- 2 days ago
In the dusty heart of the Wild West, a mysterious gambler rides into town with nothing but a deck of cards and a deadly reputation. As tensions rise and tempers flare, one final showdown will decide who walks away with the jackpot — and who doesn’t walk away at all.
"The Gambler’s Showdown" is a thrilling tale of risk, revenge, and the high stakes of life on the frontier!
"The Gambler’s Showdown" is a thrilling tale of risk, revenge, and the high stakes of life on the frontier!
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Short filmTranscript
00:00For more information visit www.fema.org
00:30cold spring 18 miles
00:38durango 4
00:40well I reckon 4 miles is better
00:45alright sonny
01:00you recognize him
01:08no I've never seen him before
01:12well we'll look him over
01:30howdy stranger you're heading for durango
01:38yeah it looks to me like a pretty good place to
01:41water my horse
01:42get some hay for him and some feed for the inner man
01:45durango ain't the worst place in the world
01:47well I won't say it's the best
01:49well your gentleman's recommendation is good enough for me
01:53we'd like to keep you company
01:55that is if you don't mind
01:57I know I'd be glad to have you side me in
02:00you know I've been riding alone so long
02:02I find myself talking to my horse
02:27is this the best hotel you got in town
02:38one of them
02:39I've seen better
02:40and I've seen worse
02:42you're sort of pessimistic huh brother
02:44huh
02:46I mean you don't seem to feel the best experience this morning
02:49well
02:50I felt better
02:51and I felt worse
02:52I see
02:53sort of neutral huh
02:55this way
02:56the reception room's in there
03:08I'll notify the proprietor you're here and looking for accommodations
03:12well I didn't know that durango would be that much interested in my arrival
03:17durango ain't
03:19but some of the people are
03:21I see
03:21just go right on in and make yourself at home
03:25you'll be well taken care of
03:27thanks
03:29now you stay here
03:44I'll go get Kelvin
03:46well
03:57well it's a nice little reception room
03:59what do you want?
04:19nothing
04:19only I thought you might be interested in knowing
04:22that we got a fellow that answers the description of that Umbra you've been making inquiries about
04:26wherever you got him
04:27open the lockup
04:28all right we'll take a look at him
04:32I'll come back
04:33I'll come back
04:44hey sir
04:47come on
04:48how much, how much, how much you getting in the truck?
04:50I don't want to get in the truck.
05:20It's him.
05:23It's him.
05:24It's him, all right.
05:26But who's him?
05:28Cheyenne.
05:30Cheyenne after all these years.
05:43Wait.
05:44You can't kill him here.
05:50All right.
05:54I can't kill him here.
05:57And maybe, before I get him, he'll get me.
06:06That's the gamble.
06:09That's my business.
06:11Gambling.
06:15All right.
06:17Turn him loose.
06:20When I get out of here.
06:22Say, gents, there seems to be some sort of a mystery here.
06:34If one of you gents had told me what it's all about, I'd be much obliged.
06:35Oh, we was looking for somebody else, that's all.
06:36I see.
06:37And I take it you to want me.
06:38No, shucks.
06:39We was looking for another fellow all the time.
06:40Sure, you look like him.
06:41But I don't know.
06:42I don't know.
06:43I don't know.
06:44I don't know.
06:45I don't know.
06:46I don't know.
06:47I don't know.
06:48I don't know.
06:49I don't know.
06:50I don't know.
06:51I don't know.
06:52I don't know.
06:53I don't know.
06:54I don't know.
06:55I don't know.
06:56I don't know.
06:57I don't know.
06:58I don't know.
06:59you to want me. No, shucks. We was looking for another fellow all the time. Sure, you look like
07:07him, but you ain't him. Mistaken identity, huh? Well, suppose when you fellas opened that door,
07:15I'd have come out of shooting and killed one of you fellas, and then said I'd made a mistake.
07:23Oh, of course, I can see that neither one of you fellas had anything to do with my being here.
07:30So let's forget it. You couldn't tell me a good place to eat, could you? Yeah, the Durango's
07:36across the street. It's a good place for a game, a little shot of red eye. Well, I'll tell you fellas,
07:41I'm pretty well caught up on my dragon, but if you leave me to that grub pile, I'll sure follow you.
07:49I can see Durango's going to be some hospitable place. Now ain't that nice? We aim to be hospitable.
07:59say, say, that reminds me. Of what?
08:12Well, the day I put the notch in this here gun. I'll tell you how it was it was at.
08:18Follow the name of Cherokee Jones. Maybe you've heard of him.
08:22Well, one day he started going for me with one of these here things.
08:30But he plumb missed me with both barrels. Must have been drinking or something.
08:34So I went that day and put the notch in this here gun.
08:38You know, not to be boasting or anything, but
08:41just to remember old Cherokee, bud.
08:43Something tells me we shouldn't have brung him in.
08:56Well, it was your idea.
08:57If anything happens to me, I'm going to blame you.
09:00The town folks of Durango can certainly thank their lucky stars that use the courage of your convictions, Mr. Anson.
09:26Caden, it's my business to print the truth.
09:30And from what I've seen in Durango, the truth's been covered long enough.
09:35If my paper can make this a law-abiding place for decent citizens to live in,
09:40well, then I guess I've been repaid.
09:42Anson, I warned you that you and your paper are not welcome in Durango.
10:00I've heard that before, Mr. Kelton.
10:02But it seems to me it's up to the citizens of Durango,
10:04not you as an individual, to say whether my paper and me are welcome or not.
10:07I'm the one who decides that, Anson.
10:10You ain't welcome.
10:21If you run that press, I'll make you eat every word of it.
10:26Oh, no, he won't.
10:27You know, I've heard that printer's ink is indigestible.
10:33And I've also heard that there's a heat poisonous to some people's systems.
10:40You're a stranger, mister.
10:42Most likely you don't know it.
10:45But I run Durango.
10:49All of which leads me to believe that maybe you've run Durango too long.
10:54Go on, put your little strip up, mister.
10:56Yeah, Anson's the name.
11:00I'd like to talk to you alone.
11:04All right.
11:07You know, I've got a heap of talk I want to say to you, too.
11:11Alone.
11:12You know, before Kelton gets through with that stranger, he'll have him bored off.
11:28Or scared off.
11:30It ain't no use.
11:32I might just as well quit.
11:33Well, Kelton, you haven't changed a bit.
11:54the same old lowdown you always was.
11:59Now you know better than that.
12:07You know, if I wasn't interested in just what your game is in Durango,
12:12you and me'd have a showdown right now.
12:17Ten years ago, I run you out of Pine Flats.
12:20Then we met down in the Platte Country.
12:25And now we meet again.
12:28But this time, it's my deal with Aces Wild.
12:33How much will you take to forget you ever were in Durango?
12:39Are you trying to bribe me, Mr. Kelton?
12:45Shame on you.
12:50Well, well, if they're in the same old safe.
13:02Same old safe that you had up in the Pine Flats country,
13:06down in the Platte.
13:11Say, you know, that must be a pretty good one.
13:14It's been blown up twice.
13:15Say, you and I never did get along.
13:21Never could and never will.
13:23We don't speak the same language.
13:26Well, you understand enough of mine to get this.
13:29I'll give you just 48 hours
13:30to shake the dust of Durango out of your boots.
13:33If you're still here, I'll...
13:35You'll what?
13:39You or me.
13:40It can't be both of us in Durango.
13:47My girl, you were right.
13:50Well, there'll just be one.
14:02Fire, boys.
14:03Fire, boys.
14:03Fire, boys.
14:10What is this?
14:15Gosh, we didn't know, but maybe something happened to you.
14:17There's going to be plenty happening,
14:19but we've got to work fast.
14:21There's nothing that's safe to make us independent.
14:24We'll crack it.
14:25And before the smoke clears, we'll be on our way.
14:30First, I'm going to get Cheyenne.
14:35Come on, have a drink.
14:36You got a little trouble getting out your newspaper, mister?
14:53Nothing but difficulty.
14:55You know Kelton runs Durango,
14:57and he's sure death on me in my newspaper.
15:01Well, if Kelton's against your newspaper, I'm for it.
15:04How would you like a partner?
15:07Where would I get a partner?
15:09I ain't got a chance to print a paper.
15:12I'll be your partner.
15:15You will?
15:17So, any price you say.
15:21Why, I'd even sell out for a $10 bill today.
15:23Well, you won't have to.
15:25I'll tell you what you do.
15:27You get this old press oiled up.
15:29I'll drop in on you later.
15:34Hey, hey, boy.
15:42Could I speak to you a minute?
15:45For sure.
15:46You see, I'm the best horse wrangler this side of the pack.
15:53But I ain't got no horse to wrangle.
15:56All I got is a mule.
15:58So, I'll tell you what you do.
16:04You see that buckskin horse down there?
16:07Yeah.
16:07Well, you go on down there and wrangle him.
16:10I'm going here in the restaurant.
16:11Get something to eat.
16:12When I come back, I'll tell you what to do.
16:13Go ahead.
16:14Yes.
16:14Come on, Al-Awushes.
16:16There he is now.
16:23Go ahead.
16:24Provoke him to a quarrel.
16:26Rile him up.
16:27Get him to draw his gun.
16:29Heck, that'll be your time to get him.
16:30And the quicker we get him, the better.
16:32Uh-oh.
16:48See what I see?
16:50Carrots.
16:54Yeah, yeah, I'm here, Al-Awushes.
16:56Come on.
16:57Yeah.
16:57Come on, take it.
16:58Nice, boy.
17:00And here's one for you, too.
17:02What are you doing?
17:04Stealing them carrots?
17:06No, sir.
17:06I ain't stealing nothing.
17:08I just bar them, that's all.
17:10Well, you're going to borrow some lead.
17:15Put them back there.
17:18You wouldn't regret the horse and the mule and even myself of a carrot, would you?
17:26You know what we do with thieves down here?
17:29No, sir.
17:31We hang them.
17:32You bought them, Nick?
17:35Yeah.
17:36Nick.
17:37Until you're dead.
17:51What's the matter?
17:52Oh, this lowlife has been stealing some carrots.
17:55Oh, forget it.
17:56He's working for me.
17:57I told him to buy some carrots.
17:59Hey, since when is he working for you, mister?
18:02He's been hanging around this town for days.
18:04And you just entered here a little while ago with us.
18:08Well, I wouldn't have entered there if I knew what kind of a polecat you was.
18:11Are you calling me a polecat?
18:16What's it sound like to you, mister?
18:18Why, you...
18:19Can't you take a joke, mister?
18:32Can't you see I'm laughing?
18:33I saw what happened.
18:54That's Slim Bartlett, one of Kelton's cutthroat.
18:57Yeah, I know.
18:59I rode into town with him this morning.
19:02Well, I tell you, Anson, looks to me like you're going to have plenty of exciting news to publish in the newspaper.
19:08You're going to need some extra help.
19:10Snowflake.
19:11Yeah?
19:11Now, here's just a man for you.
19:14You can bear down on that old press of yours and bring the type and sweep up.
19:18Can't you, Snowflake?
19:19Yes, sir.
19:20Well, we're partners.
19:22He's hired.
19:25So you remember...
19:27You remember telling me about that old fellow that ran the restaurant over there that died kind of sudden?
19:33Huh?
19:33I don't believe you told me his name, did you?
19:35I...
19:36Uh...
19:36I thought maybe I knew him.
19:37Well, Edward has a daughter about 14 or 15.
19:41Huh.
19:42Dead worse.
19:45He and I rode in the same outfit together until he got hurt with an old brock rolling over on him.
19:51Hmm.
19:52Where do you live?
19:52Here in town?
19:54Uh, down the stage line on the way to Paiute.
19:57Little...
19:57Little greenhouse all covered with ivy and flowers.
20:00You can't miss it.
20:02Oh, I reckon I'll find it.
20:04I guess I'll just take me a ride out that way.
20:07Well, come on, Snowflake, and I'll show you your chores.
20:23Uh, does I leave Aloysius here, my mule?
20:27Leave him here.
20:27Leave him.
20:28Come on.
20:28Well, you got out of that was a lot of trouble.
20:31Now, see if he can get this straight.
20:33There he is now.
20:34Go ahead and see where he goes.
20:36Well, we can do that, all right.
20:37Go ahead and see where he goes.
21:07Go ahead and see where he goes.
21:37Go ahead and see where he goes.
23:37Who's there?
23:47Why, it's me, miss.
23:49I'm an old friend of your father's.
23:51I just rode into town this morning and I heard about your trouble and thought I'd come out and see if there's anything I could do for you.
23:59You don't need to be afraid of me, miss.
24:18My name's Morgan, Harry Morgan.
24:23Cheyenne Harry, my friends call me.
24:27You see, I'm an old friend of your daddy's.
24:30He and I used to ride range together a good many years ago.
24:33Long before you were born, I reckon.
24:36Are you Cheyenne Harry, the marshal from down partway?
24:41Well, yes, ma'am. I was marshaled down there for quite a spell.
24:45Well, you see, I didn't hear about your dad's passing on until this morning.
24:52Now, miss, I didn't mean to come up here to worry you again.
25:00But why did it have to be my daddy?
25:02Well, that's what I come up here to find out, miss.
25:12Do you know whether your dad ever had any trouble with Kelton or anyone else in this town?
25:18Why, yes, with Kelton.
25:19Right here in this room.
25:22What about?
25:24Well, I don't know exactly.
25:27It was over some papers, I think, that daddy had given Kelton to keep for him in his face.
25:31They were mining papers.
25:34Daddy won the back.
25:35Why, Kelton said he'd give them to him when he gave him the money he owed him.
25:39Well, I don't think daddy ever owed Kelton anything.
25:44Why, everybody in town here uses Kelton's safe to keep their money and papers in.
25:50It's the only safe in town.
25:51Yes, I know.
25:54You know, I'm slightly acquainted with Mr. Kelton.
25:57And I'm very well acquainted with that old safe of his, too.
26:01So, he wouldn't give your dad back his mining papers unless you paid him some money.
26:11When your dad refused, why, this happened to him, huh?
26:15It's Kelton.
26:30What'll I do?
26:32Oh, I reckon this is as good a time as any for a showdown.
26:35Let him in.
26:35I rode out to tell you how sorry I was to learn of your father's accident, Martha.
26:56You didn't by any chance come to tell her who did it.
26:58I saw your horse outside.
27:03So, I expected to see you.
27:06Now, don't you be a bit surprised if you see me around quite often?
27:10Martha's father gave you for safekeeping.
27:16Well, stranger, you take a lot on your shoulders, mister.
27:20Why, you talk as though I had something to do with worse meeting up with that .45.
27:25Why, I say, the world.
27:29But you have a pretty good idea who did do it.
27:33And one more thing.
27:36Don't send any of them hard killers over to pick a choir with me.
27:39Listen, I always prefer to meet the principal.
27:44Himself.
27:47Now, look here, Martha, I'll tell you what I...
27:49Now, listen, listen.
27:50Come on.
27:51Get out.
27:53Don't put your hand on that gun.
27:57Or you won't see the sun down tonight.
28:00Now, come on, get going.
28:02You're frightening, little lady.
28:09Whoa, wait a minute.
28:33That Jasper just went into the thin air.
28:36We're heading nowhere and getting there fast.
28:39Open the door, honey.
28:59Open the door, honey.
29:00Open the door.
29:32I'm sorry, miss, all this had to happen just after you've been through so much trouble.
29:36I'm only sorry my pop wasn't here to see Kelton get it.
29:40Well, I reckon it's about four hours till sundown.
29:46I think you'd better come into town with me.
29:48You'll be a lot safer there.
29:50You got a horse here?
29:51Yes, I'll get it.
29:52It won't take me long.
29:54Say, Mr. Cheyenne, ain't you kind of nervous about sundown?
29:59Oh, Lord, no.
30:02Sundown's got to come for all of us tonight.
30:04Why worry?
30:06Boy, get yourself, Ollie.
30:12We won't wait to clean that safe.
30:16You boys get back to the shack.
30:18Get plenty of fuse and powder and meet me back in town.
30:22And after we blast the safe, then what, Kelton?
30:25Yeah.
30:25Do we split right away?
30:27Or do we have to wait?
30:30I always cut you boys in equal with me, haven't I?
30:36Get going.
30:36When do we split?
30:45When do we split?
30:45Huh.
30:46What?
30:57You boys get off their compatri booked.
31:00You guys,abel?
31:00Oh, boy.
31:02Ah.
31:03Oh, boy.
31:03Steve B Sensex-
31:04Oh, boy.
31:04You boys go.
31:06You got job?
31:06Oh, boy.
31:07Oh, boy.
31:07What?
31:08Oh, boy.
31:08Oh, boy.
31:08So誤 bin.
31:39That's our friend Kelton.
31:59Yes, and he was coming from Daddy's claim.
32:02I wonder what he was doing there.
32:04I don't know.
32:05There's nothing there but a hole in the ground
32:06where Daddy said there was plenty of gold.
32:09I hope he'd only had the money to dig it out.
32:11Well, if the gold's in the ground,
32:13it'll be safe from Kelton.
32:15He don't like to work well enough to dig it up.
32:20Look, you can see the tunnel from here.
32:23Uh-huh.
32:27Well, I'd sure like to know what he was doing in there.
32:29So would I.
32:30Well, we're going to find out.
32:42You've got everything ready?
32:44Sure.
32:45I told that fellow, Hanson,
32:47that he couldn't run a paper in Durango.
32:50And I'm going to keep my word.
32:52I want you to fix enough powder
32:54to put that paper out of business once and for all.
32:57What's the use of that?
32:59If we're going to clear out of here,
33:01what do we care what he does?
33:02You'll do as I tell you, Hercar.
33:04All right.
33:05Once you've done that,
33:07while the people are trying to figure out what happened,
33:09I want you to blast the safe.
33:11I'll be playing cards with the sheriff.
33:14Once you've got the safe planted
33:15and the fuse lit,
33:17make yourself seen in the street somewhere
33:18so you'll be in the clear too.
33:20Get me?
33:21Sure, that's easy.
33:24When do we touch the safe?
33:25As near sundown as you figure.
33:36He seems kind of worried about sundown.
33:40I would be too.
33:41I knew at sundown it was going to be me
33:44or someone else.
33:46Wouldn't you?
33:48I ain't saying I'd hanker for such a situation.
33:51Hey, these fellas want me to do anything to your horses?
33:55No, we just thought we'd leave them here in the shade, that's all.
33:58It's pretty hot over in the street.
33:59You don't mind.
34:00Oh, that's all right.
34:02You'll leave them there all day if yous want to.
34:09It's a sense you won't hesitate to commit another.
34:12We've got to keep our eyes open.
34:14You bet.
34:16Both of them.
34:18Oh, Snowflake.
34:20Yeah?
34:21Take my horse sunny down to blacksmith's shop
34:23and have him tighten that front shoe.
34:24Yes, sir.
34:26And then what do I do?
34:27Well, then you come back here
34:29and do whatever Mr. Hanson tells you.
34:31Yes, sir.
34:32Are you working for him, Major?
34:33Yes, sir.
34:34I should.
34:40Oh, this looks to be as good a place as any.
34:43Go on in.
34:43I'll show you what we do with the bomb we made.
34:47Oh, now, hey, Mr.
34:59Yes, sir.
34:59The man who I worked for
35:02says for you to look at this horse's feet.
35:06Yeah, sure.
35:06That's how I do always look at the horse's feet.
35:09Yeah, that's what I thought.
35:10Well, if you need the shoe,
35:14you put it on him,
35:16and I'll be right back, sir.
35:17All right, I'll take him.
35:20Now, all we've got to do
35:21is get high up
35:22and aim for the front of the newspaper office
35:24and let her go.
35:25And when she hits, she explodes.
35:27And when she explodes...
35:28I ain't nowhere around.
35:34Now, who's going to shoot this bomb
35:35into the newspaper office?
35:37You or me?
35:38Well, it ain't going to be me.
35:40No.
35:40I suppose I got to do it.
35:42Pick up that stuff and come on.
35:46Feet?
35:47Do you?
35:48Do it.
35:51You suppose he hurt us?
35:52Maybe.
35:53We'd better hurry anyway.
35:56All right, honey.
35:58Now what do we do, Miss Danzen?
36:00Well, just roll it forward
36:01and I'll show you how we run the test.
36:05That is it.
36:08Help me, boss!
36:09Hey, hey, what's the matter with you, boy?
36:11You've seen a ghost?
36:12They said they're going to blow up this place.
36:15What?
36:15Who?
36:17There's two men down there.
36:19They're both in the organ.
36:21Who's going to throw the bomb first?
36:23Come on, Angie.
36:24Let's get this press covered up.
36:25Come on, sir.
36:26I'll play just a hand.
36:27Martha, go in the back room
36:28and stay there.
36:29That's 50 you owe me.
36:43Your deal.
36:44We'll settle at the end of the game.
36:48Sheriff, what time you got?
36:50About 5.30?
36:5630.
37:02Now, you folks stay right here.
37:04Don't go back in that office
37:05no matter what you do.
37:07I'm going to slip around the corner
37:09and see if I can get my eye
37:10on those fellas with the bomb.
37:14All right.
37:15Light it.
37:15It worked.
37:41Now we'll fix the safe.
37:45Whoever did that
37:48didn't accomplish
37:49what they set out to do.
37:51What happened?
37:52Why, they tried to wreck the place.
37:54All they did was blow out a window.
37:56Had the press covered
37:56or they'd have ruined that.
37:58I wonder who done that.
38:00Well, that's kind of your worry,
38:02isn't it, Mr. Sheriff?
38:04By the way, what...
38:05What time does the sun set in Durango?
38:09Well, this time of year,
38:10about 6 o'clock.
38:11Why?
38:12Well, the reason I asked you was
38:13because about that time
38:15there's going to be another explosion.
38:17A heap more important than this one.
38:25I wonder what he meant by that.
38:27Who is he?
38:29Cheyenne Harry.
38:32He's been gunning for me for years.
38:36Gave notice today.
38:37It's his life or mine.
38:39Well, I ain't running away.
38:43I'll be here.
38:44Maybe I'll lock him up.
38:46Why do that?
38:48I'd just as soon get it over with.
38:56Are you ready?
38:59When can we go?
39:01Anytime you say.
39:03But how about the stuff in the safe?
39:05How are we going to get it out
39:06after we crack it?
39:07It's out already.
39:09Say.
39:11What are you trying to do?
39:12Double crosses?
39:14Yeah, how about it?
39:16I haven't yet, have I?
39:17No, but you might.
39:18Now get this straight.
39:20I've got enough evidence
39:21to hang a parry any time I want.
39:24Now get out of here.
39:26Wait for me downstairs.
39:27I'll light the fuse.
39:29Go on, go on.
39:57Go on.
40:22Go on.
40:23Go on.
40:24Go on, go on.
40:24Go on.
40:27I want a word with you, Captain.
40:40Well, go ahead.
40:42Say what you've got to say.
40:43Tell it, I'm in a hurry.
40:44I'm in a hurry, too.
40:46What about the papers you've got in that safe?
40:49Along to old man Wood, moving the ownership of his claim.
40:52What?
40:53Aye, it's a combination.
40:54Aye.
40:54You want me to refresh your memory?
41:01It's all right.
41:04It's all right, mate.
41:08Come on, I'm waiting, Kelton.
41:11I can't remember the combination.
41:15I don't know, there's somewhere.
41:22You're winning.
41:24It's a crazy face.
41:31I don't know.
41:42I don't know.
41:42No.
41:42I don't know.
41:42I don't know.
41:43I don't know.
41:43I don't know.
42:47Chiant!
42:49Helton got him all right.
42:52Yeah, he wasn't lying.
42:53He cleaned out the safe.
42:54What do you suppose he did with the stuff?
42:56Ah, there's only one place.
42:57You know where.
42:58Okay.
43:20Helton's office.
43:21office. Well, it's you.
43:51I thought he was going to take my horse. You can't take that horse. Get out of the way, you.
44:03Come on, get on your own horse. You want to jump and get away with everything?
44:21General, you're just wasting your time trying to hang this thing on me. Why, Kelton has
44:35been working this rocket for years. Moves into a town where there's no bank. Gets the people
44:41to deposit their money in valuables and he's safe. He cleans the safe and hightails it.
44:47You lose. Maybe you're right. Well, let's get Kelton. Don't let him get away, Sheriff.
44:52I deputize every man in this room. Come with me. No, you're talking.
45:17What happened, Snowflake? They shot him. They done it. Them two that you was arguing with
45:26this morning, they tried to take Sonny, but they didn't. I'm afraid he won't pull through,
45:35sir. Listen, Snowflake. Have you got any, you got any kinfolks? No, sir. Nobody. But
45:44now the wishes. That's all. Mr. Science, will you take care of my old mule? I'm afraid that
45:56he's going to be a little hungry without me. You bet I will, Snowflake. I'll take him
46:03right along with me and Sonny. But you're going to be alright. Yes. I'm going to be alright.
46:17No. Get to your horses, everyone. We're not coming back till we get Kelton and his gunmen.
46:47But do you not, sir? We got any fodters. Look together. I can't forget it. I will get
46:54out. Thank you. Roxie, wow. Right. Um, amiga goldba, but if the
47:44We thought maybe you were trying to give us a slip.
47:56Oh, no.
47:58You know better than that.
48:00We've got to work fast.
48:02Everything that was in that safe, the money, the papers that give the rights of this mine, and other things, are in that bag.
48:08Take one half of it.
48:10You boys can split the other between you.
48:14Well, you're getting plumb careless, Kelton.
48:20Where's your gun?
48:26Well, in my hurry to get out of Durango, I must have lost it.
48:32Maybe you boys will let me have one of yours.
48:35Yeah, sure.
48:37Anytime.
48:38It's your last chance, Kelton.
48:40The law's right behind us.
48:41We're moving fast.
48:42Give me that bag.
48:43You wouldn't leave me like this.
48:45I've always played fair with you boys.
48:48Yeah, sure you have.
48:49But we ain't playing anymore.
48:51We're going to take what's coming to us.
48:53Well, you're dealing the game, Slim.
48:56And a man without a gun can't argue with a fellow that's got one.
49:00We're going to take what we were doing.
49:01Well, let's get into that.
49:03We're going to be taking what I want in the pros table.
49:09Here, we've got to takeprimation.
49:42So long.
49:51So long.
50:12So long.
50:21So long.
50:30So long.
50:39So long.
50:48So long.
50:57So long.
51:06So long.
51:15So long.
51:24So long.
51:25So long.
51:27So long.
51:29So long.
51:30So long.
51:32So long.
51:34So long.
51:35So long.
51:36So long.
51:37So long.
51:39So long.
51:40So long.
51:42So long.
51:44So long.
51:45So long.
51:46So long.
51:47So long.
51:48So long.
51:49So long.
51:50So long.
51:51So long.
51:52So long.
51:53So long.
51:54So long.
51:55So long.
51:56So long.
51:57So long.
51:58So long.
51:59So long.
52:00So long.
52:01So long.
52:02So long.
52:03So long.
52:04So long.
52:05So long.
52:06So long.
52:07So long.
52:08So long.
52:09So long.
52:10So long.
52:11So long.
52:12So long.
52:13So long.
52:14So long.
52:15So long.
52:16So long.
52:17So long.
52:18So long.
52:19So long.
52:20So long.
52:21So long.
52:22So long.
52:23So long.
52:24So long.
52:25So long.
52:26So long.
52:27So long.
52:28So long.
52:29So long.
52:30So long.
52:31So long.
52:32So long.
52:33So long.
52:34So long.
52:35THE END
53:05Sun down, Kelton
53:26You're right, Cheyenne
53:28And the sun's in your eyes
53:31For the last time
53:35The END
54:05The END
54:35Sheriff, I guess I owe you a lot
55:05Oh, it's just the other way around
55:06We're in debt to you, Cheyenne
55:08Well, thanks
55:09Mr. Hanson, you'll take good care of Martha, huh?
55:15Sure will
55:16And remember
55:17My share in the old newspaper goes to her
55:21But where are you going, Mr. Cheyenne?
55:25Well, I'll tell you, honey
55:26I spent most of my life, you know, in Wyoming
55:30That's up north
55:31In the cattle country
55:32And the ball has had a
55:35And the ball has had a hankering to see some money
55:39So I'm riding south
55:41Down to a place called Ghost Town
55:44So long, honey
55:48So long, sir
55:51So long, Cheyenne
55:53And the ball has had a thwarted
56:04To be continued...
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