- 5/15/2025
The Seventh Victim 1943
Category
🎥
Short filmTranscript
00:01:59Here we are, Mary.
00:02:03Here we are, Mary.
00:02:33No. Jacqueline brought me up.
00:02:36Somehow I never felt I needed other relatives.
00:02:38That makes it all the more difficult.
00:02:41Difficult? Has anything happened to Jacqueline?
00:02:43We don't know, Mary.
00:02:45We've been unable to get in touch with your sister.
00:02:48Sometimes she can be quite careless.
00:02:50Why don't you try Mrs. Reddy?
00:02:51I've written repeatedly to Mrs. Reddy.
00:02:53She vouchsafes no information whatsoever.
00:02:58It is six months, Mary, since your tuition has been paid.
00:03:02Naturally, it's impossible for you to stay on here as a paying pupil.
00:03:06Of course.
00:03:07Of course.
00:03:08Miss Gilchrist and I have talked the matter over.
00:03:11You can stay on here and work with younger children, as sort of an assistant teacher.
00:03:17But, Mrs. Lowood, I can't just stay on here without knowing what's happened to my sister.
00:03:21Maybe if I went to New York, if I saw Mrs. Reddy myself.
00:03:26I doubt if you'll get anything out of that woman.
00:03:28But, if you'd like to try, I'll advance you the money to make the trip to New York.
00:03:34Of course, my dear.
00:03:36If you don't find your sister, you can always come back here.
00:03:41Mary, don't come back.
00:03:53No matter if you never find your sister, no matter what happens to you, don't come back.
00:04:01My parents died when I was a pupil.
00:04:03I left as you were leaving, but I didn't have courage.
00:04:07One must have courage to really live in the world.
00:04:10One must have courage to really live in the world.
00:04:11I came back.
00:04:13Gilchrist.
00:04:30Agnes, John Quincy Adams did not follow John Adams as president.
00:04:34Bill, the most take the ancients, O my soul.
00:04:42As the swift seasons roll, leave thy low-vaunted past.
00:04:46Let each new temple, no more than the last,
00:04:49shut thee from heaven with a dome more vast.
00:04:52Till thou at length art free.
00:04:57That's enough.
00:04:58It seems all right, Joseph.
00:05:06You see, we do keep up the quality of La Sarge's products,
00:05:09in spite of Jacqueline's absence.
00:05:12But you must know someone who has seen or heard of my sister.
00:05:16I'm afraid not.
00:05:21Your sister had many friends, but they were not my friends.
00:05:25I was only the manager of her plant.
00:05:28This is ready. There's one thing.
00:05:34With Jacqueline gone, how do you carry on the business?
00:05:37What do you do with the receipts? How do you sign the checks?
00:05:40Why, Mary, I'm amazed.
00:05:42Didn't Jacqueline tell you?
00:05:44She sold the business to me at least eight months ago.
00:05:47It's my business now.
00:05:49I didn't know that.
00:05:51Yes, and I must say I've done quite well with it.
00:05:54Perhaps even better than Jacqueline.
00:05:56There's nothing you can think of.
00:05:59Old letters, anything that might give me some hint as to where I might find Jacqueline.
00:06:04Leave me your address.
00:06:05If I find anything, I'll get in touch with you.
00:06:07I'm stopping at the Chatsworth.
00:06:08Thank you, my dear.
00:06:09Why, Mary!
00:06:16Hello, Frances!
00:06:17How are you, honey?
00:06:18How's Miss Jacqueline?
00:06:19I don't know.
00:06:20That's why I came to see Mrs. Reddy.
00:06:22I'm trying to find her.
00:06:24You mean she's gone and you don't know where she is?
00:06:27Come here a minute.
00:06:28I don't get this.
00:06:38Miss Jacqueline's so crazy about you.
00:06:41She was always talking about you and she had your picture in her office and I...
00:06:44I know.
00:06:46For the first time, I'm beginning to feel frightened.
00:06:49I almost feel as if I'd never known my sister.
00:06:51Nothing's happened to her.
00:06:53It's just that I can't understand her not keeping in touch with you.
00:06:56I can't understand it at all.
00:06:58Don't worry about it.
00:06:59I saw Miss Jacqueline myself about a week ago at a restaurant the boyfriend took me to.
00:07:04A little Italian place down in the village called the Dante.
00:07:08The Dante?
00:07:09Yes, it's on Perry Street.
00:07:10Why don't you ask the people who own the place?
00:07:12They'll remember Miss Jacqueline.
00:07:14Anybody who ever sees her never forgets it.
00:07:17I'll try there.
00:07:26I'll try there.
00:07:56I'm sorry to bother you.
00:08:19I want to ask you about my sister.
00:08:21Yes?
00:08:22I thought you might know her.
00:08:24She was seen here about a week ago.
00:08:26Her name is Jacqueline Gibson.
00:08:28I don't know no Gibson.
00:08:30This is a vast one.
00:08:32Many people have come here.
00:08:33She's very beautiful.
00:08:35I wish I could tell you what she looks like.
00:08:38I'm sure you'd remember her.
00:08:40She's tall with dark hair.
00:08:44Once you'd seen my sister, you'd never forget her.
00:08:47Giacomo, la bellissima Madonna.
00:08:50Maybe.
00:08:52Let me look at you.
00:08:54Why, you could be her sister.
00:08:55Yes.
00:08:56Yes, if she made that much impression on you, I'm sure it was Jacqueline.
00:09:00She hasn't been here for a long time.
00:09:02But she was here.
00:09:03Oh, yes, yes.
00:09:04One day a beautiful car comes here.
00:09:06This beautiful woman in furs gets out.
00:09:09There is a handsome man with her and the chauffeur.
00:09:13The lady rents one of our upstairs rooms and the chauffeur changes the lock on the doors.
00:09:17Then the lady does not come back.
00:09:20Not to live, anyhow.
00:09:21She came back three or four times, but always alone.
00:09:26Just to eat.
00:09:28You mean she just came here, rented the room, locked it and left?
00:09:32Yes, and pays the rent every month.
00:09:34Could you let me see that room?
00:09:37If it is hers, there might be something there to help me find my sister.
00:09:42No, the rent is paid.
00:09:43The lady asked us to promise I wouldn't open the door.
00:09:48Please.
00:09:51It's important.
00:10:09But how do you think?
00:10:10I always want to see what there is in this room.
00:10:15What did he say?
00:10:17He said he always wanted to see the inside of this room anyway.
00:10:33I tell you, young lady, when a thing like this comes up, you've got to go to the police.
00:10:37What do you think people pay taxes for?
00:10:39It ain't just to keep us chasing after crooks and regulating traffic.
00:10:43We're supposed to help everybody.
00:10:45Now, you've got to go to the police about your sister, miss.
00:10:48Uh, I've had some experience with the Bureau of Missing Persons.
00:10:52Yeah?
00:10:53Well, Mr. Hogue, lost persons are the concern of the Missing Persons Bureau.
00:10:58You stick to your poetry.
00:10:59You're the poet, Jason.
00:11:01Well, in a way, that makes everything my business, doesn't it?
00:11:04Were you going to make a suggestion?
00:11:05Yes.
00:11:07I was going to ask you to look into your own heart.
00:11:11Do you really want to find your sister?
00:11:13Oh, my Jason.
00:11:15Always laughing, always joking to help others.
00:11:19He's a good boy, miss.
00:11:21He just talks that way.
00:11:22I'm a good boy, but no one listens to what I say.
00:11:25Now, you do what I tell you, young lady, and go to the Missing Persons Bureau for your sister.
00:11:29If you'll give me the address.
00:11:32Certainly.
00:11:37She was only 16.
00:11:39Had she ever run away before?
00:11:40What did he have on when last seen?
00:11:42He went out without his hat or his coat.
00:11:45It's very cold for such an old man.
00:11:47Any identifying marks or characteristics?
00:11:49Scars, amputation, tattoo marks, speech impediments?
00:11:52No, none.
00:11:54Sign here.
00:11:55Any further details?
00:11:56Well, she sold her business about eight months ago to Mrs. Esther Reddy.
00:12:01What relation are you to the missing person?
00:12:03Sister.
00:12:05Sign here.
00:12:14Excuse me.
00:12:15I'm Irving August, private investigator.
00:12:17I think I can help you.
00:12:19Here's my card.
00:12:22The name may not mean anything to you, young lady,
00:12:24but just say the word and I'll have your sister for you in 48 hours.
00:12:27Can you?
00:12:28Look, sister.
00:12:29Manhattan is only nine miles long and four and a half miles wide.
00:12:32I ain't never been off it.
00:12:34I know it like, well, like, you know, your own backyard.
00:12:37Now, you just get me a small retainer, say, 50 bucks,
00:12:40and I get your sister for you.
00:12:41I guarantee it.
00:12:42I haven't any money right now, but I'll get a job and...
00:12:45Lady, this kind of work costs money.
00:12:47I gotta cover all the hospitals.
00:12:49The morgue.
00:12:50That's the first place you gotta go, and it ain't pleasant.
00:12:52The morgue.
00:12:52You know who I am, August?
00:13:01Sure, I do.
00:13:02And, you know, if I give you a little advice, it'll be good advice.
00:13:06Yeah, sure.
00:13:07That girl was looking for Jacqueline Gibson.
00:13:10If I were you, I'd forget it.
00:13:13Okay, Mr. Vado.
00:13:14It's forgotten.
00:13:21Hey, Danny.
00:13:22Get me the file on Jacqueline Gibson, will you?
00:13:24Who do you wish to see?
00:13:47Mr. Gregory Ward, please.
00:13:48And what is it about, Miss Gibson?
00:13:51A personal matter.
00:13:52I was given Mr. Ward's name.
00:13:54May I ask who gave you his name?
00:13:57The morgue.
00:14:00Do you feel all right?
00:14:03I feel like an idiot fainting in a stranger's office.
00:14:08We're not exactly strangers, Mary.
00:14:10Jacqueline spoke about you often.
00:14:12I suppose she told you about me.
00:14:14No.
00:14:15At the morgue, they told me a Mr. Gregory Ward had made inquiries about Jacqueline.
00:14:19At the morgue?
00:14:20Well, no wonder you fainted.
00:14:21I wish you'd come to me first.
00:14:23Then you know where Jacqueline is?
00:14:25But I'd give a great deal to know.
00:14:27Why?
00:14:27I love your sister, Mary.
00:14:31I love her very much.
00:14:33It's easy to understand now, isn't it?
00:14:36A man would look for her anywhere, Mary.
00:14:39There's something exciting and unforgettable about Jacqueline.
00:14:43Something you never quite get hold of.
00:14:45Something that keeps a man following after her.
00:14:51Because I loved Jacqueline, I thought I knew her.
00:14:55Today I found out such strange things.
00:14:58Frightening things.
00:15:00I saw a hangman's noose that Jacqueline had hanging.
00:15:04Waiting.
00:15:05Well, at least I can explain that.
00:15:08Your sister had a feeling about life.
00:15:11That it wasn't worth living unless one could end it.
00:15:13I helped her get that room.
00:15:15Weren't you afraid?
00:15:16Afraid she might commit suicide?
00:15:19People who commit suicide don't talk about it.
00:15:22No.
00:15:23That room made her happy.
00:15:25In some strange way, I couldn't understand.
00:15:29She lived in a world of her own fancy.
00:15:33She didn't always tell the truth.
00:15:36In fact, I'm afraid she didn't know what the truth was.
00:15:39It's difficult to explain to a youngster.
00:15:42I'm not a youngster.
00:15:43I can understand.
00:15:44Well, the color's returning to your cheeks.
00:15:47You look as if you were coming back to life.
00:15:50Are you sure you didn't faint because you were hungry?
00:15:52You know, I didn't have lunch.
00:15:55Well, it's nearly six.
00:15:57Time for dinner.
00:15:57All right.
00:16:01It was a lovely dinner.
00:16:03Good.
00:16:04But I feel guilty.
00:16:05It doesn't seem right for me to enjoy myself with Jacqueline gone.
00:16:08Look here.
00:16:09You can't make looking for Jacqueline your life's work.
00:16:11You've got to do other things.
00:16:13Live.
00:16:13Get some enjoyment out of life.
00:16:15I hope you'll let me help you.
00:16:18Good night.
00:16:19Good night, Mary.
00:16:19Good night.
00:16:19Good night.
00:16:19Good night.
00:16:19Good night.
00:16:20Good night.
00:16:20Good night.
00:16:20Good night.
00:16:21Good night.
00:16:21Good night.
00:16:21Good night.
00:16:22Good night.
00:16:22Good night.
00:16:22Good night.
00:16:23Good night.
00:16:23Good night.
00:16:24Good night.
00:16:25Good night.
00:16:30Miss Gipson, I've been waiting for you.
00:16:33I want you to know I decided to take your case.
00:16:36Mr. August, I'm not at all...
00:16:37Look, don't say a word.
00:16:39I've taken an interest in you, and I'm willing to put up my time to help you.
00:16:42Besides, I think I know where to find your sister.
00:16:44Where?
00:16:44Wait a minute.
00:16:45This has got a lot of angles.
00:16:46You've got to take it easy.
00:16:48Tell me, do you know a Mrs. Reddy?
00:16:50Oh, yeah.
00:16:51She bought my sister's business.
00:16:52That's what she told you.
00:16:54I looked it up in the hall of records.
00:16:56Your sister deeded her the business as an outright gift.
00:16:58Why would Mrs. Reddy lie to me?
00:17:01That's what I tried to find out.
00:17:03I went to the last side of Jesse.
00:17:05Used a phony health inspector's badge.
00:17:08They let me go through the works.
00:17:09All but one room.
00:17:11That room was locked.
00:17:14I'd like to see the inside of that room.
00:17:16You think my sister is there?
00:17:19Can't tell.
00:17:20Can we go there now?
00:17:21Sister, you can't just go breaking into places.
00:17:24They've got a night watchman down there and locks on the door.
00:17:26If my sister's in that room,
00:17:28it won't make any difference about warrants and things.
00:17:30I want to go there.
00:17:31I don't know if...
00:17:33if I want to go with you or not.
00:17:51I want to go with you,
00:18:11and what's going on?
00:18:13You can see theoulders
00:18:15in his nowhere.
00:18:16Do you?
00:18:16which room is it it's the last door at the end of this hole
00:18:24you scared yes let's let's get out of here no
00:18:40you could go on mr august you could open the door i'd stay right here
00:18:49it's only a little way mr august
00:18:52we can't stand here all night you could go and open the door
00:19:10up
00:19:17up
00:19:22up
00:19:25up
00:19:29up
00:19:31up
00:19:35up
00:19:37up
00:19:40up
00:19:44up
00:19:46up
00:19:48up
00:19:51up
00:19:52up
00:19:54up
00:19:58up
00:20:00up
00:20:02The stroke is...
00:20:32Do you know where you're going, lady?
00:20:49You've been to the end of the line of back again.
00:20:52I hope you enjoy the ride.
00:21:02I hope you enjoy the ride.
00:21:32I hope you enjoy the ride.
00:22:02Please.
00:22:15Please.
00:22:21I want your help, please.
00:22:25Those men in there, don't let them get out.
00:22:27What's the matter now?
00:22:28One of them has been murdered.
00:22:34What man?
00:22:35But they were there.
00:22:42Extra murder, read all about it.
00:22:47Extra murder, read all about it.
00:22:50Extra murder, read all about it.
00:22:53It's murder. He's all about you.
00:23:15It's about another murder. A woman at 52nd Street.
00:23:19But you do believe me.
00:23:20Well, the important thing is, the police won't believe you.
00:23:24I saw him on the floor.
00:23:26He was cut.
00:23:28Here.
00:23:30The blood was running out.
00:23:32He was dead. I know it.
00:23:34And then on the subway, I saw him.
00:23:37White.
00:23:39With the men holding him up between them.
00:23:41Yes, of course.
00:23:42But the police would say you probably had a bad dream.
00:23:45He was a kind little man in his way.
00:23:48And I made him go down that hole into the darkness.
00:23:52I made him do it.
00:23:54Drink your milk.
00:23:56I don't like to be ordered to do anything.
00:23:59Oh, I'm sorry. I didn't intend to treat you like a child.
00:24:03But you have treated me that way.
00:24:05I won't do it again.
00:24:07We're friends.
00:24:08I promise I'll never order you about again.
00:24:15However, I won't say that I'll not take charge occasionally.
00:24:17And I'm going to take charge right now.
00:24:19I have a job for you.
00:24:20A job?
00:24:21You remember you told me you were pretty good with youngsters?
00:24:23Well, today I bumped into an old friend of mine.
00:24:26A Mrs. Wheeler.
00:24:27She runs a settlement house down in the village.
00:24:29And she's looking for a kindergarten teacher.
00:24:31Oh, I'd like that.
00:24:32It's not much money, but it'd be enough to live on.
00:24:34You'd have to move out of that hotel and into a furnished room.
00:24:36Maybe the Romaries would have a room.
00:24:38They seem nice.
00:24:39The people at the restaurant?
00:24:40Yes.
00:24:41If you want, I have time to take you down to see Mrs. Wheeler right now.
00:24:50Yes, sir.
00:24:52Mr. Ward will see you in just a few minutes.
00:24:54Won't you wait, Dr. Judd?
00:24:57Dr. Judd, are you Dr. Lewis Judd?
00:25:00Yes.
00:25:01I read your book, the one in which you wrote about the cure for drinking.
00:25:04You're not a dipsomaniac at your age.
00:25:06No, it's...
00:25:08It's my father.
00:25:11I...
00:25:12I wanted to talk to you.
00:25:13You wrote about cures.
00:25:15I'm sorry.
00:25:16I don't practice anymore.
00:25:17I find it easier to write about mental illness and leave the cure of it to others.
00:25:24Yes, sir.
00:25:26Mr. Ward is free now, doctor.
00:25:29There are any number of other psychiatrists who can help your father.
00:25:32Dipsomania is rather sordid.
00:25:43I've come from Jacqueline.
00:25:45She needs money.
00:25:47I thought you told me you didn't know where she was.
00:25:49I didn't.
00:25:50She came to me a few days ago.
00:25:52To put it delicately, her care imposes a financial burden upon me.
00:25:57She thought you might lighten that burden.
00:25:59If Jacqueline wants money from me, she can come to me herself.
00:26:02I'm afraid she can't do that, Ward.
00:26:04It would endanger her.
00:26:05This is nonsense.
00:26:07Unless I know where Jacqueline is and how she is, I'm not going to give you any money.
00:26:12You're a curious man.
00:26:14You're willing to jeopardize Jacqueline's life in order to satisfy your own curiosity.
00:26:18It's not just for myself, I'm asking.
00:26:20Her sister's here.
00:26:21The kid's half crazy with anxiety.
00:26:23As a man, you distrust me.
00:26:26Perhaps you can believe me as a physician.
00:26:29Well, then I can tell you that in addition to other dangers,
00:26:32there's a grave danger of Jacqueline losing her sanity.
00:26:35I would advise against you seeing her.
00:26:37But why?
00:26:38She's been ill, erratic, but I've never known of anything like that.
00:26:42You can believe me or not, just as you choose.
00:26:48How much does she want?
00:26:49She can use a hundred dollars.
00:26:51I'll give you a check.
00:26:52She can only use cash.
00:26:54I haven't got that much in cash.
00:26:59How much have you?
00:27:01About forty-five dollars.
00:27:03For the time being, I imagine that must do.
00:27:09Tell me, how is Jacqueline?
00:27:11Oh, as beautiful as ever.
00:27:12Tell me.
00:27:13She's nervous, naturally, in the circumstances.
00:27:15What circumstances?
00:27:17I want to say, this gift can help me.
00:27:22It's a table.
00:27:23Beautiful.
00:27:24We sure it's a proper tonight.
00:27:27She's been an angel.
00:27:30Mommy, wait for me.
00:27:31Angela, wait.
00:27:36Well, Mary, aren't you the popular one?
00:27:38You've a visitor again.
00:27:39Mr. Ward?
00:27:40No, not this time.
00:27:42It's a gentleman called Judd, Dr. Judd.
00:27:47Yes, Miss Getson.
00:27:49I've come to take you to your sister.
00:27:51Don't be so amazed.
00:27:52It's a very ordinary matter.
00:27:54I'm Jacqueline's physician.
00:27:56Mr. Ward told me you were in town,
00:27:58and Jacqueline sent me to bring you to her.
00:28:00Then you know where she is?
00:28:02If I didn't know where she was,
00:28:03could I take you to her?
00:28:04Get your hat and coat.
00:28:05We haven't much time.
00:28:13It's amid marble splendors such as these
00:28:15that Jacqueline dwells.
00:28:16One can take either staircase.
00:28:18I prefer the left, the sinister side.
00:28:41She's not here. She's gone.
00:28:46I don't know why she left.
00:28:47She knows she shouldn't have.
00:28:56She's left me to meet them alone.
00:28:57I can't.
00:28:58What makes you so nervous, Dr. Judd?
00:29:11Who are they?
00:29:12I can't stay here. I'll have to leave you.
00:29:14I can't stay here. I'll have to leave you.
00:29:18I can't stay here. I'll have to leave you.
00:29:19I can't stay here. I'll have to leave you.
00:29:21Come on.
00:29:44Jacqueline.
00:29:45Let's go.
00:30:15Oh, my God.
00:30:45Is this her?
00:31:00No.
00:31:04Where's Jacqueline Gibson?
00:31:06I don't know.
00:31:07She was just here. Where'd she go?
00:31:08I tell you, I don't know.
00:31:09That's funny. You went out with her and came back alone and don't know where she went?
00:31:12I don't know.
00:31:15Why do you want Jacqueline?
00:31:17What right of you to question me?
00:31:19Young lady, I have all the right in the world.
00:31:21I'm Paul Rodeau, a private investigator.
00:31:23And I've been hired to find your sister by her husband, Gregory Ward.
00:31:27Husband?
00:31:28Say, what are you thinking of Bella? Can I eat dry?
00:31:50Oh, the wine. I have forgotten the wine.
00:31:52Look, Mary, just because I kept a secret from you doesn't make a monster of me.
00:32:00Please, I can't go on explaining things like this to your right ear.
00:32:04Last night in this very restaurant, Mr. Jason Hogue paid a very pretty compliment to my right ear.
00:32:08Who the devil is he?
00:32:09A poet. He's sitting right over there.
00:32:12That's his table, the one at the feet of Dante.
00:32:14Do you remember the first day you came to my office, frightened and broken up?
00:32:19And I asked you if Jacqueline had ever spoken about me to you.
00:32:22You said no.
00:32:23But then how could I tell you we were married?
00:32:25And afterwards?
00:32:27Well, I didn't tell you afterwards because there were so many things coming up to make me worry.
00:32:32It's wonderful.
00:32:33Oh, my beautiful one.
00:32:35Why do you bring me wine when you yourself are so intoxicated?
00:32:37You're my favorite audience, Bella.
00:32:45Why can't everyone be happy like we are?
00:32:48Laugh and have a good time.
00:32:50That poor little one's so sad because she can't find her sister.
00:32:54And that man with her, he doesn't make her laugh.
00:32:57Just sits and talks.
00:32:58We are happy, Mrs. Romeri, because you have everything and I have nothing to lose.
00:33:03Why, you should make her laugh, Jason.
00:33:06Come, make jokes for her.
00:33:07You could have told me any time you were Jacqueline's husband.
00:33:10Things changed, Mary.
00:33:12The reasons for finding Jacqueline changed.
00:33:15I want to find her to settle things.
00:33:18What things?
00:33:19Why?
00:33:21Why, you two are so sad.
00:33:23Your food will not digest and your wine will sour.
00:33:26You must laugh to eat well.
00:33:27I brought Jason to make you laugh.
00:33:30Mr. Hogue, this is Mr. Ward.
00:33:36Sit down.
00:33:37I'll get the rest of your dinner.
00:33:44I'm under orders to make you laugh.
00:33:46In Mrs. Romeri's mind, poetry and humor have some strange affinity, which they don't have, in fact.
00:33:52She wants me to play the fool for you, but suddenly, Miss Gibson, I feel as sad as you do.
00:33:58Well, then I've spoiled your dinner.
00:34:00Your food won't adjust and your wine will sour.
00:34:02Well, you'll have to make all the jokes, because I'm going to be serious.
00:34:08I'm going to find your sister.
00:34:11Shuffle the cards well, Natalie.
00:34:13This is a trick of telepathy, not card manipulation.
00:34:18Now pass the cards to me.
00:34:21Ladders, will you hand the cards to Lewis while I answer the door?
00:34:23Jason, how nice to see you.
00:34:35I brought some friends, Natalie.
00:34:36May we come to your party?
00:34:37Oh, of course.
00:34:38Come in.
00:34:39Now, all of you must remember the cards that you've selected.
00:34:42Mrs. Cortez, Mary Gibson, and Mr. Ward.
00:34:47It's so nice to meet you.
00:34:48The cards can't speak for themselves.
00:34:49It's purely a matter of the mind.
00:34:51You'll have to excuse me.
00:34:53Mrs. Freeman, yours was the Jack of Spades.
00:34:55Ladders, seven of diamonds.
00:34:57Yours, Mrs. Gosselin, the Queen of Pups.
00:34:58How do you ever do it, Lewis?
00:35:01Hello, Jason.
00:35:05Where's Jacqueline Gibson?
00:35:07What a peculiar question.
00:35:09I saw you with her last week.
00:35:10I knew you'd be here tonight.
00:35:11Where is she?
00:35:13My dear fellow, it's neither your business to ask nor mine to tell.
00:35:15Oh, wait.
00:35:17Look over there.
00:35:19Do you see that girl?
00:35:21That's Jacqueline's sister.
00:35:22It's because of her that I ask.
00:35:24Why come to me?
00:35:26Because there was another girl years ago.
00:35:29A nice girl.
00:35:30She lived in Barrow Street.
00:35:32I saw her with you once.
00:35:34I saw her with you twice.
00:35:36Then I never saw her again.
00:35:38She was my patient.
00:35:39What was she to you?
00:35:43I don't think you'd understand if I told you.
00:35:45I think I understand without your telling me.
00:35:48I know something of your history, Jason.
00:35:51I know you haven't written for ten years.
00:35:52I've lost a knack.
00:35:55After that wonderful first book.
00:35:58After all the adulation and good reviews.
00:36:02I'd have given anything to have written that book.
00:36:06You had all my admiration and respect.
00:36:10Once.
00:36:10There you are.
00:36:15Do you know any more card tricks?
00:36:20Hello, Ward.
00:36:22My dear Miss Gibson.
00:36:23Gibson?
00:36:24Are you Jacqueline's sister?
00:36:26Yes.
00:36:27Do you...
00:36:27Know her?
00:36:28My dear, we were intimate.
00:36:30The times we used to have together.
00:36:32I bet she never told you about that.
00:36:33You're too young.
00:36:34I'm afraid you don't understand.
00:36:36Miss Gibson's sister is missing.
00:36:38Missing?
00:36:39Well, no wonder.
00:36:41When she took up with Lewis Judge,
00:36:42she went out of circulation just like that.
00:36:47My dear, have I said something?
00:36:49There are too many people here.
00:37:01Perhaps Jacqueline is lonely for me.
00:37:04You see, Mary, I'm not quite a fool.
00:37:08At least you knew about Dr. Judd.
00:37:11Yes.
00:37:12Then you knew he'd be here.
00:37:14Yes.
00:37:16And now that I've shown you that I know that much,
00:37:18and can guess more,
00:37:19will you trust me to look for Jacqueline?
00:37:22I want you to look for Jacqueline.
00:37:28I'm a terrible failure, Mary.
00:37:30A book clerk by day and a poet by night.
00:37:34Not a very good one.
00:37:37But if you'll trust me,
00:37:38at this one thing I won't fail,
00:37:40I'll find your sister.
00:37:42You have such lovely hands, Miss Garchuk.
00:37:44So slim and capable.
00:37:46Oh, Mr. Hogue, I really shouldn't be doing this.
00:37:48You know, it's against the rules.
00:37:50Why did you say you wanted them?
00:37:51I'd like to see what kind of books my friends read
00:37:53so I'll know what to buy them as presents.
00:37:56Nothing nicer than a book for a gift.
00:37:58Hmm.
00:37:59Who was the first one?
00:38:00Mrs. Reddy?
00:38:01Mm-hmm.
00:38:02Q. R.
00:38:03Yes, here it is.
00:38:07And the other was Judd.
00:38:08Is Dr. Lewis Judd?
00:38:10Mm-hmm.
00:38:11He's here too.
00:38:13Would it be asking too much, Miss Garchuk,
00:38:15for you to get me these books?
00:38:16No, not at all, Mr. Hogue.
00:38:20Why, Mr. Hogue,
00:38:21most of these books are on the clothes shelf.
00:38:23You'll have to get permission.
00:38:25Oh, I wouldn't want to take them out.
00:38:26I'd just like to look at them.
00:38:28Well, since you're over 21.
00:38:34Mimi?
00:38:39Come in.
00:38:42What is it?
00:38:43A parallelogram with a split triangle in its very center.
00:38:47I found out that Mrs. Reddy reads the same books as Dr. Judd.
00:38:50Well, I don't think that's so revealing.
00:38:52But who is Judd?
00:38:54A psychiatrist.
00:38:55Now, it's quite natural that he should read books
00:38:57on the history of old religious societies.
00:38:59But why should Mrs. Reddy, a woman with a beauty parlor?
00:39:02I don't know.
00:39:03That's just it.
00:39:04And this figure, she traced it.
00:39:07The book I saw at the library had been marked perfect
00:39:10by the library inspector in March.
00:39:12Mrs. Reddy had it out in April,
00:39:14and no one else had read it since.
00:39:15This figure is a symbol of the Pilatists.
00:39:19It's all clear to me now.
00:39:20So clear.
00:39:21I thought it would be,
00:39:22but just to be sure,
00:39:23I'll tell you that the Pilatists
00:39:24are a society of devil worshippers.
00:39:26Devil worshippers?
00:39:28Look, I'm serious.
00:39:30It's a very real and earnest society,
00:39:32a dangerous society.
00:39:33I can imagine.
00:39:35Well, sometime before those nice white gloves are dry,
00:39:37you're going to go and find out a few things
00:39:39about this Mrs. Reddy.
00:39:41Is Mrs. Reddy nice to work for?
00:39:44Oh, Reddy's all right.
00:39:46But there's only one Miss Jacqueline.
00:39:47Mrs. Reddy seems rather an odd woman to me.
00:39:51She's really a pretty good sort.
00:39:53What does she do with herself after business hours?
00:39:56It's always seemed to me that she was sort of lonely and unhappy.
00:40:00Well, Mary, I guess most people are.
00:40:03There.
00:40:04That's it.
00:40:04In the old days, this would have been on the house.
00:40:15Ah, the tip is, anyhow.
00:40:16Besides, I like to do you here.
00:40:20Do you know what this is, Francis?
00:40:23Why, I ought to.
00:40:25It's Mrs. Reddy's new trademark.
00:40:27Of course, I should have known.
00:40:30This figure's been puzzling me.
00:40:41Hello, Mary.
00:40:42It's nice to see you.
00:40:43No news of Jacqueline?
00:40:45I'm afraid not.
00:40:46Oh, that's too bad.
00:40:54What does she want?
00:40:55Nothing.
00:40:56I just did her hair.
00:40:57What were you talking about?
00:40:59Nothing.
00:41:01Nothing?
00:41:02Well, that's absurd.
00:41:04I heard you laughing and talking.
00:41:05She was asking questions.
00:41:07Oh, well, she was asking about you.
00:41:09Whether it was nice to work for you or not.
00:41:11And that was all?
00:41:13Well, she asked about the trademark.
00:41:16What does she want to know?
00:41:18She showed me a drawing.
00:41:19Oh, you fool.
00:41:21Well, that symbol is us.
00:41:23Us!
00:41:24She was asking about us.
00:41:27Caro mio bene, credil mia al me.
00:41:32Oh, I'll be out in a minute.
00:41:38Oh, I'll be out in a minute.
00:41:42Oh, I'll be out in a minute.
00:41:49Mary?
00:41:51Yes?
00:41:52This is Mrs. Reddy, Mary.
00:41:54Oh, I'll be out in a minute.
00:41:56That won't be necessary. I haven't much to say.
00:42:01If I were you, Mary, I'd go back to school.
00:42:04I'd make no further attempt to find Jacqueline.
00:42:07I can't give up looking for her, Mrs. Reddy,
00:42:10no matter what you're hinting at.
00:42:12I have no intention whatsoever of hinting.
00:42:15Your sister, Mary, is a murderess.
00:42:18She killed Irving August.
00:42:21Stabbed him out of fright when he discovered where she was hiding.
00:42:25I don't believe you.
00:42:27I had to help get rid of the body.
00:42:30You saw it on the subway.
00:42:33And I warn you, Mary, go back.
00:42:36You don't know what you're doing
00:42:38or what dreadful things you might bring about
00:42:40by looking for your sister.
00:42:42You go back to school.
00:42:48I'm sorry to be late, Natalie.
00:42:50We haven't begun tea yet.
00:42:52Oh, Francis.
00:42:53Hello, Mrs. Reddy.
00:42:54Hello, Mrs. Reddy.
00:42:55Hello, Mrs. Reddy.
00:42:56Hello, Mrs. Reddy.
00:42:57Hello, Mrs. Reddy.
00:42:58Won't you pour?
00:43:01I'm sorry.
00:43:02I'm nervous.
00:43:03This is very trying for me.
00:43:04I know.
00:43:05You introduced Jaclyn to us.
00:43:06But how could you tell?
00:43:07I should have known.
00:43:08She had no sincerity, no real belief.
00:43:10Miss Rowan, do you take cream?
00:43:11I'm sorry.
00:43:12I'm sorry.
00:43:13I'm nervous.
00:43:14This is very trying for me.
00:43:15I know.
00:43:16You introduced Jaclyn to us.
00:43:17But how could you tell?
00:43:18I should have known.
00:43:19She had no sincerity, no real belief.
00:43:21Miss Rowan, do you take cream?
00:43:22Please, Natalie.
00:43:23Would you mind pouring?
00:43:24You shouldn't be nervous.
00:43:25There's nothing personal or vengeful
00:43:26in what we're about to do.
00:43:27We have only to make a decision.
00:43:28But it can be such a horrible decision.
00:43:30Because we're all pledged to nonviolence.
00:43:32Now, this...
00:43:33Oh, I'm sorry.
00:43:34I'm sorry.
00:43:35I'm sorry.
00:43:36I'm sorry.
00:43:37I'm sorry.
00:43:38I'm sorry.
00:43:39I'm nervous.
00:43:40I'm sorry.
00:43:41I'm nervous.
00:43:42This is very trying for me.
00:43:43I know.
00:43:44You introduced Jaclyn to us.
00:43:45But how could you tell?
00:43:46I should have known.
00:43:47Nonviolence.
00:43:48Now, this...
00:43:49Our founder must have known when he wrote these seemingly contradictory rules.
00:43:54The rule of nonviolence.
00:43:56And the law that whoever betrays us must die.
00:44:00He must have known.
00:44:01But I don't understand it.
00:44:03Some of us, Frances, must believe without understanding.
00:44:06Yes, I suppose so.
00:44:08I went back through the history last night.
00:44:11I read about Johann Rosenquartz.
00:44:13I read what he wrote about...
00:44:15I can quote it fully, Mrs. Reddy.
00:44:17We will avoid violence.
00:44:19For once undertaken, violence can become its own master and lead to either good or evil.
00:44:24But he also wrote that...
00:44:25I can quote that too.
00:44:27Those who go out into the marketplaces and let their tongues speak of us and give knowledge of our being and our deeds.
00:44:34Whomsoever doeth, they shall die.
00:44:36I'm puzzled.
00:44:38Since our order was founded, six betrayals have been listed.
00:44:42And six deaths as punishment.
00:44:45And now there's Jacqueline.
00:44:46Oh, but...
00:44:48But you can't do anything to her.
00:44:50You mustn't hurt her.
00:44:52But she betrayed us, Frances.
00:44:53She didn't betray us.
00:44:55She was only going to a doctor, a psychiatrist.
00:44:58She told him, Frances. She told him about us.
00:45:00I know this is difficult for you. I know that you love her.
00:45:03But she didn't betray us.
00:45:04Even if I believed that, I would still consider her a very dangerous woman.
00:45:08There's the matter of Irving August's death.
00:45:11Without consulting me, Mrs. Reddy was ill-advised enough to have the body removed by Leo and Derek.
00:45:16This makes us all a party to the crime.
00:45:20What if there's a trial?
00:45:22What if Jacqueline is asked about the removal of the body?
00:45:27Do you think, Frances, that she will keep silent?
00:45:30It is real danger and one which forces our decision.
00:45:34And Jacqueline's sister?
00:45:36I've taken care of Mary.
00:45:37I've spoken to her and she's going back to school.
00:45:40Good.
00:45:41Then it is decided.
00:45:43Leo and Derek and I will complete our plans.
00:45:52Mary!
00:46:06This is wonderful you're coming here so unexpectedly.
00:46:11It's almost like a wish come true.
00:46:14I want to show you my room.
00:46:17I want you to see all of it.
00:46:20But it's a small room, Jason.
00:46:23It's grown big with the years.
00:46:25And my window through which I see the world.
00:46:28It's beautiful.
00:46:30That searchlight and stars.
00:46:33Well, that's not a searchlight.
00:46:35It's a sword blade cutting the blue cloak of a prince.
00:46:38Not stars.
00:46:40Jason, I'm going back to Highcliff.
00:46:43I've come to say goodbye.
00:46:45But I thought you were coming up here to the third floor to see me.
00:46:49That it was your advent into my world.
00:46:52Turns out to be goodbye.
00:46:54Why?
00:46:55Please don't make me tell you, Jason.
00:46:57I thought I was your friend, Mary.
00:46:59Just goodbye isn't enough for a friend.
00:47:05I'd begun to write again.
00:47:07That's what I was doing when you came in.
00:47:10It's because of Jacqueline.
00:47:12I can't go on looking for her.
00:47:15You went to see Mrs. Reddy.
00:47:18She told you something.
00:47:19What was it?
00:47:20Jacqueline's a murderess.
00:47:23She killed a man.
00:47:25Do you believe that?
00:47:27I have to.
00:47:28It was Irving August.
00:47:30Everything Mrs. Reddy said, it fits in with what I saw.
00:47:34She even knew that I'd seen his body on the subway.
00:47:38But if it's true, then there's all the more reason for you to find Jacqueline.
00:47:42And Gregory.
00:47:44He loves her.
00:47:46He loves you, Mary.
00:47:48You'll have to tell him.
00:47:50He's Jacqueline's husband.
00:47:52I can't.
00:47:53But you've got to tell him, Mary.
00:47:55Even if only for the practical reason that he's a lawyer and will know what to do.
00:47:59I'm going to phone him.
00:48:06Well, she's got to be found.
00:48:08That's the first step.
00:48:10She's got to be found so she can give herself up to the police.
00:48:14Well, we've tried so long to find her.
00:48:16Judd could tell us if he would.
00:48:18Do you think he knows about this?
00:48:20I don't know.
00:48:22Well, he's clever.
00:48:24And he's cautious in his way.
00:48:26I think if he knew, he'd advise her to do what I want.
00:48:29Surrender herself to the police and stand trial.
00:48:32I don't think he knows.
00:48:34We could tell him.
00:48:38Could you find him?
00:48:39I suppose so.
00:48:41I guess I could pick him up somewhere.
00:48:43Jason.
00:48:45I sometimes wonder.
00:48:47You're so sweet to me.
00:48:49So kind and sympathetic.
00:48:51I don't know how I can ever thank you.
00:48:54Thank me?
00:48:56You don't have to thank me.
00:49:04What's that?
00:49:06Verse.
00:49:07Verse I wrote.
00:49:21You're gonna know how.
00:49:22I was talking about that?
00:49:23I was coming up.
00:49:24You're not a bit young...
00:49:25I did not know how to do that.
00:49:26You did not know how to do that.
00:49:27I'm nothing more.
00:49:28I was thinking about it.
00:49:30I brought in.
00:49:31And I was the only way.
00:49:32I did not know how to do that.
00:49:33It was very clear.
00:49:34I did not know how to do that.
00:49:35I did not know how to do that.
00:49:36That's a joke.
00:49:37I was talking about you.
00:49:38I was talking about it.
00:49:39I was like xxxvd.
00:49:40Let's go.
00:50:10Don't bother going up. I can do this all night, Jason. Watch.
00:50:34Following me to find Jacqueline? Mm-hmm.
00:50:38Well, it won't work. Love and understanding won't make a good detective out of a recalcitrant poet.
00:50:44Actually, there are two favors I want to ask of you. One is a poet, one is a detective.
00:50:50Sounds strange. I'm going to be very wary.
00:50:53Sometime ago, you spoke about my writing again. I want your help. I'd like you to bring this to your publisher.
00:51:02This is curious, Jason. Half the time you talk is as if Shakespeare weren't fit to tie your shoelaces.
00:51:07Now there's sudden humility.
00:51:09I should like people to read what I have written.
00:51:12I hope it'll find as much favor as your other book. But somehow I doubt it. The time is out of tune.
00:51:18Why not let your publisher judge that?
00:51:21Wait. There's that other favor.
00:51:24I'd forgotten.
00:51:25Tell me where Jacqueline is. We've got to find her.
00:51:28You don't really expect me to do that, do you?
00:51:31Yes, when I tell you.
00:51:32Tell me what?
00:51:33You'll have good enough sense to tell us where she is when I tell you she's a murderess. She killed a man.
00:51:39Tell me, why this sudden desire to publish? To awaken like Byron and find yourself famous?
00:51:50I think it's time.
00:51:51No other reason? No woman? Not the little Miss Gibson?
00:51:56Perhaps.
00:51:57Wait a minute. I'll call her.
00:52:10Jacqueline, this is Judd.
00:52:17Jacqueline.
00:52:20Who is it?
00:52:21Judd, I'm here with your sister. Come on down.
00:52:27Let's go.
00:52:44Jacqueline.
00:52:49It's all right.
00:52:51You're safe. Nothing is going to hurt you.
00:52:53Your husband seems very certain of that.
00:52:55Yes. I'm very certain there's only one way to help you, Jacqueline.
00:52:59To protect you. You've got to come with us.
00:53:02Let me do all I can as a lawyer to straighten out Irving August's death.
00:53:05You must come with us, darling. Let us help you.
00:53:25For me, this seems to be the end of a delightful relationship.
00:53:34Here. This will put some life into you.
00:53:38It's like coming back to life.
00:53:41It would be much easier, Jacqueline, if you'd tell me exactly what happened.
00:53:45I'd know what to do for you.
00:53:47Please, Jacqueline.
00:53:49You know about the Pilatus.
00:53:55You know who they are.
00:53:58What they are.
00:54:01I was one of them.
00:54:03Jacqueline was always a sensationalist.
00:54:06Trying to seize onto something.
00:54:09Anything to bring her happiness.
00:54:12Through Mrs. Reddish, she stumbled onto the Pilatus movement.
00:54:16It appealed to her.
00:54:17I wasn't happy with them.
00:54:21I wanted to break away.
00:54:24It was miserable.
00:54:27I went to Louis for help.
00:54:30They felt that I betrayed them.
00:54:34They wanted me to die.
00:54:37Kill myself.
00:54:40They kept me locked up at La Sagesse.
00:54:44I was there such a long time.
00:54:45You can imagine the effect of such imprisonment on Jacqueline.
00:54:49I was terrified.
00:54:51The darkness in the corners of the room.
00:54:55All the little noises.
00:54:58Then one night the door opened.
00:55:02A man came in.
00:55:05Tiptoeing in.
00:55:07Tiptoeing in.
00:55:09I had his scissors in my hand.
00:55:11I struck at him.
00:55:13Don't.
00:55:15We know what happened.
00:55:16Don't go on.
00:55:18Any court in the land would understand.
00:55:20We'll wait a few days.
00:55:22Let you rest.
00:55:24Then we'll go to the police.
00:55:26Why can't Jacqueline stay here with me for a few days?
00:55:28You'd like that, wouldn't you?
00:55:31There's my old friend.
00:55:34The searchlight?
00:55:36Cyrano's sword.
00:55:38That's a funny thing to call it.
00:55:40I like it.
00:55:42I've always loved the story.
00:55:44A man knowing he couldn't have the woman he loved and wooing her for his friend.
00:55:49We're friends, aren't we, Gregory?
00:55:52It's been a hard evening for both of you.
00:55:55Perhaps you ought to take Jacqueline to your room, Mary.
00:56:05Good night, Jacqueline.
00:56:09Good night, Mary.
00:56:11Good night.
00:56:12Good night.
00:56:16This is no time to play Cyrano.
00:56:18What was in your mind?
00:56:20I wanted to get things clear for Jacqueline.
00:56:22To let her know.
00:56:23To let her know what?
00:56:25That you love Mary?
00:56:27She'll have to know sometime.
00:56:29Not for me.
00:56:31And not for Mary.
00:56:32Goodbye, darling.
00:56:41I'll only be gone until three.
00:56:42Goodbye.
00:56:44If you get lonely, go down and see Mrs. Romeri.
00:56:46I told her you were staying with me.
00:56:51I won't be lonely.
00:57:02When will you pay me?
00:57:06Say the bells of old Bailey.
00:57:11That I don't know.
00:57:15Say the great bell of Bo.
00:57:21Here comes a candle to light you to bed.
00:57:25Here comes a chopper to chop off your head.
00:57:29Yes, this is Mary.
00:57:35But she couldn't have gone out.
00:57:38No.
00:57:40Are you sure it wasn't Jason she went with?
00:57:43Or Mr. Ward?
00:57:45Two men?
00:57:48No.
00:57:51I'll get home as soon as I can, Mr. Romeri.
00:57:54The acceptance of a secret is an obligation.
00:57:56In this case, my dear, the obligation carried with it the necessity of dying.
00:58:01If one betrayed that secret, you understand that, don't you?
00:58:04Yes.
00:58:06I understand it.
00:58:08And you also understand that you must die?
00:58:10No.
00:58:12Jacqueline, you've spoken so often of ending it all.
00:58:15I can't understand why this should be so difficult for you.
00:58:18You have only to drink a little.
00:58:20Yes, Jacqueline.
00:58:21You were always talking suicide, of ending your life when you wanted to.
00:58:26Yes.
00:58:28When I wanted to.
00:58:30It doesn't matter.
00:58:31You want to now, you should want to.
00:58:33It is your obligation, your duty.
00:58:35You have only to stretch out your hand, take up the glass and drink a little.
00:58:39It won't hurt.
00:58:41No, no, no.
00:58:44You have a strange kind of courage, Jason.
00:58:49Perhaps you have enough courage to hear what I've been keeping from you all these years.
00:58:53That girl you loved.
00:58:55That other patient of mine.
00:58:58She didn't disappear.
00:58:59She's in an asylum.
00:59:03A horrible, raving thing.
00:59:06I never wanted you to know.
00:59:09All the while,
00:59:11you've been my friend.
00:59:25Please.
00:59:26May I have a drink of water?
00:59:29I'm very thirsty.
00:59:31Drink.
00:59:33No.
00:59:35There will be no water and there will be no rest.
00:59:37You may as well drink.
00:59:45No, no!
00:59:50If you like, I'll go with you to dinner, Jason.
00:59:52I'd like that.
00:59:53Jason!
00:59:55I can't find Gregory.
00:59:57I've been trying to find him.
00:59:59What's wrong, Mary?
01:00:01Jacqueline.
01:00:02Mr. Romare phoned me.
01:00:03She went out this afternoon with two men that he'd never seen before.
01:00:06They may have been friends of hers.
01:00:07No, she wouldn't have gone with anyone unless you were compelled.
01:00:10All these months of hiding have made her frightened of the streets and people.
01:00:15I wonder...
01:00:17What?
01:00:18They may have found her.
01:00:20Would they hurt her?
01:00:21I don't know.
01:00:23You'd better go up to your room and wait for us, Mary.
01:00:32Go ahead, Jacqueline.
01:00:35Go ahead.
01:00:36Go ahead.
01:00:42It is late.
01:00:45Drink it, Jacqueline.
01:00:46There's nothing else for you to do.
01:00:48They say you've got to die.
01:00:50Drink it, Jacqueline.
01:00:51You've got to.
01:00:53I can't stand this.
01:01:07No!
01:01:09No, I can't let you die!
01:01:11The only time I was ever happy was when I was watching you.
01:01:17You were always so good to me.
01:01:21Don't have to hold me.
01:01:26Jacqueline.
01:01:27You may go now, Jacqueline.
01:01:40The decision was against violence.
01:01:42But there will be another decision.
01:01:44Today.
01:01:45Tomorrow.
01:01:47We'll find you, but now you may go.
01:01:53I told you, you could go.
01:01:54I told you, you could go.
01:02:24I told you, you could go.
01:02:27I told you, then.
01:02:29I told you, you could go.
01:02:31But you walked towardsanco?
01:02:32Well done.
01:02:34That's very old.
01:02:36Don't have to go here.
01:02:38What's going on here?
01:02:40Emily?
01:02:42Hey, come here,문火.
01:02:43Let us know everything.
01:02:45We are in thisPro go.
01:02:47Knock for the camera.
01:02:49We should listen again.
01:02:51Get up here and be sitting now какой-
01:02:52You może in knowing that I had to do this.
01:05:23I'll help you to a beer and a sandwich.
01:05:25Come along, babe.
01:05:26Come along.
01:05:27Come along.
01:05:28Come along.
01:05:33Come along.
01:05:34Ha, ha, ha, ha!
01:06:04Ha, ha, ha, ha!
01:06:34Who are you?
01:06:36I'm Mimi.
01:06:38I'm dying.
01:06:40No. Yes.
01:06:42I've been quiet.
01:06:44Oh, ever so quiet.
01:06:46I hardly move.
01:06:48And yet it keeps coming all the time,
01:06:50closer and closer.
01:06:52And I rest, and I rest,
01:06:54and still I'm dying.
01:06:56And you don't want to die.
01:07:00I've always wanted to die.
01:07:02Always.
01:07:04I'm afraid.
01:07:06And I'm tired of being afraid,
01:07:08of waiting.
01:07:10Why wait?
01:07:12I'm not going to wait.
01:07:14I'm going out,
01:07:16and I'm going to laugh and dance,
01:07:18and do all the things I used to do.
01:07:20And then?
01:07:22I don't know.
01:07:24You will die.
01:07:26You will die.
01:07:28I don't know.
01:07:30I don't know.
01:07:32I don't know.
01:07:34I don't know.
01:07:36I don't know.
01:07:38I don't know.
01:07:48Now that you've hounded and worried her half to death,
01:07:50you don't even know where she is.
01:07:52At least tell me how she's been here.
01:07:54Yes.
01:07:56She left here an hour ago.
01:07:58She may even be home by now.
01:08:00Why don't you try it?
01:08:02All right, Jason.
01:08:04The devil worshipers.
01:08:14The lovers of evil.
01:08:16It's a joke.
01:08:18Pathetic little joke.
01:08:20We haven't asked your opinion.
01:08:22I propose to give it to you anyway.
01:08:24You're a poor, wretched group of people who have...
01:08:28taken the wrong turning.
01:08:30Wrong?
01:08:34Who knows what is wrong or right?
01:08:36I prefer to believe in satanic majesty and power who can deny me.
01:08:42What proof can you bring the good is superior to evil?
01:08:46It's hard to put into words.
01:08:48But you're wrong.
01:08:50One proof.
01:08:52I'll prove you wrong.
01:08:54This afternoon, Jason and I were talking together.
01:08:56And I remembered certain phrases from childhood.
01:09:00Simple, half-forgotten words.
01:09:02It was the Lord's Prayer.
01:09:04I'm a physician.
01:09:06Yet not I nor any of my colleagues, no matter how learned,
01:09:10have ever found a substitute for those few words
01:09:13as a rule for human relationship.
01:09:16You might remember them.
01:09:18Forgive us our trespasses,
01:09:20as we forgive those who trespass against us.
01:09:24There's a sentence for you people from that same prayer.
01:09:28Lead us not into temptation, but deliver us from evil.
01:09:36All right. Thank you very much.
01:09:38That was Dr. Judd, Mary.
01:09:40He phoned to say Jacqueline's on her way here.
01:09:42Gregory.
01:09:44Yes?
01:09:46You'd better take Jacqueline with you tonight.
01:09:48It's what I should have done yesterday.
01:09:50I'll take her away someplace where she can rest.
01:09:52Mary.
01:09:54No, stay that way.
01:09:56I want to talk to you.
01:09:58I love you.
01:10:00You know that.
01:10:02Yes.
01:10:04I've never loved anyone before, Gregory.
01:10:16But I do love you.
01:10:18You must know that.
01:10:20But Jacqueline's my sister,
01:10:22whom I'd lost and found again.
01:10:24I know.
01:10:26I shouldn't have told you.
01:10:28No, I'm glad.
01:10:30At least I've heard you say it.
01:10:32I run to death.
01:10:48And death meets me as fast.
01:10:52And all my pleasures are like yesterday.
01:11:02No, no.
01:11:04See you too.
01:11:06See you too.
01:11:10See you too.
Recommended
1:35:10
|
Up next
1:39:42
1:35:05
25:11
2:19
1:35:28
1:21:17
1:21:25
1:27:27
1:13:32
1:11:57
1:19:48
1:04:53
57:33
1:19:57