- today
"Campus Chaos" is a light-hearted musical comedy about college rivalries, unexpected disguises, and over-the-top campus antics.
When a men’s college retaliates against an all-girls school by sending one of their own in disguise, what follows is a hilarious string of misunderstandings, performances, and romantic twists.
Originally released in 1941, this energetic comedy combines musical numbers with classic slapstick humor and collegiate charm.
Genre: Comedy / Musical / Romance
Full Movie – Remastered Edition
When a men’s college retaliates against an all-girls school by sending one of their own in disguise, what follows is a hilarious string of misunderstandings, performances, and romantic twists.
Originally released in 1941, this energetic comedy combines musical numbers with classic slapstick humor and collegiate charm.
Genre: Comedy / Musical / Romance
Full Movie – Remastered Edition
Category
🎥
Short filmTranscript
00:00THE END
03:04Hey, Tiger, you're out of step.
03:12Hey, Tiger, you're out of step.
03:24Hey, Tiger, you're out of step.
03:26Hey, Tiger, you're out of step.
03:44I'm a chap with a chip on my shoulder when anyone looks at you, how my muscles swell
04:01in the throes of jealousy. I may not be six feet two, having Samson's hair is true, but
04:11I'm a chap with a chip on my shoulder when anyone looks at you.
04:18That's it, ma'am. And the audience gave him a great big hand, too. Of course, for the boys, it was just another show, but for Christian, it was great publicity.
04:26Empty.
04:27That's very interesting, Mr. Holden.
04:29Pardon?
04:30Coming from a newspaper man.
04:31What?
04:32I'll have no cheap, undignified publicity at Marbury.
04:36But it isn't undignified, Auntie.
04:38I can't understand why we don't have more students.
04:41Well, it's because our girls are, well, men won't even come to our proms.
04:46Sure, you need regular girls. Not a lot of petunia putters. Girls with zip.
04:50Let me remind you both that through the study of nature, my girls develop well-rounded minds. Minds they can live with the rest of their lives.
05:00But, Auntie, a girl doesn't want to live with a mind. She wants to live with a husband.
05:05Virginia!
05:07Uh, listen. Would you be willing to give away twelve scholarships?
05:10To twelve unusual girls?
05:11Well, if it would help my school?
05:15Yes.
05:18It will.
05:19I hope so. But I wonder...
05:21You don't have to wonder any longer. There they are. You need girls like that. Look them over.
05:26There's the Watermelon Queen, the Pumpkin Queen, the Orange Queen, the Lemon Queen, the Strawberry Queen.
05:30Millions of them.
05:31What lovely tomatoes. Why is she called the Tomato Queen?
05:36Because she grew them herself. That's how she won the title.
05:39Really?
05:40Mm.
05:41She's a very pretty girl, too.
05:44Empty.
05:45Sure, this Queen's like her all over this country. We could pick twelve and give them memberships and scholarships to Mar Brin.
05:51Yes, Auntie. And they'll all be so outstanding.
05:54Well, it doesn't seem beneath the dignity of Mar Brin.
06:01We could call them the girls most likely to succeed.
06:05That's swell. Now, all we need is some quick notoriety.
06:08Not chiquity.
06:09But dripping with dignity. Like a public announcement. You know, the way Harvard lampooned Hollywood.
06:15Let me think. Let me think.
06:20I've got it.
06:23We'll pick on the men least likely to succeed.
06:25Do you mean those mentally undernourished males at Quinston, cavorting as girls?
06:30The Zeta Boys! Great Auntie! I mean, pardon me.
06:33Write an article for your paper about them and spread it on thick.
06:36Call them dumbbells. Call them anything you like and I'll see if the press picks it up.
06:40Now, make them look ridiculous and we'll head the article, Men Least Likely to Succeed.
06:45But do you think we should? Perhaps they will succeed.
06:48Oh, don't be silly. Everybody knows that Quinston men don't succeed. They inherit.
06:53Hey, fellas. Get a load of this.
07:07Can you imagine that?
07:08Some heck girls college is putting us on the pan.
07:11Where's Henry?
07:12I'm coming, mother.
07:14Now, look. We know you're the world's greatest dramatic actor, but this is serious. Quit hamming, will you?
07:20Listen. Girls, are you interested in horticulture?
07:23Perhaps you will be one of this season's festival queens to win a scholarship to Marbury.
07:27Send us your pictures and credentials.
07:29They're just taking a crack at us to advertise their scholarship award.
07:33And we've got to do something about it.
07:34That's right.
07:35Well, I know what Gary Cooper would say. He'd say, I don't know how you people do things here, but...
07:46Well, back where I come from, we act. Yeah.
07:52Now, wouldn't it be too bad if this scheme of theirs should backfire some way?
07:56Yeah, backfire. What's on your mind?
08:00Why, uh... Why, some way to turn the tables. On account of we won't let ourselves be treated that a way.
08:08That's it. And we've had plenty of experience. We all just finished impersonating girls.
08:13Suppose one of the Marbury candidates turns out to be a boy.
08:18Then one of us would go to Marbury as a contest winner.
08:25And you, Henry...
08:26You and me are great at imitations.
08:28Hmm? Oh, no. Not me. I only impersonate men.
08:31Well, get a pack of cards and we'll cut for it.
08:39That was a great idea, Bob.
08:41Do you think it's possible?
08:43Oh, wouldn't that be something?
08:45Gee.
08:47Can you imagine being in a girl's school?
08:51I don't want to go. I'll frame him.
09:00You will think of something dirty, Mr. Bergen. You always do.
09:04Yes, but what? He's the one to go.
09:06Well, give him the business. Give him the business.
09:09Now, if I were in your place, I'd certainly...
09:11Charlie, nothing crooked.
09:13Why, Mr. Bergen, I'm a man of high honor. How could you even...
09:16Charlie answer my question.
09:17Yes, but you don't, Charlie.
09:18Oh, well, Charlie. Oh, well.
09:19Uh, yes, Darcy.
09:24And besides, you got a deck of cards, haven't you?
09:30Charlie McCarty.
09:37We'll fake a swell picture of a girl with her arms full of flowers.
09:40Which, naturally, she grew herself.
09:41You know, the beauty type of...
09:43Well, uh, we're willing to take our chances.
09:47And, uh, Bob, as president of the fraternity,
09:49I think it's only right that you take the first card.
09:51Oh, well, there's no...
09:53Yeah, and Ulu gets the first ace goes.
09:55First ace?
09:56Yeah.
09:57Agreed?
09:58Right.
09:59First ace.
10:00Take your pick.
10:01Well...
10:02You're afraid.
10:03Yeah.
10:04It's kind of important, you know.
10:10Oh, of course I had that.
10:11Well, uh, let's make it two out of three.
10:13Oh, no.
10:14No, no.
10:15You won and you go.
10:16As queen of the flowers.
10:17I see.
10:18Madame.
10:19And Mar Brent expects you to do a good job.
10:21And we know you won't let us down.
10:23Oh, I'm hooked.
10:24Well, that's all right, Bob.
10:26After all, that should be right up your alley.
10:28Ah.
10:30Hey, hey, look.
10:31Ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace.
10:37Hey, hey, hey.
10:38Hey, look, they're alive.
10:44Here's another lovely tomato, queen.
10:47Mm-hm-hm, nice.
10:48I see.
10:49There's watermelon, strawberry, pickle,
10:53potato, carrot, orange, lemon, and all queens.
10:56Spinach?
10:58The tobacco queen.
11:00Chesterfield, all-American girl. Isn't she beautiful?
11:03What a lovely turkey.
11:06Give me the girl, and I'll give you the bird.
11:08Well, that's satisfactory.
11:10I never realized there were so many lovely girls with such amazing talents.
11:15Listen, there's only, uh, only 11 here. We need one more.
11:18Well, we have fruits and vegetables.
11:21Flowers must be represented.
11:25I'll take this one.
11:27Queen of the flowers.
11:29Barbie DuBois.
11:31That's a very interesting face.
11:33That's fine, Auntie. Don't call me Auntie.
11:36I'm sorry, but what I was going to say, uh, was, uh,
11:39with all these pretty girls, you'll have to relax a little
11:41and let some boys on the campus.
11:43Never. No men on the campus during school hours.
11:46Not while I'm president of Marbury.
11:49Well, I'm a man.
11:51You're safe.
12:03Here's you guys. Come here. Come here. I want to show you something.
12:05Hey, shh, fellas. Here he comes.
12:07He's coming. Is he in a good mood?
12:09Oh, I don't know, but it sure wasn't when we were helping him into her clothes.
12:13Let go of me, will you? I'm not going to run away.
12:17The fraternity will never forget this.
12:19It was your idea, and you're the only one that could do it.
12:22Make Marbury look like a sucker.
12:24Yeah, sucker is right, and I'm it.
12:26And I'm not going to go through it.
12:27Oh, yes, you will.
12:37Don't trip again there, dearie.
12:39Or we'll give you the words.
12:41Watch your little temper.
12:43Oh, you can't back out now.
12:45Besides, you look like Ginger Rogers.
12:47More or less.
12:48And think of all the fun you'll have.
12:49Yeah, fun.
12:50I'll probably land in jail.
12:51Oh, now, wouldn't that be too bad?
12:53Now, remember.
12:54You're doing this for Zeta.
12:56We'll all be rooting for you.
12:57Come.
12:58Come.
12:59We know you can do it, so don't let us down.
13:01And don't forget the writers.
13:05Bobby, look, look.
13:15That must be she there.
13:16Yes, sir.
13:17And a honey.
13:18Miss Bobby DeWolf from Quiston Community.
13:20Queen of the flowers.
13:21Welcome to Marvrin's special.
13:23Now, don't forget.
13:24Keep that baritone trap of yours shut.
13:25Pretend like you've got a sore throat or something.
13:26Come, come, Mr. Wolfe.
13:27Gotta be going.
13:28Oh, maybe you'd better kiss your friends goodbye, huh?
13:29Yeah, yeah.
13:30Goodbye, dear.
13:31There we go.
13:32Now we're off.
13:33My goodness, but you do have a lot of boyfriends.
13:34Oh, I'm sorry.
13:35I'm sorry.
13:36I'm sorry.
13:37I'm sorry.
13:38I'm sorry.
13:39I'm sorry.
13:40I'm sorry.
13:41I'm sorry.
13:42I'm sorry.
13:43I'm sorry.
13:44I'm sorry.
13:45I'm sorry.
13:46My goodness, but you do have a lot of boyfriends.
13:48Yeah.
13:49Just brothers.
13:50Just brothers.
13:51My, my.
13:58All aboard.
13:59Oh, hello, honey.
14:01Hello.
14:02Here you are, right up here at number two.
14:04Now, listen.
14:05I want you to get a good night's rest and take care of that throat, Bobby.
14:09If I may call you that.
14:11Uh, honey, you know you're different than these other girls around here.
14:16Good, good, good, good, good.
14:17Oh, you go up.
14:18Uh, let me help you up.
14:20Oh, no you don't.
14:22Uh, I'll get a letter.
14:23Yes, sir.
14:41Hello, Harriet.
14:42Yes, sir.
14:55Oh, how many great days are...
14:56early to bed and early to rise...
14:59that surely applies to me.
15:01Don't have to count sheep to put me to sleep.
15:05It's easy as A, B, C.
15:06abc when i rise and open my eyes don't need an alarm clock's chime
15:14believe it or not i'm up like a shot when it's past my dreaming time
15:24i'm up at the crack of dawn whistling singing
15:30careful as the sunbeams peeping through after dreaming all night of you
15:37i'm up at the crack of dawn whistling singing never saw the sky look quite so blue after
15:47dreaming all night of you when i wake with your kiss on my lips all my cares are in a total eclipse
16:01i'm up with a cheery yarn whistling
16:05singing
16:08all your sweet erasers bring your arms so a whistle and sing cause there isn't a thing
16:13that i lack at the crack of dawn i'm up at the crack of dawn whistling
16:21singing
16:23cheerful as the sunbeams peeping through after dreaming all night of you
16:28i'm up at the crack of dawn whistling
16:34singing
16:36never saw the sky look quite so blue after dreaming all night of you
16:40when i'm up at the sky i'm up at the sky when i wake with your kiss on my lips
16:46on my care
16:47all together in the dark dolly clip
16:52i'm up with a cheery yarn whistling
16:55i'm up with a cheery yarn whistling
16:58oh daddy all your sweet embraces linger on
17:02a whistle and sing there isn't a thing
17:04a lack at the crack of dawn
17:06but i'm up with a cheery yarn whistling
17:12singing
17:12Cheerful as the sunbeams peeping through.
17:15After dreaming all night of you.
17:18We're up at the back of dawn fishing.
17:22Singing.
17:24Da-da-da-da-da.
17:26Never thought the sky looked quite so blue.
17:28After dreaming all night of you.
17:30When I wake.
17:33On my face.
17:35On my face.
17:37For in a total evening.
17:40We are whistling.
17:42We are whistling.
17:45Singing.
17:48All your phrases linger long.
17:50So we whistle and sing.
17:52All breeze.
17:53Da-da-da-da.
17:54The whistling and sing.
17:55All breeze.
17:56And relaxes.
17:57And the crack of dawn.
17:58All breeze.
18:01Come, come, dearie, we're here now.
18:14Coming, coming.
18:31Come on, come on, come on.
18:51And now, girls, to your dormitory assignments.
18:53And I hope you'll all be very happy at Marbury's.
18:56Well, I'll be seeing you all.
18:57Or will I?
18:58Now, Bobby dear, come with me.
19:00Now, Bobbie, dear, come with me.
19:02We're very much concerned about this throat of yours.
19:06Oh, not that door, my dear. That leads to the basement.
19:09The one opposite.
19:10Do we feel like sharing a room, or would we rather be alone?
19:13Alone, please.
19:14It's a very nice little room, right next to mine.
19:17Do we feel well enough to stay up, or would we rather go right to bed?
19:21To bed?
19:22Of course, if you'd rather, we can send you up to the infirmary for a complete examination.
19:26Oh, no, no. I... I'm just a little hoarse.
19:29We do sound more like a mule.
19:32Feel more like a jackass.
19:38Gosh.
19:39Boy, I'm gonna get out of here.
19:53Oh, goodness me, Bobbie, what are you doing?
19:55Well, my throat is cold.
19:58I'm... I'm just keeping it warm.
20:00Oh, is that all?
20:01Well, look, do something for me, will you?
20:03I just can't seem to do anything with these.
20:05Fix them for me, please.
20:06Well, what do you want me to do with this?
20:09Well, just fix my hair, silly.
20:17Say, you know what?
20:19I met a Zeta at Midwest over the phone.
20:21Gee, he sounded grand.
20:23He asked me for a date Saturday night.
20:25He has a friend.
20:26Wanna come?
20:27Well, we could sneak out of here, I betcha.
20:31I know how those Zetas work.
20:35Well, you do have to be quick, but oh, boy, it sure is fun.
20:39Well, good-bye now.
20:41Good-bye.
20:42You look very lovely.
20:44Good-bye.
20:45I'm Virginia Collins.
20:46Welcome to Marvren.
20:48Is there anything I can do for you?
20:49I hear you have a pretty sore throat.
20:50Yes, very pretty.
20:51I mean, yes, it's very sore.
21:04Have you garbled?
21:05What on earth do you have here?
21:06It's just sort of...
21:07Well, just laundry.
21:08Oh, well, I came to tell you about the staying over by the bell tower.
21:11Too bad you can't come because of your throat.
21:16Not because of the throat.
21:19Too bad you can't come because of your throat.
21:21Oh, it feels much better.
21:23Well, if you do come, be quiet. It's against the rules, and Andy doesn't like it.
21:27Well, I'm awfully sorry about your throat, and I can understand why you want to be alone.
21:32But it's too bad because we were supposed to be roommates.
21:49What on earth are you doing?
21:56Oh, just breaking in a new pair of pajamas.
22:00Oh, naughty, naughty, with your throat. To bed with you. Come.
22:04Oh, no.
22:05Oh, yes, yes. You have a very serious condition.
22:11Let me tuck you in.
22:14Shall I rub your chest?
22:16Oh, no, no.
22:20Everything is so messy.
22:23Don't you dare get out of that bed, young lady.
22:46Look, what is this?
22:48Well, these is men's pants. What they doing here? They ain't got no business here.
22:54And a man's coat.
22:56Well, where'd these things come from?
22:58Uh-oh, here's his shoes. I'm gonna call Miss Matilda and tell her all about this.
23:03Hello? Uh, Miss Matilda? There's a man's clothes done come down this chute.
23:18Uh, what, ma'am?
23:20Uh-uh, no, no, ma'am.
23:23I'm sure. Of course I'm sure.
23:25These here clothes ain't made out of no organdy.
23:28Uh-uh, no, ma'am.
23:33Uh, excuse me, Miss Matilda. I must have left the washing machine going.
23:37At least I hope so, I did.
23:39Uh, Miss Matilda, as I was saying, there was a man's shoes.
23:55There was shoes, but they must have walked off by the set.
23:58Uh, listen, Miss Matilda, there's something going on here that ain't the way I lights it.
24:03Now the ironers are going.
24:06Uh, my, my, Miss Matilda, it must be my nerves.
24:11Uh, hold a while while I turns off the ironer.
24:28No, ma'am, I ain't crazy.
24:30Miss Matilda, did y'all ever find your hoodie or the collar?
24:33I think he's here or somebody's here.
24:35Yes, ma'am. I goes to cut the, the ironer off and the shirt and the shoes is gone.
24:40Yes, ma'am. It was just like this. See?
24:42I goes over to the ironers and cut it off and the shirt's gone.
24:46And then I goes to the washing machine and the shoes is gone.
24:50Oh, my, Miss Matilda, I just can't stay in this place no longer. I go crazy. I just can't stay here.
25:02Oh, this is awful. Now, y'all go to the washing machine and go and see.
25:07I've never seen a break like this.
25:09Miss Matilda, it's my Miss Matilda.
25:10Oh, yeah, I told they cut me.
25:11Oh, Miss Matilda, come get me clean.
25:12Miss Matilda!
25:13What is going on in here? Are you crazy?
25:14What on earth is wrong?
25:15Now what's all this talk about pants? Where are they?
25:16I don't know where they is, but I sure know where they ain't.
25:17What is the matter with you?
25:18There ain't nothing the matter with me. This here place is haunted.
25:20First the shirt and the shoes goes by itself. Then the washing machine and the ironer goes by itself. Then the pants go by itself. Now I'm going by myself. Goodbye, Miss Matilda.
25:31Out of the silence. Come and clean to me. Out of the silence. Come and clean to me. Out of the silence. Come and clean to me. forma.
25:58Silence come and bring to me
26:07That feeling of resentment when you're near
26:16And that feeling of resentment will disappear
26:30Out of the silence, come and cling to me
26:39Out of the silence, come and bring to me
26:48That feeling of contentment when you're near
26:55And that feeling of resentment will disappear
27:05When out of the silence comes the sound of your voice
27:15My heart goes leaping, I can't help but rejoice
27:23I'm up in heaven from the bottom of the sea
27:34When out of the silence you come to me
27:49Out of the silence comes the sound of your voice
27:55My heart goes leaping, I can't help but rejoice
28:07I'm up in heaven from the bottom of the sea
28:17When out of the silence comes the sound of your voice
28:32Out of the silence comes the sound of your voice
28:42My heart goes leaping, I can't help but rejoice
28:49I'm up in heaven from the bottom of the sea
29:04When out of the silence you come to me
29:11When out of the silence you come to me
29:32Girls, we'd better hurry! Miss Latilla's coming!
29:34Back to the dormitories, girls! Hurry! Back to the dormitories!
29:37Shh! What are you doing here?
29:40I came to see you, but right now I'm holding the bell cord
29:44Quiet or she'll hear you
29:46I never saw you in my life before
29:50Well, I've seen you
29:52I want to help you with this presentation
29:54My name's Bob Shepherd
29:55You see, I'm interested in a way through, through Bobby DeWolf
29:58Oh! Oh, that is just professional! I taught her to sing and dance!
30:01Confidentially though, I don't like her much!
30:02Not after I saw you, Virginia!
30:04How did you know my name?
30:05Oh, I, I know a lot of things!
30:08Say, say, would you mind holding this just for a minute?
30:11Careful now, it's heavy!
30:13Now, you know, you can't let go of that or the bell will ring and wake up the whole town
30:28And the old girl will hear it and come and find us here together
30:32What's the matter with you? You aren't going, are you?
30:35No, no, no, no, just trying to resist temptation
30:38You see, there's a little red man with horns behind me, egging me on
30:42Pushing me with his pitchfork, shoving me forward, forward
30:46Like this
30:48I don't see him
30:50Well, he's there
30:58Now, was that nice?
31:00Elegant
31:02Well, wait
31:04I mean, uh, perhaps I'd like to get in on this myself
31:08Oh, lady
31:11Now, you can hold it for the rest of the night
31:14What a dirty trick
31:16Well, goodbye, Bob
31:17Listen, if you leave, so help me, I'll let go of this rope
31:19You can let go any time, that bell hasn't worked in 14 years
31:34Boy, how do you like that, huh?
31:37It's terrific
31:38Gee
31:40Glamorous addition to more Brim's Fall Festival
31:45Get a load of that guy, he's doing all right
31:48Good morning
31:50Good morning
31:51Well, looks like all our little girls are as busy as be...
31:54Good morning, Mr. Holden
31:55Good morning, honey
31:56You know, we're gonna rehearse our presentation in here
31:58Is that so?
31:59Well, girls, are we all ready?
32:02Oh, Mr. Holden
32:04Do you really think these spots mean anything?
32:06I don't know, but I called the doctor
32:09You wouldn't get spots at a time like this
32:12Has anybody seen Bobby?
32:14I'm worried about her, she was out all night
32:16Well, don't say anything
32:17Keep it quiet
32:18Hello, fellas
32:19Look, fellas, be reasonable, can't you?
32:22I know I promised, but I've fallen in love with the girl
32:25She's like orchids covered with dew
32:28Like, oh, like moonlight and violin, she's...
32:31Hey, now, wait a minute, Bob
32:33Hey, fellas
32:35Looks like love has crossed us up
32:37Hey, we can't let them quit now
32:39Now, look, you took an oath in love or no love
32:42We can't let you get out of it
32:44We'll send some of the local Zeta boys over to keep him from walking out
32:47Right
32:48Now, listen, Bob
32:51Wait a minute
32:53It's only me, Virginia
32:55I'll be there in a minute
32:56I gotta quit
32:57I'm caught in the hothouse
32:58Spent the night here
33:03Wait a minute, Virginia
33:09I thought Bobby was...
33:11Oh, look, Virginia, I know it looks bad, but...
33:14Well, just trust me, huh?
33:15And I believed you last night
33:17Oh, now
33:18For Bobby's sake, you'd better get out of here right now
33:20Virginia
33:24Are you sure those spots mean what you said?
33:26You can't quarantine the whole school, you know
33:28What about our presentation?
33:29There's nothing I can do
33:31Miss Bunny has measles
33:32Must be put to bed at once
33:34And the school is under quarantine
33:36Sorry?
33:37It's too bad
33:39It's just too bad
33:40Poor kid
33:50Oh, it just wrecks all of our plans
33:52That's a pity
33:53It's an awful pity
33:54The very first time we try something like this
33:57Well, couldn't we postpone the presentation?
33:59No, no, you can't do that
34:01We spawned a publicity angle
34:02We just have to make the best of it
34:04I just knew something like this would happen
34:07I'm sorry, Andy
34:09There must be something we can do
34:11There it is
34:12You can have your presentation
34:13Have it in here
34:14You know, you can't catch measles from behind glass
34:17Who are you, young man?
34:19I'm qualified to stage your presentation
34:20I figured a presentation to my own
34:22I know what to do and how to do it
34:24Now, we could move all these ferns and plants out of one end
34:28And have sort of a stage
34:29Or we might even make costumes out of the plants
34:31Yeah, this is the place, all right
34:34Well, what do we do now?
34:36Oh, now, look
34:37Our Zeta brothers at Quinston say the guy's here disguised as a girl
34:41We just keep our eyes peeled
34:43And when we find him, we give him the work, see?
34:47Get a load of that over there
34:49Yeah
34:54Well, how do we get in?
34:56Huh?
34:57Oh, oh, get in
34:59Well, here, I got it
35:00We'll grab one of these
35:01Come on, you get one
35:06Go on
35:10Wait a minute
35:11I can't get in that way
35:18Get in
35:19Get in
35:24Hey, we should quit
35:29Play it around
35:39Say, we've been here three days and we haven't found that phony dame yet
35:43I know, I know
35:44I've been trying, though, ain't I?
35:46Yeah, trying to make dates with them
35:50Goodbye, now
35:51Goodbye, Bobby
35:54Hey, wait a minute
35:57I got an idea
36:02Ahem
36:06How are you, beautiful?
36:07Oh, hello
36:09Go on, get out of here, will ya?
36:12Um, Bobby
36:13Yes?
36:14Why don't you like me?
36:15Oh, I like you
36:17But I've seen you with the other girls
36:19You play too rough
36:22Mm-hmm
36:25Uh, hey, Bobby
36:26Yes?
36:27Can you keep a secret?
36:28Uh-huh
36:29Well, uh, I, I had to do that, you know, be a little rough with the girls
36:34Oh, you should learn to control yourself
36:37Oh, no, no, it's nothing like that, but, Bobby
36:40Yes?
36:41You know, there's a man here disguised as a girl, and I gotta find him
36:45A man?
36:46Yeah
36:47Oh, man
36:48Oh, man
36:53Will you please get out of here?
36:55Go on, scram
36:57Oh, oh, oh, oh, where am I?
37:02Well, you killed with me, baby
37:04Oh, dear
37:07Oh, oh, oh!
37:08Aw!
37:10Ooh
37:11Ooh
37:12What's the matter, Bobby?
37:13I won't hurt ya
37:15That's what I'm afraid of
37:17Will you scram, you're cramping my style
37:19Yeah, I get it
37:20Oh, Bobby you're such a lovely girl
37:24Oh, Bobby, how?
37:26Oh, Bobby, how?
37:27Oh, Bobby, you place a rock
37:29Oh, it's a rush! I know you're done!
37:31Oh, no, Bobby, now cut it out!
37:33I know you're tired!
37:35Bobby, now wait a minute!
37:37Oh, Bobby!
37:39Oh!
37:41Bobby!
37:43Bobby!
37:47That'll teach you not to play fast and loose with me!
37:49Oh, Bobby, let me up!
37:51Please, let me up!
37:53I don't see why you have to be so rough!
37:59Ticky!
38:01Ow! Bobby!
38:03Ticky!
38:05Ticky! Ticky!
38:07Ticky! Ticky! Ticky!
38:09Please, let me up, won't you, Bobby?
38:11Will you promise to be a gentleman?
38:13Oh, yeah! Bobby, I'll promise anything!
38:15All right, now, but remember your promise!
38:25You little dickens!
38:27Now I got you!
38:28Whoa, whoa, whoa, whoa!
38:30Hey, hey, hey, hey!
38:31What's the matter with you?
38:32What do you always keep coming around for?
38:34Just when I get going good, didn't I?
38:36Yes!
38:37We're slaying them, Auntie!
38:38We'll knock them cold!
38:39Oh, Auntie!
38:40What's this?
38:41Don't touch it!
38:42That's a Dionea mascapula!
38:43My, my!
38:44Do tell!
38:45Venus trap!
38:46Meat-eating plant to you!
38:47Mm!
38:48Poor darling, it's hungry!
38:49I've been so busy, I haven't had time to feed it!
38:50Ha, ha, ha!
38:51Ha, ha!
38:52Ha!
38:53Ha, ha!
38:54Ha, ha, ha!
38:55Ha, ha!
38:56Ha, ha, ha!
38:57I'm just gonna start with introductions...
38:58Yeah, no, Jerry, where....
38:59I'm so busy, I haven't had time to feed it.
39:26Virginia, please.
39:28I want to explain.
39:29Explanations are not necessary.
39:30Oh, but Bob Shepard is...
39:31Please, you're only making matters worse.
39:33I am grateful to Bob Shepard for what he's done for our friend,
39:36but it ends there.
39:37Get into your costume.
39:38There's the overture.
39:39Virginia.
39:51Hurry up, operator, will you please?
39:53Hello, Quinston?
39:54Zeta House?
39:55Hello, you lugs.
39:56Thanks to you, I lost a girl.
39:57Yeah.
39:58Yeah, yeah.
39:59Yeah, I know.
40:00Am I?
40:01Of course I'm going through with it.
40:02I'll get revenge and plenty.
40:03Wait till you see the papers.
40:04Where's Bobbie?
40:05Probably in there with her boyfriend.
40:06Well, you better get on the stage or follow this first number.
40:07Quick, quick, quick, quick, quick.
40:08Come on, we're ready.
40:09Yeah, all right.
40:10Okay.
40:11Great start, but what a finish.
40:12Mm-hm.
40:13Tell your best photographers to get on the stage.
40:14Why don't you get on the stage?
40:15No.
40:16Well, I'll get on the stage.
40:17I'll get on the stage.
40:18I'll get on the stage.
40:19I'll get on the stage.
40:20I'll get on the stage, I'll get on the stage.
40:22That's a pretty good job.
40:24Yeah, that's a pretty good job.
40:25Yeah.
40:26But I'm all in the stage.
40:27Okay.
40:28You better get on the stage.
40:29You're following your first number.
40:31Quick, quick, quick, quick, quick, quick.
40:33Come on, we're ready.
40:34Yeah, all right.
40:35Okay.
40:36Great start.
40:37But what a finish.
40:38Mm-hm.
40:39Tell your best photographers to get up overhead.
40:41It'll make a sensational finale shot. Now, go ahead.
41:05Virginia, listen. I want to explain.
41:06I was going to forgive you, but a moment after she...
41:08While you were with her, what are you planning to do to this show?
41:11Nothing, Virginia. It's just a...
41:13That's my music.
41:16Our peaceful countryside is lonely as can be.
41:21Someone I shall mention merits the attention
41:26Of the men who write our history.
41:33The poor farmer's daughter
41:36She's wasting her glamour and charm
41:39Old Dobbin and a plow and a piggy and a cow
41:42Are the only ones left on the farm
41:44Oh, the poor farmer's daughter
41:46She once had a bow on each arm
41:49They took it on the lam, went to train for Uncle Sam
41:52And they left her alone on the farm
41:54Her papa says the crop of the year is the top
41:57But that doesn't ease her slumber
41:59What good is a crop when you beat one a hop
42:02You get rumba
42:04With an old cucumber
42:07Oh, the poor farmer's daughter
42:09She really has cause for alarm
42:12Old Dobbin and a plow and a piggy and a cow
42:15Are the only ones left on the farm
42:27The poor farmer's daughter
42:29She's wasting her glamour and charm
42:32Old Dobbin and a plow and a piggy and a cow
42:33Boy, what a job.
42:34I'm gonna get myself in a mess like this again.
42:36Corsets, garters.
42:38The poor farmer's daughter
42:40She once had a bow on each arm
42:42They took it on the lam, went to train for us
42:45Never get home
42:50Why, auntie
42:51It's going great, isn't it?
42:53Yeah
42:54But I better tell you
42:55Bunny got out
42:56Who?
42:57Bunny
42:58What's out?
42:59Bunny
43:00Where?
43:01Where?
43:02Darn
43:10Did you see that?
43:11Canned bananas
43:12It's a double cross
43:13Bobby
43:14Bob
43:15He's she
43:16She's he?
43:17There's a man loose in my school
43:18Let the photographer see him
43:19We're sunk
43:20Yes
43:25Bunny
43:26Well, catch her!
43:27Catch her!
43:28When your feet wanna hop you can't rumble
43:31With an old cucumber
43:33Oh, the poor farmer's daughter
43:36She really had thought for alarm
43:38Old Dobbin and a plow and a piggy and a piggy
43:40And a cow are the only ones left on the farm
43:54Grab a toe stool and park it
43:56See the models from the farmer's market
43:58You'll find the price within reason
44:01Get a load of what's cooking this season
44:03Number one on the style parade shops
44:05Will soon be sellin'
44:06Book has named it
44:07The more the watermelon
44:08Hi, Bobby
44:10Oh, Bobby, I wanted to tell you something
44:12Ah, go jump in the lake
44:13Ah, go jump in the lake
44:32Hi, Bobby.
44:34Oh, Bobby, I wanted to tell you something.
44:35Ah, go jump in the lake.
44:41Tiny, Tiny, I found him.
44:43That's him.
44:44That's him with those dresses on.
44:46Number two on the stop parade, not by Schiaparelli.
44:51Get that cabbage around my lady's shoulder.
45:02Come with me.
45:26I got a great idea.
45:27Now we offer a symphony, every note staccato.
45:33Our creation, temptation of tomato.
45:38Now here's one neighborhood called Main to California.
45:43Get that rhythm.
45:46It's in the groove.
45:47It's a corny.
45:49Remember, my kids, the sitting down Zeta trick on the last note of music.
45:53Now don't let me down.
45:54Okay.
45:57Let's go.
45:58Let's go.
45:59Let's go.
46:00Come on.
46:01Come on.
46:02Come on.
46:03Come on.
46:04Come on.
46:05Come on.
46:06Come on.
46:07Come on.
46:08Come on.
46:09Come on.
46:10What's the meaning of me?
46:11I'm so cold.
46:12Sorry.
46:13Awful sorry.
46:14Get out of here.
46:15You realize now there never has been a Bobby DeWool.
46:17And, honey, don't worry about your show.
46:20Now, there never has been a Bobby DeWolf.
46:22And, honey, don't worry about your show.
46:30We got you now! We got you now, Bobby!
46:32Old Dobby and a flower and a piggy and a cow
46:35Are the only ones left on the farm
46:37For the poor Bobby's daughter
46:40She once had a bow on each arm
46:42But they took it on the lam
46:44Come on, Bobby, we got you now!
46:46Bobby, you shouldn't be here. You've got the measles!
46:49Bunny!
46:51Measles!
47:12Are you happy with the show?
47:14Yes, but there's something I want to say to you.
47:19I'm sorry you lost your revenge because of me.
47:21But you should have a public apology for Zeta.
47:23Oh, getting you is enough for me.
47:25But don't you think your friends will be angry
47:27when they see those publicity pictures?
47:29Oh, they'll understand.
47:31Oh, they'll understand.
47:33Oh.
47:35Boy, oh, boy, how do you like that, huh?
47:37It's terrific!
47:39Gee!
47:40Gee!
47:41Oh, I'm sorry.
47:42I'm sorry you lost your revenge because of me.
47:45But you should have a public apology for Zeta.
47:47Oh, getting you is enough for me.
47:50But don't you think your friends will be angry
47:52when they see those publicity pictures?
47:54Oh, they'll understand.
47:55Oh.
47:56Boy, oh, boy, how do you like that, huh?
47:57It's terrific!
47:58Gee!
47:59Oh, boy, grandeur!
48:00Let's go to Lies.
48:01You're usually not.
48:02hedges!
48:03You're right!
48:04Oh, boy, how do you like that, huh?
48:06It's terrific!
48:07Gee!
48:11Whoa, whoa, whoa, whoa!
48:12Hey,차!
48:17Oh, boy, what's your name when?
48:22How do you like that, huh?
48:23¶¶
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