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Mix Tape - Season 1 Episode 1

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Transcript
00:00Hey, how are we, man?
00:28Good, man. It took you time.
00:30I know, I know. I'm just going to stick a tape on the rack.
00:32Grab a beer, man.
00:33Yeah, we'll do it.
00:39Oh, come on, man.
00:40Two seconds. Sorry, sorry.
00:54Hi, Daniel.
00:55How's it? How's school? How are things?
00:59Yeah, good.
01:00School's so boring.
01:03Our Sandra got a job in the bookies
01:04and she's getting £2 an hour.
01:07Why do you get a level when I can earn a few
01:09but won't be out every weekend?
01:11What do you think?
01:15Daniel?
01:16Hey.
01:17Yeah, yeah.
01:19Buzz, it's harder for lads.
01:21My brother got a job nightpacking
01:22in that new supermarket up Silent Road.
01:25What was that?
01:26Who?
01:28Oh, look.
01:30Nobody?
01:32Alison something?
01:34Yeah, blow us.
01:34Okay, keep your knickers on.
01:51Excuse me.
01:51Daniel O'Toole.
02:08I know who you are.
02:10What's your name?
02:11Alison Connor.
02:15Want to dance, Alison Connor?
02:17Oh, we're about to leave.
02:18One dance.
02:21Want to walk you on?
02:24One dance, but you won't be walking me on.
03:25Can I get another one?
03:40Okay.
03:40You're Dan O'Toole.
03:46I am, mate.
03:47Yeah.
03:47Yeah.
03:48I read all your stuff in NME.
03:51It inspired me to get into the industry.
03:54Oh, man.
03:57They're a band of shit, aren't they?
04:00I don't know.
04:03Oh, yeah.
04:04I think they got what it takes to put this city back on the map.
04:07I'm about to send 500 words of that affecting to Rolling Stone.
04:16No.
04:17Yeah.
04:17Yeah, no, I was going to say they could probably go that way.
04:26Nice to meet you.
04:27Yeah, you too, mate.
04:29All right, look after yourself.
04:30All right, yeah.
04:35Fucking liar.
04:36All right, yeah.
04:36All right, yeah.
04:37All right, yeah.
04:38All right, yeah.
04:38All right, yeah.
04:39All right, yeah.
04:39All right, yeah.
04:40All right, yeah.
04:40All right, yeah.
04:40All right, yeah.
04:41All right, yeah.
04:41All right, yeah.
04:42All right, yeah.
04:42All right, yeah.
04:43All right, yeah.
04:44All right, yeah.
04:44All right, yeah.
04:45All right, yeah.
04:45All right, yeah.
04:46All right, yeah.
04:47All right, yeah.
04:47All right, yeah.
04:47All right, yeah.
04:48All right, yeah.
04:48All right, yeah.
04:49All right, yeah.
04:49All right, yeah.
04:50All right, yeah, yeah.
04:51All right, yeah.
04:51All right, yeah.
04:52All right, yeah.
04:53He's just gonna play the red.
04:55You know, this looks amazing.
04:57Wow.
04:59Dan!
05:01Dan can see you with the take-away!
05:05Yes, he's taking it pretty hard.
05:09Alex just left the train this morning.
05:11Eighteen, enough to you, innit?
05:13Oh, she's really good.
05:15Yeah, he's taking it pretty hard.
05:17Alex just left the train this morning.
05:19Eighteen, enough to you, innit?
05:21Eighteen and off to uni.
05:24Christ.
05:26I remember when Alex was born.
05:28Hard to believe he's out in the world on his own now.
05:31I remember when he was born.
05:3322 bloody hours trying to push this melon head out of my body.
05:38That's it, all right.
05:40Put him off his dinner.
05:42Physics!
05:43Don't know where he gets it from.
05:45He's real dad, eh?
05:46Oh, yeah.
05:47Fuck you, fuck you, fuck you, fuck you.
05:49I was smart, anyway, I was smart enough to know the school for knobheads.
05:52A pair of knobheads.
05:54Anyway, look, I've, er...
05:59I've an idea that I want a picture, but we'll talk about it later.
06:03Sure, I'm intrigued.
06:04All right.
06:05Hey, got a couple of snappy thrillers in the car for you, Kat.
06:08Oh, wonderful, thank you so much.
06:10It still amazes me, though, that you actually work in publishing.
06:13Why?
06:14Maybe because you literally skipped every English class.
06:18Wrong use of literally.
06:20Er, you can literally fuck.
06:22Right, anyway, cheers, you lot.
06:24Oh.
06:25Cheers.
06:26Cheers.
06:27Eyes and eyes and eyes and eyes.
06:29Eyes.
06:30Eyes.
06:31Eyes.
06:32Eyes.
06:33That's not bad, that.
06:35Yes.
06:36Right, let's see what we're working with here, Kat.
06:39God, it smells delicious, doesn't it?
06:41Mm-hmm.
06:47Dan, please turn it down a bit.
06:49I can't hear myself things.
06:50Oh, that reminds me.
06:52I saved an article for you, mate.
06:54Oh, yeah?
06:55Total blast run past, you won't believe it.
06:58I'll ping it you now for I forget.
07:00Okay.
07:01So, did you order?
07:02No.
07:03Don't.
07:04Sing so.
07:05Oh, my.
07:06Oh, my.
07:07Do.
07:08A little sign's not warm.
07:11Cause behind it there's the implication.
07:13The palm is burning down.
07:18So, do I get a prize?
07:20Do I get a prize?
07:22Do I get a prize?
07:24Do I get a prize?
07:27I don't think it'll rise
07:31I don't remember when I first saw
07:35I don't remember when I first saw
07:57I don't remember when I first saw
08:27I said, I was here from Sheffield
08:30I went to Michael
08:32I went to Leia and Stella
08:34I went to Leia and said
08:37welcome to 984 in the mornings and i'm here with alison connor talking about her new novel
08:52tell the story so alison straight to number one on the bestseller list a pre-emptive film
08:59adaptation from one of the world's biggest studios and a high six-figure deal for your next novel
09:04wow well nobody's more surprised than me
09:08alison your novel is the classic australian family saga but it contains a character who moved here
09:16from england now it might not really sound like it but you're a working class lass from sheffield
09:22do you put much of yourself or the people you grew up with into your writing well only the bits i
09:28can't sue me for um but but no um sheffield that was that was such a lifetime ago and i
09:41you know i'm i'm a completely different person now oh our lines are lighting up here come our callers
09:49oh that was awful no it wasn't honey did really well she kept talking about sheffield well yeah
09:57the interview's been syndicated for bbc's woman's hour didn't i tell you
10:00do you think i've got much coverage over there i freaking hope so publishers want to organize a tour
10:11london obviously but we could send you up north to a stint in your old stomping ground if you like
10:16well why don't you just think it over
10:24come on
10:30come on
10:32come on
10:36come on
10:38come on
10:40come on
10:42pass it
10:44come on
10:54come on
10:56fancy him do you
10:58who
11:00you know who
11:02dan o'toole
11:04he's not a cradle snatcher
11:08i'm gonna go
11:10keep it up boys keep it up
11:12go on
11:14see you later
11:16yeah yeah
11:18go
11:20go on
11:22go
11:24go
11:26go
11:28go
11:32go
11:34go
11:36go
11:38go
11:40go
11:42go
11:44Let's go.
12:15Some of us are trying to study.
12:18Me too.
12:21What's so funny about poetry from the 18th century?
12:25It's filthy.
12:38What are you listening to?
12:44I never felt magic, crazy, thick.
12:59I never saw moons near the meaning of the sea.
13:03I never heard the motion in the palm of my hand.
13:10I felt sweet breezes in the top of a tree.
13:14But now you're here.
13:18Brighten my northern sky.
13:20That's poetry.
13:35I need to finish up.
13:37Oh, yeah.
13:38Me too.
13:40Hey, there's a...
13:41There's a party.
13:42On Friday.
13:43I think I'm busy.
13:51All right.
13:52Well, that's not a big deal.
13:58Okay.
14:00I'll see you.
14:01Shit.
14:09All right, one second.
14:29Come on, make me a piece.
14:31I just want to're going to be out.
14:41It ain't the best time in memory.
14:44Oh.
14:46I've only wished for once I'd catch you out.
14:48She's not coming back.
15:18Who?
15:19You know who?
15:21Look at you.
15:23Mooching around like some lardy arse.
15:27Here.
15:28She's probably frigid anyway.
15:31It's more life than getting inside a girl's nooky skunk.
15:34You know what?
15:37You're a bum pumper or something.
15:39Jesus.
15:48Have you heard the rumours?
15:54Apparently.
15:55Tracy Gordon saw Mr Phillips and Miss Green getting off in the staff room.
15:59You really believe that, do you?
16:01Yes.
16:02You are so good.
16:03She swore on a guinea pig's life, mate.
16:04A guinea pig?
16:05Right.
16:06Stop!
16:07You can see the sun is shining if you really wouldn't do.
16:22I can see the moon and it seems so clear.
16:25You can take a road that takes you to the stars.
16:28No, I can take a road that'll see me through.
16:31I can take a road that'll see me through.
16:34Come on, beautiful insectcomer
16:43James.
16:44Come on.
16:46Come on.
17:21I don't have anything that doesn't make me look like shit.
17:45Sorry, I'm just...
17:47You've learned this feature.
17:50Michael.
17:51Yes, darling?
17:51You look amazing in everything.
17:57I'll tell you what, why don't you try on that little number hanging up in my wardrobe?
18:03What are you talking about?
18:05What do you mean what I mean?
18:06What have you done?
18:07What do you mean what I mean?
18:08I don't know.
18:09I don't know.
18:09I don't know.
18:10I don't know.
18:11I don't know.
18:12I don't know.
18:12I don't know.
18:13I don't know.
18:14I don't know.
18:14I don't know.
18:15I don't know.
18:16I don't know.
18:17I don't know.
18:18I don't know.
18:19I don't know.
18:21I don't know.
18:22I don't know.
18:23I don't know.
18:24I don't know.
18:25I don't know.
18:26I don't know.
18:27I don't know.
18:28I don't know.
18:29I don't know.
18:30I'd like to welcome one and all.
18:33Oh, Thea called earlier.
18:36Wishing you luck.
18:37Oh, that's nice.
18:39I wonder why she didn't call me.
18:42She did.
18:43You left your phone downstairs, so I answered.
18:50Hey Stella, are you getting ready?
18:52I don't have to go, do I?
18:55Well, I just thought, I'm not going.
19:22Hey, you know what?
19:23I just made three cups.
19:25You what?
19:26One for Alex as well.
19:27Oh, did you?
19:28Aw.
19:29Look, he'll be back at half ten.
19:31Sure.
19:33But what if, what if we're not here?
19:36Oh, why?
19:37Where would we be?
19:38You know that I've been talking about having a holiday after this work trip.
19:41So, I was thinking, what if I stayed in New York and you join me?
19:46And then we could stay there for a couple weeks, or maybe even a few months.
19:50Right.
19:51I mean, that's a bit more than a holiday, but...
19:54Yeah, but now is as good time as any.
19:56And you've always dreamt about that great American road trip.
20:00Yeah, I want to sleep burns for it.
20:02Just hear me out.
20:04I mean, there's nothing really tying us here, is there?
20:08Uh, work?
20:10Yeah, but I could always take a sabbatical and you can just...
20:14What?
20:15Take a break from freelance journalism.
20:19Come on, Dan.
20:21Yeah, I mean...
20:22Anyway, my dad still hasn't got a date for a zip operation.
20:26Look, he's in a lot of pain, can't he?
20:29He is.
20:30I know.
20:31We should be going round them more often, to be honest.
20:32Even more?
20:33Well, we do live the nearest.
20:36Speaking of which, you're gonna come with me this morning?
20:40Yeah.
20:41If you know I've got stuff to do.
20:43Please tell them I'm working.
20:45Yes.
20:46Okay.
20:47Will do.
20:49All right, well, let's get ready for that.
20:52We will talk later.
20:55Sure.
21:05It were Brenda who had your French fancies yesterday.
21:07The girl is Brenda.
21:09And she was bragging about getting a new microwave.
21:12What?
21:13She says you can do halting them.
21:14It's not a bit healthy, to be honest.
21:16Oh, I'd love a microwave.
21:17Breakfast, Dan.
21:18No time.
21:19Oh, for God's sake.
21:21Did you make my walkman?
21:23God, I know will you walk me.
21:25You dreary taste.
21:26Hey.
21:27Here.
21:28Here.
21:29Right in front of you.
21:30Eat that.
21:31It's alright.
21:32See you, Mum.
21:33Be good.
21:34All right.
21:35See you a bit, Dad.
21:36Good lady.
21:37Is my lunch ready?
21:43Hiya.
21:45Hiya.
21:47Hiya.
21:48I didn't know you lived round here.
21:50I don't.
21:51I've got my history book.
21:52I'm headed back home.
21:55Wouldn't it be fast to just hop on the bus?
22:03Thanks for the song lyrics.
22:07Hey, look, I've got that crap Fleming for English this morning.
22:11Want some company?
22:12I'd best not.
22:13I don't want my mum thinking I'm just bunking off.
22:22What about this weekend?
22:23The match?
22:25I've got plans.
22:26I've got plans.
22:31Okay.
22:34And...
22:35See you then.
22:40Yeah.
22:41I.
22:42Unified.
22:44My dreams are done.
22:47I'm going to walk.
22:48I can't wait in for some minutes.
22:50I can't wait.
22:51In the next video.
22:52I can't wait.
22:53I let them go.
22:55I can't wait.
22:56I'm waiting too much for you, this one.
22:57I can't wait.
22:58I can't wait.
22:59I can't wait.
23:00I can't wait.
23:02I can't wait.
23:03If I can just have your attention for a moment, I would first like to start by saying we here
23:18at Richmore Publishing are so happy to welcome you here tonight to celebrate this remarkable
23:25book and its even more remarkable author, Alison Connor.
23:33And who better to talk about Alison than her husband, Dr Michael McCormick.
23:40Well, as we all know, Alison likes to keep her words for the page, and by God isn't she
23:50good at it.
23:51In all seriousness, when I heard that Alison had completed her novel, I couldn't believe
23:56it.
23:57Now, there's going to be some speeches later on from her editor and some other special
24:02guests, but for now, can I ask you all to raise a glass for the author of Tell the Story
24:08Little Ally?
24:09My Little Ally?
24:10Thanks .
24:15I'm exhausted.
24:19Thanks, honey.
24:23Thanks.
24:30I'm exhausted.
24:32Jesus.
24:36You kidding me?
24:37What?
24:38You out of your mind, Stella?
24:39It was already open, Dad.
24:41Is this some kind of joke?
24:42I've not done anything to you.
24:43What the hell is wrong with you?
24:44You skip your mother's book launch,
24:45and then we get home to find you out here drinking?
24:47Relax, I didn't drink any.
24:48Oh, you didn't drink any, did you?
24:49You just got the whiskey out for no reason, did you, mate?
24:51What the hell is going on with you, Stella?
24:53You have been stomping around this house for weeks.
24:55I'm sorry, right at this house.
24:56Stella, don't walk away from me, please.
24:57You...
25:01I'm gonna find out what is going on here.
25:03Passcode's still her birthday, right?
25:05Michael, you can't look at her phone.
25:06Ally, she might be getting bullied
25:08or doing drugs or something.
25:09We don't know.
25:10Yeah, well, she's still allowed her privacy.
25:15Fine.
25:16I'm just trying to look out for her.
25:18Something is up.
25:19Yeah, I know.
25:20And we will talk to her tomorrow.
25:23Calmly.
25:26Oh, I don't think so.
25:27Stop it.
25:33Stella.
25:34That's enough.
25:35Grab that noise off.
25:37Stella.
25:38Turn that music off.
25:39Now.
26:08USB.
26:11If you're not.
26:17Stop it.
26:33It's not easy.
26:34Good morning, love.
26:45Morning.
26:48You all right?
26:53Oh, thank Christ. God, I've been looking for that.
26:56Duncan, what's you?
26:59Okay.
27:00Yeah, he wants to talk about this new book that you're writing.
27:06Well, did you talk to him?
27:08No. He, um, he sent you a text.
27:13Were you going to tell me?
27:16There was something to tell. Yeah, I was.
27:21Do you remember what you were like the last time you wrote a book?
27:25Because I do.
27:27I mean, me and Alex, we had to tiptoe around the house.
27:29You practically went into a cave.
27:33Why now?
27:35You've been freelancing for years and we got by on my...
27:38On your wage. Yeah.
27:41Yeah.
27:44I thought that we were going to seize the moment.
27:48Do the road trip, like I said.
27:49I'm not being funny, Cabo. You just sprung this on me yesterday.
27:55Okay.
27:57Great.
27:59It's a midlife crisis. Empty nesters, that's what you are.
28:08It's not a bloody midlife crisis.
28:11Catcher wants to go on a road trip and you want to write a novel.
28:15It's the very definition of a midlife crisis.
28:17Pass to Gibbs White to the censor.
28:19Now the process of his child has been bombarded by Jack Holt.
28:30Get out of the view.
28:35Go down the right, on the side.
28:37Go down the right, on the side.
28:38So, you're heightenting.
28:39If he sees their passage.
28:40Go down to the right, on the side.
28:43Don't wait to see the middle of this.
28:45That's the middle of this part.
28:46Look at all this coming round the back.
28:47Still misses that area.
28:55The water pattern, who arrows it into the corner.
28:57Yes! Yes!
28:59Yes! Yes, darling!
29:01Oh, I can't!
29:03Oh, that's lovely.
29:05Oh, that's lovely.
29:07Oh, that's lovely.
29:09Oh, that's lovely.
29:11Oh, that's lovely.
29:13Oh, that's lovely.
29:15Oh, that's lovely.
29:17Oh, the Owls fans got crazy in the stands.
29:19Go on, boys.
29:21Whoo!
29:27Looking forward to it, boys.
29:29We've got a good game today, eh?
29:31How are you?
29:33Just checking as well.
29:35Just checking as well.
29:37Just any feature.
29:39Oh! Daniel!
29:41Are you going to the match?
29:43What am I saying?
29:45Where else would you be going?
29:47Erm, this is my brother.
29:49Peter. All right, mate.
29:51Heard about you.
29:53Yes. What stand you in?
29:55Oh, I'll wear it.
29:57Oh, you're only a few euros up. Come with us.
29:59Yeah. I mean, come on.
30:01Know where we can lose against United, right?
30:03I don't know. We've been a bit shit-ass.
30:05Yeah, I know.
30:07We've got to support the team, haven't we?
30:09Let's go.
30:10Come on.
30:11Come on, lads.
30:17There he is.
30:18No buttered bread, anyone?
30:19No buttered bread.
30:20Alison, do you want some more gravy?
30:21I want some gravy.
30:22Anyone for bread?
30:23Build a doughnut and vinegar on your chips.
30:25No, you're fine, lads.
30:26Oh, is anyone talking to our Joe?
30:27Is it coming over later?
30:28He rang yesterday, so he's not coming over till Sunday.
30:30I'm stealing my chips.
30:31Hey.
30:32You're trying to fit into your mini-skirts.
30:33Hey!
30:34You're not going out again, love.
30:36Saturday night.
30:37We just want to go out to you.
30:38Oh, do you. You're unbelievable, you.
30:39I'll leave some sandwiches out for you later on.
30:41Oh, no. I like fussing, don't I?
30:43You like pigeons, actually?
30:44Oh, Dad, you don't want to talk.
30:45Why?
30:46I love pigeons.
30:47You need some soapy.
30:48I'll erase them. I'll show you later.
30:49Oh, believe them, people.
30:50What?
30:51You're going upstairs to listen to some music.
30:52Oh.
30:53Hi, indeed.
30:54Upstairs to listen to music.
30:55Yeah.
30:56There's a madhouse like this one, Alison.
30:58Right, it's much more civilised.
31:00Is that right, Dan?
31:01We are civilised.
31:02I've not been in here, I have.
31:03You'll eat some more if you're going out.
31:04Well, not to worry.
31:10Come out and meet our visitor.
31:13Hello.
31:14Oh, isn't she pretty?
31:17Hello, lovely.
31:18Good girl.
31:19Huh?
31:20So soft.
31:21Say hello to Alison.
31:23Want to hold her?
31:26Yeah.
31:27Just making sure her wings are tight,
31:29so she don't flap about.
31:31Yeah.
31:33That's it.
31:35How tiny.
31:36She likes you.
31:38She's beautiful.
31:39How do they know to come back?
31:44Just sum it in them.
31:49They know they're loved.
31:53In you go.
32:06Ali?
32:09Hey.
32:14We need to talk.
32:15Okay.
32:18What about?
32:21Stella.
32:23Yeah.
32:25What has she done now?
32:27The moodiness.
32:29The sleeping all hours.
32:31She's pregnant.
32:33Oh, my God.
32:35Michael.
32:36I'm telling you, Al, she's pregnant.
32:40She's...
32:41They're just teenage hormones.
32:44Of course you'd think there's a medical explanation.
32:46Alison.
32:47She told me.
32:49Instead of throwing up, I put two and two together.
32:52It was like she was waiting for one of us to say it.
32:59The only option is to have a termination.
33:03Don't you want to go to uni?
33:05Don't you want to have a life?
33:07Who says I won't have a life?
33:09Darling.
33:11That's a little naive.
33:13I'm keeping it.
33:15That's final.
33:17Why won't you tell us who the father is?
33:23Darling.
33:28Did you want this to happen?
33:30What?
33:31No, of course I didn't want it to happen.
33:33No, I...
33:35I mean...
33:39I didn't even know you had a boyfriend.
33:43Was it...
33:47Were you okay with...
33:49what happened?
33:52Mom, I knew what I was doing.
33:55I fucked up.
33:56What more can I say?
33:57Oh.
34:07So you haven't met her mum or dad?
34:10Has she told you anything about them?
34:12Where do they live?
34:13Mum.
34:15I'm only asking.
34:17Not looking being Iron Mighty.
34:19God knows we're not exactly rolling in it.
34:22It's just, well...
34:24You don't seem to know a lot about her.
34:27Get her to fill in a questionnaire, shall I?
34:30Hey, Cheeky.
34:32I'm just saying, just...
34:34We'll make sure it ain't all one way.
34:37I best get home.
34:39I woke you.
34:40Thank you, Mrs O'Toole.
34:41Oh, you're welcome, love.
34:43See you later.
34:45I've come with you.
34:46No, I'm okay.
34:48No, you're not.
34:50I don't need you to.
34:51I'm walking you home.
34:52Alison, I'm not letting you...
34:53I'm not some weak, silly lass
34:54who can't make her own way home, Dan.
34:56I never said you what?
34:57I'll talk to you tomorrow.
34:59Jesus, Al.
35:00You'll spend the day with me, but you...
35:03Alison!
35:22I'm gonna walk away.
35:23I'm gonna help.
35:28What are you doing?
35:30I don't need to run it.
35:32I want to do that...
35:34I don't know.
35:35I don't know.
35:37I don't need to run it, but I don't need to run it, but I can't even miss you.
35:42I don't need to come to work with you too.
35:44You can't do it.
35:45Oh, my God.
36:15Oh, my God.
36:46Sorry, I thought I'd get in before you.
36:49You were fine.
36:52Did Daniel walk you home?
36:54Yeah.
36:58Did he say anything?
37:01No.
37:06He's a nice lad, you know.
37:07Listen, er, you all right if I head back out?
37:17I've, er, got to see a man about a dog.
37:22Go on.
37:24Are you going to bed?
37:26Thought I'd stay up and watch the two runners.
37:29What?
37:30Going straight up.
37:32All right.
37:33Okay.
37:35I'll look after her tomorrow.
37:37You're working all week.
37:38You deserve a break.
37:41Come here.
37:43See you later, yeah?
37:45Have fun.
37:47I'll try.
37:50Bye.
37:56I knew you'd say that.
37:59Oh, Alison!
38:01Martin!
38:02She's, er, give us a kiss.
38:06I'm just off to bed, Mum.
38:07Oh, come, see with us.
38:09Leave her, Catherine.
38:12She's going to bed.
38:17Now you can have some fun with me, Kitty Cat, eh?
38:20Have some fun with mine.
38:21Something shimmering and white.
38:43What?
38:55I'm going to be doing my work today, Jeff.
38:59I'm thinking about you.
39:00No.
39:01I'm a Christmas one, man.
39:03The world is crazy.
39:04I'm thinking about you, but you know?
39:08I'm going to sit up pushing it.
39:11I made you some chamomile.
39:26It always helps you relax.
39:28Thanks.
39:31We'll get through this.
39:34I don't want you to worry.
39:36We'll figure it out together.
39:41I was thinking I might take her to Sheila's for a few days.
39:47Just talk to her.
39:49I'm not sure that's a great idea.
39:52I think she needs to see us on the same page at the moment.
39:56Help her understand that she really only has one option here.
40:01But she doesn't.
40:04Okay, well, you didn't go to uni, so maybe you don't get it, but...
40:09I get it, Michael.
40:11Oh, jeez.
40:16Morning, Ted.
40:18When you're done there, you might try your hand at me front windows.
40:22Microwave in a new car.
40:24I'll never hear the end of this from your mum.
40:30Dad.
40:31What?
40:34Nothing.
40:35Well, look, son, girl trouble or money trouble.
40:40And seeing as you've never had to pay for art in your life...
40:42Does it?
40:49Does it mean something if a girl don't want you to walk her out?
40:51I used to walk your mum home every night.
40:57And her dad would stand at the gate, staring, never liked me.
41:01But Marion wasn't best fond of him either, so she used to make me walk her right to the gate.
41:06This off Grandad.
41:07Yeah.
41:09In the end, the old fart was all bark and no bite.
41:11Tried at our wedding, taught me I was like a son.
41:16Some folk don't like their lasses even seeing a lad.
41:20Let alone being walked home by one.
41:24He'll be all right.
41:24He'll be all right.
41:54He'll be all right.
41:56He'll be all right.
42:23Don't be mean.
42:38Didn't your mum ever tell you to be kind to charity cases?
42:43You're not a charity case.
42:45Someone should tell Dan or two.
42:47Say that again.
42:50I'm only joking.
42:51Say it again.
42:54It's the truth, isn't it?
42:56My brother knows your brother and your mum.
43:00Does Dan know?
43:01Does Dan what?
43:03Dan, I was just wondering if you're coming to the party at the weekend.
43:07Thought we'd ever get you off that dance floor last week.
43:10Oh, where are you going?
43:11Oh, by the way, did you do that SF women set, Dan?
43:14I was wondering if you'd give me an hand.
43:15Alison, wait.
43:16Dan.
43:16I'm busy.
43:17All right, anyway, I don't know why you're bothering with your essays.
43:19You're going to get a job in bookies, aren't you?
43:22Alison.
43:22Alison, Alison, hang on.
43:25Wait a sec.
43:28Can I take that for you?
43:29I'm sorry for running off at the weekend.
43:45It's just...
43:46I get it.
43:47You do?
43:48You don't want your parents seeing a lad walking you to your door.
43:53Yeah, sorry.
43:55I should have said.
43:56Fuck yeah.
43:58Go ahead.
43:58I don't want to hear you.
44:09I can't hear you.
44:11I don't know.
44:41I don't know.
45:11I don't know.
45:41I don't know.
46:11I don't know.
46:41The people all call her Alaska
46:45Between worlds so the people ask her
46:49Cause it's all in her mind
46:52It's all in her mind
46:57Has anyone ever made you a mixtape, Stella?
47:16A what?
47:17A mixtape.
47:19A collection of songs that remind someone of you.
47:24Haven't you and dad been together like forever?
47:32Yeah, we got together young, but you know, I did have a life before him.
47:40And there are just some people that you never, you never forget the boy who makes you your first mixtape.
47:51I listened to your tape.
48:08What tape?
48:09I listened to yours too.
48:11What tape?
48:14What are your favourite songs?
48:17Hmm.
48:18I can't choose.
48:19Yeah, no, can I?
48:20No, actually, I love Stephanie says.
48:24Ah!
48:32Ah!
48:33Hi!
48:38Hi!
48:42Hi!
48:43Hi!
49:05It was really good. Yeah, it was really good.
49:12Hey.
49:18Hey. Look at you.
49:22Someone looks happy.
49:24Yeah. Boozy work lunch.
49:27Boozy work lunch. Right, okay.
49:31Hey.
49:33So, me and the girls were talking and I realised I hadn't asked you what the idea for the book was.
49:49No, you're right. You didn't ask about my book idea.
49:54Do you wanna tell me something about your book idea?
49:57You wanna hear about the book? Yes, I wanna hear about the book.
50:00Do you, uh, do you remember Jack Leonard?
50:03Uh, yes. I mean, I'm not a music expert like you are, but I think everyone remembers Jack Leonard, right?
50:12So, what about him? Isn't he dead?
50:14Uh, no. No, no, no. Very much not dead.
50:17Oh?
50:18No. No, he, uh, he lives in New Zealand.
50:21Oh. He, Kate Bushed her.
50:23He did. He, Kate Bushed her, exactly.
50:26Hey.
50:27Right, listen, a couple of years ago, I tried to get him to do an in-depth interview with me.
50:32Um, you know, just a piece about him being that famous and then just vanishing, but, you know, he wasn't interested.
50:40So, you want to write a book about him vanishing? I, I don't see how that makes a whole book.
50:45Right, listen to this. Okay. Are you listening? Yes.
50:52Okay. He got in contact with me, right? A few weeks ago, and he says that he wants to do a book that talks about everything.
51:02Like, his whole life. Everything. You know, ups, downs, warts and all, everything.
51:06Okay. I get it that he was big at the time, but is a book about a guy that was famous back in the day really going to be that, um, interesting?
51:21I mean, some might say it's how the book is written.
51:25Of course. Sorry. You're a great writer. But, you know, he's, um, so he's waited this long to tell the story.
51:35Maybe you could just wait until next year. Does it really matter?
51:40I just really think that we should spend more time together. Done.
51:47Yeah.
51:49I know you love what you do, but music isn't everything. Don't, don't we matter?
51:56Yeah, of course we matter. Don't say that. Of course we matter.
52:02Look, I, uh, I am thinking about your trip. Promise?
52:08Yes.
52:09Promise.
52:10Good.
52:11All right. Do it.
52:14I will take a bath.
52:16Good.
52:29Good.
52:34I don't know.
53:04I don't know.
53:34I don't know.
54:04But it's so hard to be the one who's watching the season to get on the final.
54:13But it's too much fun now to take.
54:17I don't know.
54:18I don't know.
54:19I don't know.
54:20I don't know.
54:21I don't know.
54:22I don't know.
54:23I don't know.
54:24I don't know.
54:25I don't know.
54:26I don't know.
54:27I don't know.
54:28I don't know.
54:29I don't know.
54:30I don't know.
54:31I don't know.
54:37I don't know.
54:38Andy, talk to me.

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