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Delirium Season 1 Episode 1
Transcript
00:00Satsang with Mooji
00:30Mom, look, Agostina's bleeding.
00:51Look over there, okay?
00:53Go back with your dad.
00:56What's happening?
00:58Let's get back to the house.
01:00Listen, you just have to remember to stay away from boys.
01:17And be careful, be super careful, not to tickle down there too much.
01:22I don't want you to end up like my dad's sister, Ilse, trust me.
01:25Didn't she go nuts?
01:27That's right, Aunt Ilse didn't listen to her parents.
01:29She scratched down there all the time and in front of everybody.
01:33It got so bad, they locked her in a mental hospital.
01:37Down there is where the madness gets in.
01:39You wouldn't believe what's happened in this family.
01:41It's hard to believe what's happened.
01:56I love it.
02:00So realize...
02:00I'm a cloud that leads the wind
02:13And I'm floating over the sea
02:16Yesterday I wanted to cry, for sure
02:20But it's still not time
02:24No era tiempo, pues el viento
02:32No wonder some of us have already had to leave campus
02:37The state has decided to fulfill every citizen's right for good education
02:40No repression, no repression, no repression
02:47Look, we're in agreement, I totally agree with all the sentiments
02:52But please, I just want to remind you
02:54Of the real reason we're assembling here
02:57We have to be very smart about this
02:59If the protest takes to the street today
03:02Every one of us has to avoid violence at all costs
03:06We can't play the kind of rioters the bourgeoisie think we are
03:10Remember, they care more about appearance than the truth
03:15Now I'm not here as a professor
03:17I'm only one of many vital parts
03:20In this living organism we call a public university
03:24Thank you, all of you
03:26It's probably enough
03:27¡Bravo!
03:28¡Bravo!
03:29Y raven a lixo sobre el mar
03:31¡Bravo!
03:33Ayer quise llorar por cierto
03:36¡Bravo!
03:37Mas todavía no era el tiempo
03:40¡Bravo!
03:42¡Bravo!
03:44¡Bravo!
03:45Laب, leía
03:45¡Bravo!
03:45¡Bravo!
03:45!
03:46¡Bravo!
03:47¡Bravo!
03:47Sierra!
03:48¡Bravo!
03:48¡Bravo!
03:48¡Bravo!
03:49¡Bravo!
03:50¡Bravo!
03:50¡Bravo!
03:50La verdad!
03:51¡Bravo!
03:52La verdad!
03:52¡Bravo!
03:53La verdad!
03:53¿Bravo!
03:54¡Bravo!
03:55Ah, come on.
03:58It's got a little fling, wham, bam, thank you, ma'am.
04:01You know, I mean...
04:03Professor, would you like a reading?
04:06I'm sorry?
04:08Tarot works extremely well for Marxists, Leninists, Maoists, and Trotskyists.
04:18Take one.
04:25Judgment.
04:29The 20th Arcana.
04:32Nice card.
04:33I really don't think this stuff is true. I'm sorry.
04:36You don't care what it means?
04:38Yes, he does. Right.
04:41Let go of what's not working. That's what it means.
04:44Don't be so conventional.
04:46Be open to the unknown.
04:48You know, I always tell him that. He's a stubborn bastard, though.
04:51I don't mind a stubborn guy.
04:55Well, thanks.
05:03See you.
05:14Freddy Rodriguez is a great student. He's exceptional.
05:18He competed with more than a thousand young men for this honor.
05:25And Freddy will be with us for the entire year.
05:28What a privilege that the British Boys' School has formed this partnership with the public schools of Bogota.
05:34Now we can be true leaders in promoting equality.
05:36They are the one who's going to be a man for this honor.
05:43Jeanne Pickle which is clear of the roads.
05:45Watch out for any incoming buses of traffic.
05:48Ladies and gentlemen, for it is safety.
05:50There's continues to wait until the bus arrives at the good stop at the designated loading area.
05:54All passengers, even from the right side of the town.
05:57All two passengers, just move forward from the back
06:00as you know the part of the passenger.
06:02Ladies and gentlemen, the ship inbound bus
06:04should be arriving in approximately 15 minutes.
06:07That's 15 minutes.
06:16Hey, Mom.
06:17Freddie?
06:19How'd it go?
06:21Come here.
06:23Come here.
06:24You can't act the same there as you do around here.
06:38This could be a great opportunity for you.
06:54No.
06:58No.
07:00No.
07:02No.
07:04No.
08:36What are you doing, man?
08:41You gonna come in through one of the windows?
08:43Time to meet the family.
08:52Agustina, I've told you a thousand times.
09:11There's no gloves at the table, okay?
09:23Hmm, my favorite, Duck La Ranch.
09:25Aunt Sophie knows the way to my heart, doesn't she?
09:27What a treat.
09:28Well, this must have been quite the chore, Sofia.
09:35No, it's my specialty, you know that?
09:37I always make it with love.
09:40Not even a bite.
09:45A bit gamey for me, no.
09:46What did you say your name was?
09:52Freddy Rodriguez, sir.
09:55Hmm.
09:57Carlos, don't slouch.
10:00And stop playing with your hair.
10:02Yes, sir.
10:07Oh, are you one of Abelito's boys?
10:09Is your father Abelito Rodriguez the rice farm in Tolima?
10:13No, sorry.
10:14I don't know them.
10:15Your family's from where exactly?
10:17What area?
10:18I don't know.
10:20Your father's name, if you don't mind.
10:21I don't have one, ma'am.
10:28All right, that's enough.
10:29Mom, Freddy's supposed to be brilliant,
10:32which is why he got a scholarship to our school.
10:35He only knows bums and thugs, so enough questions.
10:40I'm shocked you have a smart friend for once.
10:42What was that stupid?
10:43Couldn't hear.
10:44What was that stupid?
10:45Couldn't hear.
10:46Stop, Agustina.
10:47You behave now.
10:51Well, what a bright young man.
10:54I like people who earn their success.
10:57Who can study hard and work like dogs.
11:00Well done, young man.
11:02You're always welcome here.
11:04Well, thank you, sir.
11:18Yo.
11:20What's up?
11:21Well, I'm curious how this is going.
11:28How's business?
11:30Pretty great.
11:32Pretty great.
11:34They do look eccentric.
11:35You've got the perfect customers.
11:37Speaking of, if you're plotting a Bolshevik revolution,
11:39you can bankroll it with this.
11:44Remember, Dad said you could drop in and visit whenever you want.
11:47Well, Mom doesn't want to see me at all.
11:50Listen, I think we should set up a day for you to visit Dad,
11:52and I'll make sure Mom's not there.
11:55Is something wrong?
11:57I'm sorry, but Dad's not great.
11:58When you see Dad, give this to him.
12:15I just hope you don't end up regretting this.
12:19I just hope you don't end up regretting this.
12:23Hey, Professor.
12:42Fernando.
12:48Hey, brother.
12:50What's up?
12:51You heard the rumors?
12:52Sorry, what?
12:53People are talking about you.
12:56Really?
12:56Well, everybody's starting to see you as a diplomat,
12:59a bridge between the students and professors.
13:01To be honest, you might just end up as department chair
13:04if you play your cards right.
13:06Can you imagine?
13:07Hey, dreams don't cost you anything.
13:10Don't forget, it's Friday, so they're making smoke bombs.
13:12Most of the kids are passing the word around.
13:15Take care.
13:16Yeah, thanks.
13:16Professor Aguilar, this is Agustina,
13:34the tarot card reader from the other day.
13:36Have you thought any more about the card you drew?
13:39Has it helped your revolution?
13:40By the way, why do all left-wing men look so serious
13:47when they're reading?
13:48I'm writing you this letter because I would like to see your hands.
13:52They're always the first thing I look at in a man.
13:54I always notice them right away,
13:56but I rarely find them appealing.
13:58Anyway, I have a special assignment for you.
14:01I was like, oh, my God.
14:31So you have it?
15:01How's that?
15:03Perfect.
15:05Now it's time to laminate it.
15:07Uh, laminate it?
15:09Mm-hmm.
15:10Well, why?
15:11Because I'm keeping it for good luck.
15:14Don't think it'll do you much good.
15:16Yeah, well, I beg to differ.
15:20Um, what are you studying?
15:27Just life.
15:29And tarot, just the universe.
15:32Should I pick up a few more credits, or...?
15:34No.
15:35You don't need more.
15:37But seriously, what are you studying?
15:40Yeah, like all of those boring old guys
15:42you teach classes on.
15:44The real question is,
15:45why is a woman like you
15:47hanging around offering tarot readings
15:49on the campus of a public school like this one?
15:52A woman who's...
15:55beautiful,
15:57intelligent, obviously bourgeois?
16:00All of the above.
16:02That is the question.
16:03Here's a quick summary, professor.
16:05I'm a princess who fell out of her tower.
16:07I've traveled a whole lot.
16:09I know three languages.
16:11If that wasn't enough,
16:12I've read Das Kapital, believe it or not.
16:14My parents used to pay for my life,
16:16but now I don't speak to them.
16:17What's that about?
16:18Like, do you think I'm a...
16:20outcast or whatever?
16:25No.
16:28So what caused the falling out with your folks?
16:40Aguilar.
16:41I'll call you Aguilar.
16:42Fernando makes you sound like a banker, you know?
16:45The way I see it,
16:46we have two options here at Aguilar.
16:48We can stand here for a while
16:50discussing my tragic family life,
16:52or you can rip off my clothes at home.
16:54And you have to make a decision in three,
16:57two,
17:00one.
17:02Uh-uh.
17:15Nope.
17:17Why can't I tear your socks off?
17:19Because we're just not there yet.
17:21We can stop if that's an issue.
17:32You're a portrait, Mr. Aguilar?
17:48Not bad at all.
17:51Language is the futile effort to capture the universe
17:54with a few fragments of syntax.
17:57That's enough.
18:02Thanks for your attention, guys.
18:06Okay, have a great day.
18:07And keep thinking.
18:08Just thought,
18:09doesn't cost you.
18:32Well, Nicholas,
18:45the phrase Mr. Plato argues
18:46doesn't exactly kick your paper off with a bang.
18:49The Greeks are rolling in their graves.
18:51That's all right, just...
18:52Wait, hold on.
18:53Here's a plan.
18:54You're going to go home,
18:56fix the mistakes,
18:57and tomorrow we'll talk again.
18:59How about that?
19:00Okay.
19:01Go on.
19:05Don't worry, Fernando.
19:06After what I heard today,
19:07you'll never have to look
19:08at another crappy essay in your life,
19:10I swear to God.
19:11Why is that?
19:12Listen up, it's good.
19:13I was at a meeting of the Teachers' Council.
19:15All of your students adore you,
19:17but your colleagues
19:20and the board of directors,
19:21they love you even more.
19:23It's official, Fernando.
19:25You are the new chair
19:26of the Department of Literature, my friend.
19:28Huh?
19:29God, no way.
19:30And we're going to celebrate
19:31because you deserve it.
19:32Here.
19:33Come on.
19:34You earned it.
19:35Hey.
19:36Congratulations.
19:39Oh, well.
19:41One more thing.
19:42Here's to the great Plato.
19:43I hope he forgives Nicholas.
19:44Who gives Nicholas?
19:45So this is where I get my inspiration.
19:52From your private forest?
19:55It's gorgeous.
19:58What music do you like?
19:59Richie Ray?
20:00Bobby Cruz?
20:01Tito Puente?
20:02Those bastards.
20:03You don't look like that kind of guy, bro.
20:04Whatever.
20:05You don't know the good shit,
20:06but you're going to.
20:07Let's do it, man.
20:08Come on.
20:09This is really great.
20:10Yeah.
20:11What's one of these worth?
20:12I don't know.
20:13Uh, what's one of these worth?
20:14I don't know.
20:15Where'd you buy them?
20:16Yeah.
20:17Uh, what's one of these worth?
20:18I don't know.
20:19Where'd you buy them?
20:20Mostly in Miami.
20:21Motherfucker.
20:26Uh, what's one of these worth?
20:27I don't know.
20:28Where'd you buy them?
20:29Mostly in Miami.
20:31Motherfucker.
20:32Yeah.
20:36Uh, what's one of these worth?
20:39I don't know.
20:41Where'd you buy them?
20:43Mostly in Miami.
20:46Motherfucker.
20:48Augustina!
20:53What?
20:54Why are you swiping my records, huh?
20:57Go bring us the who, come on.
20:59You couldn't pick another one?
21:00No, I couldn't.
21:02It's my record, go.
21:09You have siblings?
21:10Huh?
21:12Any siblings?
21:15You're lucky, dude.
21:20Perfect.
21:26Alright, get ready to hear the greatest voice of all time.
21:32Hit it.
21:33I can't explain.
21:34It's a certain kind.
21:35I can't explain.
21:36I feel hot and cold.
21:37I can't explain.
21:38Down in my soul.
21:40I don't think I get it.
21:41I got this feeling inside.
21:42I can't explain.
21:43I feel hot and cold.
21:44I can't explain.
21:45I feel hot and cold.
21:46I can't explain.
21:47I feel hot and cold.
21:48I can't explain.
21:49Down in my soul.
21:52I can't explain.
21:54I can't explain.
21:55I don't think I get it.
21:58I don't think I get it.
22:01I got this feeling inside.
22:02I can't explain.
22:03I feel hot and cold.
22:04Way down inside.
22:05How's that?
22:08I get what I can, I get what I can
22:11I know what I can
22:12Waco, can you turn the music down?
22:18I need to talk to you for a moment.
22:26The next time you plan to bring someone like that home,
22:29you need to let me know first.
22:31Mom, come on, I never have friends over.
22:34And Dad said...
22:35I know, I know you think you found a cool,
22:37exotic new friend to spend time with.
22:40But his kind of people bring trouble everywhere they go.
22:43So please go tell him it's late
22:45and he should be getting home.
22:47I'm leaving, don't worry.
22:49Nice to meet you.
22:52Thanks a lot for dinner.
22:53I wish you the best of luck.
22:55Thanks, Waco.
23:03Wait, you're leaving already?
23:07I have errands to run.
23:13Can I come?
23:19Wait, uh...
23:21You stole my gloves.
23:24I'm just holding them hostage.
23:32So I have to pay ransom, is that it?
23:34Yeah, what do you have to offer?
23:36A kiss, how about it?
23:36Where's my kiss?
23:50Where's my kiss?
23:53Only at the prom.
23:58Prom?
23:58So why are you telling me this?
24:09Well, because it's going to mean a change in our dynamic, right?
24:13Like, think about it.
24:14I'm your ex-husband, we're friends, plus we're co-parents.
24:19And that'll be different?
24:21Well, I'm serious about her.
24:22Well, good.
24:31You don't have to ask my permission.
24:33That's not what I'm doing.
24:34It's just that...
24:35I mean, I guess it'd be good to...
24:37to get your opinion.
24:45Marta.
24:46Hmm?
24:47This is serious.
24:49Be honest.
24:53You want that?
24:54Mm-hmm.
24:58Well, you're a walking cliché of a divorced man in his 50s.
25:02Come on, you're infatuated with a college girl.
25:05And look, I understand.
25:07I get it.
25:07Youth has a certain glow to it.
25:09Youth is delicious.
25:11It almost hypnotizes you.
25:13But you don't have to pretend it's anything other than that, really.
25:15What's the point?
25:16Are you going to be one of those guys
25:18who swears he's serious about his young girlfriend?
25:20Just because he won't admit that he's only with her
25:22for her sex appeal and her great body?
25:24No, hey.
25:25No, I'm sorry, but you know that's a cliché.
25:27No, wait, I'm not a cliché.
25:27You are the very definition of a cliché, all right?
25:29I'm not a cliché.
25:29Yes.
25:30No, this is different.
25:32As a matter of fact,
25:35she said,
25:36basically, she wants to get to know the boys,
25:39and I thought that is...
25:40that's okay.
25:41Oh, no.
25:41That's up to them, I guess.
25:49Not me.
25:50Well, it's odd.
26:08She told me we'd been up here.
26:11You think something's wrong?
26:14No, I doubt it.
26:15We better get going, Dad.
26:18He's right. We'll miss soccer practice
26:20if we don't get moving, you know?
26:22All right, let's go.
26:26That sucks. I was excited to get to know Augustina.
26:28Oh, yeah, me too.
26:30She's probably with a younger guy.
26:36Hey, what happened?
26:38I waited for you in the park with my kids.
26:40Where are you?
26:42Look, just reach out, okay?
26:43Let me know you're all right.
26:43I expect that kind of thing from my mother.
26:47I expect that kind of thing from my mother.
27:11But you...
27:12Time heals everything, darling.
27:19You know about it?
27:23A little.
27:25Mom just told you?
27:28We agreed. Both of us did.
27:30We're gonna have to send you to a mental facility
27:36if you keep acting like this.
27:38You know I should have left with Pichy.
27:40Fine, get out.
27:41Come on.
27:43Come on.
27:59I'm very sorry, ma'am.
28:25To your father's funeral?
28:27Yeah, I invited him.
28:29Please don't say anything.
28:32Where do you think the money we spend comes from?
28:34Eugenia.
28:42At least pretend to respect your father.
28:51I'm begging you to put on something appropriate.
28:54Stop.
28:54Yellow's the color of mourning in lots of cultures.
28:56Oh, Agustina, for God's sake.
28:59Why can't you act like an adult?
29:04Come on, let's get you home.
29:05I'll call a car.
29:06Let's go.
29:10How did he die?
29:12On his way up to the farm, his heart gave out.
29:16No, really.
29:23Dad decided to get behind the wheel.
29:25Shit-faced, he spun out, crashed, and died.
29:32I mean, I didn't know.
29:33You never visited.
29:39But don't worry.
29:43If you're here because your money's running out,
29:46Dad was always going to support his little girl.
30:03I'm sorry.
30:17Agustina.
30:19Agustina!
30:20look i know you never wanted to see me again i'm sorry but
30:28i just wanted to know
30:32what happened i don't understand
30:37i never meant to offend you or hurt you or anything and i'm just i didn't mean what i said
30:44i didn't
30:45i'm the problem so
30:49no
30:51you are not the problem
31:14okay four five six
31:18and seven
31:26you win again
31:27yep we call that
31:30talent
31:32again
31:39you sure you wanna
31:53you sure you wanna
32:00you know what you do
32:04you mean you say you
32:15you're gonna be flying?
32:20you-
32:22I don't know.
32:52I don't know.
33:22I don't know.
33:24Midas, my golden king for all these years, the wheel of fortune.
33:44Do we really make choices in life?
33:48Are we masters of our own fate?
33:50Or do we just wander blindly from one place to the next, going in circles without knowing
34:04it until death meets us on the road?
34:06Is that our common destiny?
34:09Or can we jump from the edge of a cliff and risk everything to escape that fate?
34:16What's going on?
34:37What happened?
34:50I've been coming here, and I've been calling you for days.
35:02I mean, me and my kids were at the park waiting for you.
35:04Sorry.
35:15If you weren't coming, you should have said it was so important to me, Agustina.
35:21Yeah, I know.
35:23But this is who I am, Aguilar.
35:25A horrible asshole who disappears whenever she wants.
35:27Doesn't have to be like that.
35:39Yeah, but that's the way it is.
35:40It's who I am.
35:41There's this monster in me that takes over and just wants to hurt good guys like you.
35:45I'm not going to get scared off.
35:49I'm not trying to scare you off.
35:51I'm telling the truth.
35:52To be honest, the good Agustina thinks you should run away.
36:04Get out.
36:15I'm not trying to scare you off.
36:45Here we go.
36:52Got it?
36:53The bride and groom.
36:55Aguilar!
37:25Oye, cómo va, ven, camina con mi ritmo, a gozar, sabroso, oye, cómo va, ven, camina con mi ritmo, a bailar, sabroso, oye, cómo va, mi ritmo, bueno, pa' gozar, murata, oye, cómo va.
37:55No, no, no, no.
38:25No, no, no.
38:32So you're painting the wall again?
38:34Mm-hmm. Ridiculous couples like us need the perfect feng shui to add a nice sense of serenity to the space.
38:43As long as it's a good feng shui.
38:45I was gonna do that
39:00I've got a faculty meeting today
39:01And I was gonna hit the pool with the kids
39:05For a while
39:06Perfect
39:08So when are we going?
39:10Well, it's just the three of us
39:12Hey old man
39:28Hey you
39:29Where's Agustina?
39:31She's out
39:31So wait, it's just the three of us?
39:36No
39:36That's the whole reason I came
39:38Let's go
39:39Thank you
39:42You okay?
39:48Get in
39:49Thank you
40:09Hello?
40:13I don't know.
40:39August?
40:42Got you a little present.
41:02Hi, this message is for Fernando Aguilar.
41:05I need you to come pick up your wife because, well, there's a problem.
41:09Oh, my God.
41:14Yes, hello, I'm trying to reach Fernando Aguilar.
41:16I need you to come get your wife right away.
41:18There's a problem.
41:19No, don't call him.
41:20Fuck Fernando, he left me, that asshole.
41:21Listen, man, come get your wife now.
41:23Fuck him.
41:24He's at the Wellington Hotel, Route 413.
41:39All right, Mr. Aguilar.
41:41We need permission from the guest.
41:45Yes, hello.
41:46There's a visitor here who...
41:49Hey, sir, wait.
41:50Wait, please.
41:51Wait, please.
41:52No, no, no, no, no, no, no, no.
42:00And the gate is gone.
42:01But the water is on him.
42:04And the gate is over here.
42:06Agustina?
42:36Honey, what's going on?
42:42Get away!
42:47What's wrong?
42:49Are you okay?
42:54You're okay.
42:55It's Aguilar.
43:06It's Aguilar.