- 6/29/2025
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TVTranscript
00:00This is my boss, Jonathan Hart, a self-made millionaire. He's quite a guy.
00:17This is Mrs. H. She's gorgeous. What a terrific lady.
00:27By the way, my name is Max.
00:30I take care of them, which ain't easy, because their hobby is murder.
01:00The Lone Ranger.
01:06The Lone Ranger.
01:08The Lone Ranger.
01:10Oh, my God.
01:40The house is uncertain.
01:45You look both ways.
01:54Be warned.
01:57Things will not be as they seem.
02:01Why? What do you mean?
02:03Again, a double-faced card.
02:12A young woman stands in your way.
02:16She threatens you.
02:20What should I do?
02:22What do the cards say?
02:24What do you mean?
02:54What do you mean?
03:24she really is incredible as of all the subjects we've worked with sarah's turned out to be the
03:33most outstanding i remember her when she was first tested she was amazing then now she's even better
03:40her precognition scores are even more amazing the results of the long distance testing have
03:45been really encouraging oh yeah darling listen to this we took sarah about a hundred miles upstate
03:50and kept the tester here at the lab she was able to come up with the same score as you're seeing
03:56today well i'm really happy with this whole program doctor it's certainly going to be a
04:01worthwhile investment for heart industries but isn't it strange to combine business with clairvoyant
04:06it's becoming an accepted science a lot of your major oil companies already have clairvoyance on
04:12retainer to help locate oil and mineral deposits you know it wasn't long ago that medicine itself
04:18was thought of as uh black magic oh i just had an extra sensory perception really yeah i saw us
04:28lingering over a nice little luncheon at dominic's with a cold bottle of wine isn't he amazing
04:33sarah is anything wrong
04:44sarah is anything wrong
04:46uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh
05:16Sarah, it's Dr. Selma.
05:21You're safe.
05:23No one can hurt you.
05:31Give me a hand.
05:35Come on.
05:41All right, that's it.
05:46Thank you, Michael.
06:00It's all right, Sarah.
06:02Can you tell us what happened?
06:07Somebody was trying to kill me.
06:12Who?
06:15I don't know.
06:16It's like in a dream
06:21where something's happening to you
06:25and at the same time
06:28you're kind of standing back
06:30watching it all.
06:35This is so real.
06:40I could feel his hands.
06:42I couldn't breathe.
06:46Dr. Selma.
06:56Do you think her behavior
06:58could have been caused by the testing?
07:01Oh, offhand, I've got to say no.
07:03Sarah's a very sensitive girl
07:05in the psychic area.
07:06Her whole history is tinged
07:07with these kind of prognostic experiences.
07:10are you saying that she could be predicting
07:14some future event?
07:16It could be nothing.
07:19Or it could be a prediction.
07:20She's done that before.
07:22Or maybe it's something that's already happened.
07:29Something that's already happened?
07:30feeling better?
07:40Yes, thanks.
07:43Molly, this is Mr. Hart.
07:45Could you get me the police department,
07:47police homicide division,
07:48Lieutenant Gillis?
07:50Right, thanks.
07:50I'm on, uh, 727.
07:55Look, I'm really sorry
07:57to have caused all this fuss.
07:59Oh, forget it.
08:00Now, why didn't you let us drive you home?
08:03Oh, well, I've got my car here
08:04and I've got to go to work anyway.
08:06I'll be fine, really.
08:07Lieutenant Gillis,
08:12this is Jonathan Hart.
08:13I wonder if you could give me some information.
08:16Have any young women been strangled lately?
08:19Why, Mr. Hart?
08:20Were you thinking of placing an order?
08:23No, it's about a subject
08:24in our psychic research lab.
08:26She had kind of a strange experience
08:27happen to her just now.
08:28She had a vision
08:29of someone being strangled
08:31and, uh,
08:32I thought that maybe you might...
08:34A vision?
08:35Well, I'll tell you, Mr. Hart,
08:38we ain't had a run
08:39exactly on strangulation.
08:42People are really lazy nowadays.
08:45Guns and knives are the end thing.
08:49Thanks, Lieutenant.
08:59The girls should not be brought here
09:01until we're absolutely certain.
09:03Please be patient, Grandfather.
09:06Two weeks ago,
09:08you told me you found her.
09:11Well,
09:12I've got to check her out
09:14a little more thoroughly.
09:16You understand Mr. Teresi
09:17has to be extremely discreet.
09:19Yes, yes, yes.
09:21That's very correct.
09:23I'm getting a copy of her birth certificate.
09:25It ain't been easy.
09:27The orphanage people's very uptight
09:29about revealing the natural parents.
09:31Grandfather, if some girl
09:32got the slightest inclination
09:34of what you had in mind,
09:35she'd swear in her mother's grave
09:37she was your long-lost granddaughter.
09:39Just
09:40get on with it.
09:43Look,
09:53this girl may not be your idea
09:55of Little Mary Sunshine,
09:57but I'm telling you
09:57she's the real McCoy.
09:59There's a sizable inheritance at stake.
10:02There's no rush.
10:05You're the boss,
10:06so what do you want me to do?
10:07You're still on retainer.
10:11Just sit in your office
10:12and count your money.
10:14I'll be in touch.
10:20By the way,
10:21where did you say
10:24she works again?
10:26A joint called Crowley's
10:27on the west side.
10:30Darling?
10:37Yeah?
10:38Don't forget,
10:39we've got the Kriegers
10:40on Saturday.
10:42Mm-hmm.
10:45Where's the, uh...
10:46In the bottom right-hand drawer.
10:49Ah.
10:49Ah.
10:55Say,
10:56how did you know
10:57what I meant?
10:58The baby oil.
11:00Right.
11:02Well,
11:02I guess I'm psychic.
11:05Hmm.
11:09Oh, dear.
11:14Well,
11:14I hope she's going to be okay.
11:18Sarah?
11:19Mm-hmm.
11:20Yeah,
11:20I'm sure she'll be fine.
11:22Oh,
11:23no, you're not.
11:25Now,
11:26look who's reading minds.
11:27Oh.
11:28You know,
11:28Dr. Selman says that,
11:29uh,
11:30someday,
11:31when we unleash
11:32these minds of ours,
11:33we'll be able to transmit
11:33thoughts to each other
11:34without using words.
11:37Well,
11:38that's nothing new.
11:40Hmm?
11:40What?
11:41What?
11:44We've been doing that
11:45for years,
11:46darling.
11:47Mm-hmm.
11:48Mm-hmm.
11:49Hello there.
12:05Mr. Whitley?
12:05Yes,
12:06get in.
12:06Good evening, Lieutenant.
12:22It's a little late, isn't it?
12:24Sorry about the hour, but it couldn't be helped.
12:27Top of the evening to you, Mrs. Hart.
12:29Lieutenant?
12:30What's up?
12:31Mr. Hart, did you call me this afternoon about some woman being strangled?
12:36Well, nobody was exactly strangled, Lieutenant.
12:39You see, one of the girls that works in our psychic lab had a sort of, what would you say, darling, a vision?
12:44Yes.
12:46Yeah, a vision of being strangled.
12:48That's very interesting.
12:50I didn't know I was going to be able to accommodate you this quickly.
12:53Do you know this girl?
12:58Sarah.
13:02Sarah who?
13:03That's Sarah Mason.
13:06That's the girl I was speaking of.
13:15Hello?
13:17Is Mr. Hart there?
13:18Who's calling?
13:20This is Sarah Mason.
13:23The lady says she's Sarah Mason.
13:25My twin sister.
13:35No question about it.
13:37Pathologist says the tissue samples are a perfect match.
13:40You're identical.
13:41Except you don't know who she is.
13:43No ID.
13:45The body was clean.
13:46Not even a laundry mark.
13:48Sorry to be so blunt about it, but we got a Jane Doe without a clue.
13:51You didn't know about her?
13:55No, I was a baby when my parents adopted me.
13:58You don't think they knew about her?
14:01They would have told me when I got older.
14:03Placement services never reveal that sort of information.
14:05What is it, Sarah?
14:12Well, it's nothing positive, but I used to get, um, glimpses, visions of me doing something,
14:23but it wasn't really me.
14:27Like yesterday.
14:28Sarah, I believe that what you experienced yesterday was a clairvoyant phenomenon.
14:40Right now, you're the only link we have to who might have killed your sister.
14:46This should bring us up to date.
14:50There's a little bonus in there for your conscientiousness.
14:55What's this?
14:55Our business is concluded.
15:02Well, what about the girl?
15:05Why does the old man want to see her?
15:09Mr. Teresi, it was your function to locate the girl.
15:13Her disposition is none of your concern.
15:16You're really going to cut her out of a shell?
15:19I mean, she is your half-sister.
15:21I was hoping my generosity would stifle your boundless curiosity.
15:29But I see I'll have to resort to less seemly techniques.
15:32What are you talking about?
15:36Oh, I've been doing a little private eyeing of my own.
15:38You have an extremely untidy past, Mr. Teresi.
15:44Which I'm sure the police would not approve of.
15:48The Steinman affair, for one.
15:53I never understand you people.
15:55You'd think a few million bucks would be enough.
15:57But you've got to have it all.
15:58Mr. Teresi, a word of advice.
16:08If you've been careless in this investigation,
16:14left something behind with the girl
16:17that might prove to be an embarrassment,
16:21telephone number, a business card,
16:24I would go back and clean a house.
16:29You ain't planning...
16:30Goodbye, Mr. Teresi.
16:31Goodbye, Mr. Teresi.
16:38Sarah, the man you saw is the killer.
16:45Was there anything familiar about him?
16:50Sarah, the man you saw is the killer.
16:52Was there anything familiar about him?
16:58Turn right at the next corner.
17:01But I thought you said you lived at the beach.
17:07Jonathan.
17:08Turn right.
17:15That apartment building on the right.
17:34Hey, Maggie, how are you?
17:38Gordon.
17:41Are these them long-lost relatives of yours?
17:48That's us.
17:49How are you?
17:50Oh, I can't complain.
17:53Maggie's lost a key.
17:55Have you got a spare one?
17:57Oh, no, sweetheart.
17:58I'll let you in with a passkey.
18:00Thanks very much.
18:01Thanks.
18:01Thanks very much.
18:01Thanks.
18:01Thanks very much.
18:17See you around, Maggie.
18:18We can wait outside, Sarah.
18:46No, no.
18:48It's just so strange.
18:55She seems so different from me.
18:58It's like...
18:59like seeing a side of yourself you never knew.
19:03I always wanted a sister.
19:08I wish I could have known her.
19:15I'll call Lieutenant Gillis.
19:16Um, could we just wait here for a while before you do?
19:21Sure, why?
19:23I just have a feeling that we shouldn't disturb anything right now.
19:29Maybe there's something here that can help us.
19:31I don't laugh coming from me, but, uh, I've got a premonition.
19:41Can we get you anything?
20:04Why?
20:19How is she?
20:21Well, she's just sitting there in the dark staring at nothing.
20:25But if you had vision the way she has vision,
20:29you wouldn't need any lights either.
20:55What do you want?
21:20What?
21:50Oh, shit.
22:20All right, okay, okay.
22:32Somebody gave me the wrong address.
22:34How about you were in there to read the meter?
22:36How about that one?
22:38All right.
22:39I was hired to track the girl down on private.
22:42Whatever else come down, I don't know.
22:50It's not a big killing for a killing.
22:59This is a setup.
23:00I never laid a hand on her.
23:05She's alive!
23:06It isn't him.
23:08He didn't kill her.
23:11Wait, wait, don't!
23:16No!
23:20Stop!
23:50Did you borrow those keys from Al?
24:13Yeah.
24:14Unfortunately, he won't be using them anymore.
24:16Darling, don't you think we ought to let the police in on this?
24:27Let's see what they come up with on Maggie's apartment.
24:31Then we'll lay this one on them.
24:39Well, they certainly spared no expense to impress the clients.
24:43Early Spade and Archer.
24:54Well, thank goodness business was lousy.
24:59James Carney.
25:04Apparently, Jim was worried about his wife's fidelity.
25:07Boy, she had a busy schedule.
25:09Apparently, she did some modeling as well.
25:14Oh, interesting poses.
25:18Nice chandelier.
25:23Darling.
25:25Uh-huh?
25:27I think I just found the inactive file.
25:29Well...
25:29Herbert Whitley.
25:44Hmm.
25:45Now, what would a man like Herbert Whitley be doing with a second banana like Teresi?
25:51Well, maybe he was slummy.
25:52Maybe.
25:53But that's old money.
25:55He owns half of California with an option on the Pacific.
25:57Do you think that Whitley could have hired Teresi to find the girl?
26:02No, I think that'd be stretching it a bit.
26:09Except for one thing.
26:11What's that?
26:13Al had tea with Mr. Whitley.
26:16You're kidding.
26:19Well, I guess that makes Herb our number one contender.
26:21But what do we do about it?
26:23We can't exactly go knock on his door and say,
26:25Excuse me, Mr. Whitley.
26:26But have you strangled any young girls lately?
26:29It's very simple.
26:32We'll just get, uh...
26:34Al's partner to handle it.
26:37His partner?
26:38But I didn't know he had a partner.
26:40I don't know.
26:45Oh.
26:46Partner?
26:52I didn't know he had a partner.
26:55Marlow is the name.
26:57And Had is totally correct.
26:59Because Al had an untimely run-in with a truck.
27:03And he definitely came out on the short side of that one.
27:07Well, I'm terribly sorry to hear that.
27:09But what I meant to say was,
27:10I was never made aware of your existence.
27:12Well, I'm what you would, uh, call
27:20a silent part.
27:23Don't touch that.
27:27Sorry.
27:28Would you go upstairs?
27:34Let me tell you something, Mr. Whitley.
27:37You're in fantastic shape for a man almost 80 years old.
27:40No, no, no.
27:40You're referring to my grandfather.
27:42I handle all his business.
27:45I, uh, I told your partner
27:47that his services would no longer be needed.
27:49I guess he had no chance to tell you.
27:57Au contraire.
28:00Au contraire.
28:04The impression Al gave was that, uh,
28:07business was just beginning.
28:09He'd give me a glimpse at the first payment.
28:12You know what I mean?
28:15Look, I don't know what you're alluding to.
28:18And I certainly don't like the drift of this conversation.
28:23My grandfather does not want to see the girl.
28:25What am I going to tell her?
28:28What am I going to tell her?
28:28Don't play these games with me.
28:31No offense.
28:33Like I said, I am the silent partner,
28:35and I'm perfectly willing to remain that way.
28:37I think I'd like you to leave.
28:52I don't think I have to remind you
28:54that even attempted blackmail is a felony.
28:56So is murder.
29:14All I know is
29:15that when I put the blackmail squeeze
29:17on Sanford Whitley,
29:18he got very tense.
29:19Maybe he didn't kill the girl,
29:22but he sure as hell knows something about it.
29:25I can't get any connection
29:26with the girl and Whitley.
29:28We checked out her apartment.
29:29Her laundry's clean.
29:30So far, no skeletons in the closet.
29:33What can I do?
29:34I can't press a guy like Whitley
29:35without something more to go on.
29:36So what you're trying to say
29:38is that you need a motive.
29:40Yeah.
29:42Wouldn't hurt.
29:42I'm not encouraging you,
29:47but you look like the kind of guy
29:49and lady
29:50who's going to do something
29:52no matter what I say.
29:54Well, should we take that as a compliment?
29:57I think we should.
29:57I think we should take that as a compliment.
29:59Thank you very much.
30:00Am I understanding you correctly?
30:02You understand that you don't have
30:03my official blessing,
30:04so don't stick your necks out.
30:06And be sure and cover your act.
30:09Gotcha.
30:10You know,
30:13you've done very well with this girl.
30:17Maybe she should get a look
30:19at this Sanford Whitley.
30:22Maybe Sanford Whitley
30:23should get a look at her.
30:28Maybe.
30:29Come on, darling.
30:30So long, Lieutenant.
30:31Bye.
30:40Excuse me, sir.
30:50Yes, Alfred.
30:51A young lady just delivered this.
30:54She said it was very urgent.
30:56A young lady?
30:59A messenger?
31:00No, sir.
31:01I believe it was personal.
31:02Will there be anything else, sir?
31:10The girl.
31:12The girl that delivered this.
31:15Was this she?
31:20Yes, sir.
31:21That's the young lady.
31:22Yes, sir.
31:22That's the young lady.
31:22When did he say he'd be here?
31:40Ten minutes.
31:41But he was so crazy,
31:42I think he'll run all the way.
31:44What is it?
31:47That certainly is a spiffy outfit.
31:50Oh, you like this, huh?
31:53I got this at the thrift shop.
31:54Well, I hope you sprayed it.
31:58Closet.
32:00If you need me, just whistle.
32:05You know how to whistle, Steve.
32:06You just put your two lips together
32:08and blow.
32:18It's open.
32:20Mr. Whitley.
32:24I didn't think we'd be meeting again
32:26after our last little meeting.
32:27Look, I don't know what you're trying to pull, Marlowe.
32:30Marlowe.
32:30But you're not going to get away
32:31with this little masquerade of yours.
32:34I don't think I quite catch your drift.
32:36Of all the low, cheap tricks
32:38sending that girl to me with that picture.
32:39What girl?
32:40The girl you sent to see me.
32:42You mean Maggie?
32:45Hey, that's very cute, Sandy.
32:47Very cute.
32:48You're going to try to convince me
32:49that Maggie is still alive?
32:51Now you and I both know better than that.
32:56By the way,
32:57is your car parked outside?
32:59If it is, it's illegal.
33:00Cops are pretty tough down here.
33:02You better take a look.
33:03Now, it's impossible.
33:23Hey, Whitley.
33:25You look like you've seen a ghost.
33:27She's gone.
33:39If you think the girl is still around,
33:41you better see this lady friend of mine.
33:43She's your kind of people,
33:44a real kind of mystic-like, you know?
33:46She could take care of you right away.
33:48My cousin, Leon,
33:50he couldn't get rid of his wife
33:51even after she was dead.
33:52And this lady did the trick.
33:54Now, if you need her services,
33:55just give me a call any time.
33:56Oh, not bad, not bad.
34:06Thanks.
34:07He ought to be begging to see my friend
34:09very soon now.
34:11By the way,
34:12who is your friend?
34:14He is looking at you, kid.
34:16Well, there he is.
34:26That's him in the wheelchair.
34:30Now, we know that Sanford
34:31is not too thrilled
34:32about your being alive.
34:33I mean, your sister being alive.
34:36But I really am interested
34:37in the old man's reaction.
34:38What will I say?
34:41Well, why don't you start with, uh,
34:43hello
34:43and see where that takes you.
34:45Okay?
34:45Okay?
35:01Hello?
35:02I would have known you anywhere.
35:23You would?
35:24You are the image of your mother.
35:29You know my mother?
35:32All of her life.
35:34She was my daughter.
35:36Carl, would you sadly...
35:46Where is my mother?
35:51She passed away several years ago.
35:54She regretted to her dying day
35:56that she gave you up.
35:57a decision
35:59I urged on her.
36:04You're my grandfather.
36:08I can't understand
36:10why Sanford has taken so long
36:12to bring you to me.
36:16Come.
36:17Let's go back to the house.
36:19I'd like to,
36:20but, uh,
36:21I can't today.
36:22Oh.
36:23I'm sorry.
36:26But tomorrow?
36:27Could I come in?
36:32Any day you like.
36:40You're not angry with me.
36:45I'm glad we found each other.
36:57Sanford.
37:09Sanford?
37:10Sanford?
37:11Sanford?
37:11Where is Sanford?
37:13Sanford?
37:16Sanford?
37:18I saw her.
37:19I just saw her.
37:20Now, calm yourself, grandfather. Who have you seen?
37:24Your sister. My granddaughter.
37:27What are you talking about?
37:28In the park. You and your checking.
37:32If you had brought her here and seen her, you would have known.
37:50Yes. What is it?
37:55The cards don't speak.
37:57But they must.
38:00There's an obstruction.
38:05It's useless.
38:08But I must know.
38:10I can't help you today.
38:13Maybe later, next week.
38:17Next week? I need to know now.
38:20Perhaps another can help you.
38:39Thank you very much, madam.
38:41Bardzo dziękuję, Vanie.
38:42Bardzo proszę.
38:49Hey, Sandy.
38:53How you doing?
38:54What can I do for you?
38:56Yes, listen.
38:57Um, this friend of yours.
39:01I think I should see her.
39:03Good thinking, Sandy.
39:06You won't regret it.
39:07How much will it cost me?
39:09Oh, just bring a little bauble.
39:12Something worth about ten G's.
39:15Right, Sandy.
39:19Got him.
39:20Got him.
39:20Good thinking.
39:30Good mundial.
39:31Good.
39:32Good mundial.
39:34Come here.
39:34Good Flow.
39:34Bye,?」
39:35Good analogies.
39:35Good morning.
39:36Good jack-e-to-date.
39:36Good night.
39:39Good morning.
39:39Good gen-ton.
39:40Good morning.
39:40Good evening.
39:41Good morning.
39:41Good morning.
39:42Goodc tweaks.
39:42Good day.
39:44Good night.
39:44Good evening.
39:45Good night.
39:47Good night.
39:48Good morning.
39:48Good night.
39:49Welcome.
39:59I am Balta.
40:04Madam Fedekiewicz will be ready imminently.
40:08Come with me, please.
40:19Now it's time to clear your mind completely.
40:31Eliminate all negative energy so Madam Fedekiewicz can make it clear communication.
40:41Hiya, Sandy. How you doing?
40:43Mr. Malo.
40:45Balta.
40:46You're going to love Madam Fedekiewicz.
40:49She's going to get rid of all those ghosts in your closet.
40:52Shhh, Philip.
40:53Shhh, Philip.
40:53Shhh, shh, shh, shh.
41:06Shhh, shh, shh, shh.
41:10Shhh, shh, shh, shh, shh.
41:25Shhh, shh, shh, shh.
41:50Oh, yes, yes.
42:03Ah. Walter, launch us on our journey to the abode of the damned.
42:11Oh, divinity of the spirits within us, we are about to embark imminently.
42:20Oh, great host, who summons us to the beyond, carry us into the very soul of goodness, protect
42:38us from the evil lord of the demons, and deliver truth and justice to the inner mind and spiritual
42:51being of the Magus.
42:53We now join Hans in a bond of trust and faith.
43:00Oh.
43:01Oh.
43:02Oh.
43:03Oh.
43:04Oh.
43:05Oh.
43:06Oh.
43:07Oh.
43:08Oh.
43:10Uh.
43:11Oh.
43:12Oh.
43:13Oh.
43:14Oh.
43:15וט.
43:16Oh.
43:17Oh.
43:20Oh.
43:21I feel the presence of the spirit.
43:24The presence of a spirit.
43:30The spirit is coming closer.
43:37He is restless.
43:43He is troubled.
43:47He is...
43:49Wait.
43:53He...
43:54Is-a she.
43:58Yes.
44:00She.
44:01She is here now.
44:06She cries out for justice.
44:14She was struck down prematurely by...
44:22The hand of evil.
44:23She is here.
44:37She is trying to come true to us.
44:40From the celestial heights.
44:49Baltas.
44:51Help her through.
44:54Come on, celestial being.
44:56Oh, my troubled child.
45:10How can I help to put your soul to rest?
45:16Tell me.
45:17Tell me.
45:19Tell me.
45:25The hand that struck you is near.
45:28No, no, it can't be.
45:38No, it can't be.
45:39Your rightful place in a house of love has been denied you, snuffed out by a malice heart forever is gain.
45:55Oh, betrayed one.
45:56Oh, betrayed one.
46:00How can we avenge your restless heart?
46:05No, no, no, no.
46:07No, no, no.
46:08Don't go.
46:08Wait.
46:09Wait.
46:10Oh.
46:11She is gone.
46:15I have lost contact.
46:18This can't be.
46:22No.
46:36No. You're dead.
46:48I left you dead. I killed you.
46:51And if I have to, I'll kill you again.
46:54All right, Whitley, drop it.
46:58You're under arrest.
46:59Whitley, don't forget your barbell.
47:06Have a ball.
47:26Mr. Hart?
47:27Mrs. Hart?
47:29How can I thank you?
47:31Let me tell you something, Mr. Whitley.
47:33The experience of meeting a girl like Sarah has made it all worthwhile.
47:36You, by the way, are going to come down to the lab and help us out once in a while, aren't you?
47:39Oh, of course I will.
47:40Thank you so much again.
47:42You're welcome.
47:44Bye-bye, Mr. Whitley.
47:45Goodbye.
47:46Bye-bye.
47:47Goodbye.
47:47Goodbye.
47:56Get a load of this.
47:58Remember at that, uh, seance I mentioned the celestial being?
48:03Yeah?
48:04Guess who's running in the seventh race today?
48:07Celestial being?
48:09Nobody else.
48:11I guess you can call that premonitionatory.
48:15Uh, yes.
48:19By the way,
48:20how'd you do that trick to Sarah?
48:25I mean, making her disappear and appear.
48:27Oh, well, it's all done with mirrors, Max.
48:31Yeah, Max.
48:32We know several tricks with mirrors.
48:35Jonathan.
48:35Oh, well, it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it's all done with mirrors, but it
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