- 6/5/2025
REACHING FOR THE MOON (Para alcanzar la Luna, 1930, Full Movie, English, Cinetel) HD
Category
š„
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30But they're making speeches now. I'll be home later. No, Mother, I'm not drinking. All right. Bye.
00:01:46Jane, who?
00:02:01The Age of... When am I going to write it down here? The Aero Girls of America. Miss By Benton's party.
00:02:07I guess that's it of me.
00:02:09You can't go in.
00:02:09No.
00:02:10No. I've been asked by Miss Benton, the hostess of the party, to guard the place. See that no men get in there.
00:02:17Say, who are you anyway?
00:02:19My name happens to be Partington Chompsford.
00:02:21Partington Chompsford? Sir Horace Partington Chompsford. Am I right?
00:02:25Yes.
00:02:25Yes. Say, the story is that you're, uh, stuck Miss Benton. Is that set?
00:02:30Is what set?
00:02:31Engaged?
00:02:31She's not safe.
00:02:33Well, I'll ask her myself. From all accounts, she's a great girl. And this looks like a great party.
00:02:39Look here. Who are you nosing around at this time of night asking about things that don't concern you? Who are you? What are you?
00:02:46I'm just a poor little tired reporter from the morning echoes. And I want to get this story and go home and go to bed.
00:03:03Ladies. Ladies and, uh, cats.
00:03:07As you all know, we're about to shake our little hips to England.
00:03:10Da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da.
00:03:14Now, seriously, girls. We're going to crash into a lot of awfully good European competitions.
00:03:19But when the International Trophy is presented, who are the girls who are going to win it?
00:03:24That's right, Ralph.
00:03:25That's a good point.
00:03:25Poor child, that is.
00:03:27And another thing about your behavior.
00:03:29Oh, sorry.
00:03:30Oh, now I'm the staff that's sponsoring this program.
00:03:33And I want you high flyers to remember to keep your tanks clean.
00:03:37Your landing gear is on the ground.
00:03:40And don't go into any tailspin.
00:04:02Larry Day is my pal and my boss.
00:04:06And I know there's a very good reason why he hasn't turned out.
00:04:09However, we're going right on with the meeting.
00:04:11Honored tonight with the presence of Mr. Timothy Grosvenor,
00:04:15President of the National Seaboard Bank.
00:04:18Mr. Grosvenor, thank you, sir.
00:04:21It is to be regretted that the guest of honor is late.
00:04:26For the purpose of this dinner, as I understand it,
00:04:29was a gesture made by you gentlemen as a token of esteem
00:04:33to a young man who has been somewhat aptly termed in the last year
00:04:38a modern financial wither.
00:04:47Hello, everybody.
00:04:48I'm sorry I'm late, but I'm detained at the office.
00:04:50Say, if you don't think that cotton situation is a wall,
00:04:53then I'm an Egyptian.
00:04:54Ha! We've been fighting for the last two hours
00:04:56to stabilize the cotton market.
00:04:57Sorry you're not aboard, baby.
00:04:59Ha!
00:05:00Mr. Grosvenor is making a speech.
00:05:01Oh, hello, Mr. Grosvenor.
00:05:02How are you?
00:05:03Let's see you.
00:05:04Go right ahead.
00:05:05Go on.
00:05:06In view of the fact that this dinner was given in your honor,
00:05:08Mr. Day, I should have thought some sort of apology
00:05:10might have been forthcoming.
00:05:11That's all right.
00:05:12Don't apologize.
00:05:13Go right ahead.
00:05:14Don't mind me.
00:05:15Go on, Mr. Grosvenor.
00:05:16Please go right on, Mr. Grosvenor.
00:05:17Don't mind Larry.
00:05:18But even now, Mr. Day's attention is elsewhere.
00:05:20Order, Larry.
00:05:21Order, please.
00:05:22Order.
00:05:23Sure, I'll order.
00:05:24Go on, Mr. Grosvenor.
00:05:25What are you fellas eating?
00:05:26Here.
00:05:27No wonder you're losing your waistlines.
00:05:28Here, give it to a bellboy.
00:05:29Let him eat it for me.
00:05:30Bring me some cornflakes and milk.
00:05:31Warm.
00:05:32That's right.
00:05:33Go on, Mr. Grosvenor.
00:05:34Please continue.
00:05:35Won't you, Mr. Grosvenor?
00:05:36Please.
00:05:37As soon as you.
00:05:39In the music of the word,
00:05:41America can be heard the distant drums of Gettysburg.
00:05:44Mr. Day, London on the telephone, sir?
00:05:46London.
00:05:47All right, fine.
00:05:48Excuse me, Mr. Grosvenor.
00:05:49Go on, Mr. Grosvenor.
00:05:50I'll be back to this all last noon.
00:05:51All right.
00:05:52I'm very proud of you, Mr. Grosvenor.
00:05:54Mr. Grosvenor.
00:05:55Hello, Mr. Grosvenor.
00:05:56Yeah.
00:05:57Is that debt certified?
00:05:58Recepted?
00:05:59Receited?
00:06:00Oh, that's fine.
00:06:02How many bales?
00:06:04A million?
00:06:05What do you know about that?
00:06:07Fine.
00:06:08Why?
00:06:09What do you know about that?
00:06:10You know they just had a million bales of cotton
00:06:12to jump on a market and break it,
00:06:13but we feed them to it.
00:06:14Watch control.
00:06:15Watch cotton open in the morning.
00:06:17Go ahead.
00:06:19Gentlemen, is it your wish that I continue?
00:06:22Oh, yes, indeed.
00:06:23Please go.
00:06:24Yeah, go on.
00:06:25As I said before, an American.
00:06:28This, Mr. Day, is an American made out of the kind of grit
00:06:32that gave us our Gary, our Schwab, our Henry Ford.
00:06:36And our Kellogg.
00:06:38You know what happened?
00:06:39You know what happened?
00:06:40Mr. Grosvenor, just a moment.
00:06:41Just a moment.
00:06:42You know, your speech was fine.
00:06:43Your voice was great.
00:06:44I like that thing about Americans.
00:06:45You're not upset, are you?
00:06:47Upset?
00:06:48Upset?
00:06:49Yes.
00:06:50You know, I had one of those days, cotton situations.
00:06:51I see.
00:06:52I see.
00:06:53I see.
00:06:54You know, I wouldn't intentionally be rude for anything in the world.
00:06:55I see.
00:06:56One must not impede this explosive urge.
00:06:58This new, young America.
00:06:59Well, you do understand, don't you?
00:07:00Certainly.
00:07:01That's fine.
00:07:02Good night.
00:07:03Good night.
00:07:04Good night.
00:07:05Really?
00:07:06You know, very happy as a king.
00:07:34I hope that you, uh, we'll not stop.
00:07:37Oh, sugar!
00:07:38Very important thing.
00:07:40Good night, Mr. Hongers.
00:07:41Good night.
00:07:42I'm glad to see you.
00:07:43I hope that you...
00:07:44You know what you think?
00:07:45Say, you little junkies, you know who that is.
00:07:47I don't care.
00:07:48I've never been so glad to see a pair of pants in my life.
00:07:51Well, you could go just as far as you like.
00:07:54Imagine being without a man all evening.
00:07:56Oh, yes.
00:07:57I know.
00:07:58This is my wedding party, isn't it?
00:07:59Say, have I gone yet?
00:08:00No, she's here.
00:08:01Is this your crowd?
00:08:02I'd like to dance.
00:08:03Yes, darling, but they're pretty old.
00:08:05Never mind.
00:08:06They're men.
00:08:07Ha, ha, ha.
00:08:08Come along, darling.
00:08:09Secret?
00:08:10Men, though.
00:08:11Lay off my men, will you?
00:08:12What do you mean, your men?
00:08:14Ha, ha, ha, ha.
00:08:16Who is that man in the great future?
00:08:19That's Larry Day.
00:08:21Oh.
00:08:22That happens to be my boss.
00:08:23Oh, I don't know.
00:08:24I can't stick around.
00:08:25It's early.
00:08:26Yeah, it's early for you, but late for me.
00:08:27Oh, come on.
00:08:28It's a big night.
00:08:29It's a big night.
00:08:30A big day tomorrow.
00:08:31You can't have both.
00:08:32Good night, Larry.
00:08:33Remember, we're on the verge of a big boom, and tomorrow morning I'm shooting the work.
00:08:37Do you think that's a good idea?
00:08:38It's the only idea.
00:08:39You take it from me.
00:08:40He looks all right.
00:08:41He is.
00:08:42Bring him over.
00:08:43I'd like to meet him.
00:08:45I will if I can.
00:08:46What do you mean, you will if you can?
00:08:47What do you mean, you will if you can?
00:08:48I mean, I'll try.
00:08:49What do you mean, you'll try?
00:08:50Run along.
00:08:51I beg you, guys.
00:08:52I beg your pardon.
00:08:53I beg your pardon, girls.
00:08:54What do you want?
00:08:55Just a moment, please.
00:08:56Say, Larry, I want you to be a very, very beautiful girl.
00:08:59Oh, you're crazy, man.
00:09:00I'm going home and go to bed.
00:09:01Oh, really, I mean it.
00:09:02Well, I mean it, too.
00:09:03I've got to get my sleep.
00:09:04Well, I only want you to say hello, sir.
00:09:05Well, you say hello, boy.
00:09:06Just a minute.
00:09:07No, no.
00:09:08No, no.
00:09:09Now, listen.
00:09:10I know if you saw her, then you stay.
00:09:11Well, I won't see her because I can't stay.
00:09:13Well, look.
00:09:14She's staring right over there.
00:09:15Will you take a look?
00:09:16No, I won't.
00:09:17Because I've got to go get my sleep.
00:09:18You better get your sleep, too.
00:09:19I'll see you bright night in the morning.
00:09:24Hot dog.
00:09:25Conceited puppy.
00:09:29Oh, don't tell me.
00:09:30I heard everything.
00:09:31Well, there you are.
00:09:32That's the kind of a guy he is.
00:09:33No, seriously, Bi.
00:09:34I don't believe there's a girl in this town can get him.
00:09:36Well, of course.
00:09:37There's always the river.
00:09:38Oh, yes.
00:09:43He's just like a dynamo.
00:09:44What a pity I'm sailing tomorrow night on La Mary.
00:09:47But a lot can be done in the morning, Bi.
00:09:49Or in an afternoon, for that matter.
00:09:51Go?
00:09:52Going, Bi?
00:09:53Yes, yes.
00:09:54Thanks.
00:09:55I'm not going.
00:09:56Why, you never could see him in the daytime.
00:09:57I work for him, and even I can.
00:09:59No?
00:10:00Well, it might be fun to try.
00:10:01Oh, ho, ho, ho.
00:10:02What are you laughing at?
00:10:04Oh, Bi, Benton and Larry Day.
00:10:06Dynamite.
00:10:07Explosion?
00:10:08You couldn't do it.
00:10:10Well, I haven't got much time, but give me odds and I'll bet you.
00:10:13Odds?
00:10:14Check.
00:10:15Bet you.
00:10:16You're on.
00:10:17Oh, Horace.
00:10:18Horace.
00:10:19Horace, I'm ready.
00:10:20Oh, dear old Horace.
00:10:22Oh, stop your wisecracks.
00:10:23He's very nice.
00:10:24I'll say he's nice.
00:10:25Oh, hello, hello, hello.
00:10:26Hello, hello, hello, hello.
00:10:27Are you ready, Bi?
00:10:28Good night.
00:10:29See you in the morning, Bi.
00:10:30Good night, Bi.
00:10:31I'm afraid I'm going to be awfully busy in the morning.
00:10:33Good night, Admiral.
00:10:34Busy with Larry Day.
00:10:36Oh, what is cute?
00:10:37Is Father coming yet?
00:10:38No, Miss.
00:10:39Bring those things over here.
00:10:41After all, you know, a wonderful kiss is a very small matter.
00:10:56Oh, don't be silly.
00:10:57Si, you're the coldest creature, but I adore you.
00:11:02Thanks.
00:11:03I console myself with the thought that underneath your somewhat frigid exterior, there thumps
00:11:10a jolly little house, going bumpity-bump, bumpity-bump, beating away from me.
00:11:15But I'm beating away from you, old darling, because you're going after bed.
00:11:20Excellent place, Dad.
00:11:22Hello, Father.
00:11:23Good evening, sir.
00:11:24I thought I told them not to lock that door.
00:11:29I thought you said my father wasn't in.
00:11:31He's just come in, Miss, through the service entrance.
00:11:35Hello, my darling.
00:11:37Hello, my darling.
00:11:38Where have you been?
00:11:39I've been paying for it.
00:11:41Where?
00:11:42Downstairs, in the apartment.
00:11:45Contract bridge?
00:11:46Oh, speaking of contract, why, is your engagement to this young man to be kept secret?
00:11:52Oh, I don't know.
00:11:53In my considered opinion, Governor, long engagements are fatal.
00:11:56Well, good night, Horace.
00:11:58Oh, good night, darling.
00:12:00Good night, my child.
00:12:01Good night.
00:12:02Good night.
00:12:03I say, do you realize that I've been secretly engaged to your dear daughter for months?
00:12:06Both of us madly in love with each other and all that poor thing, and I haven't been kissed once.
00:12:15We'll soon fix that.
00:12:28What a country.
00:12:30good night.
00:12:31Good night!
00:12:33Good night.
00:12:34Good night.
00:12:35Good night, Pinky.
00:12:36Those are the people.
00:12:38Good night.
00:12:39That man!
00:12:43Sure idea.
00:12:47Have him paged, and call me.
00:12:49Yes, I'll wait
00:13:08What is all I've just seen us oh oh a veritable Julia
00:13:12Oh
00:13:17You get a big kick out of it people well, I find it a very instructive study, sir
00:13:24Yes, sir
00:13:26Just as you obtain results by watching the market, so I learned the different methods of making love by observation
00:13:32And I find these observations are much more effective than
00:13:36certain books
00:13:39Aren't you a little bit afraid that you're liable to go
00:13:42Boom oh
00:13:44May I suggest there that you'll come to it, too?
00:13:48What do you mean that I'll go?
00:13:50Boom?
00:13:51Oh my dear sir, why anyone worth saying than yourself would be very hard to find
00:13:56But all the great ones of the world fell at one time or another sir. You take Napoleon
00:14:01Napoleon studied a great soldier and he was a very great general and then little Josephine came tripling into his life and a very great general went
00:14:09boom
00:14:12ha ha ha
00:14:13Do you think I'm going to go home?
00:14:17Well, there's a vast difference between the art of making money and the art of making a lady
00:14:22Well, there's plenty of time, Roger.
00:14:32You shouldn't have been a valet, huh?
00:14:34Hurry up that car, will you?
00:14:36You make a lady.
00:14:38What's this?
00:14:40Napoleon, sir.
00:14:42At Elba.
00:14:44A great man, sir, but lonely.
00:14:46Well, maybe you're right, Roger.
00:14:48Plenty of time for that.
00:14:50When the time comes, I'll be there. You know me, Roger.
00:14:52I'll be there after I get.
00:14:54Hello. Oh, hello, Fred.
00:14:56Now, listen, 8.30 in the morning, I want you to go to my vault
00:14:58and get all my security.
00:15:00Your bank is trust, mellons trust, and guarantee trust.
00:15:02That's right. Right?
00:15:04See you first thing in the morning at the office.
00:15:14I beg pardon, sir.
00:15:16Do you ever dream of girls?
00:15:18You know, the one I dream is usually about horses.
00:15:22Technically, much safer, sir.
00:15:27Good night.
00:15:28Good night.
00:15:29Good night.
00:15:41Good morning, sunshine.
00:15:43Good morning sunshine. What's new this morning?
00:15:56Mr. Dade's been asking for you, Mr. Caringer.
00:16:00How is he this morning?
00:16:02Busy.
00:16:03Anything new?
00:16:04Miss Benton called about an hour ago.
00:16:07Oh, yes. Get her on the wire, will you?
00:16:09You got her number?
00:16:10Yes, I have it right here.
00:16:11All right, shoot it over to Gratton's immediately, will you?
00:16:21Hello, Gratton.
00:16:22Oh, hello, Junior.
00:16:24I'm depositing more margins.
00:16:26About a million and a half.
00:16:28It's on its way over.
00:16:30Say, what's radio?
00:16:32All right, fine.
00:16:34Buy me another 10,000.
00:16:36Well, use your own judgment. Call me back.
00:16:39Well, what's the idea?
00:16:41Larry, you missed a great party last night.
00:16:43I don't know how you fellas can do it.
00:16:44You stay up all night burning tissue,
00:16:45and then you haven't anything left in the morning.
00:16:47If we were all Larry Dade,
00:16:49there wouldn't be any Jimmy Carrington.
00:16:51Late nights and women.
00:16:52I never have anything to do with women.
00:16:54You know that.
00:16:55By the way, Mr. Carrington,
00:16:56that lady had left the house.
00:16:58Mr. Dade, please.
00:17:11Mr. Dade, please.
00:17:13Have you an appointment?
00:17:14Oh, yes.
00:17:15Over there.
00:17:16If there are any messages for me today,
00:17:17will you let me know?
00:17:19Why?
00:17:20I don't think I've had the pleasure.
00:17:31Pardon me.
00:17:32But will you please ask Mr. Dade
00:17:34if he'll feed to a girl from his own hometown?
00:17:36Mr. Dade is very busy.
00:17:38I can't interrupt him.
00:17:39Well, I reckon I understand how busy he is.
00:17:42And he doesn't even know me.
00:17:44But be a honey and ask him, will you?
00:17:46Well, it won't do any good.
00:17:48But I'll try.
00:17:51Hello.
00:17:52Hello.
00:17:53What's your name?
00:17:54I know this is a most terrible imposition, Mr. Dade.
00:17:57But I'm a stranger in town.
00:17:59And I'm in a cheaper trouble.
00:18:01A tax?
00:18:02Trouble?
00:18:03Well, I don't want any money or anything.
00:18:05But I would like about five minutes of your time.
00:18:08What is it?
00:18:10Please.
00:18:11What'd you do that for, honey?
00:18:13He's busy.
00:18:14Yes, Mr. Dade.
00:18:15He went and called to Paris.
00:18:16The call to Paris hasn't come through yet, Mr. Dade.
00:18:17Well, what's the matter with him?
00:18:18They're taking care of him.
00:18:19Yes, Mr. Dade.
00:18:20You see, Mr. Dade,
00:18:21all I wanted was just five minutes of your time.
00:18:23Say, what the hell?
00:18:24What is it?
00:18:25What a terrible temper he had.
00:18:27Say, what's the idea of all this buzzing and bell ringing?
00:18:29You...
00:18:30You know that I can't see anyone.
00:18:31It's a...
00:18:32It's a...
00:18:33It's a...
00:18:34It's a rule of his office.
00:18:35I'm busy.
00:18:36I'm busy.
00:18:37I'm busy.
00:18:38I'm busy.
00:18:39I'm busy.
00:18:40I'm busy.
00:18:41I'm busy.
00:18:43I'm busy.
00:18:44Could you please tell me where Mr. Canton's office is?
00:18:46I'm busy.
00:18:47I'm busy.
00:18:48I'm busy.
00:18:49I'm busy.
00:18:50I'm busy.
00:18:51I'm busy.
00:18:52I'm busy.
00:18:57Could you please tell me where Mr. Canton's office is?
00:18:58Out there and around to your left.
00:19:00I don't know.
00:19:01Did I drop a paper when I was in here?
00:19:02Well, I don't think so, Mr. Dade.
00:19:03You didn't have anything in your hand.
00:19:04I didn't.
00:19:05I didn't.
00:19:06I didn't.
00:19:07I didn't.
00:19:08I didn't.
00:19:09I didn't.
00:19:10I didn't.
00:19:11I didn't.
00:19:12I didn't.
00:19:13I didn't.
00:19:14I didn't.
00:19:15I didn't.
00:19:16I didn't.
00:19:17I didn't.
00:19:18I didn't.
00:19:19I didn't.
00:19:20I didn't.
00:19:21I didn't.
00:19:22Did anyone want to see me?
00:19:23I didn't.
00:19:24I did want about five minutes of your time, but now I've realized how valuable it is.
00:19:27Well, I'm busy.
00:19:28Of course, Mr. Dade.
00:19:29Well, I understand that perfectly, Mr. Dade.
00:19:31Five minutes.
00:19:32Oh, thank you.
00:19:33Good job.
00:19:37Excuse me just a minute.
00:19:40Hello.
00:19:41Hello, Paris.
00:19:42Hello, Paris.
00:19:43Uh, Mr. Wilkins.
00:19:45A.T. Lara.
00:19:47Sit down.
00:19:48I'll be with you in just a minute.
00:19:49Just a minute.
00:19:51A minute?
00:19:52Well, that only leaves me four.
00:19:57It's not ready.
00:19:58Hold the wire.
00:20:00You're not from the south.
00:20:02Of course not.
00:20:03Well, what can I do for you?
00:20:06You'll be surprised.
00:20:10Hello.
00:20:11Three thousand.
00:20:12We'll double it then.
00:20:14Excuse me just a second.
00:20:16Hello.
00:20:17Huh?
00:20:18Waiting on the water.
00:20:19Okay.
00:20:20Well, let's Paris wait.
00:20:23You said you were in trouble.
00:20:24I would have been if you hadn't let me in.
00:20:28Can I get in on this game, whatever it is?
00:20:30You are the game.
00:20:31What?
00:20:32Well, you see, someone bet me that I couldn't crash your gate.
00:20:35So here I am.
00:20:36Oh.
00:20:37What am I supposed to do about it?
00:20:39Oh, take it big and pretend you're glad I came.
00:20:42I don't have to pretend.
00:20:43I am.
00:20:44You am what?
00:20:45Glad you came.
00:20:46No, no, wait a minute.
00:20:47See, Carrington.
00:20:48Say, you'll let me know when my five minutes are up.
00:20:49Don't you worry about that five minutes.
00:20:50I'll give you an hour.
00:20:55I'll give you an hour.
00:20:56I seem to be causing a war-free panic.
00:20:58Panic is right.
00:20:59Thanks.
00:21:00Well, that's when I miss.
00:21:01Oh, wait a minute.
00:21:02Oh, wait a minute.
00:21:03See, Carrington.
00:21:04Say, you'll let me know when my five minutes are up.
00:21:06Don't you worry about that five minutes.
00:21:08I'll give you an hour.
00:21:10I seem to be causing a war-free panic.
00:21:12Panic is right.
00:21:13Thanks.
00:21:14That's when I miss.
00:21:15I'm sorry about all this nonsense, but I've been shooting the works.
00:21:18Aren't we all?
00:21:19All what?
00:21:20Shooting the works.
00:21:21You?
00:21:22No.
00:21:23No.
00:21:24No.
00:21:25No.
00:21:26No.
00:21:27No.
00:21:28No.
00:21:29No.
00:21:30No.
00:21:31No.
00:21:32No.
00:21:33No.
00:21:34No.
00:21:35No.
00:21:36No.
00:21:37No.
00:21:38No.
00:21:39No.
00:21:40Money.
00:21:41Oh, no.
00:21:43There are many ways shooting the works.
00:21:45But there are times and places.
00:21:48Well, wait a minute, just tell me more.
00:21:52About what?
00:21:53For the other ways of shooting the works.
00:21:55We gotta all the time in the world.
00:21:56To do what will?
00:22:00look at you.
00:22:01And?
00:22:04Look at you.
00:22:07Have lunch with me.
00:22:08I'm sorry, I have a date.
00:22:10Tomorrow.
00:22:11Oh, I can't.
00:22:12I'm sailing tonight on L'AmƩrique.
00:22:14What?
00:22:15I'm sailing for Europe tonight.
00:22:16Oh, that's ridiculous.
00:22:17Sir!
00:22:18What is?
00:22:19Well, you can't do that.
00:22:20Do what?
00:22:21Come in here and upset my entire organization,
00:22:23and then calmly walk off on a ship.
00:22:25Well, I might not be calm tonight.
00:22:28Why?
00:22:29Well, that all depends on where I dine and we're soon.
00:22:32Shut up.
00:22:34Dine with me.
00:22:35You know, that thought had crossed my mind.
00:22:37Where?
00:22:38Ritzville.
00:22:39No apartment.
00:22:40Penthouse.
00:22:41Twenty stories up.
00:22:42Top of the world.
00:22:43Good.
00:22:44I'll bring my parachute.
00:22:45Ha, ha, ha.
00:22:46Hey, you want that?
00:22:47Ha, ha, ha.
00:22:48Ha, ha.
00:22:49I'll let you down easy.
00:22:52Well, where do we pent?
00:22:54380 Park.
00:22:55380 Park?
00:22:56Yeah, that little building in the corner.
00:22:58Oh, yes, I know that building.
00:23:00Shall I call it?
00:23:01No, no, no, no, no, no, no, no, no, no.
00:23:04I'll find my way.
00:23:05Oh, well, I wonder.
00:23:06You wonder why?
00:23:07Would you care to know my name?
00:23:08Well, whatever it is, it wouldn't do you justice.
00:23:10Vivian Benton.
00:23:11Vivian Benton.
00:23:12Vivian Benton.
00:23:13Not Vivian Benton.
00:23:14Yes.
00:23:15Not the...
00:23:16Yes.
00:23:17Not the...
00:23:18Yes.
00:23:19The aviation.
00:23:20Yes.
00:23:21Well, you know.
00:23:22Well, that's just one of my sidelines.
00:23:24Have you ever been up?
00:23:25Never.
00:23:26Ha, until now.
00:23:27It'll do you good.
00:23:28Tonight?
00:23:29Tonight.
00:23:30Tonight.
00:23:31Well, you know.
00:23:32Well, that's just one of my sidelines.
00:23:36Have you ever been up?
00:23:37Never.
00:23:38Ha, until now.
00:23:40It'll do you good.
00:23:42Tonight?
00:23:43Tonight.
00:23:44Larry, Paris is waiting.
00:23:47Well, it's not a nice of you, Mr. Dade.
00:23:49Not at all.
00:23:50I certainly appreciate you giving me all this time.
00:23:52No, miss.
00:23:53Good-bye.
00:23:54Oh, did you see those eyes?
00:23:58Watch your step.
00:23:59I'd rather watch hers.
00:24:00Yes, sir.
00:24:01You'd better watch your business.
00:24:02Oh, I'd rather watch hers.
00:24:07Gee whiz, I'm nervous.
00:24:08What time?
00:24:09Is everything all right?
00:24:10It's just 8 o'clock, sir.
00:24:11Everything is quite all right, except one electric light globe.
00:24:13The electrician is on his way up now, sir.
00:24:15He'll be here at any moment.
00:24:16Oh, my.
00:24:17How well you look, sir.
00:24:19Oh, it's all right, then.
00:24:20An aspirable personality.
00:24:21So tanned.
00:24:22So virilely.
00:24:23And just a touch of the debonair, sir.
00:24:24Yes.
00:24:25And now, sir.
00:24:28What's that?
00:24:29Emboisez-moi.
00:24:30What?
00:24:31Emboisez-moi.
00:24:32What?
00:24:33Kiss me.
00:24:34Roger.
00:24:35The name of the perfume, sir.
00:24:37I don't want to hear that.
00:24:38Oh, you can never face me.
00:24:39I know, now.
00:24:43What happens after dinner?
00:24:44Moonlight and love, sir.
00:24:45If you'll step that way.
00:24:46One of the advantages of a penthouse, if I may say so.
00:24:47She said something about bringing her parachute.
00:24:48Parachute?
00:24:49She's an aviator.
00:24:50Oh, my word.
00:24:51But still, in every sense a woman, we hope.
00:24:52Of course.
00:24:53What do you mean?
00:24:54Well, you see, our tactics...
00:24:55Well, sir.
00:24:56I have taken the advantage of arranging the scene for a little moonlight work.
00:25:01You have led the...
00:25:02My dear, sir.
00:25:03How's that?
00:25:04How's that?
00:25:05Well, it's a trifle collegiate, but you have the idea.
00:25:06Ha, ha, ha, ha.
00:25:07Ha.
00:25:08You fool.
00:25:09Now, sir.
00:25:10While on this seat, there is a very fascinating...
00:25:11The grand you...
00:25:12Of course.
00:25:13Of course.
00:25:14What do you mean?
00:25:15Well, you see, our tactics...
00:25:16Well, sir.
00:25:17I have taken the advantage of arranging the scene for a little moonlight work.
00:25:18You have led the...
00:25:19My dear, sir.
00:25:20How's that?
00:25:21Well, a trifle collegiate, but you have the idea.
00:25:24Ha, ha, ha, ha.
00:25:26Ha, ha, ha.
00:25:27You fool!
00:25:28Now, sir, while on this seat, there is the very fascinating...
00:25:29The grand duke, a peak of effectiveness.
00:25:32Would you mind sitting this way, sir?
00:25:35I'll try anything you want.
00:25:36Once was usually enough, sir.
00:25:38While in this position, there is a wonderful line to be said, sir.
00:25:41A line which never comes from...
00:25:43I'll try anything you want.
00:25:44Once was usually enough, sir.
00:25:47While in this position, there is a wonderful line to be said, sir.
00:25:49A line which never comes from...
00:25:50I'll try anything you want.
00:25:51A wonderful line to be said, sir, a line which never fails.
00:25:55Oh.
00:25:59From the moment that we met, I knew this had to happen.
00:26:11Now on.
00:26:12Now on.
00:26:13Of course, your own conscience.
00:26:15Very good.
00:26:16She's late.
00:26:21What time is it?
00:26:22You hear that?
00:26:23There she is now, sir.
00:26:24Oh, listen, listen.
00:26:25You hear that?
00:26:26Impatient.
00:26:27That's a very good omen, sir.
00:26:28Don't forget the bow, sir.
00:26:29The bow?
00:26:30That's it.
00:26:31She won't see me as she comes in, sir.
00:26:32Oh, what a picture will present itself.
00:26:33The room, the soft lights, and you.
00:26:35Hurry up, hurry up.
00:26:36Yes, yes, yes.
00:26:46I've waited all my life for this moment.
00:27:02What's the...
00:27:03Roger!
00:27:04Roger!
00:27:05Yes, sir?
00:27:06Look at this.
00:27:07Oh, my word!
00:27:10Oh, it's the electrical person, sir.
00:27:13Come with me, my man.
00:27:14I'll show you what's what.
00:27:15Why ain't you a man?
00:27:16I know what's what.
00:27:17Yes.
00:27:26Hello.
00:27:27Hello.
00:27:28Hold the line, sir.
00:27:37Hold the line a minute, sir.
00:27:38I wouldn't have.
00:27:39I wouldn't have.
00:27:40I wouldn't have.
00:27:41I wouldn't have.
00:27:42I wouldn't have.
00:27:43I wouldn't have.
00:27:44I wouldn't have.
00:27:45I wouldn't have.
00:27:46I wouldn't have.
00:27:47I wouldn't have.
00:27:48Have you ever flown one, Captain?
00:27:49Hello?
00:27:50Hello.
00:27:51Oh, bye.
00:27:52I've got Larry Day on the wire.
00:27:53Do you want to take him in the cabin?
00:27:54Oh, yes.
00:27:55Good.
00:27:56Oh, yes.
00:27:57Good.
00:27:58I think the way your division has helped us,
00:27:59it's simply marvelous.
00:28:00Hello, Jimmy.
00:28:01No, no, I can't.
00:28:02I'm expecting someone any minute.
00:28:03They have business.
00:28:05What?
00:28:08Seeing what off?
00:28:11Who?
00:28:13Seeing who off?
00:28:14Hold the wire a minute, Larry, will you?
00:28:19Oh, someone wants to speak with you.
00:28:21Yes, the business associates.
00:28:24But there must be the time and the place.
00:28:27I can't understand.
00:28:28Will you speak louder?
00:28:32Goodbye, busy boy.
00:28:34We sail in 10 minutes.
00:28:35Buggy ride.
00:28:37Oh, don't.
00:28:38I hope I didn't get you out of bed.
00:28:40Is this a joke?
00:28:41Well, say, quit your kidding, will you?
00:28:43You'll be sore to the bell.
00:28:45What do you mean I can't stand you up this way?
00:28:49Well, what are you going to do about it?
00:28:53I'll show you what I'm going to do about it.
00:28:57Roger!
00:28:58Roger!
00:28:59Roger!
00:29:00I'll show her what I'm going to do.
00:29:01Roger!
00:29:02Roger!
00:29:05I'll show her what I'm going to do.
00:29:06I'll show her what I'm going to do.
00:29:08I'll show her what I'm going to do.
00:29:09I'll show you what I'm going to do.
00:29:10B14.
00:29:34B14.
00:29:36La famille Benton Ć©tait lĆ 50 fois aujourd'hui.
00:29:38Je sais, j'ai les poules lĆ , hein?
00:29:40Bois.
00:29:44La cabine impƩriale.
00:29:45Qui est lĆ -dedans? Je ne sais pas quelle est-elle occupĆ©e.
00:29:48Vous ne savez pas?
00:29:49Non.
00:29:50Un millionnaire amƩricain.
00:29:52Oh, un millionnaire amƩricain?
00:29:54Oui.
00:29:56Ah, c'est le pire.
00:29:58Ho, ho, ho!
00:30:08Je ne sais pas.
00:30:11Messieurs?
00:30:12Non.
00:30:13Il faut la chasse.
00:30:14Non.
00:30:15Je ne sais pas.
00:30:16Non.
00:30:17Non.
00:30:18Non.
00:30:19Non.
00:30:20Non.
00:30:21Non.
00:30:22Non.
00:30:23Non.
00:30:24Non.
00:30:26Non.
00:30:27Non.
00:30:28I don't care what your name is can you fix the life only like ha ha for a beautiful lady I can fix
00:30:52anything the fuse blew out come on exploded I am NOT surprised but I'm this
00:31:01hope for bed anything is liable to explode what are you talking about what
00:31:07have I thought about from the moment that I saw madame pretty little ankles
00:31:12tripping on the gangplank so what kind of a steward are you I'm the kind of a
00:31:19steward madame that makes this line so popular with the ladies well you're
00:31:25fresh enough haha I watched madame she came aboard I noticed the invitation in
00:31:31her eyes and I said to myself I've waited all my life for this moment you didn't
00:31:39bother about that light you get out of here we madame
00:31:44what a delicious that you it is that you call by any chance and by team one what's
00:31:58that kiss me what kiss me you're rather drunken on that now you get out of here
00:32:05I'm gonna call the captains you me why didn't you come to dinner
00:32:18Yeah you have been drinking why didn't you come to dinner I suppose is natural a steward's
00:32:23last night on shore that he should get drunk you laughed at me why did you laugh at me I suppose you
00:32:30have lots of children and perhaps a wife and the loss of your position would mean a great deal
00:32:35oh if you only hadn't laughed at me do it those dirty glasses take them off and uh oh my shoes
00:32:44i like a high polish on my shoes are you all right five oh yes who are you talking to only a steward
00:32:52daddy these shoes are the shoes of madame yes i am surprised that madame has such big feet
00:33:02you get out of here you pay for that
00:33:22oh
00:33:37take a cable find the cable too please to larry dave team ship lamary our route southampton
00:33:45you got that yes have you gone crazy that's the cable
00:33:51have you gone crazy men you mentioned cannot cover your account cover your account
00:34:01the panic is on it's getting worse they'll surely sell you out situation is
00:34:20that's what i would call a perfect landing see you in church
00:34:30well what's on your mind now same thing well what are we going to do about it have lunch with me
00:34:49well what are you going to do with me i'm going to push you overboard eventually
00:35:09well you better start pushing i'm getting desperate
00:35:12we land at dawn that's right last night on board get down great doing great doing i hope
00:35:23well i hope so i hope so too do you
00:35:32stop that
00:35:34of course i hope so
00:35:38bye
00:35:42bye
00:35:43oh
00:35:44how about having a cocktail in my room tonight before dinner
00:35:49now that's something to think about last night so it is do come will you
00:35:55do you
00:35:57yes really
00:36:02and alone
00:36:04oh i missed to death oh be serious you will come won't you yes
00:36:10good
00:36:15and alone yes great
00:36:23oh
00:36:26my old my sweet my darling
00:36:33uh-oh
00:36:34say you'd better watch your controls darling
00:36:37you're going into a tailspin oh don't be silly
00:36:41you mean he hasn't any effect on you at all
00:36:45i don't know
00:36:46you'd better hurry up darling england in the morning
00:36:49i know
00:36:52i'm going to his room for cocktails tonight
00:36:55but he doesn't drink
00:36:57i know
00:36:58i think all set for tonight
00:37:08yes sir
00:37:09how is an embracin wall all around yes sir
00:37:11kiss me all around sir that's fine
00:37:14i'll talk to myself
00:37:23i'm very sorry sir but this wall street panic seems to be very serious
00:37:27you won't be able to do to mr carrington until midnight now midnight's all right
00:37:30yes will you have the cocktails already oh yes sir
00:37:33really cannot cover your account panic is on getting worse they will surely sell you off
00:37:37what is this this is a little impetus that i used to concoct for the dear dead duke sir
00:37:49known as angel's breath angels what angel's breath oh i thought you said death death oh no sir on the
00:37:55contrary sir life
00:37:57vivian
00:37:59ever since i came aboard this ship i know you've been laughing at me
00:38:03you came in
00:38:05and a funny thing every time i get that far i seem to stop dead and i don't seem to be able to go any
00:38:10further yes i've noticed that i think so the trouble is too many words there's too much argument
00:38:14too many too much pleading too many conventions that sir if i may say is the object of this cocktail
00:38:19the limits imposed by civilization are seemingly removed under the influence of this sir
00:38:24collars cuffs pretty speeches they vanished poof and in their place an animal a caveman
00:38:32well if i may say so sir the caveman is a piker compared to the primitive beasts wandering through
00:38:37the forests in search of their mates yes can you picture the lion sir wambling through the forest
00:38:44in search of the lioness what does he say i don't know well does he say vivian you've been laughing
00:38:53i think no well what does he say he doesn't say sir he goes
00:39:03and then you see what i mean to
00:39:11monkey business uh monkeys too yes sir
00:39:13you've never tried this oh no sir i prefer to remain a domestic animal you want to try it on me
00:39:20first well i've seen it work sir and there's no waiting
00:39:25what's that this is the essence of paga raga
00:39:28paga raga yes sir paga raga is a very powerful drug sir very powerful herb found on the northern
00:39:33coast of africa very rough place there very oh why don't you try one oh the effect of this is
00:39:40instantaneous i i wouldn't care to try it no sir try a little one oh no no sir thank you oh go on
00:39:45no no no really no no no no now mr day we want you to drink to my success oh no i
00:39:52you can't refuse to drink to my success roger well to your success but nothing else no
00:40:00go ahead
00:40:10how does it taste what i said how does it taste if you want to know why don't you try one yourself
00:40:26and another thing you're going to manage this woman situation yourself there's a polish woman in the
00:40:31second cabin a blonde i may be two hours i can't tell who knows
00:40:36you're going to be two hours i'm going to be two hours i'm going to be two hours
00:40:40yes if you do and you'll attend to it yourself
00:40:43yes
00:40:54vivian ever since i've been on this boat
00:40:57yes
00:41:08charlie
00:41:09yes
00:41:11sorry sorry
00:41:14oh nice little thing you had
00:41:16there
00:41:20well what can i do for you jay i don't know whether you happen to be aware that i'm the
00:41:31fire to miss benton what we're engaged to be married who you why miss benton
00:41:42no oh yes oh you're kidding on the contrary however in view of the fact that you were in
00:41:51ignorance of this i'm prepared to overlook what the might have been consummate in pertinence on
00:41:55your part in asking her here alone for a cocktail you mean that she's not coming of course she's not
00:42:01coming i've forbidden her sorry to be the bearer of such old tidings but there you are so you're not
00:42:09coming it was all a joke what did you say day huh oh have a drink a drink i do yes rather you better
00:42:24thanks so much hello cocktail dear well cheerio happiness prosperity love one another for me
00:42:39so she's not coming what
00:42:51i said she's not coming i told you she wasn't coming
00:42:57and look here day i'm slow to anger but once roused i'm something to cope with
00:43:03and i am quite prepared to defend my rats with a sock on the nose a punch on the jaw
00:43:17the first drink of my life to the first love of my life
00:43:47the first love of my life
00:44:01To your ladyship, long life, and happiness.
00:44:09Oh, you wouldn't be happy with him.
00:44:15No matter what happens, I'll always drink to you.
00:44:17I'll drink, and drink, and drink.
00:44:19And I'll drink.
00:44:21And I'll drink.
00:44:23And I'll drink.
00:44:24And I'll drink.
00:44:25And I'll drink.
00:44:26And I'll drink.
00:44:27And I'll drink.
00:44:28And I'll drink.
00:44:29And drink.
00:44:30And drink.
00:44:31And drink.
00:44:32And drink.
00:44:33And drink.
00:44:34Till the world goes round.
00:44:43Wow!
00:44:44Ha ha!
00:44:45Whee!
00:44:46Woo!
00:44:47Woo!
00:44:48Woo!
00:44:49Woo!
00:44:50Woo!
00:44:51Woo!
00:44:52Woo!
00:44:53Woo!
00:44:54Woo!
00:44:55Woo!
00:44:56Woo!
00:44:57Woo!
00:44:58Woo!
00:44:59Woo!
00:45:00Woo!
00:45:01Woo!
00:45:02Woo!
00:45:03Woo!
00:45:04Woo!
00:45:05Woo!
00:45:06Woo!
00:45:07Woo!
00:45:08Woo!
00:45:09Woo!
00:45:10Woo!
00:45:11Woo!
00:45:12Woo!
00:45:13Woo!
00:45:14Woo!
00:45:15Woo!
00:45:16Woo!
00:45:17Woo!
00:45:18Woo!
00:45:19Woo!
00:45:20Woo!
00:45:21Woo!
00:45:22Woo!
00:45:23Woo!
00:45:24Woo!
00:45:25Woo!
00:45:26I've posited it's stopped now.
00:45:28Oh, my goodness, sir.
00:45:31Right there, I'm glad you came.
00:45:33Is Mr. Day here?
00:45:35Is he here?
00:45:36Eight, four, three.
00:45:38Look out, look out.
00:45:44Open formation.
00:45:45Here we go!
00:46:03Haga raga.
00:46:04Twenty-four, twenty-three, six, six.
00:46:14That's a country.
00:46:15How did He lose?
00:46:21Stop it.
00:46:24Yay.
00:46:29Down to the left, wait and see him.
00:46:39Viens.
00:46:40He's coming.
00:46:42Are you hurt, sir?
00:46:46No.
00:46:47A doctor, perhaps?
00:46:48No.
00:46:49Well, sir, I'll draw you a cold bath.
00:46:50You'll be all right in just a moment, sir.
00:46:51The effect goes just as quickly as it comes.
00:46:53Sir, thank you.
00:46:54No, sir.
00:46:55I'll be down.
00:47:00Sorry, I'm late.
00:47:02May I come in?
00:47:03Miss Benton, sir.
00:47:04No, she's not coming.
00:47:06Hello.
00:47:08Hello there.
00:47:10Hello there.
00:47:17Ah.
00:47:26I...
00:47:33Congratulations.
00:47:36I wish you every happiness in the world.
00:47:52And a very great general went...
00:47:55Poof.
00:47:57Excuse me.
00:51:05So you can lay your dough down when they go low down.
00:51:09There's no, low down, lower than that.
00:51:13Whenever, oh, I ask you for me to go down.
00:51:18There is no low down, lower than that.
00:51:22Whenever the, well, low down and become low down,
00:51:27there's no low down, lower than that.
00:51:31You may believe it or not, when they start
00:51:34getting hot, there is no hot and hot, that's hotter than that.
00:51:39So you can lay your dough down when they go low down.
00:51:44There is no, low down, lower than that.
00:52:04There is no, low down, lower than that.
00:52:09So you can lay your dough down.
00:52:10Oh, wow, I think, oh.
00:52:13No, I'm still there.
00:52:15Whenever those old lions do that mean blow down, there ain't no blow down over them there.
00:52:30Whenever those wells blow down, every club blow down, there ain't no blow down over them there.
00:52:38What a country!
00:52:39Think about it, think about it. Where is the fence?
00:52:44Well, she's there, doing her stuff.
00:52:46Would you care for something for today?
00:52:48What?
00:52:49Would you care for something for today?
00:52:50Very, very, very, very much.
00:53:09Well, I'm awfully sorry. I haven't been on debt. I've been looking for somebody.
00:53:25I've been looking for somebody.
00:53:35Ah, the general. The last time I saw you, you were going boom.
00:53:40Yes, I still am.
00:53:42Hey, what did you put in those cocktails?
00:53:44Yes.
00:53:46I said, what did you put in them?
00:53:47Yes.
00:53:50Well, how are you now?
00:53:51No.
00:53:54How do I look?
00:53:55Ah, yes.
00:53:57Oh, how do you really?
00:54:02Better every minute.
00:54:04Really?
00:54:06I hear you've been singing. Come and sing again.
00:54:09Oh, no, no, no.
00:54:10Oh, do, please.
00:54:11Oh, Horace.
00:54:12Yes.
00:54:13Oh, I see.
00:54:34Good night, my child.
00:54:35Nighty night.
00:54:36Good night.
00:54:37Good night.
00:54:38Good night.
00:54:39Good night.
00:55:01You are baking for you.
00:55:03Bye.
00:55:05You are baked for wine.
00:55:06Oh
00:55:15What a mob
00:55:18Don't you love getting away from the crowd? Hmm?
00:55:21Oh
00:55:34We land in four hours, and I may never see you again. I'm going back to New York
00:55:42I suppose I shouldn't say to this to you after what I heard this afternoon
00:55:45There was a reason why I left New York at a moment's notice there was a reason why I haven't taken my eyes off you
00:55:54There was a reason why I gave up everything I thought was best in the world
00:56:00That reason
00:56:02Is that I found myself for the first time in my life
00:56:06In love
00:56:09Madly desperately in love
00:56:15I suppose I shouldn't say this
00:56:17You must forgive me
00:56:21But I had to tell you
00:56:23Oh, Larry, you're sweet
00:56:25I like you awfully
00:56:27Do you?
00:56:30Well, let me tell you something
00:56:32Never since I was a kid of ten and knelt to my mother have I felt like meaning to anyone
00:56:51But you are my idol
00:56:53And I worship you
00:56:56There'll never be anyone else but you
00:56:59Ever
00:57:00Are you laughing at me?
00:57:01No
00:57:02You are, you're laughing at me
00:57:03I'm not
00:57:04Don't lie
00:57:05I'm not
00:57:06Don't lie
00:57:07I'm not lying
00:57:08You are lying, you're laughing at me
00:57:09That's a low-rotten death that could
00:57:24Quick!
00:57:25No.
00:57:27You are. You're laughing at me.
00:57:28I'm not.
00:57:30Oh, don't lie.
00:57:32I'm not lying.
00:57:33You are lying.
00:57:34You're laughing at me.
00:57:35That's a low, rotten, despicable trick.
00:57:38Oh.
00:57:40How dare you.
00:57:41Oh, you're laughing at me.
00:57:42Yes, I'm laughing at you.
00:57:44You fool.
00:57:46Oh, there you are, Vivian.
00:57:47Yes, here I am.
00:57:48I've been looking for you all over the boat.
00:57:50Hunting everywhere.
00:57:51In the corridors, in the card room, and everywhere.
00:57:53I've known you were going to bring an audience.
00:58:03I would have put on a better show.
00:58:06Good night.
00:58:07That fellow's gone potty.
00:58:08What's he talking about?
00:58:11Oh, I'm sorry, Vi.
00:58:12The canvas broke.
00:58:13Get out of here.
00:58:14Get out of here, all of you.
00:58:15Come on, Vi.
00:58:16Let's stop.
00:58:17Oh, go away.
00:58:18No, but Vi, please.
00:58:19Come on.
00:58:20Leave me alone, will you?
00:58:21Oh, all right.
00:58:23I've been looking all over for you, Mr. Day.
00:58:38What is it?
00:58:39New York is on the telephone.
00:58:40Where?
00:58:41It's in the Marconi room.
00:58:42Where's the Marconi room?
00:58:43By, uh, this way, sir.
00:58:46Mr. Day is here.
00:58:47Mr. Day.
00:58:48Where's that telephone?
00:58:49Right there, sir.
00:58:50I'm sorry, Larry, but I'm broke, too.
00:58:51Dillon.
00:58:52Broke, too.
00:58:53Where's that telephone?
00:58:54Right here, sir.
00:58:55All right.
00:58:56All right, that's on.
00:58:58That's on.
00:59:00What's on?
00:59:01I'm sorry, Larry, but I'm broke, too.
00:59:03Dillon.
00:59:04Broke, too.
00:59:06Where's that telephone?
00:59:07Two.
00:59:11Where's that telephone?
00:59:12Right here, sir.
00:59:24All right.
00:59:24That's long.
00:59:26Hello.
00:59:27Hey, hello, Carrington.
00:59:30Well, what's it all about?
00:59:33Oh, stop crying.
00:59:34Go on, tell me.
00:59:38Now, you saw Gracken and Sutherland?
00:59:44They wouldn't carry me.
00:59:48Yes, I just had a cable from Dillon.
00:59:50He said he's broke.
00:59:55Well, I'm in good company.
00:59:58What about those other securities in my vault, my insurance?
01:00:03Oh, yeah, I remember, I remember.
01:00:05And my power of attorney.
01:00:07Right.
01:00:07Well, that means I'm wiped out, and you don't mean maybe.
01:00:16Who?
01:00:18Grosvenor?
01:00:20Shot himself.
01:00:23Oh, that's too bad.
01:00:25No, I haven't seen a paper.
01:00:28No, I haven't read anything.
01:00:31Hmm.
01:00:31What is steel clothes in?
01:00:35Oh, ho, ho, ho.
01:00:36Ha.
01:00:37Well, we still have the office furniture.
01:00:42I'll call you tomorrow from Southampton.
01:00:47Oh, I'm all right.
01:00:48Fine.
01:00:51Yeah, stick to the ship.
01:00:52Oh, yeah.
01:00:54Oh, my God.
01:01:03OK.
01:01:04Oh, Israel.
01:01:09Oh, yeah.
01:01:10Oh, yeah.
01:01:10Oh, yeah.
01:01:11Oh, man.
01:01:13Oh, my God.
01:01:14Oh, yeah.
01:02:48Oh, hi.
01:02:50Boris is looking for you.
01:02:52I want you to wave to Lady Paddington Chelmsford and her daughter.
01:02:55Oh, there you are, sir.
01:02:56I've been looking everywhere for you.
01:02:58You have the major and phillips and thorns, and they're waiting to wave you.
01:03:01You can wave to them.
01:03:02You can wave to them.
01:03:08There you are.
01:03:09You're just here.
01:03:10Hello.
01:03:11Hello.
01:03:12Hello.
01:03:13Hello.
01:03:14There they are.
01:03:16There they are.
01:03:17Look, there they are.
01:03:18There she is.
01:03:19There she is.
01:03:20There she is.
01:03:21Wave, wave.
01:03:22There they are.
01:03:23I say, wave back.
01:03:24Wave back.
01:03:25That's right.
01:03:26That's right.
01:03:27I say, how old Foggy and Noggle.
01:03:29Where are they?
01:03:30I say, look by my dog.
01:03:32Foggy and Noggle.
01:03:34I say, they can smell me even from here.
01:03:38Bless their little heart.
01:03:40Lie down.
01:03:41He's dead, dead!
01:03:42There he is!
01:03:43D-dead!
01:03:44That's right!
01:03:45Look, he's gone, dead!
01:03:46D-dead!
01:03:47D-dead!
01:03:48D-dead!
01:03:49D-dead!
01:03:50D-dead!
01:03:51D-dead!
01:03:52D-dead!
01:03:53D-dead!
01:03:54D-dead!
01:03:55D-dead!
01:03:56D-dead!
01:03:57D-dead!
01:03:58D-dead!
01:04:03D-dead!
01:04:04D-dead!
01:04:05D-dead!
01:04:06How old Foggy!
01:04:07Oh, good morning Miss Bennett!
01:04:08All over the boat bar!
01:04:09Why, he's on deck A.
01:04:10Yes, the boat. Thank you Roger. I I just wanted to say goodbye. Yes.
01:04:31Hello. Oh. Hello.
01:04:35Not landing. No.
01:04:38I've been looking for you. Have you?
01:04:40Just wanted to say goodbye.
01:04:43Goodbye. It's been great fun.
01:04:46Beautiful fun. Beautiful fun.
01:04:48I wanted you to know that I didn't know those kids were there.
01:04:52What kids? Where?
01:04:54In the boat.
01:04:55Oh. I'm sure you did.
01:04:58You were very unkind.
01:05:00Was I? Well, I'm sorry.
01:05:02And I want you to know that you hurt my wrist. Look.
01:05:07I'm so sorry.
01:05:08I'm sorry.
01:05:10Huh.
01:05:11Still cross?
01:05:12Cross? Why not cross?
01:05:15Well, then you know that I wasn't laughing at you.
01:05:18Oh, I'm sure you were.
01:05:19Don't you think that there's something rather sad about the end of the sea voyage?
01:05:26Yes, there is.
01:05:28Yes, there is.
01:05:31You know, this whole business has been sort of a hysterical thing. I came aboard the boat and sort of reaching for the moon and...
01:05:39Well, I'm sorry about everything.
01:05:41Oh, don't be.
01:05:42Oh, don't be. It's...
01:05:44It's been...
01:05:45It's been...
01:05:46Beautiful fun.
01:05:47Beautiful fun.
01:05:48Well...
01:05:51Good-bye.
01:05:52Good-bye.
01:05:53Good-bye.
01:05:54Good-bye.
01:05:55Good-bye.
01:06:06Under the stairs. To your left. Thank you.
01:06:08I would like everything left in the cabin until you hear definitely from me. I'll wait. Thank you. Yes, sir.
01:06:12Good-bye, Roger.
01:06:14Good-bye, Roger.
01:06:15You saw him?
01:06:16Yes.
01:06:17He told you?
01:06:18Yes.
01:06:19What do you mean? Told me what?
01:06:21Well, you see, Miss Benton.
01:06:24So... that's why he...
01:06:37Oh, I see.
01:06:39I'm going to him, Roger.
01:06:41Yes.
01:06:42I'm going to him, Roger.
01:06:43Yes, Miss Benton.
01:06:44I'm going to him, Roger.
01:06:45Yes, Miss Benton.
01:07:04I want to tell you something.
01:07:07I just saw Roger.
01:07:10Last night you... you said that you'd never knelt to anyone but... your mother.
01:07:17And I believed you.
01:07:19And I want you to believe me when I say that... I've never been happy until...
01:07:26Well, I'm going to tell you something that... well, I would have sworn I never would have told any man.
01:07:39I love you, Larry.
01:07:43You do?
01:07:45Oh, yes, but it... it's out of... it's out of the question.
01:07:52I'm broke.
01:07:55Why, you... well, of course, you're... you're you.
01:08:00Me?
01:08:02You're worth millions.
01:08:04Oh, that doesn't make any difference.
01:08:07Hmm?
01:08:08Oh, what kind of a man do you think I'd be?
01:08:11You're Larry Day.
01:08:13That's the kind of a man you are.
01:08:15Why, you couldn't be broke.
01:08:18I've known big men all my life.
01:08:21You can make 50 fortunes back.
01:08:24Why, you'd think I'd love you the way I do if... if you weren't you.
01:08:28What?
01:08:29What?
01:08:30You broke what?
01:08:31Wait a minute.
01:08:35What?
01:08:36I've just discovered something.
01:08:39Something I never realized.
01:08:44I know what woman means.
01:08:49She's not just the sort of a thing that you pursue and love and hold.
01:08:53She's something that leans over and whispers in your ear...
01:09:00What you are.
01:09:03What you can do.
01:09:07And what you're going to do.
01:09:11Say, listen, let me tell you something.
01:09:14Sir, I'm sure it'll be a charming wedding whenever it happens.
01:09:17My dear, the boat sails in about an hour and I can't find Larry anywhere.
01:09:20Oh, he'll be here.
01:09:21Bye-bye.
01:09:22You know, I think I'm going to change these duds.
01:09:24We'll have to get married on the ship if I can find him.
01:09:26Why, then, my services won't be required.
01:09:28Oh, we'll stick around.
01:09:29We'll have a lot of fun anyway.
01:09:31Right, right.
01:09:32Now, coming up.
01:09:36I found him, by, in conference down at the bank.
01:09:38And what he told them was nobody's business.
01:09:40He said he left a message with his secretary that he would be married at the town hall.
01:09:43He said the mayor was going to do it for him.
01:09:45I told him I wanted a wedding.
01:09:48Well, you win, by.
01:09:49He's on his way up here now.
01:09:50He's changing his clothes right in the car.
01:09:51Hello, everybody.
01:09:52Hey.
01:09:53I'm off me.
01:09:54Sorry.
01:09:55I'm off.
01:09:56Oh, I came to the office.
01:09:57Hello, my dear.
01:09:58Did you get my message?
01:09:59Oh, this is dreadful.
01:10:00How do you do, sir?
01:10:01What I didn't tell those brothers at the bank isn't worth telling.
01:10:04Did you ever see such a market?
01:10:05Watch copper open in the morning.
01:10:07I'm shooting the worst.
01:10:08Sorry.
01:10:09What are you doing?
01:10:10I want you to meet the Reverend Steele, Mr. Banks.
01:10:12Oh, how do you do, Mr. Steele?
01:10:13How are you?
01:10:14Steele?
01:10:16You've been going up right along, huh?
01:10:17That's funny.
01:10:18No, no.
01:10:19That's rude.
01:10:20I'm off right now.
01:10:21That's too bad.
01:10:22What do you do?
01:10:23Here.
01:10:24Oh, that's wrong.
01:10:25Yeah, that's wrong.
01:10:26Excuse me.
01:10:27Oh, now you're laughing at me.
01:10:29I always will.
01:10:30What do we do now, Vi?
01:10:31Search yourself.
01:10:32I don't care.
01:10:33Come right, come right along, Mr. Steele.
01:10:34Seven and a half.
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