Igra sudbine Epizoda 1421,Igra sudbine 1421,Igra sudbine 1422,Igra sudbine Epizoda 1421, Igra sudbine Epizoda 1422,Epizoda 1421 Igra sudbine ,Epizoda 1422 Igra sudbine
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00:00I'm not in the right.
00:13Believe me, you're not in the right.
00:15What do you mean I'm not in the right?
00:17How am I not in the right?
00:19I am, Ivana!
00:20You know very well that I'm always in the right.
00:23There's something that's not right.
00:26Something is not fulfilling you.
00:28Look, Ivana, who cares?
00:33Who cares?
00:34We're not some trendsetter,
00:36these magazines in the circle of two
00:38that have a hundred copies a week.
00:41Who wants to read that?
00:42Who cares?
00:44Look, I'll tell you right away,
00:45you have no idea.
00:46And that topic is much wider than the circle of two,
00:48as you say.
00:51Look, we're doing an action with VTK.
00:57You don't know that.
00:58It's not a trendsetter.
01:00It's a high-tech criminal, right?
01:04In relation to all these murders,
01:06robberies, rapes,
01:07this comes to you as a relaxation.
01:10Life is not fair, my soul.
01:12Look, we have what we need,
01:14so I want him to work for me
01:15within an hour.
01:17Is that clear?
01:18Wait a minute, it doesn't matter.
01:20I beg your pardon?
01:21What happened here?
01:22The kids broke the printer.
01:25What?
01:26Why so much noise?
01:27That's what I'm asking myself.
01:30We don't need a printer.
01:31I already said that.
01:32So, look, they just arrived
01:35and now they are ready to leave.
01:37It was a great lesson for me.
01:39You know, let it stay behind me.
01:41Yes.
01:42Now you want something serious, right?
01:45Yes, now I want...
01:48I'm doing serious journalism.
01:52You should pay attention
01:53to who organizes that campaign.
01:56I think you should find out
01:59why someone is after Andrija Bošnjak.
02:03I hope we'll meet again
02:04if we don't drink beer.
02:06I have nothing against it.
02:10Cheers.
02:11Cheers.
02:16What's wrong with you?
02:19Look, you are a great host.
02:25I really like your girlfriend.
02:30I really like her.
02:33So, you are holding everything in your hands?
02:38Absolutely.
02:40Yes?
02:42That's good.
02:44I really wanted to ask you
02:46something about Tim.
02:49What?
02:52Hi, Panchi.
02:54Hi.
02:57I wanted to tell you
02:59that you don't have to protect me, you know?
03:06Now?
03:07What did you want to ask me?
03:10What is your relationship with Sarah Berger like?
03:40Life is not fair
03:44Sometimes it's good, but often it's bad
03:48And everything is unknown
03:51Except for fate
03:58Like in love and in war
04:03There are no rules at all
04:07You have one life, only one chance
04:11To become a hero
04:14Because the star gives everything
04:20The game of fate is like a wheel of fortune
04:25Someone wants it, someone doesn't
04:29Like on a plane, everything turns around
04:34I miss what I would take
04:39So you should be happy
05:04Why are you asking me that?
05:19First, tell me.
05:22Sarah works for our magazine,
05:24she responds to letters from readers,
05:27I don't know, she has her own column,
05:29she writes texts, something about psychology
05:34And how do you like it?
05:37Well, people read it, they come, I don't know
05:44What is the communication like between you?
05:48Why are you asking me that?
05:50First, answer me.
05:52Is everything okay between you?
05:54It's okay, I don't know, I really don't have anything to regret
06:01You don't have anything to regret, right?
06:05Andrija, what's going on?
06:09I got the information.
06:12Okay.
06:14Maybe it's a bit late,
06:17but I wouldn't completely reject it.
06:20The information is connected to what?
06:24To our current situation.
06:27You mean, to this clothing on social media?
06:29Yes, why not?
06:33Okay, and?
06:35What does Sarah Berger have to do with it?
06:38Okay, maybe it's a bit late.
06:41Late for what?
06:44That Sarah Berger is behind all of this.
07:00I didn't understand, what did you want to tell me?
07:06I was in the city.
07:07In the city?
07:08Yes.
07:12You don't have to protect me.
07:19Look, Ina,
07:21I think you've realized by now
07:24that I'm a sincere, open, beautiful,
07:29national woman.
07:31And those games with words,
07:34I don't like them, I don't know how to do them.
07:37You're free to say whatever you want.
07:40Just cut me off, throw me in the river.
07:44Don't get me wrong,
07:46but I noticed that you're acting a bit protective towards me.
07:52Yes, I'm not a child.
07:55I'm an adult girl.
07:58Aha.
07:59Yes.
08:00That's what every girl your age thinks.
08:04What does that mean to you?
08:06Well, it means that it's not the years that determine
08:11how much someone has grown,
08:15but wisdom.
08:18I know.
08:19You don't know.
08:21You don't know.
08:22I know.
08:23You don't know.
08:24That's why I'm telling you.
08:26Okay, in any case,
08:28I know that I'm taking care of myself
08:31and I'm able to take care of myself.
08:37Why are you looking at me like that?
08:45Jelimina, do you like that Vitomir?
09:02Goran, please.
09:04Gala, I'm dead serious.
09:07No, no, no, please don't start this story.
09:10We had a woman you wouldn't look at.
09:14Gala, this is honestly, Gala,
09:16you know, it hurts me in my heart.
09:19Now I'm here with Å anka,
09:20I've listed his crazy microcosm, you know,
09:22it's so expensive,
09:23I've read everything,
09:24just to preface it,
09:25I took that Katko edition.
09:26I mean, when I did that.
09:27Please.
09:28I really like you.
09:29Let go of that story with me,
09:30or you'll fall in love five times a day.
09:33Okay, okay, don't be like that,
09:34but this friend of yours is really cool.
09:37See, she's cool,
09:38that's what Natalija is,
09:39she's really cool.
09:40I'm telling you,
09:41but do you know who else is cool?
09:42Who else is cool?
09:43Me.
09:44Me, Gala.
09:45Yes.
09:47And please, you have to help me.
09:51What do you mean, I have to help you?
09:52What do you mean, you have to help me?
09:53You're the best friends,
09:54who's going to help you?
09:55We're not the best friends,
09:56because you only talk once,
09:57we only work together.
09:58Come on, Gala,
09:59you work together,
10:00you have to push me a little there, Gala.
10:02I'm pushing you?
10:03Why don't you do some marketing,
10:04so you can advertise me at her place?
10:06See, you've advertised yourself enough,
10:09excellent.
10:10I am, I am,
10:11but just a little more,
10:12so I can push it, you know?
10:13And what should I say?
10:15Just the truth.
10:18I'm really glad we went out for dinner.
10:21Me too.
10:22Is there a reason for this?
10:25There is.
10:26Well, okay, nice.
10:28And what's the reason for this dinner?
10:30Gala,
10:33I have to go to Montenegro.
10:38Uh-huh.
10:41Yes, I have to go,
10:43I have some urgent business obligations.
10:47Yes.
10:48Yes, I really have to go,
10:50I have a lot of obligations.
10:52With your business partners,
10:55with the station?
10:56Yes, yes,
10:57I have a lot of obligations,
10:58and I have to go right now.
11:00So, tomorrow,
11:01tomorrow morning I have a flight.
11:04There.
11:07Well, okay.
11:09I mean,
11:12it was nice,
11:13as long as it lasted, right?
11:16But it lasts even longer.
11:18We have the whole night.
11:22Gala,
11:24it was so nice with you.
11:26I've never been around a single woman.
11:30So, come on,
11:31let's have a magical evening.
11:46You don't have to tell the truth.
11:48Add a little, take a little.
11:50Actually, take more,
11:51add more.
11:52Yes, I have to say that I put,
11:54I put myself in the place of a family man,
11:56this is a woman.
11:57Listen, you don't have to try,
11:59what can I tell you?
12:00There is nothing to try,
12:01because the woman is already involved in a story.
12:06Really?
12:19Are you shocked?
12:21Absolutely.
12:23And I don't know where that came from.
12:25Okay, that's not important now.
12:28Do you believe that?
12:31I don't know.
12:32I don't know, I mean,
12:34but that's what I heard.
12:37I don't know why I would do that.
12:43Listen,
12:45as far as she is concerned,
12:48personally, I don't like her at all.
12:51I even think that she is not able to do something like that.
12:56And what do you think,
12:57that someone did not deliberately place that information
13:00to hurt Sara?
13:04It's possible.
13:07But I have to investigate.
13:10Otherwise,
13:11it all leads to
13:13questioning my business reputation,
13:16my life,
13:17our common life as well.
13:19Yes.
13:21But Sara...
13:26I don't hear anything.
13:28Listen,
13:30what do you think,
13:31that I'm talking to her,
13:32trying to get some information out of her?
13:34No, no, no.
13:36That's not good.
13:38What are we going to do?
13:39Leave that to me.
13:43Everything will be fine.
13:47I don't know.
13:48I don't know if it's going to be fine.
13:51Listen,
13:53I've been through a lot because of that.
13:56Yes, but are we going to get through this?
13:58That's not a question.
14:01No?
14:04Why not?
14:07You always know how to say the right thing.
14:19Because that's what a real woman says.
14:38No,
14:39I don't mean that, Panchi.
14:41I mean,
14:42in general.
14:45In general?
14:46In general?
14:47Well,
14:48in general,
14:49you have to learn so much about life.
14:53I know,
14:54but
14:55I've matured over the years.
14:57I don't deny that.
15:00And I feel like it's not the end of the sentence.
15:05Be careful.
15:08The life of a young woman
15:11can at some point
15:13turn into
15:15a wrong direction.
15:17Not to say
15:18a wrong way.
15:21It happens.
15:23What does that mean to you now?
15:25Well, I'm telling you about life.
15:28I'm telling you about experience.
15:31Just like you,
15:33in your years,
15:35I had plans,
15:37I had ideals.
15:41But then life
15:42suddenly turned
15:44in a different direction.
15:46It happens.
15:48Wait a minute.
15:50Are you unhappy now?
15:53No, no.
15:55On the contrary.
15:57It's important for a man to have
16:00a big heart,
16:02just like you do.
16:04To be good.
16:07But
16:09I know.
16:11But
16:13be careful.
16:15I'm not saying this for no reason.
16:17I understand.
16:19Thank you in advance.
16:20You're thanking me for no reason
16:21if you don't listen to what I'm saying.
16:24That's why I said
16:25you shouldn't act like a protector
16:26in front of me.
16:28Come on.
16:30Come on.
16:31Use your brain.
16:33So you don't end up like me,
16:35who has his feet in front of you.
16:36Come on.
16:37Wait.
16:38Okay.
16:40Damini.
16:42Be careful.
16:46Take off those glasses,
16:48so you can see your beautiful eyes.
16:50Come on.
16:51Close your eyes.
16:54Don't kiss me.
17:07Hey.
17:10Where have you been,
17:11Miki Buraziro?
17:13Miki Buraziro?
17:15Since when do I know
17:17Miki Buraziro?
17:19What's up?
17:20How are you?
17:22I'm good.
17:24I see you're good, too.
17:26I can't complain.
17:29I feel phenomenal tomorrow.
17:32Like I'm in love.
17:33Tamura,
17:34you're a great psychologist.
17:35You see everything,
17:36you fail everything,
17:37you know everything.
17:39Listen,
17:41it's not good for you.
17:43What's not good?
17:44That.
17:45That you're in love
17:46with the wrong woman
17:47who can come to your mind.
17:50Tamura, what are you talking about?
17:52I know what I'm talking about
17:53and why I'm talking about it.
17:55You need to be a little more careful.
17:58You know what I mean?
18:00Yes.
18:01You need to be a little more careful.
18:03About Sara?
18:04About Sara.
18:06Be in love with her as much as you want,
18:08but you need to open
18:10all four eyes, you know?
18:12Tamura, I didn't come here
18:14to hear you talk about Sara.
18:16Let's have a drink,
18:17if you can.
18:19I'm being friendly.
18:21Do whatever you want.
18:23Thank you for everything.
18:26Listen to me.
18:28We need to talk about something.
18:31Tell me.
18:34We need to be very careful.
18:39About what?
18:41Because of Andrija Pošljak.
18:44Why?
18:55Don't look at me like that.
18:58Who is he?
18:59I don't know.
19:01He has a girlfriend.
19:03He's in a relationship.
19:04He's not in a relationship,
19:05he doesn't have a girlfriend.
19:06That's what I wanted to hear.
19:08I knew it.
19:10I have a sensor for that.
19:12I don't doubt that you have a sensor,
19:14but I'm telling you,
19:16that woman is emotionally involved
19:18with someone else.
19:20It doesn't matter.
19:22I'm going to save her.
19:24I'm going to save her from myself.
19:26I'm sorry,
19:28but I don't know how much
19:29I've saved you.
19:31I've saved you more
19:32than those from Baywatch.
19:34My first love,
19:35Mel Anderson,
19:36and me,
19:37and then those guys.
19:39I don't know their names.
19:40Mitch Buchanan?
19:41Yes.
19:42He's a good man.
19:43You're worse than me.
19:44I've saved more than him.
19:45Gala,
19:46what do I need now?
19:47I just need a little help.
19:50I don't know what to tell you
19:52about that topic.
19:54A little help, please.
19:56Please, Gala.
19:57Is it possible?
19:59Is it possible for you
20:00to be so rude?
20:02As soon as you say meow,
20:04I'm going to melt.
20:06Okay,
20:08I'll see what I can do.
20:10Oh, my heart.
20:11No, no, no, don't move.
20:12I won't, I won't.
20:13Max, Max.
20:14Max, no, no.
20:16Here's a chair for you.
20:19Enjoy your wine.
20:22Is it okay?
20:24Yes.
20:27Okay.
20:29You know,
20:30a little...
20:33Goran.
20:34Goran.
20:35What about Goran?
20:37Well,
20:38I would say
20:39that you have
20:40a very serious
20:41admirer in him.
20:45Nothing like that.
20:46I told him that right away.
20:47You know,
20:48I know.
20:49You told me.
20:50I told him that right away.
20:51But,
20:52crazy, crazy.
20:53You'll see,
20:54you won't be able
20:55to get rid of him.
20:56Crazy man.
20:57The opponents are all
20:59happy.
21:16Let's be more careful.
21:17Why should we be more careful?
21:19I accidentally found out
21:20that there was
21:22a police investigation
21:24related to a campaign.
21:27How did you find out?
21:29I have my own channel.
21:33Wait,
21:35don't be afraid.
21:37Listen,
21:38we could have expected
21:39that Andrija would react.
21:42What else did you say?
21:43Don't be afraid.
21:44About what?
21:45Nothing.
21:46I mean,
21:47he said what he knew.
21:48That there was a police investigation
21:50and that's it.
21:51That's all.
21:54We have to be
21:55much more careful
21:56about our actions.
21:59What can we do?
22:00We can only stop
22:01everything if it's necessary.
22:02No, no, no.
22:03We have to be careful.
22:04That's all.
22:06Everything will be fine.
22:08We just have to be smart.
22:10Because,
22:11I wouldn't want
22:12that to happen to me.
22:14It's not me.
22:17I've already passed
22:18that hell.
22:20I've had enough
22:21of this life.
22:23I see, I see.
22:25Now,
22:26are you going to have a drink?
22:28Sure.
22:33Why do you always
22:34order whiskey
22:35in that menu?
22:36Listen,
22:37I never know
22:38what's new
22:39that I like.
22:41Do you like something?
22:47No.
22:49Boy,
22:51give me two whiskey.
22:52Coming.
22:55Come on.
22:57Cheers.
23:16Come in.
23:19Hi.
23:20Hi.
23:22What are you doing?
23:23Nothing.
23:24I'm just checking
23:25some patient records.
23:26You?
23:30What's wrong?
23:33Nothing.
23:35You seem upset.
23:38I'm not upset.
23:39What's wrong?
23:41You can't deceive me.
23:44What's going on?
23:46Nothing.
23:47Nothing's going on.
23:48I just don't want
23:49to make you more upset.
23:50What's wrong?
23:51I'm not five years old.
23:52I know how to deal
23:53with problems.
23:54Come on, tell me.
23:57Well, we have
23:59a problematic situation.
24:02What situation?
24:06The police started
24:07an investigation
24:09in connection with
24:10the campaign against
24:11Andrija Bošnjak.
24:23Good afternoon.
24:25We need to talk.
24:27What? What happened?
24:30What happened yesterday?
24:32I don't know what yesterday was.
24:34You know it very well.
24:36I really don't know
24:37what you're talking about.
24:38That undercovery
24:39in front of Jovan.
24:40What did it mean to you?
24:41What?
24:43I'm talking about
24:44the mining yesterday
24:45at the meeting.
24:46What's going on?
24:47I don't know.
24:48I don't know.
24:49I don't know what
24:50you're talking about.
24:51I'm talking about
24:52the mining yesterday
24:53at the meeting.
24:54What's going on?
24:55I really don't know
24:56what you're talking about.
24:57Don't play dumb.
24:58I'm not playing dumb,
24:59I just don't know
25:00what you're talking about.
25:02What do you mean
25:03the mining in front of Jovan?
25:04It's nothing.
25:05It's nothing, alright.
25:06I just don't know
25:07why she did it to me.
25:08Who's Vito Mirena?
25:09What did I do to you?
25:11Do you have something
25:12against me?
25:13No.
25:14If you have something
25:15against me,
25:16you can say it.
25:18I really don't know.
25:21I really don't know.
25:22I really don't know.
25:25I really don't know.
25:26I really don't know.
25:27I really don't know.
25:28Why didn't they find
25:29anything against us?
25:30They found nothing.
25:32Why are you panicking?
25:34Who panics?
25:35I'm not panicking at all.
25:37Man, you came in here
25:39as if everything
25:40was going to blow up.
25:41You're saying that
25:42we are in trouble.
25:43Please, get serious.
25:45Sara, I'm not panicking at all.
25:47I'm not panicking.
25:49Just calm down, please.
25:53Did you really think the police wouldn't get involved in this?
25:56I knew they would.
25:58That's why I came to tell you to calm down, to pay attention.
26:01Why should we pay attention?
26:03You're asking me why?
26:07The only one who should be here on duty is Boris.
26:10You and I, officially, have nothing to do with the campaign.
26:13My dear, what if they get us involved with him?
26:17How can they get us involved with him?
26:20I don't know how, but they can.
26:22Maybe he's up to something, maybe he's making a mistake.
26:25We can't let that happen.
26:28And if it happens by accident,
26:30we have to give our all so that they don't get us involved with him.
26:34Okay, you're right. We'll worry about that.
26:37That's what I was worried about.
26:39What are you doing now?
26:41I have another client in half an hour. I have to cool down.
26:44You and me, see you tomorrow.
26:55See you.
27:10I really don't understand you.
27:13Did I do something bad to you?
27:16Why did you set me up like that yesterday?
27:18Vito Mira, you've started to think things over.
27:20No, I'm not thinking.
27:22I understand what I did to you in front of Jovan.
27:24I really didn't tell you anything?
27:27Okay, the next topic is Vito Mira.
27:31Tell me, how are this little Matea and Lazar doing?
27:35They're good. They're good, but they still have a lot to learn.
27:38Maybe they'd learn faster if I didn't mentor them,
27:41instead of ordering pizza for them.
27:43That's none of my business.
27:45I'm just saying. You can argue with your colleagues later.
27:47I'm really interested in that case.
27:49You interfered with my assessment of the preparers, you know?
27:53I beg your pardon?
27:55Don't you remember?
27:56No.
27:57Yes. And you belittled my job and my status.
28:01Okay, I can't say what I think.
28:04You can't. You can, go ahead.
28:06But not in front of the boss.
28:09Yes.
28:10Maybe you learned that on the tabloid,
28:13that you can't say what you think,
28:15but here it's all a bit different, so...
28:17I beg your pardon?
28:18Yes.
28:19You heard right.
28:21That's right, right?
28:23Yes.
28:24Everything you said was very low, you know.
28:29Yes, yes, yes.
28:30But that's you.
28:32You and your ego.
28:36Leave my ego alone.
28:39Okay?
28:40I'm just interested.
28:42Why are you doing this to me, Natalia?
28:46I really don't know what you're talking about.
28:48I don't know what I'm doing to you.
28:49What did I do wrong? Tell me.
28:54Okay?
28:57Okay.
29:02Okay.
29:24Oh, look, look, look, my gazelle.
29:28What a walk, what a laugh.
29:31What a charm, what a beauty.
29:33This gloomy, gloomy day is over.
29:38Well, it's not that you're not right.
29:40It's not that I'm not?
29:42Pancetta.
29:43You're really excited today, I see.
29:45Why?
29:46I wasn't.
29:47Aha.
29:48What do you mean, what do you mean?
29:49But when you came in, my heart pounded, Pancetta.
29:52You know how it plays, it just jumps.
29:54And yet you are, Pancetta, the queen of Maldives.
29:57Do you understand?
29:58You know, if we had a little brain, a little brain,
30:03we would make you a chair here, like a throne.
30:07Just you sitting here all day, enjoying,
30:10observing us, controlling us, and so on, I think.
30:15I like it.
30:16Well, yes.
30:18And what's wrong with you?
30:19Why did you jump like a duck?
30:20Like a rooster when it first discovered that it could cock.
30:24Well, it's all because of you, Pancetta.
30:26Well, it's your fault.
30:28How's your job?
30:30I can tell you, Pancetta,
30:31every day I follow you on that phone.
30:34I take everything, all my life.
30:36Yes?
30:37Yes, yes.
30:38And then I send you that stick.
30:40Do you recognize mine?
30:41It's there.
30:42And you like me?
30:43Like?
30:44Like?
30:45Yes.
30:46Well, how do you like my movies?
30:50Are you really interested in my opinion?
30:53No.
30:54Huh?
30:55I'm asking you because I'm not interested.
30:57How come?
30:58I actually want to take the time to talk to you,
31:02because I'm jealous.
31:03No, Pancetta, I'm sorry.
31:05I'm really asking you because you like my movies.
31:08How come I don't like women's heads?
31:11I enjoy them and I've become, I can say, yours.
31:14Fun.
31:15Is that how you say it?
31:16That's how you say it.
31:17That's right, that's right.
31:18Are you mocking me?
31:19Me?
31:20You.
31:21Pancetta, for God's sake,
31:22this is my cross, what do you care?
31:25Every morning, when I open my eyes,
31:28I take this phone first, you know?
31:30I make a cup of coffee,
31:32and then I look at what you did.
31:34You know, it's so spiritually funny.
31:36I enjoy it and I laugh.
31:38And then I go to work.
31:40I can't help it.
31:41Well, when you mention coffee,
31:43make me one.
31:44Okay.
31:45Coming.
31:53The other day
31:59Yes?
32:03Hey.
32:04How are you?
32:05Good, sit down.
32:11I heard you wanted to see me.
32:13Yes, I wanted to talk.
32:15Okay, I'm listening.
32:18I wouldn't want to have to do your back again.
32:22Why would I want you to do my back?
32:27I saw you talking to Andrija.
32:30With Andrija?
32:31Yes.
32:32When?
32:33Yesterday.
32:35And?
32:36What were you talking about?
32:38I needed to tell him something I heard.
32:42Ah.
32:44I see what you're up to.
32:47You do?
32:48Yes.
32:49You probably told him about Sara Berger.
32:53So you already know.
32:55Of course I know.
33:11Did someone come earlier?
33:14No, someone's looking for you.
33:16Who?
33:19I don't know.
33:25It's time to open the cards.
33:30Olga, I've been thinking about this a lot,
33:33and I've managed to look at your situation.
33:36And I have to tell you,
33:40we won't be able to do this anymore.
33:49What do you think?
33:55From a business point of view, everything is fine.
33:58Is that so?
33:59Yes.
34:00But there are a few problems.
34:04What kind of problems?
34:06Nothing serious.
34:08From a business point of view,
34:10there's a bit of an atmosphere.
34:19It's really incredible.
34:21Yes.
34:22I mean, it's really a strange mix of circumstances.
34:25Yes.
34:26Very strange.
34:28But it's real.
34:29Believe me, it's real.
34:42I'm very surprised by this visit.
34:45I'm very surprised by this visit.
34:49Are you?
34:50I am.
34:51But since you're already here, sit down.
34:54Sit down.
35:10All your life, you've had a driver.
35:13But someone will give you a hand.
35:16And he'll tell you, don't worry, Marica.
35:19I will.
35:20I will.
35:21Who will, if I don't worry about you?
35:42Aleksa.
35:45I'm sorry, I'm a bit busy.
35:47It's okay, I told you about the contracts.
35:49Yes.
35:51Yes.
36:01Wait, wait, how do you know that?
36:04We saw it on social media.
36:06And?
36:07It's very authentic.
36:09Yes.
36:10Okay, what does that mean?
36:12That means it really got to her social media.
36:22Do you want to break up with Tim?
36:39I'm sorry, I forgot my phone.
36:41We have a guest.
36:45Good day.
36:47Good day.
36:48Good day.
36:49Good day.