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00:00This is my boss, Jonathan Hart, a self-made millionaire.
00:12He's quite a guy.
00:17This is Mrs. H. She's gorgeous.
00:21She's one lady who knows how to take care of herself.
00:23By the way, my name is Max. I take care of both of them, which ain't easy.
00:33Cause when they met, it was murder.
00:53You're a jerk.
01:19Start Spreading the News
01:49Start Longin' To Stray And Step Around The Heart Of It
01:57New York, New York
02:01I wanna Wake Up In The City That Doesn't Sleep
02:10To Find I'm King Of The Hill Top Of The Heap
02:18My Little Town
02:21You See, I Told You They Serve Breakfast There
02:24Are Melting Away
02:27I'll Make A Brand New Start Of It In Old New York
02:36If I Can Make It There
02:41I'd Make It Anywhere
02:45It's Up To You New York, New York
02:57Darling, you know, these are really beautiful boxes. We should come here more often.
03:02Now, let's give a chance to restock and make it there. I'd make it anywhere. Come on, come through New York, New York.
03:20Hey, why don't we just have lunch and then take a little siesta?
03:26We can call room service, order some champagne, have a strolling violinist come up and play Fascination.
03:33Wait a minute. I got it. Gary Cooper and Audrey have been in love in the afternoon.
03:41We could do a remission.
03:43I don't mind.
03:45Taxi!
03:59Look at that.
04:00Jennifer?
04:01Jennifer?
04:02Jennifer?
04:03Marcy!
04:04Well, darling, look who's here.
04:05Oh!
04:06How are you?
04:07Jonathan?
04:08Well, what brings you two to New York?
04:10I had a board.
04:11And I was just bored.
04:16How are you?
04:18Jonathan, well, what brings you two to New York?
04:21I had a bored week.
04:23And I was just bored.
04:25Oh, this is incredible.
04:28I move all the way to the West Coast,
04:30and then I bump into you back in New York.
04:32Well, now, how can New York's top fashion model commute from the coast?
04:36Ex-top fashion model.
04:38I've become a lady of leisure.
04:41Are you married?
04:43Yes. Last week. We're on our honeymoon.
04:47Oh.
04:49Who's the lucky fellow?
04:50Adam Fowler, and he is absolutely divine.
04:54He is nice, and he is sophisticated,
04:57and he is wonderfully good-looking,
05:00and he is, uh, very well off.
05:03Well, when are we gonna meet him?
05:05I'm meeting him for lunch right now. Why don't you join us?
05:09Uh... Oh, yes.
05:11Um, please?
05:14Sure.
05:15Terrific!
05:16Oh, uh, my taxi.
05:18What happened to fascination?
05:20Look, we can have the champagne.
05:23We just have to take the rain check on the fiddlers.
05:26Okay?
05:27Oh, sir, uh, would you take this out to room, uh...
05:322204.
05:34Yes.
05:35Thanks.
05:36Uh-huh.
05:37Darling.
05:39At 2205?
05:40Thanks.
05:41Hello, New York.
05:43If I can make it there, I'd make it anywhere.
05:50Come on, come through New York, New York.
05:52New York!
05:53New York!
05:54New York!
05:55New York!
05:56Hello, New York!
05:57Hello, New York!
05:59Hello, New York!
06:02If I can make it there, I'd make it anywhere.
06:08Come on, come through New York, New York!
06:17New York!
06:18It was a whirlwind romance.
06:37I swept him off his feet.
06:40Isn't that romantic?
06:43Tell me, Adam, what occupies you when you're not being pursued by ravishing models?
06:47Well, I have a small consulting firm. Offshore oil leases, mostly.
06:53Good afternoon.
06:55Good afternoon.
06:56We have a rather extensive buffet.
06:59Oh, would you care to select your entries directly from the menu?
07:03Darling?
07:03I'll have the soldable, sir.
07:06I'll have the same.
07:08Marcy?
07:10I think I'd like to see the buffet.
07:13I think I'll try the same. Thank you.
07:15Excuse us.
07:16Let's wait.
07:36Hello, Adam.
07:37Your business is in California.
07:39Yes, we'll be living at my penthouse in Malibu.
07:42Oh, probably.
07:52You're not going to believe this.
07:54What?
07:57Take a look.
08:05It's him.
08:05Oh, are you sure?
08:10His hair's changed.
08:12He's got a mustache.
08:14That's him.
08:19Pardon?
08:19Uh, pardon.
08:21Uh, that man at the far table, could that be an old friend of mine named Adam Franklin?
08:28I am afraid not, sir.
08:30That's Mr. Adam Fowler.
08:33As a matter of fact, I believe he's having lunch with his new bride.
08:36His new bride.
08:45He said we'd go over and congratulate the happy couple.
08:51Patience, Gunter.
08:54Patience.
08:55Have you known Marcy Long?
09:03Well, we used to be very good friends, but I haven't seen her for years.
09:13Jennifer.
09:15I'm about to do something which will seem quite strange to you.
09:21I'm, uh, about to get up and leave this restaurant.
09:32Well, it couldn't be anything we ate.
09:35Is it something I said?
09:37Well, tell Marcy that I love her, and I will see her at our apartment on the coast tomorrow.
09:45I'm leaving now.
09:47Adam!
09:48I can't explain.
09:49Take care of Marcy for me, will you?
09:51I can't explain.
09:54I can't Parfind.
09:55I can't explain.
09:59I can't explain.
10:02This is what you really are.
10:07I just want to.
10:08Where's Adam?
10:26Adam.
10:28Oh, Adam...
10:31said he couldn't explain that he would see you tomorrow in California.
10:38You mean, he left, just like that?
10:43Just like that.
10:49Does this sort of thing happen often?
10:54Well, if... if Adam left abruptly, um...
11:00Well, there must be an explanation.
11:03Uh-huh.
11:05Well, I'm sure there is.
11:06It's probably, uh, it's probably a big business deal.
11:11I will just fly out there early in the morning and I'll meet him.
11:16Oh, well, look, we've got our plane here. Why did you fly out with us tomorrow?
11:22Well, we're not leaving until...
11:24until about, uh...
11:34Ten o'clock?
11:36About ten o'clock.
11:38Oh, that would be lovely.
11:40Great.
11:41I'm so excited. I just can't wait to see Adam.
11:58Neither can I. Lunch was $140.
12:00I thought we got my own house.
12:01Oh, I thought we got my own house.
12:02That's a big house.
12:03We've got our own house, and I've got my own house.
12:04I thought we'll go out and see you.
12:05I thought we could've got our own house,
12:06but we're before that.
12:07The work that we've done was $140.
12:08Come on.
12:38It's not here, my mom. It can't be.
12:43Keep looking. It's a logical place.
12:50Well, somebody's home.
12:53Adam?
13:08Just out of curiosity, Mr. H., you were going to take the big guy, weren't you?
13:23You should see the bedroom.
13:32It looks like kindling wood, and they even opened up the canned goods in the kitchen.
13:36You hear about people like that, but you never expect them to hit you in your own home.
13:40Do you have anything specially valuable, Mrs. Fallon?
13:43No, nothing special. No jewelry.
13:46For burglars, they passed up some pretty worthwhile merchandise.
13:50Oh, the phone still works.
13:52You calling the police?
13:54No, no, I want to call Adam at the office.
13:59Yes, this is Mrs. Fowler. May I speak to my husband, please?
14:02I'm sorry, Mrs. Fowler, but Mr. Fowler's not in at the moment. May I take a message?
14:07Well, do you know where I can reach him? This is very important.
14:11I'm sorry, but as soon as I hear from him, I'll tell him you called.
14:14Wait a minute. Excuse me, but is this an answering service?
14:22Yes, it is.
14:25Let me speak to them.
14:27I don't understand.
14:30Do you have any messages there for Adam Fowler?
14:33No, as a matter of fact, this is the first message I've ever taken for him.
14:39Thanks very much.
14:40Now that we've got your statement, Mrs. Fowler, we'll do what we can.
14:58That's it?
15:01That's it.
15:02What about Adam Fowler?
15:04What about him?
15:05Well, Lieutenant, doesn't it seem strange to you that a man would leave his bride in New York in the middle of lunch, never to be seen again?
15:14No offense, Mrs. Fowler, but maybe the marriage didn't agree with him.
15:19Or maybe the lunch.
15:22Charming, Lieutenant.
15:24We've checked out here as well, Lieutenant.
15:26That so-called consulting firm of his is nothing more than an answering service.
15:31As a matter of fact, he's never even had a conversation with them.
15:33And you haven't turned up a trace.
15:35No bank account, no social security, nothing.
15:38Wait a minute.
15:40Mrs. Fowler, would you describe your husband to me again, please?
15:44He's 6'2", about 175 pounds, dark brown hair.
15:52Does he have a mustache?
15:53Yes.
15:54A couple of wire photos came in from New York City police.
16:03An unidentified accident victim was found in Central Park early this morning.
16:09His neck was broken.
16:12No ID.
16:14But his clothes were bought in Los Angeles.
16:16They thought we might be able to get a line on him.
16:17I'm really very sorry.
16:35Come on, Marcy.
16:52We'll take you down to Jonathan's office.
16:54There they go.
17:19Think they know?
17:20Look at the brunette in the tan jacket, Liz.
17:29That's the wall she was, Adam's wife.
17:31Here we go.
17:49It's better, isn't it?
17:50It will be, yes.
17:52You two have been so wonderful.
17:54Oh, I don't know what I would have done without you.
17:56Nonsense.
17:56You know, you're perfectly welcome to stay with us, if you like.
18:00Oh, thank you.
18:02But I need some time to be alone, you know, just do some thinking.
18:06So I think I'll just stay at the Malibu Inn until I get the apartment straightened up.
18:10You're sure?
18:11Yeah.
18:13Well, I'll drop you off, Marcy.
18:16You have a date with the decorator, remember?
18:19Oh, I completely forgot.
18:21We're redoing some of the offices, and I haven't even looked at the samples.
18:25Do you mind?
18:25Oh, no.
18:27I'll call you tonight.
18:28See you later, darling.
18:38Bye-bye.
18:55Well, what are we going to do?
19:00Follow him?
19:02We'll leave the hearts alone.
19:05Let's wait for Adam's wife.
19:07Yes, Deanne?
19:20There's an inspector, Abernathy, here from the FBI, here to see you.
19:24Well, we'd better let him in.
19:27Reluctantly.
19:29You can go in.
19:37Hello, Inspector.
19:40I'm Jennifer Hart.
19:41Can I help you?
19:43Craig Abernathy, FBI, Los Angeles.
19:44I'm looking for Mrs. Adam Fowler.
19:50Marcy Fowler.
19:51Oh, what a shame.
19:52You just missed her.
19:53My husband's taking her to a hotel.
19:57Mrs. Hart, I'm afraid your friend is in for a bit of a shock.
20:01Her husband has been killed.
20:03Yes, she knows.
20:05Does she also know that her husband's real name was not Adam Fowler?
20:09You're kidding.
20:10His real name was Adam Franklin.
20:12He was on the most wanted list for robbing a federal bank in Boston.
20:15But there must be some mistake.
20:18There's no mistake, Mrs. Hart.
20:21Do you recognize any of these men?
20:25Well, yes.
20:28Yes, that's Adam.
20:32Those are the two men that tried to rob his apartment.
20:36One with a beard is Gunther Maddox.
20:38The other one is Milo Vitt.
20:40Milo Vitt?
20:43They were partners of Franklin's in the bank robbery.
20:45Five million dollars in large bills.
20:48Then about six months ago, Franklin took the money and skipped out on them.
20:53So they were after the money.
20:55Uh-huh.
20:57Well, I can assure you, they left that apartment empty-handed.
21:00Well, you've been very helpful, Mrs. Hart.
21:04Oh, can you tell me exactly where your husband was taking Marcy?
21:08Certainly.
21:09At the Malibu Inn.
21:10It's at the beach.
21:11Malibu Inn.
21:12Well, you've been very helpful.
21:14Oh, by the way, if you see either of those two men, please call me immediately at the bureau.
21:19I will.
21:19Oh, and Mrs. Hart.
21:21Don't take any chances.
21:23They're killers.
21:26I'll remember that.
21:38Deanne.
21:39Yes, Mrs. Hart.
21:39Try to get through to Mr. Hart on the mobile phone and ask him to meet me at Adam Fowler's apartment.
21:45I have an idea.
21:46Yeah.
21:49What if I don't didn't tell her where it is?
22:15There's only one way to find out.
22:17There's only one way to find out.
22:47Jonathan?
22:57Jonathan?
23:01I can't tell you how much I hope that's really you.
23:10Okay, lady.
23:12Where is it?
23:17It.
23:20Oh, it.
23:22Have you tried the cookie jar?
23:47Please.
23:51Oh.
24:02I don't want to have to kill you, lady.
24:03I don't know where it is.
24:08He must have told you you're his wife.
24:13I'm not his wife.
24:16I'm Jennifer Hart.
24:19Hey.
24:21I can put whatever you want on the tombstone, okay?
24:23Because if you don't tell me where it is, you're going to be dead.
24:30Listen, I...
24:31I can put me to the tombstone, okay?
24:42Huh?
24:45Ah.
24:47Oh.
24:48Oh.
24:49Oh, god.
24:50Oh, god.
24:50Oh, god.
24:51Oh, god.
24:54Oh, yeah.
24:55Oh, god.
24:56Oh, god.
24:56Oh, god.
24:56Oh, I want to go ahead.
24:57Oh, god.
24:58Oh, God.
24:58Oh, god.
24:59It's all not.
27:35Perhaps you should contact Inspector Abernathy, who's with the FBI.
27:39Don't worry.
27:40I'll get in touch with the Bureau.
27:42They're handling the bank robbery in.
27:44But this is a local homicide case, and I am taking charge personally.
27:50Well, then you're just the man I want to talk to, because these guys seem to think that Jennifer is Adam Fowler's widow.
27:55And I don't want this fellow Milo Vitt trying to slit her throat.
27:58You say the nicest things.
28:02Look, I am telling you what I've already told Lieutenant Gifford.
28:21And how many times do I have to say this?
28:23I don't know where Adam hid the money.
28:25But he must have told you something, given you some clue, some hint.
28:30Who is it?
28:31It's Jennifer and Jonathan.
28:37Hi. Come in.
28:38Hi.
28:41Oh, Inspector.
28:43This is my husband, Jonathan.
28:45How are you doing, Inspector?
28:47Glad to know you, Mr. Hart.
28:51I take it that you've heard about Gunther Maddox?
28:54No. What about Gunther Maddox?
28:56He's dead.
28:58Stabbed in the back.
29:00Stabbed?
29:01I see.
29:03Well, a knife is Milo Vitt's M.O.
29:05I think I'd better get down and see Lieutenant Gifford.
29:09He's probably trying to locate me.
29:14Oh, and Mrs. Franklin, I want to see you again.
29:18Mrs. Hart?
29:19Mr. Hart?
29:20Glad to meet you.
29:21Thank you, Inspector.
29:26Did he give you a bad time?
29:31Oh, I can't really blame him.
29:33He thinks I know where the money is hidden.
29:35Oh, I mean, doesn't he realize I didn't even know Adam when the bank was robbed?
29:44Marcy, didn't you know anything at all about Adam's past before you married him?
29:48Not really.
29:50I was a storybook romance, the kind of thing that never really happens to anybody.
29:53I meet the perfect man, fall in love, and on an impulse I married him.
29:59I mean, I know that that sounds really crazy, but...
30:03No, it doesn't.
30:04It doesn't sound crazy at all.
30:12I think you'll love the print samples, but the material is so expensive.
30:16It can either be like this or in that color.
30:30Which do you like?
30:32Which one do you like?
30:34Well, I think that...
30:35Yes, Deanne?
30:38Uh, Mr. Hart, you have a phone call.
30:41Uh, the man won't give his name, but he says it's about someone named Milo Vitt.
30:45Milo Vitt?
30:47Did I get that right?
30:51Yeah, you got it right.
30:52Put him on, please.
30:54Okay.
30:58Hello?
30:59Mr. Hart?
31:00I know where you can find, uh, Milo Vitt.
31:04Yeah, well, if you're interested, Mr. Hart, uh, meet me in a half hour, is that all right?
31:09In the lobby of the Century Plaza?
31:11And, uh, Mr. Hart, uh, come along with you, because, uh, if I even smell a cop, I won't show.
31:18How will I know you?
31:20You won't know me.
31:23But I'll know you.
31:30Deanne, will you get me security, please?
31:47Uh, can I help you, sir?
31:49Yeah, I'm counting on it.
31:56Yes, Deanne?
31:57Mr. Hart, there is no answer at the security office.
32:00I can't understand it.
32:02Will you go down there personally and tell him I want to mount up here right away?
32:06Well, don't you think I ought to go with you?
32:08Darling, he's set alone.
32:11You better stay, okay?
32:25Mr. Hart!
32:26Mr. Hart!
32:27Deanne, get some help and untie him.
32:41Oh, Deanne, would you call Peter Shore and tell him I need 500 yards of 68, 61, 91 in platinum?
32:54No noise.
32:55Not a sound.
32:57Not a sound.
32:59Oh, please.
33:00You've got me mixed up with somebody else.
33:08Where did Adam hide the money?
33:10I'm not his wife.
33:11I don't know.
33:13Listen, lady.
33:17You got the wrong lady, Milo.
33:18That's my wife.
33:19That's my wife.
33:22Jonathan!
33:22Jonathan!
33:30Stay here.
33:31Lock the door.
33:31You got the wrong lady.
33:32You got the wrong lady.
33:32I'm not his wife.
33:33Wait.
33:50Look.
33:51Hold side.
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35:41We thought you ought to know, Marcy, Milo Vitt's been killed.
35:46We know it's been a terrible experience for you.
35:50Oh, well, it's just that it's, um, it's been one shock after another.
35:56It's first Adam and then that awful man, Gunther, being stabbed,
36:03and now this third man being run down and killed well if there's anything we can do for you
36:13oh oh jonathan i thank you i've been taking care of myself a long time
36:18don't you worry i am a survivor
36:24darling
36:31you're sweet darling but it's late this is important oh you're so romantic i've been thinking about
36:48marcy
36:57we didn't tell her about milo vitt
36:59him again we didn't tell her that milo vitt was in an automobile accident
37:07we didn't no we didn't
37:10well maybe she heard about it from abernathy
37:18you know you haven't seen her for a long time just uh well just how good of friends were you
37:24well we weren't close friends but we were friends
37:30well knowing some of your friends they're really off the wall
37:35like who for instance
37:39like who for instance yes
37:42harriet harriet
37:47harriet is a very respectable
37:51efficient woman
37:53you call wearing old army helmets an affectation
37:55how about george george
38:00your friend
38:02oh just because he keeps a live chicken in the shower
38:06the chicken i understand
38:08it's the stuttering
38:09you know some people consider stuttering to be unfortunate not strange
38:14you don't think it's strange that the only time he ever stutters is when he talks about women
38:18and he talks about women all the time
38:21i'll give you george
38:24i don't want him thank you
38:26let's get some sleep
38:28darling
38:37i have a hunch that that money is still in the apartment
38:44somewhere
38:45well if you have a hunch
38:48let's go over there tomorrow morning and take a look
38:53good
38:54darling
38:57i just thought of something important
39:03try to get some sleep
39:06you know me
39:08once i'm awake i'm awake
39:10well now that is important
39:16there's nothing in this junk
39:27maybe there's a secret panel somewhere
39:30sounds pretty solid
39:32you know
39:33considering that this is pretty expensive material
39:36it's not been put on very well
39:38look at this
39:40look at this
39:45how do you like that
39:59wow
40:01five million dollars worth of wallpaper
40:03now that's expensive material
40:06congratulations mr and mrs hart
40:09i'm afraid we beat you to it
40:16i see you did
40:18i'm sure you do know what this means
40:22uh no uh tell me what does it mean
40:25well it means that marcy could be a murderer
40:29i mean we did find the money in adam's apartment
40:33and we are running out of suspects
40:35well it's a very nice supposition mr hart
40:38but uh i'm afraid it might be a trifle difficult to prove
40:41well
40:42well
40:43you are the fbi man
40:45and i don't want to tell you how to do your job
40:48but uh
40:48i'm sure that uh one phone call will take care of it
40:53hello
41:10hello
41:11hello marcy
41:12this is jonathan
41:13yeah i've got some great news for you
41:15we uh found the money
41:17in adam's apartment
41:19uh can you hear me all right
41:21this phone seems to be cutting in and out
41:23uh yes i'm i'm here
41:27that's wonderful
41:28um did you did you call the police
41:32well uh no we haven't because uh
41:35the phone's out of order a bit
41:37can you hear it
41:38yeah
41:39could you
41:40why don't you call lieutenant gifford for us would you please
41:44sure
41:45i'll call him yes
41:46oh thanks very much
41:48okay marcy uh
41:49right goodbye
41:50goodbye
41:57if i'm wrong she'll call lieutenant gifford
42:00and if i'm right
42:01she ought to show up here any minute
42:03in which case we'll have an extra pair of hands to help us count the money won't we
42:10i'll do it
42:17can you know
42:18i'll call back to you
42:19and i'll call back to you
42:21and i'm glad you're with the Tr asta
42:23Now, this is what I call a green room.
42:46Can you imagine what this place would rent for?
42:50Beautiful, isn't it?
42:59Adam told me that he made a big score, but he wouldn't tell me where he'd hidden it.
43:04That's why I married him.
43:06You killed Gunter and Milo, didn't you?
43:10Yes.
43:12See what I mean about your friends?
43:14Oh, Marcy, you can't get away with this.
43:16There's an FBI man right behind you.
43:18That's the way we planned it.
43:21Oh, there you are, darling.
43:29No plan's perfect.
43:31I should have known he was too good-looking to be an FBI man.
43:39He looks more like a model.
43:40A male model.
43:47Very good, Mrs. Hart.
43:49Very good.
43:51Actually, it was Craig's idea that I should marry Adam.
43:54Well, I'm afraid now it's time to tidy up some loose ends.
43:58Why do I feel like a loose end?
44:02Do you mind telling us where you're taking us?
44:04Not at all.
44:05I have a boat down at the beach, and the two of you have a one-way ticket.
44:10All aboard, please.
44:11There's only one thing I'd like to know.
44:29Did you kill Adam?
44:30You can thank Gunter and Milo for that.
44:36We wouldn't have heard old Adam.
44:38Not till after we got the money.
44:39Let's get out of here.
44:57There's a guy up there with a gun.
44:59Let's go.
44:59Let's get out of here.
45:00Look out.
45:09Let's go.
45:27Yeah.
45:28Let's go.
45:30Let's go.
45:31I never thought I'd wind up being a little something on the side.
45:57What's the alternative?
46:27Darling, do you know what the best thing about finding five million dollars is?
46:52What's that?
46:53You find out who your friends are.
47:22Oh, great idea to come back to New York.
47:31And we can finish where we left off.
47:34Where was that?
47:35Oh, yes, I remember.
47:40The remake.
47:42We could start by having room service bring up some champagne.
47:45Oh, yes.
47:46Soft strains.
47:48It was fascination.
47:52Fascinating.
47:55Loving the afternoon, right?
48:00My favorite movie.
48:01With you people in a hurry, I have more horsepower up here than I'm showing.
48:05Yeah, we'd like that.
48:12New York, New York, if I can make it there, I'd make it anywhere.
48:35Come on, come through New York, New York.
48:46New York, New York, is all very powerful.
48:48New York, New York, andнимation.
48:49To
49:08New York, New York, along with another dream of how respeitooney is together,
Recommended
49:21
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