- 4/30/2025
Miami Vice Season 3 Episode 7 El Viejo
Category
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TVTranscript
00:00I thought you'd be here for three days.
00:03Max, I just need to check out the drop-off point with Mendez.
00:07Excuse me, Lieutenant. Mendez has files on my desk?
00:11Much appreciated.
00:14Vince Wilson, Broward Narcotics.
00:18Stan Switek, how you do?
00:21Fill him in.
00:25So, you came down here to make the big catch, huh?
00:28I was lucky to get an angle on Mendez.
00:31Hey, you mind if I take a pinch?
00:32Up yourself.
00:34So, what's your cover?
00:35I'm in a trucking company up in Broward,
00:37and he wants me to move his product around the state.
00:40So, you're a mule?
00:41Mm, with style.
00:43Department gave me a 359 Longhorn Pete just to make deliveries.
00:47No kidding.
00:49No kidding.
00:51I impounded this baby from a guy that ran a floating crap game
00:54out of the back of the trailer
00:55to some good old boy dealing with a couple of flat tires.
01:00Who you got riding shotgun?
01:02Ah, I like to go it alone.
01:04That way I know everybody I'm working with.
01:07Well, everybody deserves a partner now and then.
01:10Here, this Mendez is a real snake.
01:13Makes a nice boot.
01:15Hoo-hoo.
01:16Listen, you make sure you stop on back.
01:18We'll have a brew-ski.
01:19Hey, I'm me.
01:20All righty.
01:21All right.
01:21See you later.
01:27See you later.
01:39So, you like this spot?
01:40Shoot.
01:41Location makes me no difference.
01:43If the money's right, I can park me a piggyback on a diving board.
01:48That's a 26-wheeler, son.
01:49That's a 26-wheeler, son.
01:51That's a 26-wheeler, son.
01:52That's a 26-wheeler, son.
01:53That's a 26-wheeler, son.
01:54That's a 26-wheeler, son.
01:55That's a 26-wheeler, son.
01:56That's a 26-wheeler, son.
01:57That's a 26-wheeler, son.
01:58That's a 26-wheeler, son.
01:59That's a 26-wheeler, son.
02:00That's a 26-wheeler, son.
02:01That's a 26-wheeler, son.
02:02That's a 26-wheeler, son.
02:03That's a 26-wheeler, son.
02:04That's a 26-wheeler, son.
02:05That's a 26-wheeler, son.
02:06That's a 26-wheeler, son.
02:07That's a 26-wheeler, son.
02:38Well, Mr. Mendez, how do you?
03:08You tell him I've checked the road.
03:17It's perfect.
03:19No trouble getting a truck in here.
03:28He likes your boots.
03:31He wants to know you can afford them.
03:32A cop seller.
04:02He wants to know you can afford them.
04:32He wants to know you can afford them.
05:32It's us.
05:39No kidding.
05:41We've only been here an hour and 47 minutes.
05:48We're at the next stop at the bed.
05:51Oh, what did Elvis take a bite out of watching on his girlfriends?
05:54That's real cute, wise guy.
06:01The poor guy ate a six-pack.
06:04You cut his gums on the plastic rings, all right?
06:11I think this is your boy Rickles.
06:13It's your boy Rickles.
06:20Showtime.
06:26Oh, sweet lips and cutie pie.
06:29We're wasted away
06:32Another place
06:36Where the faces are so cold
06:40Only one of his goes inside.
06:43Inside?
06:45I thought you were taking me to meet this Bolivian, Mendez.
06:50He's in the museum.
06:51On a stale horse I ride
06:56I'm wanted
06:58Dead or alive
07:03Hey, guys.
07:07Either this is a costume party
07:09or we got an uninvited guest.
07:13Just what we need, a spectator.
07:15A spectator.
07:19Hey!
07:23What you got to do?
07:27Beautiful.
07:28I thought you guys had this handle.
07:31You're not going to dust him here, are you?
07:34Come and handle him.
07:35The people I meet
07:38Always go this way
07:42Sometimes you tell
07:45By the bottle that you drink
07:50Times of your love
07:54All you do is think
07:57I'm a cowboy
08:00Beated old man
08:02On the stale horse I ride
08:06I'm wanted
08:08Wanted
08:10Head of the line
08:13Call for backup
08:18We got a citizen involved
08:19Everybody's thrashing the parties
08:21We got our board
08:22Too late, man
08:24It's going down
08:25Just be cool
08:32I'll walk you through this
08:33Oh, you're out
08:38And there's weight
08:52Ripple
08:53Show him the money
08:54Show him the money
08:57No way
08:59No way
08:59I'm a cowboy
09:09I'm a cowboy
09:09On a stale horse I ride
09:15On a stale horse I ride
09:33I'm wanted
09:35I'm wanted
09:37Never alive
09:40Look, you bring my briefcase to the Exulsier by tomorrow morning
09:55Or I'm going to have someone else do the deal
09:57You got it?
10:00That call came in about an hour ago at the St. Vitus
10:03What else do we have?
10:09Rickles distributes for the Bolivian
10:11He wanted me to mule 50 keys over to Baton Rouge for him
10:17I told him on a domestic pickup and delivery
10:21I gotta have part of the action
10:23That's how I got to meet the bad guy
10:28They were just supposed to cut me in for two keys on a trial run
10:33Not panic the bad guys and a dead renter cop
10:36It was supposed to be intros and surveillance
10:39We weren't going to make a move until he brought us all his product
10:43Will Rickles turn over on Mr. Mendez?
10:51He's too scared
10:52I think he'd rather do a stretch
10:55Excuse me
10:58Here are the pictures from last night
11:00Gina and Trudy get copies
11:03They're on their way over to the Exulsier
11:06What about the briefcase?
11:12Well
11:13We swept the place five times
11:16Dead end
11:17The civilian?
11:21The security guard
11:22He was dead on the scene
11:23His name was Albert Cavanaugh
11:26We're trying to
11:29Run down the next of kin
11:31From his driver's license
11:33The DEA guy from San Antonio
11:36Who bought it two months ago
11:37Was after the Bolivian
11:38Is this the same guy?
11:41Maybe
11:42Describe the briefcase
11:47It was a green skin of some sort
11:52Like python or lizard
11:54So I take
11:59See if customs confiscated
12:01Something we can substitute
12:03Pick up two keys from property
12:05Take it over to the boat
12:06Okay
12:08Reset the deal with him
12:11I want Mr. Mendez
12:12I want the 50 keys
12:14Well what if we can't match
12:17The briefcase?
12:20Just stay on the boat
12:21And Mr. Mendez makes his move
12:23Sonny
12:28Come on
12:53I want a camera
12:54I want to touch
12:58The next time
13:00I want to would like the
13:01If the Navy
13:03Caffeine
13:04How is that?
13:05Metal
13:06Met?」
13:07Paint
13:07He
13:08happened to know
13:08Oh
13:08You know
13:10What if we need
13:11We don't know
13:11macam
13:12What if we can't
13:13Let it or
13:14Like
13:15Hit
13:16How is that?
13:17Don't
13:18Until
13:19Me
13:19You
13:20You
14:51All these desperate criminals, and the lengths we have to go to to catch them.
15:00Well, girlfriend, looky here.
15:12What does that note say?
15:13Can we...
15:17Who's asking?
15:24I'll give you two guesses.
15:29Oh, please.
15:30You better drink both of these drinks and go over there.
15:36Company.
15:41That old man was at the museum.
15:43Looks white tech's got his picture.
15:48Yep.
15:55You want something?
15:57Yeah.
15:59Brighten up your miserable life.
16:00That's got to be the briefcase.
16:13Stay with him.
16:14I'll go and call through.
16:15That's right, puppy dog.
16:22I found it.
16:24Don't have time to play a long hand.
16:27So find me somebody that knows how to deal.
16:28I'm in room 415.
16:31I'm in room 415.
16:31Boat's a damn mess.
16:46You know, what the hell I'm paying that doc boy for.
16:49The line's uncoiled.
16:51The compass ain't covered.
16:54I must have told him 500 times to put this winch away.
16:58Ought to take it down to the marina office and make him eat it.
17:10Sonny.
17:10The museum guard is dead.
17:17It was a bad break.
17:18Why don't you just let it go?
17:27We never get even, do we?
17:29You can't, man.
17:32Look, maybe you should sit this one out.
17:36You feel guilty, you make mistakes.
17:38Get up.
17:39What, what are you crazy?
17:41I signed on for the duration, pal.
17:49Speaking of mistakes.
17:55Gentlemen.
17:57Hey, what the heck?
17:58What are you doing?
18:00I'm clean.
18:07Very professional.
18:09You're definitely a step up from last night, huh?
18:12Don't.
18:12Put that on us, pal.
18:15I didn't make that decision.
18:20Yeah, you were Johnny on the spot, though, weren't you?
18:23Hey, I went to the men.
18:26Well, once the Bolivian gets stuck on an idea, like the fact that you cost him two keys and his favorite briefcase, well...
18:32Yeah, we're gonna make that good.
18:34How are you gonna handle the briefcase?
18:36Don't worry about it.
18:37We'll replace it.
18:38You just reset the meat.
18:40Replacement ain't gonna get it.
18:42He wants his briefcase.
18:44So in the rare event that doesn't, uh, walk itself onto your boat, here's where I'll be.
18:53And you might want me to talk to the man.
18:56Hey, what's the price tag on that conversation?
18:59Say, uh, 30 large, 10 in front, five points a week on the rest.
19:0630?
19:08Yeah.
19:09Sonny, remember that old man we saw waiting outside the museum last night?
19:14Well, he just showed up with a green briefcase.
19:21Can you come take a look?
19:23Absolutely.
19:25You place a high value on your attorney.
19:29Man's gotta make a living, know what I mean?
19:31Yeah, I know what you mean.
19:34Know what I like about you, Rickles?
19:39Not a damn thing.
19:43Backstroke.
19:44I saw it with my own eyes.
20:00Believe me, it's your briefcase.
20:06He's an old fool.
20:07El hombre es un viejo.
20:10I'll take him to you myself.
20:11Hey, handsome.
20:23Why don't you buy me a drink and tell me where you're from?
20:27Because I wasn't born yesterday.
20:33Nice try, huh?
20:34Ernie and me, we're the guys that brought our rubbish to Detroit.
20:42We're down here for a national ad campaign, and we're looking for some actresses we can give us some screen tests to.
20:46Well, gee, I'd like to help you guys out, but, uh, I'd be late for my prayer meeting.
20:54As a matter of fact, here's my ride to the convent now.
20:57Uh, come on, sister Calabrese.
21:01I got the old man's room number.
21:02Let's wait for Sonny at the desk.
21:04Excuse me, are you a nun, too?
21:06Oh, yeah, right, sure.
21:09Read my Bible.
21:10It's open.
21:32It's open.
21:32Where's the briefcase?
21:50I hid it.
21:52Where's your boss?
21:55Where are you supposed to take it?
21:57Now, you listen good, buddy.
22:03Now, you tell your boss if he wants his merchandise back, he's got to bring me $10,000 in cash face-to-face.
22:09Comprende?
22:11Now, get out.
22:12Get out of here.
22:13Get.
22:14Go.
22:16Get.
22:17Get.
22:17Get.
22:19The time of change, the time to rest.
22:24Hold up the windows.
22:26Diggin' hard shoulder.
22:30You're coming out to give yourself, to give yourself a fighting chance.
22:39I've seen those eyes.
22:50I know that face.
22:52So many search for a resting place.
22:57Just give me a word.
22:58That's all I want.
23:00Delroy, the Harris.
23:01No time to lose.
23:03Not wasted too much already.
23:08Making plans by the 19th.
23:11Taking action.
23:14By the new time.
23:18My true bliss.
23:29Beautiful.
23:32Beautiful.
23:35A dealer with a bad ticker.
23:37It's not in the room.
23:53You better cough it up, Jack.
23:56I'd rather take it with me first.
23:58That's the way you want it?
24:04Let me tell you something.
24:12This Bolivian's heavy on our case.
24:15So we got nothing to lose.
24:17Well, dead men can't give you what you want.
24:26This Bolivian you're so scared of, is that the same guy that was over at the museum?
24:36Yeah.
24:38He's the guy whose coke you found.
24:40Well, then he's the guy that's going to pay me my finder's fee, isn't he?
24:51Let me explain something to you.
24:54This Bolivian, he don't mess around.
24:57He probably don't even know how to spell mess around.
25:00He's been known to whack people for putting a scratch on his car.
25:05Look, man, you're in no shape to be collecting from anyone.
25:10Why don't you give us what you found, or we'll see if we can make it work.
25:15I'm calling the shots here.
25:18Now, you guys watch my back.
25:21Maybe I'll cut you in for a little bit.
25:31We can't help you if you don't know what you found.
25:40Let's talk.
26:01Looks like payday.
26:02So what do we do, bust him?
26:06Take him downtown and lean on him real good?
26:09We might check out before he rolls over.
26:12I say we're playing.
26:14Who the hell is he?
26:15He doesn't even know who the Bolivian is.
26:19Maybe I can get some prints off of this.
26:23I'll take you downtown and meet you back in the morning.
26:25Lieutenant, Sonny took the old man to the boat.
26:36And I'm not too happy about this, but I think we're going to have to play along with this game
26:40in order to get next to the Bolivian supply.
26:45Put the deal back together through Rickles.
26:47Crockett asked about the museum guard's family.
26:57No one's claimed the body.
27:01If his mind's somewhere else, I want him off the case.
27:07I'll let you know.
27:08No, no, no.
27:16That's one half hour, Rickles.
27:19You meathead.
27:22I used to run the Gulf in that speedboat's granddaddy.
27:27What did this guy Rickles have to say?
27:31We're on our way to meet with him to discuss your finder's feet.
27:35Well, where's your partner?
27:36He's on his way here.
27:40Somebody to look after.
27:42Look after me?
27:43Hell, I'm running this operation.
27:46Now, wait a minute.
27:49This guy doesn't know you.
27:51And if you spook him, there'll be blood everywhere.
27:57Well, I'll follow in your partner's car,
28:00but if this joker from the museum is there, I want to see him.
28:06The old man wants you to pay a finder's fee.
28:13Bernard and Cooper are coming over here to talk about it.
28:17Half hour?
28:21What do you want me to tell them?
28:22What's the next quote?
28:25What's the next quote?
28:36Bernard and Cooper tienen al viejo.
28:39My problema, man.
28:40Either they deal them over to us,
28:42or they out of business.
28:45He said no deals.
28:46He's killed them.
28:47Jose, Raúl, vamos.
28:59Vengan para acá.
28:59For a start
29:03Remind me that
29:06We could be told our part
29:14Tonight
29:16We could be told our part
29:18We could be told our partido
29:33We could be told
29:38We could be told
29:41We could be told
29:42that
29:42Death is everywhere
29:50There are lands of slaughter
29:56Waiting to die
29:58And I can sense
30:05The hours slipping by
30:10The hours slipping by
30:17The hours slipping now
30:27The hours slipping now
30:33The hours slipping now
30:39The hours slipping now
30:46The hours intermittent
30:58Oh, my God.
31:28Oh, my God.
31:58Oh, my God.
32:28Oh, my God.
32:58Oh, that's not me.
33:03I don't make hits.
33:04I make deals.
33:05Make one right now.
33:07Okay.
33:07Just let me breathe.
33:08I'm on your side.
33:13I want to move those 50 keys as bad as you, but it won't happen unless the Bolivian gets his property back.
33:19Well, that ain't hard.
33:20The old man's got it.
33:21He wants to make a deal.
33:22Look, this finder's fee is a deal breaker.
33:27Can't you take it from him?
33:29Excuse me, but this is my deal.
33:32Now, you tell your boss, if he don't come see me face to face, I'm going to sell his stuff on the street, and there won't be no 50-key deal.
33:39Now, you hit the ground running.
33:45What happened?
33:47Wouldn't pay their check?
33:48They're chunks.
33:50What you got?
33:51We ID'd the old man off the prints from the gun.
33:54What's his name?
33:55Jake Pearson lives in one of the old tracks down the street.
33:59You okay?
34:05Hey, Gina, why don't you take the old man back to the bull?
34:09Sonny!
34:16You got the old man's apartment.
34:18What the hell's going on over there?
34:20Oh, they got some other business to take care of.
34:23Come on, let's go to the boat.
34:28I won't be bothered.
34:35You talked me into it.
34:41What kind of a neighborhood is this?
34:50We're going to a hotel, Daphne.
34:52I think we're close.
34:53I think we're close.
34:54Let's ask this fellow.
34:57Uh, excuse me.
35:00Uh, sir, can you tell us where the Royal Hotel is?
35:05This is it.
35:08That's the sun deck you're standing on.
35:11This here is the health spot.
35:13I like it.
35:14I like it.
35:18Do you think maybe you could tell us where the manager might be?
35:21Okay, what can I do for you?
35:26Okay, what can I do for you?
35:50Are there any letters for me?
35:52Honey, now, I gave you your mail already.
35:54We got a warrant to search Jake Pearson's room?
35:58Is that for me?
36:00No.
36:01Are there police officers?
36:03Oh, my.
36:05With that gut.
36:07Maybe it's bulletproof.
36:11I hope so.
36:14To protect and serve.
36:18What's the bag for?
36:20Therapy.
36:20Of course, I can't afford a psychiatrist.
36:32I'll get your business, Keith.
36:34Did Pearson ever mention anything about a room with the Excelsior?
36:38Excelsior?
36:39Huh.
36:40Poor guy can't afford this place.
36:45How long has he lived here?
36:47Oh, let me think.
36:48I owe about ten years.
36:50Hell of a place for a dealer.
36:52Come here.
36:53Who is this guy?
37:12I mean, who was it?
37:14Anybody see a litter box or this guy's eating calf food?
37:20Sonny, look at this.
37:21Oh, liver.
37:26My personal favorite.
37:28One riot, one ranger.
37:31I read about this when I was a kid.
37:34What's it mean?
37:38This old man was a Texas ranger.
37:41Take a look at this derby.
37:50Look, guys, there is no briefcase in this room.
37:54Now, this is a phone call from a Lieutenant Castillo.
37:57I'll take it.
38:06Wow.
38:06Check it out.
38:18Check it out.
38:28This is how he paid for the Excelsior hotel room.
38:31He pawned a 1936 Colt Peacemaker this morning.
38:41This guy should open the museum.
38:43These guys were legends.
38:53And now they're cocaine cowboys.
38:57Got to change with the times, I guess.
38:59Something tells me that's not this old man's game.
39:14It doesn't click.
39:16There's a piece missing from this whole thing.
39:19Having an old dude from a dump like this be dogging a drug deal.
39:23He just hung up because the old man was a cop.
39:26Not just a cop.
39:27He was a captain and a Texas ranger.
39:30Was, man.
39:31Was.
39:33Uh-uh, pal.
39:34When you're a ranger, you're a ranger for life.
39:36These guys were handpicked by the attorney general of Texas.
39:40They were heroes.
39:41Guys like Bill McCullough, Bigfoot Wallace.
39:45Frank Hammer was the guy that got Bonnie and Clyde.
39:48You're right.
39:49The old man was pretty cool when the hit from that van came down.
39:52He held his own.
39:53I'm telling you.
39:54He's got to ride into hell with a bucket of water.
39:57He used to send one ranger in to clean up an entire town.
40:02His backup was on his hip.
40:04Now we find one peddling two keys of blow.
40:10For what?
40:11His retirement fund?
40:18If you really want to know, why don't you just ask him?
40:22I intend to.
40:26Where are you going to be?
40:28I want to be with Castillo.
40:30Putting a squeeze on that chump that drove that hit van.
40:35Make sure you ask him if he's got collision.
40:37The hit man's driver rode all the way over before they took him to the surgery.
40:53What did he give you?
40:54Everything.
40:55The witness will be out of surgery in two hours.
40:59Pull him around the clock.
41:00All right.
41:01Take the Bolivian as soon as he surfaces.
41:11We're not going to try to get him with the 50 keys?
41:15We've got to murder one conviction.
41:18Well, driver's statement.
41:21Well, what about the old man?
41:23He goes down for possession.
41:27Beautiful boat.
41:47Beautiful cars.
41:49You're a beautiful lady.
41:56Y'all kind of got life beating around here, don't you?
41:59No.
42:01We're just trying to be good losers.
42:03That ain't no life.
42:08Yeah.
42:09I'll tell you when and I'll tell you where, Rickles.
42:17Give us a little privacy.
42:19Small boat.
42:21Take a walk.
42:29Yeah.
42:29Yeah.
42:39Well, I'll be looking for you, too, Rickles.
42:58So what's the plan?
43:00No plan.
43:03Just want to go visit a dead friend.
43:06You won't be there, so what's it to you?
43:09Just got the call from Rickles.
43:26And?
43:27I don't know.
43:28Maybe he'll talk to you.
43:32Yeah, he might.
43:39What's your game, Pearson?
43:48What the hell are you doing in my room?
43:50I'm trying to survive.
43:55When I talk about surviving, you ought to wear one of these for a while.
44:00I've got a motto written on a statue in Dallas.
44:04You know what it says?
44:05One riot, one ranger.
44:06How'd you know that?
44:11I read it in a book when I was a kid.
44:14Did you also read we were the toughest lawmen in the world?
44:18Well, sir, that was probably true back then.
44:24But the game has changed, old-timer.
44:29And this is Miami.
44:31Around here, you can't tell the players without a program.
44:35Hell, I've had no tougher customers than those fancy-pants dealers that you run around with.
44:39Yeah, me and my partner wiped them out.
44:53He was bringing guns up from Juarez.
44:56We just waited for him.
45:00Me and my partner stood toe-to-toe with seven of those boys.
45:04All we had was our peacemakers.
45:07Loading fire.
45:08Loading fire.
45:09For Harris had one of those Tommy guns he and his boys were trying to pepper us with.
45:21Suddenly, Roy yelled,
45:22Jake, look out!
45:23And he stood up.
45:24And he took the bullet that would have killed me.
45:31I spent the rest of my life trying to make that up to him.
45:35Took care of his wife.
45:36Raised his son like he was my own.
45:39The part of me died with Roy.
45:49I hear that.
45:50I did a stretch in Southeast Asia.
45:59I lost some pals here.
46:04I lost everybody.
46:12Is that why you ended up on this side of the law?
46:14Well, what's your excuse?
46:20I know your type, Gernet.
46:21You're a dealer.
46:22You got two friends, yourself and your gun.
46:25And I know your type, Gernet.
46:32I know your type, too.
46:33A cop that sells out on his badge.
46:36Well, sometimes, the low road can take you places that the high road can't.
46:42Where's this meat going to take place?
47:01I wrote it down over there on a pad.
47:04You got four Vikings.
47:12All right.
47:13And just letting crack.
47:13All right.
47:14We got each other.
47:15We got all the 사랑s.
47:16We got her together, 이번에 different villains.
47:17We got all the investors in the north.
47:18We had aré from Bayrun.
47:19And being in the north.
47:19We have to get my other investors.
47:20We had to reach out.
47:21Let's go.
47:21We had an heart attack.
47:22You I got you.
47:23We just said, I was now dead.
47:23I had to give a weird pocket to me.
47:25I had to tell you guys about players.
48:27Come in.
48:37You all right, Mr. Pearson?
48:39Yeah, I just slipped getting off the bus.
48:42Hey, that wound looks pretty bad.
48:43It's okay. Do me a favor, will you?
48:45Yeah, sure.
48:46Mail this envelope for me and keep that for yourself.
48:49Oh, this is not necessary.
48:50It's okay. I'm five.
49:20I'm five.
49:50Hey, he took his costume and left.
50:12I get to see him running off into the sunset with a posse.
50:18At his age?
50:23Damn it.
50:28Damn it.
50:28The old man's gone, the Bolivian's gone, the meeting's gone, everything's gone to hell.
50:39We're not going too far.
50:41The old man lost some blood.
50:42Yeah.
50:43He left us with the manager.
50:46I must be losing it.
50:47This badge belongs to Vince Wilson's father.
50:54Please bury him with it.
50:57Wilson?
50:58He was a narc from San Antonio with a Peterbilt truck.
51:03He was working the Bolivian until he showed up dead two months ago.
51:06That old man hasn't disappeared.
51:14Vince Wilson was his partner's son, and he's gone to shoot it out with the guys that killed him.
51:20He said he was going to visit a dead friend.
51:28He said he was going to visit a dead friend.
51:30He heard they'd bury Wilson.
51:31He said he was going to visit a dead friend.
52:01He said he was going to visit a dead friend.
52:02He said he was going to visit a dead friend.
52:05I've seen those eyes, I know that face.
52:10So many search for a resting place.
52:15Just give me a word, that's all I need.
52:20No time to lose, not wasted too much on me.
52:25Making plans by the night to.
52:28We're taking action.
52:32Find a new time.
52:42Every time I know it's you.
52:49Perimeter's in place, Lieutenant.
52:53Hold your positions.
52:55Synchronize, 520.
53:01Did the old man show?
53:02We don't know.
53:03They were already in the cemetery when we arrived.
53:06When are we going in?
53:07We're not.
53:08If the Bolivian's not inside, we have to tell these people out.
53:13What about the old man?
53:15We're here for Mendez.
53:16Then let me go in.
53:28I'll let you know if the Bolivian's inside.
53:32They're expecting Burnett, so I won't blow the tail.
53:34Well, that old man was a good cop, Lieutenant.
53:47You were.
53:48I'll let you know if the Bolivian's inside.
54:18To embrace the love that calls.
54:22Keep away the old.
54:25And greet the emergency.
54:28You get all you've got.
54:30With all you can do.
54:32With all that you have got.
54:36Time has come.
54:54Time is right.
54:57Time is right.
55:00Time is right.
55:02Time has come.
55:04Time is right.
55:05Time is right.
55:35Oh, my God.
56:05I'm a cop.
56:25I'm a cop.
56:29I knew that all along.
56:35I knew that all along.
56:45I knew that all along.
56:51I knew that all along.
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