, Studio, ready to record.

01:02:21Superintendent, you've read the fictional script about the robbery.

01:02:23Yes.

01:02:24I'm going to ask you a few questions about it.

01:02:25All right, lord.

01:02:26Superintendent, you've read the fictional script about the robbery.

01:02:28Yes.

01:02:29I'm going to ask you a few questions about it as if you were on TV, right?

01:02:32Right.

01:02:33Superintendent Maynard,

01:02:34this is the fifth major bank robbery to take place in London in the past month.

01:02:38Now, can I ask you what you're doing about it?

01:02:43Well...

01:02:44Superintendent, always start to answer the question as soon as the interviewer stops.

01:02:48If you pause even for a couple of seconds, you're in trouble.

01:02:51No seconds seem like hours to the viewer.

01:02:53Looks like you're stumped for an answer.

01:02:57All right, let's press on.

01:02:59When you're ready, Superintendent.

01:03:03Superintendent, those five major bank robberies that have taken place in London in the past month,

01:03:09what are you doing about it?

01:03:10We've assigned a team of top detectives a case.

01:03:14We have, in the past few days, received some important information,

01:03:16and we'll be acting on that information.

01:03:18Further, I think it's...

01:03:19Stop, Sergeant.

01:03:20Sorry to keep interrupting, Superintendent, but we've got to get it right.

01:03:23Either look at me or look at the camera.

01:03:25Don't switch your eyes back and forth between the two.

01:03:27Otherwise, in close-up, you just end up by looking shifty.

01:03:31If you must move your eyes, then move them slowly and deliberately.

01:03:34Okay?

01:03:35Hmm.

01:03:36Hmm.

01:03:36Yeah.

01:03:37Superintendent, then...

01:03:38Will you excuse me one, then?

01:03:44Where's makeup?

01:03:46Superintendent is 53.

01:03:47He looks 60.

01:03:49Plant a boot up her backside, will you?

01:03:50We've got to do something about him, sir.

01:03:52He's not listening to anyone.

01:03:56Do you think I look shifty?

01:03:59And contrary to my explicit instructions to go snooping around the serious crime squad,

01:04:03visit Tusser, interview Mallory's girlfriend,

01:04:06now he's left orders for me to go and dig up some bloody farm.

01:04:08You mean disciplinary charges?

01:04:10Yes.

01:04:11It's not so Reagan.

01:04:13Twenty years ago, he'd been the perfect cop.

01:04:15The days of individualists.

01:04:16Now he's out on a limb.

01:04:19I sometimes wonder if these new ideas are for the best.

01:04:23I think so, sir.

01:04:25Okay.

01:04:26Bring him in.

01:04:26Put him on suspension with full pay.

01:04:28Right, sir.

01:04:30By the way,

01:04:31I think he's right about Mallory.

01:04:33Arrange a search for the farmhouse and grounds.

01:04:35All right, sir.

01:05:05Hello, love.

01:05:12Eddie's back.

01:05:14You're Eddie?

01:05:15He's not due back for months yet.

01:05:17Tanker caught fire.

01:05:19Lengthy repairs.

01:05:21When did he get back?

01:05:23Last night.

01:05:24It looks like permanent.

01:05:25He's flown him back to a new job.

01:05:28Where's he now?

01:05:29He's out buying a car.

01:05:31He won't be back for a while.

01:05:35So how is it between you two?

01:05:41Good.

01:05:42Considering.

01:05:43Considering what?

01:05:44Considering you left a jacket and two pair of white fronts in his wardrobe.

01:05:48What did he say to that?

01:05:50Not a lot.

01:05:51He's got a forgiving nature.

01:05:54Then you reckon he's back for good?

01:05:55Yeah.

01:05:59That's all right with you.

01:06:01You'll have him back.

01:06:02He's good to.

01:06:07Sure.

01:06:09Nice of that, really.

01:06:10I suppose so.

01:06:13It's a great pity, honey.

01:06:15It's a bloody shame.

01:06:16What about your wife?

01:06:20Six months ago, you thought there might be a chance.

01:06:23Not really.

01:06:26You've got to get someone to look after you, Jack.

01:06:32Lucky old Eddie.

01:06:35I loved you.

01:06:38Yeah.

01:06:38If it doesn't work out with him.

01:06:49Sure.

01:07:08Mr. Dale.

01:07:22What brings you here?

01:07:27I mean, I was just about to knock off.

01:07:30I'd have come round to see you, Mr. Dale.

01:07:33Unless, of course, you were passing.

01:07:34A lovely piece, right, Mr. Dale?

01:07:50I know her.

01:07:54That ain't a boy.

01:07:55It's the instructor.

01:07:57Would you like an introduction?

01:08:03Did you find out?

01:08:04That a bloke was.

01:08:06You know, the telephone call.

01:08:08Not yet.

01:08:10I beg your pardon?

01:08:15It's a bit worrying, isn't it?

01:08:17Or is somebody phoning up like that out of the room?

01:08:21Saying Mallory was murdered.

01:08:23The story is he's supposed to be in Spain, isn't it?

01:08:26That's right, Andy.

01:08:27Spain.

01:08:28What are you going to do about it?

01:08:29You know, the bloke on the phone.

01:08:32I was going to ask you.

01:08:34I don't understand.

01:08:35Six of us know Mallory's dead.

01:08:38Mr. Tusser, me, George, Tony, and Eddie, and you.

01:08:42You know, Andy.

01:08:44Right, Andy?

01:08:46Yeah.

01:08:46Now, the reason we know, uh, me, George, Tony, and Eddie, is that we topped the bloke, for Mr. Tusser.

01:08:56So, we'd be careful about sharding it around.

01:08:59I mean, the involvement in the death, you see.

01:09:03Andy, you understand?

01:09:04Andy, you understand?

01:09:05We'd keep our trap shut, right?

01:09:07Right?

01:09:08Yeah.

01:09:09How about you?

01:09:10How about me?

01:09:11You've loosed off to some burke, or you're pulling the caper yourself.

01:09:13You've got some mate waiting for ten grand that you'll split.

01:09:14Oh, no!

01:09:15Sit down, Eddie.

01:09:16Sit.

01:09:17I'll know you've double-crossed us, Eddie.

01:09:18You've got it completely wrong, Mr. Dale.

01:09:19I'm not going to wipe you yet.

01:09:20I'm just going to teach you a little lesson, Andy.

01:09:21You seem to have forgotten what loyalty is about, and you'll have to learn it again.

01:09:23Oh, you're not going to die.

01:09:24Just, uh, hospital for a few months.

01:09:25Give you time to think things over and decide never to mess with me, or the lads, or Mr.

01:09:26Tusser again.

01:09:27Never do it, Eddie.

01:09:28I'm not going to wipe you yet, just going to teach you a little lesson, Andy.

01:09:32You seem to have forgotten what loyalty is about, and you'll have to learn it again.

01:09:35Oh, you're not going to die, just, uh, hospital for a few months.

01:09:41Give you time to think things over and decide never to mess with me,

01:09:45or the lads, or Mr. Tusser again.

01:09:50Never do it, Andy.

01:09:58You know all issue of guns have to be reported direct to the superintendent now?

01:10:09I've signed for it.

01:10:11I'll have it back in the morning before the super knows I've got it.

01:10:28Oh, my God.

01:10:45Oh, my God.

01:10:50Over there!

01:11:11Get Inspector Laika.

01:11:20Nothing up here, sir?

01:11:23Mr. Laker, over here.

01:11:50Take the logs away.

01:12:20George Mallory.

01:12:24You bastard, Regan.

01:12:27You lucky bastard.

01:12:50Let's go.

01:13:17Who are you?

01:13:19The information I've got about Mallory being dead, and you killing that cop...

01:13:24I've put it in a note and sent it to a friend.

01:13:26Nobody pays blackmail her, son.

01:13:28I've got proof you tried to kill that cop.

01:13:31The car was an accident.

01:13:32That's right. We killed people.

01:13:35But we fluffed that one.

01:13:40I shan't make the same mistake twice.

01:13:43I want ten grand.

01:13:44Okay, you've got a friend, but you're the witness, not him.

01:13:49I'll make a deal with you.

01:13:52You tell me you've blabbed, you can walk out of here.

01:13:54Yes or no?

01:13:56Bad luck, son.

01:13:58Cut up!

01:14:04I'm Regan, Flying Squad.

01:14:07Arthur Dale, you're under arrest.

01:14:10George?

01:14:12Tony? Eddie?

01:14:16That right.

01:14:17What do you mean I'm under arrest? I've got three boys here with three shooters.

01:14:22You want to live? Either of you two want to live?

01:14:25Yes.

01:14:27Then we'll have to talk a deal.

01:14:29You don't understand.

01:14:31My skipper's got the guts to blow your head off the minute I tell him.

01:14:34Are you stupid?

01:14:36You can't kill me.

01:14:39He'll be dead two seconds after it.

01:14:41Why?

01:14:42Because my boys are zero here.

01:14:44Will they?

01:14:46Will you?

01:14:48Tony?

01:14:49Eddie?

01:14:50George?

01:14:51Come on in, lads.

01:14:53We're the Sweeney. We kill him, nothing.

01:14:55You kill us, thirty years.

01:14:59So, come on.

01:15:02Tony? Eddie?

01:15:03It won't be as easy as Cowley.

01:15:16George, come back.

01:15:20Tony, Eddie, where are you going?

01:15:21Don't move.

01:15:22Come back, you bastards!

01:15:24George, shut up!

01:15:25It looks like it's just you and us, Dale.

01:15:36Now, are we going to blow your head off or are you going to point that gun down?

01:15:46You heard all that.

01:15:48You heard the admission about Cowley.

01:15:51Oh, yes, Cowley.

01:15:55Now, get the car.

01:16:01Now, get the car.

01:16:05Yes, sir.

01:16:06Now, you'll be telling us the names in full.

01:16:09There's Tony, and Eddie, and George.

01:16:13Cowley was a good...

01:16:23This stinking ape is licensed till March.

01:16:26It's April the 20th.

01:16:27I love you for that and off.

01:16:32Come in.

01:16:39Sit down, Jack.

01:16:40I've got the lad report.

01:16:48We've got the lad report.

01:16:50Bullets in Mallory were fired from Dale's gun.

01:16:53He was going to take the rest of the bunch and join Tusser's mob.

01:16:56Not very nice.

01:16:57This afternoon, I ordered you to be suspended pending disciplinary charges.

01:17:09So I hear.

01:17:11You've done a fairish job.

01:17:14Serious crime squad had 20 men on Mallory.

01:17:16No idea he was dead.

01:17:17And you've got Dale for that.

01:17:20And for killing Cowley.

01:17:22Poor Cowley.

01:17:23He was roaming around out there, not writing reports, not communicating with anybody.

01:17:29Your responsibility.

01:17:30But just like you roam around out there.

01:17:33Oh, Jack.

01:17:36Today's the one-man bands are over.

01:17:38Now we're an orchestra.

01:17:40Every move you made could have been made with the necessary authority,

01:17:45tact and diplomacy.

01:17:47As it is, you've made S.C.S. look like fools and later you're sworn enemy.

01:17:51And what's most important, you could have ended up dead like Cowley.

01:17:55Did I get the result?

01:17:57You're a gambler, Jack.

01:17:59You played a long shot and it came up.

01:18:03That's why we're ringing the changes.

01:18:06No more lone rangers.

01:18:07From now on, you'll be one two hundredth part of any successful case, not the hero of the hour.

01:18:12I have a feeling you're not going to buy this.

01:18:19But think about it.

01:18:21And I'll think about you.

01:18:22Somehow we've got to find a way of making you work as part of a team.

01:18:28Or go away.

01:18:31Get right out of it.

01:18:38Hey, Gavgav.

01:18:39What's up?

01:18:42Well, you got away with it again, didn't you?

01:18:44Well, don't you start.

01:18:46I got away with it.

01:18:47I got the bastard who did it.

01:18:50You know, I'm standing in the freezing cold while my wife's at home in bed.

01:18:54I hope.

01:18:56Oh, come on, George.

01:18:57You're not a nine-to-five man over there sitting behind a desk,

01:19:02swigging tea all day and waiting to get home to the roses.

01:19:05You're like me.

01:19:06You're a copper.

01:19:07You belong out here in the cold.

01:19:09You know it.

01:19:13Yeah.

01:19:18Fancy a decent drink?

01:19:22Well, my arm could be twisted.

01:19:25I know a place where we can get one.

01:19:26I love you.

01:19:27You're a big one.

01:19:28No, no, no, no.

01:19:29I have no beer.

01:19:30I make that drink, you know.

01:19:31You're aNY.

01:19:32I'm not.

01:19:32All right.

01:19:33I can't get a drink.

01:19:33Let's go.

01:19:34I see you, Peter, that's you.

01:19:34You're a sweet.

01:19:35No, no.

01:19:36It's a hot, no.

01:19:36That's hot!

01:19:37He's a hot pot.

01:19:37No, never, never.

01:19:38I'll drink.

01:19:39No, never, never.

01:19:39No, never.

01:19:41It's amazing.

01:19:42You're a hot pot.

01:19:43I love you.

01:19:44A hot pot.

01:19:45It's fun.

01:19:45No, no, never.

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