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00:30The trouble with you people is you're not as fit as you used to be.
00:36I don't think I was ever as fit as we used to be.
00:39I'm knackered.
00:41Some of the polish has gone from the top end of your performance curves.
00:45You mustn't go jumping to conclusions just because we can't breathe and our legs have collapsed.
00:51What are you talking about, the long shag basket?
00:54That's just as poofed as we are.
00:56That's ridiculous.
00:58It's even poofier.
01:01I've always kept myself in first-class fighting trim.
01:05Yes, but your trim has become a short back and sides, Foggy.
01:10What's a scientific term for flashes in front of the eyes?
01:15Indecent exposure.
01:19Do you reckon our backyards are big enough to keep chickens?
01:22What do you want to keep chickens for?
01:25Not the ideal place for rural pursuits, is it?
01:28Within splashing distance of a Wesleyan reformed chapel.
01:31The chapel's empty.
01:32You think it's empty?
01:34What about all the spirits of the former worshippers?
01:38I don't believe in them.
01:40Mrs Arthur Padgett used to go there with a grim expression.
01:44You can't not believe in Mrs Arthur Padgett.
01:50For she's still alive.
01:52I don't believe in dead Methodists.
01:55Don't you ever give any thought to the possibility of an afterlife?
01:58Don't you believe in any power greater than the chairman
02:00of your local National Assistance Board?
02:03When there's dead, there's dead.
02:06I saw our Walter when that safe fell on him.
02:09And if he were having any afterlife, I could tell he weren't enjoying it.
02:12He wouldn't have time to open it, had he?
02:15He was not opening it.
02:17He was just moving it for a friend.
02:19What, at three o'clock in the morning?
02:21Oh, what a lovely surprise.
02:23He was well liked, were our Walter.
02:25Oh, much sought after.
02:27I knew several policemen who were carrying his photo.
02:30He's that soul-nacker face.
02:33Then cast your old blinkers on the Smashbox, my friend.
02:36Look at that.
02:38No, no, take it away, take it away.
02:41Here, have a look.
02:47Now, don't interrupt me a minute.
02:49One of the supreme tests of physical fitness
02:51is how long you can hold your breath.
02:53In the days of my prime, I could do well over a minute.
02:55In fact, I was very tempted to volunteer for a frogman.
02:58You got the face for it.
03:00No.
03:01No.
03:02No.
03:23Don't let him go!
03:24Come on!
03:25Come on!
03:26I'll come here.
03:27Oh, I used to do better than that.
03:35Well, the princes in the tower did better than that.
03:39Fine frogman, flapping and barking about like that.
03:42Shut up a minute.
03:43What is it?
03:45I can't hear me heart beating.
03:48What do you want to hear me heart beating for?
03:50Well, some people like music.
03:52I like listening to me heart beating.
03:54I could hear it when we arrived.
03:57Now, it's stopped.
03:59It can't have stopped.
04:01Would you mind repeating that with a little more conviction?
04:04I can't bear that note of uncertainty in your voice.
04:08You can listen to mine if you like.
04:10Maybe sometime when you're not so busy.
04:12All right.
04:16Well, we're just a bit out of condition, that's all.
04:18If you give me a fortnight, I'll soon get us back into shape.
04:20Whoa!
04:27Deep in thought, Miss Moody.
04:32Forgive me, Mr. Wainwright.
04:34Not at all, not at all.
04:36We're not machines.
04:37You're very understanding.
04:39Oh, please.
04:40No, it's true.
04:41Not everyone respects a person's need for a moment of quiet reflection.
04:45A person like you, Miss Moody.
04:47For me, it is a need.
04:49A need that's true.
04:50And I respect you for it.
04:52Without it, I feel weighed down by the terrible inertia of one's petty bourgeois environment.
04:59Oh, God, I know what you mean.
05:00Elliot's wasteland is depressingly real, Mr. Wainwright.
05:05Absolutely.
05:06I can't understand why the council doesn't slap him with a compulsory purchase.
05:11T.S. Elliot.
05:12The poem.
05:13The wasteland.
05:14Oh, that Elliot.
05:16It is still possible, isn't it, for the individual to carry within him or her a fragment of light.
05:24A flame of something.
05:26Isn't it?
05:27Yes, sir.
05:28I'm sure you're right.
05:29A flame of something, yes, sir.
05:31And we who have that flame...
05:34We who have that flame, Miss Moody?
05:39Have a sacred duty to forge a better society where even the poorest can benefit from the light within us.
05:46Exactly.
05:47It means we've got to get the Tories out.
05:49Right.
05:49And the bloody independents and the ratepayers' damned association.
05:53You've a fine mind, Miss Moody.
05:56I think like you, Mr. Wainwright.
05:58Yes, I know you do.
06:00That's what first put me onto it.
06:03You've got damn good legs, too.
06:06I like this one in particular.
06:11Hello, hello, hello, hello.
06:12What was he doing down there with your legs?
06:17Are you two engaged?
06:20Hey, here.
06:21Do you want to have a look in my matchbox?
06:23Just have a little gander, then.
06:26Ah!
06:27Will you get in there?
06:31Yeah!
06:33What was it?
06:34It was...
06:35Oh!
06:39Well, it's all here.
06:42What's all here?
06:43Don't ask.
06:44Our pathway back to physical fitness.
06:46That's what's here in two slim volumes.
06:48I warned you, it's like that moment in the film.
06:51What?
06:52You know, when this nosy idiot lifts the lid of Dracula's coffin.
06:56And you know what you're going to have to go through before they get it back on again.
07:00Oh, heck.
07:01I tell you what, Poggy, we'll strike a bargain with you.
07:03You put them books away,
07:04and we'll promise not to take you into a corner
07:07and give you a right duffing up.
07:09I would advise you not to talk like that
07:11to a trained soldier at the Royal Army Service Corps.
07:13Oh, that was a right, ladies' regiment.
07:16God, he stands there
07:17fermenting in his wellies,
07:21covered in...
07:21covered in all the glamour
07:24of an ex-veteran
07:25of the chemical toilet platoon
07:26of the Farnia Corps.
07:28A fine bunch of lads
07:30whose exploits are still shrouded
07:32in a veil of official secrecy.
07:34Ha-ha! That was in about our mob, you see.
07:37Nobody wants to take the lid off.
07:40I should hope not.
07:43Duff me up, he says.
07:44God, look at him.
07:47Takes him all his strength these days
07:48to lose money on the GGs.
07:50You're falling to pieces, man.
07:52I've noticed the process of deterioration.
07:54Now, there was a time of day
07:55when no-one was faster than you
07:57at touching your toes.
07:59Someone only had to drop a fag end,
08:00and if you were down there that fast,
08:02your spine used to crack like a whip.
08:04Look at you now.
08:05All right, then, try me.
08:06Come on, try me.
08:07Just drop a fag end down there
08:08on that right now.
08:09Come on, try me.
08:10No, steady, Keller.
08:10Steady.
08:11Don't pull a muscle
08:11before the big fight.
08:13I take him in the feet.
08:14That's what I do.
08:14I take him in the feet.
08:16Look, please, please.
08:17Please.
08:18Please.
08:18It's grotesque.
08:21Grotesque.
08:22What's the left, Duke?
08:24Yeah, I think you'll find that's your right.
08:28Listen, I'm the greatest.
08:29That's me left, Duke.
08:31Oh, stop prancing about, will you?
08:33Can't you sit still?
08:35I suppose he's afraid that if he does,
08:36someone will put him out for the dust cart.
08:38Well, it's hard to be graceful
08:40when you've got your britches
08:41tied up with a bit of old clothesline.
08:43New clothesline.
08:44Oh, sorry.
08:45Oh, listen to him.
08:46He's out of breath.
08:48His puss is racing
08:49and little beads of perspiration
08:50all over his epidermis.
08:52Don't be filthy.
08:53You don't even know
08:54what your epidermis is, do you?
08:56Give me a clue.
08:58I told you.
08:59Epidermis.
09:01Epidermis.
09:03Me granny used to have one of them,
09:04I think,
09:06in a plant pot in the front window.
09:08That was an aspidistra.
09:10I look like an epidermis.
09:12I'm talking about your skin.
09:14You were green and shiny.
09:16That's right, your skin.
09:17Yeah.
09:18Watch it.
09:20I know when I'm being insulted.
09:22Well, you ought to, shouldn't you?
09:23Look at the practice you've had.
09:24You see, I doubt if even
09:25Margot Fontaine herself
09:27could be graceful
09:28with her britches tied up
09:29with a bit of old clothesline.
09:30New clothesline.
09:32Sorry.
09:32Hey, where do you keep
09:34getting new clotheslines?
09:35Shh.
09:36We have our sources.
09:38Look, read the introduction
09:40on page nine.
09:41No, not you.
09:42We don't want any
09:42one-fingered exercises.
09:43I can read.
09:45Oh, we know.
09:45Yeah, the sport in life
09:46and the supplementary
09:47benefit application forms.
09:49All good, clean stuff.
09:51You won't find any
09:52four-letter words
09:52in my reading matter.
09:54I've only one word
09:55for you two at the moment.
09:58Isometrics.
09:59That were it.
10:00That was what me granny
10:01kept in the plant foot
10:02in the front window.
10:03She used to feed it
10:05bone meal
10:05and she used to sing
10:06to it every night.
10:08You're the biggest
10:09isometric
10:10in the world.
10:13Well, I must warn you,
10:14Foggy,
10:15that keen as I am
10:16to develop a body
10:17as tough as whipcord
10:18or even new clothesline,
10:21I should be reluctant
10:22to start anything
10:23that might involve
10:24taking me vest off.
10:26No, no,
10:26you don't have to
10:27take your vest off.
10:28No, not for isometrics.
10:29That's the beauty of it.
10:30Yes, but I hope
10:32you're not spinning
10:33as any leader of men
10:34type, Fanny,
10:35because you're a bit
10:36of a reckless enthusiast
10:38sometimes, Foggy.
10:39Oh, you can do it all
10:40in your plastic mug
10:41if you like.
10:41Oh.
10:43Yeah, well, you say that now,
10:45but this latest plot
10:46of yours has the squeak
10:48of plimsels
10:49and the flash of nipples
10:50about it.
10:52Or is it the flash
10:53of plimsels
10:54and the squeak
10:54of nipples?
10:55Anyway, it worries me.
10:56You don't trust me.
10:58Only cusses, crackers.
10:59It's nothing personal.
11:00It's just that given
11:01a choice between
11:02a spotty moron
11:03and somebody
11:04who is out
11:04to improve mankind,
11:06my heart goes out
11:07to the spotty moron
11:08every time.
11:10Now, isometrics
11:11is the ideal form
11:12of modern exercise.
11:14Now, look.
11:15Look.
11:15Designed for the busy
11:16executive at his desk.
11:20Well, now,
11:21it can be performed
11:22without elaborate apparatus
11:24at any odd moments
11:25of the day.
11:26Oh, you mean like her
11:27at 22 Jenkinson Avenue.
11:30Shut up.
11:31Now, look.
11:32Now, there's this one
11:32and many others
11:33can be done
11:34without even rising
11:35from your chair.
11:36Oh!
11:37Exercise is sitting down!
11:38Right up your street
11:40there, didn't it?
11:41Yeah.
11:42You see, it's merely
11:42the scientific application
11:44of muscle tension
11:45to develop and restore
11:47those tired,
11:49flagging limbs.
11:50Yes, but there you go
11:50again, you see.
11:51I have this nagging
11:52suspicion that some
11:54of the nicest people
11:55in the world
11:55are among those
11:56with tired,
11:57flagging limbs.
11:59Do you want to be nice
12:00or do you want to be fit?
12:01You mustn't want
12:02to be nice.
12:03People who want
12:04to be nice
12:05are a pain
12:05in the arm.
12:08Yes, well,
12:08are we going to try
12:09these simple exercises
12:10or are we not?
12:12All right, all right.
12:14Good.
12:14But let me remind you
12:15that as my personal,
12:17humble comment
12:19upon the wildest
12:20excesses
12:21of the 20th century,
12:22I have this ambition
12:23that one day
12:25there will be carved
12:26on my headstone
12:27in simple Roman letters
12:30the words,
12:31to his eternal credit,
12:33he was never seen
12:34topless.
12:38Here, well,
12:40exercise three.
12:41We'll start with exercise
12:42as you do this
12:43while sitting down.
12:44Now,
12:44on my word of command,
12:46we begin to try
12:47to lift the table.
12:49Hey,
12:49this is more exciting
12:51than knocking about
12:52with dubious women
12:53of the opposite sex.
12:55Of course,
12:55we shan't be able
12:56to lift the table
12:57because it's screwed
12:57to the floor.
12:59What?
13:00Is it?
13:01Oh, yes,
13:01very firmly
13:02screwed to the floor.
13:03Well,
13:04that's typical
13:04of the library committee,
13:06isn't it?
13:06We'll give the natives
13:07a bit of culture,
13:08but we'll just make sure
13:09that the tables
13:10are screwed to the floor.
13:12Oh,
13:12your dodgy knees,
13:14what's the point
13:14of trying to lift the table
13:16if the legs
13:16are screwed to the floor?
13:18That is the whole idea,
13:20you grimy,
13:21silly person.
13:22That's a whole basis
13:23of isometrics.
13:25See,
13:25you exert pressure
13:26against an immovable object
13:28and it tones
13:29the muscles up.
13:30Now,
13:30don't argue,
13:31but get a firm grip
13:32underneath.
13:33This is an ideal form
13:35of quiet exercise.
13:36You can do it
13:37in a crowded room
13:38and nobody need
13:39know you're doing it.
13:40Yeah,
13:41some people
13:41have filthy habits.
13:44This is no time
13:45for confession.
13:45Now,
13:46shut up
13:46and get a room.
13:47Now then,
13:48on the word of command,
13:49lift him,
13:50party.
13:51Lift.
13:51Lift!
13:52What's going on in here?
14:08Where do you think you're going with that table, Tom?
14:17Get out of here!
14:32Oh, it's merely a temporary setback.
14:36I reckon I've had enough.
14:38Anyway, I don't want my muscles to get too massive.
14:41Otherwise, me cobble won't fit.
14:44I thought the whole point about wearing rags wasn't fit anything.
14:47Flatterer.
14:48If we're going to die in about 100 years,
14:51is it really worth bothering to get fit?
14:54I see no reason why we can't do it without the books.
14:57Oh, you need a book. Teach yourself to die.
15:00Oh, there's a novelty.
15:02No, we can do the exercises without the book.
15:04I mean, I've got a grasp of the main principles.
15:06Hey, watch it. It'll make you go blind.
15:09Would you kind of walk a few paces behind?
15:12I don't want the general public to get the impression we've stolen you
15:15from the top of a bonfire.
15:19Well, if you insist that we abandon isometrics,
15:21we shall just have to revert to the more orthodox forms of exercise.
15:25Or we could just deteriorate comfortably.
15:28Oh, we'll start with something short and snappy.
15:30Like Nora Batty's garters.
15:34Like a 100-yard dash.
15:36Oh, heck.
15:38Were you settled for a 50-yard stagger?
15:40I was settled for nothing less than a reinvigorated body.
15:46Oh, dear.
15:46Now, 100 yards.
15:48Yes, I shall count to three.
15:49Oh, that's a good idea.
15:50Now, that's a better exercise to start.
15:55And on the command go, I suspect to see a flying start.
15:58No slacking, no hanging back.
16:01This is private enterprise now.
16:02You can't get fit under socialism.
16:03Don't poke me in the vicinity of my nipple.
16:07All that socialism will do for you
16:09is to employ another regiment of civil servants to do your running for you.
16:13I won't have a Tory capitalist poking me within the vicinity of my nipple.
16:18To do your running for you.
16:20At shop steward speed, which, as we all know,
16:23is the equivalent of having your legs firmly shackled in a mango.
16:25Right now, on your knees.
16:27That's a Tory talking.
16:28That's where they want us.
16:30Down on our knees.
16:31I do enjoy hearing people discuss politics.
16:36It makes you realise there are things more boring than growing old.
16:40Right now, we'll run as far as that bush down there.
16:44Then we'll stop.
16:45I'll tell you, ready?
16:46Money marks.
16:47This'll make the blood race.
16:49I just hope we can keep up with it.
16:52Don't forget I'm still wearing my wellies.
16:55Oh, listen to me.
16:56It's like a duck complaining about webbed feet.
17:00Money marks.
17:00One, two, three, go!
17:08I knew it.
17:09I knew it.
17:10All right.
17:11Don't get the best in a tangle.
17:13Yeah, I knew that when it came to showing a bit of energy,
17:15you'd fail miserably.
17:18All right.
17:19We'll have a crude commercial incentive.
17:20Shilling each in a kitty.
17:21Winner takes all.
17:22Look at you.
17:27What a performance.
17:31Sometimes it slips through the hole in my pocket and I have to find it in the lining.
17:37Good heavens.
17:38And does the same thing happen to your money as well?
17:45I hope you realise this is very much of a gamble.
17:48Well, only a little one.
17:49Whether I'm going to find any money at all.
17:51We'll wait.
17:52Oh, this is it.
17:53I've got it here.
17:55I've got a minute.
17:55Don't go away.
17:56If ever he's mugged, his assailant's going to want waiting time.
18:07Ah, here we are.
18:09That's it.
18:11All right.
18:11Now that King Farouk's coughed up from the royal treasury.
18:16One, two, three, go!
18:21That man has taken an unfair advantage.
18:39You'll have to move that bush a bit near off, Hockey.
18:43Physical polish.
18:45Like this.
18:45Aye, lose you.
18:48A shell head.
18:49The way you chuck it about on the Gee-Gees, you'd never think so.
18:55Hey, wait a minute.
18:57No, I've got an idea.
19:03Hey, where are you going?
19:06Come back!
19:10Come back!
19:19I have this affinity for the water.
19:26It's not that I've got the sea in my blood.
19:30It's more like a pond or very shallow rivers.
19:35I'd like to be able to see the bottom.
19:37A passion for inland waterways could be better than having the sea in your blood.
19:47The Danes used to have the sea in their blood.
19:50And look how they finished up.
19:52With an international reputation for pornography.
19:55It seems they like to see the bottom too.
20:00Hey, there's some rabbit droppings here.
20:05What?
20:05Rabbit droppings.
20:10Well, fill your pockets, kid.
20:11There's nobody looking.
20:12It was just an idea.
20:20Well, you might at least let me tell you what it is.
20:22You'll be sorry.
20:36That's why the human race was buried in ignorance for thousands of years.
20:41Because it wouldn't keep its ears open.
20:44You're hot! What are you?
20:54In your return, we're prepared to believe that it is a brilliant idea.
20:59It's just that we'd rather not hear about it on the grounds that it might tend to invigorate us.
21:05You're all right, but please yourselves.
21:11Hey, up door and back, what are you doing here?
21:13Don't you come near me!
21:16Do you want to have a look in my matchbox?
21:18Here, look.
21:20Oh!
21:22Will you put that damn thing away?
21:24Yeah.
21:25It won't do any harm, will you?
21:28What have you got in there?
21:32Phil!
21:33Hey, now what's going on?
21:34I won't have this frightening me stuff.
21:36The stuff?
21:37Mrs. Batty's working here now so that I can spend more time going around selling with the van.
21:41Hey, up a bit of clabber on the premises at last.
21:44Oh, you'll have to get her done up a bit though, Sid.
21:47I mean, get her into some black tights and a little skirt, you know, so she can slink around singing songs like Marlene Dirt Track.
21:56Oh, he's got a wicked tongue.
21:58You know, Sid, that's the best idea you've had is some non-crisp crisps.
22:02They were crisping up.
22:03Give over.
22:04They didn't go crunch, they went...
22:07...slop.
22:08I'll give you a slop if you come any nearer.
22:12You can't keep your hands off me, can you?
22:14You can't keep your hands off me.
22:16Hey, look.
22:17Look at these mobile lips.
22:21I didn't come here to be insulted.
22:23Why not?
22:24The customers do.
22:26If you've got any complaints, see my missus.
22:28No, it's all right, Sidney.
22:29We'd rather have a complaint than see your missus.
22:33I understand that point of view.
22:35Then we'll have three of your horrible meat pies, please, Sidney.
22:39Do you want the small horrible meat pies or the large horrible meat pies?
22:43Small.
22:44Windy.
22:48Here.
22:53Oh, yeah.
23:00Ah!
23:01Hey, hey, hey, hey, hey, hey.
23:07Don't take the wrapping off.
23:09You'll spoil the flavour.
23:10Oh.
23:12Here, now.
23:13Look, about my idea, it occurred to me...
23:15Hey, hey, hey, hey, hey, hey.
23:17I do like to see an attractive woman dabbling through running water.
23:22What's attractive about Nora Batty?
23:27She's got a new bucket.
23:30I've seen her with her hair down screaming at there, Wally.
23:33I've seen her all done up on her way to bingo.
23:36Why is it women look so lush when they go to bingo?
23:38Their eyes sparkle.
23:39Sad, isn't it, that they seem to prefer it to adultery?
23:43Well, there's a bus taken right at door.
23:45Oh, that's true, yeah.
23:48Yes, there are not many picture palaces these days
23:51that have been converted into centres for adultery.
23:54Hey, see, how come the took on Nora Batty?
23:57I didn't.
23:58The wife did.
23:59She wouldn't trust me with any of the other applicants
24:01on account as they had recognisable boobs.
24:04Not good ones, just recognisable.
24:07What the hell are you doing?
24:09There you are.
24:16Did you see how Sidney moved, then?
24:18Oh, he's fit.
24:19That's what we want, you see, a trainer like Ivy.
24:22You saw what she did for Gestapo.
24:25What we want is very elementary, if only you'll listen to my idea.
24:29I thought you were going to load that van.
24:31Well, I'll tell you what I'm going to do.
24:32What?
24:33I'm going to load that van.
24:34Hey, Ivy, when is Marlene going to do her cabaret?
24:40Oh, just ignore him, Mrs Batty.
24:42I do.
24:43I spend half my life ignoring him.
24:45He shouts through my letterbox words like,
24:48see-through blouses.
24:51Nora, life is passing us by.
24:53The time will come when you're long for my passionate lips
24:57to be pressed closely against your letterbox.
25:01It's all mouth and trousers.
25:03Oh, they're all alike.
25:05Oh, is that it, then?
25:06The all-male sex guilty because I haven't loaded the van?
25:09It's guilty whether you load it or not.
25:11I've never met a man yet that's worth half a good woman.
25:14That's the trouble.
25:15You can't get half a good woman, can you?
25:16You've got to take the whole matter in lock.
25:18Get in there!
25:19No, no, no, he's just joking.
25:19Joking, you joking!
25:21Right, joking!
25:21Talking to me!
25:22How many more times do I have to tell you?
25:34How many more times?
25:36Now, my idea concerns the ideal form of exercise
25:46for a store in unfit, middle-aged bodies.
25:48Ah, we've got the idea.
25:50It's just the opportunity, isn't it, Nora?
25:54Falling in love again, never once again.
25:58Oh, wow!
25:59Sit down and pay attention.
26:02Now, look, this idea of mine will appeal to you particularly
26:05because it involves sitting down most of the times.
26:08I'll be glad when this is over.
26:12Why do you always look at things negatively?
26:15Why don't you see the positive side?
26:17I'm positive I'll be glad when this is over.
26:19It's highly beneficial to the kidneys.
26:22Oh, God!
26:23What's your problem?
26:24I think your geography's a bit wrong, Foggy.
26:27Yeah, within a few miles, we'll slip into it as if we're born to it.
26:31I hate it.
26:32I've never met such a pair of complainers.
26:35You sit there and you do nothing but moan.
26:38Ah, who's sitting?
26:39I'm taking most of the weight and the stirrups in there.
26:42Ah!
26:43And to think that England's come to this.
26:46From the spirit behind the charge of the Light Prevane
26:48to you two reluctant heads.
26:51It has a horse made this nation great and uncomfortable.
26:57I didn't realise it was this far from the floor.
27:00Supposedly I'd get thrown on me egg.
27:02Does he look like a savage beast?
27:04His head does a bit, yeah.
27:06Get on it.
27:06He's a placid horse.
27:08He's got four feet underground.
27:10No wonder he's placid.
27:13What are you worried about?
27:14They won't go any faster than this.
27:16I'm not worried about him going faster.
27:18I'm worried about stopping him.
27:22Where's the break?
27:24Say no.
27:26Whoa.
27:28Whoa, you stupid thing.
27:30Whoa, whoa.
27:31I knew it.
27:32It's a runaway.
27:33What, at this speed?
27:36I thought you betting shop brigade were fond of horses.
27:40Well, there's no danger, little fearless.
27:42You can always jump off.
27:44From up here?
27:45I must be crazy.
27:47I'm not risking it at this height.
27:50They'll stop when they feel like it.
27:52I should imagine, after a while, you get used to this rolling motion and start feeling more sick.
27:59I'll take you a lead from me.
28:04Don't have to panic.
28:05You just leave it to the horses.
28:07They'll take us home.
28:09The horses know where they're going.
28:11I'll take the horses.
28:16No!
28:16Oh, my God.
28:46Oh, my God.