- yesterday
The Marx Brothers are back in action with Madness in Morocco – A Marx Brothers Hotel Mayhem!
Set in post-war Casablanca, this 1946 comedy classic delivers a whirlwind of laughs, disguises, and chaotic hotel hijinks as Groucho, Chico, and Harpo take on spies, villains, and absurd situations in their signature style.
With fast-paced dialogue, clever gags, and non-stop mischief, this film is a must-watch for fans of old Hollywood and timeless comedy.
🎭 Restored classic film
🏨 A wild stay at the world’s most chaotic hotel
🎬 The final Marx Brothers movie together on screen
Set in post-war Casablanca, this 1946 comedy classic delivers a whirlwind of laughs, disguises, and chaotic hotel hijinks as Groucho, Chico, and Harpo take on spies, villains, and absurd situations in their signature style.
With fast-paced dialogue, clever gags, and non-stop mischief, this film is a must-watch for fans of old Hollywood and timeless comedy.
🎭 Restored classic film
🏨 A wild stay at the world’s most chaotic hotel
🎬 The final Marx Brothers movie together on screen
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30He's dead
00:01:30Captain Broussard
00:01:54Broussard
00:01:57Broussard
00:02:00I see
00:02:03Thank you, Doctor
00:02:04The manager fell dead at the hotel
00:02:07Dr. Fouchier thinks he was poisoned
00:02:08Poisoned? He was murdered
00:02:10The situation is becoming intolerable
00:02:14Three managers of the Hotel Casablanca in the last six months.
00:02:17Dead. Murdered.
00:02:20Attention, attention. Murdered at the Hotel Casablanca.
00:02:23The manager wrote his own. He's found dead.
00:02:24Round up all likely suspects.
00:02:26Relax.
00:02:43Say, what do you think you're doing? Holding up the building?
00:02:47Come on!
00:02:56No further questions. You may go now.
00:03:04In all my experience, I've never come against a series of murders with so few clues.
00:03:08Won't you please listen to Lieutenant Delbar?
00:03:10Delbar? Who is he?
00:03:11Oh, I'm sure you'll be interested.
00:03:23Lieutenant Delbar, the Governor General, Monsieur Galhoun.
00:03:25I'm on it, sir. A pleasure to see you again, sir.
00:03:27You're on active duty, Lieutenant.
00:03:29I'm on reserve, sir. I wear the uniform. I have no other clothes.
00:03:32Lieutenant, you have something to tell us about the Rollozoides affair?
00:03:35Yes, Captain. Doesn't this confirm the theory I spoke to you about last time?
00:03:38What theory?
00:03:39Not a theory. An Arabian Nights fable.
00:03:41But it's true, Monsieur. I am the only one who knows.
00:03:43And nobody listens.
00:03:45When I am listening, what is it?
00:03:47Well, sir, it was in Paris during the occupation.
00:03:50The Nazis ordered me to fly a plane to South America.
00:03:52They forced me at the point of a gun.
00:03:53The cargo was worth millions.
00:03:55It was Nazi loot.
00:03:57Jewels, gold, and priceless paintings.
00:03:59I couldn't bear to fly it out of French territory,
00:04:01so I cut off my fuel and crash-landed here in Casablanca.
00:04:04I was interned, investigated,
00:04:05and when I managed to get back to the plane,
00:04:07the treasure was gone.
00:04:08But what has that to do with these murders?
00:04:10But don't you see, sir?
00:04:11The Hotel Casablanca was controlled by Nazis.
00:04:13But now it's operated by the French government.
00:04:15That's just the point.
00:04:16Some group is trying desperately to gain control of the hotel.
00:04:18It can't be for profit.
00:04:19It's government property.
00:04:20But it might in some way be connected with the treasure.
00:04:22What is your interest in all this?
00:04:24Well, sir, if the treasure is found in Casablanca,
00:04:28it'll prove that I acted as a patriot.
00:04:29Ah, I see.
00:04:30So that's it.
00:04:32Lieutenant, we're not concerned with clearing your name.
00:04:35Our only interest is solving these murders
00:04:37and finding a new manager.
00:04:39Good day.
00:04:39Good day.
00:04:40Who is it?
00:04:51Waiter.
00:04:52Come in.
00:05:04Good.
00:05:05Get Beatrice.
00:05:05Mallet.
00:05:31Mallet!
00:05:32Rusty to Schweinhund.
00:05:37Where are you?
00:05:39Come in here.
00:05:40Where in blazes is he hiding out now?
00:05:53Why don't you obey my orders, eh?
00:05:55Eh?
00:05:56I have enough of you and your tomfoolery here.
00:06:00Two hours ago I told you to get the tailor,
00:06:03make everything ready for the fitting.
00:06:05Where is he?
00:06:07Oh, hello, Max.
00:06:08Kurt, see what you can make of this.
00:06:10My decoding is not what it used to be.
00:06:11Beatrice, I'm glad you're here.
00:06:12There's a very important cable to be decoded.
00:06:14I would have come sooner, but that Brissard kept me.
00:06:16He's questioning everyone who works in the hotel.
00:06:18Oh, you have nothing to worry about.
00:06:20In a few moments at dinner, I accept the managership.
00:06:22Oh, well, finally.
00:06:24I could have agreed this afternoon,
00:06:25but I did not wish to appear over-anxious.
00:06:27Good.
00:06:28This is from Schweigler in South America.
00:06:30Yes, I know, but what does he say?
00:06:31It's very difficult to decode.
00:06:32Give me a little time.
00:06:33Yes.
00:06:36Oh, here it is.
00:06:37Yeah?
00:06:38Why delay...
00:06:39Weren't you moron, what is this?
00:06:40The rest is inside out.
00:06:41Why delay...
00:06:44Yeah?
00:06:45Speed imperative.
00:06:49Every lost moment increases danger.
00:06:56Yeah?
00:06:57Treasury discovery...
00:07:00Discovery...
00:07:01Yeah?
00:07:01...would be disastrous.
00:07:05Yes.
00:07:06Very well.
00:07:06I wire him right away.
00:07:08Max!
00:07:09Yes?
00:07:09Look at you.
00:07:10Look at what?
00:07:11You're hit.
00:07:12What is this?
00:07:13You Schweigerhund!
00:07:15You silent idiot!
00:07:17You blader, Hamel!
00:07:18I'll teach you how to play tricks on me!
00:07:21Now stay away from me from now on!
00:07:23Get in there and clean up these roads!
00:07:26Ape!
00:07:27And now, Beatrice, I'm ready to go to the house!
00:07:39I'm ready to go to the house!
00:07:41And now, Beatrice, I'm ready to dine with the Governor-General.
00:07:58Max!
00:07:59You're to pay.
00:08:00You can't go without that.
00:08:01It's too dangerous.
00:08:02You will be recognized.
00:08:03That scar on your head.
00:08:06Rossi!
00:08:07Rossi!
00:08:08Where's my to pay?
00:08:10To me, my love, it's too long.
00:08:12Your.
00:08:13To me, my love, I fear, I fear, I fear, I fear, I fear, I fear.
00:08:31Tu m'as laissé, le cœur brisé, et je pleurais nuit et jour.
00:08:42Tu me reviens, plein de regrets, mais c'est à toi de pleurer.
00:09:01Tu me reviens, plein de regrets, mais c'est à toi de pleurer.
00:09:07Il n'y a pas d'intention d'accepter, tu ne peux pas le culprer.
00:09:11Qu'est-ce qu'on va ?
00:09:13J'ai une idée.
00:09:16Je vais envoyer un lien au manager de l'Hôtel.
00:09:19L'Hôtel de l'Hôtel ?
00:09:21Perfect.
00:09:22Il est en train d'être sur le désert.
00:09:24Il ne peut pas avoir entendu parler de ces murders.
00:09:25Qui est-ce ?
00:09:27Oh, il n'existe pas.
00:09:31Il n'y a pas d'intention d'un article.
00:09:33Miss Renard, vous pouvez mettre ça avec les articles.
00:09:36De toutes les choses, c'est la touxée.
00:09:38Une de maite aérité aérité et aérité l'intérieur.
00:10:01Qu'est-ce que tu sais ?
00:10:03Ha, ha, ha !
00:10:04Ha, ha !
00:10:07Hey, Rusty, come back to see your friend of Cobaccio.
00:10:11Ha, ha !
00:10:12Ha, ha !
00:10:14Ha, ha !
00:10:15Ha, ha, ha !
00:10:16Ha, ha, ha !
00:10:17Ha, ha !
00:10:18Ha, ha !
00:10:19Ha, ha, ha !
00:10:20Captain, we have no time to waste.
00:10:23The new manager's train arrives in five minutes.
00:10:27Hey, Russell, you hear that?
00:10:29They got the new manager for the hotel.
00:10:31Ha!
00:10:32Any manager, this job must be a big sucker.
00:10:35Anybody here for the Hotel Casablanca?
00:10:38Anybody here for the Hotel Casablanca?
00:10:40I'm going to the Hotel Casablanca.
00:10:41Oh, are you the new manager?
00:10:43New manager?
00:10:44Anybody here for the Hotel Casablanca?
00:10:46Anybody here for the Hotel Casablanca?
00:10:48Here, boy, I'm going to the Hotel.
00:10:50They'll never let you in.
00:10:51Anybody.
00:10:52Wait a minute.
00:10:53Do they let you in?
00:10:54Sure.
00:10:55I'll put a stop to that.
00:10:56I'm the new manager.
00:10:57You're the new manager?
00:10:58That's a fine.
00:10:59Just come here with that.
00:11:00The hotel sent me down to welcome you.
00:11:01Just give me my vitamins.
00:11:02Don't worry.
00:11:03You can trust me.
00:11:04I don't even trust me.
00:11:05You're going to like this job.
00:11:07You buy it.
00:11:08Nice.
00:11:09Cheap.
00:11:10Scram.
00:11:11Get out of here.
00:11:12You got to be careful of those guys.
00:11:13They take you to the cleaners.
00:11:14What about you?
00:11:15I take you to the hotel.
00:11:16Just what is your racket?
00:11:17I got a no racket.
00:11:18I make of my living with camels.
00:11:20What do you do with your camels?
00:11:21They're taxi cams.
00:11:22I'm a president of the Yellow Camel Company.
00:11:24Aren't all the camels in Casablanca yellow?
00:11:26Hey, you crazy.
00:11:27We got to check a camel company too.
00:11:29Hey, look.
00:11:30Must be expensive to operate.
00:11:31Here you are.
00:11:32So this is your wife, eh?
00:11:33No, it's my camel.
00:11:35You haven't got another stick of gum on you, have you?
00:11:36Come on.
00:11:37I'll get you to the hotel.
00:11:38Now, you understand everything that is expected of you.
00:11:52Very good.
00:11:53Free bin.
00:11:54Break it up.
00:11:55This is a hotel lobby.
00:11:56Isn't there some pool room where you boys can hang out?
00:11:57Monsieur, I'm Galou, Governor General of this province.
00:12:00And I'm Brissard, Chief of Police.
00:12:02I'm Ronald Cornblow, the new manager.
00:12:03The new manager!
00:12:04Oh, Monsieur Cornblow, it is a pleasure.
00:12:08Monsieur Cornblow, I know you've traveled quite a distance, and I'm sure your journey
00:12:12was quite tedious.
00:12:13I've seen five o'clock shadow, but this is ridiculous.
00:12:16Monsieur, we have assembled the staff so you can tell them what you expect of them.
00:12:21Never mind the staff.
00:12:22Assemble the guests.
00:12:23I'll tell them what I expect of them.
00:12:24The guests?
00:12:25What do you expect of them?
00:12:26Courtesy towards the employees.
00:12:27They must learn that a kind word will get them further with a bellboy or a chambermaid
00:12:30than a couple of drinks.
00:12:31Of course, a kind word and a cup of drinks will get them still further.
00:12:34And if they get them any further than they will get them kicked out of the hotel.
00:12:37Now, gentlemen, what I'm concerned about is the future of this place.
00:12:40What have you to suggest?
00:12:41Well, we've got to speed things up.
00:12:43Chef, if a guest orders a three-minute egg, give it to him in two minutes.
00:12:46If he orders a two-minute egg, give it to him in one minute.
00:12:48And if he orders a one-minute egg, give him a chicken and let him work it out for himself.
00:12:54There must be some mistake.
00:12:56This man is impossible.
00:12:57I know, I know, but beggars cannot be choosers.
00:13:00I hope he does not have any more ideas.
00:13:02And now, gentlemen, I've got another idea.
00:13:04Yes, Monsieur, another idea?
00:13:06Yeah, the next thing we're going to do is change the numbers on all the rooms.
00:13:09But the guests, they will go into the wrong rooms.
00:13:12Think of the confusion.
00:13:13Yes, but think of the fun.
00:13:14Please, Capitan.
00:13:15We must not annoy Monsieur Cornblow with more questions.
00:13:18Monsieur, I presume you are tired after your long journey.
00:13:22Perhaps you would like to lie down.
00:13:28Your office, Monsieur.
00:13:29Your desk.
00:13:30Please be seated, Monsieur.
00:13:35Now, gentlemen, I'm a different man behind a desk, as any sonographer can tell you.
00:13:39But what I want to know is, why are they burying the last manager?
00:13:42And don't tell me it's because he's dead.
00:13:44Oh, but you are alarming yourself over nothing.
00:13:46Monsieur Rollozoides died a natural death.
00:13:50And what happened to the manager that preceded him?
00:13:52He, uh, he, uh, Monsieur, we caught him stealing money.
00:13:56We were forced to discharge him.
00:13:58I see.
00:13:59You want a manager that doesn't steal money.
00:14:00Good day, gentlemen.
00:14:01Oh, Monsieur.
00:14:02Please, Monsieur Cornblow, do not take offense.
00:14:03You are making a mountain out of a molehill.
00:14:05Well, that's quite a trick.
00:14:06You try that sometime.
00:14:07Monsieur Cornblow, you noticed we didn't mention your salary.
00:14:10You're darn right I've noticed it.
00:14:11What about it, kids?
00:14:12You get 500 francs a week.
00:14:13Fair enough.
00:14:14What about my laundry?
00:14:15Laundry?
00:14:16Yes, you know, the stuff that doesn't come back.
00:14:18Oh, we pick up your laundry once a month.
00:14:20If you wait that long, you won't be able to pick it up.
00:14:30Pierre.
00:14:31Annette, what are you doing here?
00:14:32Darling, I had to come.
00:14:33I found this in the hotel.
00:14:34It may mean something.
00:14:37Krausen Company, Berlin.
00:14:38This was made for Heinrich Stubel.
00:14:46Do you have a guest in the hotel named Stubel?
00:14:47Not that I know of.
00:14:48Of course, if you have, he's probably changed his name.
00:14:50Stubel was a big-shot Nazi.
00:14:51He was stationed in Paris.
00:14:52Darling, maybe this is the lead you've been waiting for.
00:14:55Yeah, maybe.
00:14:56Now, you run back to the hotel as fast as you can
00:14:58and put this in the lost and found.
00:14:59I don't think you'd be stupid enough to ask for it,
00:15:01but I don't want to miss any bets.
00:15:02All right.
00:15:03Bye.
00:15:06Imprisoned.
00:15:07Helpless.
00:15:08Unable to show my face.
00:15:10Trapped in this room all the time.
00:15:11This is an animal existence.
00:15:12Oh, Max, please control yourself.
00:15:14Control yourself, she says.
00:15:16Me, Heinrich Stubel, defeated by a stupid toupee.
00:15:20Awake, a few strands of hair.
00:15:22Why do I have to have this cow on my head to brand me, to mock me?
00:15:27Max, I have an ID.
00:15:29What is it?
00:15:34I shall see you later.
00:15:35Beatrice, whatever you do, be careful.
00:15:37Don't arouse suspicion.
00:15:38Don't worry.
00:15:54See who it is, quick!
00:15:55Oh, Rusty.
00:15:56You've got my toupee.
00:15:57Give it to me, quick.
00:15:58Oh, thank you.
00:15:59What?
00:16:00You spino-hunt, you inferior ape, you...
00:16:01Let me, Max, just once.
00:16:02Go ahead.
00:16:03Kurt.
00:16:04He wants to have a duel.
00:16:05Wonderful.
00:16:06And it's been so long since Heidelberg.
00:16:07Cut him up a little, Kurt.
00:16:08I shall enjoy watching.
00:16:09It will soothe me to see someone in pain.
00:16:13Oh, no, you...
00:16:14You spino-hunt, you inferior ape, you...
00:16:16Let me, Max, just once.
00:16:17Go ahead.
00:16:18Kurt.
00:16:19He wants to have a duel.
00:16:20Wonderful.
00:16:21And it's been so long since Heidelberg.
00:16:23Cut him up a little, Kurt.
00:16:24I shall enjoy watching.
00:16:25It will soothe me to see someone in pain.
00:16:26Oh, no, you...
00:16:27Very well.
00:16:28Without my toupee, I have nowhere to go.
00:16:29We shall wait.
00:16:30Come out, you dork!
00:16:31Oh, no, you...
00:16:32Very well.
00:16:33Without my toupee, I have nowhere to go.
00:16:34We shall wait.
00:16:35Come out, you dork!
00:16:36Come out, you dork!
00:16:37Very well.
00:16:38Without my toupee, I have nowhere to go.
00:16:41We shall wait.
00:16:43Come out, you dork!
00:16:54He thinks that will protect him against me,
00:16:56the finest swordsman in Bavaria.
00:16:58We shall duel according to tradition.
00:17:01Give me your sword.
00:17:02Gentlemen, choose your weapons.
00:17:05That fool!
00:17:14Only one.
00:17:15For that, he will get another cut.
00:17:17I shall enjoy watching.
00:17:19Now, gentlemen, back to back.
00:17:21Now, when I count three, you walk five paces,
00:17:24and then you turn and defend yourselves.
00:17:26One, two, three, go!
00:17:29One, two, three, four, five.
00:17:31Anger!
00:17:33Over there!
00:17:34Kurt, it seems as if he's making a fool at you.
00:17:41Just wait.
00:17:43Very well.
00:17:44Remember Heidelberg.
00:17:50Get him.
00:17:51Get him!
00:17:54Very good, Kurt.
00:17:55Pick up your sword.
00:18:05What's the matter with you, Kurt?
00:18:06Stand still and fight!
00:18:07Kurt, come on!
00:18:08Show your swordsmanship!
00:18:09Jawohl!
00:18:10Come on!
00:18:11Show your swordsmanship!
00:18:12Jawohl!
00:18:27Kurt, come on, show your swordsmanship.
00:18:36Jawohl!
00:18:49For that, I'm going to kill you.
00:18:52Down, down on your knees, on your knees, you swine, down!
00:18:57Oh, Kurt, you're wasting your time. Cut them up!
00:19:02Get up and fight!
00:19:05I would like to see a little blood.
00:19:19Don't leave a hand.
00:19:27Listen.
00:19:42Hello?
00:19:48Hello?
00:19:50cigarette no thanks cigar no thanks you want a light mm-hmm how about things down the other end
00:20:20this is like living in Pittsburgh if you can call out living I am Beatrice Reiner I stop at the hotel
00:20:42I'm Ronald Cornblow I stop at nothing I'm looking for something are we all mr. Cornblow I lost my
00:20:49diamond clip and I thought it might have turned up in the lost and found the part oh the lost and
00:20:54found apartment well just slink yourself over this way well here we are in the lost and found
00:21:02apartment I'm lost and you're found my clip please well I'll take a look if I can't find
00:21:06the clip perhaps I can interest you in something else say you think you lost something get a load
00:21:17of this a toupee now who could have lost that some guy must have blown his top oh but I just love your
00:21:25hair it's so soft and silky silky now but next year I'm getting nylon you know I think you're the most
00:21:33beautiful woman in the whole world do you really no but I don't mind lying if it'll get me somewhere
00:21:37I shall be in the supper club tonight the supper club yes will you join me why are you coming apart
00:21:44oh come on now you wouldn't say no to a lady I don't know why not they always say no to me if you
00:21:50come to the supper club I shall sing some opera for you bye-bye now and remember I shall be singing only
00:22:01for you you don't have to sing for me just whistle that reminds me I must get my watch fixed
00:22:31oh
00:23:01Come on, now, everyone's listening, all right?
00:23:06Who's sorry now?
00:23:09Who's sorry now?
00:23:12Whose heart is aching
00:23:14For breaking its vow?
00:23:17Who's telling the truth?
00:23:20Who's trying to?
00:23:23Just like I cried over you.
00:23:28Who's lying to the end?
00:23:31Just like a friend.
00:23:35I tried to warn you somehow.
00:23:40You had your way.
00:23:43Now you must pay.
00:23:47I'm glad that you're sorry now.
00:23:53I'm glad you're sorry now.
00:23:58Oh, but it was wonderful.
00:24:00Oh, Beatrice, you were magnificent.
00:24:08Well, thank you, Count.
00:24:11We take no more chances with Cornwell.
00:24:12We'll get rid of him tonight.
00:24:14Tonight?
00:24:14Yes.
00:24:15You will make a rendezvous with him later,
00:24:16some quiet corner away from the hotel,
00:24:18say 11 o'clock.
00:24:20Exactly what corner?
00:24:21Rue Lafayette.
00:24:22Rue Lafayette, very well.
00:24:23Waiter?
00:24:26You will find an excuse to leave here in time.
00:24:29You will drive to Cannes.
00:24:30You will see to it that it looks like a traffic accident.
00:24:34And make it fatal.
00:24:35That's all, waiter.
00:24:36All right, what do you want?
00:24:44Not so quick, my friend.
00:24:45It costs money.
00:24:46What are you talking about?
00:24:47You know that I'm broke.
00:24:48I also know that you're looking for a man who wears a toupee.
00:24:53You know who he is?
00:24:53This means everything to me.
00:24:58If you know who he is, please tell me.
00:25:00The wheel has been unkind to me tonight.
00:25:02I should like to try again.
00:25:04It would only take a few hundred francs.
00:25:05Look, I'll pay you, I promise.
00:25:07The crew PA doesn't accept promises.
00:25:09Tell me his name.
00:25:11You should help him to find a few hundred francs.
00:25:13I'll be at the brass monkey.
00:25:16What's the matter, PA?
00:25:17You need some money.
00:25:18Don't worry, Cabaccio.
00:25:19I'll get what I want from that rat without money.
00:25:20He'll never get nothing from that rat without money.
00:25:24That rat's just like me.
00:25:27Hey, what I say, I'm crazy.
00:25:30You know I'm worried about it, Pierre.
00:25:33We've got to get him some money.
00:25:35You get him some money?
00:25:37Hey, not of that the way.
00:25:39Come on.
00:25:39There is no room in the club.
00:25:42But of course, monsieur, there is always room for one more.
00:25:46They set up a table for two.
00:25:47Follow me.
00:25:48Hey, Rusty.
00:25:51You see that guy?
00:25:52He's got a good idea.
00:25:54Now I get him money for Pierre.
00:25:57Hey, boss.
00:26:05You want a table?
00:26:06Yes, of course.
00:26:07All right.
00:26:07Call me.
00:26:09Get him a table, Rusty.
00:26:11Our table, I said.
00:26:16Everybody's going to get to the table.
00:26:17No, no checks.
00:26:19There's always a room for one more.
00:26:35Pardon me.
00:26:36Did you drop this?
00:26:38I beg your pardon.
00:26:40Take me to Miss Reiner's table.
00:26:41Oui, monsieur.
00:26:42Here she is here.
00:26:42Right this way.
00:26:47Ah, Miss Reiner.
00:26:55I usually put my foot into it.
00:26:57You fool.
00:26:58See what you've done to my shirt.
00:26:59Sorry.
00:27:00You can hardly notice it unless you're looking for a plate of soup.
00:27:02Come, Featherman.
00:27:03How terrible.
00:27:04If you will come to the kitchen with me, I will fix it for you.
00:27:06I hope I'm not driving you away.
00:27:08Oh, Schweinhardt.
00:27:10Speaks excellent German.
00:27:11Not very sporting of him to eat and run like that.
00:27:13You'd probably get stuck with the check.
00:27:15That's it.
00:27:16Come on, folks.
00:27:16Who else?
00:27:17Who else?
00:27:17Come on.
00:27:18I am terribly thirsty.
00:27:20Thirsty?
00:27:20Waiter.
00:27:21What would you like to drink?
00:27:22Champagne.
00:27:22Champagne, huh?
00:27:26Bring this lady a cheese sandwich.
00:27:28Oui, monsieur.
00:27:28Charge it to her.
00:27:29Do you rumba?
00:27:34Well, yes.
00:27:35Well, I don't, but I'll walk around with you while you rumba.
00:27:37Oh, come on.
00:27:49Hold this till I get back.
00:27:53I'm back.
00:27:56All right.
00:27:56Come on.
00:27:57Come on.
00:27:57Everybody's got to be taken care of.
00:28:04All right.
00:28:04Two feet, please.
00:28:05Come on.
00:28:05That's it.
00:28:06You too.
00:28:12What a great place to squeeze an orange.
00:28:21I remember this was all dance floor.
00:28:27I wonder if it gets crowded here on New Year's Eve.
00:28:35All right.
00:28:35Come on.
00:28:35Two more.
00:28:36That's it.
00:28:36Come on.
00:28:37Come on.
00:28:40Come on, people.
00:28:42Follow me.
00:28:46This place has a wonderful floor show.
00:28:48It's too bad they haven't got a floor.
00:29:04Why can't we go to some quiet place where we could be alone?
00:29:08If I didn't know your voice, I'd have sworn I said that.
00:29:12Meet me at the corner of Rue Lafayette at 11.
00:29:15At 11?
00:29:1611.
00:29:19Now we've got enough money for Pierre to take care of that rat.
00:29:22What about you?
00:29:23Well, you take over for me again.
00:29:24I've got to make a phone call.
00:29:25Oh, sure.
00:29:25Go ahead.
00:29:26Go ahead.
00:29:26Here, Rusty.
00:29:27You find the Pierre.
00:29:28You give me this money.
00:29:29Here.
00:29:29Take the coat.
00:29:29I'm all finished.
00:29:30Here.
00:29:31Go ahead.
00:29:33We're going to play a little classical number.
00:29:35We're going to play the second movement from the beer barrel poker.
00:29:38Here.
00:29:38Here.
00:29:55We're going to play the second movement from the beer barrel poker.
00:30:25We're going to play the second movement from the beer barrel poker.
00:30:55We're going to play the second movement from the beer barrel poker.
00:31:06We're going to play the second movement from the beer barrel poker.
00:32:15Hello, darling. You're out of time.
00:32:24Darling, I'm afraid we're not going to enjoy the evening very much.
00:32:27Why? What's the matter?
00:32:28The toupee's gone.
00:32:29Well, that's good. Who took it?
00:32:30That's the trouble. I don't know.
00:32:31I've been trying to find Mr. Cornblow, but he isn't around.
00:32:34Oh, Abdel.
00:32:35Yes, Miss Renaud.
00:32:36Abdel, have you seen Mr. Cornblow?
00:32:38Mr. Cornblow went out about an hour ago.
00:32:40He asked me to direct him to the corner of Rue Lafayette.
00:32:43Thank you so much.
00:32:45Well, wait a minute.
00:32:49Can that be Mr. Cornblow?
00:32:53Good heavens, Mr. Cornblow. What happened?
00:32:56What happened?
00:32:56I was stood up by a woman and knocked down by a car.
00:32:59These Casablanca drivers are terrible.
00:33:00He missed me three times.
00:33:02I finally had to climb a palm tree, and he hit that instead.
00:33:05A palm tree?
00:33:06Yeah, until I saw you two, I thought every date in town was broken.
00:33:09Mr. Cornblow, I'd like you to meet my fiancée, Lieutenant Delbar.
00:33:11Oh, fiancée. Excuse my ashes.
00:33:13How are you doing?
00:33:14Fiancée, eh?
00:33:15Why don't you two love birds get married?
00:33:17Oh, marriage is impossible.
00:33:18Only after you're married.
00:33:20He means it's impossible for us.
00:33:22It's a long story, Mr. Cornblow.
00:33:23Well, I'm all ears. Pretty near, anyway.
00:33:25Tell him, Pierre.
00:33:26All right.
00:33:27Well, sir, it's a story about a treasure of Nancy Luke.
00:33:30Hidden somewhere in Casablanca.
00:33:32I was in Paris during the operation.
00:33:37You fool!
00:33:38I ought to kill you.
00:33:39Millions in our reach.
00:33:41And we can't get our hands on it.
00:33:42Oh, Max, please.
00:33:46Beatrice, I have an idea.
00:33:47What is it?
00:33:48If I were to find Cornblow with you in your room,
00:33:51I could be the outlaced fiancée.
00:33:53I could, as the Americans say, bump him off.
00:33:56In self-defense, of course, it would be as simple as that.
00:33:58Yes, I could bump off Cornblow in your room, Beatrice.
00:34:03I think that's a wonderful idea.
00:34:05He's most anxious to be alone with me.
00:34:14Hey, Rosti!
00:34:16What's the matter?
00:34:17You looking up for somebody?
00:34:19Who?
00:34:20Buffalo Bill?
00:34:22Guy eating a watermelon?
00:34:22Ouch, my corn!
00:34:25Blow?
00:34:26Cornblow!
00:34:26Oh, you're looking up for cornblow.
00:34:29You got something for cornblow?
00:34:30What do you got?
00:34:31A soup?
00:34:32Yeah, soup.
00:34:33Tiny boy.
00:34:35Eat a chop suey.
00:34:36Eat a chalmaine.
00:34:37Eat a rice.
00:34:39Soup and a rice.
00:34:40Soup and a rice.
00:34:41Soup, rice, soup, rice.
00:34:42Surprise!
00:34:43You got surprise for Cornblow.
00:34:45Oh, surprise, surprise.
00:34:48What's a surprise you got?
00:34:50He's going to hunt him?
00:34:51Someone's going to hang him?
00:34:52Going to make it a bump?
00:34:54Up?
00:34:54Bump off!
00:34:55Somebody's going to bump off a cornblow!
00:34:57Somebody's going to bump off a...
00:34:59Who's going to bump off a cornblow?
00:35:02Guy with a cigar?
00:35:04A scar?
00:35:05Count with a scar!
00:35:06The count with a scar is going to bump off a cornblow!
00:35:08Oh, where's he going to do this?
00:35:11On the roof?
00:35:12Up the stairs?
00:35:15You knock on the door.
00:35:17You open the door.
00:35:18You step in the side.
00:35:19You close at the door.
00:35:20You're in the room.
00:35:22In the room!
00:35:23Oh, smart!
00:35:25In the room, eh?
00:35:27Wait.
00:35:28Wait.
00:35:29Whose room?
00:35:31Room with a snake?
00:35:33I've got a snake.
00:35:35Big snake.
00:35:37Big, big snake.
00:35:39Big...
00:35:40Ha, ha, ha.
00:35:41That's a nice snake.
00:35:43No.
00:35:44It's a lady.
00:35:45A lady.
00:35:46A lady's room.
00:35:47Oh, the lady's room.
00:35:49Wait.
00:35:49Was you in the room?
00:35:50What's the matter?
00:35:53Is a dog in the room?
00:35:54What kind of dog in the room?
00:35:56A look.
00:35:58Look at the leg.
00:36:00A look.
00:36:01Look.
00:36:01A peek.
00:36:02Peek.
00:36:02Get the knees.
00:36:03Peek at the knees.
00:36:04Peek at the knees, dog!
00:36:05She's got a peek at the knees, dog.
00:36:07Wait.
00:36:07Who's the guy to peek at the knees, dog?
00:36:09What's the lady's name?
00:36:11Rose?
00:36:12The lady's name is Rose.
00:36:13No Rose.
00:36:18She's a slap happy?
00:36:21Bugs?
00:36:23It's no matter what kind of name is this.
00:36:25That's airplane.
00:36:29Airplane.
00:36:31A bomber plane.
00:36:32B bomber plane.
00:36:33Black widow.
00:36:34A mosquito.
00:36:36A B-29.
00:36:37A B-29.
00:36:37B-29.
00:36:39B-29.
00:36:43B-29.
00:36:44Be, be, twist, be, twist, be, twist, be, twist, be, twist, be, twist, be, twist.
00:37:00Mr. Conblow, you will be good enough to arrange a place for me on the evening plane for Tunis.
00:37:12Tunis, eh? There are some beautiful women in Tunis.
00:37:14Yoo-hoo!
00:37:15I'm not interested in beautiful women.
00:37:17Well, in that case, look up some of the women I've taken out.
00:37:19Just see to it that I get my reservation.
00:37:24Bafferman is flying to Tunis. Get him a seat by an open window.
00:37:27Oui, monsieur.
00:37:28Hey, boss! Boss Rusty's got something to tell you.
00:37:42Okay, I'll take one of those.
00:37:48Hey, he's a dog. He don't understand the plain English.
00:37:51Hey, boss! You're in danger. Your life is hanging by a thread.
00:37:54It's all my pants.
00:37:55Yeah, but they're going to kill you.
00:37:56How do you know?
00:37:57It's all over the hotel. Everybody knows about you.
00:38:00I wish they'd tell me these things. I don't mind being killed, but I resent hearing it from a character whose head comes to a point.
00:38:05A point, Bear? Look, boss. Maybe they want to surprise you.
00:38:08Well, I'd like to know how to dress.
00:38:09You look fine. You're dressed to kill.
00:38:11But what you need is a good bodyguard.
00:38:14What I need is a good body. The one I've got isn't worth guarding.
00:38:17By the way, since when are you a bodyguard, I thought you were in the camel business.
00:38:20Oh, in the daytime, I'm in the camel business. At night, I'm a bodyguard.
00:38:23I see. Well, suppose I get killed in the daytime.
00:38:25Well, then I give you a free ride on my camera.
00:38:27Look, boss. I could keep you alive for 50 pranks a week.
00:38:30It isn't worth it.
00:38:31Well, you can take it with you.
00:38:32Well, I'm not going to leave it laying around here.
00:38:34But, boss, if I'm your bodyguard, I'll watch you like a mother watches a baby.
00:38:38Is the mother pretty?
00:38:39What's the difference?
00:38:39Well, there's a lot of difference, but the mother's pretty.
00:38:41I'll watch the mother, and you can watch the baby.
00:38:43Hey, what do you got there?
00:38:44The manager's lunch.
00:38:45Okay, go in.
00:38:49What's the matter? You hungry?
00:38:51Ah, look.
00:38:54You're crazy.
00:38:55But are you hungry, huh?
00:38:57Come on. I face.
00:38:57Come on.
00:38:58Come on.
00:38:58Come on.
00:39:04Hey, boss, wait.
00:39:05Don't touch it.
00:39:06Don't.
00:39:07Don't, boss.
00:39:08Oh, you had to be scared.
00:39:10You know, three managers before you died from eating poisoned food?
00:39:13This food doesn't look any more poisoned than any other hotel food.
00:39:15Give me that.
00:39:16Oh, no, boss.
00:39:16Look, you've got to have somebody to test the food.
00:39:19What you need is a guinea pig.
00:39:20You eat the guinea pig.
00:39:21I'll stick to this.
00:39:22Give me my stick.
00:39:22I don't mean a real guinea pig.
00:39:24I mean a human guinea pig.
00:39:25I don't want to eat any kind of a guinea pig.
00:39:26I want my meal.
00:39:28Nah, there's a human guinea pig.
00:39:29He looks like a pig, but he doesn't look human.
00:39:31That food doesn't seem to be poisoned.
00:39:39Yeah, you can't tell.
00:39:39It hasn't reached his stomach yet.
00:39:42That's the seal of good housekeeping.
00:39:45Hey, what is this, a steak race?
00:39:46Now, see here, you guys.
00:39:48Give me back my lunch.
00:39:49Oh, no, you make a mistake.
00:39:50That's a mistake, and I want it.
00:39:51Come on.
00:39:52Hey, Ross, you want to give him a little something?
00:39:54No, thanks.
00:39:55They give me a heartburn.
00:40:01Well, I just wanted to take a little shot, that's all.
00:40:27Hey, you cheap crook, that bottle's empty.
00:40:29That's dry champagne.
00:40:30Oh, no, you don't.
00:40:31You want to get poisoned?
00:40:32Well, I'm not sure that I'd mind anymore.
00:40:39Who's he talking to?
00:40:40Salt Lake City.
00:40:44Couldn't spare just a little sip of that, huh?
00:40:50Well, if the coffee doesn't keep him awake, the cup and saucer will.
00:40:55Wouldn't it be great if they ate each other?
00:40:59Yes.
00:41:17Yes.
00:41:18Yes.
00:41:19Yes.
00:41:21Yes.
00:41:21Yes.
00:41:23Yes.
00:41:24We'll find it.
00:41:25but monsieur but but but but sound like a motorboat give me hello what's that sound
00:41:39you've been up in your room three and a half hours and your trunks haven't arrived
00:41:42well put your pants on nobody know the difference
00:41:46out of the way please
00:41:52clerk mr cornblow to you have you a suite for me and my wife your wife eh yes and we'd like
00:42:06something very elegant i see you got any baggage of course it's on its way over from the airfield
00:42:12in all the years i've been in the hotel business that's the phoniest story i've ever heard
00:42:16i suppose your name is smith no it's smite spelled with a y oh that's the english version
00:42:22mr mr smite and no baggage let me see your marriage license what why how dare you sir
00:42:29how do you like that puts a y in smith and expects me to let him in the hotel with a strange dame
00:42:34strange strange dame she is to me i've never seen her before
00:42:38sir you may not be aware of it but i am president of the morocco laundry company you are well take
00:42:45this shade and have it back friday mr smith or smith this is a family hotel and i suggest you take your
00:42:55business elsewhere sir this lady is my wife you should be ashamed if this lady is your wife you
00:43:01should be ashamed you'll hear from me do that even if it's only a postcard sir my attorneys will be here
00:43:07in the morning yeah well they won't get a room either unless they got a marriage license click
00:43:12hello reception desk mr corin blue this is beatrice reiner speaking oh miss reiner are you very busy
00:43:29this afternoon look after that disappearing act you did the other night we have nothing in common
00:43:34well perhaps i shouldn't say nothing in common but we have very little in common anyway i'm not
00:43:38talking to you oh please won't you come up well all right i'll come up but don't expect me to do any
00:43:45talking
00:43:46sixth floor make it snappy the sixth floor it's up this way
00:44:01you don't have to lift it just pull the lever it'll go up by itself
00:44:05what's the matter is it stuck between the fifth and sixth floor this can only happen to me
00:44:28why doesn't shield in the basement here you climb up to the roof of the car put yourself out of the
00:44:33sixth floor and get a help if you can't get help give me some insurance come on
00:44:37whoop
00:44:37what's the matter is it stuck to me
00:44:39whoop
00:44:43how's the matter is it
00:44:46both the matter is it
00:44:50how's the matter is it
00:44:51the matter is there's a lot of trouble
00:44:52what we're trying to get to do
00:44:55THE END
00:45:25THE END
00:45:55THE END
00:45:57THE END
00:45:59THE END
00:46:01THE END
00:46:03THE END
00:46:05THE END
00:46:07THE END
00:46:09THE END
00:46:11THE END
00:46:13THE END
00:46:15THE END
00:46:17THE END
00:46:19THE END
00:46:21THE END
00:46:25THE END
00:46:27THE END
00:46:31THE END
00:46:33THE END
00:46:37THE END
00:46:39THE END
00:46:41THE END
00:46:43THE END
00:46:47THE END
00:46:49THE END
00:46:51THE END
00:46:53THE END
00:46:55THE END
00:46:57THE END
00:46:59THE END
00:47:01THE END
00:47:03THE END
00:47:05THE END
00:47:07THE END
00:47:09THE END
00:47:11THE END
00:47:13THE END
00:47:17THE END
00:47:19THE END
00:47:21THE END
00:47:23THE END
00:47:25THE END
00:47:27THE END
00:47:29THE END
00:47:31THE END
00:47:33THE END
00:47:35THE END
00:47:37THE END
00:47:39THE END
00:47:41THE END
00:47:43THE END
00:47:45THE END
00:47:47THE END
00:47:49THE END
00:47:51THE END
00:47:53THE END
00:47:55THE END
00:47:57THE END
00:47:59THE END
00:48:01THE END
00:48:03THE END
00:49:35Oh, you know how to fix it, huh?
00:50:07The Count left town.
00:50:12We used to go to my rooms after I sang and split a bottle of champagne.
00:50:18Well, I could pinch hit for the Count.
00:50:20At least I could pinch for her.
00:50:21Hey, boss, I heard that.
00:50:25Come here.
00:50:26This never happened to Casanova.
00:50:27Oh, come here.
00:50:29Look, am I your bodyguard?
00:50:30We have an agreement, and I can't wait until it expires.
00:50:33Exaspire.
00:50:33I don't want you should exaspire first.
00:50:36You're playing around with dynamite.
00:50:37I know what I'm doing, and I think she does, too.
00:50:41But, boss, I'm supposed to keep you alive.
00:50:44If I go, that's the way I want to go.
00:50:47Well, shall we say in half an hour?
00:50:52In half an hour.
00:50:54And this time, I'll walk up.
00:51:01Hello?
00:51:03Max, where are you?
00:51:05I'm in the steam room at the Turkish bath.
00:51:07But that man, Kornblow, will be here any minute.
00:51:10Suppose you get here in 15 minutes.
00:51:11Can you make it?
00:51:12I'll be there on time.
00:51:14Kornblows have to be finished tonight.
00:51:18Come in.
00:51:24Oh, that's so sweet of you.
00:51:30Thank you so much.
00:51:31Oh, they're lovely.
00:51:33Just beautiful.
00:51:34Oh, these roses.
00:51:37I shall keep them forever.
00:51:39That's what you think.
00:51:39I only rented them for an hour.
00:51:41Oh, Monsieur Kornblow.
00:51:43Call me Montgomery.
00:51:44Is that your name?
00:51:45No, I'm just breaking it in for a friend.
00:51:48How about getting rid of that mutt?
00:51:50Oh, Fru-Fru's a watchdog.
00:51:52Well, let him watch somebody else.
00:51:53Oh, Fru-Fru won't bother us.
00:51:55He has such good manners.
00:51:57If he has his good manners, he'll get off your lap and give me a seat.
00:51:59He can stand up better than I can.
00:52:00He's got twice as many legs.
00:52:01Well, très bien.
00:52:04I was afraid of that.
00:52:07Hold everything.
00:52:10Who is it?
00:52:11Hey, boss, you got a woman in there?
00:52:13She lives here.
00:52:14Yeah, but you don't.
00:52:15She'll have to get you out.
00:52:17Remember, I'm your bodyguard.
00:52:18I'm too old to have a bodyguard.
00:52:20Then you're too old to be in there.
00:52:21Well, it's pretty logical at that.
00:52:25We go to my room.
00:52:26Get on the back way.
00:52:26I'll meet you there in five minutes.
00:52:27Oh, no, but what about Fru-Fru?
00:52:29You wouldn't want me to leave my little poochie gucci.
00:52:32I'll meet you halfway.
00:52:33Bring the poochie and leave the gucci here.
00:52:35All right.
00:52:45I want to get loaded tonight, but not this way.
00:52:49Wait a minute.
00:52:50What about Strauss?
00:52:51Let Strauss get his own girl.
00:52:53Oh, no, but I must have music.
00:52:55Music?
00:52:55Maybe we'd better call the whole thing off.
00:53:11Are you sure you have everything now?
00:53:13Well, I've got enough to begin with.
00:53:17You swine, don't I teach you?
00:53:25Come in.
00:53:49It's not very discreet of me to come to your room.
00:53:52Do you think it's wise?
00:53:53The smartest thing you ever did.
00:53:55You seem to be very sure of yourself.
00:53:58Why not?
00:53:58I've got to be sure of one of us.
00:54:00After all, I'm a man and you're a woman.
00:54:02I can't think of a better arrangement.
00:54:04You men are all alike.
00:54:06Yeah, and don't let anybody tell you any different.
00:54:08Well, let's pick up where we left off in your room.
00:54:10Let's live for the moment.
00:54:12Well, that takes care of the moment.
00:54:15Hey, boss, you got a woman in there?
00:54:17It's my sister.
00:54:18She is, huh?
00:54:19Well, I'm her brother.
00:54:20Get her out.
00:54:20I'll never leave her.
00:54:21I'm mad about her.
00:54:22I'm crazy about her.
00:54:23I've completely lost my head.
00:54:24Well, put your hat on your neck and get out.
00:54:27These interruptions are driving me mad.
00:54:30Well, they're cramping my style, too.
00:54:32I'm going back to my room.
00:54:34Well, here we go again along journey westward.
00:54:36We're going to go steady.
00:54:52We'll let me get a small truck.
00:54:53Oh, hurry, will you?
00:54:55You so fine a hunt.
00:54:57I teach you to...
00:54:58I teach you to...
00:54:59I teach you to...
00:55:04Who's there?
00:55:22It's me, the hunchback of Notre Dame.
00:55:24Hey, boss, you got a woman out there?
00:55:26No.
00:55:27Well, go away.
00:55:27I got one in here.
00:55:30Save me the cork.
00:55:31I'm going fishing.
00:55:41Cornblow!
00:55:42Ah, Count Pfeffermann.
00:55:43Back unexpectedly, eh?
00:55:45I missed my connections.
00:55:46It's not easy to make connections in Casablanca.
00:55:48I missed a few myself tonight.
00:55:50I missed a few myself tonight.
00:56:20I missed a few myself tonight.
00:56:21I missed a few myself tonight.
00:56:22I missed a few myself tonight.
00:56:23I missed a few myself tonight.
00:56:24I missed a few myself tonight.
00:56:25I missed a few myself tonight.
00:56:26I missed a few myself tonight.
00:56:27I missed a few myself tonight.
00:56:28I missed a few myself tonight.
00:56:29I missed a few myself tonight.
00:56:30I missed a few myself tonight.
00:56:31I missed a few myself tonight.
00:56:32I missed a few myself tonight.
00:56:33I missed a few myself tonight.
00:56:34Mesdames, je sont faits.
00:56:36Je sont faits.
00:56:42Rien ne va plus.
00:56:44Plus rien, mesdames.
00:56:46Le numéro 5, rouge, apparemment.
00:56:48Number 5.
00:56:54Je sont faits. Plus rien.
00:56:56Plus rien, mesdames.
00:56:58Encore. Number 5.
00:57:00Repeat again.
00:57:04My assistant will carry it to the cashier, monsieur.
00:57:08You mean you want to bet them all again on number 5?
00:57:10Oh, no, Rusty, no.
00:57:12Hey, you crazy. You lose that money.
00:57:14We gotta save something for a rainy day.
00:57:16That's impossible, monsieur.
00:57:22Ah, gambling, eh?
00:57:24Monsieur Cornblanc, this gentleman has won twice on number 5,
00:57:26and he wants to bet them all again.
00:57:28Well, that's his hard luck.
00:57:29But, Monsieur Cornblanc, it is far over the limit.
00:57:30If he wins, he will break the bank.
00:57:32Who cares about the bank?
00:57:33I'm running a hotel.
00:57:34You idiot. The bank is the hotel.
00:57:36Keep your medals on, fat boy.
00:57:38You know what the odds are against a number repeating three times?
00:57:40Never mind. The odds have seen it happen before.
00:57:42And if it does, it will break the bank.
00:57:44Not if I roll the wheel.
00:57:46You sure you want to go through with this?
00:57:48Remember what happened in 1929?
00:57:50Okay.
00:57:52Stop that wheel.
00:57:53Sorry, Monsieur Gallaud. The play has started.
00:57:55Three times in a row. What a sucker.
00:57:57Ha, ha, ha, ha.
00:57:59Number 5.
00:58:01The richest sucker on Canada Bible.
00:58:03Goodbye, Mr. Chips.
00:58:05Fight, fight, fight, fight, fight.
00:58:08Hey, not Mr. Me.
00:58:10It is very obvious that this was a conspiracy.
00:58:22Your manager and those two hoodlums are always together.
00:58:25They've been waiting for this opportunity.
00:58:27Don't you see that?
00:58:28I have found out he was never the manager of the Desert View Hotel.
00:58:31What?
00:58:32He ran a small motel in the desert.
00:58:34He's an imposter.
00:58:35You saw how he broke the rule and spun the wheel himself.
00:58:38You saw how the Silent One immediately gave that secretary a share of the winnings.
00:58:41Count, you are right.
00:58:42We've been tricked.
00:58:43He's a crook.
00:58:44Worse.
00:58:45He may be one of the gang that's been murdering your managers.
00:58:47I never thought of that.
00:58:50Count, if it is not too late, I humbly offer you the position of manager.
00:58:54I accept.
00:58:55You are under one condition.
00:58:56That you give immediate orders for the arrest of this gang of thieves and the recovery of
00:58:59the money they have stolen.
00:59:00Arrest them at once for conspiracy to defraud, to rob us, to cheat us.
00:59:05Ah, Mac, don't cry.
00:59:08Don't be sad.
00:59:09We're gonna get you out.
00:59:11How?
00:59:12How?
00:59:13You asking me how?
00:59:14It's all your fault.
00:59:15You let the rusty break of the bank.
00:59:17Didn't I warn him he was a sucker to play number five again?
00:59:19That's right.
00:59:20It's your fault.
00:59:21Hey, Pierre.
00:59:22Pierre.
00:59:23Hello, fellas.
00:59:24I see you.
00:59:25I see you.
00:59:26Where are you going?
00:59:27Come on.
00:59:28Come on.
00:59:29Pierre.
00:59:30Come on, you.
00:59:31Oh, let me talk to her a minute, will you?
00:59:33Darling, where are they taking you?
00:59:34To Paris by plane to be tried by the military authorities.
00:59:36Oh, no.
00:59:37Don't worry, sweetheart.
00:59:38We'll get out of this somehow.
00:59:39Maybe a miracle will happen.
00:59:40Darling, I believe in miracles.
00:59:41Come on, you.
00:59:42That's a tough one.
00:59:43That's what you call a tough one.
00:59:49Come on.
00:59:50Hey, why do you do that?
00:59:51Those are his pinup girls.
00:59:52It's a funny thing.
00:59:53I've met a lot of pinup girls, but I've never been able to pin one down.
00:59:57You've got to see how did you?
00:59:59Say, that's a funny thing.
01:00:00I've met a lot of pinup girls, but I've never been able to pin one down.
01:00:02Hey, why do you do that? Those are his pin-up girls.
01:00:05It's a funny thing. I've met a lot of pin-up girls,
01:00:06but I've never been able to pin one down.
01:00:08Oh, let's go.
01:00:09Say, that's not a bad-looking dish. Who is it?
01:00:14I don't know. Her name's Rembrandt.
01:00:16Rembrandt? If that signature's Rembrandt,
01:00:18it must be part of the treasure.
01:00:20The treasure? Let's see where you get that.
01:00:22You know where the treasure is? You do?
01:00:25Hey, he knows where the treasure is.
01:00:26Now we gotta get out of here.
01:00:28How?
01:00:28How? Again, he asking me how.
01:00:32Help! Help! Mad man!
01:00:34Oh, God! Hurry up, please!
01:00:36Listen, God! Hurry up!
01:00:38Mad froth! A mad dog!
01:00:40Mad dog! Get a dog, doctor!
01:00:42What is the matter with him?
01:00:43He's dreaming of a white Christmas.
01:00:45White Christmas?
01:00:45Hey!
01:00:46That shouting!
01:00:48Keep quiet! We'll never escape if you wanna keep screaming.
01:00:50You better keep quiet, that's all.
01:00:54The priest will be here right there to see you.
01:00:56Come on, son.
01:00:57Get her out of here.
01:00:58Come on, hurry.
01:00:58Here we go now.
01:00:59The jewels are all accounted for.
01:01:02Very well. Let's start packing.
01:01:04Have you told Beatrice yet?
01:01:05I don't have to tell her. She'll find out when we leave her here.
01:01:07But she'll talk.
01:01:08Let them talk.
01:01:09What do any good?
01:01:10We'll be in South America by then.
01:01:12Very well. Much need.
01:01:16Hello? Hello? Operator?
01:01:19Hello? Hello?
01:01:20Will you please give me the prefecto police, quickly?
01:01:22I want to speak to Captain Brissard.
01:01:24Yes.
01:01:25I don't want to hear a word out of you.
01:01:45That might be for Captain Brissard.
01:01:46He should be in his office taking care of business.
01:01:48No wonder this place is half empty.
01:01:50It's a crime the way this jail is run.
01:01:51Go ahead, answer it before somebody else does.
01:01:56Hello?
01:01:57May I speak to Captain Brissard?
01:01:59This is Beatrice Reiner talking.
01:02:01But of course, Monselle Reiner, for you, your eyes, your cheeks, your hair.
01:02:05My whole jail is at your disposal.
01:02:08You belong here.
01:02:10What?
01:02:11The Count?
01:02:12The treasure?
01:02:12I'll be right over.
01:02:13The Count's trying to get away with the treasure.
01:02:15We've got to stop him.
01:02:16That's easy talk.
01:02:16How?
01:02:17Say, that's an idea.
01:02:20Attention.
01:02:20Attention.
01:02:21All prison guards and personnel will assemble immediately in the courtyard.
01:02:24Emergency.
01:02:25Come on.
01:02:26You get out of the airport and get Pierre.
01:02:28We'll go to the hotel.
01:02:29I hope you can stop the Count until I get Pierre.
01:02:31We try.
01:02:32We try.
01:02:32I go.
01:02:32I go.
01:02:32I go.
01:02:33I go.
01:02:33I go.
01:02:33I go.
01:02:34I go.
01:02:35I go.
01:02:35I go.
01:02:35I go.
01:02:36I go.
01:02:36I go.
01:02:37I go.
01:02:38I go.
01:02:39I go.
01:02:41I go.
01:02:42I go.
01:02:43I go.
01:02:44I go.
01:02:45I go.
01:02:46I go.
01:02:47I go.
01:02:47I go.
01:03:05Hey, they're packing.
01:03:06That's what they think.
01:03:07We're unpacking.
01:03:14Kurt.
01:03:14Amiel.
01:03:15Is that you?
01:03:15No.
01:04:15Come in.
01:04:22Bert.
01:04:24Come here.
01:04:24Come in.
01:04:25What is this?
01:04:39Bert.
01:04:45What's the matter, Max?
01:04:57Oh, that blip of the trunk fell on my hand.
01:05:00Come on, have a drink.
01:05:03Emil.
01:05:04Emil, come here.
01:05:07Did I or did I not pack this trunk?
01:05:10I don't know.
01:05:14Oh, you must have put it on top.
01:05:16It fell down.
01:05:18Oh, I see.
01:05:19Well, pick it up.
01:05:21Put it down here.
01:05:22We pack that later.
01:05:23I have some more stuff in there.
01:05:25Now hurry up.
01:05:25Go down and continue loading the trunk.
01:05:27Okay, Max.
01:05:28Oh, oh.
01:05:28Shh, shh, shh.
01:05:36Shh, shh.
01:05:58Oh, my God.
01:06:28Oh, my God.
01:06:58Max, the boxes are all in the truck.
01:07:05Court, come here.
01:07:06Look at me.
01:07:07Am I crazy?
01:07:09I know.
01:07:10Max, what is the matter with you?
01:07:13Court, two minutes ago, I put some shirts there by the mirror.
01:07:16Disappear.
01:07:17All my clothes are gone.
01:07:19I just went through the closet.
01:07:20There's not one suit left.
01:07:22Not one suit.
01:07:25Max, look.
01:07:29Hmm?
01:07:37Let's get out of here, quick.
01:07:38Let's get out of here.
01:07:47Oh, my God.
01:07:53Cordia, some very important documents.
01:08:11Be careful how you pack them.
01:08:17Give me back my pen I needed.
01:08:19What pen?
01:08:19The pen I just gave you.
01:08:20You didn't give me a pen.
01:08:21Are you mad?
01:08:22But Max, I distinctly...
01:08:23Don't contradict me!
01:08:25Your Excellency, I apologize.
01:08:27Accept it.
01:08:27Take this and pack it.
01:08:28Yes, sir.
01:08:32Hey, let's keep the P.A.
01:08:33We can't keep this up much longer.
01:08:35Take it easy.
01:08:37This isn't the first time I've hid in the closet.
01:08:46Upside down.
01:08:47Kurt, get this crate on the truck.
01:08:53I have some more things to pack.
01:09:00I'm sorry.
01:09:01We're all filled up.
01:09:06Kurt, be careful with that crate.
01:09:08Remember, there are some jewels in there.
01:09:09What is holding us up, Max?
01:09:24The truck's already.
01:09:25I don't know.
01:09:26Somehow, this trunk is upside down.
01:09:40Look at this mess.
01:09:41If you want to get out of here, help me quick.
01:09:43Come on.
01:09:43Come on.
01:09:57Come on.
01:10:02Come on.
01:10:02Come on.
01:10:02Oh, my God.
01:10:32What are you doing in here?
01:10:53I have no respect for the Count. He said he knows how to pack a trunk.
01:10:55We've got to get out of here.
01:10:57Well, that presents a very interesting problem.
01:11:02Don't you fellas know better than to open a trunk without knocking?
01:11:17Oh, Pierre.
01:11:45The treasure. They're getting away with it.
01:11:47It is forbidden to talk to him.
01:11:48Please, you must let him go. It's important.
01:11:50It's an opportunity to do something for your country.
01:11:53Come on.
01:11:53Hey, that's Pierre and Annette.
01:12:05Hey, Pierre.
01:12:05Hey, Annette.
01:12:06Stop.
01:12:09Hey, Pierre.
01:12:10You passing some trucks?
01:12:11Yeah.
01:12:11That's the treasure.
01:12:12They're on their way to the airport.
01:12:13The airport?
01:12:13Yeah.
01:12:14That must be the secret field I saw on a map when I searched Fiffleman's rooms.
01:12:17Come on.
01:12:17Get in.
01:12:31Yeah.
01:12:32There it is.
01:12:33Step on it.
01:12:40Take this car and get reserved.
01:12:41They've got to step in that way.
01:12:42You haven't got a P-38 on you.
01:12:43Come on.
01:12:44Come on.
01:12:44Let's go.
01:12:44Hey, fellas.
01:13:13Look, let's get to that truck.
01:13:20Why don't you take off?
01:13:21I can't.
01:13:22I have to head into the wind with this load.
01:13:23Well, then, hurry up.
01:13:43Hey, Pierre, get it closer.
01:13:53Look clear, Camacho.
01:13:56Hey, fellas, look.
01:13:57A ladder.
01:13:58You're welcome.
01:14:09Tell me.
01:14:12Hey, spends time.
01:14:12You've got to come.
01:14:13Look決定, Jack.
01:14:15Look at that.
01:14:17Let's go!
01:14:27Charge!
01:14:47Let's go.
01:15:17Help!
01:15:21Help!
01:15:23Help!
01:15:26Help!
01:15:28Help!
01:15:29Help!
01:15:31Help!
01:15:32Help!
01:15:34Help!
01:15:36Help!
01:15:39Help!
01:15:41Help!
01:15:43Help!
01:15:44Help!
01:15:46Help!
01:15:46Hey, you crazy!
01:16:03What are we going to do?
01:16:04Cut the switches!
01:16:05Yeah, cut the switches!
01:16:07Cut the switches!
01:16:16Hey, Rusty! Rusty! Stop it!
01:16:22Stop it! Rusty! Stop it!
01:16:24What are we going to do?
01:16:25We'll have to keep going until we run out of gas.
01:16:27We've only got 2,000 gallons left.
01:16:29James, stop it! We're all for deals!
01:16:31Put your foot on something down there, will you?
01:16:34Hurry!
01:16:35Peel! Peel! Peel!
01:16:38What's the matter?
01:16:39We've got to divide him. He's the only one who can handle this, please.
01:16:42Oh, yes. Well, sure.
01:16:46Look out!
01:17:16Go on. Go on, you sleeping beauty!
01:17:20Hey, get up there! We'll all be careful!
01:17:21Get up there and hop into that...
01:17:22Go ahead!
01:17:23Go ahead, brother!
01:17:35Hey, you!
01:17:36Get up front!
01:17:40The master ace!
01:17:46Look out!
01:17:49Look out for that car!
01:17:50Here it is, Stacey. We're running into a Sunday driver.
01:17:55Hey, back out, find the terror!
01:18:02Back in North Africa!
01:18:03Yeah.
01:18:06I knew you could do it.
01:18:07Hey!
01:18:08Look out for this car!
01:18:10Oh.
01:18:17Save!
01:18:18Ha, ha, ha, ha!
01:18:22Follow him!
01:18:23Well, here we are, up in the air.
01:18:41What a stupid remark that is.
01:18:43Hey, Doolin, you just went through a red light.
01:18:44Hey, Doolin, you just went through a red light.
01:18:48Look!
01:18:49No hands!
01:18:50Ha, ha, ha, ha!
01:18:51Ha, ha, ha, ha!
01:18:52No hands, eh?
01:18:53No hands, eh?
01:18:54No hands, eh?
01:18:57Hey!
01:18:58We're back in jail!
01:18:59Home again!
01:19:00There goes the pilot.
01:19:02Hey!
01:19:03Go ahead, Doolin!
01:19:04Go ahead, Doolin!
01:19:05Go ahead!
01:19:06You just went through the car!
01:19:07Oh!
01:19:08Oh!
01:19:09No hands!
01:19:10Oh!
01:19:11Oh!
01:19:12Hey, we're back in jail!
01:19:13Home again!
01:19:14Here goes the pilot.
01:19:15Oh!
01:19:16Hey, Doolin!
01:19:17Hey, Doolin!
01:19:18Oh!
01:19:19No hands!
01:19:20You hit the ball!
01:19:21Come on!
01:19:22Come on in!
01:19:23We got your room all ready!
01:19:24You kind of guzzy!
01:19:27No!
01:19:32Come!
01:19:33Come on in!
01:19:35We got your room all ready!
01:19:36Ok!
01:19:37Get me!
01:19:39Oh, my God.
01:20:09You traitor!
01:20:14Tainer Stuber!
01:20:15I arrest you for the murders of the three managers of the Hotel Casablanca.
01:20:23You swinehund!
01:20:25Now, there's a man with both feet on the ground until they hang him.
01:20:28Look!
01:20:28Look!
01:20:36A thing like that could only happen to me.
01:20:39THE END
01:20:51THE END
Recommended
1:27:27
|
Up next
1:17:03
1:21:25
1:44:48
1:23:24
1:07:58
22:17
1:13:53
1:39:06
23:50
47:45
1:13:32
44:37
40:53
42:06
1:35:28