- 6/26/2025
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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30What time is it?
00:01:49Say, are you going to keep asking me that every ten minutes?
00:01:52It's exactly nine minutes since the last time I told you.
00:01:58Seems like ninety.
00:02:01Oh, you birds all act that way the day you're getting out.
00:02:04Like an old horse heading for home.
00:02:09They're coming for you now.
00:02:11Good-bye.
00:02:24Come back again when you get more time.
00:02:27Have it to all for only one on me, pally.
00:02:30Johnny doesn't live here anymore.
00:02:32Five pounds, wise guy.
00:02:33So long, Bradley.
00:02:35Be careful of the traffic, kid.
00:02:38Here's your wallet, Bradley.
00:02:41And here's the customary money the state gives each outgoing prisoner.
00:02:45Thanks, Wharton.
00:02:45You can keep that and give it to some guy who needs it more than I do.
00:02:48Thank you, I will.
00:02:49And put this with it, please.
00:02:52For the welfare fund?
00:02:53If that's where it'll do the most good.
00:02:56I can't say that I'm sorry to see you go, Bradley.
00:02:59Neither can I, Wharton.
00:03:00Your record here has been good.
00:03:02I hope it'll be the same way on the outside.
00:03:04If they'll let me alone, it will.
00:03:06You're not altogether free.
00:03:08You've got to watch your step.
00:03:10It's hard on a man who's been a loser, even a one-time loser.
00:03:14I've had enough flaws being watched every minute of the day and night.
00:03:18Oh, I know how you feel.
00:03:20I'll have to admit you've got a tough break.
00:03:23You never belonged here.
00:03:25But I don't make the laws.
00:03:27I wish you did.
00:03:28The man you hit in that brawl died.
00:03:31And the law says you've got to pay for that crime.
00:03:33I paid, all right.
00:03:37Watch your temper, Bradley.
00:03:39Watch it.
00:03:41I've seen you hold on to it when things were tough.
00:03:45What are you going to do now?
00:03:47I'm going back to Denton.
00:03:49I've got a little cabin there.
00:03:51It's out in a grove of tall trees.
00:03:54And the air is good.
00:03:56I won't have to breathe it in through bars.
00:03:58Friends?
00:04:00I'll find out if I've got any friends left soon enough.
00:04:02Don't let it beat you if you find out you haven't.
00:04:07Stay clear of fights.
00:04:09And watch that temper.
00:04:11I'll watch it.
00:04:12Well, so long, old man.
00:04:14And good luck.
00:04:15Goodbye, warden.
00:04:16Goodbye, warden.
00:04:17Goodbye, warden.
00:04:18Goodbye, warden.
00:04:18Goodbye, warden.
00:04:19Goodbye, warden.
00:04:19Goodbye, warden.
00:04:20Goodbye, warden.
00:04:20Goodbye, warden.
00:04:21Goodbye, warden.
00:04:21Goodbye, warden.
00:04:22Goodbye, warden.
00:04:22Goodbye, warden.
00:04:23Goodbye, warden.
00:04:24Goodbye, warden.
00:04:24Goodbye, warden.
00:04:25Goodbye, warden.
00:04:26Goodbye, warden.
00:04:27Goodbye, warden.
00:04:28Goodbye, warden.
00:04:29Goodbye, warden.
00:04:30Goodbye, warden.
00:04:31Goodbye, warden.
00:04:32Goodbye, warden.
00:04:33Goodbye, warden.
00:04:34Goodbye, warden.
00:04:35Goodbye, warden.
00:04:36Goodbye, warden.
00:04:37Goodbye, warden.
00:04:38Goodbye, warden.
00:04:39Goodbye, warden.
00:04:40Goodbye, warden.
00:04:41Hmm, Bachelor Hall.
00:04:56What is it, Father?
00:04:57John Bradley's turned country gentleman on us.
00:05:01I wouldn't be so hard on him, Father.
00:05:03He's behaving himself.
00:05:05Yes, he better behave himself.
00:05:06As long as I'm peace officer of this county,
00:05:08he'll find himself back in Bachelor Hall where he belongs.
00:05:13John's always been a good boy, just a little independent.
00:05:17You seem to forget he's an ex-convict.
00:05:19You always seem to think well of his father.
00:05:22Oh, you're talking about a man.
00:05:24Bob Bradley, one of the finest men to ever live.
00:05:27Came to have a son like that one.
00:05:29For the life of me, I can't figure it out.
00:05:31It's a time like this when a man needs all his friends.
00:05:35Speaking of his friends, where's Helen?
00:05:38At the Bensons.
00:05:39She's had dinner there.
00:05:40Oh, yes.
00:05:41Nice folks, the Bensons.
00:05:43I'm glad that daughter of ours has gotten some sense.
00:05:46Well, of course.
00:05:47It's high time she forgot that jailbird.
00:05:50If I catch her hanging around John Bradley, I'll...
00:05:53Now, Fred, she's forgotten all about that.
00:05:56Helen promised me she'd never see Bradley again.
00:06:02Helen, you're getting to be a pest.
00:06:04I don't like the idea of your coming year.
00:06:06Well, I like it.
00:06:07And I'm going to keep coming here.
00:06:10This place needs a woman's touch.
00:06:13Next time, I'm going to put some new drapes up over those windows.
00:06:16Well, right now, you're going to put on your coat and go home.
00:06:19Oh, let me stay and talk with you for a while.
00:06:21You used to let me have my own way.
00:06:23Yeah.
00:06:24Just what got me into the mess.
00:06:26I've told you how sorry I am.
00:06:28After all, I didn't know a little flirting was going to end in a fight.
00:06:31But it did.
00:06:34The fight ended in a boy's death.
00:06:37It put me behind bars for three long years.
00:06:41You don't seem to realize what that meant.
00:07:01And Myra Benson and her mother tried every trick they knew to make George propose.
00:07:28But he just wouldn't.
00:07:30Smart fellow.
00:07:31Oh, but he'll come around.
00:07:33Helen, someday you're going to become one of the best backfence dirt dishes in the county.
00:07:39But don't start practicing on me.
00:07:40Now, your time's up.
00:07:41Come on.
00:07:41Oh, but I haven't told you the hottest piece of news yet.
00:07:43Hot or cold, you're going right now.
00:07:45Remember that woman I was telling you about?
00:07:47Well, Tony Robeson certainly went a step too far when he brought her right into his house.
00:07:51Honestly, it was the most shameless thing he could have done.
00:07:54And what do you think happened next?
00:07:55The next thing is that you're going home right now.
00:07:58Well, I haven't finished yet.
00:07:59That's what you think.
00:08:00Come on, now.
00:08:01Your five minutes was up ten minutes ago.
00:08:03First thing I know, you'll be here for breakfast.
00:08:05Oh, all right.
00:08:12Cut it out.
00:08:14Aren't you even going to kiss me goodbye?
00:08:15Don't be silly.
00:08:17Why not?
00:08:18I'm not a kid anymore.
00:08:19That's just it.
00:08:20You're a woman now.
00:08:20Show some sense.
00:08:21Well, if I were a man who hadn't seen a girl for three years and she was crazy about him and wanted to kiss him.
00:08:34That's probably your father.
00:08:36Get in the kitchen, quick.
00:08:41Come in.
00:08:42I said, come in.
00:09:00I'm sorry to intrude.
00:09:03It's all right.
00:09:03I was trying to get to the railroad station when I slipped and fell.
00:09:11You see, I've got to get away.
00:09:15You traveling in those clothes?
00:09:18I left in a hurry.
00:09:19I had to.
00:09:22Oh.
00:09:25Hey, Helen.
00:09:26Helen.
00:09:29This is Helen, Miss.
00:09:31Uh, I didn't quite get your name.
00:09:34Louise Loring.
00:09:36How do you do?
00:09:38Hurt yourself?
00:09:40Mm-hmm.
00:09:41Better sit down.
00:09:42I'm just leaving.
00:09:43I'll be glad to drop you at the station.
00:09:45It's on my way home.
00:09:46Oh, thank you.
00:09:47No need to hurry.
00:09:48There isn't a train until six.
00:09:50In the morning?
00:09:51Six a.m.
00:09:52It's a long time to stand up.
00:09:53You better sit down.
00:10:01Can't we do something about the leg?
00:10:08What'll I do?
00:10:10I don't know.
00:10:11Tie it up or something.
00:10:12Oh, don't bother.
00:10:12It's nothing to fuck over.
00:10:14Let me look at it.
00:10:21Oh.
00:10:22Got a bad cut on your knees.
00:10:23Mm-hmm.
00:10:28Your ankle's swelling.
00:10:29You sit still.
00:10:31I'll get something to fix it.
00:10:35I'm sorry to put you to all this trouble.
00:10:37That's a woman's middle name.
00:10:39What is?
00:10:40Trouble.
00:10:42Is that how you feel about women?
00:10:45Exactly.
00:10:45Exactly.
00:10:59Oh, that's grand.
00:11:05Did I understand you to say there wasn't a train until morning?
00:11:08That's right.
00:11:10Oh, dear.
00:11:10That does make it awkward.
00:11:26All right.
00:11:27Come in.
00:11:28Come in.
00:11:29Hello, Robson.
00:11:39Hello, Conroy.
00:11:45I see you didn't get very far, dear.
00:11:48Oh, you hurt yourself.
00:11:50How?
00:11:51I fell.
00:11:53There, you see?
00:11:54If you hadn't been in such a hurry, this wouldn't have happened.
00:11:59Somebody did a neat job.
00:12:02I suppose you were the doctor, Bradley.
00:12:03No.
00:12:04No.
00:12:05No, he didn't do it.
00:12:06I did.
00:12:07Oh, hello, Miss Grant.
00:12:08Hello.
00:12:10Hey, what do you fellows want here?
00:12:12Oh, nothing to be upset about.
00:12:13Well, I've just come to take my house guest home.
00:12:18I'm not coming back.
00:12:20You're not serious.
00:12:21But I am.
00:12:22I'm leaving as soon as I can get a train out of here.
00:12:24All right, dear, Lifter.
00:12:28Surely you don't intend to go in those clothes.
00:12:30Just as I am.
00:12:32And what do you propose to do until morning?
00:12:35I might sit right here if Mr. Bradley would allow it.
00:12:38It's okay with me.
00:12:43Your mind's made up?
00:12:44Yes, quite.
00:12:47Well, you usually know what you want.
00:12:52Come on, Conroy.
00:13:01Need some money?
00:13:02No, thanks, Dick.
00:13:03Conroy, come on.
00:13:04Good luck, Louise.
00:13:07I hope the lady doesn't prove too much trouble.
00:13:09She's very good company.
00:13:12When she wants to be.
00:13:31I'd lock that door if I were you.
00:13:32I don't like locked doors.
00:13:38Nice, friendly little visit.
00:13:40They've been drinking.
00:13:41Sounds like a good idea.
00:13:43Want to get them, Helen?
00:13:44All right.
00:13:45I'm sorry about all this.
00:13:59It's your business, not mine.
00:14:01Yes, but it was embarrassing.
00:14:02Yes, but it was embarrassing.
00:14:03And I'd like to explain.
00:14:04Save it.
00:14:05You don't have to apologize.
00:14:07But I do owe you an explanation.
00:14:09You see, Robeson...
00:14:11Robeson's no stranger to me.
00:14:13Not by reputation, anyway.
00:14:15How well do you know him?
00:14:16Well enough to guess the rest of the story.
00:14:22It was partly my fault, but then...
00:14:25You see, I was in a...
00:14:26In a tough spot.
00:14:28I know.
00:14:29I just got out of one myself.
00:14:31I hope yours was easier to get out of than mine.
00:14:34Maybe not easier, but it took longer.
00:14:38You wanted drinks?
00:14:39Oh, thanks, Helen.
00:14:40I'll take it.
00:15:00Hello?
00:15:02Yes?
00:15:03I'm sorry.
00:15:04I'm sorry.
00:15:05I'm sorry.
00:15:06I'm sorry.
00:15:07I'm sorry.
00:15:08I'm sorry.
00:15:09I'm sorry.
00:15:10I'm sorry.
00:15:11She's where?
00:15:12She's where?
00:15:13She's where?
00:15:14But that...
00:15:15What?
00:15:17All right.
00:15:18Just thought you ought to know, Sheriff.
00:15:20Not that it's any concern of mine.
00:15:22You bet I ought to know.
00:15:24I'll fix her and him, too.
00:15:26What is it, Rob?
00:15:28What is it?
00:15:31Fine kind of a mother you are.
00:15:34Don't even know where your own daughter is.
00:15:36She's at the Benson's, is she?
00:15:38Well, she isn't.
00:15:39She's at Bradley's.
00:15:40That's where she is.
00:15:41Where are you going, Father?
00:15:42Where do you suppose I'm going?
00:15:46Well, that'll give Bradley something of his own to worry about instead of my affairs.
00:16:06That's a rather dirty trick.
00:16:08It's a little late for you to be getting noble, isn't it?
00:16:12I...
00:16:13I wouldn't have gotten at Bradley that way.
00:16:14Oh, you wouldn't.
00:16:15Well, that's my way.
00:16:16And when I want to know yours, I'll ask it.
00:16:18Until then, keep your mouth shut.
00:16:20I've kept quiet about a lot of things so far.
00:16:23But only because I had to.
00:16:24Someday I hope...
00:16:25Someday you hope what?
00:16:27You only work for me because you're a weakling.
00:16:31Don't try to be anything you're not.
00:16:33I wouldn't like it.
00:16:35Yes?
00:16:36All right.
00:16:37Goodbye.
00:16:38That was Mother.
00:16:39Robeson just telephoned home.
00:16:40Said I was here.
00:16:41Dad's on his way out now.
00:16:42I've got to get out of here, quick.
00:16:43Hold on a minute.
00:16:44You can't go out there.
00:16:45You'd meet your dad on the road.
00:16:46Yes, but I can't stay here.
00:16:47Now listen.
00:16:48I'll put your car out back.
00:16:49You stay here.
00:16:50The minute you hear your father knocking, you beat it out to the kitchen door.
00:16:51You'll probably get home before he gets through squawking.
00:16:52Oh, dear.
00:16:53I hope you won't get into any trouble.
00:16:54I hope he won't.
00:16:55You're very fond of him, aren't you?
00:16:56Yes, but what good is it to me?
00:16:57He thinks I'm just a kid.
00:16:58He thinks I'm just a kid.
00:16:59No, no.
00:17:00No, no.
00:17:01No, no.
00:17:02No, no.
00:17:03No, no.
00:17:04No, no.
00:17:05No, no.
00:17:06No, no.
00:17:07No, no.
00:17:08No, no.
00:17:09No, no.
00:17:10No, no.
00:17:11No, no.
00:17:12No, no.
00:17:13No, no.
00:17:14No, no.
00:17:15No, no.
00:17:16No, no.
00:17:17No, no.
00:17:18No, no.
00:17:19No, no.
00:17:20He thinks I'm just a kid.
00:17:21I'm awfully sorry.
00:17:22I'm afraid to have Dad come here.
00:17:25Whatever happens, don't let John fight.
00:17:27Well, I won't if I can help him.
00:17:29You see, I got him into trouble once before.
00:17:35Everything's okay.
00:17:36Now, you'd want out into the kitchen in case your dad dropped in unexpectedly.
00:17:39All right.
00:17:40Goodbye, Miss Lawrence.
00:17:41Goodbye, dear.
00:17:42Get home safely, please.
00:17:50What's up?
00:18:02Where's Helen?
00:18:03Hello, Mr. Grant.
00:18:05Where is she?
00:18:06Helen's not here.
00:18:07Oh, sorry, Sheriff. You don't know Miss...
00:18:21I know her. I know all about her. Most everyone does.
00:18:25He's telling the truth, Mr. Grant. Helen isn't here.
00:18:28Yes, a convict's word backed up by yours.
00:18:32No one would believe for the pair like you say.
00:18:35Wait. I'd be careful of what I said if I were you, Sheriff.
00:18:38What are you doing? Threatening me?
00:18:40No, warning you.
00:18:43Look, you're not going to fight.
00:18:45I don't want to, but...
00:18:46But you're not to fight.
00:18:48No, you're right. It's the last thing I want to do.
00:18:51It'll land me right back where I came from.
00:18:53Well, just remember that.
00:18:55I will.
00:18:58For the last time I'm telling you to stay away from my daughter.
00:19:02Next time I won't talk.
00:19:05The old fox senses she's been here.
00:19:18He's pretty smart.
00:19:20Do the people around here think about me like he does?
00:19:25I haven't any idea.
00:19:26I haven't been around here in some time.
00:19:29I'm practically a stranger here myself.
00:19:30Well, I guess I'd better go out and see if the kid got away all right.
00:19:37Oh, I hope she did.
00:19:38Yeah.
00:19:38Hold on.
00:19:39Hold on.
00:19:39Hold on.
00:19:48Hold on.
00:19:51Hold on.
00:19:55I'm in here.
00:20:13My, but you were quick.
00:20:14I didn't make...
00:20:15What do you want?
00:20:28Bradley in there?
00:20:29What do you want?
00:20:33Well, darling, it's like this.
00:20:35You're coming home with me.
00:20:36I gave you my answer when you were here before.
00:20:39Still, you're coming home.
00:20:42Oh, it's no use, Tony.
00:20:44It won't work.
00:20:44I'll never go back with you.
00:20:47Better come along, Louise,
00:20:48before there's any trouble.
00:20:51If I have to carry you, you're...
00:20:53You leave me alone.
00:20:56Well, don't stand there.
00:20:57Get rid of that dog.
00:21:01I'll take you!
00:21:02Oh, no, you don't.
00:21:14What is this, open house or visitor's day?
00:21:17We won't intrude any longer.
00:21:19Miss Loring's decided to come home with us.
00:21:22That's all right with me.
00:21:23But I'm not going.
00:21:26That's all right with me, too.
00:21:31Who did this?
00:21:32Oh, look out!
00:21:40Let go!
00:21:41Try that again, baby.
00:21:50Now, break your arm!
00:21:51He's all right.
00:22:05Take him and get out of here.
00:22:12Come on, Dick.
00:22:13Wake up.
00:22:13We're going home.
00:22:14I'm all right.
00:22:15Come on.
00:22:16Get him out of here.
00:22:17The air will bring him to.
00:22:47Conroy, you'll be a sorry boy when he sobers up and realizes what he's done.
00:23:01I should think he might.
00:23:03Robeson made him do it.
00:23:05He handled him like a child.
00:23:17Cigarette?
00:23:33Believe it or not, this place used to be known as one of the quietest in the county.
00:23:37Probably would have remained so if I hadn't come along.
00:23:39Oh, you've brightened things up a bit.
00:23:42It's beginning to get pretty monotonous.
00:23:47It's going to be a long wait for that train.
00:23:51Oh, I don't mind.
00:23:53Getting away is too important.
00:23:55And after your getaway?
00:23:57Well, first thing will be to get some clothes.
00:24:00Clothes?
00:24:01Doesn't a woman ever think past getting some clothes?
00:24:04Very seldom.
00:24:08May I turn on the radio?
00:24:11Help yourself.
00:24:17You don't look like the type of person who'd get mixed up with a man like Robeson.
00:24:32Men like Robeson know women rather well.
00:24:34You might call it their business.
00:24:37They wait for a time when a woman needs friendship and sympathy.
00:24:40And then they're very kind and gentle.
00:24:43I've never discovered anything kind or gentle about Robeson.
00:24:46You're not a woman.
00:24:49Well, when I first knew him.
00:24:53Welcome home, stranger.
00:24:55Where'd you get in?
00:24:56Only an hour ago.
00:24:57I've still got my feelings.
00:24:58Why didn't you cable me?
00:25:00Oh, too thrilled, too excited, I guess.
00:25:02I've got a head just spinning with plans.
00:25:04Well, sit down or you'll have mine spinning too.
00:25:07What are they?
00:25:08Well, wonderful things.
00:25:11Am I in them?
00:25:12Oh, no.
00:25:13Oh, come now, Louise.
00:25:14Surely you've forgiven me that clumsy attempt in Paris.
00:25:18Of course I have.
00:25:19Would I be here if I hadn't?
00:25:21I guess not.
00:25:23How's the music?
00:25:24Simply trembling to burst out of me.
00:25:26I'll have you know I'm the finished product of the finest conservatory in Europe.
00:25:29All set to knock the American public cold, huh?
00:25:31All set.
00:25:32What's the approach?
00:25:34Well, I'm going on a concert tour.
00:25:36Ready for it?
00:25:37I mean, you must realize that it takes something more than just enthusiasm.
00:25:40Yes, I know that.
00:25:41I may have to teach first.
00:25:42Interest people.
00:25:43It's done, you know.
00:25:45You have interested one people.
00:25:47Me.
00:25:48Oh, thank you, Tony.
00:25:49I'm glad you believe in me.
00:25:51It's more than just a belief, Louise.
00:25:55You have the talent.
00:25:57All you need is the money.
00:25:58I can supply that.
00:26:00Oh, but, Tony, I have some pride, you know.
00:26:02Pride's nothing to do with it.
00:26:03It'll be a loan.
00:26:04You'll need money if you're going to succeed.
00:26:06Money, influential friends, many things.
00:26:09I have all that.
00:26:10The idea sounded great at the time.
00:26:17A shortcut to fame, eh?
00:26:19Yes, only in my case, it wasn't fame.
00:26:23When my season finished in Boston, I went up to see him again.
00:26:29I've come to tell you that...
00:26:30I know all about it.
00:26:31I've been watching the papers.
00:26:33The concert in Boston was what we'd call an artistic success.
00:26:36Not a box office yet.
00:26:38I'm glad you understand.
00:26:40More than you think, dear.
00:26:42That makes it easier to tell you.
00:26:43What?
00:26:44I've been a bad risk.
00:26:45All this money, I...
00:26:46I didn't know it was so much until now.
00:26:49Forget the money.
00:26:50I can't.
00:26:50It was a loan.
00:26:52It was an investment.
00:26:55Why didn't you tell me that?
00:26:56I never would have accepted it.
00:26:57I wanted you to have it if you couldn't sing a note.
00:27:00There are so many things I want to give you.
00:27:07Oh, but...
00:27:08It's yours.
00:27:11Forget your career for a while.
00:27:13We'll go away somewhere.
00:27:16Don't fight me off again, Louise.
00:27:18There's so much I want to do for you.
00:27:21I've waited such a long time.
00:27:27Well,
00:27:27that's the whole stone.
00:27:30Very interesting.
00:27:45Hmm.
00:27:46Pretty.
00:27:47All right, all right.
00:27:56If you don't want to play, you don't.
00:27:58No.
00:27:59I don't want to play.
00:28:00Bradley, eh?
00:28:05Just what I expected.
00:28:09Fighting again.
00:28:11All right, I'll be right over to Swear to Warner.
00:28:13All right, all right.
00:28:16What happened, Pa?
00:28:17What's wrong?
00:28:18Bradley's got himself in another mess.
00:28:20Fighting over that woman I saw up there.
00:28:23What she'd do is fighting in the daytime.
00:28:26Getting me up in the middle of the night.
00:28:27Westport, 7-4-6-0.
00:28:43Yes.
00:28:45I should think you'd understand.
00:28:47I've just been telling you about Robeson and...
00:28:50Am I a Robeson type?
00:28:54Yes.
00:28:55Worth.
00:28:57I'll admit I'm not very gentle.
00:29:00I wish you'd believe me.
00:29:03Does it make any difference?
00:29:06Excuse me.
00:29:14Hello?
00:29:15Oh, hello, kid.
00:29:16I'm glad you got home all right.
00:29:17What's on your mind?
00:29:18Speak louder.
00:29:20I don't dare talk any louder.
00:29:22Listen.
00:29:24What?
00:29:24Sure, I'll leave here right away.
00:29:28I'll be at Logan's.
00:29:29Tommy Logan's in the city.
00:29:30Try and get word to me there tomorrow.
00:29:32His address is...
00:29:33All right, I'll call you tomorrow.
00:29:40Now, be careful, kid.
00:29:42Don't ask for me.
00:29:42I've mentioned my name over the phone.
00:29:44All right.
00:29:46Thanks a lot, honey.
00:29:47Goodbye.
00:29:51Conroy's got a fractured skull.
00:29:52When he fell, he hit his head.
00:29:53Robeson's sworn out a warrant for my arrest.
00:29:55Oh.
00:29:55That means they're going to drag me back again.
00:29:57Back?
00:29:57What do you mean?
00:29:58I'm out on parole.
00:29:59I was up once before for the same thing.
00:30:01They call it manslaughter.
00:30:02This time, if Conroy dies, they'll make it murder.
00:30:05But I could explain how it happened.
00:30:07I'm afraid your word wouldn't help.
00:30:09Oh, I see.
00:30:10If he dies, I haven't a chance.
00:30:12I've got to get out of here.
00:30:13I'll drop you at the station.
00:30:14All right.
00:30:15The cops may give us a chase.
00:30:16You afraid?
00:30:17No.
00:30:17Well, I'll get your coat.
00:30:18Hmm.
00:30:18All right?
00:30:29Yes.
00:30:30Come on, let's go.
00:30:30All right.
00:30:44Frightened?
00:30:45No.
00:30:48Are you cold?
00:30:53Not very.
00:31:02Thanks.
00:31:08Well, the police call is probably out by now.
00:31:11But if we can cross the county line before morning,
00:31:12we still have a chance.
00:31:18There they are.
00:31:29Steady.
00:31:29Drive slower.
00:31:37Well, it looks like it's up.
00:31:38Well, well, what are we here?
00:31:50You seem to be in a great hurry.
00:31:51Not particularly.
00:31:52I didn't realize you were going so fast.
00:31:54You didn't, eh?
00:31:55Well, you'd better slow up.
00:31:56There's a bridge out three miles ahead.
00:31:57You'll have to detour.
00:31:59Take it easy.
00:32:00Thanks.
00:32:00I will.
00:32:05Whew.
00:32:05How's your heart?
00:32:18Pretty badly shaken up.
00:32:19Well, you're all right, you know.
00:32:20They don't want you.
00:32:22I wasn't thinking of that.
00:32:24We'd better pull off this main road and lay low until morning.
00:32:29When the police call goes out, that cop will report where he saw us,
00:32:32and they'll probably think we're a great deal further on.
00:32:34Anyway, we could do with a few hours sleep.
00:32:36All right.
00:32:45We're only a few miles from the station.
00:32:47If we leave by daylight, we ought to be able to make it by train time.
00:32:49You can't take me to the station.
00:32:51It's too dangerous.
00:32:53Where else?
00:32:56Where are you going?
00:32:57To Tommy Logan's, a friend of mine.
00:32:59We shared the same cell.
00:33:00Take me with you.
00:33:02No, you better get out of all this.
00:33:04But I thought it is.
00:33:06That's not the point.
00:33:07I'd rather stay with you.
00:33:08Help if I can.
00:33:10I'll sell these if you need any money.
00:33:14Thanks, but I don't need any.
00:33:16But I can stay.
00:33:17Okay.
00:33:17Okay.
00:33:19All right.
00:33:33You better sleep in back.
00:33:35Why?
00:33:36Do I disturb you?
00:33:39Yeah.
00:33:40Come on.
00:33:41Well, but I'll get cold back there.
00:33:44No, you won't.
00:33:45Come on.
00:33:49Ankle hurt?
00:33:56Yes, a little.
00:33:57You all right?
00:34:19Yes, thank you.
00:34:22Good night.
00:34:24Good night.
00:34:44Good night.
00:34:49Good night.
00:34:51Good night.
00:34:51Are you asleep?
00:35:11No.
00:35:12As long as you're still awake, I might as well turn on the radio and see if the police are sending out any calls about us.
00:35:17Mm-hmm.
00:35:18Calling all home, calling all home.
00:35:23Before you go to bed tonight, make sure you sleep on a Flanagan suspension bed.
00:35:28The Flanagan suspension bed is built on the same principle as the Brooklyn Bridge, but with just a little more sprinkling.
00:35:34If you've never slept on a Flanagan suspension bed, you've only been laying down.
00:35:38And now the Flanagan crew doors will play their theme song, Sleep, Beautiful Sleep.
00:35:43Oh.
00:35:49Oh.
00:35:51Oh.
00:36:53I didn't know you was awake, Lil.
00:37:14No, you petty larceny, Yegg.
00:37:17I'm sound asleep.
00:37:18I'm just having a dream that you hoisted my watch.
00:37:21Now, honest, Lil, you see, I just wanted to see what time it was.
00:37:25Ain't you cute?
00:37:26Just wanted to know what time it is.
00:37:28You know that biscuit hasn't been running for three years.
00:37:31Well, that's it.
00:37:32You see, I was just fixing to take it down and have it fixed.
00:37:35It's run down.
00:37:36Yeah, and you think it needs a rest in the hock shop.
00:37:40Oh, now, don't get all head up, Lil.
00:37:43Remember, I gave you this watch.
00:37:45Yes.
00:37:46I know you did, you Indian giver.
00:37:48Give me that ticker.
00:37:49Oh, now, Lil.
00:37:50Oh, now, Lil.
00:37:51I said give me that watch.
00:37:53Lil, cut it out now.
00:37:55You know I got a weak liver.
00:37:56Come here, you worm.
00:37:57Oh, Lil, wait a minute now.
00:37:58I'll teach you to rob your own wife.
00:38:00Oh, Lil, please don't.
00:38:01Oh, don't hit me with that.
00:38:03You know, your mother gave you that.
00:38:04Oh, yeah.
00:38:05Well, you're going to get it right back.
00:38:16Who is it?
00:38:17It's Bradley.
00:38:17Open up.
00:38:20Can I just see you kids?
00:38:21You know, I was just talking to the missus about you the other day
00:38:24and wondered what had happened to you.
00:38:25You know that...
00:38:26Tommy Logan, Miss Loring.
00:38:29How do you do?
00:38:29How do you do?
00:38:31Won't you sit down?
00:38:32Yes, thank you.
00:38:34Oh.
00:38:35Oh, oh, oh, Lil.
00:38:37Lil.
00:38:38Hi.
00:38:41Baby, this is John Bradley.
00:38:44I certainly feel as if I knew you.
00:38:46Tommy's always talking about you.
00:38:47I guess that goes two ways.
00:38:48Yeah, you know, he...
00:38:49Oh, and this is his girlfriend, Mr. Rob.
00:38:52Miss Loring.
00:38:53Loring, yes.
00:38:53How do you do?
00:38:54How do you do?
00:38:55So this is John Bradley.
00:38:57Maybe just like I told you.
00:38:58Looks all right to me.
00:39:00Thanks.
00:39:00I guess I got you to thank that Tommy ever got out of the cooler.
00:39:03He wasn't a bad boy up there.
00:39:04No.
00:39:05If you hadn't watched him, you would have stolen everything,
00:39:07including the warden's back teeth.
00:39:12Doesn't she say the cutest thing, John?
00:39:14You folks must be hungry.
00:39:16You're a mind reader, all right.
00:39:17I'll see what I can do about it.
00:39:19Won't you take off your coat, Miss Loring?
00:39:21Yes, thank you.
00:39:22Long distance.
00:39:25Hurry that call, will you please?
00:39:26167 West Street.
00:39:29That's right.
00:39:31Logan.
00:39:31L-O-G-A-N.
00:39:33No, L, as in love.
00:39:36That's right.
00:39:40Oh.
00:39:41Hello, Dad.
00:39:42Yes.
00:39:47Long distance.
00:39:52This is Sheriff Grant speaking.
00:39:54There was a mistake in that address my daughter just gave you.
00:39:57Read it back, please.
00:39:59167?
00:40:01Yes.
00:40:03167 West Street.
00:40:06That's right.
00:40:08And the name?
00:40:10L-O-G-A-N.
00:40:13You better cancel that call.
00:40:20What's on your mind?
00:40:21Trouble?
00:40:22I slapped a guy down last night.
00:40:24Yeah, and when you slap him, they stay slapped.
00:40:27We're hoping he's not badly hurt.
00:40:29He'll get the best of attention in the Denton Hospital.
00:40:31Sure.
00:40:32Have a drink.
00:40:32No, thank you.
00:40:34Here's a bite.
00:40:35Maybe this will hold you until we can get some food together.
00:40:39Get on the phone, will you, and get someone to bury my car.
00:40:41It's down in front.
00:40:42Sure.
00:40:42We'll need some clothes, too.
00:40:45Got any cash?
00:40:46A little.
00:40:50Hey, there's plenty of cash.
00:40:52There's nothing phony about those things.
00:40:54I know a fella that...
00:40:55There's no rush.
00:40:57You don't have to fence that stuff.
00:40:58It's not hot.
00:40:59Oh.
00:41:00Get off to that car, will you?
00:41:01All right.
00:41:02I think I've got some clothes I could fix for you.
00:41:05Oh, thank you.
00:41:06I would like to get out of this dress.
00:41:07Won't take no time at all.
00:41:09Don't give that jewelry to Logan.
00:41:12Why not?
00:41:13I'll need the money.
00:41:14I've got plenty for now.
00:41:15He'd gypped you.
00:41:15But he's your friend.
00:41:16Trust him.
00:41:17When it comes to jewelry, that's where he flops.
00:41:19In the first place, he'd sell it to a fence.
00:41:21He wouldn't get a third of what they're worth.
00:41:23With time hizzling in, you'd better hang him to them.
00:41:25Just as you say.
00:41:25Would you like to clean up, honey?
00:41:30I'd like it both.
00:41:32Sure, here's a rope for you.
00:41:34Well, it's pretty.
00:41:35Yeah, Tommy fell in love with me in that rope.
00:41:38I mean...
00:41:39That's all right.
00:41:40We understand.
00:41:42Am I embarrassed?
00:41:47It's not much, but it holds water.
00:41:49Well, that's all that's necessary.
00:41:50Yeah, that's it.
00:41:56The ride's standing outside of my joint.
00:41:59Fashion.
00:42:00That's the idea.
00:42:02And you'd better change the license plates, too.
00:42:06Right away.
00:42:07Make it snappy, you know.
00:42:09Okay.
00:42:10Good.
00:42:11Then what about Krause?
00:42:13Hadn't we better get him over?
00:42:14He's a bad egg.
00:42:15Well, he's a shock lawyer, and you're in a spot.
00:42:19All right, all right.
00:42:20How is he, doctor?
00:42:23Looks very serious.
00:42:29Hello?
00:42:30Yes, just a moment.
00:42:32Mr. Robeson, it's for you.
00:42:33Thanks.
00:42:36Hello?
00:42:38Oh, hello, Sheriff.
00:42:39Good.
00:42:40I hope they get him.
00:42:42Yeah, when I see this poor kid lying here, I...
00:42:45Fine.
00:42:46They've got a line on Bradley.
00:42:51Expect to arrest him any minute.
00:42:53Good.
00:42:53Good.
00:43:09Well, don't you know I'm in here?
00:43:12Sure.
00:43:14Well, I've got to dress.
00:43:17Why'd you dress in the bathroom?
00:43:19Have you seen the bathroom?
00:43:21No.
00:43:23Dress here.
00:43:23I won't peek.
00:43:25Who's room is this supposed to be?
00:43:27Y'all don't mind?
00:43:29I think it's the Logan's idea that it ought to belong to both of us.
00:43:32Oh?
00:43:37Well?
00:43:41Perfectly all right.
00:43:42I won't bother you.
00:43:44I wasn't afraid you would.
00:43:48How's your ankle?
00:43:49Oh, Becky, I've taken the bandage off.
00:43:52Good.
00:43:52Well, here's hoping you've got willpower.
00:44:04You want me to have willpower?
00:44:07I like you better the way you were in the car last night.
00:44:12I'm getting to be a softie.
00:44:15Maybe I'll even end up by being kind and gentle.
00:44:18You still don't believe me, do you?
00:44:21About Robeson, I mean.
00:44:23Does it matter?
00:44:26Yes.
00:44:29Say, don't carry this modesty business too far.
00:44:31You know, I can't see a darn thing out this window but a brick wall.
00:44:36Well, you can look now.
00:44:39Thanks.
00:44:39This is it.
00:45:04Ask them if they can use some ham and eggs.
00:45:14All right.
00:45:31Accomplished.
00:45:34Hey, John.
00:45:37What?
00:45:38The conference.
00:45:39Beat it out that window.
00:45:39There's a fire escape below.
00:45:42Go on.
00:45:43Beat it, will you?
00:45:44Lil and I'll take care of her.
00:45:45Sure.
00:45:48Hey, you got any dope?
00:45:49Yeah, I'll be seeing you.
00:45:53Hey, come on, you dames, or you'll tip his mitt.
00:45:56Better open up or they'll be making toothpicks out of the landlord's best door.
00:46:04Where's he at?
00:46:17Where's he at?
00:46:34Who?
00:46:35Quit stalling and make it snappy, will you?
00:46:37I ain't had breakfast yet.
00:46:38Come on, tell me where he's gone.
00:46:40Oh, if I knew I would tell you, young baby snail.
00:46:43Go on, sock me again.
00:46:47How about it, Blake?
00:46:52I plugged him and ran after him.
00:46:56Lay off, Ed.
00:46:57It's okay.
00:46:59Come on, I want you back in Denton.
00:47:02What for?
00:47:03I don't know.
00:47:04Something about some jewelry that belonged to some guy's mother and you copied when you left.
00:47:08That's not true.
00:47:10Yeah?
00:47:12That's the junk there, isn't it?
00:47:13You better give it to me.
00:47:14Those are mine.
00:47:15They were bought to me.
00:47:15Come on, hand it over.
00:47:17But I'm trying to tell you that...
00:47:18Tell it to the judge.
00:47:19Say, you.
00:47:21Lay off her.
00:47:22She ain't done nothing.
00:47:23Shut up.
00:47:24Come on, will you?
00:47:25I'm getting hungrier by the minute.
00:47:32I can't thank you enough for all you've done for me.
00:47:34Now remember, no matter what happens, don't talk until you've seen Kraut.
00:47:38He's Tommy's lawyer.
00:47:39Do you think he'll take my case?
00:47:40Sure.
00:47:40We'll send him right over.
00:47:42Will you come on before I pass out?
00:47:45Come on, Ed.
00:47:45Well, there goes the jewelry.
00:47:50I told you so.
00:47:52I had a hunch.
00:47:53Oh, shut up.
00:47:54Say, what the...
00:47:55Here's that dame they wanted Denton, Sarge.
00:48:19Here's the stuff.
00:48:20Not bad.
00:48:24I mean, nice stuff.
00:48:27Did you get the guy?
00:48:28He stopped a slug.
00:48:30I guess he's in the hospital.
00:48:31Oh, how is he?
00:48:32Can't someone tell me how he is?
00:48:34Your guess is as good as mine, sister.
00:48:36Come on.
00:48:38Come on.
00:48:44Oh, look.
00:48:49Put her in the royal suit, and if you don't like that, take her to the rich.
00:48:53All right, Sergeant.
00:48:55Come on, man.
00:48:56You know, Sarge, I've got to go on a diet.
00:49:12You should.
00:49:13Come on.
00:49:38Has my lawyer come yet?
00:49:39Quit asking me the same question.
00:49:40Here you are, boy.
00:49:45We're taking you back to Denton.
00:49:47Not until I've seen my lawyer.
00:49:49Come on, don't give us no trouble. We won't give you none.
00:49:52Get your hat.
00:49:53Look, if you'll only tell me how John...
00:49:56John Bradley is, I'll go like a lamb.
00:49:58You'll go like a lamb anyway.
00:50:00But please...
00:50:01Say, listen, we ain't bothering you with a lot of questions,
00:50:04so don't you bother us.
00:50:06Here.
00:50:08Come on.
00:50:10Come on.
00:50:23I'll get your bail all fixed, and I'll have you out of here...
00:50:25as soon as I've asked you a few questions.
00:50:29But I've got to tell you the answers first.
00:50:32It certainly is a relief to have you here, Mr. Krause.
00:50:35It was more than good of you to come.
00:50:37Oh, that's all right.
00:50:38Anything I can do for a friend of Bradley's.
00:50:40You've got money, haven't you?
00:50:42Nothing but my jewels.
00:50:44And you haven't got that now.
00:50:46Well, Bradley's girlfriend.
00:50:49Good for what?
00:50:51The bail.
00:50:52My fees.
00:50:53Everything.
00:50:54Let's hear all about it.
00:50:56Shoot the works.
00:50:58What do you want to know?
00:51:00Everything.
00:51:01Truth.
00:51:03No song and dance.
00:51:04Begin at the beginning.
00:51:06Well, we had an understanding, Robeson and I.
00:51:11It was pretty low of him to say I stole those things.
00:51:13He must have been angry because I left him.
00:51:16That's easy to understand.
00:51:17Ouch!
00:51:19Hey, what's the matter with you?
00:51:21If there's something you don't like, you can say so, can't you?
00:51:23I did.
00:51:25I went to Robeson's house because...
00:51:27If it wasn't for Bradley, you could take your troubles to another lawyer.
00:51:29Well, go on. Let's hear it.
00:51:50Nobody knows I'm here today, Doc.
00:51:53Why, no. Of course not.
00:51:59Just stay quiet there for a while.
00:52:06We can take him down, can't we, Doc?
00:52:08You through with him?
00:52:09He's pretty weak.
00:52:10He's lost a lot of blood.
00:52:11Better let him stay here for 24 hours.
00:52:13Okay, we can arrange that.
00:52:16Forget about Conroy being a nice fellow except when he's drunk.
00:52:19Just emphasize that he killed the dog when the dog was trying to protect you.
00:52:22Get me?
00:52:23Yes.
00:52:24Well, let's go.
00:52:25And don't forget any of the answers.
00:52:27I won't.
00:52:28Oh, to think that I'll be able to get out of here tonight and go back to town.
00:52:31We might not be able to go back tonight.
00:52:33We could stay at the inn and go back in the morning.
00:52:36Come on.
00:52:37Come on.
00:52:53Can't we do something?
00:52:55Can't we at least find out if John needs help?
00:52:59Everything in time.
00:53:01No hurry.
00:53:02That's me.
00:53:03Hello.
00:53:04Hello.
00:53:05Have you seen John?
00:53:06Sure.
00:53:07Is he all right?
00:53:08Certainly.
00:53:09The doc says it ain't serious.
00:53:10He'll get well.
00:53:11Oh, I'm so glad.
00:53:12That dirty sore bones tipped off the cops and they're covering the joint.
00:53:13Well, then I've got to go to him right away.
00:53:14Let's go back to town.
00:53:15Wait a minute.
00:53:16You can't do that.
00:53:17You're not in the clear yet.
00:53:18You're nearly out on bail.
00:53:19If you go to Bradley now, you'll both be implicated.
00:53:21The smart move is to stay here tonight.
00:53:22He's right.
00:53:23Hey, now.
00:53:25Little Titus.
00:53:26Who's here?
00:53:27Come on.
00:53:28Come on.
00:53:29You come on.
00:53:30If you're going to Bradley now, you'll be implicated.
00:53:31The smart move is to stay here tonight.
00:53:32He's right.
00:53:33Come on.
00:53:34You're not in the clear yet.
00:53:36Come on.
00:53:38Come on.
00:53:39He's very close.
00:53:40And if you go to Bradley now, you'll both be implicated.
00:53:43We'll be very close.
00:53:44It's not.
00:53:45Not yourself.
00:53:46Come on.
00:53:47hey where's the rocks rock the stones the jewelry oh the police are holding uh-huh see there i told
00:54:02you to give them to me i knew they'd fall in the wrong hands you two wait here a minute i'll go
00:54:10and arrange for the room hey room okay is he being taken good care of i'll tell you later i just
00:54:22thought of something too if you'll excuse me
00:54:26say mr smith would you mind making that mr brown just for my sake wise guy eh well the house is full
00:54:45of smiths i can't keep my book straight
00:54:50is 405 and 406 close enough all right okay
00:54:56hey what's the idea of adjoining room bradley will kick your head off
00:55:00keep your nose out of this i know what i'm doing oh yeah does bradley know
00:55:21hello
00:55:26i suppose i'm a fool to want you back but i do knowing the way i feel about you
00:55:32i might even get a kick out of that all the ways if you come back to me we'll drop this case against
00:55:36you i'll say i was drinking when i swore out the warrant and and that the bracelet and ring are
00:55:40really yours and if i don't
00:55:42really yours and if i don't
00:55:45well that's your worry
00:55:52well that's what i did come back to you just suppose
00:55:57what about bradley
00:56:09why are you so interested in bradley
00:56:11you only met him last night well that's not the point he didn't mean to hurt conroy so badly
00:56:27perhaps not but conroy's dying and bradley's responsible you could help him if you wanted to
00:56:39what can i do he's already served one term for manslaughter
00:56:43but why all this concern about bradley you're in rather a tough spot yourself hasn't your little
00:56:50taste of jail been enough why don't you get smart i just can't see it your way tony
00:56:57well take it over
00:57:19oh louise they told me that i'd find you here yes helen i can only stay a moment i thought you
00:57:25ought to know father says that john bradley isn't seriously hurt he's going to get well yes i
00:57:30know but he's under arrest and he'll face a murder charge if conroy dies yes but if i hadn't
00:57:37have phoned the logan's the police wouldn't have found him tell me how badly is dick conroy hurt
00:57:42is he really dying yes but father says that robeson's doing everything he can for him day nurse
00:57:49night nurse what do you mean robeson's doing isn't dick in the hospital no it was too dangerous
00:57:54to move him so robeson kept him at his house oh i well i've got to go now goodbye louise goodbye helen
00:58:01it was very sweet of you to come
00:58:09who's the dame well a friend of mine sheriff's daughter what do you have to say
00:58:14nothing important well i guess you're pretty tired would you like to turn in
00:58:19i'm going back to robeson what what did you say
00:58:33why's that dirty double-crossing little
00:58:38clerk yes sir cancel those rooms oh sorry you couldn't stay longer mr smith brown
00:58:48all right will you tell me what really happened how many times have i got to tell you the bulls took
00:58:56her back to denton on a jewelry rack well what did you do didn't you get crouched sure sure everything's
00:59:02been taken care of will you relax
00:59:05just a minute just a minute where do you think you're going in there nobody's allowed in there
00:59:16well but my wife's in there with my best friend that's too bad but those things sometimes happen
00:59:21now i knew of a case once where a fellow is oh i i know i know but you see i've got to get in the
00:59:25kind of room what kind of a deal is this ain't that one rule for rich or poor husband and wives
00:59:33all right i'll give you five minutes
00:59:40thanks
00:59:45johnny i've got this thing all figured out it's a cinch to break out of here
00:59:49listen there's a rain pipe leading from that window right down to the street tell me what
00:59:53happened to her will you tommy all right all right i was on a pleasure trip see and he said
01:00:00was your wife with you and i said no it was a pleasure trip
01:00:07will you tell me what happened to her she's okay i tell you now you just take it easy and
01:00:12quit stalling where is she i wouldn't worry about her you know how dames are when things get tough
01:00:18they can't take it what do you mean well as soon as kraus from her ropes and showed up and she went
01:00:23back with it forget her john she ain't worth a headache cut it out leo cut it out tell me get
01:00:30the car around we'll stop and get some clothes are you nuts you'll never make it
01:00:38i know a man who shaves 40 times a day he said who and i said a barber
01:00:44i've been you know listen now we've got plenty of time for this no i'm going tonight
01:00:56all right will you talk to that cop outside and keep him busy come on
01:01:00i was just trying to cheer the patient out not with those gags oh boy what a sense of humor you've got
01:01:11well big boy you still hungry hungry i could go for a barbecued suitcase handled and all
01:01:19well you're gonna take me up on it are you no but you're gonna have what's in it
01:01:31you know one thing i like about bananas is it got no bones in them it's just too bad you have to throw
01:01:39the skins away huh yeah only a fruit huh you know i know a guy who wants to die from eating too much fruit
01:01:50he's a vegetarian that made his wife a grass widow boy are you funny
01:02:00i don't know if you're an awful sap to do this you're only putting yourself in a spot cut it
01:02:14let's get going
01:02:30let's go
01:02:34let's go
01:02:38let's go
01:02:50let's go
01:02:54let's go
01:02:58Where are you going, dear?
01:03:07Well, uh, I felt rather tired.
01:03:10I thought I might retire.
01:03:12Oh, it's early yet.
01:03:14Come on down.
01:03:20You don't look very well.
01:03:22Headache still bothering you?
01:03:24Yes.
01:03:25Yes, it is.
01:03:25Well, let me give you some brandy.
01:03:29Hmm?
01:03:44Yeah, maybe this will pick you up.
01:03:46It may.
01:03:50You know, Louise, I've been worrying about you.
01:03:53I mean, I've been trying to cheer you up, and you seem to want to avoid me.
01:03:56You seem so morbid.
01:03:57Oh, it's not that, Tony.
01:03:59I just feel a bit depressed.
01:04:01Well, is that the way I affect you?
01:04:03No, of course not.
01:04:05But I keep thinking about poor Dick upstairs.
01:04:07Isn't there any chance for him at all?
01:04:09The doctor doesn't seem to think so.
01:04:11Hasn't he come to at all?
01:04:14Not for a moment.
01:04:15That's what makes the case so hopeless.
01:04:17But supposing he does.
01:04:18I mean, even for a little while.
01:04:19Don't you think the police ought to be here to get a statement from him?
01:04:23What good would a statement do?
01:04:25It would clear Bradley.
01:04:27I'm sure Dick would realize that Bradley didn't mean to hurt him.
01:04:31There you go, thinking about Bradley again.
01:04:33Oh, it's not that, but I'd feel the same about anybody who was mixed up in a mess like...
01:04:37So would I.
01:04:38Anybody else but Bradley.
01:04:41Mr. Roxton, come quickly.
01:04:42He's regained consciousness.
01:04:43Well, get the doctor.
01:04:46No, no, you stay here.
01:04:48But please, can I...
01:04:48I said stay here!
01:04:50I mean, it's like, it's exactly my food fatal.
01:04:53No.
01:05:03John!
01:05:06What are you doing here?
01:05:07I thought you were in the hospital.
01:05:09They told me you were...
01:05:10They told me you were here.
01:05:11I had to see for myself.
01:05:13But you don't understand.
01:05:14I understand well enough.
01:05:16And if I didn't, that would explain anything I wanted to know.
01:05:18John, you don't think I came back here because of Robeson?
01:05:21No, of course not.
01:05:22Please, you must let me explain.
01:05:24Oh, no.
01:05:25I listened to your stories once before and was sap enough to believe in yours.
01:05:28I had you pegged right the moment I met you.
01:05:30You're nothing but a cheap little...
01:05:31Stop it.
01:05:33If you'd only listen to me.
01:05:42You stay out of this, John.
01:05:43You're only getting yourself into a worse jail.
01:05:45You got it off of your chest.
01:05:47Now, come on, let's get out of here before the cops catch up with us.
01:05:50It's a sense they're telling us.
01:05:51I told you to stay out of this.
01:05:52I told you to stay out of this.
01:06:08John, John!
01:06:09Hey, John!
01:06:37Scram!
01:06:37The bulls are here.
01:06:38All right Bradley back to the hospital this time you're gonna have a room with bars on the window
01:06:48have it your own way wait there's something you don't know you keep out of this lady
01:06:56he's trying to say something you've got to listen he'll tell you what happened
01:07:02what did you son don't let him hit me again please don't let him hit me again what do you mean
01:07:09robeson ropes he won't hit you again he hit me robeson did yes when just after we left the cabin
01:07:20after you left my cabin yes why did he do that we argued i threatened to talk about our business
01:07:28some deals we had made he was through with me I was afraid I knew too much don't let him come near me
01:07:38you'll be all right son
01:07:39hey that's that's not bad with one hand I bet you're pretty good with two
01:07:50yeah throw some water or something on that guy so we don't have to carry him down the station
01:08:01okay now do you understand how I came back here don't rub it in the minute I heard conroy was
01:08:09in this house I felt something was wrong I understand honey now wait
01:08:14that's a good girl
01:08:26hey Logan I'm here
01:08:37you better come downstairs with me I know but but but but but she's I did it
01:08:47you're gone and it's a hog and it's a mom
01:08:49applesauce
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