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Queen B
  • 2 days ago

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00:00This is my boss, Jonathan Hart, a self-made millionaire.
00:11He's quite a guy.
00:17This is Mrs. H. She's gorgeous.
00:21What a terrific lady.
00:26By the way, my name is Max.
00:30I take care of them, which ain't easy, because their hobby is murder.
00:36Oh, my God.
00:43Oh, my God.
01:19You know, when I was a kid, we used to have this game called freeze tag.
01:47Somebody would tag you when you had to stay still as a statue. If you moved, you lost.
01:52I bet you were terrific at it.
01:53I was the worst. I couldn't stay still for ten seconds.
01:56You've improved.
01:57Yeah. I can last about a minute now.
02:01Oh. Oh. I'm sorry. I just couldn't help it.
02:07That's all right. You can move all you want to.
02:09Really? We finished for the day?
02:11We are finished, period.
02:15Really?
02:16Finito.
02:17Oh, can I see?
02:19No, no, no. I still have a few touch-ups.
02:21Oh, come on. Not just a little peek.
02:22No peeks. Not till it's completely completed.
02:25Just chalk it up to artist superstition.
02:27Rat.
02:27Look, why don't you get changed?
02:29All right.
02:32You mean Jonathan doesn't have any idea what you're doing?
02:35None at all.
02:36I wanted to surprise him for our anniversary.
02:40You should have heard all the excuses I had to use.
02:43Like what?
02:44Oh, like I had to go and interview a young, talented artist.
02:49Well, now I can say I had to go and interview a young, talented and famous artist.
02:55Not quite.
02:56Pretty close.
02:58After the reviews from your last show, I'd say you were well on your way.
03:01I'm sorry I missed it.
03:02Oh, well, there's a brochure on the table there.
03:04It's all yours.
03:04Oh, great.
03:05I read one critic who said you were the brightest young artist since Andrew White.
03:09So she did.
03:11Well, that's very impressive.
03:13How would you consider the critic was my Aunt Shirley?
03:15Oh, come on.
03:17I've seen the way your paintings are being snapped up.
03:20And the prices.
03:21Now, that has nothing to do with Aunt Shirley.
03:23Can I give you a check?
03:24Uh-huh.
03:25You don't owe me anything.
03:26What are you talking about?
03:27Let's just say it's thanks for being my patron all these years and for your encouragement.
03:32You deserved it.
03:33Not as much as I needed it.
03:35Oh.
03:35It's a gift to you and Jonathan for your anniversary.
03:37You don't have to do this.
03:39I know.
03:39That's what makes it fun.
03:41Thanks.
03:44You sh-
03:45No.
03:47You know of all the people in the world to say no to, you are the toughest.
03:52Well?
03:53No.
03:55Cruel.
03:56Bye-bye.
03:57Bye.
04:09Does that really work?
04:35Yeah, a lot.
04:38We'll see.
04:43All right, let go.
04:46Better work without a while longer.
04:50Can we keep our minds on the business at hand?
04:53Shall we pay Mr. Keller a visit?
04:55It's open.
04:56Good afternoon, Warren.
05:07Oh, Mr. Winslow.
05:08Nice to see you.
05:08Well, far emptier than when I was here last.
05:14Well, the show went very well, but you should know that.
05:17How many of my paintings did you buy?
05:19Six.
05:20I would have bought more, but the prices have appreciated sharply.
05:24Yes, I know.
05:24I didn't expect them to go up that way.
05:28Fortunately, others have a higher opinion of your work than you seem to.
05:32I being one of them.
05:40Is this your latest endeavor?
05:43Yes, as soon as I'm finished with this one.
05:45Lovely.
05:52Both the subject and the painting.
05:56I didn't know you did portraits.
05:58This is a favor.
05:59For an old friend.
06:01Or, uh, two old friends.
06:04Very nice.
06:07I'm sure the owner will be thrilled.
06:09What brings you by?
06:16Just to tell you how much I'm enjoying your paintings.
06:20And to get an idea of when you might be planning your next show.
06:24Oh, uh, well, I'm afraid I, uh, have to recover from this one before I can even think of the next one.
06:30Well, all of us who have watched your progress are anxious to find out what the next few months will bring.
06:36Well, I may do some accru...
06:37Unfortunately, my boy, there will be no more shows.
06:56Unfortunately for you.
06:59Most fortunately for me.
07:02You're getting evasive.
07:17I'm not getting evasive.
07:19I'm getting drenched.
07:22Now promise me, Jonathan.
07:24I did.
07:25I did promise.
07:26But it doesn't sound convincing.
07:27Don't forget to get behind his ears.
07:29I always get behind his ears.
07:31So we're agreed, then.
07:33No more expensive anniversary presents.
07:36I agree.
07:37I can't.
07:37You see?
07:38It doesn't sound convincing to me.
07:40Well, what do I have to do?
07:41Well, you just have to keep your word, not like last year, remember that?
07:46I promise you, no more expensive presents, okay?
07:49Don't you think we should take him to a grooming parlor?
07:53A grooming parlor?
07:54Yeah.
07:54And have him bathed by a stranger?
07:57Some people would pay a lot of money to be bathed by a stranger.
08:01You're kidding.
08:03No.
08:03I'm shocked.
08:05Really?
08:07Come on, three-way.
08:08Ooh.
08:13Oh.
08:14What'd you do?
08:15Get in a tub with him?
08:16Oh.
08:17We washed.
08:19You dry.
08:20Right.
08:21Nice.
08:22Come on, sweetheart.
08:23Let's have a drink.
08:25All right.
08:26What would you like, Mrs. H.?
08:27Oh, I did never ask.
08:29Look, I want to fix you something special.
08:31Let's see.
08:32I would like a martini.
08:35A martini?
08:36Ah, yes.
08:36A dreaded martini.
08:37On the rocks or straight up?
08:39Straight up.
08:40Olive?
08:41Why not?
08:42Twist?
08:43Let's live dangerously.
08:45You mind if I turn on the news?
08:47No.
08:48And now a bulletin.
08:50The art world has suffered a tragic loss tonight.
08:53Warren Keller, whose recent show had critics acclaiming him,
08:56was killed tonight when his car went over the embankment here.
09:00Police say it appears he had been drinking.
09:03Keller, who lived here in the Southland for his entire life...
09:05I was just with him this morning.
09:07I was sitting for a...
09:08I was sitting for a portrait.
09:11He was going to give you the portrait as an anniversary present.
09:14This doesn't make sense.
09:17The reaction from the art colony tonight will, I am sure, be one of shock and sorrow.
09:22I don't understand that I...
09:23And now for tomorrow's weather.
09:27Jonathan, something doesn't seem right.
09:29Darling, let's...
09:30No, no, I'm telling you, there's just something wrong.
09:33Let's sit down.
09:35The woman on the television said it was an accident.
09:37That he'd been drinking.
09:38When you drink, he could have very easily driven his car off the car.
09:41That's what's wrong.
09:42He wasn't drinking.
09:43You know that.
09:44He was a member of AA.
09:45He told me he hadn't had a drink in five years.
09:48That it had changed his entire life.
09:50Would you do me a favor?
09:52Anything.
09:53I know it's crazy, but would you just take me over to his studio?
09:56I'll take you anywhere you want to go.
09:57Come on.
10:15Go.
10:15Go.
10:24Go.
10:25Go.
10:26Go.
10:26The portrait was right over here.
10:50It's gone.
10:52Well, maybe he took it in the car with him.
10:53No, look. All his sketches are gone.
10:56And there was a little oil right over here.
11:01Darling?
11:03Who are you? What are you doing here?
11:06Who are you and what are you doing here?
11:08I'm a friend of... I was a friend of Warren's.
11:13Oh. Oh, you're Jennifer Hart.
11:17Yes. Yeah, Warren showed me your portrait.
11:20This is my husband, Jonathan.
11:23I'm Scotty McLean.
11:26He almost did you justice.
11:29You were a friend of Warren's?
11:33Lovers.
11:36We were lovers.
11:38Oh, I'm terribly sorry.
11:44Warren never talked about his personal life.
11:46I'm terribly terribly sorry.
11:49Thanks.
11:50I just came from the coroner's office.
11:54I had to identify the body.
11:57It's a really cold place.
11:58I remember it from the last time Warren and I went down to identify Laszlo.
12:04Laszlo?
12:06Laszlo Maddox.
12:07Warren and I met in his art seminar.
12:10Wasn't Laszlo Maddox the man who died in Malibu a couple of years ago?
12:13Yeah.
12:14Yeah, he drowned.
12:15Was Warren a very good driver?
12:18Warren?
12:20He drove like a little old lady.
12:22He was very careful.
12:25I just can't believe he went off the side of the road.
12:29You saw the news on television?
12:32Yeah.
12:33They said that he was drinking and driving.
12:36No way.
12:37He'd been in AA for five years now.
12:39I mean, he went to a meeting this afternoon, right before you came for your sitting.
12:45No, if it looked like he was drinking, there's just something wrong here.
12:50There's just something terribly wrong.
12:52That wasn't any accident.
12:56Do you think that that can be proved?
12:58I don't know how.
13:01Just tell the police, but if they really think that's what happened, I don't know how to convince them.
13:09I mean, who's going to care about some dead painter?
13:15We do.
13:16I don't know how to convince them.
13:39I got to go somewhere, Mr. Dozer.
14:09before it's awful nice of you to ask me that's the least we can do for you it's awfully nice of
14:15you to talk to us wish i had more to tell you after you called we spent a week running checks
14:21all killers friends and his business associates we couldn't turn up a thing no trace of the
14:27picture of jennifer none i don't know these artists they get crazy maybe he took a look at
14:35it decided he didn't like it and ripped it up i don't believe that lieutenant you want to know
14:41the truth doesn't sound too terrific to me either if either one of you has any suggestion i wish we
14:50did well we really do appreciate everything you've told us so far lieutenant and if there's um really
14:56anything we can do for you don't hesitate to ask well as a matter of fact there is my girl's coming
15:03by to get me and she's mighty impressed that i've been meeting with you i mean she read all about
15:09you in the society columns and stuff she's a big fan if you wouldn't mind just saying hello to her
15:16not at all sure thanks there she is darlene come on over here
15:23meet jennifer and jonathan hart folks this is darlene how do you do how do you do oh boy it's so nice to
15:35meet you i mean when jerry told me he was having a drink with you i just didn't believe it oh right
15:40jerry i mean most of the time he just has like drinks and stuff with with other policemen or
15:44district attorneys and stuff and maybe we could i have like so many things to ask you like to be like
15:49like who does your hair and and and and and and and your nails and and who your favorite designer is
15:55should we move over a little bit maybe you could sit down and what it's like to work with like all
16:00those policemen and stuff and solve the crimes and just and i just can't believe it my girlfriends
16:04are just gonna die if i tell them oh good i won't you sit down
16:08would you like uh no plate
16:13i never cease to be amazed that people actually buy this junk
16:21yeah it looks okay to me mr winslow assembly line art takes less than an hour to paint one of these
16:28i can understand hotels buying them but to hang them on the walls of one's home
16:33oh come on you ought to be glad it's made you rich enough to buy the real stuff
16:42ah yes the lines at the winslow art mart stretch for miles
16:46another testament to how one can become rich appealing to bad taste
16:51didn't i put the keller here the portrait of mrs hart
16:58how do you know who she is from the society column she and her husband are favorites of the
17:03local paparazzi didn't i put it here yes i saw you do it peterson
17:10peterson
17:15have you seen the keller what's that the portrait of the woman
17:27oh yeah the great looking one when did you start appreciating art not the painting the dame where is
17:34you what yeah well we had a delivery to gantz art supply today so i just grabbed a stack of pictures i think it was in that stack
17:49you sent a warren keller original to be hung on the wall of an art supply store
17:55i guess i mean they all look the same to me
17:58oh
18:00lord help me
18:04you want we should get it back yes i want you should get it back
18:08gantz's hungry already he might notice if it disappears
18:13then make sure he can't tell anyone where it came from
18:17if the police make the connection even they will be able to figure out who murdered warren keller
18:22you have it
18:24good
18:26get it
18:27you know what a man could do if he wanted to make a lot of money
18:40what
18:42he could open up ice cream stores next to japanese restaurants he'd make a fortune
18:45next to pizza parlors too
18:48pepperoni and peppermint doesn't mix
18:51why not
18:52you're having tempura and toffee
18:55that's where you are
18:58ah
19:02ah now there's a perfect combination flowers and ice cream
19:08a gallery
19:20see anything you like
19:23jonathan look
19:25the portrait
19:26what's that doing here
19:28let's ask the owner
19:30closed
19:36let's see if we can find his home address
19:40come on
19:41la mobile
19:46i'd like the number for elliot gans in los angeles please
19:50not his gallery his home
19:52could you also give me his address
19:54you sure this is the right house
20:13how many elliot ganses can there be in the phone book
20:15you all right
20:24yeah just a little shaking
20:25come on
20:27oh
20:28oh
20:29oh
20:37oh
20:37even
20:38yeah
20:39and
20:39in
20:41I don't know.
21:11I'm afraid we've got the right address.
21:41Oh, you just walked in and discovered the body.
22:02Right.
22:03Then we called the police.
22:04I think it's so wonderful the way you asked for Jerry.
22:07Oh, I hope we didn't interrupt anything.
22:11No, nothing at all.
22:13It's just that we think that this is tied in with the murder of Warren Keller.
22:17Because of a picture in Gans' window.
22:20Right.
22:21That was my portrait that was stolen from Warren's studio.
22:24What was Gans doing with it?
22:26That's what we were going to ask him.
22:27Boy, this is really getting involved, isn't it?
22:30I mean, this is just like that case you were telling me about earlier.
22:33Darlene.
22:34We don't know what the connection is.
22:36But if we could get into his store and look at his records.
22:40Maybe there's an invoice that can tell us where he got it.
22:42Fine.
22:43I'll send someone over first thing in the morning.
22:45Oh, no.
22:46We should go right away.
22:49We?
22:50I think they're right, Jerry.
22:52Hey, Darlene.
22:54Mr. Hart.
22:55Mrs. Hart.
22:56I appreciate what you're saying.
22:58I really do.
22:59But there's a dead man on the floor by the name of Elliot Gans.
23:02And I got a report to fill out.
23:04And I'd like to get an autopsy on Gans.
23:06And by the time I finish all of that, there'll probably be no time for anything else.
23:10Well, the problem is, Lieutenant, we're afraid that whoever killed him might go after the portrait right away.
23:16I mean, there may be no time to spare.
23:18That's right.
23:20See?
23:20Darlene!
23:22I tell you what.
23:24If you're that concerned, why don't you go sit outside the store until I send someone over there tomorrow?
23:30I think you're both very right.
23:36I think we've lost an ally.
23:38We seem to have that effect upon policemen.
23:42What now?
23:44Well, he did say to go back to the store.
23:45I think he was being sarcastic, darling.
23:49Oh, really?
23:50I didn't notice.
23:53I know a solution to the energy crisis.
23:56What?
23:57Harness Darlene's enthusiasm.
23:58I'm very excited.
24:04I keep going.
24:23I'm very excited.
24:24It's gone.
24:33Let's see if they got a back entrance of this place.
24:54Stay behind me.
25:24All right, up against the wall, they're both in.
25:27Oh, there.
25:29Now, get your hands on top of your heads.
25:31Hold on.
25:54Hi.
26:07Hi.
26:10Did they take my painting?
26:12Yeah.
26:13Oh.
26:14I can't wait to see that myself.
26:16You'd better call the police.
26:19But whatever you do, don't call Gillis.
26:24You're sure this is the woman in Ganz's store, Jennifer Hart?
26:42Yeah, I'm sure.
26:44She was with some dye.
26:46Maybe the guy's her husband.
26:48Oh, Peterson, your powers of deduction are a constant source of delight.
26:53This really can't stay here.
26:56Put it at the warehouse.
26:58But all those people are gonna be there.
27:00You know what the dance you're throwing, the box art ball?
27:02Those aren't.
27:04Nobody would see it if he'd lock it away in a storage bin.
27:07Thank you, Conway.
27:09Well, this may be a fascinating coincidence.
27:12How's that?
27:15Here we have the last painting that Warren Keller ever painted.
27:18And it may also turn out to be the last portrait that Mrs. Hart ever sits for.
27:23To you, Mrs. Hart.
27:26To you, Mrs. Hart.
27:28Mrs. Hart.
27:29It's really terrific.
27:30I really like your painting.
27:31Oh, thank you.
27:32But I think I'll wait till another time to try to interest you in my work.
27:46You've been so nice buying tickets for the Bozart Bozart Bozart.
27:47Oh, don't be silly.
27:48I've always wanted to go to one of those.
27:49There you are.
27:50On behalf of the Starving Artists Association, I thank you.
27:51You're not gonna be a starving artist for very long.
27:52Look at these, darling.
27:53Aren't they good?
27:54Oh, yeah.
27:55Those are good.
27:56Well, I hope you're right.
27:57At the moment I'm muddling through on a grant from the Winslow Foundation.
27:58Oh, great.
27:59Pottery.
28:00You're not going to be a starving artist for very long.
28:01Look at these, darling.
28:02Aren't they good?
28:03Oh, yeah.
28:04Those are good.
28:05I hope you're right.
28:06At the moment I'm muddling through on a grant from the Winslow Foundation,
28:17At the moment, I'm muddling through on a grant from the Winslow Foundation.
28:21Winslow. Roger Winslow?
28:24Yeah, you know him?
28:26Of the art marts. Yes, I've seen him on television advertising art by the yard.
28:29Yeah, but he's really interested in the future of fine art.
28:33In fact, he donated his warehouse for the party tonight.
28:35Oh.
28:37Have you seen this, darling?
28:38What's that?
28:39That's the brochure from Laszlo Maddox's last show.
28:42There's some very interesting private collectors in there.
28:45Well, thank you very much.
28:48Thanks again.
28:50We'll see you then.
29:02Jonathan?
29:03Mm-hmm?
29:04Why did you find it was so interesting about that brochure on Laszlo Maddox?
29:08You know the brochure you gave me on Warren Keller's collection?
29:11You mean his last show?
29:12You left it lying on the seat of the car.
29:14I took a look at it.
29:15I am.
29:18I put it in the glove compartment.
29:20Why don't you take a look at it?
29:22All right.
29:27Look in the back under private collections.
29:29What am I looking for?
29:32You'll see.
29:36Let's see.
29:38G.K. Anderson, Houston, Texas.
29:41Dr. Mrs. Harold Bates.
29:43Rose Point, Michigan.
29:44Notice anyone else?
29:46L-M-N-O.
29:49No.
29:51Oh, yes.
29:52Pearson.
29:54Pearson.
29:55Santa Monica, California.
29:59Go on.
30:01There's more?
30:02Yeah.
30:03Q-R-S-T...
30:04U-V-W.
30:06Winslow.
30:08Roger.
30:09Roger Winslow?
30:10No.
30:11Well, where do we start first?
30:17How about alphabetically?
30:19You want me to call information in Santa Monica?
30:22Yeah.
30:23Hello, L.A. Mobile.
30:28How's that, operator?
30:30You have a listing for Wilbur Pearson's trucking company on Oil Slick Road?
30:35I bought those warning killers before anyone ever heard of it.
30:51Much less before you haven't killed himself.
30:53I'd take y'all up to the house, but I got two mechanics out with the flu.
30:57Excuse me.
30:57Would you hand me that little crescent wrench there, please, sir?
31:07Are all your paintings colors?
31:09Heck no.
31:11I got a few little Jackson Pollock's.
31:13I bought them before he killed himself.
31:16Same with the Rathcoes.
31:18Yeah.
31:18Same with the Maddox's.
31:20Mr. Pearson, you seem to have a knack for collecting artists who die prematurely.
31:25Tell me about it.
31:25It's got to the point to where I think twice before I even buy a new artist.
31:29Is that what you specialize in?
31:31Yes, ma'am.
31:31I'm discovering new talent.
31:33Well, they're good investments.
31:34Uh-huh.
31:35Well, if I'm gonna invest, I buy real estate.
31:37I just love being right about new kids.
31:40Of course, when they die that way, it don't hurt the value of the paintings none.
31:44Price just skyrockets.
31:45Right away?
31:47Yes, ma'am.
31:48Supply has ended.
31:49Demand just keeps going on.
31:50I could make a funnel off them killers if I had a mind to.
31:55Well, y'all excuse me.
31:58Well, I guess the conversation has ended.
32:01For now.
32:01Hey!
32:02Would you hand me that crew driver with the red handle?
32:09Your turn.
32:10Ma...
32:10Here you go.
32:16Much obliged.
32:16If Pearson is a murderer, he's the most upfront killer since Jaws.
32:31I've seen both of you on Jim and Kevin Joseph,
32:33let's see if I can get a cuid of your hands.
32:34All done.
32:34Yes, ma'am.
32:35Let's see if I can get better.
32:36Yes, ma'am.
32:37Go, grue of me.
32:38No and Mr. Parks.
32:50Thank you to see your heads on the very first day.
32:52Help me.
32:53I'll be busy.
32:54We'll have aesar and get you on the substances.
32:55The brothers!
32:56Oh, comrade.
32:57may i help you yes uh we're mr and mrs jonathan hart is mr winslow in do you have an appointment
33:15no but we thought he might see us anyway do you have a card no i'm afraid not oh he has cards he
33:24just never carries them with him just like he never carries any cash well i don't suppose it
33:28matters whether you've got it on you just so long as you've got it please wait here i'll see if mr
33:40winslow is at home no appointment no card no cash what's the world coming to
33:45there's a madam namely laszlo
33:57now here's a killer
34:01namely warren and i'm winslow namely roger
34:09how do you do mr winslow i've seen you on television and i've seen your picture on the
34:15society page
34:16won't you come into my study
34:20please
34:25please come in
34:32i suppose you've come about the beaux arts ball
34:38well not exactly oh please sit down thank you make yourself comfortable well can i offer you some
34:49tea no thank you no thank you drink nothing well i'll have some tea
34:54why did you drop by this afternoon
34:59we came to talk to you about warren keller
35:03did you know him yes we were friends
35:08we also own some of his works not as many as you do of course
35:14how do you know i own keller's work
35:19from the brochure of his last show
35:22oh yes of course
35:25we also know that you own a great deal of laszlo maddox work
35:30from the brochure of his last show
35:32you're to be complimented mr winslow
35:37really mr hart
35:39why
35:40on affording the public the chance to buy
35:44original art at such inexpensive prices
35:46thank you mr hart
35:49some of our younger artists will prove themselves and others will not
35:54that is the only thing
35:56the winslow art marts cannot guarantee
35:58mr winslow you knew both of these men personally
36:01i did
36:03do you think the fact that both of them died prematurely
36:08could possibly have any connection
36:10i cannot see any possible connection between two such tragic incidents
36:16well
36:23well we won't take up any more of your time
36:28we really must go anywhere we have to get ready for the ball
36:31oh so you're planning on attending
36:33oh yes
36:34wouldn't miss it in the world
36:35oh nice
36:36i look forward to seeing you
36:39oh thank you
36:39i hope you'll be wearing something colorful
36:42oh yes
36:44something in neon with sparklers
36:46i'm sure you'll stand out in any crowd
36:50we just have to wait till we take off our masks to find us
36:53but that's not up till midnight
36:55and the sad part about that is it wastes half the evening
36:59oh but think of all the fun you'll have trying to find
37:02well if one must wait
37:06i suppose one must wait
37:08is that your car mr winslow
37:11the panther
37:14yes
37:15oh it's lovely
37:17thank you
37:19well
37:20bye bye miss winslow thank you
37:24see you this evening
37:26we're seeing a lot of them all of a sudden
37:45yes but after tonight no one will be seeing them anymore
37:48will be a rather unpleasant end to the ball but
37:56certainly a spectacular one
37:59you see i didn't make the connection at first
38:21and then all of a sudden bingo it hit me
38:24i remembered seeing that car in front of keller's studio
38:28darling maybe he just stopped by for a visit
38:30maybe he stopped by to kill keller
38:32but why
38:33i don't know
38:35but it all seems a little too coincidental for me
38:38because his car was there
38:39that
38:40and because
38:41winslow was one of the biggest collectors of maddox and keller
38:44both of whom died in accidents
38:46and both of whom were just on the verge of becoming famous
38:49you're right
38:50it is too coincidental
38:52why would they want to kill him
38:54wilbur pearson
38:57wilbur pearson
38:58they want to kill him because of wilbur pearson
38:59no no no
39:00don't you remember what wilbur pearson said about his painting
39:02what did he say
39:04how the prices kept going up when the painters died
39:06so
39:08so
39:08what if
39:10winslow collected the work
39:12of talented unknowns
39:14and then he killed them
39:15he'd stand to make a fortune
39:18you want to know something
39:19what
39:20don't go to the police with this theory
39:23they're liable to throw an easel at you
39:25oh
39:26mr h
39:29yes max
39:29come on in
39:30the hollywood costume company delivered your mask for the party
39:33oh great i wonder what they sent
39:35oh here
39:38where did you get all that stuff from mr h
39:40old movie costumes max
39:41hey there's a tag in this one
39:43what did yours say
39:44mr claude raines phantom of the opera universal pictures
39:47oh listen to this miss norma sheer marie antoinette mgm studio
39:53i remember that
39:54that's the one where she got her head cut off
39:56well i hope history doesn't repeat itself
40:01oh
40:04oh
40:06oh
40:10oh
40:15oh
40:19oh
40:20oh
40:22oh
40:24Almost lately, almost rings a phone up the door.
40:29Looking for some hot stuff, baby, this evening.
40:32I need some hot stuff, baby, tonight.
40:36I want some hot stuff, baby, this evening.
40:40Gotta have some hot stuff, gotta have love tonight.
40:46I need hot stuff.
40:50I want some hot stuff.
40:51Holly, this is a black and white ball.
40:54So I don't know this.
40:56I completely forgot, because painters paint in color.
40:59It's traditional that they give a black and white ball.
41:04Looking for the lover who needs a little lover.
41:09Want another night of night.
41:12Want to shake the lover, don't roll me up.
41:15Want to bring a wild man back home.
41:18Gonna have some hot stuff, baby, this evening.
41:22Let me buy you a drink.
41:24Good idea.
41:26I want some hot stuff, baby, this evening.
41:29What some people will do for attention.
41:31Now that you've got to have love tonight.
41:36I need hot stuff.
41:40Hot stuff.
41:43Looking for hot stuff.
41:46See you.
42:14And to you.
42:16You look beautiful.
42:35Well, it isn't the lady in red.
42:38Guess I suppose I do stand out in the crowd.
42:42That is you, isn't it, Scotty?
42:44Oh, my cover blown again.
42:46Would you like some champagne?
42:48Thanks.
42:49Here's to you.
42:50To your success.
42:51And to your health.
42:52Thank you both.
42:53Cheers.
42:54Where did Mr. Winslow put all the paintings?
43:00Oh, they're all stored away in bins behind the curtains.
43:03Come on, Scotty.
43:04Let's dance.
43:05Excuse me.
43:06Bye.
43:07Would you like another glass of champagne?
43:12No, thank you, darling.
43:17Hey, buddy.
43:18Watch who you're pushing or I'll hoist you on my petard.
43:21Believe me, sir, I never touched you.
43:23I joust you not.
43:24Well, then who put this dent in my chest plate?
43:26No wonder Winslow wanted you to wear something colorful.
43:28You're a moving target.
43:29No wonder Winslow wanted you to wear something colorful.
43:40You're a moving target.
43:58Jonathan, why doesn't this painting ever turn up under more pleasant circumstances?
44:19Well, that certainly clears up exactly who did what to whom.
44:24That doesn't do anything good now.
44:28Darling, you wait here.
44:58Oh, my God.
45:05Oh, my God.
45:07Oh, my God.
45:15Oh, my God.
45:45Jonathan!
45:51Hey, hold this rope.
46:15Oh, my God!
46:19Oh, my God!
46:22Oh, my God!
46:26Phantom of the opera?
46:36I was thinking more of me, Tars, and you, Jane, hmm?
46:53Oh, it's good to be home.
46:56Oh.
46:58Get my shoes off.
47:01Oh, my feet.
47:03Well, Mrs. H., I would certainly say that we got our money's worth.
47:08I'll tell you one thing.
47:09If that's what's to be expected from the Beaux-Arts ball,
47:13let's not go next year.
47:17Oh, you know what we never got a chance to do in all the commotion?
47:22What was that?
47:24We never got a chance to dance.
47:27Oh, that's right.
47:28Hmm.
47:28Unless you count that tarantella we were doing up on the catwalk.
47:34Oh.
47:36But that wasn't with you.
47:38Oh.
47:41Now we don't even have the music.
47:46I've got an idea.
47:48Hmm?
47:50They didn't need music in those movies.
47:52What movies?
47:53You know, the ones where, uh, the boy would look at the girl right in the eyes.
48:00Like you're looking at me?
48:01Yeah.
48:02And they'd say, uh, I love you.
48:07Ah, yes.
48:08It's all coming back to me.
48:11And the music would swell.
48:14And they'd start to dance.
48:16Hmm.
48:24Ah.
48:27Oh.
48:37Mm.
48:38Mm.
48:38Mm.
48:39Mm.
48:39Mm.
48:40Mm.
48:41Mm.
48:44Mm.
48:45Mm.
48:45¶¶
49:15¶¶