- 5/19/2025
EL HOMBRE INDESTRUCTIBLE Indestructible Man, 1956, Full Movie, Spanish, Cinetel
Category
🎥
Short filmTranscript
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00:00:03El Hombre Indestructible
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00:01:00I was dictating the final conclusions of the summary of the Benton case.
00:01:04I am Lieutenant Dick Chosen of the Los Angeles Police Detectives Division.
00:01:09This had not been a routine case at all.
00:01:12And to link many of the last answers, I had to put together hundreds of small pieces of a huge puzzle.
00:01:18It all started precisely the day in which most cases are usually closed.
00:01:23It was the eve of the execution of Charles Benton, the butcher.
00:01:26He received in the Corridor of Death the visit of his lawyer, Paul Love.
00:01:30It was precisely at this meeting that a 360-degree turn took place.
00:01:34It's over, Benton.
00:01:36The evidence has put you where you are now, in the Corridor of Death.
00:01:40It was all your idea.
00:01:42You're a damn liar.
00:01:44You started it all.
00:01:46And you're still manipulating me.
00:01:49I don't blame you, Benton.
00:01:50But let it be clear to you.
00:01:52I have not betrayed you.
00:01:54I worked very hard to save you.
00:01:56You've never worked so hard to get a death sentence.
00:02:00You were a fool.
00:02:02If you hadn't betrayed your colleagues, Squinney and Marcelli wouldn't have presented evidence against you.
00:02:07But you were too ambitious and you wanted to keep all the money to yourself.
00:02:12I'm surprised the boys sang.
00:02:15It was all your idea.
00:02:17You planned it all.
00:02:19And you hired us to do the job.
00:02:21And when I hid the money, you decided to kill me.
00:02:24And you got those bastards to present charges against me.
00:02:28You were a disgusting rat.
00:02:31You know that's not true.
00:02:34And what's the point of not wanting to give me the money?
00:02:37What good will it do you now?
00:02:39You see, none of you will be able to enjoy a single penny of that money.
00:02:44What will Deva be?
00:02:46Don't you care about his luck?
00:02:48If you tell me where the money is, I'll take care of it.
00:02:51Thank you. I have a better idea.
00:02:54I'm going to kill you, Squinney and Joe.
00:02:57I'll take care of Deva myself.
00:03:00Do you forget you have a date tomorrow?
00:03:06Remember it well.
00:03:09And don't forget it, or I'll catch you.
00:03:13All that is nothing but vain threats.
00:03:17Goodbye, dead man.
00:03:21Remember it well.
00:03:24I'll kill all three of you.
00:03:41Again in Los Angeles, two men sitting in a bar listen to the news on the radio.
00:03:46They talk about the Benton case.
00:03:48On the eve of his execution in San Quintin,
00:03:50Charles Benton threatened his lawyer, Paul Love,
00:03:53and his two accomplices, Joe Marcelli and Squinney Alice,
00:03:56for presenting evidence against him.
00:03:58Squinney Alice didn't seem very happy with the threat she had just heard.
00:04:02Nor did Joe Marcelli.
00:04:04But she thought, after all, a dead man is always a dead man.
00:04:08But the case would take another turn that would drive them all crazy,
00:04:11including the Los Angeles Police Department itself.
00:04:17The butcher will be executed today.
00:04:28Have you seen the paper, Captain?
00:04:30Toddler has just arrived from San Francisco.
00:04:33Everything is ready for the butcher to be executed this afternoon.
00:04:37And from what the papers say,
00:04:39he's gone without saying where the hell he's hidden the money.
00:04:43I still have hope of finding out something.
00:04:47Don't think about it anymore, Dick.
00:04:49With Benton's execution, the department will close the case.
00:04:52You'll be assigned to another case and...
00:04:55I've been with this case for a whole year, Captain.
00:04:58As far as I'm concerned, the butcher's death is just the beginning.
00:05:02Of course, I can't prove it,
00:05:04but I think Paul Love is the leader of it all.
00:05:07And even if I have to keep working off hours of service,
00:05:10I won't stop until I've killed Love, Squimmy and Marcelli.
00:05:14Officially, I must remind you that you're out of the case.
00:05:17But even so, I wish you good luck.
00:05:20One more thing. Keep me informed.
00:05:23Yes.
00:05:25Listen...
00:05:30I was going to see Eva Martin.
00:05:32I worked in a local theater, the Burlesque.
00:05:36I'm a cop, and my job is to ask questions
00:05:39and find answers.
00:05:52Come in.
00:05:58What do you want?
00:05:59Just to talk.
00:06:01Talk? You're a cop, aren't you?
00:06:04Good observation.
00:06:06I haven't been able to find the damn $600,000,
00:06:09and I've been working on the case for over a year.
00:06:15I've told you a thousand times I don't know anything about that money,
00:06:18and I've never known.
00:06:20Benton will die in a few hours. I thought that would change everything.
00:06:23I've never known anything about that money.
00:06:27I didn't even know they'd caught Charles
00:06:30until Inma called me the night before the trial.
00:06:33Calm down, Eva.
00:06:35I'll stay now.
00:07:05I'll stay now.
00:07:16Your coat, darling.
00:07:36Charles Benton, the butcher.
00:07:38The man who confessed a few months ago
00:07:40that he was behind the robbery
00:07:42of an armored van worth $600,000
00:07:44has been executed today
00:07:46in the State Prison's gas chamber in San Quintín.
00:07:49Thus, the butcher has paid for the crime he committed.
00:07:53Come on, baby.
00:07:55Don't cry over Benton.
00:07:57I feel bad when I think of Charles.
00:08:00If I had known anything,
00:08:02maybe I could have helped him.
00:08:04Let's have a drink. What do you say?
00:08:06I can't drink while I'm working.
00:08:09Of course.
00:08:22What's that?
00:08:24What's going on, Eva?
00:08:27A message from Charles.
00:08:29He told me to open it...
00:08:31if I were to die.
00:08:33Eva, it's dinner.
00:08:35I'm coming.
00:08:40Shall we have dinner after work?
00:08:42No, not today, Paul.
00:08:53I didn't notice until much later,
00:08:55but when Paul Lobb opened the envelope
00:08:57the butcher had left for Eva,
00:08:59he found on it a map of a section
00:09:01of the Los Angeles city's sewer system.
00:09:03He even pointed out the exact place
00:09:05where the butcher had hidden the car
00:09:07with the money.
00:09:09He then changed the map
00:09:11for a 50-dollar bill,
00:09:13and leaving it in its place,
00:09:15he said to himself,
00:09:1750 dollars in exchange for 600,000.
00:09:19Not a bad deal for a single day's work.
00:09:23200 miles from that place,
00:09:25in the city of San Francisco,
00:09:27the case would take a new turn.
00:09:29It would be one of the longest
00:09:31and most terrible nightmares ever.
00:09:33Dr. Bradshaw, a renowned biochemist,
00:09:35was finishing up his preparations
00:09:37for the last stage of a research
00:09:39on cancer.
00:09:41He had already achieved numerous
00:09:43successes in animals,
00:09:45and the next step was
00:09:47the research on humans.
00:09:49Dr. Bradshaw's assistant
00:09:51had come to an early agreement
00:09:53with a local funeral home,
00:09:55and was on his way back
00:09:57to San Francisco.
00:10:27We'll take some blood samples.
00:10:29We have to hurry.
00:10:31All right.
00:10:33Put it in the machine
00:10:35and connect it.
00:10:37Very well.
00:10:57Ready?
00:10:59All right.
00:11:01It's going to apply
00:11:03287,000 volts, Doctor.
00:11:05Yes, yes.
00:11:07I'll prepare the fluoroscope.
00:11:09We'll check that step in the first place.
00:11:11Turn off the lights.
00:11:23Very good, boy.
00:11:25Respond adequately
00:11:27to my most valuable experiment.
00:11:29That will make you more famous,
00:11:31alive than dead.
00:11:33Double discharge.
00:11:55What's that?
00:12:19I think I saw a contraction
00:12:21of the heart.
00:12:23Dr. Brashaw is starting to breathe, he has brought this man back to life.
00:12:30No, that's not it.
00:12:31The heart responds with small beats to the tremendous electric discharge.
00:12:37That proves that the cells still work.
00:12:42Dr. Brashaw is alive.
00:12:45This reaction can not last much longer.
00:12:48But this shows that his theory is correct.
00:12:52What if the cell reaction lasted a little longer?
00:12:57At least I will try.
00:13:00Take the body out of there.
00:13:22Bring me a syringe from the warehouse and a few test tubes.
00:13:26Quick, quick!
00:13:51He must not move.
00:14:11His heart can not take all that effort.
00:14:16He must lie down.
00:14:18Please, listen to me.
00:14:20Calm down, please.
00:14:22Please do not get excited.
00:14:24Please calm down.
00:14:39The experiment of Dr. Brashaw had brought back to life the body of the butcher.
00:14:44He tried to speak, but the high voltage had destroyed his vocal cords.
00:14:48His brain, on the other hand, was intact.
00:14:51He knew who he was and he knew who he hated.
00:14:54When he left the room, he only had one thought.
00:14:57Kill Paul Love, Sweeney Ellis and Joe Marcelli.
00:15:00The tremendous voltage applied to the body of the butcher had caused an increase in his cellular structures
00:15:06to the point that he was no longer a human being, but a supernatural being.
00:15:11The experiment of Dr. Brashaw had created a monster, a creature with a brutal force.
00:15:17But the doctor trusted that the return to life of this being would not last more than a few minutes.
00:15:23So he decided to handle his creation himself.
00:15:28Hey, listen, calm down.
00:15:31I'm a doctor, I just want to help you.
00:15:34Can you understand me?
00:15:36It's in my laboratory.
00:15:38You have been declared legally dead.
00:15:41And by doing an experiment on your body, you came back to life.
00:15:45But that was not my intention.
00:15:47Now you must rest.
00:15:49Please, lie down.
00:15:52Calm down.
00:15:54That's it.
00:16:02Cadrian, your reactions are violent.
00:16:04How do you explain it, doctor?
00:16:06The cells must have increased in size hundreds of times.
00:16:09His strength is incredible.
00:16:11No, no, no, we can't go back now.
00:16:14I must extract samples from his blood.
00:16:16So we'll know what's going on.
00:16:18Bring a syringe.
00:16:37The needle can't penetrate his skin.
00:16:40His skin has become much thicker than any human being's.
00:16:44How will he extract the blood, doctor?
00:16:46Surgically.
00:16:48Maybe.
00:16:53Listen, he has to relax.
00:16:55Now he must rest.
00:16:57I am responsible for having returned him to life.
00:17:00He has to relax.
00:17:02Now he must rest.
00:17:04I am responsible for having returned him to life.
00:17:30BASED ON A TRUE STORY
00:17:34Almost at the end of the case, Captain Lodder and I learned that Dr. Bradshaw and his assistant
00:18:03had been strangled, but I'm getting ahead of myself in history. The butcher knew
00:18:10that he had been brought back to life, but he did not know how, nor did he care. All he
00:18:15knew was that he was alive, and in his mind only one thought was repeated, the angels.
00:18:34Precisely there, in Los Angeles, I decided to stop playing the role of a policeman for a while. I went to Burlesque to ask Eva to have dinner with me that night. After all, the butcher was dead, and with a little luck, I would be able to get some information about Polo from Eva, which could end up leading me to where the armored van with the 600,000 was hidden. Just thinking about that possibility made me feel much better.
00:19:00You should not see the show behind the stage.
00:19:02Next time I'll pay my ticket.
00:19:04And it's late, my number has also been lost.
00:19:07Yes, that's true. What I don't understand, Eva, seeing this, is how you can continue working here. It shouldn't be difficult for a girl like you to find something more classy.
00:19:18It's not bad for a detective. The next thing I should ask for would be something like, do we have dinner together?
00:19:24Well, maybe not dinner, but how about a hamburger in the car?
00:19:29Well, if you ask me unofficially, I wouldn't say no.
00:19:33I'm asking you, please.
00:19:35I always call you Lieutenant, but I imagine you'll have, like everyone else, a nickname.
00:19:40Uh-huh, Dick.
00:19:44Give me enough time to change my clothes and I'll be with you right away, Lieutenant.
00:20:00You know something, Dick? It's been many years since I've had a hamburger in the seat of an elegant car.
00:20:06We should do it more often.
00:20:10Well, I've always thought that cops are not like other people. They don't seem happy until they solve a case, and only sometimes.
00:20:20It's a way of seeing it.
00:20:22I believe that those who take their work seriously do not stop until they find solutions.
00:20:27Maybe we cops are more human. We see so many problems every day.
00:20:34As long as the world is full of people, there will always have to be guys who defend the laws.
00:20:40And what made you become a cop?
00:20:42And now, who asks the difficult questions?
00:20:45No, seriously, I'd love to know.
00:20:47Well, it's a pretty simple story.
00:20:51When I left school, for a while I was going around.
00:20:56I started working in an oil company.
00:20:59Then I studied several courses at the university.
00:21:02But before I graduated, I saw an ad and, well, I applied and passed the exams.
00:21:07Life simply takes you where it wants to, and we, in its hands, obey all its designations.
00:21:16Would it be too daring to ask you another question?
00:21:19Try it.
00:21:21Am I still part of the investigation of the Benton case?
00:21:24I mean, now.
00:21:27As far as I'm concerned, no.
00:21:30With the execution of Benton, the department followed the procedure and closed the case.
00:21:37Although inside me, that's not enough.
00:21:39No, I don't understand.
00:21:41The $600,000 are still missing.
00:21:44Besides, a low-profile lawyer, Paul Love, the worst rat I've ever met, is still free.
00:21:50One day, no matter how long it takes me, I'll kill him.
00:21:54Until then, the case will not be closed for me.
00:21:58I give you my word. Charles Benton never told me anything about the money.
00:22:02I've always been sure of that, Eva.
00:22:06But I don't understand how you could mix with that guy.
00:22:11There's nothing to explain. It just happened.
00:22:14I had a partner, Marge, who sometimes went out with him.
00:22:18One day he packed his bags and left for Chicago.
00:22:21Charles kept coming here, I guess, to cry on my shoulder.
00:22:24Almost without realizing it, we were having dinner together.
00:22:27Weeks later, the police had already classified me as the suspect number one in the Benton case,
00:22:32and as his girl, but it hadn't been like that.
00:22:35I just made a mistake, and I've already paid for it.
00:22:38You mean, until they arrested Benton for robbery and murder,
00:22:42you had no idea what he was doing?
00:22:45I know this sounds crazy, but we hadn't seen each other more than a couple of times,
00:22:49and we only talked about Marge, my partner.
00:22:52The last time I saw him, he got too affectionate, and I had to stop him.
00:22:58But as I've already told you, that was my only mistake.
00:23:03Tell me about burlesque. How did you end up in a place like this?
00:23:07That's what everyone tells me.
00:23:10I left my town a couple of years ago because I had won a beauty pageant,
00:23:14and the first prize was going to a musical.
00:23:18And after that, nothing else happened?
00:23:21Practically. That time was very hard.
00:23:24And one day, I saw in an ad that they needed girls for a show.
00:23:29I showed up and they gave me the job, and here I am.
00:23:33It's like any job.
00:23:36If you're looking for trouble, you can find them being a simple teacher.
00:23:40But when all that casting stuff failed, why didn't you go back to your home?
00:23:45You have to have a home to go back to.
00:23:48My parents had already died, and I had nowhere to go.
00:23:53I do eight shows a day, and from the sixth, I'm already drunk.
00:23:58I know what you mean. You want me to take you home.
00:24:02Fine.
00:24:04I'm still part of the case, Benton.
00:24:07I mean, now.
00:24:13I kept following the lead, Lo.
00:24:16I had made four calls.
00:24:18Three of them didn't interest me, but one did, and a lot.
00:24:21I had called Joe Marcelli.
00:24:23I was watching Marcelli as he approached his appointment with Lo.
00:24:27I realized then that the case was about to explode in my favor.
00:24:35Do you know what I'm saying?
00:24:38Hey, cripple, be careful.
00:24:41I'm clumsy with two legs, but this one is over four.
00:24:45Shut up, fat drunk.
00:24:47Who are you insulting now?
00:24:49Cripple of the devil. Stupid.
00:24:52Hey, I had warned you.
00:24:54Don't worry, I'll take care of him. I know him.
00:24:57Okay, sir, but take care of him in his office.
00:24:59I don't want to see him bothering my bar again.
00:25:01If I see him around here again, I'll take care of him.
00:25:19I need a drink, Paul.
00:25:21You'll get it. Work comes first.
00:25:24Are you still in good hands?
00:25:26Yes. I need to train.
00:25:28I'm not surprised they didn't call you.
00:25:30You used to be the best in California,
00:25:32and now you wouldn't even open a safe.
00:25:35There's no work.
00:25:36No one's called me since I testified against Benson.
00:25:39Tell me, what do you have for me?
00:25:40Of course, don't worry, I understand.
00:25:42It's a good job, but I must know if you're in good shape.
00:25:45I can do any job.
00:25:47How much is it? What is it about?
00:25:49I haven't confirmed it yet.
00:25:51Come on.
00:25:52But we could get our bottle back.
00:25:55I'd do anything for $600,000.
00:25:58Anything?
00:25:59This is the time to decide.
00:26:01If not, I'll look for someone else.
00:26:04I can do it. Tell me where I have to go.
00:26:06It'll be tomorrow night.
00:26:10Take me to the race every day.
00:26:14Just one.
00:26:15You have to get off tomorrow.
00:26:54He was heading for Los Angeles.
00:26:56He walked through the woods, not to be seen by anyone.
00:26:59Finally, he saw a side street,
00:27:01and stopped to see what traffic there was.
00:27:04Then, he saw her.
00:27:07Her, and something else.
00:27:09It looked like the old scene.
00:27:11The butcher had an idea.
00:27:14If he took the car,
00:27:16he could get to Los Angeles in more than enough time
00:27:19to catch those who had betrayed him.
00:27:25I'm a perfect gentleman,
00:27:27trying to help some strangers.
00:27:29I hope you don't mind if I give you some information
00:27:32about this beautiful girl.
00:27:34You'll see, she's priceless.
00:27:36She's a gem.
00:27:37Yes, sir, she's the best gem I've ever seen.
00:27:40Let me introduce myself.
00:27:41You can call me Connie.
00:27:43Yes.
00:27:44You'll see, we have some problems with this car.
00:27:47A punctured wheel, the brakes,
00:27:49and the engine.
00:27:51We have some problems with this car.
00:27:53A punctured wheel, the brakes,
00:27:55and the engine.
00:27:56For some merchants,
00:27:57this would be like selling wood in the woods.
00:28:22Oh, my God.
00:28:23Who is this guy?
00:28:25Hey, get him out of the car.
00:28:30I don't care who you are,
00:28:32but believe me,
00:28:33we're both going to be multimillionaires.
00:28:52An hour later,
00:28:54the San Francisco Police Department
00:28:56sent radio orders to all patrols
00:28:58to go comb the whole area.
00:29:22The San Francisco Police Department
00:29:24sent radio orders to all patrols
00:29:26to go comb the whole area.
00:29:44The patrols were ordered to capture the murderer
00:29:47who had just killed a representative
00:29:49of a neighborhood highway.
00:29:51But each patrol car returned to the station
00:29:53telling the same story.
00:29:55They had no information about the murderer
00:29:57except for the car he was driving.
00:29:59All of them were ordered to shoot to kill,
00:30:02because from the information
00:30:04that the girl had provided,
00:30:06it was evident that he was a maniac.
00:30:20Fire!
00:30:26Fire!
00:30:49Fire!
00:31:20I hope this information will be useful to you.
00:31:23If I can help you in any way,
00:31:25please call me Captain Loder
00:31:27of the Los Angeles Police Department.
00:31:29The latest reports have arrived, Captain.
00:31:42It seems we're completely lost.
00:31:44It seems so, yes, sir.
00:31:46Sergeant.
00:31:47Sir.
00:31:48When Lieutenant Chosen returns,
00:31:50have him review these reports.
00:31:54The next morning, I read in the newspapers
00:31:57the news about the brutal murder
00:31:59of two policemen the night before.
00:32:01I also read the statements of the witnesses
00:32:04saying that the bullets
00:32:06had not managed to cross the murderer's skin.
00:32:09I felt sorry for the witnesses,
00:32:11but I also thought about what a mind in shock is.
00:32:14There are impossible things.
00:32:16I can't believe there's a human being on Earth
00:32:19who doesn't fall down
00:32:21in front of the bullets of a .45.
00:32:25Good morning, Captain.
00:32:28We'll be on duty for the next 24 hours.
00:32:31Have you seen the headlines?
00:32:33About that man who doesn't care about the bullets?
00:32:36According to this report,
00:32:38he killed two other policemen.
00:32:40This madman will be our priority task.
00:32:43I could get to the city at any moment.
00:32:46You'd better get ready.
00:32:48Yes.
00:32:49Tell everyone else.
00:32:51All right.
00:32:53Is there anything new in the Benton case?
00:32:56I don't think the girl will be of much help.
00:32:59If everyone else is ready,
00:33:01they'll keep her mouth shut.
00:33:03Leave that case for now.
00:33:05I need all my men for the next 24 hours.
00:33:08The newspapers will give us the day tomorrow.
00:33:14THE BENTON CASE
00:33:22But we were wrong about two things.
00:33:24First, the killer was in the city.
00:33:27And second, it was Benton.
00:33:29He'd come to get the shot
00:33:31that he'd left Eva in an envelope in her dressing room.
00:33:34First, he wanted to get his money back.
00:33:36Then he'd take care of the three traitors.
00:33:44Charles...
00:33:51It can't be.
00:33:58You're...
00:34:00just like him.
00:34:02Although different, too.
00:34:14It's you.
00:34:17Because no one had told me anything.
00:34:23But Charles...
00:34:25And those are bullet holes.
00:34:28It hurts.
00:34:34They didn't even mark you.
00:34:44THE BENTON CASE
00:35:04I opened it when Paul came.
00:35:07I saw the $50, but...
00:35:10I didn't see anything.
00:35:12There was nothing else in the envelope.
00:35:28Wait.
00:35:29Don't do anything crazy.
00:35:33Paul's name had shot the hatred in his mind.
00:35:37He left Eva's dressing room
00:35:39to go throw the glove to Squinny Alice and Joe Marcelli.
00:35:43Because he knew that with them out of combat,
00:35:46Paul Lobb couldn't open the safe on his own.
00:36:07THE BENTON CASE
00:36:38THE BENTON CASE
00:36:50Eva, can I borrow your pencil?
00:36:59Please, with the police department.
00:37:03Lieutenant Chosen, please.
00:37:08When will he be back?
00:37:13Tell him that Charles Benton is alive,
00:37:16and that even bullets can't stop him.
00:37:19I'm not crazy.
00:37:22She tried to tell him that the butcher was alive
00:37:25and that she was planning to kill him.
00:37:28THE BENTON CASE
00:37:34Of course, he couldn't believe her.
00:37:37He thought that the butcher had hired someone
00:37:40to avenge him after his death.
00:37:55Squinny didn't believe her.
00:37:57Who could believe that a dead man can come back to life?
00:38:15Are you okay?
00:38:17What?
00:38:18You don't look well.
00:38:20Eva!
00:38:21To the stage!
00:38:22I'm coming.
00:38:23Eva, I think I could help you.
00:38:27What?
00:38:28It's easy. I can do it.
00:38:30Look.
00:38:36I think you're right.
00:38:38Really?
00:38:39Eva agreed to have Francine replace her at the show.
00:38:43That way, she could stop the butcher on his way to Squinny's hotel.
00:38:47Or, in the worst case, warn him to stay where he is.
00:38:53Were you looking for me, Captain?
00:38:56Yes.
00:38:57I'm taking a look at these fingerprints taken from the car last night.
00:39:01There seems to be no clue about the driver who was killed yesterday.
00:39:05But look at these.
00:39:10They're very curious fingerprints.
00:39:12The lab boys think so too.
00:39:15These are the killer's.
00:39:17They were found on the steering wheel.
00:39:19They've been engraved very strongly.
00:39:21That's what it looks like.
00:39:26The seconds. These are Benton's.
00:39:29What?
00:39:30This is impossible.
00:39:32What do the lab boys say?
00:39:34Nothing.
00:39:35It could only be a twin brother.
00:39:38That's the only hypothesis the lab boys come up with
00:39:41to explain so much similarity.
00:39:45Have you heard that Benton had a twin brother?
00:39:48No.
00:39:49Even so, two twins would make a difference.
00:39:53I have a message for you, Lieutenant.
00:39:56A lunatic has called you.
00:39:58She says that Charles Benton is alive and that the bullets can't stop him.
00:40:04Goodbye to the twin theory.
00:40:06What a girl. What's her name?
00:40:08She didn't want to say her name.
00:40:10She just told me to tell you that she's a friend of Charles Benton.
00:40:14Eva Martin.
00:40:15Go see what she can tell us.
00:40:17Yes.
00:40:19They're so lucky.
00:40:22I never have to go see the girls.
00:40:33The butcher headed to Squinney's little hotel.
00:40:36He didn't seem to be in any hurry.
00:40:39He could have passed by any citizen,
00:40:42going to his house or his work.
00:40:44He got to the funicular and got on it.
00:40:47He got on until the last stop,
00:40:49which was right in front of the little hotel.
00:40:54He looked at the building carefully until he found Squinney's apartment.
00:40:59He checked that there was only one exit to the outside,
00:41:03a fire escape.
00:42:17Squinney's apartment.
00:42:47Squinney's apartment.
00:43:17Squinney's apartment.
00:43:47Squinney's apartment.
00:43:50Squinney's apartment.
00:43:54Squinney's apartment.
00:43:57Squinney's apartment.
00:44:00Squinney's apartment.
00:44:03Squinney's apartment.
00:44:06Squinney's apartment.
00:44:09Squinney's apartment.
00:44:13He thought about the next step.
00:44:18He looked at the dead man on the ground
00:44:20and went looking for his next target, Paul Love.
00:44:23Have you seen Marcelli?
00:44:25No, since I told him I didn't want to see him around my bar anymore.
00:44:28Have a drink.
00:44:43Listen.
00:44:45I need help.
00:44:47I just found out that Benton hired someone to kill us.
00:44:52Finish your drink and get out of here.
00:44:54I don't want any more trouble in my bar.
00:44:56You're just a friend.
00:44:58Finish your drink and get out of here.
00:45:17I don't want any more trouble in my bar.
00:45:20Finish your drink and get out of here.
00:45:47I don't want any more trouble in my bar.
00:45:50Finish your drink and get out of here.
00:46:17I don't want any more trouble in my bar.
00:46:20Finish your drink and get out of here.
00:46:23I don't want any more trouble in my bar.
00:46:26Finish your drink and get out of here.
00:46:29I don't want any more trouble in my bar.
00:46:32Finish your drink and get out of here.
00:46:35I don't want any more trouble in my bar.
00:46:38Finish your drink and get out of here.
00:46:41I don't want any more trouble in my bar.
00:46:44I don't want any more trouble in my bar.
00:46:47Finish your drink and get out of here.
00:46:50I don't want any more trouble in my bar.
00:46:53Finish your drink and get out of here.
00:46:56I don't want any more trouble in my bar.
00:46:59Finish your drink and get out of here.
00:47:02I don't want any more trouble in my bar.
00:47:05Finish your drink and get out of here.
00:47:08I don't want any more trouble in my bar.
00:47:11I don't want any more trouble in my bar.
00:47:14Finish your drink and get out of here.
00:47:17I don't want any more trouble in my bar.
00:47:20Finish your drink and get out of here.
00:47:23I don't want any more trouble in my bar.
00:47:26Finish your drink and get out of here.
00:47:29I don't want any more trouble in my bar.
00:47:32Finish your drink and get out of here.
00:47:35I don't want any more trouble in my bar.
00:47:38I don't want any more trouble in my bar.
00:47:41Finish your drink and get out of here.
00:47:44I don't want any more trouble in my bar.
00:47:47Finish your drink and get out of here.
00:47:59Operator, call the police!
00:48:02Police?
00:48:04Oh no!
00:48:08What happened?
00:48:22A Squiby fell from the fourth floor.
00:48:25He was my client.
00:48:26Someone pushed him.
00:48:27Could it be Squinny Alice?
00:48:28Yes, that's her.
00:48:29Do you know who could have pushed him?
00:48:30Do you think I know everything?
00:48:31The bullets touched him and didn't penetrate him.
00:48:46He should have worn bulletproof vests.
00:48:47Dick, I don't know what all this is about.
00:48:53Even if it's a closed case, we'll reopen it.
00:48:55We must follow Joe Marcelli.
00:48:57I wanted to tell you something, Captain.
00:48:59I'm going to call San Quintín.
00:49:00Suppose Benton is alive.
00:49:02All available men are in the case.
00:49:05Yes, sir.
00:49:06All right.
00:49:07Understood.
00:49:08Any news?
00:49:09Dr. Bradshaw was the owner of yesterday's car.
00:49:11The San Francisco police have located his laboratory in the basement of an electric substation.
00:49:16Bring him.
00:49:17Hurry up.
00:49:18He's dead.
00:49:19He and his assistant have appeared.
00:49:20The laboratory is in San Blas, but reports have arrived from San Francisco.
00:49:25Benton's body never made it to the funerary after being executed.
00:49:29An officer, when questioned, admitted that he had given the body to a man who had bribed
00:49:34him in exchange for some money.
00:49:36He was driving a rancher.
00:49:38Dick, I have the commissioner on me, and he, in turn, has the governor, and this whole America.
00:49:43And do you want me to explain to you that all this has been done by a man who has returned
00:49:45from his grave?
00:49:47They found a notebook in his laboratory.
00:49:50All his experiments with a certain Professor Diggins.
00:49:53I hope he answers my call.
00:49:56A completely hysterical woman claims to have been attacked by a maniac in this direction.
00:50:01Let's go.
00:50:02You and your boyfriend argued and left the car to walk for a while.
00:50:21And then you went to where you had seen before some lights turned on.
00:50:32What happened then?
00:50:33Try to remember.
00:50:34Well ... I was very angry and for a few minutes I felt ... Suddenly I heard a noise like
00:50:39metal clashing that came from here.
00:50:42I looked at the car to see if it was a car.
00:50:47When I came from here, I looked at the car to see what was going on.
00:50:53I heard Jimmy shouting something, but I couldn't understand him.
00:50:58I came back here, I turned off the lights, and Jimmy...
00:51:05...was being lifted up by that man.
00:51:10Huge.
00:51:12He was being lifted up as if he wasn't heavy.
00:51:15It wasn't hard for him.
00:51:18And he shouted at me.
00:51:20Once, I wanted to help him, but I couldn't do anything.
00:51:27So I ran.
00:51:29I ran until I got home, and from there I called you.
00:51:37Thank you, ma'am.
00:51:39We may have to take her.
00:51:43O'Malley, take the young lady home.
00:51:48Paul Love was driving to his office when he heard on the radio...
00:51:53...that Joe Marcelli had been murdered.
00:51:56What impressed him most was the speaker's comment on the murderer's identity.
00:52:03It could be Charles Benton.
00:52:09I was scared to death, Mr. Love.
00:52:11What are you doing here? And Eva?
00:52:13Trying on her clothes to replace her tonight.
00:52:16Did you want something?
00:52:17To know where Eva is.
00:52:19Let go of my arm. I have no idea where she is.
00:52:22I've already told you. You never know with Eva.
00:52:25I know that. Where is she?
00:52:28She's at the police station. That's where she is.
00:52:31Yes, sir. It's very dangerous.
00:52:35The captain hasn't come back yet.
00:52:37The murderer was lost. He was in the Hollywood area.
00:52:43Yes, sir. It's very dangerous.
00:52:45We're covering everything.
00:52:48I'll tell him. Yes, sir.
00:53:01I'll tell him.
00:53:11Try them on.
00:53:14Are they for delivery?
00:53:16I'm sorry. It's all the department can afford.
00:53:21Lieutenant, do you know when the captain will be back?
00:53:28I'll talk to the captain, even if I have to wait.
00:53:30Paul.
00:53:33Paul, Charles killed Sweeney and Joe.
00:53:37Joe too?
00:53:40Benton?
00:53:41He's alive. I saw him, but no one wants to believe me.
00:53:44That's right.
00:53:45I suppose whoever killed him will want to get the money back.
00:53:49So you'd better talk if you have something to say.
00:53:52What do you mean?
00:53:53Did he have a twin brother?
00:53:57He didn't have brothers.
00:53:58Look, Charles.
00:53:59I saw the tattoo on his arm.
00:54:05I need protection, Paul.
00:54:06Where's the money?
00:54:07I know my rights. I want it now.
00:54:09There's one in your neighborhood and one in your office.
00:54:12It's not enough.
00:54:13Yes, as far as we're concerned.
00:54:20Are you going to arrest me now, Sergeant?
00:54:22Yes, and then I'll throw the key.
00:54:32Is there anything new, Dick?
00:54:34We've investigated every hotel and motel in the city.
00:54:37And all the places where the butcher used to go.
00:54:40With no result.
00:54:43This is incredible.
00:54:44Not only is the murderer a living dead,
00:54:46but he's also playing ghosts with us.
00:54:50He has to be in some corner.
00:54:52And even if he has to dismantle the city brick by brick,
00:54:55we'll find him.
00:54:56I may be wrong, but I think Paul Love knows something about this.
00:55:00Maybe.
00:55:01But he doesn't seem willing to talk.
00:55:03I suppose he has no choice.
00:55:06If you keep drinking so much coffee, you'll start having visions.
00:55:09Wait a minute.
00:55:11When Paul Love asked for police protection because he was terrified,
00:55:14because he knew Benton had him on his list
00:55:16behind Sweeney Alice and Joe Marcelli...
00:55:18Go on.
00:55:19What I imagine is that he hit the officer
00:55:21because he knew we'd arrest him.
00:55:23He proved to be a poor actor.
00:55:25Even though we could take advantage of him.
00:55:27Are you trying to pretend you're freeing him?
00:55:29No, exactly.
00:55:30I could tell him he understands his situation.
00:55:33That the punch was a moment of tension.
00:55:35That we're not going to present charges against him
00:55:37and that he's completely free.
00:55:39Lieutenant, I can't release him.
00:55:41Paul Love made a mistake hitting an officer,
00:55:43and he'll pay for it.
00:55:44This department can't afford certain things.
00:55:48If my theory is true,
00:55:50the last thing Keralove wants is for us to leave him
00:55:52where Benton can catch him.
00:55:54He's terrified and he'll want to talk.
00:55:56And if we know how to offer him that alternative,
00:55:59maybe he'll lead us to the butcher.
00:56:01If he's scared enough, it might work.
00:56:05I could do it.
00:56:07No, Dick, I'm not going to do it.
00:56:09I'd like to get rid of that moron,
00:56:11but not so much as to be responsible for his death.
00:56:14The good thing about all this, Captain,
00:56:16is that we know it, but he doesn't.
00:56:21Let's try it.
00:56:22All right, Love, you can go.
00:56:28Here are your belongings, Mr. Love.
00:56:32You're free to go.
00:56:35Wait a minute.
00:56:36You can't put me on the street.
00:56:38You arrested me for hitting an officer.
00:56:41I'll plead guilty,
00:56:43and hopefully I'll be out in six months.
00:56:46To be a lawyer, you forget a little detail.
00:56:49If there are no charges, there can be no trial.
00:56:53It's been a hard day for all of us,
00:56:55so we'll declare that the hit to the officer
00:56:57was the result of a moment of nervousness.
00:56:59You didn't know what you were doing,
00:57:01and we'll forget it.
00:57:03Yes.
00:57:04Why are you taking notes?
00:57:06I just want to have your statements in writing
00:57:08when you're released.
00:57:11All right, Love, let's go.
00:57:12Wait a minute.
00:57:14If they put me on the street now, I'll be a dead man.
00:57:17If they let me go, it'll be like murder.
00:57:19Come on, Love.
00:57:20You're betraying your imagination.
00:57:22You know that Benton wants to kill me.
00:57:24If they let me go, he'll make it.
00:57:26Well, it's a risk we have to take.
00:57:29In my opinion, Mr. Love, you'll be fine.
00:57:33Then let's make a deal.
00:57:35I'll stay here and tell them where the money is.
00:57:38They could capture Benton.
00:57:40Not at all, Love.
00:57:41You already had your chance to talk.
00:57:44Come on, get out.
00:57:45No, wait.
00:57:48All right.
00:57:51I'll tell you the truth.
00:57:55Take a good note.
00:58:00I, Paul Love,
00:58:04hired Charles Benton,
00:58:06Sweeney Ellis, and Joe Marcelli
00:58:09to attack the bank van.
00:58:13Love went on with his confession.
00:58:15He told them he had a map
00:58:17with the exact hideout of the money.
00:58:20And he told them something even more important,
00:58:23where the butcher would be,
00:58:25hiding so as not to be seen,
00:58:27in the city's sewer system.
00:58:45The Los Angeles Department of Police
00:58:47immediately got down to work.
00:58:49Each patrol was entrusted with an area of the city.
00:58:52The entire Los Angeles sewer system,
00:58:54about 700 miles in total,
00:58:56would be inspected inch by inch.
00:58:59Meanwhile, the captain and I went to the place
00:59:02where, according to Love,
00:59:03the butcher had hidden the money.
00:59:05Our next job would be to stop him.
00:59:08And this made me think of an important detail.
00:59:11Would it be possible to stop a monster like that?
00:59:14I wasn't quite sure.
00:59:37Is everything ready, Lieutenant?
00:59:39The engineers have given us a map of the sewer system.
00:59:42Our officers are combing all areas.
00:59:44We're about to catch the butcher.
00:59:46Then maybe it's better to ask for reinforcements.
00:59:49With some flamethrowers, we might be able to catch him.
00:59:52Although I'm not quite sure
00:59:54that all our arsenal will be of any use.
00:59:57Have you stopped to think, Captain,
00:59:59what could happen if we don't catch him now?
01:00:01No. We'd better go look for him.
01:00:12Let's go.
01:00:42Let's go.
01:01:12Let's go.
01:01:42Let's go.
01:01:55Lieutenant, go that way.
01:01:57You, come with me.
01:02:12Let's go.
01:02:42If this is right, we're deviating.
01:02:45Let's go back.
01:03:12Let's go.
01:03:42Let's go.
01:04:13There he is.
01:04:15Open fire.
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