Wild Card Justice – Gunsmoke in the Desert - video Dailymotion

Rizal Indra Putra

"Wild Card Justice" is a fast-paced western adventure filled with outlaws, hidden motives, and a lone rider seeking justice. Set against the backdrop of dusty trails and lawless towns, this tale follows a cowboy who plays a dangerous game to protect his land and expose corruption.  Originally released in 1936, this vintage film captures the essence of classic American westerns with action, grit, and frontier justice. Genre: Western / Action / Adventure Full Movie – Restored and Enhanced

Transcript

00:00The

00:30cold spring 18 miles

00:38durango 4

00:40well I reckon 4 miles is better

00:45alright sonny

01:00you recognize him

01:08no I've never seen him before

01:12well we'll look him over

01:30howdy stranger you're heading for durango

01:38yeah it looks to me like a pretty good place to

01:41water my horse

01:42get some hay for him and some feed for the inner man

01:45durango ain't the worst place in the world

01:47well I won't say it's the best

01:49well your gentleman's recommendation is good enough for me

01:53we'd like to keep you company

01:55that is if you don't mind

01:57I know I'd be glad to have you side me in

02:00you know I've been riding alone so long

02:02I find myself talking to my horse

02:27is this the best hotel you got in town

02:38one of them

02:39I've seen better

02:40and I've seen worse

02:42you're sort of pessimistic huh brother

02:44huh

02:46I mean you don't seem to feel the best experience this morning

02:49well

02:50I felt better

02:51and I felt worse

02:52I see

02:53sort of neutral huh

02:55this way

02:56the reception room's in there

03:08I'll notify the proprietor you're here and looking for accommodations

03:12well I didn't know that durango would be that much interested in my arrival

03:17durango ain't

03:19but some of the people are

03:21I see

03:21just go right on in and make yourself at home

03:25you'll be well taken care of

03:27thanks

03:29now you stay here

03:44I'll go get Kelvin

03:46well

03:57well it's a nice little reception room

03:59what do you want?

04:19nothing

04:19only I thought you might be interested in knowing

04:22that we got a fellow that answers the description of that Umbra you've been making inquiries about

04:26wherever you got him

04:27open the lockup

04:28all right we'll take a look at him

04:32and let him get one

04:34and to the right

04:35and to the right

04:36we'll be having a white room

04:36to the right

04:48all right

04:50and to the right

04:51and to the right

04:51all right

04:52are you okay?

04:52you okay?

04:53how much?

04:54how much?

04:54how much are you getting the truck?

04:54I don't see

04:56I love you, no matter what I'm doing.

05:20It's him.

05:23It's him!

05:24It's him, all right. But who's him?

05:28Cheyenne.

05:30Cheyenne after all these years.

05:43Wait!

05:44You can't kill him here.

05:51All right.

05:54I can't kill him here.

05:58And maybe,

06:00before I get him,

06:02he'll get me.

06:06That's the gamble.

06:10That's my business.

06:12Gambling.

06:14All right.

06:17Turn him loose.

06:19When I get out of here.

06:21Get out of here.

06:22It's all right.

06:23Yeah.

06:24All right.

06:25All right.

06:27What the hell are you doing?

06:28What's this today?

06:30Oh, man.

06:32I want to do it.

06:33Say, gents, there seems to be some sort of a mystery here.

06:50If one of you gents had told me what it's all about, I'd be much obliged.

06:54Oh, we was looking for somebody else, that's all.

06:57I see.

06:59And I take it you don't want me.

07:00No, shucks.

07:03We was looking for another fellow all the time.

07:06Sure, you look like him, but you ain't him.

07:09Mistaken identity, huh?

07:13Well, suppose when you fellas opened that door, I'd have come out of shooting and killed one of you fellas.

07:19And then said I'd made a mistake.

07:23Oh, of course, I can see that neither one of you fellas had anything to do with my being here.

07:30So let's forget it.

07:32You couldn't tell me a good place to eat, could you?

07:34Yeah, the Durango's across the street.

07:37It's a good place for a game, a little shot of red eye.

07:39Well, I'll tell you fellas.

07:41I'm pretty well caught up on my dragon.

07:44But, uh, if you leave me to that grub pile, I'll sure follow you.

07:49I can see Durango's gonna be some hospitable place.

07:51Now, ain't that nice?

07:56We aim to be hospitable.

08:08Say, say, that reminds me.

08:10Of what?

08:12Well, the day I put the notch in this here gun.

08:14You know, not to be boasting or anything, but just remember old Cherokee, boy.

08:43Something tells me we shouldn't have brung him in.

08:56Well, it was your idea.

08:57If anything happens to me, I'm gonna blame you.

09:00The town folks of Durango can certainly thank their lucky stars that use the courage of your convictions, Mr. Anson.

09:26Um, Caden, it's my business to print the truth.

09:30And from what I've seen in Durango, the truth's been covered long enough.

09:35If my paper can make this a law-abiding place for decent citizens to live in,

09:39well, then I guess I've been repaid.

09:42Anson, I warned you that you and your paper are not welcome in Durango.

10:00I've heard that before, Mr. Kelton.

10:02But it seems to me it's up to the citizens of Durango,

10:04not you as an individual, to say whether my paper and me are welcome or not.

10:07I'm the one who decides that, Anson.

10:10You ain't welcome.

10:11If you run that press, I'll make you eat every word of it.

10:26Oh, no, he won't.

10:29You know, I've heard that printer's ink is indigestible.

10:33And I've also heard that it's a heat poisonous to some people's systems.

10:38You're a stranger, mister.

10:42Most likely you don't know it.

10:45But I run Durango.

10:49All of which leads me to believe that maybe you've run Durango too long.

10:54Go on, put your little strip up, mister.

10:57Yeah, Anson's the name.

11:00I'd like to talk to you alone.

11:04All right.

11:05You know, I've got a heap of talk I want to say to you, too.

11:11Alone.

11:24You know, before Kelton gets through with that stranger,

11:26he'll have him bored off.

11:28Or scared off.

11:30It ain't no use.

11:32I might just as well quit.

11:33Now, you know better than that.

11:51Well, Kelton, you haven't changed a bit.

11:55The same old lowdown you always was.

11:58No, you know better than that.

12:07You know, if I wasn't interested in just what your game is in Durango,

12:12you and me'd have a showdown right now.

12:17Ten years ago, I run you out of Pine Flats.

12:23Then we met down in the Platte Country.

12:26And now we meet again.

12:28But this time, it's my deal with Aces Wild.

12:33How much will you take to forget you ever were in Durango?

12:39Are you trying to bribe me, Mr. Kelton?

12:45Shame on you.

12:51Well, well.

12:53If there are the same old safe.

12:55Same old safe that you had up in the Pine Flats country?

13:06Down in the Platte?

13:11Say, you know, that must be a pretty good one.

13:14It's been blown up twice.

13:15Say, you and I never did get along.

13:21Never could and never will.

13:23We don't speak the same language.

13:26Well, you understand enough of mine to get this.

13:29I'll give you just 48 hours to shake the dust of Durango out of your boots.

13:33If you're still here, I'll...

13:35You'll what?

13:36You or me?

13:41It can't be both of us in Durango.

13:47My girl, you were right.

13:50Well, there'll just be one.

13:51Come on, boys.

14:13What is this?

14:15Gosh, we didn't know, but maybe something happened to you.

14:17There's going to be plenty happening, but we've got to work fast.

14:21There's nothing that's safe to make us independent.

14:24We'll crack it.

14:25And before the smoke clears, we'll be on our way.

14:30First, I'm going to get Cheyenne.

14:35Come on, have a drink.

14:36You got a little trouble getting out your newspaper, mister?

14:53Nothing but difficulty.

14:55You know Kelton runs Durango, and he's sure death on me in my newspaper.

15:01Well, if Kelton's against your newspaper, I'm for it.

15:04How would you like a partner?

15:07Where would I get a partner?

15:09I ain't got a chance to print a paper.

15:12I'll be your partner.

15:15You will?

15:17So, any price you say.

15:21Why, I'd even sell out for a $10 bill today.

15:23Well, you won't have to.

15:25I'll tell you what you do.

15:27You get this old press oiled up.

15:29I'll drop in on you later.

15:34Hey, hey, boy.

15:42Could I speak to you a minute?

15:45Well, sure.

15:46You see, I'm the best horse wrangler this side of the plat.

15:53But I ain't got no horse to wrangle.

15:56All I got is a mule.

15:58So, I'll tell you what you do.

16:04You see that buckskin horse down there?

16:07Yeah.

16:07Well, you go on down there and wrangle him.

16:10I'm going here in the restaurant and get something to eat.

16:12When I come back, I'll tell you what to do.

16:13Go ahead.

16:14Yes.

16:14Come on, Al-Awushes.

16:16There he is now.

16:23Go ahead.

16:24Provoke him to a quarrel.

16:26Rile him up.

16:27Come to draw his gun.

16:29Heck, that'll be your time to get him.

16:30And the quicker we get him, the better.

16:32Come on.

16:46Uh-oh.

16:48See what I see?

16:50Carrots.

16:54Yeah, yeah, I'm here, Al-Awushes.

16:56Come on.

16:57Yeah.

16:57Come on, take it.

16:58Nice, boy.

17:00And here's one for you, too.

17:02What are you doing?

17:04Stealing them carrots?

17:06No, sir.

17:06I ain't stealing nothing.

17:08I just bar them.

17:09That's all.

17:10Well, you're going to bar some lead.

17:12Put them back there.

17:17Uh, you wouldn't regret the horse and the mule and even myself of a carrot, would you?

17:25You know what we do with thieves down here?

17:29No, sir.

17:30We hang them.

17:33By the neck?

17:35Yeah.

17:36Until you're dead.

17:42What's the matter?

17:52Oh, this lowlife has been stealing some carrots.

17:55Oh, forget it.

17:56He's working for me.

17:57I told him to buy some carrots.

17:59Hey, since when is he working for you, mister?

18:02He's been hanging around this town for days.

18:04And you just entered here a little while ago with us.

18:06Well, I wouldn't have entered here if I knew what kind of a polecat you was.

18:12Are you calling me a polecat?

18:16What's it sound like to you, mister?

18:18Why, you...

18:24Can't you take a joke, mister?

18:32Can't you see I'm laughing?

18:36I saw what happened.

18:54That Slim Bartlett, one of Kelton's cutthroat.

18:57Yeah, I know.

18:59I rode into town with him this morning.

19:00Well, I tell you, Anson, it looks to me like you're going to have plenty of exciting news to publish in the newspaper.

19:08You're going to need some extra help.

19:10Snowflake.

19:11Yeah?

19:12Now, here's just a man for you.

19:14You can bear down on that old press of yours and bring the type and sweep up, can't you, Snowflake?

19:19Yes, sir.

19:20Well, we're partners.

19:22He's hot.

19:22So, you remember, you remember telling me about that old fellow that ran the restaurant over there that died kind of sudden?

19:33Huh?

19:33I don't believe you told me his name, did you?

19:35I, I thought maybe I knew him.

19:37Well, Edward has a daughter about 14 or 15.

19:41Huh.

19:42Edward.

19:44He and I rode in the same outfit together until he got hurt with an old Brock rolled over on him.

19:50Where do you live, here in town?

19:54Uh, down the stage line on the way to Paiute.

19:57Little, little green house all covered with ivy and flowers.

20:00You can't miss it.

20:02Oh, I reckon I'll find it.

20:05I guess I'll just take me a ride out that way.

20:20Well, come on, Snowflake, and I'll show you your chores.

20:23Uh, does I leave Aloysius here, my mule?

20:27Leave him here.

20:27Leave him.

20:28Come on.

20:29You got out of that was a lot of trouble.

20:31Now, see if you can get this straight.

20:33There he is now.

20:34Go ahead and see where he goes.

20:36Well, we can do that, all right.

20:37Go ahead and see where he goes.

21:07Go ahead and see where he goes.

21:37Go ahead and see where he goes.

22:07Go ahead and see where he goes.

23:39Who's there?

23:47Why, it's me, Miss.

23:49I'm an old friend of your father's.

23:51I just rode into town this morning and I heard about your trouble and thought I'd come out and see if there's anything I could do for you.

24:09You don't need to be afraid of me, Miss.

24:18My name's Morgan.

24:20Harry Morgan.

24:23Cheyenne Harry, my friends call me.

24:25You see, I'm an old friend of your daddy's.

24:30He and I used to ride range together a good many years ago.

24:34Long before you were born, I reckon.

24:36Are you Cheyenne Harry, the marshal from down partway?

24:41Well, yes, ma'am.

24:41I was marshaled down there for quite a spell.

24:47You see, I didn't hear about your dad's passing on until this morning.

24:52Now, Miss, I didn't mean to come up here to worry you again.

25:00But why did it have to be my daddy?

25:02Well, that's what I come up here to find out, Miss.

25:12Do you know whether your dad ever had any trouble with Kelton or anyone else in this town?

25:18Why, yes, with Kelton.

25:19Right here in this room.

25:22What about?

25:24Well, I don't know exactly.

25:27It was over some papers, I think, that daddy had given Kelton to keep for him in his face.

25:32They were mining papers.

25:34Daddy won the back.

25:35Why, Kelton said he'd give them to him when he gave him the money he owed him.

25:39Well, I don't think daddy ever owed Kelton anything.

25:44Why, everybody in town here uses Kelton's safe to keep their money and papers in.

25:49It's the only safe in town.

25:51Yes, I know.

25:54You know, I'm slightly acquainted with Mr. Kelton.

25:58And I'm very well acquainted with that old safe of his, too.

26:01So, he wouldn't give your dad back his mining papers unless you paid him some money.

26:11When your dad refused, why, this happened to him, huh?

26:15It's Kelton.

26:30What'll I do?

26:32Oh, I reckon this is as good a time as any for a showdown.

26:35Let him in.

26:35I rode out to tell you how sorry I was to learn of your father's accident, Martha.

26:56You didn't by any chance come to tell her who did it.

26:58I saw your horse outside.

27:03So, I expected to see you.

27:06Now, don't you be a bit surprised if you see me around quite often?

27:10Martha's father gave you for safekeeping.

27:16Well, stranger, you take a lot on your shoulders, mister.

27:20Why, you talk as though I had something to do with worse meeting up with that .45.

27:25Why, I say, the world.

27:29But you have a pretty good idea who did do it.

27:33And one more thing.

27:36Don't send any of them hard killers over to pick a choir with me.

27:39I always prefer to meet the principal himself.

27:47Now, look here, Martha.

27:48I'll tell you what I...

27:49Now, listen, listen.

27:50Come on.

27:51Get out.

27:53Don't put your hand on that gun.

27:57Or you won't see the sun down tonight.

28:00Now, come on.

28:01Get going.

28:02You're frightening, little lady.

28:09Whoa, wait a minute.

28:33That Jasper just went into the thin air.

28:36We're heading nowhere and getting there fast.

28:39Open the door, honey.

28:59No.

29:01Go!

29:02Go!

29:05Go!

29:06Go!

29:10Go!

29:15Go!

29:23Go!

29:28I'm sorry, miss.

29:33All this had to happen just after you've been through so much trouble.

29:36I'm only sorry my pop wasn't here to see Kelton get it.

29:40Well, I reckon it's about four hours till sundown.

29:46I think you'd better come into town with me.

29:48You'll be a lot safer there.

29:50You got a horse here?

29:51Yes, I'll get it.

29:52It won't take me long.

29:54Say, Mr. Cheyenne,

29:56ain't you kind of nervous about sundown?

29:59Oh, Lord, no.

30:02Sundown's got to come for all of us tonight.

30:04Why worry?

30:06Boy, get yourself, Ollie.

30:12We won't wait to clean that safe.

30:16You boys get back to the shack.

30:18Get plenty of fuels and powder

30:20and meet me back in town.

30:22And after we blast the safe,

30:23then what, Kelton?

30:25Yeah.

30:26Do we split right away?

30:27Or do we have to wait?

30:30I always cut you boys in equal with me,

30:33haven't I?

30:36Get going.

30:43When do we split?

30:45Huh.

30:45How's that feeling?

31:01What are you doing?

31:32That's our friend Kelton.

31:59Yes, and he was coming from Daddy's claim.

32:02I wonder what he was doing there.

32:04I don't know.

32:05There's nothing there but a hole in the ground

32:06where Daddy said there was plenty of gold.

32:09He'd only had the money to dig it out.

32:11Well, if the gold's in the ground,

32:13it'll be safe from Kelton.

32:16He don't like to work well enough to dig it up.

32:20Look, you can see the tunnel from here.

32:23Uh-huh.

32:23Well, I'd sure like to know what he was doing in there.

32:29So would I.

32:31We're going to find out.

32:33You've got everything ready?

32:44Sure.

32:45I told that fella Anson

32:46that he couldn't run a paper in Durango.

32:50And I'm going to keep my word.

32:52I want you to fix enough powder

32:54to put that paper out of business once and for all.

32:57What's the use of that?

32:59If we're going to clear out of here,

33:01why do we care what he does?

33:02You'll do as I tell you, Hercar.

33:04All right.

33:05Once you've done that,

33:07while the people are trying to figure out what happened,

33:09I want you to blast the safe.

33:11I'll be playing cards with the sheriff.

33:14Once you've got the safe planted

33:15and the fuse lit,

33:17make yourself seen in the street somewhere

33:18so you'll be in the clear too.

33:20Get me?

33:21Sure, that's easy.

33:24When do we touch the safe?

33:25As near sundown as you figure.

33:36He seems kind of worried about sundown.

33:40I would be too.

33:42I knew at sundown it was going to be me

33:44or someone else.

33:46Wouldn't you?

33:48I ain't saying I'd hanker for such a situation.

33:50Hey,

33:52these fellas want me to do anything to your horses?

33:55No,

33:55we just thought we'd leave them here in the shade,

33:57that's all.

33:58It's pretty hot over in the street.

33:59You don't mind.

34:00Oh,

34:01that's all right.

34:02You'll leave them there all day if yous want to.

34:09It's a sense you won't hesitate to commit another.

34:12We've got to keep our eyes open.

34:14You bet.

34:16Both of them.

34:18Oh, Snowflake?

34:20Yeah?

34:21Take my horse, Sonny, down to blacksmith's shop

34:23and have him tighten that front shoe.

34:25Yes, sir.

34:26And then what do I do?

34:27Well,

34:28then you come back here

34:29and do whatever Mr. Hanson tells you.

34:31Yes, sir.

34:32Are you working for him, Major?

34:33Yes, sir.

34:34Sure.

34:40Oh,

34:41this looks to be as good a place as any.

34:43Go on in.

34:46I'll show you what we do with the bomb we made.

34:47Uh, now, here's Mr.

34:59Yes, sir.

35:01The man who I worked for

35:02said for you to look at this horse's feet.

35:04Hey, sure, that's all I do is look at the horse's feet.

35:09Yeah, but that's what I thought.

35:11Uh, when, when, when,

35:12if you need to, uh,

35:14shoe, you, you put it on him

35:15and I'll be right back, sir.

35:17All right, I'll take him.

35:20Now, all we've got to do

35:21is get high up

35:22and aim for the front of the newspaper office

35:24and let her go.

35:25And when she hits,

35:26she explodes.

35:27And when she explodes,

35:28I ain't nowhere around.

35:34Now, who's going to shoot this bomb

35:35into the newspaper office?

35:37You or me?

35:38Well, it ain't going to be me.

35:39No.

35:40I suppose I got to do it.

35:42Pick up that stuff and come on.

35:43Speed, do you, duty?

35:51You suppose he hurt us?

35:52Maybe.

35:53We'd better hurry anyway.

35:56All right, honey.

35:58Now what do we do, Miss Danzen?

36:00Well, just roll it forward

36:01and I'll show you how we run the test.

36:05That is it.

36:08Hey, boss!

36:09Hey, hey, what's the matter with you, boy?

36:11You've seen a ghost?

36:11They say they're going to blow up this place.

36:15What?

36:15Who?

36:17There's two men down there.

36:19They're both in the organ.

36:21Who's going to throw the bomb first?

36:23Come on, Angie.

36:24Let's get this press covered up.

36:25Come on, Mr. Pettis, I'll play just a hand.

36:27Martha, go in the back room.

36:29Stay there.

36:29That's 50 you owe me.

36:43Your deal.

36:44We'll settle at the end of the game.

36:48Sheriff, what time you got?

36:53About 5.30.

36:545.30.

36:56Now you folks stay right here.

37:04Don't go back in that office no matter what you do.

37:07I'm going to slip around the corner

37:09and see if I can get my eye on those fellas with the bomb.

37:14All right.

37:15Light it.

37:15It worked.

37:41Now we'll fix the safe.

37:42Whoever did that didn't accomplish what they set out to do.

37:51What happened?

37:52Why, they tried to wreck the place.

37:54All they did was blow out a window.

37:56Had the press covered or they'd have ruined that.

37:58I wonder who done that.

38:00Well, that's kind of your worry, isn't it, Mr. Sheriff?

38:02By the way, what time does the sun set in Durango?

38:09Well, this time of year, about 6 o'clock.

38:11Why?

38:12Well, the reason I asked you was because about that time

38:15there's going to be another explosion.

38:17A heap more important than this one.

38:25I wonder what he meant by that.

38:27Who is he?

38:29Cheyenne Harry.

38:30He's been gunning for me for years.

38:36Gave notice today.

38:37It's his life or mine.

38:41Well, I ain't running away.

38:43I'll be here.

38:44Maybe I'll lock him up.

38:46Why do that?

38:48I'd just as soon get it over with.

38:49Are you ready?

38:59When can we go?

39:01Anytime you say.

39:03But how about the stuff in the safe?

39:05How are we going to get it out after we crack it?

39:07It's out already.

39:09Say, what are you trying to do?

39:12Double cross us?

39:14Yeah, how about it?

39:16I haven't yet, have I?

39:17No, but you might.

39:18Now get this straight.

39:20I've got enough evidence to hang a parry any time I want.

39:24Now get out of here.

39:26Wait for me downstairs.

39:27I'll light the fuse.

39:29Go on, go on.

39:30Go on, go on.

40:00Go on, go on.

40:30I want a word with you, Captain.

40:40Well, go ahead.

40:42Say what you've got to say.

40:43Tell it, I'm in a hurry.

40:44I'm in a hurry, too.

40:46What about the papers you've got in that safe?

40:49Along to old man Wood,

40:50proving the ownership of his claim.

40:52What?

40:53Aye, it's a combination.

40:56You want me to refresh your memory?

40:58Come on, I'm waiting, Keldon.

41:11I can't remember the combination.

41:14I don't know, I don't know.

41:16I don't know, they're next somewhere.

41:20Gosh.

41:22You'll win.

41:23You'll win.

41:24You'll win.

41:33All right.

41:38I don't know.

42:08I don't know.

42:38That sounded like it came from my place, Sheriff.

42:43Yeah, let's go and see what happened.

42:49Shire.

42:50Hilton got him all right.

42:53Yeah, he wasn't lying.

42:54He cleaned out the safe.

42:55What do you suppose he did with the stuff?

42:57All right, there's only one place.

42:58You're aware.

42:58Thank you, sir.

43:21Hilton's office.

43:22Well, it's you.

43:42I thought he was going to take my horse.

44:01You can't take that horse.

44:02Get out of the way, Hugh.

44:03This horse long, Mr. Diane.

44:05Come on, get on your own horse.

44:07You want Chuck to get away with everything?

44:08Joe, you're just wasting your time trying to hang this thing on me.

44:33Why, Kelton has been working this racket for years.

44:38Moves into a town where there's no bank.

44:41Gets the people to deposit their money and valuables in his safe.

44:45He cleans the safe and hightails it.

44:48You lose.

44:49Maybe you're right.

44:51Well, let's get Kelton.

44:52Don't let him get away, Sheriff.

44:53I deputize every man in this room.

44:55Come with me.

44:56No, you're talking.

45:21What happened, Snowflake?

45:22They shot him.

45:23They done it.

45:25Them two that you was arguing with this morning.

45:29They tried to take Sonny, but they didn't.

45:34I'm afraid he won't pull through, mister.

45:37Listen, Snowflake.

45:38Have you got any?

45:39You got any kinfolks?

45:42No, sir.

45:43Nobody.

45:45Now I wish it.

45:47That's all.

45:50Mr. Science.

45:50Will you take care of my old mule?

45:55I'm afraid that he's going to be a little hungry without me.

46:01You bet I will, Snowflake.

46:02I'll take him right along with me and Sonny.

46:06But you're going to be all right.

46:08Yes.

46:10I'm going to be all right.

46:13Get to your horses, everyone.

46:25We're not coming back till we get Kelton and his gun men.

46:28I'm going to be all right.

46:30I'll leave you.

46:31I'll be right back.

46:32I'll be right back.

46:34You're right.

46:34I'll be right back.

46:35I'll be right back.

46:36I'll be right back.

46:37We'll be back.

48:07Now, in that bag, take one half of it, and you boys can split the other between you.

48:12Now, you're getting plumb careless, Kelton.

48:20Where's your gun?

48:21Well, in my hurry to get out of Durango, I must have lost it.

48:30Maybe you boys will let me have one of yours.

48:35Yeah, sure.

48:37Anytime.

48:38It's your last chance, Kelton.

48:40The law's right behind us.

48:41We're moving fast.

48:42Give me that bag.

48:43You wouldn't leave me like this.

48:45I've always played fair with you boys.

48:48Yeah, sure you have.

48:49But we ain't playing anymore.

48:51We're going to take what's coming to us.

48:54Well, you're dealing the game, Slim.

48:56And a man without a gun can't argue with a fellow that's got one.

49:00We're going to take what's coming to us.

49:30So long!

49:51So long!

49:52So long!

49:53THE END

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55:39THE END

55:41down to a place called Ghost Town.

55:47So long, honey.

55:48Goodbye.

55:50So long, sir.

55:51So long, Cheyenne.

Wild Card Justice – Gunsmoke in the Desert

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