- 7/6/2025
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:30The End
00:01:00Dancy, what do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:49Well...
00:01:51I don't know.
00:02:21I don't know.
00:02:22I don't know.
00:02:23I don't know.
00:02:24I don't know.
00:02:25I don't know.
00:02:26I don't know.
00:02:27I don't know.
00:02:28I don't know.
00:02:29I don't know.
00:02:30I don't know.
00:02:31I don't know.
00:02:32I don't know.
00:02:33I don't know.
00:02:34I don't know.
00:02:35I don't know.
00:02:36I don't know.
00:02:37I don't know.
00:02:38I don't know.
00:02:39I don't know.
00:02:40I don't know.
00:02:42I don't know.
00:02:43I don't know.
00:02:45Dr. Johnson, will you come in, please?
00:02:58Yes, sir.
00:03:00Listen to me, Drogo Gaines. What do you think you're doing?
00:03:04What's the matter with him?
00:03:07I think he's nuts.
00:03:09Here he is, doctor.
00:03:11My goodness.
00:03:12We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:25There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:32Hey, Drogo.
00:03:34Come on, wake up out of this thing.
00:03:36Well, what now?
00:03:38Well, of all things, to happen to me.
00:03:40Yeah, happen to you.
00:03:42If we'd married the dope two weeks ago, we'd have had the ten million, and we wouldn't care whether he did go goofy.
00:03:46Ma, it's all your fault.
00:03:47If you'd only let me marry Jerry Van Sniven.
00:03:49He had plenty of dough, and besides, I might have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we gonna do?
00:03:56We can't let those people eat all that food and stuff.
00:03:58Who's gonna pay for it?
00:03:59You go out there and tell him it's been postponed.
00:04:01All right.
00:04:09Are you all right?
00:04:10Oh, yes, I'm all right.
00:04:12You mean to say that you heard everything we said?
00:04:14Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:19I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26All for the best?
00:04:27You're making a monkey out of me, leaving me at the altar?
00:04:29Well, I'm very sorry.
00:04:31Wait a minute.
00:04:33Everybody in this house thinks you're crazy.
00:04:35Now listen to me, Drogo Gaines.
00:04:36You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:41Helen, how are you going to influence those people?
00:04:43Help!
00:04:44Help!
00:04:45What's the matter with you?
00:04:46Let me go!
00:04:47Let me go!
00:04:48Helen, what are you doing?
00:04:49Help!
00:04:50Help!
00:04:51Help!
00:04:52Don't let him go!
00:04:53He's crazy!
00:04:54Help!
00:04:55Help!
00:04:56Help!
00:04:57Help!
00:04:58Help me!
00:04:59Help me!
00:05:00Help me!
00:05:01What's the matter with you?
00:05:02My poor child!
00:05:10Help!
00:05:11Help!
00:05:16Good morning, Mr. G.
00:05:20Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:23The Hopedale Club.
00:05:24The Hopedale Club.
00:05:32I can't stay in a place like this.
00:05:34I'm sorry, Mr. G, but I'll have to refer your complaint to Dr. Thorndyke.
00:05:37Now eat your breakfast like a good boy.
00:05:39I don't want any breakfast.
00:05:41Please, Mr. G, you mustn't.
00:05:47Dr. Thorndyke!
00:05:55Oh, pardon me.
00:05:57Have you the time?
00:05:58No, I'm sorry.
00:05:59I have my watch.
00:06:00Here.
00:06:01It might.
00:06:02Oh, no.
00:06:03But listen.
00:06:09I want to see Dr. Thorndyke.
00:06:10Just have a seat.
00:06:11I want to see Dr. Thorndyke.
00:06:12Just have a seat.
00:06:14I want to see Dr. Thorndyke.
00:06:16Just have a seat.
00:06:17I want to see Dr. Thorndyke.
00:06:18I want to see Dr. Thorndyke.
00:06:19I want to see Dr. Thorndyke.
00:06:20I want to see Dr. Thorndyke.
00:06:21Yeah.
00:06:22Okay, you're progressing.
00:06:26Splenching.
00:06:27Now drop in and see me anytime you like.
00:06:32Always glad to have you.
00:06:33Okay, you're a progressing splinter.
00:06:44Now drop in and see me any time you like.
00:06:46Always glad to have you.
00:06:47Thank you, Doctor.
00:06:52Mr. N., do you mind if I send Mr. G. in ahead of you?
00:06:55Not at all.
00:07:03Well, well, Mr. Gaines, glad you dropped in.
00:07:09We'll call you Mr. G here.
00:07:12Are you feeling better?
00:07:13No, I'm not.
00:07:15I mean, I never felt bad.
00:07:16Now, don't excite yourself.
00:07:18I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course, they all do at first, but you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. T.?
00:07:40Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Oh, that is.
00:07:51He thought he had a pin that he put in a flower that I haven't got.
00:07:58Now, look.
00:07:59I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:03A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:08Oh.
00:08:09Look, Doctor.
00:08:10There's nothing wrong with me.
00:08:19Of course, there's nothing wrong with you, Mr. G.
00:08:22Now, Doctor.
00:08:23Doctor.
00:08:29I've had enough of this foolishness.
00:08:39You've got to let me go.
00:08:40Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:51But listen...
00:08:51Now, don't make it hard for yourself.
00:08:53Finish dressing and go out in the sun.
00:08:55We're allowing you the full run of the grounds.
00:08:57Oh, Doctor.
00:09:05I'm so hungry.
00:09:07I'm sorry.
00:09:09I'm sorry.
00:09:10Oh, I'm sorry. I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:36Good fishing?
00:09:38Excellent.
00:09:40Taught many?
00:09:41Nope. Never catch any.
00:09:44It's a sort of new idea when it comes to fishing.
00:09:48Yeah, sure. Brighter than I thought you were, Mr. Gaines.
00:09:51Sit down.
00:09:52Oh, you know me?
00:09:53I know all about you.
00:09:55Carraway's my name. Colonel Carlton Carraway.
00:09:58You've heard of Carraway Seeds?
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05I don't. I'm going to escape.
00:10:08Oh, no, you're not.
00:10:09The walls are too high.
00:10:11Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:14I pulled a little stunt in self-defense.
00:10:16Oh, yes.
00:10:17That Newton girl.
00:10:19While you were looking at her eyes, she was looking at your checkbook.
00:10:23Well, I didn't know.
00:10:24And Agnes.
00:10:25She kissed you when you bought her a yacht.
00:10:29You'd have done better with a canoe.
00:10:30And that Argentine tomato.
00:10:33What was her name?
00:10:34Conchita Wat Mazuma.
00:10:36You bought her bracelets and called her angel.
00:10:38And she said,
00:10:40Mi piccioncito eres pitolo.
00:10:42Sounded sweet, didn't it?
00:10:44Just mean sucker.
00:10:45You certainly know a lot.
00:10:49Yes, that's why I'm here.
00:10:51Tell me, Colonel.
00:10:54How does a fellow know when he's found the right girl?
00:10:58The signs.
00:11:00Signs?
00:11:01Yeah.
00:11:01I don't understand.
00:11:03Well, now, uh, supposing a girl, uh, crossed her fingers, and you crossed yours at the same time.
00:11:11That's a sign.
00:11:13Go!
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:18Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22Going to photograph the fish.
00:11:23Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good.
00:11:27There's too many fish.
00:11:32Something I could do for you?
00:11:37No.
00:11:40Now this, Mr. G, is the broom and daisy.
00:11:42The what?
00:11:43The broom and daisy.
00:11:44Probably the finest camera ever invented by the human mind.
00:11:48Now, uh, don't let her frighten you, and don't ask how she works, or you'll spoil all the fun.
00:11:52Now, take one step forward.
00:11:55Two backward.
00:11:57Just a mite forward.
00:11:58Now what are you playing?
00:12:00That's another invention of mine.
00:12:02I never focus the camera.
00:12:04Anyone can focus the camera.
00:12:05I focus you.
00:12:06Now, are you ready?
00:12:08Hold it.
00:12:09There you are.
00:12:10That merely takes the photograph.
00:12:12Now, we develop it.
00:12:20Come in.
00:12:23Good morning, Colonel.
00:12:24Good morning, Harry.
00:12:25Meet Mr. G.
00:12:27How do you do?
00:12:28How do you do?
00:12:28Well, I'm going to go to the ground.
00:12:32And now we shall see what we shall see.
00:12:36We release the Gadget A.
00:12:39Seize the Bingus B.
00:12:41And grasp the photograph.
00:12:43See?
00:12:43And there you are.
00:12:44It's blank.
00:12:45Yes.
00:12:46That's the wonderful thing about the broom and daisy.
00:12:48You never can tell what's coming out.
00:12:50Sometimes I get the most amazing pictures.
00:12:53Not very often.
00:12:53Uncle Carlton, you're going to stay with me at the country place.
00:12:58Dr. Thorndagnac, I think you'll be much happier there.
00:13:01Oh, but Harry, I like it here.
00:13:02I know, but you've got to leave here sometime.
00:13:04You've been here long enough.
00:13:06People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Not another word.
00:13:09I know what's best for you.
00:13:11You get your things together and I'll call for you in the morning.
00:13:13You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:16Goodbye, Mr. G.
00:13:18G.
00:13:18I hope you have fun playing with your fish.
00:13:25I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:29Oh, he did, did he?
00:13:31Come here.
00:13:35Look at that.
00:13:44What's the matter with that?
00:14:01He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it.
00:14:12He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:21I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:23You said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31I have a hundred and twenty dollars.
00:14:33A hundred and twenty dollars?
00:14:35Say, that's enough to put the Blooming Daisy on a paying basis.
00:14:38But the Blooming Daisy won't even take a picture.
00:14:39Shh.
00:14:40You know that.
00:14:41And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now look.
00:14:45You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people.
00:14:50Real people.
00:14:51None of the money-grabbing kind.
00:14:53Don't forget to bring the money.
00:14:54What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course.
00:15:13We've got a launcher.
00:15:14I knew this life would be too good to last.
00:15:16Why, how did this escape years ago?
00:15:17You call wrestling a boat?
00:15:19Here, stop all that piddle paddles.
00:15:20Get this stuff on board.
00:15:22There you are.
00:15:24Here.
00:15:26Here, now give me a hand.
00:15:29Fall ashore.
00:15:30Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far?
00:15:35We just want to get.
00:15:36Steve, ho, my hearty.
00:15:38Aubrey!
00:15:53Have Mr. Gaines sent to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:08Hello, Miss White.
00:16:16What?
00:16:16That's right, notify the police.
00:16:20Seas as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a statement about water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38This raft's impossible.
00:16:39It's probably sinking.
00:16:41The server's right if we both drowned.
00:16:43We never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why, this silly river's so shallow you could wade ashore at any time.
00:16:50It is?
00:16:52Well, I'm going to wade.
00:16:53This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:06Well, you must have hit an air pocket.
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing.
00:17:15We'll go over.
00:17:16That's a silly statement.
00:17:17People don't go over falls and rides.
00:17:19They only go over and back.
00:17:36Well, that wasn't enough, you hope.
00:17:38I can't really broke my neck.
00:17:39Well, all's well that ends well.
00:17:49Say, what's the idea of throwing things and destroying people's property?
00:17:52I'll have you know, madam, that I have just perpetrated the most magnificent escape
00:17:56in my long and brilliant record of achievement.
00:17:58Escape?
00:17:59Well, that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:08And a case of Cupid dollars cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more, no less.
00:18:16That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Play up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:27Achoo!
00:18:27Say, you're soaking wet.
00:18:31Oh, sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:37Oh, no, I'm all right.
00:18:37Now, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh, what's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:58He's been a terrible trial to me, but I've done the best that I could.
00:19:02If he but had the love of a good woman, someone to bring out the finer things in him, to restore
00:19:07his self-respect, then again he could become a man among men.
00:19:11Oh, ho, Moore's carnival.
00:19:26Yeah, Penguin Moore.
00:19:27That's me.
00:19:28You own this?
00:19:29Yeah, the whole works.
00:19:31Tight lights, music, the gay, pleasure-mad throngs.
00:19:34What throngs?
00:19:35Merlin' a figure of speech, my girl.
00:19:37Merlin' a figure of speech.
00:19:39Ladies and gentlemen, right out by this way.
00:19:42Come on, fellas.
00:19:43Hi, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still makin' those things?
00:19:52It won't make you fat.
00:19:53It'll make you thin.
00:19:53Come on.
00:19:58Yum, yum, you're so delicious.
00:20:02You're sweeter than an angel cake.
00:20:06I'll bet an even baker's dozen
00:20:09that every bee that's buzzin'
00:20:12tells its pretty flower you're his long-lost cousin.
00:20:17When you promise me kisses,
00:20:20the filling in my sweet toothache.
00:20:24Because your lips are more enticing
00:20:27than Grandma's chocolate icing.
00:20:30Yum, yum, yum.
00:20:38I keep a pantry full of sugar and spice,
00:20:44Strawberry jam and everything nice.
00:20:51But what could be much sweeter
00:20:54than someone like yourself?
00:21:00You belong on my top shelf.
00:21:09Yum, yum, yum.
00:21:11You're so delicious.
00:21:13You're sweeter than an angel cake.
00:21:17I'll bet an even baker's dozen
00:21:20that every bee that's buzzin'
00:21:23tells its pretty flower you're his long-lost cousin.
00:21:27When you promise me kisses,
00:21:32the filling in my sweet toothache.
00:21:35Because your lips are more enticing
00:21:38than Grandma's chocolate icing.
00:21:41Yum, yum, yum.
00:21:43Yum, yum, yum.
00:21:51You are the first lucky lady
00:21:53to get the dollar port rate for 25 cents.
00:21:56Right down that way, lady, and to your left.
00:21:58As soon as we get changed to the $20,
00:22:00we're on our way.
00:22:00Now, listen, young lady.
00:22:06I've been waitin' long enough.
00:22:07Either you give me $120
00:22:09or this show is the tax.
00:22:11Now, patience, Sheriff, patience.
00:22:13I do not like to be rushed while I am bathing.
00:22:16In fact, I like to soak.
00:22:18After 47 minutes, you ought to be waterlogged.
00:22:21Oh, you come right out of there, young lady,
00:22:31or I'm going to come over there and pull you up.
00:22:34Why, Sheriff, police, after all...
00:22:37What's going on here?
00:22:44I was waitin' for the head of this year's show
00:22:46to get out of the shower.
00:22:48Well, I'm the head of the show.
00:22:49Oh, you are.
00:22:50You blew Brownville last night
00:22:52owing money to several citizens of our community
00:22:54for use of the lot, gas, electricity, water.
00:22:57Matter of fact, you didn't pay for nothin'.
00:23:00Just a minute, Sheriff.
00:23:02What is the attachment on this show?
00:23:04$120.
00:23:05$120.
00:23:06Well, there's your $100, and here's your $20.
00:23:08Now, thank you very much, Sheriff.
00:23:10That fixes up everything.
00:23:11Wait a minute, mister.
00:23:12I never ask anyone to pay off anything on my show.
00:23:14Who said I was paying off anything on the show?
00:23:16I merely want to buy the photographic concession for the colonel.
00:23:19You mean, you want to pay $120 so the colonel can use that bloom and daisy around here?
00:23:23That's right.
00:23:25Well, let me tell you, mister.
00:23:26It ain't worth it.
00:23:27It's worth a lot more than that to me.
00:23:29Now, goodbye, Miss Moore, and thank you very much.
00:23:33Say, not a bad guy.
00:23:36And cute, too.
00:23:37Well, goodbye, colonel.
00:23:39And lots of luck with the blooming daisy.
00:23:40Where are you going?
00:23:41Back to New York, of course.
00:23:42That's my suit you got on.
00:23:44Oh, it is.
00:23:45Well, I'll send it back to you.
00:23:46Which one of you is Penguin Moore?
00:23:48I am.
00:23:49Why?
00:23:50Well, I'm Clem Prouty, owner of this lot.
00:23:52And I want that $20 rental in advance that she promised me.
00:23:55Well, say, can't you give us a little while?
00:23:57Nothing, Dawn.
00:23:58I'll give you just 10 minutes to get the money.
00:24:01And either you'll put up or pack up.
00:24:03And I'll be waiting right here.
00:24:05Wait a minute.
00:24:13I'll get 20 bucks from these yokels for my Indian remedy
00:24:16if it's the last act of my life.
00:24:21Now, where do you think you're going?
00:24:23Well, with you, of course.
00:24:25Nowhere else to go now that the source of livelihood's been cut off.
00:24:28What a pity.
00:24:29And to the lack of only $20.
00:24:31Oh, I never saw such a mess.
00:24:32There must be some way to make $20.
00:24:34Say, I've got another attachment on the Bloomin' Daisy
00:24:37that I saved for just such an emergency.
00:24:39Now, you put one here, one here, and one here.
00:24:47Well, I'll try anything once.
00:24:52Here you are, young lady.
00:24:53Take care of my bag for me.
00:24:54Sure, bud.
00:24:57Beg your pardon, stranger.
00:24:59You look like an intelligent person,
00:25:00one who'd be interested in making a little easy money.
00:25:03Sure, who's going to mind me?
00:25:04I am.
00:25:05But in order to accomplish this feat,
00:25:06I shall have to secure a portion of your chewing gum.
00:25:09What good gum going to do you?
00:25:10Ah, that's a secret.
00:25:11I've made hundreds of dollars that way.
00:25:12Now, we attach the little pea to the chewing gum.
00:25:17We attach both to the interior of the shell.
00:25:19It's whole.
00:25:21Follow me, stranger.
00:25:22I'll show you how it works.
00:25:27Well, well, well.
00:25:28The shell game, eh?
00:25:29The object of this game is to find out which shell the little pea is under.
00:25:33I've had a lot of experience along that line.
00:25:35Say, your shoelaces untied, young fella.
00:25:36Tell you what I'll do, young man.
00:25:41I'll bet you $20 that I can tell you where the little pea is.
00:25:43I'll bet you $22.
00:25:44$20 is all I want.
00:25:46$20 is the limit.
00:25:46Wait a minute.
00:25:47Take your money back.
00:25:47It was my idea.
00:25:48Oh, no, you don't.
00:25:50I had my money up first.
00:25:51You're unfair, sir.
00:25:52Trigger, in fact.
00:25:53Just a minute.
00:25:54Just a minute.
00:25:55Say, young fella.
00:25:55Didn't you have my money down first?
00:25:57Yes, I guess you did.
00:25:58That gives you the first chance to play.
00:26:00Sorry, mister.
00:26:00Well, it's an outrage.
00:26:01Money won that way.
00:26:02It'll do you no good.
00:26:03Now, gentlemen, which shell hides the little pea?
00:26:06That one.
00:26:08It ain't there.
00:26:09No.
00:26:10Too bad, gentlemen.
00:26:11Too bad.
00:26:12Better luck next time.
00:26:14It's amazing.
00:26:15The man must be a wizard.
00:26:16I'm glad I didn't bet any of my own money.
00:26:18And there you are, ladies and gentlemen, the great Indian princess Yo-Yo in the flesh.
00:26:23She speaks not a word of anything but her native tongue.
00:26:26Now, she brings this tonic to you from the sands of the desert, the rocks of the mountains,
00:26:31the land of the mighty red man.
00:26:33Now, you've never seen a sick Indian.
00:26:37They're all big, strong, mighty men of nature.
00:26:40And why are they all big, strong, mighty men?
00:26:43Because they use Princess Yo-Yo's Indian tonic exclusively.
00:26:48And now, my good people, this wonderful remedy is worth $5 a bottle.
00:26:52But we're not going to charge you $5.
00:26:55Oh, no.
00:26:55Nor $2.
00:26:57Nor $1.
00:26:57No, sir.
00:26:59You're going to buy this wonderful tonic for just $0.25.
00:27:03And because of the great affection the princess has for the people of this community, with
00:27:08every two-bit purchase, we're going to give you a bow made by the princess's own brother, Eagleby.
00:27:15Now, you say to yourself, what will I do with just a bow?
00:27:19Well, we'll tell you.
00:27:20With every $0.25 purchase of the Princess Yo-Yo's tonic, we're going to throw in an arrow so that you have the tonic and the bow and arrow, all for the trifling sum of $0.25.
00:27:31Come on, now, folks, step up and get that first bottle.
00:27:35Don't miss this amazing opportunity to buy this great tonic for $0.25 a bottle, or five bottles for $1.
00:27:42Let me just take one bottle and pass it down among you.
00:27:45Just pull the cork out of that, my friend, and take a smell.
00:27:48And don't forget, ladies and gentlemen, that you get a bow and an arrow free with this purchase.
00:27:53Miss Jinx, here's the $20 you need.
00:27:58Would you mind keeping an eye on the colonel's camera for me?
00:28:00Why, sure. Thank you.
00:28:02Okay.
00:28:03And now, folks, step right up and get your bottle.
00:28:06Well, colonel, where's he going?
00:28:09He thinks he's going to New York.
00:28:11He's the constable now.
00:28:13I'm constable.
00:28:14Constable, there's your man right there, and I am as guilty as he is.
00:28:16You come along with me, too, then.
00:28:18You can't fornake me out of money, you city slickers.
00:28:20First, you make me look ridiculous with that fish.
00:28:23Then, you almost drown me on that silly raft of yours.
00:28:27Next, we become entangled with a broken-down carnival.
00:28:30And you get a bright idea on how to acquire $20, and we land in jail.
00:28:36If you'd kept your mouth shut, I would have been on my way to New York right now.
00:28:39Are you sure you told that girl to take good care of the Bloomin' Daisy?
00:28:46A couple of tough fellas, they put up a great struggle, but I took them single-handed.
00:28:51Nobody ever gets away from me.
00:28:53Gee, Hosserpads!
00:29:00I told you they was desperate.
00:29:02They must have dynamited.
00:29:04This looks like an outside job.
00:29:05Do you realize we've broken the law of leaving the jail in that manner?
00:29:17Well, let's go back.
00:29:18Maybe you can think of a better way.
00:29:20I guess Morris will be able to get herself in serious trouble.
00:29:23If we're caught, she'll be as guilty as we are.
00:29:25Don't think she doesn't know it.
00:29:27She's one of those regular people I've been telling you about.
00:29:29Let her go!
00:29:43Ah! Howdy, Colonel!
00:29:44Well, ho, girls! How are you?
00:29:47Jinx.
00:29:48Yeah?
00:29:48Take him in with you.
00:29:49Cops might be here any minute.
00:29:50You know what to do.
00:29:51Right.
00:29:52You come with me.
00:29:53Oh, Miss Moore, don't you think...
00:29:53Don't argue. Come on.
00:29:54Oh, Miss Moore.
00:29:56If you get a chance to talk with him, keep your fingers crossed for me, will you?
00:29:59Okay, Colonel.
00:30:03She sure isn't giving herself the worst of the deal, is she?
00:30:06Come on, snapshot, Willie. Give me your hand.
00:30:08Welcome home!
00:30:16I'm trying to make stuff at home.
00:30:17Oh, thanks.
00:30:22Miss Moore, I want you to know that I appreciate what you've done for us.
00:30:25Oh, skip it.
00:30:26You got my show out of a jam, and I got you out of one.
00:30:29It's a piece of pie.
00:30:33Do you always put salt on your apple pie?
00:30:35Sure, why?
00:30:36Well, I put salt on mine, too.
00:30:38Salt what?
00:30:38Now, Miss Moore, don't you think that could be a sort of a sign?
00:30:42Sure it is.
00:30:43It's a sign we both like salt in our apple pie.
00:30:45You know, you're not a bad-looking guy.
00:30:53Talk like you've been to school.
00:30:55You're kind of a fellow that any girl might fall for.
00:31:00Nothing wrong, though, is your instincts are all bad.
00:31:02My instincts?
00:31:04Yeah, they're kind of crooked if you ask me.
00:31:06Why, Miss Moore, I want you to know that my business integrity has never been questioned.
00:31:11Oh, stop talking like a gentleman of circumstance.
00:31:14You mean you don't like gentlemen of circumstance?
00:31:16I should say not.
00:31:18Gentleman is just a polite word for loafer if you ask me.
00:31:21Oh, why don't you get an honest job and go to work?
00:31:26You might make something out of yourself.
00:31:28I'll keep my fingers crossed for you.
00:31:30You did it!
00:31:31Did what?
00:31:32You crossed your fingers.
00:31:34So what?
00:31:35Well, Miss Moore, that is a sign.
00:31:37Now, wait a minute.
00:31:38What is the sign language?
00:31:39Well, when a boy and a girl both cro...
00:31:41What's that?
00:31:43It ain't the curfew.
00:31:51This is it, Moore's Carnival.
00:31:55All right, Sheriff, if you go that way, I'll go this way.
00:31:57We'll search every truck.
00:31:58Right.
00:31:58Come on.
00:32:03Get down.
00:32:04What?
00:32:04Get down.
00:32:05I don't...
00:32:06Come in.
00:32:10What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers.
00:32:17There ain't no privacy when desperate criminals is at large.
00:32:21I've got every reason to believe they're right with this carnival.
00:32:26Well, you don't think I'd have them in here, do you?
00:32:30You never can tell.
00:32:39Pardon, ladies, but I'm looking for a couple of fugitives.
00:32:41Fugitives?
00:32:42Oh, if you find anybody, you'll save the prettiest one for me, will you?
00:32:46Very funny.
00:32:51Well, any success?
00:32:56No, not a trace of them.
00:32:57What'll we do now?
00:32:58Well, I think we'd better get to a telephone and notify every sheriff in the state.
00:33:01That's a good idea.
00:33:02Excuse me, Sheriff.
00:33:03I'd like to suggest my remaining here and keeping an eye open, just in case.
00:33:06Well, it'll be all right with me.
00:33:07Thank you, sir.
00:33:08Well, that was close.
00:33:14Okay, Colonel.
00:33:16How do you feel?
00:33:17Good night.
00:33:18He's stuck.
00:33:18Oh, don't worry.
00:33:19We can always use him for a camp chair.
00:33:21Oh, get me out of this.
00:33:22Oh, don't let it get you down.
00:33:23Colonel, I had an uncle that was that way for years.
00:33:26He got us from looking through keyholes.
00:33:27Now, relax!
00:33:28That's it.
00:33:29Here, here, hold him.
00:33:30That's it.
00:33:30Here, relax.
00:33:31You're too tense.
00:33:32Come on, relax.
00:33:33That's it.
00:33:34There you are.
00:33:35There.
00:33:35Here.
00:33:35That's it.
00:33:36Here, straighten up.
00:33:37Now, how do you feel?
00:33:37Oh, I'm fine.
00:33:38You sure?
00:33:38Oh, fine.
00:33:39I have three or four more ideas.
00:33:40Oh, no.
00:33:42Miss Moore, I've caused you a lot of trouble.
00:33:44I'd like to be of some help.
00:33:46If there's anything I can do.
00:33:47Why, sure you can be of help.
00:33:49As a roustabout in this show, you probably won't be worth your salt.
00:33:52But at least it's an honest job.
00:33:54Go back and tell the girls to come up here and you bunk with the colonel.
00:33:57A roustabout?
00:33:58Yeah, a roustabout.
00:34:00Oh, thank you.
00:34:07Oh, thank you.
00:34:37Calliopey Jane, put on your bonnet and bloop again, or when you go bloop bloop, I'm happy to live long day, you're the talk of the town, calliopey Jane, put on your bonnet and bloop again, or when you go bloop bloop, you bloop all my cares away.
00:34:56Last week a bloke in the derby named Geiger, said he could tame a cat, just then I played hold that tiger, the tiger now holds the guy's hat, so calliopey Jane, put on your bonnet and bloop again, or when you go bloop bloop, you bloop all my cares away, away.
00:35:26Oh, oh, oh, calliopey Jane, calliopey Jane, put on your bonnet and bloop again, or when you go bloop, you bloop, you bloop, you bloop, you bloop, you bloop, you bloop, you bloop all my cares away.
00:35:50Good morning, gentlemen.
00:36:18Good morning.
00:36:19Ready for breakfast?
00:36:20Oh, breakfast servant right here.
00:36:22No hurry.
00:36:23We usually work a little around here before we eat.
00:36:25Work?
00:36:26Yeah, put those on.
00:36:28I protest.
00:36:29I'm a concessionaire with this carnival, and I wear what I please.
00:36:31I don't care how you dress so long as you pound those tent stakes.
00:36:39A little work never hurt anybody.
00:36:43Good morning, Miss Moore.
00:36:45Oh, hiya, Joe.
00:36:46Oh, Miss Moore, I've had a pretty good offer from the Jones show.
00:36:49It isn't that I want to leave.
00:36:51I have a wife and kid back in Connecticut, you know.
00:36:53Oh, I understand, Joe.
00:36:54I don't blame you.
00:36:55Well, your pay's been a little slow, but, well, we'll get along all right.
00:36:59I'll send you back pay as soon as we have a few good days.
00:37:01Oh, forget it any time.
00:37:03Oh, a trooper's nothing.
00:37:04If I could ever get paid, I'd quit this dump in a minute.
00:37:06What are you crabbing about?
00:37:08Crabbing?
00:37:08She hasn't paid me a dime in months.
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while?
00:37:14You know.
00:37:16Laugh and the world laughs with you, you know.
00:37:17Oh, baloney.
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much.
00:37:21Very funny.
00:37:23Well, at least I like everybody.
00:37:24I'm a little happy.
00:37:25Did you ever see any...
00:37:26Oh, now, wait.
00:37:29Let's not go through all this again.
00:37:30Really, I have enough trouble.
00:37:32Bye.
00:37:35Oh.
00:37:37Oh, now, wait a minute.
00:37:38Let's get this thing straight.
00:37:39You see, I'm really not an Indian.
00:37:42Only kidding with that yo-yo stuff.
00:37:44You know, just kidding.
00:37:45In fact, I was born in Brooklyn.
00:37:47You know, Brooklyn, let's be...
00:37:48Oh, now, wait a minute.
00:37:50Mr. Gaines.
00:37:51Oh, good morning, Stan.
00:37:52Oh, good morning to you, sir.
00:37:53I've been dreadfully worried about you.
00:37:55A man of your position in an environment of this kind.
00:37:58Don't worry about me.
00:37:59I'm all right.
00:38:00Well, I'm glad to hear that.
00:38:02Is there something I can do for you, sir?
00:38:04No, nothing at all.
00:38:05Well, if you're not too busy,
00:38:05you might try poundings of steaks for me.
00:38:07No, Colonel, that would never do.
00:38:09Just stay around in the background.
00:38:10I'll see you later.
00:38:11Yes, sir.
00:38:11Come on, Colonel.
00:38:16Oh, ho!
00:38:17What an invigorating morning.
00:38:18I'm ready for an order of scrambled eggs,
00:38:21a rasher of bacon, and a huge pot of coffee.
00:38:23All right, you guys.
00:38:24Start pounding this row of steaks,
00:38:25and that row of steaks over there.
00:38:27Then you can eat breakfast.
00:38:28I protest.
00:38:29I'm a concessionaire.
00:38:30So am I a concessionaire,
00:38:31but we pound steaks around here before we eat.
00:38:33I said that I would...
00:38:35I said pound that steak.
00:38:38Yes, sir.
00:38:41Oh, say, just a minute.
00:38:42What's on your mind?
00:38:44How would you like to be the head man
00:38:45of the best carnival in the world?
00:38:47Who wouldn't?
00:38:48How much would it cost?
00:38:49About 200 grand.
00:38:50I'd like to have you pick one up for me.
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:55No, wait a minute.
00:38:55You don't understand.
00:38:57Stand up!
00:38:58Where would a punk like you get 200 grand?
00:39:00Yes, sir.
00:39:01A blank check, please.
00:39:02Yes, sir.
00:39:03I want you to accompany this gentleman.
00:39:05I'm going to buy a carnival.
00:39:06A carnival, sir?
00:39:07Yes.
00:39:08Let's fill this check in for any amount necessary.
00:39:10I want the very best.
00:39:11Do you understand?
00:39:12Yes, Mr. Gaines.
00:39:12Say, listen.
00:39:13If this check bounces back on me,
00:39:14I'm going to bounce right back on you.
00:39:16I beg your pardon.
00:39:17You're speaking about Mr. Gaines.
00:39:18We never have check trouble.
00:39:20Now, if you'll just come with me,
00:39:21we'll attend to everything.
00:39:22Hey, this is all over my head.
00:39:24I don't understand.
00:39:25Let me know when it's ready.
00:39:26Yes, sir.
00:39:32Take care of your own steak.
00:39:33I'm having trouble enough with this one.
00:39:39You pound this row.
00:39:41I'll pound the other one.
00:39:43Okay?
00:40:09Hey, Colonel, come on over and help with these.
00:40:35You'll do no such thing.
00:40:37It's a fine job, Colonel.
00:40:38Your steaks are all down.
00:40:39You go ahead and have breakfast.
00:40:41Thank you, Miss Moore.
00:40:44Oh, good morning, Miss Moore.
00:40:47For help, huh?
00:40:48Oh, I didn't mean...
00:40:49You notice the Colonel finished all of his, don't you?
00:40:51Oh, yes, but he...
00:40:52Don't interrupt.
00:40:53Look, you pound these steaks before breakfast,
00:40:55and if you can't do that, well...
00:41:04Well, hi, officer.
00:41:05Hope you like...
00:41:08And the sooner the better.
00:41:13Oh, but why?
00:41:14Well, I got word from the last town that you hit
00:41:17that you're carrying a couple of crooks with you,
00:41:19so come on, get going.
00:41:20Oh, now, look, Sheriff, there's...
00:41:21I said get going.
00:41:24Okay.
00:41:25All right, boys, pack it up!
00:41:27I beg your pardon, Sheriff,
00:41:32but I believe if you give me a moment,
00:41:33I can straighten out this little misunderstanding.
00:41:35Can that stuff...
00:41:36Oh, no, no, I want to present you
00:41:37with a portrait to take home to your wife.
00:41:39Oh, well, that sounds all right.
00:41:41There you are.
00:41:41You stand right there, not too far away.
00:41:43Here.
00:41:43While I extend the lens,
00:41:44turn the little wheel...
00:41:46Yes.
00:41:46...and pull the bulb.
00:41:47Are you ready?
00:41:48Yes.
00:41:48Hold it.
00:41:49That's it.
00:41:50I've had great success with these family portraits.
00:41:52Yes.
00:41:52If you'll bear with me just a moment.
00:41:54I'll be going through the developing process here
00:41:56and pull the little string here.
00:41:58I believe I'll show you something
00:42:00that your wife's going to be very happy about.
00:42:11That thing has got out of town before I run you in.
00:42:19I hope the new carnival will be the finest thing on wheels.
00:42:36I want to make Penguin really happy.
00:42:39Now, listen, young Drogo.
00:42:40Your idea of romance is a yacht here,
00:42:42a bracelet there,
00:42:44an urban coat thrown in,
00:42:45and now a new carnival.
00:42:46Why, you're just a checkbook lover.
00:42:48Don't you know by this time
00:42:49that this girl is different?
00:42:58All together now.
00:42:59Push.
00:43:00That's it.
00:43:02All right.
00:43:03That's going to do you no good in the mud.
00:43:05Get up out of the mud there, young Drogo.
00:43:07We can't have this kind of efficiency.
00:43:08See?
00:43:18Say, you're getting to be an expert at this.
00:43:40Oh, thanks.
00:43:41As a matter of fact,
00:43:42you've been doing so well lately
00:43:43that I've decided to promote you to a better job.
00:43:45Oh, that's great.
00:43:47Well, what's it going to be?
00:43:50Here's your new outfit.
00:43:51Put it on tonight,
00:43:52and you'll understand.
00:44:02Oh, no.
00:44:03You again.
00:44:04How?
00:44:04Listen.
00:44:05For the last time,
00:44:06I am not an Indian.
00:44:14Wait.
00:44:15What is this?
00:44:18You and...
00:44:18Oh, here.
00:44:19Look.
00:44:19No comic valentines.
00:44:20Now, go away.
00:44:21I'm busy.
00:44:23Colonel, I can't go out there like this.
00:44:25Why not?
00:44:26You look beautiful.
00:44:27That's just the trouble.
00:44:28Now, ladies and gentlemen,
00:44:30that feature free attractions of the show.
00:44:32The world's greatest aerial artiste.
00:44:35So, one and only,
00:44:36Miss Penguin Moore,
00:44:37assisted by Don Cavalero.
00:44:44No, I...
00:44:46I can't...
00:44:46Take off your robe.
00:45:12Take off your robe.
00:45:14Take off your robe.
00:45:16Take off your robe.
00:45:22Bye.
00:45:22The End
00:45:52Ladies and gentlemen, I...
00:46:22Oh, okay, officer. We'll be on our way.
00:46:28But listen, girl. Can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel. I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business. Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The feature act of every show we ever played in.
00:46:49Drogo?
00:46:51Drogo?
00:46:53Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:58Equestrian?
00:47:00Mm-mm.
00:47:00Well, there was a Drogo. Drogo's Lion Act. Or was it Drogo? Drogo's Lions. Was that it?
00:47:13I didn't say it, girl. Now remember, I didn't tell you.
00:47:18But Drogo's Lions, that was the greatest act that ever played under the big top.
00:47:23Well, I can see it now. London, Paris, Vienna. The applause of thousands.
00:47:28What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood. Night after night. With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl. He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:47:58Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I want to talk to you.
00:48:05Well, Miss Moore, I want you to know
00:48:09I can make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:23You look like that, Drogo. You're making you feel so foolish.
00:48:28All I can, and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time,
00:48:40because I'll take the guns out of your hands every night.
00:48:43Guns?
00:48:44That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:49I know we're going to get along swell together from now on.
00:48:52Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean?
00:49:15I don't know anything about the show business.
00:49:16Well, I know you don't, and you know you don't, but...
00:49:19With what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I told her you were a lion tamer.
00:49:37A lion tamer.
00:49:38A lion...
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:42Well, there's no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Thank you, sir.
00:50:10Here, come here.
00:50:15You sit right down here.
00:50:17Stay out of my way.
00:50:18I'm busy.
00:50:23Stay there and don't move.
00:50:25Glad to see you, Penguin.
00:50:44How are you?
00:50:44Oh, fine.
00:50:45Sorry to get you up at this hour.
00:50:47Oh, that's all right.
00:50:48We couldn't sleep anyway.
00:50:49What's on your mind?
00:50:50Well, I got a spot in my show for your lions.
00:50:52You still got them, haven't you?
00:50:53Sure, there they are.
00:50:55Come on.
00:50:56Say, I got the best lion trainer in the business.
00:50:58How about letting me take them and then the season will split?
00:51:01Well, it's okay with me if it's okay with Moe.
00:51:03It's okay with me, Joe.
00:51:05Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them.
00:51:11Take a peek.
00:51:12They don't look underfed to me.
00:51:17Me either.
00:51:18In fact, they look powerful healthy.
00:51:22There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do, and everything.
00:51:29Well, that's swell.
00:51:31Here you are, Willie.
00:51:31Read it over carefully.
00:51:32From now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:37You mean...
00:51:38I guess you do.
00:51:42Nero rolls over.
00:51:46Nero?
00:51:48Nero?
00:51:52Nero, roll over!
00:51:58That did it.
00:52:05Good morning, Miss Moore.
00:52:07Good morning, Drogo.
00:52:08I think you ought to know, though, what the colonel said.
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:19Belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:24Drogo, I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start, but that was as far as could ever go,
00:52:33because, well, I had no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:39It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:43You haven't any scratches on you.
00:52:45Didn't the lions ever claw you or jump you?
00:52:47To tell the truth, they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off,
00:52:54cracking the whip and hearing the applause?
00:52:57Wouldn't you do it for me?
00:52:59I guess I'd do just about anything for you.
00:53:01Well, here they are.
00:53:04Not much after what you've had, but it's the beginning.
00:53:07They're lions.
00:53:08Don't expect too much of them,
00:53:10because they haven't been worked for quite a while.
00:53:19Is you going to train them, Lyle?
00:53:22Uh-oh.
00:53:23Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear.
00:54:01Why, no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:07Chair in one hand and whip in the other.
00:54:09All right, ladies and gentlemen, step right up and buy yourself a ticket to the greatest thrill of your life.
00:54:33Thank you, fearless folks, the one and only, the world's greatest lion tamer, is going to face fire, the most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen, here you are.
00:54:47Forget the smelling salts.
00:54:48Yes.
00:54:48The bandages.
00:54:49Yes.
00:54:50The iodine.
00:54:51Yes.
00:54:53I forgot something.
00:54:54What?
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:54:59Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do is to remember what I told you.
00:55:08When you get in that cage, keep chatting with that chair and cross with your whip.
00:55:13Listen, little boy, listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold it much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23No, the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now, go on out there and knock them cold.
00:55:29Tell me, Colonel, is he thrilled?
00:55:32Thrilled is not the word for it.
00:55:33He's trembling with anticipation.
00:55:36You want to go in now?
00:55:37No.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:43Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Up.
00:55:47Renanick.
00:55:48Holy.
00:55:50What are you trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yes.
00:55:56Well, you wouldn't expect the great Drogo to do the usual thing.
00:55:59Anybody can work lions from the inside of a cage.
00:56:01What a man.
00:56:03He's working them from the outside.
00:56:05That may be swell, Colonel, but I don't think these yokels understand that.
00:56:10I'll tell them to do it the easy way.
00:56:14Yes.
00:56:14Yes.
00:56:16Drogo, I think you'd better do it the regular way.
00:56:18Oh, I can do it fine from out here.
00:56:20I know, but these people don't understand.
00:56:22I think you'd better work on the inside.
00:56:23Okay, folks, everything will be fine in just a minute.
00:56:31Oh, this would have to happen to me.
00:56:33What's going to happen to you?
00:56:35Well, can't you see?
00:56:35The rain is going to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put them away.
00:56:41Yes.
00:56:44Head.
00:56:45Head.
00:56:46Head.
00:56:46Head.
00:56:47Head.
00:56:47Head.
00:56:48Head.
00:56:48Head.
00:56:49Head.
00:56:49Head.
00:56:50Head.
00:56:50Head.
00:56:51Head.
00:56:51Head.
00:56:52Head.
00:56:52Head.
00:56:55How am I going to get back to my trailer?
00:57:05There you are.
00:57:06I'm the queen of you, Drogo.
00:57:07Oh, don't miss it.
00:57:08Did you do that on purpose?
00:57:18What do you think?
00:57:27Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:30You.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your snooping instincts get the better of you, all this wouldn't have happened.
00:57:35And after all I've done for you, why, for two pins, I'd never mind.
00:57:40Oh, you poor kid, never mind.
00:57:43Someday you'll have a fine new carnival.
00:57:46I don't want a new carnival.
00:57:48All I want is good business for this one.
00:57:50You mean you don't want a new carnival?
00:57:52No.
00:58:05I should have known you years ago.
00:58:30Where on earth were you long years ago?
00:58:37I miss so much and dreamed so little before you set my heart aglow.
00:58:51I should have known the way you smiled as I traveled each long lonely mile.
00:59:06For memory lane should seem much sweeter if I had known you all the while.
00:59:21Oh, I'm so jealous of the flowers in spring, for they know more than I about you.
00:59:36They heard your laughter and the songs you sing through all the years I spent without you.
00:59:55I wish that I could truly say that I knew you long before today.
01:00:11But we'll go home from here together.
01:00:25And I shall love you all the way.
01:00:40Wonderful girl, Penguin.
01:00:43Real.
01:00:44Sincere.
01:00:45Different.
01:00:46Yes.
01:00:47The others are all alike, but she's different.
01:00:50I know, my boy.
01:00:51I know.
01:00:52Love, love.
01:00:54What follies are committed in thy name?
01:00:57That's Francis Bacon.
01:00:59Speak love.
01:01:01If you speak love.
01:01:02That's William Shakespeare.
01:01:04Love is like hash.
01:01:06You've got to have confidence in it to enjoy it.
01:01:09That must have been Bob Hope.
01:01:11Well, go to sleep, my boy, or, uh, how are you?
01:01:15Good morning.
01:01:16Oh, yes, uh, Mr. Newton.
01:01:17Mr. Newton?
01:01:18Oh, Mr. Whitman.
01:01:19Yes, Bates, what is it?
01:01:20Begging your pardon, sir?
01:01:21But I'm afraid we have gypsies on the ground.
01:01:22Gypsies?
01:01:23Well, Bates, uh, do something.
01:01:24Get rid of them right away.
01:01:25Yes, sir.
01:01:26Right away, sir.
01:01:27Oh, wait a minute, Bates.
01:01:28Do you speak gypsy?
01:01:29Oh, no, sir.
01:01:30Oh, yes, sir.
01:01:31Oh, yes, sir.
01:01:32Mr. Newton.
01:01:33Mr. Newton.
01:01:34Oh, Mr. Whitman.
01:01:35Mr. Whitman.
01:01:36Yes, Bates, what is it?
01:01:37Begging your pardon, sir?
01:01:38But I'm afraid we have gypsies on the ground.
01:01:40Gypsies?
01:01:43Well, Bates, uh, do something.
01:01:45Get rid of them right away.
01:01:46Uh, yes, sir.
01:01:47Right away, sir.
01:01:48Oh, wait a minute, Bates.
01:01:49Do you speak gypsy?
01:01:50Oh, no, sir.
01:01:51Oh, never mind.
01:01:52I'll go myself.
01:01:53Order the chief's car right away.
01:01:54Yes, sir.
01:01:55Come on, boys.
01:01:56Hurry, hurry, hurry.
01:01:58Up this way.
01:01:59Hear all about the big surprise, I promised you.
01:02:01What surprise?
01:02:02Come on, everybody.
01:02:03What surprise?
01:02:04Shh.
01:02:05Now listen, boys and girls.
01:02:06I told you I'd bring you to the land of plenty.
01:02:07Well, here it is.
01:02:08Why, the food lies on the ground for the taking.
01:02:09Did you say food?
01:02:10Right.
01:02:11Groceries.
01:02:12Grub.
01:02:13Bittles.
01:02:14Now, some of you go that way and pick the berries from the vines.
01:02:15The peas, beans, cabbages, and other vegetables are that way.
01:02:17Let your stomachs be your guide.
01:02:18Begone.
01:02:19And the watermelons are that way.
01:02:21Oh, Willie.
01:02:22Yes, Mr. Governor.
01:02:23Oh, Willie.
01:02:24Yes, Mr. Governor.
01:02:25And the chicken house is over there.
01:02:26Chicken house?
01:02:27Uh-huh.
01:02:28What am I waiting for?
01:02:29I don't know.
01:02:30Me either.
01:02:31Tell you who.
01:02:32Say, Joe, what's the idea of pitching here?
01:02:33Colonel's orders.
01:02:34Colonel's orders?
01:02:35Well, what are we gonna get for customers here?
01:02:36Feel mine?
01:02:37Quiet, sir.
01:02:38Let me see.
01:02:39I don't know.
01:02:40Oh, Willie.
01:02:41Yes, Mr. Governor.
01:02:42Oh, Willie.
01:02:43Yes, Mr. Governor.
01:02:44And the chicken house is over there.
01:02:45Chicken house?
01:02:46Uh-huh.
01:02:47What am I waiting for?
01:02:48I don't know.
01:02:49Me either.
01:02:50Tell you who.
01:02:51Say, Joe, what's the idea of pitching here?
01:02:52Colonel's orders.
01:02:53Colonel's orders?
01:02:54Well, what are we gonna get for customers here?
01:02:55Feel mys?
01:02:56Quiet.
01:02:57I'm not sure.
01:02:58Well, you know what I want to get for customers here.
01:02:59Customers here feel my quiet quiet. You know you squawk. We all gotta go some day
01:03:06It's either gonna be you or me. It ain't gonna be me
01:03:17Take your time take your time don't rush me man's right. Thank you. You're welcome now will you fix the flowers, please?
01:03:29Well, the Colonel told us we could pick anything we wanted to get this stuff out of here
01:03:44Yes, and there's more but the Colonel said I don't care what the Colonel said when I take anything it doesn't belong to us
01:03:48I'll put it back when you got it. Yeah, make it snappy. We'll all be thrown in the clink
01:03:53Sound like we'll practically in the clink all right fellas give it a bit quick
01:03:59Get rid of it. Come on put a move on
01:04:01What's going on around here?
01:04:03Come on get going. Come on get going
01:04:05Well, well, it's a shame that put back these tender boys
01:04:11Very tender?
01:04:13That would be kind of a shame wouldn't it?
01:04:17In that box. Come on. Be careful, but hurry
01:04:21Come here
01:04:23Hey, now sit down
01:04:25Hey
01:04:27Now, uh, back on show up
01:04:37What do you mean trespassing on private property?
01:04:39Now don't get excited mister. You've got us all wrong.
01:04:41Oh, have I?
01:04:43Mm-hmm.
01:04:44Well, then I'm very sorry
01:04:46You see I'm penguin more and this is my carnival
01:04:48We got lost last night and wound up here
01:04:50We didn't know it was your property
01:04:52But we didn't take anything
01:04:54Well, if you didn't take anything, I guess there's no harm done
01:04:56You've got quite a display
01:04:58Would you like to look around?
01:04:59Oh, I'd love to. Do you mind?
01:05:00Oh, not at all
01:05:02It's a pin game over there
01:05:03I hate pins
01:05:04Oh, well, here's a merry-go-round
01:05:06Oh, it makes me dizzy
01:05:07Well, we've got a lot of other things here that...
01:05:09What's this contraption?
01:05:10Oh, this is a taffy machine
01:05:13Would you like to see it work?
01:05:14Oh, may I?
01:05:15Okay, Bob. I'll take care of it
01:05:16Okay, Ms. Bob
01:05:17The mechanical device is intriguing
01:05:18Well, here's the switch here, you see
01:05:20And you put it down
01:05:21The machine goes around with the taffy on it
01:05:29Uh-oh
01:05:33What'll they search up next?
01:05:35Most interesting parts down there was a motorist
01:05:44You're right
01:05:45It's a dandy
01:05:46My favorite gear ratio
01:05:48Fifteen to one
01:06:05Did you see what I saw?
01:06:15Why, did you see something?
01:06:17Let's forget it
01:06:19Farmers in the dell
01:06:21Farmers in the dell
01:06:23Hey, nani nani nani
01:06:25The farmers in the dell
01:06:27Farmers in the dell
01:06:29Farmers in the dell
01:06:31Oh, you said you didn't take anything, eh?
01:06:33Well
01:06:36Drop that tool, thief
01:06:38Thief?
01:06:39Oh, pardon, it's you
01:06:40Well, certainly it's me
01:06:41Who did you expect?
01:06:42I can't tell you how happy I am to see you
01:06:44I've been quite worried
01:06:45Well, Harry, your worries are over
01:06:47All right, come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:51Uh, this is my nephew, Harry Whitman
01:06:53I'm one of his, uh, poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Well, good, then we can get down to business
01:06:58How many weekend guests have you?
01:06:59Oh, we have a whole house full
01:07:01There's the Van Swiggins, the Mortons, the Dumonts
01:07:03That's enough
01:07:04Graham
01:07:05I said that's enough
01:07:06Have them all come down here
01:07:07I guarantee they'll have a better time than they had in days
01:07:09Weeks, years
01:07:10If it's that good, I'll tell them
01:07:14Gangway
01:07:16Tell them not to forget their wallets
01:07:17Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:26De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:30Ten cents to a dollar
01:07:32They'll never know the difference
01:07:33When you hear them holler
01:07:34De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:39Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised is too much?
01:07:58Too much?
01:07:59Why, these people couldn't have a good time unless they paid too much
01:08:02All right, boys, go to work
01:08:04All right, everybody, hurry there
01:08:06Right, sir
01:08:14Play ball to the small fellow button down
01:08:16Hurry, hurry, hurry
01:08:17Step right up, play ball
01:08:18There you are
01:08:19Hurry, hurry, hurry
01:08:20Play ball for your best, sir
01:08:21Hurry, hurry, hurry, hurry
01:08:23Oh, the business went again
01:08:25She went again
01:08:26How was that?
01:08:27Step right up, try to
01:08:28Hurry, hurry, hurry
01:08:29Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:35Get away from me, son
01:08:36You're annoying me
01:08:37Hey, Colonel, it's me
01:08:38Well, Penguin
01:08:39Hello
01:08:40How's business?
01:08:41Mom
01:08:42Well, how did that happen?
01:08:43Never mind
01:08:44Step right this way, folks
01:08:45Then we'll go through the developing process
01:08:47There you are
01:08:48Passes through the little hill
01:08:49And the little handle
01:08:50And the photograph drops in the little tank
01:08:52There's a charming portrait of yourself and family
01:08:54And the price is five dollars
01:08:55Right this way, folks
01:08:56But it's blank
01:08:57It doesn't surprise you
01:08:58But it doesn't surprise me
01:08:59The price remains the same
01:09:00Thank you
01:09:01Do you mind getting out of the leave, please?
01:09:02How about that man over there?
01:09:03Call out a taffy, dear
01:09:05Having fun?
01:09:06Oh, yes
01:09:07And I appreciate you letting me run the machine
01:09:09Oh, that's all right
01:09:10I say you can sell the taffy, too, if you like
01:09:12Oh, may I?
01:09:13I'd be delighted
01:09:14Coffee, toffee
01:09:15What do you mean we ain't got no right here?
01:09:16The paddles are still three for a dollar
01:09:18A dollar? What? A dollar for a ten-cent game?
01:09:20Oh, Bob, come with me
01:09:22Anybody else?
01:09:24Coffee, toffee
01:09:27Listen, buddy, you don't have to get taffy
01:09:28Well, who's getting taffy?
01:09:29Just a minute
01:09:30I'm sorry, boys
01:09:31But we're putting the show on for a private party
01:09:33I'll have to ask you to leave
01:09:35Oh, be nice, baby
01:09:36You wouldn't want us to go now, would you?
01:09:38Oh, so it's one of those things
01:09:40Okay, do it the hard way
01:09:42That's all I wanted to know
01:09:43All right, just a minute
01:09:44Wait a minute
01:09:45Oh, you ain't heard the last of this
01:09:48Oh, no
01:09:49Here you are, ladies and gentlemen
01:09:51Three strikes
01:09:52For one dollar
01:09:53One dollar
01:09:54Thirteen hundred
01:09:55You can do better than that, man
01:09:56Try it again
01:09:57Come on
01:09:58Three strikes for a dollar, folks
01:09:59Oh, you'll never do it that way, mister
01:10:00Stand back and I'll show you
01:10:01No muscles needed
01:10:05Amazing
01:10:07Introducing
01:10:08The one
01:10:09The only
01:10:10Fearless Drogo
01:10:12Dare table to the arena
01:10:14Fearless Drogo
01:10:15It couldn't be
01:10:17No waiting
01:10:18No delay
01:10:19Purchase your tickets right away
01:10:20Excuse me
01:10:21Think of it, folks
01:10:22A beer
01:10:23Two dollars and fifty cents
01:10:24Here we go, folks
01:10:25Don't rush
01:10:26Don't crowd
01:10:27Hurry, hurry, hurry
01:10:28Come on, folks
01:10:29You'll see one of the best shows
01:10:30You ever saw in your life
01:10:31Get in there now
01:10:32And give them everything you've got
01:10:33But listen, Penguin
01:10:34You don't know this
01:10:35But I really
01:10:36This is your chance to get back on top
01:10:37And you're gonna take it
01:10:38But I can
01:10:39I hope everything goes all right
01:10:46Hope everything goes all right
01:10:56See us
01:10:58Hello
01:10:59See you, Chef
01:11:00When the loun gets married
01:11:01He ruffles up
01:11:02He's married
01:11:03Well, well, Mr Drogo Games
01:11:04The millionaire playboy
01:11:05Is more cuckoo than I thought he was
01:11:06Thank you, sir
01:11:07When the clown gets mad, he riffles up.
01:11:11He's mad.
01:11:24Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:30Hey, boss, that ain't in the book.
01:11:38Look out, Mr. Drogo, here comes the clown.
01:11:56The clown can run 40 miles an hour.
01:11:59I'm sorry, really.
01:12:06I told you I'd lead you to the land of plenty.
01:12:08No, no, no.
01:12:09I'm sorry.
01:12:10How are you going to run 40 miles an hour?
01:12:11I'm sorry.
01:12:12I'm sorry, I'm sorry.
01:12:13I'm sorry.
01:12:14I'm sorry.
01:12:15I'm sorry.
01:12:16I'm sorry.
01:12:17I'm sorry.
01:12:19I'm sorry.
01:12:26Hey.
01:12:28Willie!
01:12:31Yes?
01:12:32Get that lion back in the cage before it scares someone.
01:12:35Put what lion's loose cage before it scares who?
01:12:38Rushing here, rushing there.
01:12:40Nowhere to go.
01:12:41What's going on in there?
01:12:42The lion's loose.
01:12:43Lions!
01:12:44If I'm going to hunt for lions, I've got to get me some bait.
01:12:48Chasing lions all the time.
01:12:51I've been chasing lions all the time.
01:12:54I've been chasing lions all the time.
01:12:57He ain't there.
01:13:02Kitty kitty.
01:13:03I sure hope I don't find him.
01:13:05There's more sure going to be mad than that lion chasing all them people.
01:13:13Kitty kitty kitty.
01:13:15Where's that lion at?
01:13:27Kitty kitty.
01:13:28Kitty kitty.
01:13:29Kitty kitty.
01:13:30...
01:13:34I'm putting you a cord in that time.
01:13:39I've got to be more careful.
01:13:43My blood pressure won't stand.
01:13:48Kitty, kitty, kitty.
01:13:52Kitty, kitty.
01:13:58Whoa, whoa, whoa.
01:14:04Kitty, kitty, come on.
01:14:10Nice baloney, come on, kitty, kitty.
01:14:11Kitty, kitty.
01:14:12Nice baloney.
01:14:15Kitty.
01:14:21Was that me talking?
01:14:32It's all right, folks.
01:14:34Everything's taken care of.
01:14:35Nothing to worry about.
01:14:42Coffee, coffee.
01:14:44Coffee, coffee.
01:14:45Dollar a bag.
01:14:45Dollar a bag.
01:14:46We don't want no toffee.
01:14:48Come on, boys.
01:14:49Coffee, toffee.
01:14:51Toffee good.
01:14:52Hey, Roof!
01:14:54Hey, Roof!
01:14:55Hey, Roof!
01:14:57Hey, Roof!
01:14:58Hey, Roof!
01:14:59Hiya, beautiful.
01:15:00Now, listen, I told you we're putting the show on for a private party.
01:15:04Well, this is my private party.
01:15:06How about it, boys?
01:15:07Yeah!
01:15:08Wait a minute.
01:15:09You heard what the lady said.
01:15:10Now, get going.
01:15:11Oh, glamour boy, huh?
01:15:12Well...
01:15:13Oh!
01:15:13Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:15Oh!
01:15:15Oh!
01:15:15Oh!
01:15:16Oh!
01:15:16Oh!
01:15:17Oh!
01:15:17Oh!
01:15:18Oh!
01:15:18Oh!
01:15:19Oh!
01:15:19Oh!
01:15:20Oh!
01:15:21Oh!
01:15:22Oh!
01:15:23Oh!
01:15:24Oh!
01:15:25Oh!
01:15:26Oh!
01:15:27Oh!
01:15:28Oh!
01:15:29Oh!
01:15:30Oh!
01:15:31Oh!
01:15:32Oh!
01:15:33Oh!
01:15:34Oh!
01:15:35Oh!
01:15:36Oh!
01:15:37Oh!
01:15:38Oh!
01:15:39Oh!
01:15:40Oh!
01:15:41Oh!
01:15:42Oh!
01:15:43Oh!
01:15:44Oh!
01:15:45Oh!
01:15:46Oh!
01:15:47Oh!
01:15:48Oh!
01:15:49Oh!
01:15:50Oh!
01:15:51Oh!
01:15:52Oh!
01:15:53Oh!
01:15:54Oh!
01:15:55Oh!
01:15:56Oh!
01:15:57Oh
01:16:27Oh
01:16:57I've been looking all over for you. I got the new kind of a park at Porter's Villa
01:17:26What should I do with it? Go back and take care of it. I'll get in touch with you later. Yes, sir
01:17:34The situation is right there
01:17:36Fuck
01:17:38A bullseye
01:17:42Ow
01:17:52Ow
01:17:56Ow
01:17:58Ow
01:18:02Ow
01:18:04Ow
01:18:06Ow
01:18:08Ow
01:18:10Ow
01:18:12Ow
01:18:14Ow
01:18:16Ow
01:18:18Oh, you've had enough, huh?
01:18:48Sorry, Chief! Sorry!
01:19:01Hey! Victory is ours!
01:19:05Victory is ours, but my circus is ruined!
01:19:08Well, now, don't let that worry you. My rich stuff, you will pay for everything.
01:19:11Oh, Harry! Harry, where are you?
01:19:13Here I am.
01:19:16Oh!
01:19:18Oh, pardon my appearance. Hey, it's quite disarranged.
01:19:22Well, never mind. I'll have everything fixed.
01:19:24There you are. What more can you ask?
01:19:25Meantime, let's celebrate by coming up to my house and having dinner.
01:19:28Oh, I'd be delighted. But I haven't a thing to wear.
01:19:31I bet the house is full of clothes. May I?
01:19:33Why, certainly!
01:19:39I'm in an awful predicament. The new carnival's over at Portisville. What am I going to do?
01:19:43The new carnival? Yes.
01:19:45Good, good. Now, you run along with the rest of them and leave everything to me.
01:19:48Yes, but I...
01:19:49Go right ahead now, don't you worry.
01:19:54Say, George.
01:19:55Yes, Colonel.
01:19:56Do you still burn the barn down every weekend?
01:19:58Yes, sir.
01:19:59Tonight?
01:20:00Nine o'clock sharp.
01:20:01Fine.
01:20:02Fine!
01:20:03Boy!
01:20:04Come here!
01:20:05Get it on, quick!
01:20:06Hurry, hurry, hurry!
01:20:07Now, wait a minute.
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a half a mile.
01:20:12Then I want you all to go over to Portisville.
01:20:14There's a new carnival over there, bigger and better.
01:20:17I want you to help set it up. Now, come on, get going.
01:20:20Right now.
01:20:21Say, hello.
01:20:22Penguin, you're beautiful.
01:20:23I'm charmed, Miss Boyd.
01:20:24Dinner is served, sir.
01:20:25Thank you, Bates.
01:20:26Right this way, everyone, for the victory dinner.
01:20:27Ah, no.
01:20:28Keep your hands off that chair.
01:20:29I've had that one pulled out for a long time.
01:20:31Let's try and get my hands off that desk.
01:20:33Although I want you to get out of the billier, let's get out of the billier, I've had a dime of the billier.
01:20:35Now, you're leaving.
01:20:36And you're leaving.
01:20:37The day after you come, oh, oh, oh, my gosh.
01:20:38You've got to get on the billier in the billier, I want you to get to get to get to get to get up.
01:20:40Oh, my gosh!
01:20:41You've got to get up!
01:20:42All right.
01:20:43That's all right.
01:20:44You've got to get up!
01:20:46Anybody?
01:20:47I want to get up!
01:20:48Oh, no. Keep your hands off that chair. I've had that one pulled on me before.
01:20:58As you wish, madame.
01:20:59Yes.
01:21:06You know, I'm awfully happy that they have chicken tonight. I never eat anything but chicken.
01:21:12That's water.
01:21:15One, two, three, four.
01:21:18A four-legged chicken. That's cute. A four-legged chicken.
01:21:29Three-legged chicken.
01:21:30A three-legged chicken. That's a novelty. A three-legged chicken.
01:21:35What's the idea?
01:21:36Oh, you wouldn't like that. That's no good.
01:21:39No good.
01:21:40Well, here we are. Back to normal again.
01:21:45That's kind of muscular, isn't it?
01:21:47Well, it's nearly nine o'clock, sir.
01:21:49Oh, so it is, Bates. Shuffled well?
01:21:51Yes, sir.
01:21:52All right, everyone. Let's hurry with the usual drawing for positions on the fire trucks to see who the lucky people are.
01:21:58Will you draw, Uncle Carlton?
01:21:59Yes. Oh, mine's a blank.
01:22:02Better luck next time.
01:22:04Oh, I drive the chemical truck.
01:22:06That's nice.
01:22:06I'll just ride along with Mr. Gaines.
01:22:08Why, Colonel, this is not a blank.
01:22:10You two ride on the chemical wagon.
01:22:12By the way, Harry, what are you burning tonight?
01:22:14Oh, the same old barn.
01:22:15Oh, that's terrible.
01:22:17What's the matter, Uncle Carlton?
01:22:18Well, how was I to know that you're still burning the same old barn?
01:22:21In order to save the carnival from the hoodlums, I have the boys hide at the barn.
01:22:24You mean the carnival's on fire?
01:22:26I mean exactly that.
01:22:27My carnival?
01:22:28Well, how was I to know that you said the carnival was on fire?
01:22:32Come on, come on, come on.
01:22:35We're going to have a fire. Come on.
01:22:39Take it easy.
01:22:42Don't you think I ought to do the driving?
01:22:47Don't be silly.
01:22:47I've been pushing trucks around all my life.
01:22:49All right, let it go.
01:23:09Well, there's nothing too already.
01:23:12Where is the fire?
01:23:16Never mind the fire.
01:23:18We're not going there.
01:23:19What do you mean?
01:23:20Keep going straight ahead.
01:23:22That will lead them into Porter'sville and the new carnival.
01:23:24What about the fire?
01:23:26Well, you told me to get rid of her carnival, didn't you?
01:23:28Maybe when she sees the new one, she'll forget the old one.
01:23:31Oh.
01:23:31Help me!
01:23:50ap!
01:23:51Take it easy!
01:24:13Go away!
01:24:15Somebody's flying to me, hurry!
01:24:17It'll be me!
01:24:21Come, move them!
01:24:27Get off the road!
01:24:40That's not fair!
01:24:43Get off the road!
01:24:44Get off the road!
01:24:46Get off the road!
01:24:48Come on!
01:24:49Come on!
01:24:50Get off the road!
01:24:51Get off the road!
01:24:52Come on!
01:24:53Come on!
01:24:54Come on!
01:24:55Come on!
01:24:56Hey!
01:24:57Come on!
01:24:58Hey!
01:24:59Pull him out!
01:25:00Please, fellas!
01:25:01Please!
01:25:02Oh!
01:25:03Ah!
01:25:04Ah!
01:25:05Ah!
01:25:06Ah!
01:25:07Ah!
01:25:08Ah!
01:25:09Ah!
01:25:10Come on, now!
01:25:11Hey!
01:25:12Ah!
01:25:13Ah!
01:25:14Ah!
01:25:15Get me out of here!
01:25:16Do something!
01:25:17Get her down!
01:25:18Oh, oh, yes!
01:25:19Ah!
01:25:20Ah!
01:25:21Ah!
01:25:22Hey!
01:25:23Hey!
01:25:24Hey!
01:25:39Well, here we are!
01:25:40Here we are!
01:25:57That's you and me.
01:25:58Do you really mean it?
01:26:00Yes, for keeps.
01:26:06Well, so well.
01:26:10Hey!
01:26:12Maybe you got something there.
01:26:40Hey!
01:26:42Hey!
01:26:43Hey!
01:26:44Hey!
01:26:45Hey!
01:26:46Hey!
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