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00:00You
00:02Oh, my God.
00:28Mr. McAllister, anything I can do for you?
00:30All good, thanks, Kevin.
00:32Your dinner jacket and chews have been cleaned
00:34and left in your room.
00:36Let me know if you need anything else.
00:38Actually, I have a guest arriving.
00:40I have front desk send them up to my suite.
00:42Of course. Enjoy tonight.
00:44Breakfast, usual time, or...?
00:47Usual time.
00:49Hey, it's Rick McAllister.
00:52Just checking you got my message.
00:54Look, I'm big enough to admit it when I made a mistake.
00:58But I'm gonna make sure everybody knows about this.
01:02Yeah.
01:04I'm gonna candidates.
01:06Yeah.
01:08Yeah.
01:10Just give me a minute.
01:40Keep the champagne circulating and smile.
01:53Any sign of our glorious benefactor?
01:56No.
01:57The car's still waiting for him.
01:58And receptionist saying there's no answer from his room.
02:01Shall they call him again?
02:02Yes.
02:03The Macalester Gallery.
02:08I see you got what you wanted.
02:10It's a significant collection of titanic memorabilia.
02:12It's an exciting day for the museum.
02:15Quite.
02:17What price integrity, hmm?
02:19Excuse me.
02:24Free fizz.
02:29Are you surprised to see me?
02:34I got an invite from the man himself.
02:36Well, there's no accounting for taste.
02:39Excuse me?
02:40Do you all say that to my face?
02:43Mr. Buchanan.
02:46Thank you for joining us.
02:48Wendy, you are looking divine.
02:50I think some of the press were keen to speak to you.
02:54Where is he?
02:55This is ridiculous.
02:56He's not answering his phone.
02:58You rich Americans.
03:00He's probably decided to fly to Paris for his dinner.
03:03Well, we can't wait any longer.
03:05I'm going to have to do it without him.
03:07I'm so sorry.
03:08It's not your fault.
03:09Put him, Macalester.
03:11Well, this is going to be embarrassing.
03:13Good morning, Mr. Macalester.
03:14Mr. Macalester?
03:15Mr. Macalester?
03:16Mr. Macalester?
03:18Mr. Macalester?
03:20Mr. Macalester?
03:21Mr. Macalester?
03:22Mr. Macalester?
03:23Mr. Macalester?
03:25Mr. Macalester?
03:26Mr. Macalester?
03:27Mr. Macalester?
03:28Mr. Macalester?
03:30Mr. McAllister?
03:38Mr. McAllister?
03:40Mr. McAllister
03:59Emergency services
04:01Custom House hotel
04:03It's one of our guests
04:05I think he's dead
04:40Well, it's like a bank with bedrooms.
04:59You think we get to stay here?
05:01I mean, McAllister was minted, right?
05:07Sold his gambling app.
05:08Betopia.
05:08For an absolute stack.
05:10And spends his money doing up anything to do with the Titanic.
05:13I mean, why would you?
05:15Disaster-abilia.
05:16Not a word.
05:16Should be, though.
05:18Collectibles relating to major catastrophes.
05:20Plane wrecks.
05:22Wars.
05:23Sunken ships.
05:25But why the Titanic?
05:27He reckons he had a relative on board.
05:29Mind you, if all the relatives that Americans say were on board really were,
05:34that's probably why it's sunk.
05:35Come on.
05:37Come on.
05:54P.I. Palmer.
05:55P.C. Malick.
05:56P.C. White.
05:57Northern Ireland Police.
05:59Call me Rory.
05:59Shazia.
06:00Cheers.
06:01Good to meet you, Rory.
06:02Well, this has caused quite a stir.
06:04Who found the body?
06:06Concierge.
06:07First thing this morning.
06:08I've taken a statement.
06:09Mobile phone and wallet were still in his room, having formed a family.
06:16Well, his ex-wife.
06:18D.I. Palmer.
06:47D.I. Palmer.
06:48Rathlin Pathology.
06:50I shouldn't be here.
06:51Nothing suspicious.
06:52The whole thing screams natural causes.
06:54Anyway, level of ergomortis suggests he's been dead a little over 18 hours.
06:58Allowing for the air conditioning, I'd put the time of death between 4pm and 6pm yesterday.
07:04McAllister arrived back at the hotel around 3pm, so that fits.
07:09Could it be a drug overdose?
07:10No sign of injection marks.
07:12No drug paraphernalia.
07:14Most likely heart failure.
07:16But the autopsy will confirm.
07:20The result's tomorrow.
07:21Blimey, it's a tippin' air.
07:27My student flat was tidy on this.
07:31For a rich bloke, he's got a lot of cheap aftershame.
07:34No heart medication or blood pressure drugs.
07:40Doesn't look like he was dealing with any serious health issues.
07:43Good taste in whiskey.
07:44There's a faint circle here.
07:57Maybe they were too glasses.
07:59Your company.
08:03Could be.
08:05Smells like whiskey.
08:08Let's make sure that we get this checked out.
08:09Just move for me, will you?
08:19There's indentations in the carpet.
08:22This chair has been moved and then put back in the wrong place.
08:26It could...
08:26It could have been him, of course.
08:28There's two trails.
08:31Heel marks.
08:32There was someone else here.
08:34I think they were sharing a whiskey together and then something happened.
08:41And the chair got knocked over and they dragged him to the bed.
08:47Unconscious?
08:48Yeah.
08:49And then they laid him out and took his shoes off.
08:54You don't think he did that himself?
08:56Looking at the bathroom, McAllister wasn't exactly big on tidiness.
08:59But look at the bedroom.
09:01It's so ordered.
09:03And the shoes are side by side.
09:05Somebody else did that.
09:07We need to get the Socos to process this scene.
09:11And we need to get background on the phone records and the CCTV.
09:15Already asked.
09:16Only CCTV is in the lobby.
09:18Annoying.
09:18We need to speak to somebody at the museum.
09:20Who's our contact?
09:21The head curator, Molly Gordon.
09:23Great, let's go.
09:26Um...
09:26Yeah.
09:27We have the terms of the donation in Wrighton.
09:37We just need clarity on the situation.
09:40But what is the legal status of the McAllister bequest?
09:44Mm-hmm.
09:45I guess, of course.
09:48Okay.
09:49Miss Gordon.
09:50Heritage Crime.
09:51D.I. Palmer.
09:52D.C. Malick.
09:53Hi.
09:54Sorry about that.
09:55As you can imagine, it's been quite a difficult morning.
09:59This is Wendy Boyle, my assistant and archivist.
10:03It's just awful.
10:05I mean, what's happened?
10:07No one seems to know.
10:08That's why we're here.
10:10To find out.
10:11It's just such a shock.
10:12We're just trying to establish a timeline of McAllister's movements.
10:16Well, we were actually supposed to be in a meeting.
10:18About now.
10:18Okay.
10:19Shall we start with yesterday afternoon?
10:22Yeah.
10:22Sorry.
10:23Yes.
10:23Sorry.
10:24That's so stupid of me.
10:26So, yesterday, he was supposed to be here around six, but he was late.
10:30Wendy called him.
10:31Called his hotel.
10:32But there was no answer.
10:34And it was too late to cancel.
10:36Well, and you were here all afternoon?
10:42Well, between here and the museum.
10:44We were dashing all over, weren't we?
10:46It was quite a big deal for us.
10:49Everyone was so excited.
10:51We'll need a complete list of guests.
10:53I can get that.
10:59She's taken it quite badly.
11:01Her mum died a few months ago, so it just brings it all back.
11:03Is there anyone else that knew McAllister in Belfast?
11:08Well, Alexander Buchanan.
11:11Antique dealer.
11:12He sourced most of McAllister's collection.
11:15They go way back.
11:15And he was at the launch?
11:18Some started an argument with a woman.
11:21Made a knack for that.
11:22When was the last time you saw McAllister?
11:26We gave him a tour of the museum a few days ago.
11:30Showed him this space and the storage rooms.
11:33And Wendy showed him her precious archives.
11:37No greater privilege.
11:39Press.
11:40Trustees.
11:41Plus the great and good of Belfast.
11:43Thanks.
11:44I'll get worried to start checking them out.
11:45Rory, tomorrow morning, I want you to go through all the CCTV.
12:09See if we can identify his room-mate.
12:15Will do, boss.
12:17Forensics are looking at the whiskey bottle in the glass.
12:20Of course, it could still be natural causes.
12:22His ex-wife said he didn't have any underlying health conditions.
12:25Something doesn't seem right, does it?
12:29The concierge said he was expecting a visitor.
12:31But I think there was somebody already in there with him.
12:35We got him to the bed and removed his shoes.
12:38Still, we can't do anything until we get the autopsy report, so we might as well call it a day.
12:47So, Shazia, are you doing anything this evening?
12:50I was thinking maybe I could show you some of the sights.
12:53Sure, that'd be great.
12:55Boss, you up for that?
12:56No, no, you guys go.
13:00Go have some fun.
13:02Right.
13:03See you in the morning.
13:08Cheers.
13:17Bally Glam.
13:19I thought you should at least sample the finest local mineral water.
13:23Cheers.
13:24Cheers.
13:26Mmm.
13:29Amazing.
13:30You can really taste the...
13:33water.
13:34Right.
13:38So, what do you think?
13:41It'll be interesting to see what the CCTV throws up.
13:45Ah, well, we can look at that tomorrow.
13:47Yeah.
13:47I think if we can spot someone in the reception, that'd give us a strong lead.
13:52Sure.
13:54So, what do you reckon to Belfast?
13:56It's great.
13:58Still hoping to squeeze in the Titanic tour.
14:00Love that film.
14:01Hand on heart?
14:03Well, I haven't seen it.
14:05Get out.
14:06Seriously, get out.
14:08Spoiler.
14:10Ship sinks.
14:11No.
14:11You're joking.
14:16Cheers.
14:17Cheers.
14:17Hi, this is Rosa Conaghan.
14:25Hopefully, I'm doing something interesting.
14:28Please leave me a message.
14:31Hey, Rosa, it's me.
14:33Sorry, it's, um, Mick.
14:35I'm here in Belfast on a case about the Titanic that I thought you might find interesting.
14:42I hated that movie, but the museum's cool.
14:45But if you like the film, then pay no attention to me.
14:49I probably misjudged it, and I'd be totally up for a re-watch.
14:54Um, anyway.
14:57I'll call you when I get back to London.
14:59See ya.
15:00Here's Macalester arriving.
15:23Three o'clock.
15:26So, if he had a visitor, it would be from this point onwards.
15:31See if you can find out who he's calling.
15:33Palmer.
15:34My cum bearing gift.
15:36Results within.
15:38Apologies, I was hasty.
15:39Cause of death was a drug overdose.
15:42Toxicology reports was a high concentration of a synthetic opioid.
15:45Self-administered?
15:46We didn't find anything in the hotel.
15:48It can be prescribed as pain relief, but the quantities ingested suggest something else.
15:52How much did he take?
15:53Four milligrams.
15:54Just two would be fatal for most people.
15:56Oh.
15:58Forensics asked me to give you this.
15:59Thanks.
15:59Initial findings.
16:01First of all.
16:06Here we go.
16:08So the prints on the whiskey glass were Macalester's, but they found traces of liquid opioid.
16:13So somebody spiked the drink, and then waited for him to pass out, and then dragged him to the bed.
16:20Reckon so.
16:22And then took his shoes off.
16:23Okay.
16:24Got something.
16:25This is an hour later.
16:30It was it.
16:31I don't know, but I'm pretty sure I recognize the face.
16:42It's her.
16:44Isn't it?
16:45The woman arguing with Buchanan.
16:51It's good work, Rory.
16:52Mm.
16:53See if you can find a name and dig out an address.
16:55Miss Wallace, do you have a moment?
17:06Miss Wallace, do you have a moment?
17:11Miss Wallace, do you have a quick, not to my eyes.
17:27D.I.
17:28Palmer, D.C.
17:28Malick, heritage crime.
17:30Heritage what?
17:32Crime.
17:32Yesterday morning, Rick Macalester was found dead in his hotel room.
17:38What's that got to do with me?
17:39How well did you know him?
17:41I didn't.
17:42I tried to sell him something.
17:44From the Titanic.
17:45What was that?
17:47A dinner plate.
17:48From first class mint condition.
17:51Must be worth a bit.
17:53Six figures, easy.
17:54My great-great-grandfather was one of the waiters.
17:57He smuggled the plate onto the lifeboat.
17:59It's been in the family ever since.
18:00So Macalester was interested in buying it?
18:02No.
18:03He said it was a fake.
18:05So how come you were at the press launch?
18:07He invited me.
18:08Why would he do that?
18:10When was the last time you saw him?
18:13A few days ago, when I showed him the plate.
18:16So you weren't at the hotel at 4pm on Thursday?
18:18Because the CCTV caught you.
18:22I was going on a date up to the first floor bar.
18:26About four in the afternoon.
18:28What, are you telling me when I can and can't have a drink?
18:30No.
18:32Anyway, the bastard never showed.
18:34Now he's ghosted me.
18:35Got a name?
18:36Can't remember.
18:37Luckily.
18:38For that prick.
18:40All right, Miss Wallace.
18:41Well...
18:41Thank you for your time.
18:44Dreadful business.
19:01News travels fast.
19:05Belfast is a small city, Inspector.
19:09So, you knew him well?
19:11We did the odd bit of business over the years.
19:13I mainly dealt with his people.
19:15So you hardly knew him.
19:17But you were at the museum reception.
19:20As I say, it's a small city.
19:23Are these books anthropodermic?
19:24Indeed.
19:27Well spotted, Inspector.
19:31Bound in human skin.
19:33In this instance, the notorious highwayman John Burke.
19:37You're not serious?
19:39It was his own final request.
19:42Highly sought after.
19:43Much like John Burke himself.
19:46Please.
19:47No?
19:47No?
19:47Sorry.
19:51My trouble.
19:55What else was McAllister interested in?
19:58Anything and everything.
20:00Paintings of the Titanic.
20:02Posters.
20:03But of course, the real prize was anything that came from the wreck.
20:07I sourced several items that came directly from the ocean floor.
20:11Immaculate providence.
20:13Now, if there's nothing else...
20:15Did he invite you to his hotel room on Thursday afternoon?
20:20No.
20:21I was here.
20:22Do you know why McAllister decided to donate his collection?
20:26Who knows the ways of the incredibly rich inspector?
20:30Of course, with his passing, I assume the donation will now be reversed.
20:35Well, Molly Gordon's optimistic it won't be.
20:39Well, that would be great news for the museum and the city.
20:42Of course, it can't have been easy for Molly.
20:46Why is that?
20:48Dealing with McAllister.
20:50Batopia.
20:52His gambling empire.
20:55Blood money.
20:58Something of a moral dilemma for her, wouldn't you say?
21:01I thought him and McAllister were meant to go way back.
21:07He acted like he hardly knew the guy.
21:08And he's done well out of McAllister over the years.
21:10I can't see a motive for him to kill him.
21:12He clearly knows his stuff and there's some really interesting things in his showroom.
21:16Creepy, you mean.
21:18And he was quick to throw Molly Gordon's name out there.
21:20Her moral dilemma.
21:21Yeah, I noticed that.
21:23We'll deal with it soon as.
21:24But firstly, I am starving.
21:27Good show.
21:28I'll find somewhere.
21:29Nice.
21:29Ooh, straight in with the Ulster fry.
21:47Strong game.
21:48Belfast's contribution to world cuisine.
21:50Love me a bit of potato bread.
21:53You're missing out, Inspector.
21:56That is Cheddar's contribution to world cuisine.
21:59So I ran a background check on Wallace's garage.
22:03Looks like she was in a bit of trouble.
22:04You think she needed the money from selling the plate?
22:06Definitely.
22:07And if McAllister was going to tell the world it was a fake, she'd have been shafted.
22:12Nice work, Rory.
22:13Have a chip.
22:17I think I've found out why Molly Gordon had beef with McAllister.
22:21There's an article in the Belfast Herald about her brother.
22:39Inspector, any news?
22:42Everyone's desperate to know where the museum stands.
22:45Does this mean you're going to have to call off the exhibition?
22:51You'd be happy with that, though, wouldn't you?
22:53What?
22:53Of course not.
22:54It's been years of negotiating.
22:57A huge donation.
22:58All built on the proceeds of gambling.
23:01Can't sit easy with you.
23:02We know about your brother.
23:07Yeah?
23:09Yeah, Des had it bad.
23:11I mean, hardly surprising.
23:12They made it easy for him.
23:14You know, one touch of a button on your phone and now it goes a thousand pounds.
23:18That's like a portable casino.
23:20Thanks to Satisfied Betopia.
23:22Now, addiction is a disease.
23:25I know that now.
23:26I say it was suicide, but...
23:28It was gambling that killed him.
23:32You must have hated McAllister.
23:34No, I live in the real world.
23:37I hated what McAllister stood for, but I didn't hate him.
23:40His donation was incredibly generous.
23:43It's an exceptional collection.
23:46What was he interested in?
23:48The usual.
23:50His mythical relative.
23:51The one who was on the ship.
23:55Boss, we've got something.
23:58Fingerprints from inside the hotel room.
24:02Mostly McAllisters.
24:03Some they can't trace.
24:06Two fingerprints from outside of the door.
24:09They've got a match.
24:12What were you doing in McAllister's hotel room?
24:15I've already told you.
24:17I wasn't.
24:18I was in the bar and my date was in Ocho, so I went to the press lunch.
24:24We've got your fingerprints on the door handle of McAllister's hotel room.
24:28Can you explain why your prints are on file?
24:31Oh, come on.
24:32It was from years ago.
24:34It was a pub fight.
24:35I'm pissed off at closing.
24:36It was nothing.
24:38None of this has anything to do with me, okay?
24:40I swear I never entered his room.
24:43We know he needed money.
24:45We know he needed to sell the plates.
24:47McAllister found out it was a fake.
24:49Jesus, it's not a fake.
24:51That came from Buchanan.
24:53So you tried to sell it to him first?
24:55Yes.
24:56And he said it was a fake.
24:58So then I went to McAllister and he wasn't having none of it neither.
25:02Poor them just looking to me, what, because I don't sound like them.
25:05Oh, why?
25:05But the American, the American is happy to buy three plates off of Buchanan.
25:10Right.
25:11So why did you go to his room?
25:18McAllister changed his mind.
25:20He phoned me.
25:22He told me to come up to his room before the pressing.
25:26So I went up.
25:27But he never answered, so I left.
25:30We've had a call reporting a burglary.
25:35And?
25:36Only it's Miss Wallace's business.
25:37What?
25:39Where'd you keep the plate?
25:48Now, wait here.
26:00Rory, you go round the back.
26:09See if there's another way out.
26:10Oh my God.
26:33Ah, shit!
26:34Fuck!
26:35Fuck!
26:35Fuck!
26:36Fuck!
26:37Fuck!
26:38Fuck!
26:38Fuck!
26:39Oh, shit.
26:47Oi! See you later.
26:55We shit.
26:59They didn't get into the safe.
27:01They didn't get it.
27:03Somebody obviously thinks your plate's worth something.
27:06Are you gonna harass me then?
27:07No, but I need to borrow your plate.
27:15McAllister's first-class plates, according to Buchanan,
27:21recovered directly from the wreckage
27:23and verified by the museum archives.
27:31Amazing to think these were lying at the bottom of the sea all that time.
27:35So, Wallace's plate?
27:37Carried off by a relative.
27:44Now, they should be the same weight.
27:49The house feels a little lighter.
27:52No salt damage, obviously.
27:55But there is something different.
27:57They're both spode.
28:06Both have the white star branding.
28:10But the gold on the Charlotte Wallace plate is not the same.
28:24It's subtle, but it's visibly different.
28:28So, it is a fake.
28:35So, where does that leave us?
28:37Well, she has a motive.
28:40And we can put her at his hotel room at the time of death.
28:43But what we can't prove is whether she went in or not.
28:47It's Rory.
28:48It says he's at a loose end.
28:52What shall I say?
28:53Whatever you want.
28:54Don't let me get in the way.
28:56Uh, chase down McAllister's phone record.
29:02I'm not sure it's a work assignment he's after.
29:05Oh, yeah.
29:06I suppose it's a bit late.
29:07You know he likes you, right?
29:09What?
29:10No.
29:11He's just being friendly.
29:12You think?
29:13Yeah, totally.
29:18We should talk to Molly Gordon again.
29:20She clearly hated McAllister's business.
29:22Yeah, but she got over it pretty quickly
29:24when she saw the size of the donation.
29:26And besides, where's she going to find a bunch of opioids?
29:30Prescription pain relief.
29:35You're thinking about the shoes again, aren't you?
29:37Why did they take them off?
29:38Why are they next to the bed?
29:39I mean, what are we missing?
29:44Why is everyone still so hung up on that ship?
29:46It's the human element, isn't it?
29:48The stories of all the passengers.
29:50It's the ship going down while the violin played.
29:54It's the brother taking that last-minute ticket.
29:56It's the crocodile bag floating on the water.
29:59Thought they were going to a new life in America.
30:01Yeah.
30:02Never happened.
30:05You know, I'm...
30:07My dad never sold a painting without a story attached to it.
30:10Hm.
30:11How he'd found this amazing new work.
30:15How it had been missing for all these years.
30:17Why he needed to sell it.
30:20They'd buy the story as much as they would the fake.
30:23He sounds like a right character.
30:26That's one way of putting it.
30:27He's back.
30:29By the way.
30:30Your dad?
30:31Really?
30:32Have you seen it?
30:33He came round.
30:34He...
30:35Brought one of my old comic books.
30:36Way to a man's heart.
30:37Says he wants to reconnect.
30:38Maybe that's true.
30:39Maybe he's getting sentimental in his old age.
30:42He wants the portrait back that he painted of my mum.
30:44Maybe he misses her.
30:45Yeah.
30:46Maybe.
30:47Maybe.
30:48Are you going to give it to him?
30:49That's all I have of her.
31:15It's all I have of her.
31:38Okay.
31:40Let's have a look at the opioid angle.
31:42Where can you get them?
31:44Hospitals, doctor surgeries, pharmaceutical companies.
31:49Dark web.
31:51Chasetown McCallister's phone records, as requested.
31:55Thanks.
31:56The day he died, he had a bunch of missed calls from Wendy Boyle and Molly Gordon,
31:59trying to get a hold of him.
32:01But he only made two calls.
32:03One to Charlotte Wallace?
32:04Exactly. Three o'clock from the hotel lobby.
32:06The other to a lawyer.
32:08She'd been engaged by McCallister.
32:09Scheduled a meeting with Molly Gordon for the next day.
32:12She mentioned that.
32:13Do we know what that was about?
32:14That's the thing.
32:15McCallister wanted to stop his donation.
32:17What?
32:18He wanted to cancel his donation, but he hadn't cancelled the press lunch.
32:23The lawyer said McCallister contacted her earlier in the week.
32:28Here.
32:29Five days ago.
32:30At 1409.
32:31That's around the time he was at the museum and visited the archives.
32:37So the question is, what did he see in the archives that day that made him want to stop his donation?
32:41These are the records McCallister was looking at?
32:51I think he spied something in here that spooked him.
32:54Is Boyle not here?
32:58No, she's off sick.
32:59She and Alex Buchanan seem pretty close.
33:00Yeah, he's here all the time.
33:01Wendy's got a bit of a crush on him.
33:02Mitchell let pass even though.
33:03Go on.
33:04No, nothing.
33:05Nothing.
33:06You don't like him do you?
33:07Well, I don't like them cooing in the archives together.
33:11But, you know, she had a hard time where her mum had cancer, so like I said, turned a blind eye.
33:28These are the items relating to Buchanan's plates.
33:32This is the original letter from Spode.
33:34They made the porcelain.
33:36They confirm the design for the first class dinner plates.
33:39And the serial numbers match Buchanan's?
33:42This is from Ocean Deep.
33:43They're the only authorised salvage company.
33:46And they confirm that the plates were brought up from the sea floor.
33:52Bizarrely, they even mention the same serial numbers.
33:56So Buchanan's items I'll check out?
34:00That's wrong though.
34:01What?
34:02Look at the date.
34:03What about it?
34:051506.
34:07The 15th of June.
34:09Hmm.
34:10This is an American company.
34:12Look.
34:13So the date...
34:14Is the wrong way around.
34:16Right.
34:17Let's have a look at the Spode letter again.
34:23Have you got anything that I could use to...
34:25Yeah, magnify it.
34:26That would be great.
34:27Sure.
34:33Oh yeah.
34:34Excellent.
34:38See, it's good.
34:39But it's not good enough.
34:40Look at the text.
34:41You see the edge?
34:43It's too crisp.
34:45It's too precise.
34:47This wasn't written on a typewriter.
34:49This has been printed on an inkjet.
34:52Quite a trick for 1912.
34:56Both these letters are fakes.
34:57No.
34:58There's no way.
34:59We don't let anything into the archives unless we're 100% convinced.
35:03Unless they had unauthorized access.
35:07Buchanan.
35:09We've got this all wrong.
35:11We thought Wallace's plate was the fake, but it's the others.
35:14Buchanan has been leaving a false trail, breadcrumbing the archives for years in order to fool McAllister.
35:21Yeah.
35:23So that explains the breaking of Wallace's.
35:27Buchanan didn't want the genuine article knocking about.
35:29And if McAllister found out?
35:32Buchanan would have to silence him before he could go public.
35:35Can't believe this.
35:37I mean, this can't be true.
35:44I've seen this before.
35:52You said Wendy's mum died of cancer.
35:55Yeah, she was in a lot of pain.
35:57Wendy was her sole carer.
35:59She did what she could to make her comfortable.
36:07I don't think Buchanan killed McAllister.
36:14See that?
36:39Inspector.
36:41Thank God.
36:42You have to do something.
36:43It's Wendy.
36:44She's hysterical.
36:45She's completely lost it.
36:47She phoned me and said if I didn't come over, she'd kill herself.
36:51Said she's in love with me.
36:53It's terrifying.
36:54If you could come back in with us.
37:03It's okay, Wendy.
37:06It's over.
37:09We know.
37:10I did it for him.
37:11I love him.
37:13I love him.
37:15You did what for me?
37:17I was going to tell everyone.
37:20You would have went to prison.
37:22I couldn't bear that.
37:24I have no idea what she's talking about.
37:27Why on earth would I go to prison?
37:30For fraud, Mr Buchanan.
37:31Mr Buchanan.
37:32We know you accessed the museum's archives.
37:36Created false records for the stuff you sold to McAllister.
37:40That's complete nonsense.
37:41You knew Charlotte Wallace's plate would expose you.
37:45Which is why you arranged the break-in at her business.
37:48When did you realize what he'd done?
37:53When I showed McAllister around the archives.
37:57Did you think he was going to confront Buchanan?
38:00I got him to hold off till I'd looked into it.
38:06But he was furious.
38:09He said he was going to tell everyone at the press lunch.
38:12He wanted to publicly humiliate you.
38:16You would have been ruined.
38:20And then you went to his hotel room.
38:25With your mum's leftover meds.
38:29I don't understand.
38:31Are you trying to tell me that she...
38:35I told him.
38:36I found more evidence of the fraud.
38:40I took a bottle of whiskey over there.
38:44I put...
38:46This stuff.
38:48Mum's stuff.
38:49In his glass.
38:51He was so angry with Alex.
38:54He necked it.
38:56You're pathetic.
39:03How did you get him to the bed?
39:06He was happy.
39:10But Mum was happy too.
39:27So Charlotte Wallace was just in the wrong place at the wrong time.
39:31And then you went back to the press launch.
39:44As if nothing had happened.
39:47It was the shoes, you know.
39:57Tucked away neatly.
40:00At the end of the bed.
40:02I couldn't work out why.
40:03And then I realized...
40:05You wanted to make him feel comfortable, didn't you?
40:08Like you had with your mother.
40:10I had nothing to do with this.
40:15This was all her.
40:18I don't know for us.
40:20There is no us.
40:25Rory.
40:27Alexander Buchanan.
40:29I am arresting you on suspicion of fraud.
40:32And for perverting the course of justice.
40:34You do not have to say anything, but it may harm your defense if you do not mention one question...
40:38Can I grab my jacket?
40:52Please.
40:55I'm sorry.
40:56How did it come to that?
41:14One man dead and Boyle's lost everything.
41:18Job.
41:19Relationship.
41:20Family.
41:21My mum died and she was vulnerable and Buchanan took advantage.
41:27What a mess.
41:29Your lift to the airport awaits.
41:32Cheers, Rory.
41:36So, Shazia.
41:37You've my number, right?
41:39Yeah.
41:40It's on the police database.
41:41But all the paperwork's done now.
41:43Geez, Shazia.
41:44For such a good detective, you're not exactly picking up many clues.
41:47You're in serious danger of missing out in Belfast's biggest catch.
41:53Oh.
41:55You mean, uh, yeah.
41:59Well, if you're ever in London, then give me a shout.
42:04Yeah, I mean, maybe I could sample some of the local water.
42:08Yeah.
42:10Maybe you can draw me like one of your French girls.
42:13I'm sorry, what?
42:14No.
42:16Watch the film!
42:44Many people go.
42:45Hey!
42:46There's time.
42:47I'm sorry.
42:48Here's a question.
42:49If you're not, I can't see the film.
42:50I'll learn a bit later.
42:51And I'll move on.
42:52Actually, I can't, so I can't see the film.
42:53I was just waiting for your phone.
42:55There's more.
42:57There's a trick.
42:58I can't.
42:59So, I can't see.
43:01I can't see the film.
43:03It's really scary feels so you're using a lot of ihm.
43:04You might don't know if you're a bit more, you know.
43:07And I get the film.
43:08It's a joke.
43:09You want to move on.
43:10The film is some of the most horrible people.
43:13Dad?
43:43Dad?
44:13Dad?
44:43Dad?
44:53Dad?
44:58Dad?
45:02Dad?
45:06Dad?
45:16Dad?
45:21Dad?
45:25Dad?
45:27Dad?
45:29Dad?
45:31Dad?
45:38Dad?
45:40Dad?
45:41Dad?
45:42Dad?
45:43Dad?
45:44Dad?
45:45Dad?
45:46Dad?
45:47Dad?
45:48Dad?
45:49Dad?
45:50Dad?
45:51Dad?
45:52Dad?
45:53Dad?
45:54Dad?
45:55Dad?
45:56Dad?
45:57Dad?
45:58Dad?
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