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BRITCOM ONE
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00:01This is war.
00:05Jan, where are you?
00:06What's happened?
00:07Look at me. We have to go now.
00:10They're on the move.
00:12Do you know how hard Harry and I have been working to keep the peace?
00:16Your mother didn't give the order. It was me.
00:18We're at war!
00:20We're gonna take those fuckers out one by one.
00:23Their friends, their families.
00:25So there's a war on.
00:26Seraphina's chattled off to Antwerp with a shit ton of cash.
00:29Our cash, no less.
00:30To buy Christ knows what from Christ knows who with Brendan.
00:34Bring him home, Harry.
00:36You could run away.
00:37Look me in the eyes and tell me you like your life.
00:40It's not always about that.
00:41I want to offer you an olive branch.
00:44You can do what you want with that little bitch bastard,
00:47but if you touch a hair on my Brendan's head,
00:49then you and me are no longer friends.
00:51And you know you don't want that.
00:56No, no, no!
00:58No, no, no!
01:26You can't do anything próprio.
01:27You've got to do anything for you.
01:28No, no, no, no, no.
01:29I'm not sure you're giving any more money.
01:30Oh, the Lord's trying to do something to hide or not,
01:31No, no, no!
01:32You would've been sick and he re-willed in a tree.
01:33The hearing of the people.
01:34You'd've been able to stay the same way.
01:35And they're being a good actor.
01:36And they're being a good friend.
01:37And they're being a good actor.
01:38And they're being a good actor.
01:39And they're being a good actor.
01:40And they're getting to love.
01:41So I was ready for them.
01:42And I've met a good actor.
01:43They're being a good actor.
01:45And that's, I've been to be a good actor.
01:46And he's been to be a good actor.
01:47I don't know.
02:17Come on, man. It's Harry. I've just got here. Basically, everyone's dead. There's no sign of Brendan or Serafina. Looks like the Moroccans are involved.
02:28How do you know?
02:29I'm looking at a dead one right now. Got the old turtle tattooed on his neck, which means he's El Yusfi.
02:37They control the Antwerp docks.
02:40I'm heading there now.
02:43Bring him home, Harry.
02:47Bring my babies home.
02:49I'll be in touch.
02:49Hello.
02:51Hello.
03:03Hello.
03:16Richie.
03:17Top of the morning to you.
03:18We had a deal.
03:20Did we?
03:20I gave you Serafina.
03:22And I took her, thank you. Plus insurance.
03:25Now you listen to me, you cockney cocksucker. If you touch one hair on my Brendan's head, I...
03:32Fuck off.
03:36Fuck!
03:38Fuck!
03:39I want to see you alone, I want to shout this phone. I want to bounce a bone. I want to mess with it. I want to lay to the fill. A whole crew in the seal. I want the preacher appeal. I want to bless with it. I want to head to a mass to get cars in it.
03:56A shit's funnier than 98 class in it. I want to talk to the clown who wants apologies down. Paying £300 to take a class in it. I want to break the phone. I want to leave the tone. I want to see you alone, alone, alone, alone.
04:09I want to straight to shack. I'll find me somewhere to pack. Like the light when it's back, it's back, it's back, it's back, it's back. A few steps about. Make me feel like peace to the way.
04:17I want to make a compliment around. Consolation, got a twist in it. For a GPO with all the hits in it. I'm gonna hit your business if it's momentary business, boo.
04:28I'm gonna hit your business if it's momentary business, boo.
04:33I'm gonna hit your business if it's momentary business, boo.
04:47What's up with Nan?
04:54Brendan and Serafina got kidnapped. Is that good or bad news?
05:02Who knew they were in Antwerp? Me? You?
05:16Harry. Harry. O'Hara. Paul. Bella. Jan.
05:21Jan? Yeah.
05:23Yeah, Bella said that Harry told her and Jan where he was going.
05:27Kiko. Zosia. Mum, of course. And Daddy.
05:39Someone's told about. Someone who knew they were there.
05:44Yeah. We were just saying that.
05:51This is not war anymore.
05:55This is nuclear war.
06:02Hi.
06:03Hi.
06:05Coffee?
06:07I didn't think I was allowed.
06:09Harry's family.
06:10So you are.
06:15The bad news is that puts you in mortal danger.
06:21No, I warn you.
06:23I'll make the best cup of coffee this side of the Irish Sea.
06:28Question is, have you got the minerals?
06:30No, I'm good. Thank you.
06:36Suit yourself.
06:49Yeah, I'm fucked.
06:50Why? What's happened?
06:52I don't know what to do.
06:54Alice, are you alright?
06:56Can I please ask you a massive, massive favour?
06:59Can you meet me just for an hour?
07:03I'm in the Cotswold.
07:06Please, Jan, I could come to you.
07:08There's a pub in the village called the Falkland Arms.
07:14I'll be there. Thank you so much, Jan.
07:17See you there at once.
07:18Jan?
07:19I've got to go. Sorry, sorry.
07:25Mic drop.
07:27You're cleaner.
07:29Maria?
07:30Yeah.
07:31Can I get her number?
07:33Ours quit when the house...
07:35Well...
07:36Understandably.
07:38Yeah, sure. I'll taste it to you.
07:40Perfect, thanks.
07:44Look, the filth have been up our hole since pre-Archie.
07:48Now, with Archie's body rocking up,
07:50the disappearance of Tommy,
07:51not to mention Bron's recent car trouble,
07:54we've got heat on us like never before.
07:57I mean, my guess is Fisk has a dedicated unit
08:00working 24-7 to break the two families once and for all.
08:03Yeah, well.
08:05All I can say to that,
08:07good fucking luck.
08:10Maeve,
08:12this would be bad news at the best of times,
08:15but this morning's far from that.
08:18And it gets worse.
08:21Harry's arrest,
08:22Brendan and Serafina getting lifted in Antwerp,
08:26all point to the same fucking thing.
08:29There's a rat in this family.
08:351984, I was in the scrubs working on a shiv.
08:39I've fashioned this to a very fine, sharp point for a month now.
08:45And my cellmate, he rats me out.
08:48Now, he gets a room with a TV and a toilet.
08:52I get six weeks in solitary and a year on top of my sentence.
08:56When I get out in 1988, I find the rat.
09:00He's very surprised to see me.
09:02And I sit him there in the old armchair.
09:04And I get the television flex and I bound his hands and cut out his tongue.
09:12And then I go into the kitchen, I fetch a spoon and I feed him his eyes.
09:17And then I cut the rat's throat.
09:20And then I cut the rat's throat.
09:23And then I cut the rat's throat.
09:24The rat's throat.
09:36Harry, it's me, it's me.
09:38Que pasa?
09:40I'm at the docks. Stand by.
09:45Any news on the POWs?
09:47Not yet.
09:49I got that number for you.
09:51Maria, Harry's cleaner.
09:52All right, thank you.
09:54I'll send it to you.
09:56Are you going to tell me why you want it?
10:01No.
10:15Yes?
10:17Antoine, it's me.
10:19There's been some progress.
10:20My father's made contact with the Home Secretary and the Home Secretary is excited to meet you to discuss your proposal.
10:26The answer is no.
10:28Is there a problem?
10:30The problem, Ms. Arrigan, is that you sent your attack dog to eat me alive.
10:34I'm giving you another chance here, Antoine.
10:37If you hadn't tried to fuck with me, that wouldn't have happened.
10:40So the lesson is, don't try to fuck with me because there's absolutely nothing to worry about.
10:44I want a 50% reduction.
10:49You're trying to fuck with me, Antoine.
10:54Hello? Is that Maria?
10:57Hello, it's Kevin Harrigan.
10:59Yeah, that's right, Harry's friend.
11:0220%. That's it.
11:03I'll call you tomorrow with a time and venue.
11:04Did you manage to check that name for me?
11:19Uh, yeah, I did.
11:21His name is Rusby.
11:23Alan Rusby.
11:25Right. And, uh, what's the name and address of the care home?
11:29It's Meadowstone Court.
11:31I'll text you to address.
11:33Lovely. All right, thank you.
11:35No problem.
11:37Take care, Maria. Bye.
11:39Bye.
11:41No! No!
11:43No! No!
11:44No!
11:45No!
11:50No!
11:57No, no!
11:59Paul, come in.
12:13Yeah, go ahead.
12:15Jan's leaving the property.
12:18Far away.
12:20Yeah.
12:21Well, my mum just overcompensates.
12:31She treats me like I'm still 12.
12:32Could be worse.
12:33And my dad, he's never here.
12:36And when he is, he's not.
12:40Yeah, tell me about it.
12:42Like, I know if I needed him, like, really needed him,
12:47there's no way he'd be there.
12:48I was meant to be doing my GCSEs right now.
12:53My dad came and yanked me right out of my psychology exam.
12:57Worked really fucking hard on that,
12:58and now it's all just gone to fuck.
13:14Sorry.
13:15Thanks.
13:16Hey.
13:19Thanks for coming.
13:21What happened?
13:23So, he got up and got out of the bed to go to the bathroom.
13:28But as he did, he subtly pushed his phone under his pillow.
13:32Oh.
13:32And I'm sitting there, listening to him take a piss.
13:38And I pick up his phone, and I put in his password, and there's this text.
13:42His reply, her reply, his reply, all done while we're sitting in bed together.
13:51After I've made him his coffee.
13:53Why didn't you confront him?
13:54I will.
13:55I just need 30 minutes with his phone so I can get the whole story.
14:00That is fucking awful.
14:05Right, lads.
14:30Any of you know L.U.C.?
14:33Do you know L.U.C.?
14:35Where's your boss, mate?
14:39Are you a criminal?
14:41Yeah.
14:41You fucking look like one.
14:44You want a hole in your sweater?
14:45Eddie.
15:12Eddie.
15:12Eddie.
15:13Eddie.
15:13Eddie.
15:13Eddie.
15:13Eddie.
15:14Eddie.
15:14Everybody.
15:15Chad.
15:15Where are you going, you cunt?
15:21Your boss, where is he?
15:26Could your mum and dad name three of your mates?
15:28Mum could. Dad, no way.
15:31My dad couldn't pick my mates out of a line-up.
15:35Then I come here with this lot and...
15:37I don't know.
15:41I just feel a bit...
15:43What?
15:45Lost.
15:52So what brings us to the Cotswolds?
15:55Long story.
15:58Please tell me you're having an affair.
16:01No, just a few days away.
16:04Just you and Harry?
16:06And Gina.
16:07Oh, nice. Where are you staying?
16:09Conrad's, actually.
16:11The boss.
16:13The silver fox.
16:14Oh, lucky you.
16:18So is Harry there now?
16:21I mean, I'd love to meet him.
16:26Harry has gone abroad.
16:29Where's he gone?
16:31Antwerp.
16:31One thing, don't let go dropped.
16:49Left at the fire.
16:52Let me know him.
16:53Let go.
16:54You're taking it!
16:55Want?
16:56Let go!
16:57Oh, God!
16:58Oh!
16:58Oh
17:28Vas-y vas-y
17:42Ouvert, ouvert, open
17:44Open
17:58Open
18:00Open
18:10Open
18:12Open
18:20Open
18:28Open
18:44Who are you?
18:56Brendan and Serafina Harrigan.
18:59Where are they?
19:06It's not Harry.
19:08If you're so sure, why did you have his wife followed?
19:10Why did you go put the frighteners on her in her home?
19:14How do you know that?
19:16Oh, I know everything.
19:18You know,
19:20sometimes when you're close to someone, when you trust them,
19:24you can't see what's right in front of your nose.
19:27Are you toying with me, Maeve?
19:33Is this some kind of game you're playing?
19:39Look, I can't say this in front of the others with all that, you know, that rat talk flying around.
19:45What happened?
19:55I got a text from Richie.
19:57I got a text from Richie.
19:59Then you're telling me this now?
20:01Yes.
20:02You got a text from Richie?
20:03Yes, I just said I did.
20:05When?
20:07What does that matter?
20:09What did it say?
20:14He's got them.
20:17He's got Brendan.
20:20Oh, Jesus.
20:24And Seraphina.
20:27Fucking shit, you little...
20:29Hey, Tyler.
20:31There's fucking...
20:33Nice.
20:35Okay.
20:37Show me the text.
20:39You don't believe me?
20:43Show me the text.
20:51You don't believe me?
20:57Show me the text.
20:59I mean, are you saying, Conrad, that you don't believe me?
21:06No.
21:11Well, of course I'll show you.
21:16But it'll be the last thing I ever show you because the second you lose trust in me is the second this family turns to dust.
21:26I've got Harry on speaker.
21:29They're in Amsterdam.
21:32Oh, Jesus.
21:33Don't tell me it's the Mexicans.
21:35Richie couldn't get to Antwerp in time, so he's called the Lopezes.
21:39The Lopezes called the Moroccans.
21:40The Moroccans they've lifted and took them to an airfield just outside Amsterdam.
21:45The cartel have them.
21:48I'll be at the airfield in two hours.
21:55What's the other way?
21:57I'll be at the airfield in the airfield you've ever seen.
21:59I'll be at the airfield.
22:00I'll be at the airport.
22:01Huh?
22:02Oh, my God.
22:08Oh, my God.
22:10I won the airfield.
22:12I'll be at the airfield.
22:13And I'll be at the airfield.
22:14I'll be at the airfield.
22:16The entrance will be at the airfield.
22:17If you do, it's a firefield.
22:18I'll be at the airfield.
22:22What can we do?
22:23Don't.
22:41The Lopezes have a warehouse in the Westport.
22:44It's like a fucking fortress.
22:45Yeah, well, there is one option.
22:47I speak with Jaime and offer him long on the fire.
22:50Jaime Lopez told Archie he'd rather cut his own balls off
22:53than break bread with the harrogates.
22:54Money talks.
22:56We need to go to Jaime.
22:58The only one of us who could possibly have done that was Archie.
23:02Face it, Dad.
23:03We've fucked this.
23:04For God's sake, man!
23:06Will you let a man think?
23:14Thank you, Jan.
23:17For what?
23:18I don't know.
23:19I feel like I've made a friend.
23:21A real friend.
23:26Snack.
23:31I need a wee.
23:33Another drink?
23:35Lovely.
23:35Yeah.
23:36You know I was going to ride a horse?
23:59I've really been touched on.
24:01Good.
24:01I hate horsey birds.
24:07I hate a lot of things, really.
24:10A lot of people.
24:13But not you.
24:16You're all right.
24:21Everyone at school thought I was gay.
24:22I did for a bit.
24:30But I'm just...
24:33What?
24:36Sensitive.
24:39My fucking hell.
24:41Do you think I'm dick?
24:45What?
24:46I'm just sensitive.
24:49I'm lost.
24:51My father is never here.
24:53He really isn't.
24:55It's called mirroring.
24:56I did my whole GCSE coursework on it.
24:59You size me up, tell me what you think I want to hear,
25:02and I turn to mush and suck your cock.
25:06Worth a try.
25:09Yeah.
25:10My type is useless drips.
25:11I've always been attracted to bad boys.
25:26What about you?
25:27Is Harry a bad boy?
25:29Jesus.
25:30I don't know.
25:32What do you mean you don't know?
25:35Oh, yeah, I suppose that's what got me into this mess.
25:39We can't help it.
25:40I think it's the movies.
25:43No one writes films about fucking quantity surveying.
25:47It's all killers and gangsters.
25:51What's all killers and gangsters?
25:53I?
25:55Yeah.
25:59You're coming with me now, Jan.
26:03Paul?
26:04Jan.
26:08I said come with me.
26:10Sorry, Alice.
26:13Um...
26:14I'll call you.
26:20Oh.
26:28You hear that, Alice?
26:33She's gonna call you.
26:34Go back to London, sweetheart.
26:43Before you find yourself in a whole heap of trouble
26:47that you can't get out of.
26:49Do you hear?
26:57Hey!
26:58I said, do you hear?
27:05Yes.
27:13Okay.
27:17Killers and gangsters, eh?
27:19When I walked in, I heard her say killers and gangsters.
27:21What was that all about?
27:22It's all about context, Paul.
27:27Of course it is.
27:29This Alice, how old do you know her?
27:32I've known her a few weeks.
27:34She comes all this way.
27:35Wow, isn't that nice?
27:37She's that kind of person.
27:38Is she now?
27:39Yeah.
27:40And what's that, exactly?
27:42What could you really not say on account of the fact
27:44that you've only known her five fucking minutes?
27:46Do you know anything about her at all, Jan?
27:48She's just a friend, Paul.
27:51Okay.
27:54And what reason did you give her for being here?
27:56I said that me and Harry were on a mini-break.
28:14Uh-oh.
28:15Evening all.
28:16Hi, Mum.
28:17Brendan, Brendan, fucking pull yourself together.
28:30Brendan.
28:31We're so gonna die.
28:34We are so gonna fucking die!
28:37Keep it down, you fucking...
28:39Get a grip, mate.
28:42If they were gonna straight kill us, we wouldn't be here.
28:44We'd be dead, along with all the others back in that fucking way.
28:47Get out of the house, just pull yourself together.
28:48Just let me think.
28:52I'm sorry.
28:53I'm sorry.
28:55Did you see anyone?
28:56Any of the gunmen?
28:59I just saw flashes.
29:01Man, I...
29:02Okay, go back over.
29:03We were doing the deal.
29:05Yeah, we were doing the deal.
29:07I mean, I...
29:08I went to shake Samuel's hand,
29:11and then his fucking head disappeared,
29:13and...
29:14I'm in all hell, bro.
29:17I was so...
29:17I pissed myself, got bundled up,
29:22I shot myself,
29:25got thrown into a fucking crate,
29:27then passed out,
29:28and then woke up here.
29:31You?
29:32Same.
29:34Except the piss and shit bit.
29:38I've never seen so much fucking carnage, man.
29:41Brendan.
29:41I'm sorry.
29:42I'm sorry.
29:43I'm sorry.
29:43I'm sorry.
29:50Fuck.
29:54What?
29:54This isn't your fault.
30:00It isn't.
30:03This isn't a double cross.
30:05They killed everyone, both sides.
30:10This is the Stephensons.
30:12No, no, no, no.
30:17No.
30:18Someone tipped Richie off that we were in Antwerp.
30:21I didn't see Richie already,
30:22if it's not...
30:22It's not...
30:23No, this is Richie wrong.
30:24No, no, no.
30:24Sir, I think you were wrong.
30:25This is Richie.
30:26It's not Richie.
30:27No, it's not...
30:28What's that?
30:47Excuse me, what's going on?
30:56Oh, God.
30:58Oh, fuck.
31:1420 en el blanco.
31:2035 en los azules.
31:24Azul celeste.
31:25Luego no.
31:27No, no.
31:27Le pones el azul celeste, le pones 80.
31:31Le pones otra cosa.
31:33Y luego le pones lo que...
31:36Le pones 10.
31:37El azul celeste.
31:40No.
31:41En el azul celeste.
31:43Y 70 a los negros.
31:46Ya.
31:47Sorry for that.
31:48My name is Jaime Lopez.
31:54You have harmed a business associate of mine.
31:57So we need to do this.
32:03Vamos!
32:03Hey, what?
32:05Sorry.
32:05Wait, stop, stop, stop.
32:06Wait, give me 30 seconds.
32:07I've got a proposition for you.
32:08My father, Conrad Harrigan, will pay you twice what Richie is paying you.
32:12He will also offer you five million cash for our lives on top of the deal.
32:19Well, why would I believe that?
32:22You have my word.
32:25Listen.
32:27I've met a lot of people in your position.
32:31Sitting where you are now.
32:32People tend to say things just to save their skins.
32:36I'm telling the truth.
32:38My father trusts me.
32:39I speak for him.
32:39Your father insulted my father in Las Vegas at the Luis McCall fight.
32:44I was there.
32:45He called him greasy Mexican taco breathed cocksucker.
32:51That was 30 years ago.
32:53My father died with that slur on his name.
32:57I can guarantee you twice what Richie is paying you.
33:02And an apology.
33:04Apologies?
33:07You cannot apologize to the dead.
33:10Come on, surely.
33:11You know, man, it's been a minute.
33:13And, you know, it's like, I mean, you know, war under the bridge.
33:17What did you say?
33:21Nothing, nothing.
33:22What did you say?
33:23No, I didn't say nothing.
33:27Even if I was ready to let the insult go,
33:30which, under certain circumstances, I would consider.
33:38I'm afraid I must decline your offer.
33:42You see, your father is not the man he was.
33:45Ten years ago, I saw a powerful man.
33:52A cunning rival.
33:54Dangerous.
33:58Now I only see a mad man.
34:03Old.
34:05Chaotic.
34:06The harrogans may be big in London.
34:15But in my world,
34:17nah.
34:18Not so much.
34:20Poquito, poquito, tantito.
34:23Do you understand?
34:30Jaime.
34:30Richie, we're ready.
34:46What the fuck is this?
34:47It's a video link.
34:51Unpress it.
34:52Yeah.
34:52Hello, comrade.
35:02Maeve.
35:03Kevin.
35:05Nice.
35:06You're just in time for the show.
35:08Richie Stevenson.
35:09The road you're on leads straight to hell.
35:12And you know it.
35:16You know what, Maeve?
35:17I used to respect you.
35:20You have power.
35:21But not anymore.
35:24Now I'm a busy man.
35:26So do me a favour
35:27and shut your cake hole.
35:30You dried up old sack of fuck.
35:33I'm gonna eat your face, Stevenson!
35:41So,
35:42if you're all sitting comfy,
35:45let the show begin.
35:47Dad!
35:50Mum!
35:51Dad!
35:51Mum!
35:52Mum, save me!
35:54Brendan!
35:55Mum!
35:56Mum, mum, help!
35:58Help me!
36:00Mum, help me!
36:02Dad!
36:02Where's your phone?
36:03There you go.
36:04Mum!
36:05Mum, save me!
36:07It's like what they say.
36:09An eye for an eye
36:10and a tooth for a tooth.
36:13This is what happens
36:15when you fuck.
36:16Andy!
36:18With Richie Stevenson.
36:21Mum!
36:21Mum!
36:25Brendan!
36:27Come on, les.
36:35Let's care for you, Kev.
36:36Um...
36:37Richie's going to do them both.
36:40Right now.
36:47All right, give me two minutes.
36:48All right.
37:01What?
37:02It's Harry. Harry D'Souza.
37:03I need to speak to Kat. It's urgent.
37:06Oh, so now it's urgent.
37:07Just do as you're fucking told, Donnie, yeah?
37:09Get me Kat. Do it now.
37:24Hello.
37:27Yes, a moment.
37:33It's Harry D'Souza.
37:34Hello, Harry.
37:44Have you been avoiding me?
37:46No.
37:46No, not at all.
37:47I've been a bit rushed off my feet.
37:48I need a favor, Kat, and it's super urgent.
37:51It's really super fucking urgent.
37:52Is it a big favor?
38:01Yeah, Kat, it is.
38:02It's a big favor.
38:05Well, I'm intrigued.
38:12Okay, come on, Harry.
38:13What can I do for you?
38:14Oh, my God.
38:16I'm not.....
38:25I'm not.
38:33It's me!
38:45Please!
38:55Stop!
39:03Kat, I'm afraid you're a little late.
39:15Let me show you some more than I want to.
39:18Little bit of stuff.
39:23Hi, May!
39:24Oh, fuck.
39:26Oh, fuck.
39:44Cap?
39:45Donnie will be in touch.
39:46Thank you. Thank you.
39:49Harry?
39:50Yes, Cap?
39:54You owe me.