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  • 5 days ago

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00:00so that's your plan for her champagne yep I shipped a box of champagne it's my
00:25favorite bar in Chicago and people went bananas like apes we market champagne as a spray champagne
00:32showers don't just have to be for pro athletes after a big win they can be for everyone we're
00:37making extravagance accessible and very American to be so wasteful actually the tradition began in
00:44France with formula one drivers in the 60s but now we use it to make bikinis wet well thank you
00:51Luke so when do we meet these clients well Camille invited us to an art opening at her gallery in the
00:58Marais tonight and there will be lots of champagne I'll wear a raincoat well um silly Antoine called
01:07again unavailable I think he's calling about the scent for the Zimmer Hotel unavailable oh and a Judith
01:15Robertson from the American friend of the Louvre called for you for me any idea what she wants
01:21a new friend I suppose
01:23thank you so much for meeting me hon hey are you familiar with the American friends of the Louvre
01:39google it but to be honest it's just so nice to sit down with an American friend of anything oh don't
01:45I know sometimes I just long to hear that R sound oh I know it's like the French R can't be bothered
01:51to come out of their mouths try having a name like Robertson every French person dry heaves just
01:57trying to pronounce it Judith Robertson my name sounds like an airline Emily Cooper fly me
02:06well that's the price we pay I'll get down to brass tacks I know that you work for Pierre Cadeau I've been following you on Insta do you think that Pierre would donate a dress to be auctioned for the AFL well first of all Pierre is wonderful and and very charitable but um well he's also very particular about his image oh of course I mean it's going to be a big to do there'll be a whole lot of
02:36well wow um from a marketing point of view I don't see how that couldn't be good for his brand so I'll definitely ask him
02:43let's order oh it's all in English oh honey this is Ralph Lauren's place
02:51they're not even allowed to speak French here oh what a relief
02:55look a cheeseburger oh do you mind it just looks so good
03:02the irony of how a french fry can make you feel so at home
03:11Emily from Savoie how are you I am good thanks Matthew I was wondering if I could come by the atelier to discuss something with you and Pierre
03:29he's working non-stop with fashion week so close but I can meet you for a drink
03:34tonight if you'd like oh I'm going to a gallery opening with some friends text me
03:38the address and I'll see you there
03:45I'm so excited to meet this carry boss you always talk about oh I've met her
03:50she's not so bad oh she scares most French people there she is Sylvie Luke you
03:56came this is Camille oh so they're very nice to meet you
04:00a pleasure oh thank you yeah we are really looking forward to representing your
04:05family's champagne Emily hi
04:10oh what's your kiddo honoring us with this presence
04:14Emily asked me to meet her here oh she can't stop working can't she
04:18hmm so guys let's see some art please follow me
04:28so this is a new artist we just signed
04:32hmm interesting I find this very sexual really yeah he's right the artist told me this piece was
04:41uh all about her less love affair so of course look at this slit obviously it represents her vagina and the four colors chosen were very intentional red is blood the yellow is urine and so on
04:59what does the weight represent
05:01hmm she's been pitching an entire average campaign based on ejaculation and she doesn't know what the white is
05:08it's the spray Emily
05:10oh Matthew I'm so honored to work with Pierre please tell me everything about his new collection
05:18what's going on between you two
05:20who you and Matthew
05:22nothing
05:23don't you see the way he looks at you
05:25he's a client
05:26who cares if he's a client
05:27he's um handsome
05:28wealthy
05:29and he's the heir of Pierre Cadot
05:31how do you know all this
05:33how do you not
05:34I mean he's in Voici in Paris much all the time dating some celebrities
05:37oh god really
05:38yes Emily he's perfect for you
05:41oh because he's rich and he dates celebrities
05:43because he is successful
05:45and he's got his life on track
05:47a track paved with money he hasn't had to work for
05:50oh mon dieu Gabriel struggling is on the only way
05:53guys this conversation is ridiculous
05:56he's a client not a boyfriend
05:58hmm
05:59lovely gallery
06:00but I'd better get house with here before I'm buying something
06:03hmm
06:04shall we have dinner
06:06there is a wonderful bistro just around the corner
06:10anywhere quiet where we can discuss business is good
06:13mmm
06:14mmm
06:20c'est si bon
06:23de parti n'importe oĂ¹
06:26bras dessus, bras dessous
06:28this is so good
06:29it's my favorite crepes down in Paris
06:31it's funny how every culture has its pancake
06:34Oh, you can't compare our peps to your pancakes.
06:39I mean, no contest.
06:40We win.
06:42Well, you haven't tried mine.
06:43You have to make them for me sometime.
06:47Oh, look, I've read about this.
06:50It's Grace-based at Designers.
06:52They're releasing this limited edition hoodie.
06:54It's like 900 euros.
06:56Oh, the streetwear guys from the States.
06:58They have a show at Fashion Week, right?
06:59Yeah, and they're doing this whole thing
07:01where they're not releasing the location of their show,
07:03and, of course, it's making everyone want to go.
07:06They're good at getting noticed.
07:08I can see that.
07:10So, um, how's Pierce Collections coming along?
07:13It's always a challenging time of year,
07:15but at this point, I know how to manage the moods.
07:18How long have you worked together?
07:20Since university.
07:22But I moved in with him in London when I was 13.
07:25It wasn't the most stable childhood.
07:28But every day was something new.
07:31You and I are so different.
07:32Oh, is that so?
07:33Yeah, I grew up in the suburbs in the same town as my parents
07:36and went to high school where my mom was the math teacher.
07:39Every day was the same.
07:40I didn't get on a plane until I was 12
07:43and hadn't been to Europe until now.
07:48God, you must think that I'm so boring.
07:50Oh, I'm not bored at all.
07:52Are you?
07:52No.
07:55All right.
07:56Okay, so the American Friends of the Louvre
07:58are hosting this big charity event
08:00and asked if Pierre would donate a dress.
08:03Oh, is that how it works?
08:05We pay you and you come in and ask for favors?
08:09All right, all right, all right.
08:11Come by the atelier tomorrow
08:12and then we'll see if there's a dress that works.
08:14Oh, thank you.
08:15I really appreciate it.
08:16All right.
08:17Okay, well, I should be heading home.
08:19All right, well, good night, Emily.
08:20Mm-hmm.
08:20It's so cute.
08:24I'm going to talk to you.
08:28Yep.
08:29Bye.
08:29Bye.
08:30Who gave up the prison?
08:33It's so good.
08:37It's so good.
08:40It's so good.
08:41It's so good.
08:42It's so good.
08:45It's so good.
08:47It's so good.
08:48It was strange to see you last night with Mathieu Cadot.
08:52Why?
08:52Well, if I recall, your corporate commandments were very specific about not mixing business with pleasure.
08:57We were just meeting at the gallery to discuss Pierre.
09:00He's donating an address to the AFL auction.
09:03AFL?
09:03American Friends of the Louvre.
09:05Oh, God, the last thing the Louvre needs is more friends from America.
09:09It's going to be a big event.
09:10There'll be a lot of press, and we're all invited.
09:12Sylvie, this is just a ride for you.
09:18And send it back.
09:25What was that about?
09:27Antoine.
09:30Can you translate this?
09:32It's a cliche in any language.
09:34He wants her back, and she is...
09:36Unavailable.
09:38Did they break up?
09:40Can they break up?
09:41Open it.
09:43No.
09:43What's going on?
09:44Antoine sent a gift to Sylvie, and she won't open it.
09:50Give it to me.
09:51Luke, what are you doing?
09:58Beautiful earrings.
10:00Nah, not for the ear.
10:03For the nipple.
10:05What?
10:06No.
10:07No.
10:07No.
10:09No.
10:09No.
10:10You think you know Sylvie?
10:11No.
10:14But those are really earrings, though, right?
10:30Hi, Judith.
10:32What a great turnout.
10:33Oh, yes, ma'am.
10:34We have a lot of Louvre lovers here.
10:38And they're all going to have their eyes on that Pierre Cadot.
10:41Oh, Sylvie, this is Judith Robertson.
10:43Judith, this is Sylvie Groteau, my boss.
10:45Oh, chante, Judith.
10:46Oh, it's so nice to meet you, Sylvie.
10:50Thank you so much for lending us this one.
10:52Oh, well, you can have her for your permanent collection.
10:58Why are there exterminators here?
11:00Oh, well, it's Paris.
11:01There's always a rat somewhere.
11:03No, they're not exterminators.
11:04They're a designer duo called Gray Space.
11:07American and very avant-garde.
11:09Oh, it's another word for ugly.
11:12I'll leave you, too.
11:14You know, I am usually the one that sticks out like a sore thumb here.
11:18I always go to the market in my yoga pants and my favorite cowboy sweatshirt.
11:22But, honey, this look takes the cake.
11:24Oh, thank you.
11:26Let me guess.
11:27Ghostbusters?
11:28Oh, no.
11:30Workwear.
11:31It's our spring collection.
11:32Well, I think it's cute.
11:33Oh, is this your event?
11:34Oh, well, wouldn't happen without this lady.
11:37Honey, she has hooked us up with the pièce de résistance.
11:41Pierre Cadot.
11:42That's why we're here.
11:43Oh, cool.
11:43I work for the marketing firm that refs, Pierre.
11:45Have you guys ever considered taking on a team?
11:47They're growing so fast, I can imagine you're not as hands-on as you'd like.
11:51Well, we do our marketing in-house.
11:54I mean, we managed to stay pretty hands-on, but thanks.
11:58Oh, damn, we have a problem.
11:59Oh, what is it?
12:01There are thunderstorms in Dallas.
12:03Why is that a problem?
12:04Well, Amanda and Frank Carruth's plane got delayed.
12:08She was supposed to wear the dress, and her oil billionaire husband promised he'd bid on it.
12:13Oh, Mary.
12:14Well, that doesn't sound too good.
12:16Oh, no, everything's fine.
12:17We just kind of lost our model.
12:21Oh, Judith, this is Matthew Godot.
12:22Oh, I know who he is.
12:24Pleasure, hon.
12:25Likewise.
12:25Oh, you must have a dozen models on speed dial.
12:29We could ask for a last-minute favor.
12:31What's going on?
12:32We need someone to wear Pierre's dress for the auction.
12:38I have the perfect person.
12:40And now we're going to sell a private tour of Chateau Margaux.
12:47And I'll begin with 5,000 euros.
12:495,000 on my left at 5,000.
12:517,000.
12:52Thank you, madam.
12:53At 8,000.
12:54It's against you, madam, now.
12:558,000 euros.
12:56Last chance.
12:57I shall sell it now for 8,000 euros.
13:01Sold.
13:01Thank you so much.
13:06And now we're going to come to the last lot of this evening's auction.
13:12We are going to sell a dress made by the great, great Pierre Cadot, who happens to be here tonight.
13:19She looks beautiful, doesn't she?
13:36Of course she does.
13:38She's wearing Pierre Cadot.
13:40Oh, honey, Amanda Carruth could have never squeezed into that dress.
13:44Who?
13:45And we will start submitting at 10,000 euros.
13:4810,000.
13:50Yes, 10,000 euros.
13:5110,000.
13:5212,000.
13:5314,000.
13:5416,000.
13:5518,000.
13:5618,000.
13:5720,000.
13:58You've been at 22,000 euros.
14:01At 22,000.
14:03That's bizarre.
14:04Those designers are beating all night.
14:07You should feel flattered if they're fans.
14:09Oh, my God.
14:10And they're driving it up.
14:11It's at 35,000.
14:13Oh, man.
14:14I do.
14:15I have get goosebumps, Phil.
14:17Oh, I trust you.
14:18It's your bid, sir, at 38,000 euros.
14:23Sold.
14:24Thank you very much.
14:26Congratulations.
14:28Congratulations, guys.
14:36I'm so excited.
14:41What have they done to my breath?
14:43Publicity stops.
14:50I'm sorry.
14:58I went to the market all this morning and I always grab a paper.
15:26Oh, God.
15:30Is there no other news?
15:32Seems like it was a pretty big deal.
15:34Do you want me to translate the article for you?
15:36No.
15:37I lived it.
15:39I really, really don't want to go into work today.
15:41Don't.
15:42Skip a day.
15:43Stay here.
15:45I wish I could.
15:47Me too.
15:47Well, thanks for checking in on me.
15:52Of course.
15:53I hope the rest of your day doesn't make the news.
15:59Oh.
16:02You guys just kiss so much here.
16:04I love it.
16:12I love it.
16:26this is bad nothing i've read has been negative towards pierre they're all just saying the same
16:38thing that's the old guard versus the new oh because you think being referred to as old is
16:42positive well there's a way to spin this pierre's account had a ton of new follower notifications
16:47today and we've already acquired 100 000 gray spaces 7.2 million followers overnight
16:52pierre's part of the conversation now more than ever but what is the conversation
16:56if we lose this client even chicago will want to get rid of you
17:00this is the first time i'm going to show you
17:05that's the first time i'm going to show you
17:08you
17:10it's
17:11it's
17:14it's
17:16it's
17:18Hey guys! Remember me? The person you covered in paint yesterday?
17:36The girl in the dress. We don't see that as performance art. I mean, that was the intention.
17:41Oh! Yeah, no, it felt more like I was being punked by a couple of jackasses.
17:45We're sorry. We really are fans of Pierre's.
17:48I don't think he sees it like that. But there is something you can do to change his mind.
18:03Entrez. Oh, Emily, dear. How are you? Come in. Sit.
18:11Alexa, stop.
18:16I'm so sorry for what happened at the auction, Pierre.
18:21You do not need to apologize. We both took it in the face last night.
18:28Would you like a crème brûlée?
18:30Oh, no, no, thank you.
18:32No, no, not to eat. You just, uh...
18:38Try it. It's very satisfying.
18:41Uh-huh.
18:46Oh, that's fun.
18:48Um, but what I think might actually help us is if we shift our perspective.
18:55Emily, I know why this happened. I used to see my clothes on the most beautiful women in Paris.
19:03And now I dress all ladies. And they're all dying.
19:08My audience is getting smaller and smaller.
19:12That's why they moke me.
19:14That's the thing. They're not mocking you. They're celebrating you.
19:20Voila.
19:22Why is my logo on that piece of shit?
19:24It's a collaboration.
19:26Grey Space wants to do a sweatshirt with your logo on it.
19:29They want to take Pierre Godot into the world of streetwear.
19:32Well, he doesn't want to go.
19:33Pierre, I'm telling you, everyone will want this hoodie.
19:37Who is everyone? I don't even understand this.
19:40Grey Space think of fashion as a concept.
19:43The idea that who we are is constantly evolving.
19:45So they take something that already exists and they add to it.
19:48And people like them because they don't follow the rules.
19:51They're fearless. And they're taking down the barriers to fashion.
19:55Fear life is starting from zero.
19:57And making something that is all your own.
20:00Fashion is not about a concept.
20:01It's about looking beautiful.
20:04Any woman who wears this looks awful.
20:08The world's gone crazy.
20:10This is the revenge of La Rengarde.
20:14Fashion respects the people who wear it.
20:18This is disrespectful.
20:20You are completely right.
20:22And I should not be here telling you what fashion is.
20:24But...
20:27But Grey Space admire your work.
20:30They wish that they could do what you do.
20:32You are the original.
20:35Maybe I've been a copy of myself for too long.
20:39And now...
20:40I find myself...
20:43At my darkest hour.
20:46You may go.
20:49How did it go?
20:50I think I made it worse.
20:51He said he was at his darkest hour.
20:52Oh, my God. The man thinks it's Churchill.
20:53I'm so sorry, Matthew. What can I do?
20:54Eh...
20:55Do you know what the phrase is?
20:56I think I made it worse.
20:57He said he was at his darkest hour.
20:58Oh, my God. The man thinks it's Churchill.
20:59I'm so sorry, Matthew. What can I do?
21:03Eh...
21:05Do you know what the French do when things are at the darkest?
21:09When...
21:10When...
21:12When...
21:13I think I made it worse.
21:15He said he was at his darkest hour.
21:16Oh, my God. The man thinks it's Churchill.
21:18I'm so sorry, Matthew. What can I do?
21:22Do you know what the French do when things are at their darkest?
21:28When the bombs were falling during World War II, do you know what they did?
21:32Hid?
21:33No.
21:35They made love.
21:43I'm not sure I'm that French.
21:47Yet.
21:53Now, if you'll excuse me, I still have a fashion show to produce.
22:13I'm not sure I'm not sure I'm not sure.
22:43I'm not sure I'm not sure I'm not sure.
23:13I'm not sure I'm not sure.
23:14Who Tell?
23:17I'm not sure I'm not sure.
23:18But I'm good to do with you on this plateau.
23:19I'm not sure I'm not sure.
23:20What you're doing is a beautiful nie spells.
23:21It stands for a office.
23:22But maybe two seems toves up right now.
23:24Neither do I feel either.
23:25It stands for people to see.
23:26Have a fair of access to production.
23:27I am a greatiller and good bowels.
23:29I think I'll be blowing up in this tank.
23:30I don't want too busy my life.
23:31I think it's probably no good stuff.
23:33Give me an idea or no problemas.
23:36drove me like a bunch.
23:38But if we don't know how to hold people.
23:39I don't know anymore.
23:40You