- 6/29/2025
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00:00This is my boss, Jonathan Hart, a self-made millionaire.
00:11He's quite a guy.
00:16This is Mrs. H. She's gorgeous.
00:20What a terrific lady.
00:26By the way, my name is Max.
00:30I take care of them, which ain't easy, because their hobby is murder.
01:00I take care of them.
01:06I take care of them.
01:08I take care of them.
01:14I take care of them.
01:16I take care of them.
01:23I take care of them.
01:29I take care of them.
01:31I take care of them.
01:38I take care of them.
01:40I take care of them.
01:46I take care of them.
01:48Oh, my God.
02:18Oh, my God.
02:48Oh, my God.
03:18Oh, my God.
03:48Oh, my God.
04:18Oh, my God.
04:48Oh, my God.
04:50I don't think he wrote one.
04:52Well, he should have.
04:56Good morning, gentlemen.
04:57Good morning, Mr. Hart.
04:57Mr. Hart.
04:58Uh, regarding the cruise ship Desiree, one of three sister ships of the Empire lines, acquired in 1978, along with the vineyards of the Chateau...
05:07Meli...
05:07Meli...
05:08Meli...
05:08Meli...
05:08Meli...
05:08Meli...
05:08Yes, Melio.
05:10The ships were refurbished to attract a luxury class of clientele of passengers, and...
05:15Stanley, I appreciate your thoroughness, but could you save that for the stockholders' meeting and just tell me what's going on?
05:20Well, I...
05:21Oh, sorry.
05:23It's okay, Stanley. I'll get it.
05:26Go ahead.
05:27Right.
05:28Uh, remember the burglary on the sister ship Josephine about a year ago?
05:32Yes.
05:33And you didn't want a heavy insurance investigation?
05:35Well, I thought it would be like hanging out a sign, cruise at your own risk.
05:39Well, the insurance people weren't too happy about that.
05:41And then you know about the other burglary on the Marie Louise six months ago?
05:45Yeah, I caught that in your report.
05:47That did it for the insurance guys. They canceled out flat.
05:50Well, I don't blame them. But we can't afford the publicity.
05:54I don't think we can afford the losses paying off these claims.
05:58Are you saying that there's another burglary on the Desiree?
06:01I'm saying there's another burglary on the Desiree.
06:06How much?
06:07A lot of money. $600,000.
06:12$600,000?
06:13What are we going to do, Mr. Hart? $600,000 is not chopped peanuts, you know.
06:20Yes, I know, Stanley.
06:23Where is the Desiree now?
06:27The Desiree will be arriving tomorrow morning in Puerto Baderdo.
06:33Puerto Vallarta, Stanley.
06:35Right. Puerto Baderdo.
06:38Puerto Vallarta.
06:41Deanne.
06:42Yes, Mr. Hart.
06:43Could you come in a minute, please?
06:45Right away.
06:47Puerto Vallarta.
06:50Puerto Vallarta.
06:52Perfect.
06:56Yes, sir.
06:57Uh, Deanne, tomorrow, uh, the cruise ship Desiree hits Puerto Vallarta.
07:04I want you to make a reservation for the best cabin available under the name of, uh, Carter Chamberlain.
07:10Mm-hmm.
07:10And his traveling companion.
07:12And discreetly let it be known that, uh, Carter Chamberlain is the last of the big spenders.
07:17And, oh, yeah, separately, with no connection, get another cabin for a Guido de la Fortuna traveling alone.
07:27Do you want Mr. Chamberlain's reservations to be Mr. and Mrs.?
07:31Uh, not this time.
07:32I'll be taking my mistress.
07:34What?
07:35Not to worry, Stanley.
07:37Not to worry.
07:47Come in.
07:49Hi, Mrs. L.
07:50What's he doing at home?
07:54He had a proposition for me.
07:57At this hour?
08:01Fresh from the garden, Mrs. H.
08:04A thing of beauty, Max.
08:05A thing of beauty.
08:07A thing of beauty is a joy forever.
08:09You can quote me.
08:11Max, how is your Italian?
08:14Come see, come see.
08:15My lasagna is fabulous.
08:17My raviola, passable.
08:19But I got a sauce, a la pizziola, that is...
08:22Max, I mean the language.
08:25You see, you're going on a cruise as that great Italian industrialist, Guido de la Fortuna.
08:32Never heard of him.
08:33Neither has anybody else.
08:35Did you say a cruise?
08:37Yeah, I said a cruise.
08:38Like on a boat?
08:39Yes, like on a boat.
08:41I'm not so thrilled about the water.
08:43Why not?
08:45It's deep.
08:47Max, it's as safe as your bathtub.
08:57Yeah.
08:57Lots of accidents happen in the bathtub, you know.
09:01Will you hand me that case on the front seat?
09:05Yeah.
09:07A little traveling companion for you, darling.
09:09Jonathan.
09:18Lovely, aren't they?
09:20They're magnificent.
09:21There's more.
09:24Oh, my.
09:27They're unreal.
09:29As a matter of fact, they are.
09:31You mean they're...
09:32Fakes.
09:33The best money can buy.
09:34But it says Cartier on the clasp.
09:38Irving Cartier.
09:40A true artist.
09:41Oh.
09:45Well, I don't care if they are fake.
09:47They're beautiful.
09:48What should I wear today?
09:50Olive.
09:51Isn't that a bit ostentatious?
09:52It pays to advertise.
09:54Hello.
10:11Welcome aboard, sir.
10:12How you doing?
10:14Chamberlain's name.
10:15Oh, yes, of course, Mr. Chamberlain.
10:16We were expecting you.
10:17We have a lovely suite for you on the promenade deck.
10:20Fortunately, we had a stayover.
10:22Otherwise, we might have been fully booked.
10:23Well, isn't that nice?
10:24I'm glad to see the business is going so well.
10:26Yes, indeed.
10:27Mr. Brenner, would you get me P-16, please?
10:30This is Miss Ballou.
10:33How do you do?
10:36How do you do?
10:37You must be the captain.
10:39No, but I take care of the needs of the passengers.
10:42Oh, well, you can bet we'll call on you if ever the need arises.
10:46What a beautiful buck.
10:48Can it sip in years, it's a...
10:50What a beautiful buck.
10:55Complimenti, signora.
10:57You have the most wonderful taste with a beautiful whim.
11:02Permit me to introduce myself, signorina.
11:05I am Signora de la Fortuna.
11:09Ah, Signora de la Fortuna.
11:10Buongiorno.
11:11Piacere, molto piacere.
11:13Si ama molto felice.
11:16Excuse me.
11:16When in Rome, you do as the Romans do, but we ain't there.
11:20So for me, please, speak only the English.
11:24Of course, sir.
11:25I understand.
11:26Would you take care of Signor de la Fortuna?
11:29Remember, de la Fortuna's the main.
11:31Parle-amora's the game.
11:32Bon voyage.
11:33Innie cute.
11:37Now, here are the keys to your quarters.
11:38Oh, thank you.
11:39And the location of its wall safe.
11:42Incidentally, the combination has changed with each new arrival.
11:46Of course, if you'd prefer, we do have the purser safe here.
11:49I never lock away any of my valuables.
11:52I like to keep them out, where I can admire them.
11:54Honey.
11:55I can appreciate your viewpoint.
11:57I'd like you to meet the recreation director for the ship.
12:01Pamela.
12:03Excuse me.
12:03Who also happens to be my wife.
12:10Oh.
12:10Darling, this is Mr. Carter Chamberlain.
12:12I do.
12:13And Miss Christine Balloon.
12:14Balloon, how do you do?
12:16It's a pleasure.
12:18I hope you have a lovely voyage.
12:20Well, thank you.
12:21We're looking forward to it.
12:33Anybody who knew what he was doing could get into this safe.
12:36Did you try the numbers that Grango gave you?
12:39Yeah, I tried those earlier.
12:40They worked perfectly.
12:41Well, you said it was an inside job.
12:43Maybe they had the combination all the time.
12:45Just trying to eliminate all the possibilities.
12:48Can you check this out for me?
12:50Yes, I can.
12:52Little light fingers.
12:56Jonathan.
12:57I'm just trying to keep my touch in shape.
12:59What about the keys to the door?
13:01Those keys can't be duplicated because of the code numbers.
13:04You have to have the right machines.
13:05Well, that leaves the window.
13:07The porthole.
13:09Oh, yes.
13:10The porthole.
13:12I know they're supposed to be charming,
13:14but they always remind me of a laundromat.
13:16I took a peek out of there a while ago.
13:19That's about all you can do.
13:20It's 30 feet up to the deck,
13:22even if you could make it down to the window.
13:24Porthole.
13:24You'd have to be the thin man to squeeze through.
13:27What do you think?
13:29Enough honey to attract the bees?
13:30Oh, who knows?
13:32They may not be able to see the honey
13:34or the flowers.
13:36Oh, that's the cutest thing you've ever said to me, sugar.
13:40Well, shall we?
13:41I suppose you noticed some of the icing in Chamberlain's cupcake.
13:52I didn't have my jeweler's glass,
13:56but that bracelet, it's got to be worth at least $50,000 wholesale.
14:01Patrick, if you're thinking what I know you're thinking, forget it.
14:06Now, we've made our quota one hit on each ship.
14:09We said we weren't going to get greedy, remember?
14:11But, darling, it's you I'm thinking of.
14:16Now, I don't like you taking all those chances.
14:19But if we could get enough,
14:20maybe we wouldn't have to go back to the Riviera Circuit for years.
14:23That's what you said when we were there.
14:25Well, maybe a few good investments,
14:27and we can pitch the whole bloody business.
14:29But we are going to need a bit more
14:32for a retirement fund.
14:38What time is the second sitting, darling?
14:40I'm starving.
14:41Oh, nine o'clock.
14:42Nine?
14:42Not a moment too soon.
14:44I'm kind of hungry myself.
14:53Don't look now, but the Italian scallion just blew it.
14:59Compliments of Mr. Granville.
15:00Oh, thank you.
15:02Look at that, darling.
15:03That's Dom Perignon, 1963.
15:05That's very complimentary.
15:06Well, isn't that nice?
15:07Shall I pour it for you?
15:08No, no, I'll get it.
15:11Well, that was very nice.
15:13Good evening.
15:14Oh, here they are.
15:15Hello.
15:16Good evening.
15:17Hey, and thank you for the champagne.
15:19That's really lovely.
15:20Dom Perignon, 63.
15:21Would you like to share it with us?
15:23Sit down.
15:23Of course.
15:24Oh, don't you look lovely tonight.
15:26Do we have two more glasses?
15:29Oh, well, isn't this nice to all be together?
15:32Is everything satisfactory with your accommodation, Mr. Chamberlain?
15:36Real good.
15:37Just real good.
15:38And you know something?
15:39I think we ought to dispense with the formalities.
15:41Why don't you just call us Christine and Carter?
15:45Of course.
15:46Now, how about let's make a toast?
15:48Sure.
15:48Who's going to make it?
15:49Well, I'll do it.
15:50I'll do it.
15:50Here's to health and happiness.
15:52To a pleasant voice.
15:53Cheers.
15:54Cheers.
15:57That is good, isn't it?
15:58Goes right to my nose.
15:59What?
16:00What a lovely necklace, Christine.
16:03Oh, well, thank you.
16:04Stunning, isn't it, darling?
16:06It's good.
16:07Is that a repeto design?
16:09No, actually, it's an Irving.
16:11Irving?
16:13Not really familiar with Irving.
16:15Oh, he's one of Carter's discoveries.
16:17He has a feeling he's going to have a good future in store for him, doesn't he?
16:21You know, it's so fascinating about gems, but it's one of the rare bounties of nature that can be improved by man's touch.
16:29Well, isn't that funny? Carter feels the same way, don't you, darling?
16:32I do. That's very funny.
16:38Sorry I'm so late, but Mitch is so sick.
16:42Hi, I'm Mr. Goodman.
16:46Guido de la Fatou.
16:48Oh, what a musical name.
16:50Yeah, it is, ain't it?
16:55How are you? Missed you in town.
16:58Yes.
16:58How unfortunate.
17:00About your Mitch, nothing contagious, I hope.
17:03Oh, no, no, no.
17:05Nothing a little less motion wouldn't cure.
17:09This Mitch, he's your husband?
17:11Oh, no, my girlfriend.
17:14No, Murray, my husband.
17:16He's been gone almost eight years, may he rest in peace.
17:19Sorry to hear that.
17:21And what do you do, Mr. de la Fortuna?
17:24You can call me Guido.
17:27Guido?
17:27No, I never knew a Guido before.
17:40I never knew a Guido before.
17:47Oh, that was a lovely dinner.
18:05Well, I'll take full credit.
18:07Not for cooking, but for steaming the chef away from France's most prestigious restaurant.
18:11Oh, well, now that does take a first-class theme.
18:14Have you always been in the Navy?
18:19Oh, no, the uniform is strictly for effect.
18:21I really have nothing to do with the maritime.
18:23Why, Captain Granville, you have shattered my illusion.
18:27Oh, I'm sorry about that.
18:29You see, I'm just a simple hotelier.
18:32I normally do this sort of business with resort hotels.
18:35Oh, what sort of business is that?
18:37Well, I'm brought in to organize, smooth out the rough edges.
18:44Then we move on.
18:45Yes, I see.
18:49Well, now, Pamela certainly can move well, can't she?
18:55Yes, well, part of our job is to fraternize with the passengers.
18:59You know, that can be rather tedious.
19:03And frankly, with two attractive people like yourselves, it's...
19:07It's a total pleasure.
19:09Well, thank you.
19:10Christina is a very fortunate woman.
19:14Oh, yeah? How's that?
19:15Well, I assume all those lovely presents are for you.
19:18Oh, you mean the jewelry?
19:19Hmm.
19:20Well, yes, I'm sort of a token of my esteem.
19:24I like to see beauty surrounded by beauty.
19:27Know what I mean?
19:28I do.
19:29Is this a vacation for you two?
19:31Well, it's more of a permanent holiday.
19:34Hmm, how nice.
19:36How do you pass your days?
19:38Just about the same way as we pass our nights.
19:42I take it Carter is very good at what he does.
19:44Oh, very.
19:47And what is that that he does?
19:49Hmm?
19:50Oh, I see what you mean.
19:52You ought to know what it is he did so we can do what it is we do so well.
19:56Yes.
19:59Yes, I presume that's what I mean.
20:01Well, you see, Carter lives off of one investment.
20:05How nice.
20:06Hmm, isn't it?
20:08Now, I don't mean to be indiscreet or anything, but what is it that Carter has invested in?
20:14Marriage.
20:15His first two wives were real rich.
20:21Oh, hi, honey.
20:22I trust your company was as good as mine.
20:24Oh, it was one.
20:25And thank you.
20:26You're a wonderful dance partner.
20:28Oh, when Pamela finds a willing partner, she'll dance all night.
20:34Would you like another drink, darling?
20:35Oh, no, thank you.
20:36I'm fine.
20:36No, I personally prefer something a little more competitive.
20:41Perhaps you'd like to join me in the morning for some skeet shooting.
20:44Oh, now that sounds real fine.
20:46Skeet shooting, that does sound good.
20:47Fine.
20:48About seven, then, on the top deck.
20:51Fine.
20:51I have an early exercise class if you'd care to join me.
20:55Well, I don't know.
20:56Oh, that sounds great.
20:58It does?
20:59It does.
20:59Oh.
21:00Uh, darling, why don't we take a few laps around the dance floor?
21:04Get you up for tomorrow.
21:05Seven shark?
21:06Yes.
21:06And, Christine, make sure you lock up those valuables at night.
21:10Oh, sure thing, honey.
21:13Seven shark?
21:14Night.
21:15Good night.
21:15Do you get the feeling that they want me to put my jewelry in a safe place so that they
21:27can get it?
21:29Yeah, they are acting kind of funny.
21:32They're awfully dedicated to our entertainment, don't you think?
21:34Oh, I think so.
21:35Oh.
21:42Darling.
21:43Mm-hmm?
21:43You see that man leaning against that post back there?
21:48Yes.
21:50He's been checking you out.
21:52He has.
21:53Why don't you go down to the cabin and get something?
21:56You want him to follow me?
21:58Yeah.
21:58And let him do anything.
21:59I beg your pardon.
22:00Almost.
23:33PIANO PLAYS
24:03PIANO PLAYS
24:33PIANO PLAYS
24:36Hey, if you're looking for me, here I am.
25:03You know, darling, I think there's a life preserver overboard.
25:26Perhaps we should throw in a man.
25:32Would you mind telling me what you were doing in our cabin?
25:39My name is Victor Sutter.
25:42I'm an investigator with Great Pacific.
25:47Great Pacific.
25:49Who's Great Pacific?
25:51We carry your husband's insurance, Mrs. Hart.
25:54I'll be right back.
25:56I'll be right back.
25:57I'll be right back.
25:58Tony.
25:59Hey, smart.
26:03Pull!
26:17Pull!
26:21Very smart!
26:25My turn.
26:27Excuse me.
26:31Pull!
26:33I think you, uh, nicked that last one.
26:44Let's make this a little more interesting, shall we?
26:46Why, certainly. It's your show.
26:47I mean, a little wager, say.
26:50Ten a bird?
26:51Why, Patrick, are you trying to hustle me?
26:53Oh, hustle the guests.
26:53Now, that'd be highly unethical, wouldn't you think?
26:58Okay.
27:01Pull.
27:03You know something, Patrick?
27:08I think you're trying to hustle me.
27:11Is that a poem?
27:12Yes, yes, it is.
27:14You mind if I try it?
27:15Not at all.
27:19Good luck.
27:22You want to put four of them up for me?
27:26Thanks.
27:33Pull.
27:45You know, that's got real good balance to it.
27:48Real.
27:48Well, well, good morning.
28:17Well, now, Pamela, I certainly am impressed.
28:21I hope you don't intend on that sort of exercise for me.
28:23No, that's strictly for me.
28:25In my younger days, I was a world-class gymnast.
28:28Oh.
28:29I like to keep in shape.
28:30Well, you certainly have done that.
28:31Does every ship come equipped with one of these?
28:34No, some executives want a window office.
28:36I held out for my toys.
28:38I see.
28:39Besides, windows on ships don't have much of a view anyway.
28:42Oh, I don't know.
28:44That depends on what side you're looking from.
28:48Doesn't it?
29:01Okay, now, my turn to watch you.
29:06Come on.
29:07Come on, like we did yesterday.
29:08Come on, here.
29:10Come on, Captain.
29:11Let's go.
29:12All right.
29:12You all ready?
29:13Let's get in step.
29:14Here we go.
29:14One, two, three, and...
29:16One, two, three, one.
29:22Guido, you're a regular Travolta.
29:25I teach him all his best moves.
29:28Tell me you do this cruising bit a lot.
29:31Only when I am the poor Jack the Set.
29:35Biggest ship I was ever on was this Baton Island ferry
29:38with my husband Murray.
29:41It was very romantic.
29:42Men in the water go very well together,
29:46if you know what I mean.
29:47I take that as a bigger compliment.
29:49So you should.
29:51You're very sexy, Guido.
29:54Well, you ain't exactly chop liver yourself.
30:09Cheers.
30:10Cheers.
30:12Darling, why couldn't the thief have let himself in through the door?
30:21The insurance man did it pretty easily.
30:24Darling, he'd already rigged the door.
30:27Oh, that's right.
30:29Well, maybe he was posing as a steward and let himself in.
30:32This morning, I nonchalantly inquired into the key business.
30:39The purser controls them.
30:40The originals are in a safe.
30:42But all the stewards have keys.
30:44Yeah, that's right.
30:45But they turn them in every night.
30:47And they're impossible to duplicate.
30:50Well, maybe the purser's in on it.
30:52I don't think so.
30:56Then they came through the porthole.
30:58Yeah, what makes you think so?
31:00Well, they didn't come in through the keyhole.
31:02They didn't come up the drain.
31:04So what else is left?
31:06The other two would be easier.
31:09I don't know.
31:11Not if you're a world-class gymnast.
31:14Excuse me.
31:18Oh, hello, Mr...
31:20Sutter, Victor Sutter.
31:21Won't you join us?
31:24Again, I apologize for last night, Mr. Hard.
31:28But as you know, my company had specific instructions to keep a very low profile.
31:34Well, that's okay.
31:36Any leads?
31:37Just a couple of suspicions.
31:40Do they both start with P?
31:41As a matter of fact, they do.
31:44The Granvilles.
31:45Right.
31:47I know what you're trying to do, Mr. and Mrs. Hard, with all the imitation jewelry.
31:52You're hoping for another theft.
31:55I'm not sure they'll bite.
31:58But I have something here that might stimulate their appetite.
32:05That's an exact duplicate of the piece that was stolen last week.
32:10About as valuable as the pieces you've been wearing, Mrs. Hard.
32:14You and the Granvilles have gotten quite chummy.
32:17It might be interesting to note their reaction if Mrs. Hard showed up with that on.
32:21You can count on me, Mr. H.
32:31Look, Mr. Hard.
32:47Darling.
32:50Yeah.
32:51It's wet in here.
32:53You want your raincoat?
32:55There's not even a lifeguard on duty.
32:58Don't go in the deep end.
33:03What is it?
33:04There's a shark's fin.
33:06Do you think it's a great white?
33:08Don't worry, darling.
33:09If you don't bother him, he won't bother you.
33:11Well, maybe this is a job for the captain.
33:24I think it's more a job for the first mate.
33:28Hi, sailor.
33:29Aren't you out of uniform?
33:35Well, good evening.
33:37Good evening.
33:37Oh, hello.
33:39I gotta tell you, my shoulder's really suffering for this morning.
33:42Say nothing in my wallet.
33:50Don't.
33:51What's the matter?
33:54Nothing.
33:55Maybe I overdid it this morning.
33:59That's a lovely necklace, Christine.
34:01Well, thank you very much.
34:03It's another one of Carter's pretty presents.
34:05Well, if you'll excuse me a minute, I have some business to attend.
34:11Why, certainly.
34:11Certainly.
34:12We'll suffer along with Pamela's charming company.
34:15Excuse me.
34:16Can I get you a drink?
34:17Oh, yes.
34:18I'd like a white wine.
34:23Some of those peanuts, too.
34:25Aren't they good?
34:26Oh, thank you.
34:27Excuse me.
34:31I'll be back in a minute.
34:32Guido, here I am.
35:00Will you be running, too?
35:01Well, listen, I gotta make a longer distance call to Cecilia, to my old mama.
35:09I'll be right back.
35:10You buy yourself, and me, a pink lady, carissa me.
35:15If you say so, Guido.
35:31I'll be right back.
35:41I'll be right back.
35:45I'll be right back.
35:52I'll be right back.
35:54I'll be right back.
36:08Yeah, I wonder what's keeping Patrick.
36:18Well, I'm afraid he thinks I'm gonna hit him up for double or nothing on the shuffleboard,
36:22sir.
36:23You wouldn't do that, would you, sugar?
36:25Well, honey, I...
36:26I...
36:27No, I don't think I would.
36:30Waiter!
36:32You want something, honey?
36:33Yeah, I'd like to have some nuts.
36:34Oh, I'd love some nuts, wouldn't you?
36:36I'm hungry.
36:37I'm starving.
36:38I can hardly wait till dinner.
36:40What happened?
36:41I gave you a slip.
36:42I only blew that one.
36:43Stick around, huh?
36:44Oh!
36:45There you are, honey.
36:46Oh, thank you.
36:47Help yourself.
36:48Oh, isn't that good?
36:49Oh, there you are.
36:50I'm sorry.
36:51Are you all right?
36:52Yes.
36:53I'm fine.
36:54I'm fine.
36:55Yes, I'm fine.
36:57I'm fine.
36:58I'm fine.
36:59I'm fine.
37:00I'm fine.
37:01I'm fine.
37:02Oh, I'm fine.
37:03Oh, I'm fine.
37:04I'm fine.
37:05I'm fine.
37:06I'm fine.
37:07I'm fine.
37:08I'm fine.
37:09Yes, I guess.
37:13I had a bit of an accident.
37:14Darling, what happened?
37:16Let's just say that I was encouraged to take a short rest.
37:20How would you describe it, Carter?
37:22Whatever your name is.
37:26Well, I...
37:27I know you're troubled about something, but I...
37:30The bump on the back of my head, for starters.
37:33But more importantly, the mate to that necklace your friend is wearing.
37:38Now, wait a minute.
37:39No, you wait a minute.
37:43Patrick, what are you...
37:44Be quiet, darling.
37:47Now, very nicely reach into your pocket.
37:50Take out your wallet.
37:53Believe me, you are way out of line.
37:55No, I'm not.
37:57The line is very direct from the gun in my pocket to your friend.
38:22Well...
38:24Mr. Hart...
38:27I'm so glad you didn't leave home with that.
38:29Mrs. Hart, I presume.
38:36Well, Mr. Hart, may I...
38:39May I call you Jonathan?
38:41I know that's a little out of line with one's employer.
38:44But I have a distinct feeling that our relationship is about to be severed.
38:48I'm afraid I won't be able to write you a recommendation.
38:51All we want is our vacation pay.
38:58Hand it over.
39:00If you've misplaced your necklace, I'm afraid that we can't help you.
39:06Patrick, they haven't left the table all night.
39:11That phony Italian industrialist.
39:12I know he's with you.
39:15That's right.
39:17He is with us.
39:19But zapping you over the head and snatching that necklace...
39:22Believe me, that's not his style.
39:33I think it's time that you had a tour of your ship.
39:38Now, if I were you, I wouldn't try anything foolish.
39:42Killing your wife would get me in a lot of trouble with the management.
39:48Get up.
39:53Hart?
39:55Emma?
40:12Happy birthday.
40:14Like measten pay me out for you.
40:15To my wife!
40:20Bye!
40:22I'll see you later.
40:24Bye!
40:26Bye.
40:27Bye!
40:29Bye.
40:30Bye!
40:32Bye!
40:34Bye!
40:36Bye!
40:37Oh!
40:38I can't wait to try out the new dance steps tonight, huh?
40:53Yeah.
40:54Guido? What is it?
40:56You got that far-off Sicily look again?
41:00Listen, Esther, I think the call from my mother comes through right now.
41:04I'll be just going a minute, please.
41:05Guido, Guido, there comes a time in every man's life when he has to let go.
41:11Excuse us.
41:23Fascinating, isn't it, Mr. Hart?
41:26That's it. Keep moving.
41:35So what do you think of your ship so far, Mr. Hart?
42:02I'm sorry. I'm not very friendly.
42:06Keep going. Fine.
42:11I thought this might be a little more private for us to chat with.
42:14Patrick, what are you going to do?
42:15Relax, darling.
42:17Just giving the Hart's a little pause for reconsideration.
42:21Look, we've already told you, we don't have your necklace.
42:24Mrs. Hart.
42:26Come here.
42:27It's not real.
42:47Never.
42:49Stupid of me to fall for.
42:50Mr. Hart, there's a phone on the wall over there.
42:55Why don't you put in a call to your friend and tell him to deliver the real one?
42:58That won't be necessary.
43:00I decided to join the party uninvited.
43:03Thanks, Max.
43:04Thank God I didn't lose him this time.
43:07Are you telling me that you haven't got the real piece?
43:10That's right.
43:11I don't understand.
43:12If you don't, who does?
43:14Tell him, Mr. Hart.
43:17Victor Sutter, Great Pacific.
43:19If I try anything foolish, I'll take that.
43:22I figured when you showed up with that phony duplicate, you had decided to give up the insurance business.
43:27I was hoping I wouldn't have to resort to this, but I don't see that I have much choice.
43:31Now, if you'll just move on, I know a little door where you can get a wonderful ocean view.
43:35You don't really mean to kill all of us.
43:39Only with the greatest reluctance.
43:42Actually, we're only about ten miles from the coast.
43:44If you don't panic, you might make it.
43:47Let's go.
43:48You could at least throw us a lifesaver.
43:50At least to rub it, don't you?
43:52Guido, you lied about your mother.
43:54I told you.
44:05Guido, you lied about your mother.
44:35Guido, you lied about your mother.
45:05Guido, you lied about your mother.
45:06Guido, you lied about your mother.
45:07Guido, you lied about your mother.
45:08Guido, you lied about your mother.
45:09Guido, you lied about your mother.
45:10Guido, you lied about your mother.
45:11Guido, you lied about your mother.
45:12Guido, you lied about your mother.
45:13Guido, you lied about your mother.
45:14Guido, you lied about your mother.
45:15Guido, you lied about your mother.
45:16Guido, you lied about your mother.
45:17Guido, you lied about your mother.
45:18Guido, you lied about your mother.
45:19Guido, you lied about your mother.
45:20Guido, you lied about your mother.
45:21Guido, you lied about your mother.
45:22Guido, you lied about your mother.
45:23Guido, you lied about your mother.
45:24Guido, you lied about your mother.
45:25Hold on. I'm coming down for you.
45:47Jonathan!
45:50Hey, take care of them, Max.
45:55Hold on tight!
46:18Hang on!
46:25Hang on!
46:55Thanks a lot.
47:16All right?
47:21Thanks for the line, sailor.
47:32You know, Esther?
47:33Yeah?
47:34I got a little confession to make.
47:36You're not a wealthy Italian industrialist.
47:40Yeah. How'd you know that?
47:42If I found him like that, you could only be from Brooklyn.
47:45Esther Goodman, you are a very precipitatious lady.
47:49Well, I didn't just fall off the turnip truck yesterday, you know.
47:58Max and Esther look serious.
48:00They make a lovely couple, don't they?
48:10You know, darling, we're going to have to face the fact that someday Max may leave home.
48:14Oh.
48:15Well, I suppose there comes a time in every couple's life when they just have to let go.
48:21Well, you can look at it this way. We'd be losing a Max, but we'd be gaining an Esther.
48:30I hope she's a doctor.
48:32I hope she's a very little, you know.
48:42Well, yeah, I hope she can take a nice trip right here.
48:43All right.
48:44You can also see that embarazons, and thank you.
48:46I hope you enjoyed it.
48:48I hope you enjoyed it.
48:51My friends have loved ones, and thank you.
48:52My friends have loved ones, and thank you.
48:55My friends have loved ones.
48:56I hope you enjoyed them.
48:58I hope you enjoyed it.
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