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00:00do we have 1.3 thank you bid stands at 1.3 million pounds with you madam do i hear any more for this
00:24beautiful 18th century xiaoqing dragon design bars rarely brought to market 1.35 with you sir 1.35
00:341.4 thank you currently at 1.4 million pounds sir do i have 1.45 1.45 with you sir do i hear 1.5
00:491.5 we are now at one and a half million pounds with you madam back with you sir 1.55 madam
01:011.6 million do i hear 1.65
01:061.65 million no in the room with you at 1.6 million pounds
01:17going once going twice two million pounds
01:24with the lady at the back for two million pounds any advance
01:32at two million pounds all done going once going twice
01:44sold congratulations
01:47thank you
01:50we now move on to plot number 17
02:09a reproduction marble sarcophagus with indo-chinese touches
02:15who will start bidding for me
02:22harry hello mum this is a surprise
02:26it's been a while going to have me escorted off the premises
02:30you're always welcome i never wanted us to
02:35look
02:36perhaps we can have a drink together later
02:39a bit late for that isn't it
02:41what was in trouble harry
02:43more your department isn't it
02:47yeah all went smoothly so cheers
02:50keep your voice down
02:58you ignorant woman
03:01that is china's heritage and you treat it like some sort of trinket
03:06you will regret this
03:07that's enough madam
03:08what a fuss
03:15now i wonder
03:17is there any more champagne
03:22here's to your wonderful vase
03:24cheers
03:24cheers
03:25cheers
03:28good morning lady margaret
03:30good morning
03:31would you like to follow me
03:33right
03:34so exciting
04:00sorry
04:12this is it
04:13lot 16
04:15can i take a look
04:27well
04:27where is it
04:41do
04:41do
04:45do
04:49do
04:51do
04:53do
05:25Oh, yes. Hello. I was wondering if you could help me. I'm trying to track down my father. His name is Ron Palmer. He's white. He's early 70s. He's very chatty. Would have been admitted in the last four days or so.
05:43I'll have a look for you. Can you hold?
05:45Yes, I'll hold.
05:53Hello.
05:54Hi.
05:55Mr Palmer?
05:55Yes.
05:56Sorry, can't find anyone of that name.
05:59Okay. Thanks for your help.
06:01No problem.
06:12Mick Palmer?
06:13Yes, can I help?
06:14I'm looking for someone to find a painting for me. It's a work by Walter Sickert. It's been stolen.
06:21Well, I'm sorry to hear that, but I don't work freelance and I don't appreciate people just turning up on my doorstep either.
06:28It's been stolen by a man named Ron Palmer. It's been stolen by a man named Ron Palmer. It's been stolen by a man named Ron Palmer. It's your father, I believe. Let's talk inside.
06:35Nice place.
06:40We're taking a bit of a risk, aren't we? We have your father. He's all tucked up safe and sound.
06:48What?
06:48For now. You know exactly what your dad does.
06:52He's not part of my life anymore.
06:53I'm not sure that's how some of your colleagues see it. Those rumours you tipped Ron off before he disappeared 15 years ago. Wouldn't take much to end your career. And I'm sure you don't want that, what with your dad looking so frail.
07:06This is the work. Once it's returned, we'll talk about getting your dad back. Find it. Call me. I'll be in touch. Clock's ticking.
07:22Have we met before?
07:24The sooner the better. I'll see my cell phone.
07:36What time did you call this, then? Something came up. Sorry.
07:48So this is a new one for me. Postery theft. Yeah, yeah. Come on, we're late.
07:54Someone got out the wrong side of bed this morning.
08:00This is Greg Kemp, head of security.
08:05I want all the CCTV from last night until this morning and details of the vase.
08:10Yes, of course.
08:11Well, Kemp, is there a catalogue?
08:13Yeah.
08:17I want all these crates opened and searched. Let's find out if there's anything else missing.
08:22Slot 16.
08:27Eighteenth century's Zhao Qing vase. The dragon design. Beautiful.
08:32Could you take us through last night?
08:36Yes, sir. Everything gets packed and taken down.
08:38We opened up this morning and the crate was empty.
08:41Alarm's still on. No sign of entry.
08:43And the vase was definitely in the crate when it entered the vault?
08:46A hundred percent. Me and Olivia oversee the whole process.
08:49And there's no way in or out except the main entrance?
08:52None.
08:53Who has access to the locks?
08:57I'll just come for myself. Fingerprint recognition.
09:01So, a two million pound vase in a sealed vault with no way in or out has just disappeared into thin air.
09:10Olivia, Drew Carswood is here.
09:14Well, I'd better speak to him. Excuse me.
09:21Who's Drew Carswood?
09:22Er, he's the dealer selling the vase.
09:24I was half expecting Dracula.
09:33Could do without this.
09:37Just keep your mouth shut for once. You can do that, can't you?
09:40Mr Carswood?
09:42D.I. Palmer, Heritage Crime DC Malick.
09:45We'd like to talk to you about last night.
09:47I'm sure there's a perfectly simple explanation.
09:49Yeah, well, there better be. I'm only two million quid.
09:52Er, when we've accounted for everything, can the other buyers collect?
09:56Once forensics are finished up, go ahead.
09:58Was there anything unusual about the auction?
10:01Nothing. A successful evening.
10:03What about Harry, then? Who's that?
10:05Drew, don't be ridiculous. Harry's my son.
10:09Yeah, and what was he even doing there, eh? You want to have a word with him?
10:12Er, well, there was the incident with a Chinese lady.
10:15A disappointed bidder. It was a small altercation with Lady Margaret.
10:18I had to show her out. She was making all sorts of threats.
10:22You got a name for us?
10:24Chiang.
10:26Xie Chiang.
10:27She's a cultural attache at the Chinese Embassy.
10:30You want to know why someone would steal a piece of pottery?
10:45Emperor Zhao Qing oversaw the end of one of the most bloodthirsty periods in Chinese history, and yet they created this.
10:54Yes. If you're lucky enough to see it in person, it's like the glaze is still liquid.
11:01Very eloquent. You appreciate China's heritage.
11:05Well, what we have left after being picked clean by the West.
11:09Miss Chiang, thank you for seeing us.
11:11I'm happy to help.
11:13Yesterday evening, you attended an auction at Mountford's, where you put in a number of bids for this vase.
11:23That is my job. That vase belongs to China.
11:27Malthus told her she was angry to miss out. You threatened the winning bidder.
11:32Ridiculous woman.
11:34She pushed the vase beyond my budget, simply to satisfy her own monstrous ego.
11:39The vase was stolen last night.
11:41How is that possible?
11:43Would you mind telling us where you were last night? After the auction?
11:48I was here.
11:49Can anyone confirm that?
11:51Let me remind you. I am a Chinese government official.
11:56And I have full diplomatic immunity.
11:59Auction catalogues from Mountford's.
12:15I'll stick with the CCTV, thanks.
12:18Another cheese sandwich?
12:20Yeah.
12:21Don't you ever fancy a change?
12:26Have you heard from Olivia's son Harry yet?
12:28Not answering his phone.
12:30Get an address. Let's track him down.
12:37Vase turned up on eBay?
12:39It's Rosa. She's back in London.
12:42Would have to be this week.
12:44She's giving you another chance.
12:46Dinner part two.
12:48Hey, you can make her a cheese sandwich.
12:50Just make sure you keep your dad away this time, right?
12:53You got anything yet?
12:56The vase is definitely inside the vault.
12:58I've tracked it, getting boxed up and taken all the way in.
13:01But there is something odd.
13:07I've gone back a bit earlier.
13:08This is the camera outside the goods lift.
13:10This guy enters the lift.
13:13And then 30 seconds later, the lift arrives in the basement.
13:16And he's gone.
13:18Keeps his face hidden.
13:20He knows where the cameras are.
13:22Someone could hide in that.
13:24I did check it, boss.
13:25I know. I saw.
13:26Find out where and when it was delivered.
13:33Hello. Stacy Malick.
13:35I need a delivery address and contact details for Lot 17.
13:39This is it.
13:40Try the button.
13:42It was delivered about 30 minutes ago.
14:08See?
14:10Empty.
14:11It's hollow.
14:15See?
14:23Empty.
14:34Solo.
14:36Come on.
14:45Harry Mountford?
14:46Yeah.
14:50No, that's great.
14:52You've been very helpful.
14:53Okay.
14:59Any sign of the vase?
15:01No.
15:02No sign of a wallet or phone either.
15:04You?
15:06Company who bought the sarcophagus was registered to this address, one director, Harry Mountford.
15:11Hmm.
15:11That figures.
15:12There's more.
15:13Well, the company selling the sarcophagus also registered here.
15:17Sole director...
15:18Harry Mountford.
15:20He sold the sarcophagus to himself.
15:22He hid inside it, knowing it was going into the vault overnight.
15:27So once he was inside, all he had to do was get the vase and wait.
15:32I'm guessing he climbed back inside just before they came and opened up in the morning.
15:39One for the way in, one for the way out.
15:41But something went wrong.
15:44And he...
15:44Asphyxiation.
15:46And if the vase isn't here...
15:49Harry had accomplices.
15:51And they took the vase, but not the body.
15:55Brutal.
15:56And there's this.
15:56He was holding on to something when he died.
16:10He was clasping it.
16:12It was taken by the person or the people that took away the vase.
16:16Delivery driver said he was left instructions to carry the sarcophagus inside.
16:23Doors were unlocked.
16:25The sarcophagus left Mountford's at midday.
16:28We got here at 1.30.
16:31It's a tight window for an alibi.
16:33I'll talk to everyone again.
16:35All right.
16:35Can you stay with these guys till they're done?
16:39Sure.
16:39Nice one.
16:41I'll leave you to it.
16:42Call me if you need me, yeah?
16:43I'll leave you to it.
17:13Comfy sofa.
17:19Stop messing us around, Ron.
17:21The sicket.
17:22We want it back.
17:23Everybody wants something, sweetheart.
17:26World peace.
17:27Chelsea back in the Champions League.
17:29You were well paid for that copy.
17:31It's still in the private collection.
17:32No one's any the wiser.
17:35Except us.
17:36We know what you did.
17:37You kept the original.
17:38Gave us a second copy.
17:40What sort of a snake do you think I am?
17:42Six months ago, my father had it valued.
17:44Fake.
17:45Can you imagine how happy he was?
17:47You're saying this fake sicker was so good, it fooled Frank and the original owner and you.
17:56Whoever did it must be incredible.
17:58That's okay.
18:00We can loosen you up a little bit.
18:02Plus, we've already got someone else on the case.
18:04Good luck to them.
18:05Policeman.
18:07Name of Mick Palmer.
18:09Ring a bell.
18:19Hi.
18:19You've got through to Detective Inspector Mick Palmer.
18:22I'm not here at the moment.
18:23Please leave your message after the time.
18:26Hey, boss.
18:27It's me.
18:28I'm outside Moutford.
18:29Where are you?
18:30We're supposed to be interviewing Olivia Moutford.
18:45Hello, Janie.
18:46Long time no see.
18:48Been a while, love.
18:49What's new?
18:50Not still in the fuzz, I hope.
18:52Yeah.
18:53I'm still a copper.
18:54You're going to let me in.
18:56But I don't understand.
19:05Why was he hiding inside the sarcophagus?
19:09I really am so sorry.
19:12Can't answer that.
19:15Do need to ask some questions.
19:18Just procedure, is that all right?
19:22So, Harry used to work here.
19:24Why did he leave the business?
19:30I mean, it was a mess.
19:34Harry was a...
19:37You know, easily led.
19:40He met someone who persuaded him the future was in online auctions.
19:44Got him to sink money, my money,
19:46into some stupid app.
19:49We lost thousands, hundreds of thousands,
19:54and I spent my life building this place up.
19:58I just couldn't trust him.
20:01Wait.
20:02You fired him?
20:04I had no choice.
20:07What did he do after you let him go?
20:11You basically set up in Evelyn's.
20:14There was a restaurant on the Strand.
20:20That's the way he'd meet his clients.
20:22And he always had a scheme.
20:25The next one was always the big one.
20:28Can I ask where you were yesterday,
20:32between midday and two o'clock?
20:35In my office.
20:37You can ask my secretary.
20:39It's been quite the reunion.
20:41First Ron, now you.
20:43Dad was here.
20:43It's usually only wanted one thing.
20:46Money.
20:46Sex.
20:47Oh.
20:48I can't believe you made him sleep in his lock-up.
20:51Well, you could have let him stay here.
20:52You're joking.
20:54Three years was enough.
20:55Anyway, you were family.
20:57It's complicated.
20:59No, it ain't.
21:00Just need to get over yourselves.
21:01Still doing the Jackson Pollocks, I see.
21:04Private commission.
21:07Signed by me.
21:08All above board.
21:10The Yanks go mad for him.
21:12One Pollock a week and a Mondrian
21:14when the council tax is due.
21:17Do you want to go?
21:23Oh.
21:27What's all this about, then?
21:28Did Dad give you a painting to look after a few years ago?
21:34A sicko?
21:36Oh.
21:37He was good at them.
21:40Genius, really.
21:41I think this might have been the real thing.
21:43Oh.
21:44How would he get one of these?
21:46Actually, no.
21:47Don't answer that.
21:49Well, no.
21:50He never gave it to me.
21:51You think of anyone else he might have left it with?
21:55Phil?
21:56No.
21:56Silverville's out of the game.
21:58I've did Steve's in Thailand.
22:00Don't ask.
22:01Not many of the old gang's still around.
22:04I said as much to...
22:06To that posh bird.
22:09Who's that?
22:10Oh, just some dolly come looking for Ron.
22:13Man in demand.
22:17Forties.
22:18Smart.
22:19Piercing green eyes.
22:22Charming but deadly.
22:24Maybe.
22:25I don't remember.
22:30You know who she is, don't you?
22:34All right.
22:36Yeah, I do.
22:38She's Frank Classy's daughter.
22:43Shit.
22:46I thought we'd recognise her.
22:49Boss, where have you been?
22:56Something came up.
22:57That's what you said yesterday.
22:59All right, don't go on about it.
23:03Spoke to Olivia Mountford.
23:05Two years ago, she fired Harry from the business.
23:07Some strange family dynamics there.
23:10But her alibi's solid.
23:13What about the others?
23:13I'm just about to speak to Greg Kemp.
23:16Are you coming?
23:16Are you coming?
23:17Or have you got somewhere else to be?
23:19Can you confirm where you were between midday and two yesterday?
23:38Yeah.
23:39Bamford Security Solutions in Kennington.
23:42They installed our system.
23:43What, asking for a refund?
23:44Yeah.
23:45How long have you worked here?
23:46Uh, just over six months.
23:49And where were you before that?
23:50Canada.
23:51Same sort of thing.
23:52What brought you back here?
23:53Ah, you know.
23:54Time for a change.
23:58Is it Parkinson's?
24:05Motor neuron.
24:06How long have you known?
24:09It was under control for a while, but...
24:13Well, it's not going to go away.
24:17I don't know how long I can keep going.
24:19I'd be grateful if you didn't tell Olivia.
24:22Yeah.
24:24I really need this job.
24:26I feel sorry for Kemp.
24:31Olivia wouldn't sack him, would she?
24:33She sacked her own son.
24:37Post-mortem and forensic report.
24:40So the sarcophagus contained two oxygen canisters.
24:43One smaller one marked in, larger one marked out.
24:47The only thing is, the canister he was using to get out contained pure carbon dioxide.
24:52So whoever gave him that canister knew that he'd be dead instantly.
24:56Yeah.
24:57Time of death between seven and eight in the morning, just before the vault was opened up.
25:01Anything about those marks on his hand?
25:04Traces of zinc alloy.
25:05That help?
25:08Yep.
25:10D.I. Palmer.
25:11Yes, uh, Frank Klus.
25:15Yeah, that figures.
25:17All right, yeah, thanks.
25:19What's that?
25:20Loose end.
25:32So Harry sneaks backstage at the auction and uses the sarcophagus to hide in the vault.
25:39He then gets out, gets the vase, and before the vault reopens in the morning, he gets back in again.
25:47But the tank's sabotaged, and he suffocates.
25:51He was already dead when we searched the vault, clutching onto something that made those marks.
25:55I've been going through Mountford's financial records.
25:58A couple of years back, they appointed a new director.
26:02Our friend Drew Carswood.
26:04Two years ago?
26:05You know, when exactly?
26:07July.
26:09The same time that Olivia Mountford fired Harry.
26:12Exactly.
26:14Carswood invested half a million pounds in the business.
26:17Did Olivia mention that?
26:19No.
26:20Six months later, Carswood resigned, but the cash still stayed with Mountford's.
26:26So, what happened two years ago to make Drew Carswood write off half a million quid?
26:35Two years ago.
26:36Hang on a minute.
26:53Mountford's auction catalogue.
26:55Two years ago.
26:56July.
27:02There you go.
27:02It's the same vase.
27:07Exactly.
27:08Mountford's have sold it twice.
27:11So, two years ago, Mountford's is going bust.
27:15Carswood bails them out.
27:17And then a few weeks later, Mountford's auctioned off the vase at a knockdown price, saying it's a reproduction.
27:25So, who bought it?
27:28It's definitely the gothic Windsor armchair.
27:44Excuse me.
27:44Of course.
27:45Inspector!
27:46Have you got good news about the vase?
27:50Can you tell us how you came by it?
27:52Yeah.
27:52I picked it up a few years back in St. Petersburg.
27:54It's a Russian client, needed to raise some money fast.
27:59Well, it's best not to ask, eh?
28:01You know, I was sad to let it go, really, but I wouldn't be much of a dealer if I didn't sell anything, would I?
28:08This Russian client, got a name?
28:11No.
28:11In this game, you've got to protect your sources.
28:14Especially if you're trying to pull a fast one.
28:15For example, if you'd just secured a genuine 18th century vase from an auction house for a fraction of its value.
28:22It appears you paid 20 grand for a two million pound vase.
28:26So what?
28:28I got lucky.
28:29The auction house thought it was a repro.
28:31I thought it was too.
28:32So no Russian client.
28:34Sounds good though, doesn't it?
28:35You are aware we're the police, right?
28:39Yeah.
28:40The catalogue describes it as a 20th century copy with surface damage and discolouration.
28:48I mean, they've done everything they can to put people off, haven't they?
28:51I know a sleeper when I see one.
28:53I've done nothing illegal.
28:54Well, I hope not, Mr. Carswood, because this is now a murder inquiry.
28:58What are you talking about?
28:59Harry Mountford's body was found yesterday afternoon, and we believe he's responsible for the theft of the vase.
29:05And he wasn't acting alone.
29:11The auction house deliberately misrepresent a lot.
29:15In this case, labelling a vase as a reproduction.
29:19That gets knocked down to Carswood, and then they get a kickback.
29:23Half a million pounds investment.
29:25Everyone's just sitting for themselves, aren't they?
29:27Carswood's as bent as a nine-pound note.
29:30He's quid's in.
29:33Unlike the original owner, who misses out on two million.
29:35Yeah.
29:37We need to find out who that was.
29:39You all right to get into that?
29:41Sure.
29:43You want a lift, boss?
29:44No, I'm good.
29:45See you tomorrow.
29:47Okay.
29:47Okay.
29:57Hi.
30:13Morning.
30:14Anything for me?
30:16Obviously.
30:18Annabelle Tremaine.
30:19Original owner of the vase.
30:21She sold it to raise funds.
30:23Guess who did the valuation.
30:24Harry Mountford pulling a fast one.
30:28Mm.
30:29She died from hypothermia last year.
30:31Neighbours found her.
30:32Family and friends of Annabelle Tremaine are invited to a funeral service at St. John's Church, Brixton.
30:38A committal will be held immediately afterwards in the church graveyard.
30:42Was there any family?
30:43One nephew lives abroad.
30:46One other thing.
30:48I went to Evelyn's last night.
30:49Harry Mountford's regular spot.
30:51He had a booking last Friday.
30:53A long, boozy lunch.
30:55With whom?
30:57How well did you know Harry?
31:00Harry Mountford.
31:01From the auction house.
31:03Not at all.
31:05Yeah.
31:05Last Friday.
31:10Okay, we did talk.
31:12I had a proposition for him.
31:14What kind of proposition?
31:16I needed that vase.
31:18I wanted him to pressure his mother.
31:20To see if there was a way of securing it.
31:23A quick hammer.
31:24Really.
31:26It's a classic auction house trick.
31:29They rush through the sale, bringing the hammer down fast, so the sale goes to the right person.
31:33Was Harry interested?
31:36He laughed.
31:37Said his mother would never listen to him.
31:39I would have thought you'd have the funds to secure the vase.
31:43Even at two million.
31:45Unless, of course, you had spent it all.
31:50Elsewhere.
31:52Lovely earrings, by the way.
31:54I reckon Jan's been siphoning cash off for years.
32:06And we can't touch her.
32:09Missing out on that vase is going to be a red flag.
32:11They're going to want answers in Beijing.
32:13Yeah.
32:18Shit.
32:19Boss, what's going on?
32:22Whose phone is that?
32:27It's my dad.
32:29What's he done now?
32:31Someone's taken him.
32:33You what?
32:36Who?
32:37Frank Klaas.
32:39Nasty piece of work.
32:40My dad ripped him off years ago.
32:44Took a painting off him by water-sicker.
32:47They want me to find it, or...
32:49Or...
32:50I don't know.
32:52They've kidnapped him, and there was blood at his lock-up.
32:56You can't do a deal with them.
32:58You think I don't know that?
32:59I don't know that.
33:06It's not your problem.
33:07I don't want you to get involved.
33:10I'm already involved.
33:12I'm your partner.
33:13Aren't I?
33:14Yeah, I do appreciate that, but...
33:22A key ring.
33:25What key ring?
33:26Kemp's.
33:28It's a maple leaf.
33:29He did live in Canada for years.
33:31Have you got the post-mortem report?
33:32Mm-hmm.
33:33Get the picture of the hand.
33:42Those marks.
33:44Caused by three big spikes?
33:47That's what Harry was clutching when he died.
33:49Which is how he got backstage.
33:51Yeah.
33:51Called Kemp.
33:56Hmm.
33:56DC Malick.
33:59How can I help?
34:00Mr. Kemp, we'd like to speak to you as a matter of urgency.
34:03I guess you found out then.
34:07Are you at work, Mr. Kemp?
34:11Did you hear that?
34:13The church bells in the background.
34:14Yeah.
34:15Er...
34:15Could be anywhere.
34:16Or St. John's Church in Brixton.
34:19Didn't you say Tremaine's nephew lived abroad?
34:25Okay.
34:26I'm going to get help.
34:28So Kemp asked his mate at the security company to give him that alibi.
34:33They haven't seen him in weeks.
34:34We assumed someone wanted the vase because of what it was worth.
34:53Should have paid more attention to the original owner.
34:58You're Greg Tremaine.
35:00Annabelle's nephew.
35:02Harry ripped her off.
35:04He knew what that vase was worth.
35:07But to him, she was just some stupid old lady he could screw over.
35:12She died.
35:14In a freezing cold flat.
35:16With nothing.
35:18Why didn't you go to the police?
35:19And say what?
35:21I had no proof.
35:23So you took matters into your own hands?
35:25Got a job in security?
35:28Faked some references.
35:30Olivia didn't follow them up.
35:32How'd you get Harry on board?
35:33He didn't take much persuading.
35:35Blamed his mother for firing him when it was him that bankrupted the company.
35:39Nothing was ever his fault.
35:41So you offered him revenge?
35:43Gave him your keys so he could sneak backstage.
35:45He knew the position of the cameras.
35:52Once he was in the lift, he climbed inside the sarcophagus.
35:55He simply pulled the lid back on top of himself and waited.
36:04You supplied him with what he thought was two oxygen cylinders.
36:08So when the porters wheeled the sarcophagus from the lift into the vault, they had no idea Harry was tucked up in there.
36:18All he had to do was get hold of the vase, wait until morning, climb back inside the sarcophagus, ready to be delivered to his own lockup, where you'd arranged to meet him.
36:29But you never intended for him to come out alive, did you?
36:33You left him sealed up like some two-bit pharaoh.
36:42Believe me, he's no loss.
36:44In the seconds before he died, he was holding your key ring, squeezing it so hard it made his palm bleed.
36:52Harry cheated my arm.
36:55Now he's dead, and Mountford's is finished.
37:00I just wanted to put it right before I ran out of time.
37:04All we need now is the vase.
37:07Can't help you there.
37:08Greg Kemp, I'm arresting you on suspicion of murder.
37:15You do not have to say anything, but it may harm your defence if you do not mention when questioned something which you later rely on in court.
37:21Anything you do say may be given in evidence.
37:23Thank God.
37:39Thank God.
37:39Right, we need to concentrate on getting my dad back.
38:01Where the hell did he hide that painting?
38:03Your dad's been gone for 15 years, right?
38:10So, it has to be somewhere safe. Somewhere that wouldn't change.
38:16A bit like you.
38:19Thanks.
38:21Your house. It's the only place your dad knows would never change.
38:26Yeah. Don't suppose you kept any of my paintings?
38:30I like this one.
38:32My mum, painted by my dad.
38:34Nothing like an original.
38:37I know where it is. Malik, put your foot down.
38:41I always thought this frame was wrong.
38:55I thought this frame was wrong.
39:25That's why he wanted it back. All that stuff about mum. He was just playing me.
39:44As usual.
39:56I don't think so, it's too late.
39:57And then I just went and folded.
39:58It's her daughter's house.
40:02It was her mother.
40:03We have a left.
40:05It's her mother.
40:06She's a little child.
40:07She's a little girl.
40:08Some of her father were justé.
40:09She was the only child.
40:10She looked the fifth house.
40:11She was a little child.
40:12She was a little child.
40:13She was a little child.
40:14She was a little child.
40:15I thought she was a little child.
40:17I'm so glad you've seen since.
40:31May I?
40:32Where's my dad?
40:42The painting.
40:47Where was it?
40:54It was in my house behind another painting.
40:58Really?
41:00How awkward.
41:04Well...
41:05We make a good team.
41:11Maybe we should work together again sometime.
41:13I mean, that's twice now you've covered for your dad.
41:18Handling stolen goods.
41:22Give my regards to Frank.
41:38Shame.
41:41Shame.
41:42Shame.
41:43Is that all?
41:44That painting was my pension.
41:47Was it?
41:47I didn't know.
41:49I was too busy flushing my career down the toilet.
41:51I wouldn't have given it up.
41:53Still, your call.
41:55Who's this then?
41:56My partner.
41:59I heard a lot about you.
42:01Oh, good, I hope.
42:03All okay?
42:04Hardly.
42:05Hardly.
42:06This so-called son of mine just gave away...
42:09Stop it!
42:11Of course I didn't give it away.
42:14An original Walter Sickert.
42:18What?
42:19Huh.
42:20You stiffed him with a copy?
42:21Again?
42:23Who did it?
42:25Was it Janey?
42:26Where are they?
42:27Heading east.
42:31I'm guessing to one of the ports.
42:32Harwich or Lowestoft.
42:35Call it in.
42:36Give them the info for the tracker.
42:38You put it in the frame.
42:40You devious little...
42:41You really stitched them up.
42:46You still don't get it, do you?
42:48Come on, son.
42:49Crack a smile.
42:50It's all gone perfect.
42:51We should be celebrating.
42:58Ronald Palmer.
43:04I'm arresting you...
43:06for possession of stolen goods.
43:08What are you talking about?
43:10You do not have to say anything.
43:12But it may harm your defence if you do not mention one questioned.
43:16Something which you later rely on in court.
43:18Anything you do say may be given in evidence.
43:25You've got to be joking, Mick.
43:27Come on.
43:30I'm your dad.
43:37Come on.
43:37Come on.
44:08Hi.
44:20Hi.
44:22So, is your dad in?
44:24No, he's gone now.
44:27I'll tell you about it later.
44:29Come in.
44:38Bowers?
44:45Yeah.
44:46Don't you suppose you happen to have a vase?
44:48I've got a funny story about that, actually.
44:50Let me see what I can find.
44:51Actually, forget the vase.
44:56Let me see what I can find.
45:26Let me see what I can find.
45:56Let me see what I can find.
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