- 7/4/2025
Set in the vibrant world of jazz and ambition, Swing, Schemes, and Soul – A Jazzy Tale of Love and Deception follows a nightclub owner caught in a whirlwind of music, romance, and a high-stakes inheritance scheme. This stylish 1940s musical blends rhythm and drama in a timeless story of charm and betrayal. A must-watch for fans of vintage Black cinema and classic swing soundtracks.
Public domain film. Restored and edited for clarity and smooth viewing.
Public domain film. Restored and edited for clarity and smooth viewing.
Category
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Short filmTranscript
00:00:00The End
00:01:00Here it comes.
00:01:26Strictly low down, tarred, and own the down.
00:01:28Push back your first five rows as Louis Jarvis steps to the mic to sing Texas and Pacific.
00:01:34You've heard of the Chattanooga Choo Choo, the Rock Island, the Missouri Pacific, the Northern
00:01:53Pacific, the Southern Pacific, the New York Central, the B&O and the C&O and the IC and
00:02:00the Santa Fe. But Jack, you've just got to take a ride on the teepee.
00:02:05I'm biding time aboard the Texas and Pacific.
00:02:08Past Big D didn't stay.
00:02:11About a half an hour to be specific.
00:02:14Cowtown's just a short way.
00:02:16Heading southwest on the Texas and Pacific.
00:02:19Big wheels clacking around.
00:02:22And all the sights that I've taken are quite terrific.
00:02:24I'm West Texas bound.
00:02:27Say, Mr. Porter, I've wired my gal.
00:02:30She's waiting in El Paso for me.
00:02:33Say, Mr. Porter, there's pickles no less.
00:02:36My studson needs a dustin' and my pants need a press.
00:02:39I guess I'll have to find a half to tip the porter.
00:02:42Fifteen minutes, he says.
00:02:44When I arrive, we'll take a trip across the border.
00:02:46Honeymoon in Juarez, cause the teepee special gets me there and much less.
00:02:53When I arrive, we'll take a trip across the border.
00:03:23Say, Mr. Porter, I've wired my gal.
00:03:49She's waiting in El Paso for me.
00:03:52Say, Mr. Porter, there's pickles no less.
00:03:55My studson needs a dustin' and my pants need a press.
00:03:58I guess I'll have to find a half to tip the porter.
00:04:01Fifteen minutes, he says.
00:04:03When I arrive, we'll take a trip across the border.
00:04:07Honeymoon in Juarez, cause the teepee special gets me there and much less.
00:04:13If the Texas and Pacific is the road for me, well, I...
00:04:31When it's a sweet gal he's singing about,
00:04:36Louis Jarvis does up the package in a bright red bow.
00:04:39Especially when it's all for the love of Lil.
00:04:42little whturmed in Juarez, cause the nymph you have to go.
00:04:49Big thing, May вокale.
00:04:52I won't hear you.
00:04:53Well, come on.
00:04:54There's no pride in Italy, and it's been for you in the bed.
00:07:47Get set for the fastest instrumental you ever heard.
00:07:51The new Louis Jarvis arrangement of D-Bar-Bo-Biff.
00:07:55Hey, Joe.
00:07:57Call down and have Louis' car ready.
00:07:59His father's dying and we've got to get out there right away.
00:08:07Well, how does it look?
00:08:09Gosh, we're almost there.
00:08:11Well, relax, honey Carter.
00:08:13You're about as nervous as a newborn kitten.
00:08:15Going to New York.
00:08:17Riding in an airplane for the first time.
00:08:19Who would be?
00:08:21Well, me for New York and a job.
00:08:23Boy, it's a good thing someone else is paying these freight charges.
00:08:25Yes.
00:08:26That's very kind of Mr. Jarvis.
00:08:28how does it look? Gosh, we're almost there. Well, relax, honey Carter. You're about as nervous as a
00:08:36newborn kitten. Going to New York, riding in an airplane for the first time. Who would be? Well,
00:08:45me for New York and a job. Boy, it's a good thing someone else is paying these freight charges. Yes,
00:08:52that's very kind of Mr. Jarvis. Yes, you know, I can't understand why an old man like Jarvis
00:08:58wants to see you before he dies. Don't talk that way. He's just sick, that's all. Besides,
00:09:06I've never seen him before. Well, maybe he'll leave you something in his will. Now, June,
00:09:13he happens to have been a friend of my mother's. Well, I don't care whose friend he was, as long
00:09:19as we get to New York. So he had a crush on your mother, huh? Yes, they were very much in love.
00:09:27Mother told me the story over and over again. What happened? Well, it started in a little cafe in New
00:09:36Orleans. About 30 years ago. Mother was a singer. Never, never set me free. For this night is heavenly. So tonight, be tender to me.
00:09:55Darling, I think you're wonderful. You've said that before, Mr. Jarvis. I know that, but I didn't say I wanted
00:10:05to take you to New York. New York? Yes, of course. I've been looking for a new singing partner, and I
00:10:11think you're it. You mean you want me to go to New York? Of course. You've heard of me, haven't you? I'm
00:10:18Skylar Jarvis. Oh, of course I've heard of you, Mr. Jarvis. Oh, but I can never be good enough to. Oh, let me be the
00:10:27judge of that. You see, my show opens in five weeks, and I'd like to have you with me. Are you coming?
00:10:31Mr. Jarvis. Well? I think you're wonderful. And did she go to New York? That very night, and there were never
00:10:42two happier people. In New York, Mother had to have an audition before the producer of the show.
00:11:01Look, Skylar, you may be the star of this show, but this is carrying things too far. That girl can't sing.
00:11:23She's wonderful. She's got everything. That's all about that.
00:11:25Tonight, be tender to me. In your arms, let me find Esther C. I told you she couldn't sing.
00:11:42I dream in your soul. In your eyes, I see my paradise. Never, never set me free. For this night is heavenly. So tonight, be tender to me.
00:12:12To me. That's right. That's very beautiful. That's pretty. Don't be nervous.
00:12:17Tonight, be tender to me. For tonight is tomorrow's memory. Tonight, be tender to me.
00:12:42I dream in your arms. In your arms, let me find ecstasy. I dream in your soft courage. In your eyes, I see my paradise.
00:13:08Tonight, never, never set me free. For this night is heavenly. So tonight, be tender to me.
00:13:27Mr. Riffey. I told you she had everything. The contract's yours with $500 a week. Oh, thank you.
00:13:38It was wonderful. They were a great success together. Did they get married? No. That's the sad part of it.
00:13:47What happened? My grandmother heard about Mom's success. She rushed to New York and proceeded to marry Mother off to the richest man she could find.
00:13:55She cut Jarvis out, huh? Yes. Mother married Dad. He was very rich then. But the crash took care of them. I guess Mother never forgot Schuyler Jarvis.
00:14:08You know, he must have felt the same way. And now he wants to see you before he dies. Gosh, I hope we get there in time.
00:14:17Well, that might be a lesson for you. What do you mean? Well, just don't go falling for every nice guy you meet. Or before you know it, you'll end up with a broken heart.
00:14:28Don't worry, Jim. I can take care of myself. I wonder.
00:14:39You're looking better today, Mr. Jarvis. Sounds like the name of a play, Doc. What's that, sir?
00:14:46No time for comedy. Yes, sir. The lights are coming up for the last time, Doc. The final curtain's about to fall.
00:14:57About to fall. Yes, sir. I've had my fun. Now it's time for me to move on and make ready for the next act.
00:15:04That's your fine boy, Louis, Mr. Jarvis. Yeah. Takes after me, Doc. Great entertainer. A little headstrong, but I was that way once.
00:15:20But he'll grow out of it when the right girl comes along to look after him. Something I never had.
00:15:29But I've taken care of all that in my will. Yes, sir. And I've looked after you in my will, too, Doc.
00:15:37Thank you kindly, Mr. Jarvis. But all I want to do is to take care of you and your boy.
00:15:43I knew I could depend on you, doll. Oh, Mr. Jarvis!
00:15:47Look in the drawer there. And get out that envelope. And always keep it safe for me.
00:16:02I'll do that, Mr. Jarvis. I know that I could depend upon you, doll. There ain't many people that I can trust.
00:16:17But that's just kind of a check on something that I once done. Yes, sir.
00:16:24I want you to take that to somebody that you can trust. And open it four weeks after I'm gone.
00:16:33I'll do that, Mr. Jarvis. Thank you, Doc. And now, go bring in my lawyer and his secretary. I want to make out my will.
00:16:47Yes, sir.
00:16:57It's sure taken the old man a long time to draw his last breath.
00:17:00Well, you wouldn't want him to die before he makes out his will, would you?
00:17:03Don't worry about that. I've got that fixed, too. If he doesn't write one, I'll do it for him.
00:17:07Isn't that a little risky? Are you kidding? With all the dough he's got, why, nothing is too risky.
00:17:12And I'm the only one that knows anything about his investments.
00:17:15Well, it certainly sounds cozy. Darling, you and I are going to be sitting on top of the world.
00:17:20And I'm with you all the way.
00:17:22Pardon me, sir. How is it, doll?
00:17:24Bad, Mr. Talbot. Mighty bad.
00:17:27He asked for you and Miss Rusty, sir. He wants to make out his will.
00:17:31Okay, doll. Thanks.
00:17:35That's it. Grab your little typewriter and let's go.
00:17:37Oh, by the way, that Carter girl will be at the airport in an hour and a half.
00:17:44What did he want with her?
00:17:45I don't know. Wanted to see her before he died.
00:17:47Guess he's losing his mind, too.
00:17:49She must be five feet, five inches, dark brown hair.
00:17:58Ah, Mr. Jobs. Sign us. There may not be much time left.
00:18:01I think we have all the essentials there. Right.
00:18:17Did he sign it?
00:18:29Yeah, it's good enough.
00:18:31He didn't want a doctor, but I guess I'll have to call one now to sign the death certificate.
00:18:35That's right.
00:18:37Sorry, Louie. What, I'm too late?
00:18:42I'm afraid so. We were praying for him.
00:18:45Thanks, Talbot.
00:18:46Fortunately, he managed to make his will in time.
00:18:56All right, now, fill that out exactly right.
00:18:58And I'll get the signature fixed later.
00:19:00Listen, don't worry. A mistake would be too expensive now.
00:19:03Hmm. I've got to get out to that airport to head off that Carter girl.
00:19:07Go ahead. I'll have this finished by the time you get back.
00:19:10Okay, Rusty. Good.
00:19:14Miss Carter?
00:19:15That's right.
00:19:16I'm, uh, Henry Talbot, uh, Mr. Jobs' lawyer.
00:19:20How do you do?
00:19:21Fine.
00:19:22This is my friend, June.
00:19:23Pleased to meet you.
00:19:24How do you?
00:19:25I'm sorry, Miss Carter. You had to arrive too late.
00:19:28You mean he's...
00:19:29Well, I'm afraid so.
00:19:31Oh, I'm so sorry.
00:19:33I did so want to meet Mr. Jarvis.
00:19:35Well, we did all we could for him, but it was of no use.
00:19:38I'm sorry you had to make the trip for nothing.
00:19:40Oh, that's all right.
00:19:42We were going to...
00:19:43Oh, it's a pity, Mr. Talbot, but it was nice of Mr. Jarvis to pay our way here.
00:19:48But now...
00:19:49I understand.
00:19:50I knew you'd need some money to get back.
00:19:52Oh, but we, we don't really...
00:19:54Oh, thank you, Mr. Talbot.
00:19:56Well, that ought to do it.
00:19:57I have some things to do now, and I'll hurry along.
00:20:00Uh, there's a plane out in about an hour.
00:20:03Oh, that's all right.
00:20:04We decided to stay a couple of days and see the sights.
00:20:07Well, that I wouldn't advise.
00:20:09You know, New York's no place for two young girls.
00:20:11Oh, we'll manage.
00:20:13Well, goodbye.
00:20:14Goodbye.
00:20:15And goodbye to you, Miss.
00:20:16Goodbye.
00:20:17Well, that's hospitality for you.
00:20:21He didn't seem to want us around, did he?
00:20:24Not from where I stand.
00:20:26June, you really shouldn't have taken that money.
00:20:29Well, honey, I can see you're not experienced in the ways of the world.
00:20:33How else would we pay our first month's rent?
00:20:36Oh, come on.
00:20:37Let's go.
00:20:38To Kearney and Aunt Sarah, I leave my chicken farm in Ashton, Virginia.
00:20:48To my faithful servant, Dolph, I leave an income of $3,000 a year, and entrust unto him the care of my son.
00:20:57To my dear son, Louis, the remainder of my estate, with the hope that he use it wisely.
00:21:04To ensure that, I make one provision.
00:21:07That within 30 days of my death, he marries the girl who is probably even now by his side.
00:21:14The girl he is to marry must fit this description.
00:21:18Height, five and a quarter inches.
00:21:21Weights, 22.
00:21:23Thigh, 19.
00:21:25Ankle, eight.
00:21:27Hips, 35.
00:21:29Bus, 32.
00:21:31Should he fail to comply with this wish, the estate will be turned over to Henry Talbot,
00:21:36who in turn will donate the money to various charitable institutions.
00:21:41Signed, Skylar H. Jobs.
00:21:44And that, ladies and gentlemen, is the will.
00:21:47I don't get it.
00:21:48Neither do I.
00:21:49Well, Louis, looks like your father had to have his little game.
00:21:52But that description fits Rusty to a T.
00:21:55Yeah.
00:21:56I was thinking of that when I read the will.
00:21:58You know your father had a great deal of respect for Rusty.
00:22:01Nobody's going to tell me who to marry.
00:22:03I don't love Rusty.
00:22:05But you could learn to love me, darling.
00:22:07I can't afford the lesson.
00:22:09Now, now.
00:22:10You don't have to rush into things.
00:22:11You have over four weeks.
00:22:12I don't care if I've got four years.
00:22:14I'll decide when and who to marry.
00:22:16Remember the new show, though, Lloyd.
00:22:17The backing isn't too sound, and we sure could use some of that cabbage.
00:22:21I'll find the backing for the show, all right, if I have to sell oranges on the street corners.
00:22:26Well, darling, you've only got a month.
00:22:29Come on, Rusty.
00:22:30We've got work to do.
00:22:32Can you beat that?
00:22:34Yeah.
00:22:35Tough break, Lloyd.
00:22:36That sure is some wife your father picked out for you.
00:22:39I thought he had better taste than that.
00:22:41You figure it out.
00:22:42Tell me, what are we going to do now?
00:22:44That's the $64 question.
00:22:46Can't you find another girl to fit the description?
00:22:48Yeah.
00:22:49You've got something there.
00:22:50That's just what we'll do.
00:22:51We'll find another girl with the same measurement.
00:22:53Find a dozen of them.
00:22:55Talbot can't make me marry all of them.
00:22:57You're right, Lloyd.
00:22:58That's exactly what we'll do.
00:23:00But where will we find them?
00:23:01Now, you leave all that to me.
00:23:03I'll have thousands of them up here.
00:23:04But look, we've got a radio show to do this afternoon.
00:23:07Come on, let's go.
00:23:08Okay, you dig up the girls.
00:23:10On this show, we take our music, Hot or Blue.
00:23:15And speaking of blues, our lovely Pat Rain sets about to convince Louie that the blues ain't nothing.
00:23:23What's the matter, Louie? You look so worried.
00:23:24Well, Pat, I tell you. I think I got a bad case of the blues.
00:23:28I don't think you really knows what the blues are.
00:23:29Oh, yes, yes. See, I kind of miss Brinkley, Arkansas.
00:23:33I like to go down home and see the folks just one more time.
00:23:34But maybe you're right.
00:23:35I don't think you really know what the blues are.
00:23:36Oh, yes, yes. See, I kind of miss Brinkley, Arkansas.
00:23:40I like to go down home and see the folks just one more time.
00:23:41But maybe you're right.
00:23:42The blues ain't nothing, ain't nothing at all.
00:23:45You can write that on your pad.
00:23:46The blues ain't nothing, ain't nothing at all.
00:23:48Listen, I'm sorry. I think I got a bad case of the blues.
00:23:51I don't think you really know what the blues are.
00:23:54Oh, yes, yes. See, I kind of miss Brinkley, Arkansas.
00:23:58I like to go down home and see the folks just one more time.
00:24:01But maybe you're right.
00:24:03The blues ain't nothing, ain't nothing at all.
00:24:08You can write that on your pad.
00:24:13The blues ain't nothing, ain't nothing at all, but a poor gal what's feeling bad.
00:24:22The blues is something that just don't exist, you can take it from me.
00:24:33The blues is something that just don't exist, except in a heart with misery.
00:24:41The blues is something you get when you've got nothing, no nothing.
00:24:52So tell me, if you've got nothing, how can you have something called the blues?
00:25:01The blues ain't nothing, ain't nothing at all, but an uneasy state of mind.
00:25:12The blues ain't nothing, oh, nothing at all, but a hungry cat without a dime.
00:25:21The blues is something you get when you've got nothing, no nothing.
00:25:31So tell me, if you've got nothing, how can you have something called the blues?
00:25:42Now when there's snow upon the ground, and you've got holes in your shoes,
00:25:47every time you hear from home, it's the same old bad news.
00:25:52If nothing's going right, everything is going wrong, then just remember this song.
00:26:02The blues ain't nothing, the blues ain't nothing at all.
00:26:13Say, honey, you knew this Louis Jarvis.
00:26:15Yes, but we only met once, when his father brought him to my mother's funeral.
00:26:22I was only 12 then.
00:26:24Well, why don't you go over and ask him about a job?
00:26:28Oh, no.
00:26:29He wouldn't remember me.
00:26:33I bet he'd like to renew an old acquaintance.
00:26:37Don't be silly, Jim.
00:26:39Well, one of us better click real soon.
00:26:41After all, I weigh exactly, and I do not wish to lose my glamour.
00:26:50Just a little patience, June, please.
00:26:53Hey, stop it.
00:26:54You're beginning to sound exactly like me.
00:26:57As you probably know, this is our last broadcast of the season.
00:27:01But don't fear, children.
00:27:03We'll all be back with you mighty soon.
00:27:05Now, right after Louis and the gang get through with that old favorite,
00:27:08the green grass grew all around,
00:27:10we'll have an announcement of special interest to all of you.
00:27:13So stay with us, will you?
00:27:14Now, give us a downbeat, Louis.
00:27:16We're all ready to sing along with you.
00:27:18There once was a hole, I said there was a hole.
00:27:47I said there was a hole, the prettiest little hole,
00:27:50the prettiest little hole, that you ever did see.
00:27:52That you ever did see.
00:27:54Now, the hole in the ground and the green grass grows all around and around.
00:27:58The green grass grows all around.
00:27:59And in that hole, there was some dirt,
00:28:03there was some dirt, the richest dirt,
00:28:05The richest dirt that you ever did see
00:28:08Now the dirt in the hole and the hole in the ground
00:28:12And the green grass grows all around and around
00:28:14The green grass grows all around
00:28:16And in that dirt
00:28:17There was some roots
00:28:20The prettiest little roots
00:28:22That you ever did see
00:28:24Now the roots in the dirt and the dirt
00:28:28In the hole and the hole in the ground
00:28:30The green grass grows all around and around
00:28:32The green grass grows all around
00:28:34And on those roots, they grew a little tree
00:28:38The prettiest little tree, that you ever did see
00:28:44Now the tree on the roots and the roots and the dirt and the dirt
00:28:47And the hole and the hole and the ground
00:28:49The green grass grows all around and around
00:28:51The green grass grows all around
00:28:53And on that tree, they grew a little limb
00:28:57The cutest little limb
00:28:59That you ever did see
00:29:01Now the limb on the tree and the tree
00:29:05On the roots and the roots and the dirt and the dirt
00:29:07And the hole and the hole and the ground
00:29:09The green grass grows all around and around
00:29:12The green grass grows all around
00:29:13And on that limb, there was a little nest
00:29:17The prettiest little nest
00:29:19That you ever did see
00:29:22Now the nest on the limb and the limb on the tree
00:29:26On the roots and the root and the dirt and the dirt
00:29:29And the hole and the hole and the ground
00:29:30The green grass grows all around and around
00:29:33The green grass grows all around
00:29:35And in that nest
00:29:36And in that nest
00:29:37There was a little egg
00:29:38There was a little egg
00:29:39The prettiest little egg
00:29:41The prettiest little egg
00:29:42That you ever did see
00:29:43That you ever did see
00:29:44Now the egg and the nest and the nest
00:29:46On the limb and the limb on the tree
00:29:48And the tree on the roots and the roots
00:29:50And the dirt and the dirt
00:29:51And the hole and the hole in the ground
00:29:53The green grass grows all around and around
00:29:55The green grass grows all around
00:29:57And in that egg
00:29:58And in that egg
00:29:59There was a little bird, the prettiest little bird, that you ever did see.
00:30:07Now the bird and the egg and the egg and the nest and the nest on the limb and the limb on the tree,
00:30:12on the roots and the roots and the dirt and the dirt and the hole and the hole in the ground.
00:30:16The green grass grows all around and around, the green grass grows all around.
00:30:20And on that bird, there was some feathers, the prettiest little feathers, that you ever did see.
00:30:29Now the feathers on the bird and the bird and the egg and the egg and the nest
00:30:34and the nest on the limb and the limb on the tree and the tree on the roots and the diciendo
00:30:38in the dirt in the dirt and the hole and the hole in the ground the green grass grows all
00:30:42around and around the green grass grows all around
00:30:52Now ladies and gentlemen here's that special announcement or promise you might call it
00:30:56the chance of a lifetime but here's sam adams that great press agent to tell you all about it
00:31:03thank you hal well folks it's just this as you've all probably read lewis jarvis is producing his
00:31:12own broadway show the female lead is still open we're beginning a beauty and talent contest to
00:31:19discover the girl who play the lead miss broadway will have to be a true beauty because we've got
00:31:25the measurements that she must fit you're all welcome to try out the contest will be held each
00:31:30afternoon at 238 vine street in saint claire new york at the jarvis mansion and we suggest that you
00:31:37come in your bathing suits to bring out the highlights good luck to all of you and may the
00:31:44best one win well we're in oh sure they're just waiting for us wow i'm no painting beauty but i've
00:31:54seen worse but you'll be okay honey no thanks june i'd rather work for a living not walk around in a
00:32:03bathing suit but honey this is a part for a big broadway show then why don't they hold auditions
00:32:11instead of having beauty contests well just don't ask questions all i know is you got to have more
00:32:18than looks to get in a big broadway show and i'm gonna start rehearsing right now so sit back relax and
00:32:25watch me i'm gonna play a record listen
00:32:28i promised myself long ago
00:32:45that i'd never open my heart again but since i met you
00:33:00i've changed completely
00:33:07that promise
00:33:14that promise will never hold true
00:33:18cause i've tossed my heart
00:33:23in the ring again
00:33:28i've changed
00:33:37i've changed completely
00:33:41i've lived in a shell
00:33:48all by myself
00:33:53until you washed me ashore
00:33:59a kiss from your lips
00:34:05and the touch of your hand
00:34:09was all that was needed
00:34:13to open the door
00:34:17so now that you've shown me
00:34:22the way
00:34:24and you've made me open
00:34:29my heart again
00:34:34i'm glad i met you
00:34:39i've changed
00:34:42completely
00:34:47oh june i feel like an amateur
00:35:16compared to you
00:35:18oh it just takes a little hard work honey
00:35:20and you're going to start rehearsing right now
00:35:24while we're getting ready sam i'd like to run over a couple of numbers you know we're going rehearsal tomorrow
00:35:28okay right go right ahead
00:35:30all right fellas let's get together now latch on to this one this is wham sam
00:35:34this will be the opening of the show here we go
00:35:46wham sam dig them gam
00:35:54wham sam dig them gam
00:35:56mellow like corn and country ham
00:35:58slender and round and built from the ground
00:36:01wham sam dig them gam
00:36:03wham sam and taint no flam
00:36:06the chick's got props like she's from bam
00:36:09mellow and fine and so divine
00:36:11wham sam dig them gam
00:36:14now i've been around and seen some legs
00:36:17skinny one fat one some fine pig
00:36:20i like a chick that's built like her
00:36:22soft and mellow like fine fox fur
00:36:25wham sam dig them gam
00:36:27out of this world like berry jam
00:36:30cool as a fool who's on the lam
00:36:33wham sam dig them gam
00:36:35wham sam dig them
00:36:53The End
00:37:23The End
00:37:53The End
00:38:23The End
00:38:53The End
00:39:23You're fooling everybody in town
00:39:27But baby, I know what you're putting down
00:39:30You went out last night
00:39:36To a dinner, a show, and a dance
00:39:40Yes, you went out last night
00:39:46To a dinner, a show, and a dance
00:39:49You must have been a perfect clown
00:39:55But baby, I know what you're putting down
00:39:58The end of the night
00:40:06You've got a ramblin' mind
00:40:32You just don't want to stay at home
00:40:35You tell me you're visitin' all your relatives in town
00:40:51But, baby, I know what you're puttin' down
00:40:54You came home last night with a new hat
00:41:00And a new dress and a new pair of shoes
00:41:03Yes, baby, I came home about 8 o'clock last night
00:41:09With a new hat and a new dress and a new pair of shoes
00:41:12You ain't workin' nowhere in town
00:41:18So, baby, I know what you're puttin' down
00:41:22Miss Candy King
00:41:30Bus, uh, 34
00:41:41Waist, 24 and 3 quarters
00:41:47Hips, 35
00:41:52I'm sorry, beautiful, but you're just a little too tall
00:41:56Thanks for coming out
00:41:57Miss Ambrosia Jenkins
00:42:01Miss Beulah, please
00:42:07Cross, 34
00:42:12Waist, 23 and 3 quarters
00:42:19Hips, 35
00:42:25Sorry, miss, a little too large
00:42:28Miss Beulah, cornflower
00:42:31Bust, 35
00:42:43Waist, 26
00:42:49Hips, 36
00:42:56And 3 quarters
00:42:58Sorry, miss
00:42:59Just a little too large
00:43:01Miss Hell on wheels
00:43:04Hips, 36
00:43:17Wait, 25 and a half
00:43:24Fine
00:43:24I'm sorry, miss
00:43:28You just won't do it
00:43:30Well, Louis
00:43:35Looks pretty bad from here
00:43:36It's no use, Sam
00:43:38Nobody but Rusty could fit that description
00:43:40You're not givin' up, I hope
00:43:41Well, I'm ready to
00:43:43Then you want to marry Rusty?
00:43:44Well, I'm here
00:43:46I guess I have to go along with you
00:43:48Look, Louis
00:43:48We've only got two weeks left to do something
00:43:51Well, the backing of the show is all set
00:43:53The rehearsals are good
00:43:55And it needs a little brushing up
00:43:56But I'll take care of that
00:43:57Yeah, I know
00:43:58But you can't depend on those things
00:44:00And some of your father's money
00:44:01Certainly would put us ship-shaped
00:44:03Well, Sam
00:44:04I'm not going to marry that dame
00:44:06Louis, you're just a drag arena blues
00:44:08Man, for a million bucks
00:44:09I'd almost do it myself
00:44:10I'm tellin' you, Sam
00:44:12I've looked at so many legs
00:44:13I feel like a night watchman in a nudist column
00:44:16Are you kiddin'?
00:44:17Yeah
00:44:17Well, I guess we have to just keep lookin'
00:44:20Okay, I'll round up another batch of beauties
00:44:23And see what we find there
00:44:25Uh, Rust, 36
00:44:37Waist, 32
00:44:42Hips, uh
00:44:4938
00:44:51Thank you
00:44:53Off a knife if you come out
00:44:55Well, it was a good idea
00:45:00But it didn't work
00:45:01So what's a million bucks?
00:45:03You're right
00:45:04Just as long as you have it
00:45:06I'll see what this young lady wants
00:45:09Okay, go ahead
00:45:10Could I help you, miss?
00:45:16I thought I'd try
00:45:17Well, what took you so long to get here?
00:45:20Well, I don't particularly like
00:45:21Walkin' around in bathing suits
00:45:23But when you have to eat every day
00:45:26I guess you just have to forget
00:45:27A few things your mother told you
00:45:28It really isn't that bad, I assure you
00:45:31Do you have a bathing suit?
00:45:33Oh, yes, I have one on
00:45:34Under this
00:45:35Okay, well, get to the
00:45:37Okay
00:46:05I'm terribly sorry, Angel.
00:46:11Better luck next time.
00:46:13Do you think I could speak to Mr. Jarvis?
00:46:15Lloyd?
00:46:16Sure, go ahead.
00:46:17He needs something to cheer him up anyhow.
00:46:23Mr. Jarvis.
00:46:25Mr. Jarvis.
00:46:26Oh, hello.
00:46:28Mr. Jarvis, I'm Honey Carter.
00:46:30Well, what do you know?
00:46:32Well, you don't fit the measurement, but you sure get my vote for Miss Broadway.
00:46:37You know, you look familiar.
00:46:39Well, since I ought to, I guess I can't say you're getting fresh.
00:46:43You mean to say I really do know you?
00:46:45Oh, then you've forgotten.
00:46:47Well, let me think now.
00:46:49Your father would have remembered me.
00:46:50Oh, Dad?
00:46:51He brought you to my mother's funeral.
00:46:53Oh, I know now.
00:46:55You're a lovely man's daughter.
00:46:56So I've been told.
00:46:57Well, what do you know?
00:47:00Well, isn't that wonderful?
00:47:01The last time I saw you, you were only...
00:47:04Twelve.
00:47:04Twelve, that's right.
00:47:05And I had on my first pair of long pants.
00:47:08Lloyd, before you start singing Auld Lang Syne, we've got to see a couple of angels about
00:47:14some money tonight, remember?
00:47:16This is the only angel I'm going to see tonight.
00:47:18You take care of it, Sam.
00:47:19Whatever you say, Lloyd.
00:47:21I've got a date with Honey to talk over old times in the French Café, okay?
00:47:25Okay.
00:47:26Okay.
00:47:31You know, honey, Dad used to describe this old café in New Orleans.
00:47:37This is where he met your mother, you know.
00:47:39He used to come here often because it'd remind him of the golden days.
00:47:44He must have been a sweet old man.
00:47:47I'm sorry I couldn't have seen him.
00:47:49I'm sure he would have been as happy to see you as I am.
00:47:52You know, if I could stop looking at you long enough and think clearly, I might be able
00:47:56to ask you what you're doing in New York and what you're working at.
00:47:59Well, if working is looking for a job, then I'm hard at work.
00:48:05No luck?
00:48:07Almost a month now.
00:48:09I was beginning to get a little desperate.
00:48:12That's how I decided to parade around in the bathing suit.
00:48:15And a nice parade or two, if I may say so.
00:48:19What do you do?
00:48:19Sing?
00:48:20I try to.
00:48:22If you're half as good as Dad said your mother was, you're sensational.
00:48:27I guess I'm passable.
00:48:29But I'm beginning to doubt even that.
00:48:31What about coming down tomorrow for an audition?
00:48:33I'd love to, Louie.
00:48:35But I don't think I fit your measurements.
00:48:37That's another thing.
00:48:39I'd hire you anyway just to stand around and look gorgeous.
00:48:43You're sweet, Louie.
00:48:44That goes double, darling.
00:48:46I can see why Papa's so crazy about your mother.
00:48:48The feeling was mutual.
00:48:50Remember?
00:48:51I sure do.
00:48:52Let's dance, Louie.
00:48:54Well, since I have no other excuse to hold you in my arms, under one condition...
00:48:59What's that?
00:49:00That you come to rehearsal tomorrow.
00:49:02All right.
00:49:03I'll be there.
00:49:04The deal is real.
00:49:07The deal is real.
00:49:08I'll be there.
00:49:09I'll be there.
00:49:10I'll be there.
00:49:11I'll be there.
00:49:12I'll be there.
00:49:13I'll be there.
00:49:14I'll be there.
00:49:15I'll be there.
00:49:16I'll be there.
00:49:17I'll be there.
00:49:18I'll be there.
00:49:19I'll be there.
00:49:20I'll be there.
00:49:21I'll be there.
00:49:22I'll be there.
00:49:23I'll be there.
00:49:24I'll be there.
00:49:25I'll be there.
00:49:26I'll be there.
00:49:27I'll be there.
00:49:28I'll be there.
00:49:29I'll be there.
00:49:30I'll be there.
00:49:31I'll be there.
00:49:32I'll be there.
00:49:33I'll be there.
00:49:34I'll be there.
00:49:35I'll be there.
00:49:36I'll be there.
00:49:37I'll be there.
00:49:38I'll be there.
00:49:39I'll be there.
00:49:40I'll be there.
00:49:41I'll be there.
00:49:42Everybody.
00:49:43Let's have some fun.
00:49:45You only live but once and when you're dead you're done.
00:49:49Let the good times roll.
00:49:54Let the good times roll.
00:49:57Don't care if you're young or old.
00:50:00Get together and let the good times roll.
00:50:06Don't sit there mumbling and talking trash
00:50:12If you want to have a ball, you got to go out and spend some cash
00:50:17And let the good times roll
00:50:19Let the good times roll
00:50:24Don't care if you're young or old
00:50:29Get together, let the good times roll
00:50:32Hey, Mr. Landlord, lock up all the doors
00:50:39When the police comes around, tell them the joint is closed
00:50:44And let the good times roll
00:50:46Let the good times roll
00:50:51Don't care if you're young or old
00:50:56Get together, let the good times roll
00:50:59Hey, y'all, tell everybody Mr. Jordan's in town
00:51:07I got a dollar and a quarter
00:51:09And I'm just Randy Clown
00:51:12But don't let nobody play me cheap
00:51:16I got 50 cents more that I'm gonna keep
00:51:21So let the good times roll
00:51:23Let the good times roll
00:51:28Don't care if you're young or old
00:51:32Get together, let the good times roll
00:51:36Hey, no matter weather
00:51:42It's rainy weather
00:51:44Birds of a feather gotta stick together
00:51:47So get yourself under control
00:51:50And go out and get together
00:51:52And let the good times roll
00:51:54Wham, Sam, digged them gaffes
00:52:02These are the new costumes, Louie
00:52:04How do you like them?
00:52:05Sam, they're a killer
00:52:06I'm telling you, they're really fine
00:52:08Come on, girls, let's get together with this next tune
00:52:10Reef the teeth and gone
00:52:12Come on, girls, let's get together with this next tune
00:52:42Let's get together with this next tune
00:53:12I found a gal who beats them all
00:53:26She isn't too short and she isn't too tall
00:53:29She's in the groove and right on the ball
00:53:32Cause she's re-petite and gone
00:53:34Now, what a babe, she's the tops
00:53:37When we go out, they don't need no traffic cops
00:53:40One look at her and the traffic stops
00:53:43Cause she's re-petite and gone
00:53:45Now I could have my pick, you know
00:53:48Cause I got dough that's ready to go
00:53:51But this chick's so mighty fine
00:53:54But this chick's so mighty fine
00:53:54She got me all tied up like a ball of twine
00:53:57When I do things, I do them right
00:53:59I won't ever let my baby out of my sight
00:54:02We'll tie the knot and tie it tight
00:54:05Cause she's re-petite and gone
00:54:07Now that chick has changed my attitude
00:54:10Whenever I gaze on her pultitude
00:54:13I tell you, Jack, she's so mighty fine
00:54:16She got me all tied up like a ball of twine
00:54:19Those other chicks just leave me cold
00:54:22You can't compare brass with fourteen-carat gold
00:54:25After they made her, they broke the mold
00:54:27Cause she's re-petite and gone
00:54:30That was wonderful, girls, that was wonderful
00:54:50Just a wee bit more rehearsal and you'll have it perfect
00:54:53Sam, take the girls out and let them change their costumes
00:54:56Okay, get them, girls
00:54:57Ah, there's honey
00:55:01Hiya, sugar, I'm so glad to see you
00:55:03Hello, Louie
00:55:04I want you to meet a friend of mine, June
00:55:07She's a singer
00:55:08Say, June
00:55:09Ah, yes, Mr. Jarvis, how do you do?
00:55:12Honey tells me you can sing
00:55:13Oh, could be
00:55:14Well, what would you like to sing?
00:55:17Oh, uh, you got me where you want me
00:55:20Uh, do you mean it?
00:55:22Uh-huh
00:55:22Fellas, you know that
00:55:23You got me where you want me
00:55:27You got me where you want me
00:55:32You got me so I can
00:55:37I always thought I'd know
00:55:40I always thought I'd know
00:55:41When to stop or go
00:55:42When it came to loving
00:55:45Now that I find you love me
00:55:49I'll follow anywhere
00:55:53Cause you got me where you want me
00:55:58Baby
00:55:58And I don't care
00:56:01Hold it right now, fellas
00:56:02Hold it right there
00:56:03What's the matter?
00:56:04Can't you do something else?
00:56:06Yes, I can sing
00:56:07You can sing?
00:56:08And I can dance
00:56:09Now that should be good
00:56:11Oh, you got me where you want me
00:56:14Oh, Heathcliff
00:56:15Oh, Heathcliff
00:56:16Oh, Heathcliff
00:56:17Oh, not Heathcliff
00:56:18Oh, Heathcliff
00:56:19Oh, Heathcliff
00:56:20Oh, hold it right there, fellas
00:56:22I'll follow anywhere
00:56:25Cause you got me where you want me
00:56:30Baby
00:56:31And I don't care
00:56:35That was wonderful, June
00:56:40That was very good, very good
00:56:42Now, if you see Sam sitting over there
00:56:44I think you'll get you a contract
00:56:45Oh, thank you, Mr. Jarvis
00:56:46Oh, that's nice
00:56:48Oh, Sam
00:56:49Yeah?
00:56:50Mr. Jarvis sent me over here
00:56:51He said you'd give me a contract
00:56:53I certainly will
00:56:54I heard your song, June
00:56:55And it's wonderful
00:56:57Oh, thank you
00:56:58I'll have the contract made up for you immediately
00:57:00So you can sign it before you leave
00:57:01That's what I wanted to hear
00:57:03Okay
00:57:03Okay
00:57:03Will you excuse me for a moment?
00:57:10I have a very important phone call to make
00:57:12Oh, yes
00:57:12I'll be right back
00:57:13Okay
00:57:13Okay
00:57:13Oh, honey, darling
00:57:15Come here just a moment
00:57:17I'd like for you to do your little number now
00:57:20I want you to sit these guys on their ear
00:57:22You know that tune you rehearsed?
00:57:24I'd gladly do it again
00:57:25Here we go, fellas
00:57:26Yes
00:57:27Now, look, Mr. Baxter
00:57:28Somebody gave you a bum stare
00:57:30The show is supposed to open in three days
00:57:33Oh, yes, I understand that
00:57:35But, Mr. Baxter
00:57:37You just can't back out on us now
00:57:39Yes
00:57:40You see, without your 10,000
00:57:43We just can't open
00:57:44Oh, Mr. Baxter
00:57:47Yes
00:57:48Yes, I understand that
00:57:50All right, Mr. Baxter
00:57:52Thank you
00:57:53Goodbye, sir
00:57:54Floyd, come here
00:58:02I've got to talk to you
00:58:03What's the matter, Sam?
00:58:04Baxter
00:58:04Somebody put a bug in his bonnet
00:58:06And he's backed out
00:58:07But he can't do that
00:58:08Yeah, that's what I said
00:58:09But it's his checkbook
00:58:10That means the show can't open
00:58:13Day after tomorrow
00:58:14If ever
00:58:14And just think
00:58:16All these kids have worked so hard
00:58:18There's always Rusty, though
00:58:19I'd nearly forgotten about her
00:58:21Yeah, so I noticed
00:58:22How much time have we got left?
00:58:24Not much
00:58:24This is the last day
00:58:26Well, I guess we'll have to go to Talbot's office
00:58:29Say, you don't mean you're going to
00:58:31No, no, no, no
00:58:32I don't know what I'm going to do
00:58:34But you take the girls out to lunch
00:58:35And I'll see you a little bit later on
00:58:37Okay, but look
00:58:37Please, don't do anything rash, will you?
00:58:39I'll try not to
00:58:40Okay, now
00:58:41Okay
00:58:45Okay
00:58:45That was Baxter
00:58:47Yeah, what did he want?
00:58:49Oh, he just wanted to thank me
00:58:50For tipping him off on the show
00:58:51Before he lost his shirt on it
00:58:53Very nice move, darling
00:58:55Well, that ought to set Louis going
00:58:57You know, he'd give anything
00:58:58To get that show on
00:59:00Rusty, you're almost surprised
00:59:02I don't know
00:59:03Louis hasn't been very attentive
00:59:05Well, he'd better start and then a hurry
00:59:08Because today is the last day
00:59:09Then I'd start giving the money away to charity
00:59:12Can't you get anything out of that?
00:59:14Oh, I don't know
00:59:15Maybe a few pennies
00:59:16But that's not the idea
00:59:17I'd rather him marry you
00:59:19Then we'd have a steady income
00:59:21From here on out
00:59:21Oh, hello, Louis
00:59:24We were just talking about you
00:59:26Anything good?
00:59:28Well, you know
00:59:28Today is the last day
00:59:30Better make up your mind
00:59:31Can't you give me a little more time?
00:59:34I don't know
00:59:34You've got to abide by the will
00:59:36There's no way out
00:59:37I see
00:59:38Louis
00:59:39If your father wanted you to marry Rusty
00:59:41That's the way it ought to be
00:59:43Sure, Louis
00:59:45I don't like what I see
00:59:47Oh, now, don't be a fool
00:59:48If I didn't need the money
00:59:50I wouldn't come here at all
00:59:51Come on, now, let's be sensible
00:59:52That's what I'm trying to do
00:59:53All right, then, do it
00:59:54Yeah?
00:59:56Marry Rusty and collect the dough
00:59:57But I'm in love with somebody else
00:59:59So what?
01:00:00You're going to let that stand in the way of you and a million bucks?
01:00:03Marry Rusty?
01:00:04Then we get a quick divorce and a settlement
01:00:06Why?
01:00:06Wait a minute, wait a minute
01:00:07I don't like the things you say
01:00:09Well, look
01:00:09I've been your family lawyer for years
01:00:11I have your best interest at home
01:00:13I doubt that
01:00:14You mean to call me a crook?
01:00:15Something like that
01:00:16Okay, Louis
01:00:18I have nothing more to say
01:00:20It's about time
01:00:21You'll be sorry, Louis
01:00:23I'd be a lot sorrier married to you
01:00:25Henry Talbot's office
01:00:31Yes, he is
01:00:32Hello
01:00:35Oh, how are you?
01:00:37That's right
01:00:38Night at nine o'clock, Mr. Jarvis
01:00:41Yes, sir
01:00:43Well, Mr. Jarvis wanted it that way
01:00:46That was Dolph
01:00:53Wants us over to the house tonight at nine
01:00:56So that was your father's last wish
01:00:58Okay, I'll be there
01:00:59And thanks for helping me, Talbot
01:01:01I'll remember you in my will
01:01:03Stupid fool
01:01:06What's this about Dolph?
01:01:08I don't know
01:01:09They want me to bring the will over, too
01:01:11Maybe they suspect something
01:01:13No, no, no
01:01:14How could they?
01:01:16And besides, I'm not going to let any broken down servant
01:01:18Throw a wrench in the works now
01:01:19Don't you worry about that
01:01:20So the show's closing
01:01:38What about it?
01:01:41But Louis worked so hard
01:01:43He had his heart and soul in it
01:01:45Oh, there'll be other shows
01:01:48Not for me, June
01:01:50I've had enough
01:01:51Honey
01:01:52You've got to have understanding and patience in this business
01:01:56But I can't take it, June
01:01:58Maybe it's a guy
01:02:02And not the show that's causing all this trouble
01:02:05Maybe it is
01:02:07Oh, June
01:02:09To ensure that I make one provision
01:02:12That within 30 days
01:02:14He marries a girl
01:02:15Who is probably even now beside him
01:02:17Now, wait a minute
01:02:18We've heard all that before
01:02:19This is the legal wolf
01:02:21And it's dated before the one that you're reading
01:02:24Can I see it?
01:02:26Sure
01:02:26Now, listen
01:02:34Remember this
01:02:35I'm the lawyer in this family
01:02:36Mr. Jerome
01:02:37Lieutenant Jerome
01:02:39Of the police department
01:02:41May I continue?
01:02:43Certainly
01:02:44The girl who fits this description
01:02:46Waist 24
01:02:48Thighs 19 and a half
01:02:50Ankle
01:02:50Eight and a half
01:02:52Height five feet five inches
01:02:54Hair dark brown
01:02:56Say, listen
01:02:56Those aren't the measurements we were looking for
01:02:58Something fishy
01:02:59Keep right on, Lieutenant
01:03:01Should there be any difficulty in finding this girl
01:03:03I suggest that you locate the daughter of the former lovey Lynn
01:03:07Namely, Honey Carter
01:03:09Honey Carter
01:03:11Hold it, you two
01:03:12I thought that signature in the world of yours was a pony
01:03:14Come on down to the headquarters
01:03:16We got some questions that need some answers
01:03:18Thanks, Lieutenant
01:03:19That's all right, Dolph
01:03:20It's been a pleasure
01:03:21So you had it fixed, Dolph, eh?
01:03:24Yes, sir, Mr. Lewis
01:03:26The way your father was always talking about that lovely Lynn and her daughter
01:03:30I figured he kind of wanted you to marry this Honey Carter
01:03:34Lately, I thought your father kind of felt that Mr. Talbot wasn't up to no good
01:03:41I suspect it was sort of a test
01:03:44To protect you
01:03:46And so I figured I'd better have the Lieutenant Rita
01:03:50Just in case
01:03:51He used to play poker with Dad
01:03:54That's right
01:03:55Yes, and he dealt a winning hand that time
01:03:58You know, shouldn't I get married right away?
01:04:02I suspect you do
01:04:03Well, Sam
01:04:04See if you can dig up a justice of peace
01:04:06I'll find Honey
01:04:07Hey, and Sam
01:04:11Get the cast together
01:04:13The show must go on
01:04:28Hey, boy
01:04:30Don't you harm that bird
01:04:32Don't you dare to try
01:04:34Start releasing that chicken
01:04:35Or you'll get a licking
01:04:37That chick's better take my word
01:04:39Here's the reason why
01:04:40You gotta feed her up steady
01:04:42Till she gets ready
01:04:43That chick's too young to fry
01:04:45Take her back
01:04:46In the barnyard
01:04:47Let her go
01:04:48Just turn her loose
01:04:50Way out there in the barnyard
01:04:52Where she'll grow up for better use
01:04:54Hey, boy
01:04:54There'll come a time
01:04:56Someday by and by
01:04:58She'll be ready for frying
01:04:59So stop your crying
01:05:00That chick's too young to fry
01:05:02Hey, boy
01:05:03There'll come a time
01:05:05Someday by and by
01:05:06Start releasing that chicken
01:05:08Or you'll get a licking
01:05:09That chick's too young to fry
01:05:10Hey, boy
01:05:12Better take my word
01:05:13Here's the reason why
01:05:15Gotta feed her up steady
01:05:16Till she gets ready
01:05:17That chick's too young to fry
01:05:19Take her back
01:05:20In the barnyard
01:05:21Let her go
01:05:23Then turn her loose
01:05:24Way out there in the barnyard
01:05:26She'll grow up for better use
01:05:28Hey, boy
01:05:28There'll come a time
01:05:30Someday by and by
01:05:32She'll be ready for frying
01:05:33So stop your crying
01:05:34That chick's too young to fry
01:05:36Get away
01:05:37Stay away
01:05:37Come back another day
01:05:38That chick's too young to fry
01:05:40Come back another goin'
01:05:52There was Adam happy as a man could be
01:06:13Till Eve started messing with that apple tree
01:06:16Ain't that just like a woman
01:06:18Ain't that just like a woman
01:06:20Ain't that just like a woman
01:06:23They'll do it every time
01:06:24Lot took his wife to the corner store to get her malted
01:06:29She couldn't mind her business, boy, did she get salted
01:06:31Ain't that just like a woman
01:06:33Ain't that just like a woman
01:06:35Ain't that just like a woman
01:06:38They'll do it every time
01:06:39They sure will
01:06:40Samson thought Delilah was on the square
01:06:44Till one night she clipped him for all his hair
01:06:46Ain't that just like a woman
01:06:48Ain't that just like a woman
01:06:50Ain't that just like a woman
01:06:53They'll do it every time
01:06:54A woman
01:06:59Ain't that just like a woman
01:07:11Some woman
01:07:12You read your history books, you've learned
01:07:29That Nero fiddled while Rome was burned
01:07:31Ain't that just like a woman
01:07:33Ain't that just like a woman
01:07:36Ain't that just like a woman
01:07:38They'll do it every time
01:07:40Marie Antoniette met those hungry cats at the gate
01:07:44They were crying for bread
01:07:45She said, let them eat cake
01:07:47Ain't that just like a woman
01:07:48Ain't that just like a woman
01:07:51Ain't that just like a woman
01:07:53They'll do it every time
01:07:55They sure will
01:08:10You can buy a woman clothes and give her money on the side
01:08:14No matter what you do, they ain't never satisfied
01:08:17Ain't that just like a woman
01:08:18Ain't that just like a woman
01:08:21Ain't that just like a woman
01:08:23They'll do it every time
01:08:25If you want a guy with gold
01:08:44Don't care if he's young or old
01:08:46It's a sense you're barking up the wrong tree
01:08:49But if you want to get your kicks
01:08:51From a boy who knows the tricks
01:08:53If it's love you want, baby, that's me
01:08:56If you want a guy with class
01:08:59Who's way above the mass
01:09:01Well, I'm not the right person, obviously
01:09:03But if you want to get that glow
01:09:06From a cat that's in the know
01:09:08If it's love you want, baby, that's me
01:09:11So take your time and think it over
01:09:15Don't do anything that's rash
01:09:18Don't go for a guy with flesh
01:09:22Cause love will last longer than cash
01:09:26If you want a guy with class
01:09:29Who's way above the mass
01:09:30I'm not the right type, I must agree
01:09:33But if you feel like getting sent
01:09:36From a truly righteous gent
01:09:38If it's love you want, baby, that's me
01:09:41If it's love you want, baby, that's me
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