- today
The contestants in this episode are Jeff Grace & Hayley Noon from Devon, Sharon & John Griffiths from Essex, Bill Thomas & Helen Richards from West Glamorgan, and Janet & Nick Fillett from Gloucestershire. Bruce Forsyth regales us with a nightmare he had involving Tarzan, but it's his dream girl assistant Rosemary Ford who catches the attention (and his) in a slinky red dress as she relates her own dream. And it seems a couple of contestants are also taken by her, with one wanting to foxtrot with her and another wanting to know how far her legs go up! Then there's the girl who wants to get to grips with Arnold Schwarzenegger, little realizing in real life he'd probably want to do the same. Mind you, she could of picked worse as this episode was one that was not repeated on Challenge TV recently, and all down to the certain "special guest" that appears on here in the grand finale (Can you tell who it is yet?). The games themselves range from "Polish Dancing" (great fun), "Anything To Declare?" (odd game where the contestants have to think on the hoof as Bruce plays a customs inspector checking through their suitcase, but amusing enough), "Jurassic" (build your own dinosaur) and "Instrumentally Speaking" (match the musical instrument to the music). Then it's a rather limp grand finale where the final two couples have to paint a caricature of Bruce Forsyth, and where the "special guest" turns out to be Rolf Harris! Even trying to watch this without hindsight Rolf is somewhat over the top here, and this game drags on far too long. But I've uploaded this anyway out of completeness and it would be a shame for these contestants moment of fame to be denied just because of one dodgy individual. As mentioned, this wasn't shown on Challenge TV, so I have friend Adam to thank for giving me this video to upload. Enjoy, and if need be skip the part where Harris paints his portrait. I will try to upload the next episode when internet is better.
Category
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FunTranscript
00:30Life is the name of the game
00:34And I want to play the game with you
00:37Life can be terribly tame
00:41If you don't play the game with you
00:44And I want to play the game with you
00:48Come on!
00:52Hey!
00:54Thank you!
01:00Thank you very much indeed
01:01Oh, what a crowd!
01:05Thank you very much, thank you
01:07Good evening ladies, gentlemen and children
01:10Welcome to Generation Game
01:11Nice to see you, to see you
01:14I had another one last night
01:16Another one of those nightmares I've been getting lately
01:20A lot lately
01:20Last night I dreamt I was Tarzan
01:23It's only a dream
01:26And I was Tarzan in the jungle
01:29Looking for coconuts
01:30And when I woke up this morning
01:31All the brass knobs were missing off the bed
01:33It took me 20 minutes to climb down
01:36From the top of the wardrobe
01:37I said to the specialist
01:40I said, why do I keep having these nightmares?
01:42He said, you've got an overactive imagination
01:45I said, look, I'm an intelligent man
01:47I entertain millions of people every week
01:49He said, see what I mean?
01:54I admit that I do have a dream, girl
01:56Only she's not a dream
01:58She's real
01:58And she's here
01:59Was that sincere enough?
02:02The gorgeous
02:03The ever-lovely
02:04Rosemary Ford
02:06Another care in the world
02:19I bet you never have nightmares, do you?
02:21Oh, actually, I used to dream quite a lot
02:23Oh, did you?
02:24What did you dream about?
02:25Oh, no, no
02:26I don't want to embarrass you
02:27Oh, you dreamt about me?
02:30Yeah
02:31Oh, well, it comes as no surprise
02:33I mean, what did you dream about me, then?
02:36Well, you see, you'd just sort of gaze into my eyes
02:39Yeah, that's how I usually start my approach
02:41Yes, go on, go on
02:43Well, and then you'd give me a warm, a warm, tender smile
02:46Yeah, just getting into first gear
02:48To be part of the Forsyth technique
02:50Carry on, carry on
02:51Well, then you'd place your strong arms around me
02:55Could you dream a bit quicker, please?
02:58Go on
02:59And then, with your strong arms
03:02Yes, yes
03:02You'd lift me out of my cart and give me a rusk
03:05Now, you're not doing that, man, are you?
03:14I've lost the world
03:15It's just this world
03:16Now, let's see if you could make a few dreams come true for our contestants
03:21Who are they this week?
03:22Right, our first team's from Devon
03:24Their father and daughter
03:25Jeff Grace and Hayley Noon
03:27And welcome, welcome
03:39Now, you are Hayley...
03:40Noon
03:41Oh, hi, Noon
03:42Right
03:42What do you do?
03:45I'm a health and fitness instructor
03:46Oh, I see
03:47Health and fitness instructor
03:48Oh, yeah
03:49I thought you looked a bit, you know, trim
03:50You're married to Ian for how long?
03:52Just over a year
03:53Oh, oh, yes
03:54Oh, she's still warm
03:57Just love it
03:58Don't worry, Ian
03:59You know, it's just my job
04:00And I love my job
04:03Now, how did he propose, or Ian?
04:07Well, Bruce, it was a very cold and misty December evening
04:10Oh, dear
04:11And we were romantically strolling through Exeter Cathedral Green
04:15Oh, yes
04:15And he said to me
04:17Hayley, will you marry me?
04:18And I accepted
04:19And then he disappeared
04:21Oh, oh
04:21He ran off around the side of the cathedral
04:23Yeah
04:23Came back with two glasses wrapped up in loo roll and sellotape
04:26Yeah
04:26And some champagne
04:27Which he pulled out from the recess of a cathedral war
04:30How do I imagine that, really?
04:31It's one of the nicest we've ever heard that
04:33Isn't it?
04:33I'm so glad it was champagne
04:35Yes
04:35I'm glad it wasn't a Harvey warbanger
04:37Well...
04:38Over now to, er, your dad, Jeff
04:43Jeff Grace
04:44Grace?
04:45Oh, I know your brother, Diss
04:46What do you do?
04:50I'm a project and maintenance manager with Whitbread Inns, Bruce
04:53Oh, lovely, lovely
04:54Good
04:54You're married to Beryl
04:55Oh, I said
04:56Beryl Grace
04:57That's a nice name
04:58Beryl Grace
04:59It seems very pretty, yeah
05:01What was she before she became a Grace?
05:03Well, actually, Bruce, she was a prat
05:05Oh, no
05:10Was she really?
05:12She couldn't wait to achieve a state of grace
05:15Oh, I see
05:16I think so, too
05:17How did the wedding night go?
05:20I was anxious to create just the right atmosphere in the bedroom, obviously
05:24Of course
05:24For the first night of Wedded Blitz
05:25Of course, yes, yes
05:26And to achieve just the right lighting levels
05:28I draped my pair of pyjama trousers over the bed headlight
05:31Oh, yeah
05:32And the later smell of burning was less to do with the vents than the fact that I burned a two-inch hole through two legs
05:38Oh, no, really?
05:40Oh, dear
05:40Well, I mean, it's your own fault
05:41Well, of course
05:42Well, if we're taking pyjamas on your honeymoon
05:44Well, if we're taking pyjamas on your honeymoon
05:44I'll make a note of that
05:46Prep
05:47Anyway, thank you for being here, these lovely people
05:57Over there, we're going to see who you're going to play
05:59Well, our second team's from Essex
06:08Their mother and son, Sharon and John Griffin
06:10Right
06:11Welcome, welcome
06:20Now, you are Sharon Griffin
06:22Yes
06:22You're married to Thomas, who's a factory worker
06:25Yes
06:25And you met him in Margate
06:27Yes
06:27What's that all about?
06:28I was on a girls' night out
06:29Oh, yeah
06:30And I asked him for a nibble of his herring
06:32And he gave me
06:32A nibble of his herring
06:34A nibble of his herring
06:35What did he give you?
06:37His prawn
06:37Oh
06:38It could have been a winkle
06:40Did he show you his muscles?
06:46Anyway, never mind all that
06:48So it started with pickled herrings
06:49What happened on the wedding night?
06:51I was quite poorly
06:52I smacked myself in Vic
06:53You smacked yourself in Vic?
06:56You're standing with stuff, Bruce
06:58You've got to be careful where you put it
06:59Yes, well, just the thought of it brings tears to my eyes
07:05Vic all over you
07:07Any special talents have you got, Sharon?
07:09I can clear a pub in 30 seconds
07:11First time to sing the song
07:12Well, it can't be that bad
07:14Really?
07:15Well, when you sing just the first couple of lines for us
07:17You don't mind, do you?
07:19There you go, go on
07:20Go on
07:21My old man
07:23All right, come back
07:28Please
07:29Come back
07:30She didn't mean it
07:30She didn't mean it
07:31That is what she told me
07:33Thank you
07:37I asked her to do that, you see
07:40Before you came out here, I think it was wonderful
07:44Thank you very much
07:45You'll get your money
07:46Right
07:46Go now to your son, John
07:48What do you do, John?
07:49I'm an out-of-work computer programmer
07:51Well, I hope things get brighter for you
07:53It's a terrible part of living this day and age, unfortunately
07:56You loathe and absolutely hate anyone who does an impression of Tommy Cooper
08:01Yeah
08:02Why is that?
08:03I just, um, Tommy Cooper, as soon as he comes on the telly
08:05It just makes me laugh so much
08:06And I think anyone who does impressions of it just spoils it
08:08Because there's only one Tommy Cooper
08:09Spoils it because there's only one, the one and only
08:11The greatest
08:12So if anybody does the impression of Tommy Cooper
08:13You hate them
08:14Absolutely
08:15Just like that
08:15Sorry, but it just slipped out
08:20Have you, um, have you got any pets at all, John?
08:35Any pets?
08:35Yeah, I've got, um, I've got a cat
08:37A cow?
08:38A cat, yeah
08:38Just like that
08:41And, um, what about, do you do any tricks at all?
08:44I know what they do, they're up and down the wall and everywhere
08:49He knocks on the front door
08:51He knocks on the front door, it's good
08:53And when he goes to bed, he jumps up and turns the whole light up
08:56I know what you, I know
08:57I know what kind of a cat you've got
09:01What's it?
09:02A Peeping Tom
09:02I'll make a note of that
09:06Just like that
09:08Thank you, John, for being here
09:11Thank you, John, for being here
09:13Absolutely
09:13Oh, dear
09:16Lovely
09:17Before our first game, I'd just like to remind you that our contestants have no idea what we have planned for them
09:24They do not rehearse
09:25This is your rehearsal
09:27Our first game is called Polish Dancing
09:30So let's all enjoy the festive excitement of Karolinka
09:34Blinko
09:39onse
09:40Qui
09:40Blinko
09:41Baliko
09:43ievers
09:46Qu paras TV
09:47Yelena
09:48Yelena
09:49Some
09:49Yelena
09:50Yelena
11:21That's all there is to.
11:24All right, the first couple here, take the other couple around the back so they can't see what's going on.
11:28Come here, lady first.
11:30Fine.
11:30And if you're faced this way, okay, and you watch that lady there, okay, put your hat on.
11:34Oh, yes, you shouldn't wear hats, Jeff, you really shouldn't.
11:39Never mind, away you go.
11:41Here we have Karolinka, take two.
11:44Here we go.
12:14Here we go.
12:25Hey.
12:25Little birds, there's eight little birds.
12:28Slide eight little birds.
12:29Beautiful.
13:00Well done indeed. Over there with you. Absolutely great. Well done, lovely. Okay, welcome. Come on over here, guys, Sharon. Great, you don't have to sing. Don't worry. Now, your face there. Watch that lady. Away you go. Good luck for this. Here we go with Karolinka. Take three.
13:30Here we go.
14:00Here we go.
14:04Here we go.
14:06Here we go.
14:08Here we go.
14:10Here we go.
14:16Here we go.
14:18Here we go.
14:20Here we go.
14:26Here we go.
14:28Here we go.
14:30Here we go.
14:32Here we go.
14:34Here we go.
14:38Here we go.
14:39Here we go.
14:40Here we go.
14:41Here we go.
14:42Here we go.
14:43Here we go.
14:44Here we go.
14:45Here we go.
14:46Here we go.
14:47Here we go.
14:48Here we go.
14:49Here we go.
14:50Here we go.
14:51Here we go.
14:52Here we go.
14:53Here we go.
14:54Here we go.
14:55Here we go.
14:57Here we go.
14:58Here we go.
14:59Here we go.
15:01Here we go.
15:02Here we go.
15:03Here we go.
15:04Here we go.
15:05Here we go.
15:06Here we go.
15:07Here we go.
15:08Here we go.
15:09Here we go.
15:10Here we go.
15:11Here we go.
15:12First of all, thank you for arranging that routine, especially for our show, because,
15:17you know, you've taken little bits from here and there, and we do thank you for that.
15:20You're welcome.
15:21Okay.
15:22Now, what did you think?
15:23First of all, over with these things.
15:25Well, Hayley did fancy footwork extremely well.
15:28Yes.
15:29Extremely, and the turns, as far as Subcanny went.
15:31You know the bit when you went?
15:32Uh-huh.
15:33Yes.
15:34Excellent.
15:35Excellent.
15:36Very good.
15:37Little bird she was.
15:38Well, eight points, I suppose.
15:39Eight points.
15:40Very good indeed.
15:41That's hard.
15:42That's hard.
15:43And what about Jeff there?
15:45Well, I think he should really join the squad.
15:48Did?
15:50He enjoyed it so much.
15:51He did.
15:52He tried so hard to keep up with the boys.
15:54He did very well.
15:55Very well indeed.
15:56Very well indeed.
15:57Yes.
15:58Eight for him.
15:59Eight fav as well.
16:00Very good indeed.
16:01Very hard.
16:02Very hard.
16:03Now, over here.
16:04Right.
16:05So, Connie was very good.
16:07Really good.
16:08I enjoyed that.
16:09That was very good.
16:10And the spins, although they were original.
16:13Thank God she didn't have to sing.
16:16Seven points.
16:17Seven points.
16:18Very good as well.
16:19Yeah.
16:20Well, I think John enjoyed it very much too, didn't you?
16:24Yeah.
16:25Especially that jump at the end.
16:26Oh, it's brilliant.
16:27That was very good.
16:28Yes.
16:29That's seven points.
16:30Seven points as well?
16:31Okay.
16:32All right.
16:33Now, Mara, I do believe you have a special concert coming up pretty soon?
16:38Yes, we're going to celebrate our 15th anniversary.
16:41Very good.
16:42Very good.
16:43At Thurfield Halls.
16:44Yes.
16:45On December the 19th.
16:46Yes.
16:47In Croydon.
16:48Good luck.
16:49Good luck.
16:50Very good luck with that.
16:51Okay.
16:52And once more, our thanks to Carol Lincoln and all your talented people.
16:54Thank you, Mara.
16:55There we are.
16:56Come along here.
16:59What's on the board, Miss Ford?
17:01Well, Geoff and Hayley have 16, Sharon and John have 14.
17:06Only two in it.
17:07Come over here.
17:08Come right over here and sit in the sitting before.
17:12Good evening.
17:13Now, this game is called Anything to Declare.
17:16Each couple will be given a suitcase and you'll have to explain anything the custom officer might find.
17:22By the way, I'm going to be the customs officer.
17:25So you'd better come up with some good explanations.
17:28Are you ready?
17:29First couple, come with me.
17:31Take the other two round the back so they don't know what's going on.
17:33You stand there, my darling.
17:35On that little mark there.
17:36And you stand right there.
17:37Good.
17:38Okay.
17:39Right.
17:40Good morning.
17:41You've just flown in.
17:42Where have you been?
17:43Pardon?
17:46We've been at Acapulco.
17:48Acapulco.
17:49Oh, thank you.
17:50He doesn't speak English?
17:51Not very good.
17:52A little bit tough on the hearing.
17:53Oh, I see.
17:54Fine.
17:55We'll make do with that.
17:56Now, let's have a look.
17:58What's this?
17:59Ah.
18:00Yes.
18:01Ah.
18:02It's for printing 50 pound notes.
18:04Yes, sir.
18:05And all these, can you explain this?
18:08Yes, for playing Monopoly.
18:09Now, you've got ten passports here.
18:10Yes.
18:11And they've all got different names on them.
18:12Can you explain that?
18:13Well, um...
18:14You keep your mouth shut.
18:15I recently just got married.
18:16You've recently got married?
18:17To how many men?
18:18Just the one.
18:19Just the one.
18:20And he wants us to become foster parents.
18:21So, that's quite an explanation.
18:22Is this your...
18:23See?
18:24It is yours.
18:25Would you mind opening it, please?
18:26And what have you got in there?
18:27Ah.
18:28Yeah, never mind that.
18:29What's that thing shining in the...
18:30Never mind the toothpaste.
18:31What's this?
18:32Ah.
18:33Ah.
18:34Ah.
18:35Ah.
18:36Yes.
18:37Ah.
18:38Yeah.
18:39Ah.
18:40Ah.
18:41See?
18:42Ah.
18:43Ah.
18:44Ah.
18:45Ah.
18:46Ah.
18:47Ah.
18:48Ah.
18:49Yeah, never mind that.
18:50Ah.
18:51Ah.
18:52Ah.
18:53Ah.
18:54Ah...
18:55Ah.
18:56Ah.
18:57Ah.
18:58See?
18:59Ah.
19:00Ah.
19:01It's for the fancy dress ball tonight.
19:03APPLAUSE
19:05Yeah, it's all right. Give me that beer.
19:07Thank you, Chris, for all tonight.
19:09Now, this is something I'm very intrigued with here.
19:13What's this?
19:15You answer this.
19:17We went on holiday, and being in Acapulco,
19:20we had such a good time, we kind of run out of money.
19:23And our dear mother, we had to bring her something home.
19:26And this is a souvenir?
19:27I'm sorry, yes.
19:28But, I mean, it does say the Ritz, which could be the hotel.
19:32But only are best for our dear mother.
19:35Did they know that you've taken this?
19:38Yes, I did, yes.
19:41That was good.
19:43Very good, very good indeed.
19:46OK, I'll keep going over there.
19:48Over here, over here.
19:50Over here, over here.
19:52Good morning.
19:53You've just thrown in from where?
19:55Grease.
19:56Grease, yes.
19:57Yeah, Grease. Together, yeah.
19:58Together, yes. You are together.
19:59But don't tell my husband.
20:00Can you...?
20:01Oh, that started us all at the wrong foot.
20:06Now, this is for printing £50 notes.
20:09Yeah.
20:10Can you explain that?
20:11I'm very fond of the royal family,
20:13and most of my house is wallpapered with their pictures.
20:16So, you've got to print all the rooms and stick them, stick them around my bedroom room.
20:25OK, fine.
20:26And you, madam, you have ten passports here.
20:30Well, I've had ten husbands, you see, so I've got to have one in each name.
20:34That one's Patel, that one's three.
20:35Are there ten husbands?
20:36Yes.
20:37Oh, really?
20:38Yes, yes.
20:39I mean, you have to have one for each name.
20:40Depends who you're with at the time.
20:41You're a Mormon.
20:42You're a Mormon.
20:43Are you?
20:44Well, you're certainly not a miserable Mormon, are you?
20:49OK, would you mind...?
20:50Is this yours, sir?
20:51Mm-hm.
20:52And let's...
20:53What's that in there?
20:54Oh, that was a date with Princess Di.
20:56A date with Princess Di?
20:58Yeah.
20:59She left that in my flat when I was showing her the wallpaper.
21:01She left it in your flat?
21:02In your...
21:09I believe you, I believe you.
21:10Now, madam, what do you explain this?
21:12How did this come to be in your case?
21:13Well, um...
21:14This is actually a photo frame from, um, a very famous person.
21:17Um...
21:18Would you mind putting your face in a bit?
21:20We put it this way, you see, and...
21:22It's one of my husband's photos.
21:24Why are your husband's photos?
21:25Yeah, and here's the other husband...
21:26One of the other husbands comes to stay.
21:28I'll shut it like that.
21:29Yeah, shut it!
21:30And then put a new one in!
21:35Very good.
21:36Well, I'll get out of here.
21:38I'm telling you how you people think some quicker, didn't you there?
21:41Now, to judge this, we have one of the most popular personalities
21:44on radio and television, Miss Gloria Hunniford.
21:48Thank you for coming along and doing this.
21:50This is wonderful.
21:51This lot could talk their way out of anything.
21:52I'll tell you, I'll tell you.
21:53They can take over my job any day, I can tell you.
21:54That's going to be brilliant.
21:55Now, what about this accent of Jeff's?
21:56Pardon?
21:57Pardon?
21:58What I really like about you, the Monopoly money, I thought, was really clever.
22:03Good remark there.
22:04It was very good.
22:05And I really liked it, and I've given you an eight.
22:06An eight.
22:07Very high mark.
22:08Very high mark.
22:09I think he's got his work cut out with Hayley.
22:10She's very smooth with the old repartees.
22:11Oh!
22:12Nothing phases her.
22:13Could tell a lie at the drop of a hat, this one.
22:14Fantastic.
22:15I've given you a seven, though.
22:16A seven, though.
22:17A seven, though.
22:18Well done, indeed.
22:19Well done.
22:20Well done.
22:21Well done.
22:22Well done.
22:23Well done.
22:24Well done.
22:25Well done.
22:26Well done.
22:27Well done.
22:28Well done.
22:29Well done.
22:30Well done.
22:31Well done.
22:32Well done.
22:33Didn't you love the date with Dye?
22:34Oh, the date with Dye.
22:36Are you going to return the tiara to her tomorrow?
22:37Yeah, if she comes round.
22:38I just thought, all round, you were quite ingenious, though, thing.
22:39So I have given John a nine, because I thought he was such a...
22:40Oh, very good.
22:41Very good.
22:42Very good.
22:43Very good.
22:44Very good.
22:45Very good.
22:46Very good.
22:47Very good.
22:48Very good.
22:49Very good.
22:50And I think that Sharon has probably swallowed the blondies'
22:52stone by this day, so she could talk her way out of anything as well.
22:53And I've given you an eight.
22:54Oh, great.
22:55Excellent.
22:56Thank you very much for sending that out so good.
22:57Now, when are we going to see you?
22:58What will you be doing in the next?
22:59Well, I'm going to be the godmother this year.
23:00Oh, lovely darling.
23:01In Cinderella.
23:02Cinderella, where?
23:03Do you want me to do a song now?
23:04No.
23:05No.
23:06No.
23:07Don't worry.
23:08Nobody will let me sing.
23:09Southampton.
23:10Southampton.
23:11Well, we hope you have a wonderful season there.
23:12Bye-bye, godmother.
23:13Thank you so much.
23:14Bye-bye, godmother.
23:15Bye-bye, godmother.
23:16Thank you for being with me.
23:17Okay.
23:20Thank you, Victoria.
23:21Honey, Paul.
23:22Now then, what's on the board, honey?
23:23Well, Geoff and Hayley have 31.
23:24Sharon and John also have 31.
23:25Oh, time!
23:26Oh, time!
23:27I'm going to sing!
23:28I'm going to sing a song now.
23:29I'm going to sing a song now.
23:30No!
23:31Don't worry.
23:32Nobody will let me sing!
23:33Southampton.
23:34Southampton.
23:35Well, we hope you have a wonderful season there.
23:36Bye-bye, godmother.
23:37Bye-bye, godmother.
23:38Thank you so much.
23:39Bye-bye, godmother.
23:40Thank you so much.
23:41Bye-bye, godmother.
23:42Thank you for being with me.
23:43Thank you for being with me.
23:44Okay.
23:45Thank you, Victoria.
23:46Honey, Paul.
23:47Now then, what's on the board, honey?
23:51You've got the two votes back.
23:54Well, well, well.
23:55Now then, let me explain.
23:57Thank you, Rosemary.
23:58Let me explain.
23:59Get nice and close here.
24:00Just about there.
24:01Good.
24:02Now, the first one who answers the question correctly will win.
24:04So, think before you speak.
24:06Who is the Secretary of State for Health?
24:10Virginia Botanley.
24:11Well done, son.
24:12Well done.
24:13Well done.
24:14There we are.
24:15Well, we're sorry to lose you.
24:19I don't know as much.
24:20You don't want anybody to lose.
24:22But you're not losers.
24:23You've been absolutely marvellous.
24:25And you will get a Generation Game telephone.
24:28Very, very bad luck.
24:29And we'll see you in our grand final, which is coming up very soon.
24:31Away you go, then.
24:32And thank you again very much.
24:34Come on.
24:35Oh.
24:38Oh, very good.
24:39No, no, Rosie.
24:41Who have we got left?
24:43Right, our third teams from Midglamorgan.
24:45Their father and daughter, Bill Thomas and Helen Richards.
24:57How are you?
24:58Good, good.
24:59Now, you're Helen Richards.
25:00I am, yes.
25:01Yes.
25:02And what do you do?
25:03I'm a sales executive.
25:04And you're married to Andrew.
25:05What does he do?
25:06He's a mortgage consultant.
25:07How did you meet him?
25:08I met him in a nightclub where he came over and gave me his business card.
25:11I thought it was a bit flash.
25:12Oh, yeah, it was.
25:13I think he was giving you the business, if you ask me.
25:15And what did he say on his card?
25:16Mortgage consultant, you know, chat-up merchant and professional pull-up.
25:21Anyway, how did this mortgage consultant propose?
25:24How did he do that?
25:25Well, we'd lived together for a while.
25:26Oh, I see.
25:27What can I say?
25:29Oh, no, well, you've said it now.
25:31We all know.
25:32I know.
25:33And we were sitting down watching TV one night and he said, well, I think we'd better
25:37get married, Melvin.
25:38Just like that?
25:39Just like that.
25:40But he'd already surveyed you.
25:41And he knew you were a very desirable property.
25:43Now, then, who would you like to meet most?
25:46I'd like to meet Jimmy Talbot.
25:47He's a very funny man.
25:48He's a very funny man.
25:49He's great, yeah.
25:50And I'd also like to meet Arnold Schwarzenegger.
25:52Arnold Schwarzenegger, why?
25:53I'd like to grab his bum.
25:56Well, why not Talbot's?
25:58There's more of it.
26:00Over to your father, Bill.
26:03Thomas.
26:04Thomas.
26:05Oh, I love your tank engine.
26:09Any ambitions have you got, Bill?
26:11Yes, I'd like to dance the warts with Rosemary.
26:13Oh, Rosie.
26:16Come over here.
26:18Come over here.
26:19Tell me, Bill, if you don't mind me asking, how old are you?
26:2277.
26:23Now, Rosie, he's 77.
26:25Take it easy, OK?
26:26Oh, I've danced with men older than that.
26:29I wonder who she means.
26:34OK.
26:35Mike, could you give us some waltz music for Bill and Rosie?
26:41Hold on, hold on!
26:45Hold on, for goodness sake.
26:48Rosie are killing with that.
26:50Take it down a touch, down a touch.
26:52Hold on, hold on, just a bit.
26:54No, just a minute.
26:55He's 77.
26:56He hasn't got one foot in the grate.
26:57Just sell it in the middle.
26:59Well, just a minute.
27:00He's 77.
27:01He hasn't got one foot in the grate.
27:03LAUGHTER
27:04Just sell it in the middle.
27:05LAUGHTER
27:06LAUGHTER
27:07LAUGHTER
27:08That could have been us if you wanted to squeeze Arnold Schwarzenegger's butt.
27:21We could have gone round.
27:22Anyway, thank you.
27:23Is that your ambition fulfilled?
27:24Oh, marvellous.
27:25Oh, no.
27:26You're over there.
27:27Pull yourself down.
27:28OK.
27:29Off you go.
27:30There we are.
27:31Nice people.
27:32APPLAUSE
27:33OK.
27:34We could have gone round.
27:35Anyway, thank you.
27:36Is that your ambition fulfilled?
27:37Oh, marvellous.
27:38Oh, no.
27:39You're over there.
27:40Pull yourself down.
27:41OK.
27:42Off you go.
27:43There we are.
27:44Nice people.
27:45OK.
27:46There we are.
27:47Who have you got there?
27:48Our four students from Gloucestershire.
27:49Their mother and son, Janet and Nick Phillips.
27:52Right.
27:53APPLAUSE
28:00How are you?
28:01Jolly good.
28:02That's fine.
28:03Now, you're Janet Phillips.
28:04You're married to Ivor for 32 years.
28:06Yes.
28:07Is he nice to you?
28:08Lovely.
28:09Oh, good.
28:10So he's not Ivor the Terrible.
28:11Right.
28:12How did you meet him?
28:13Well, we were school sweethearts.
28:14Oh, school sweethearts.
28:15Oh, that's nice.
28:16And then eight years after we left school, I met him one night in a pub.
28:20Oh, yes.
28:21And I had a scooter and Ivor had a pushbike.
28:24Oh.
28:25And he said, give me a tow horse.
28:28So you pulled him?
28:29Yeah.
28:30Right.
28:31You came in.
28:32And while you were pulling, he was peddling.
28:33No, no.
28:34Oh.
28:35No, no.
28:36He didn't peddle.
28:37He didn't give me no help.
28:38Oh.
28:39Oh.
28:40Oh.
28:41Oh.
28:42Oh.
28:43Oh.
28:44Oh, isn't it Jan?
28:45Yeah.
28:46Don't we get on well?
28:47You gave my tow and he asked for your hand.
28:50Never mind.
28:51Right.
28:52Is that how he proposed?
28:53How did he propose?
28:54Yes.
28:55Yes.
28:56Yes.
28:57One night, I towed him home and we were-
28:58Toed him home again?
28:59Yes.
29:00You towed him everywhere?
29:01Even everywhere on the scooter.
29:02Oh, lovely.
29:03Well, you've got some muscle out.
29:04Yeah.
29:05Yeah.
29:06Yeah.
29:07Oh, okay.
29:08Yes.
29:09And he asked me to marry him.
29:10I was sat on the scooter and he was on his push bike.
29:12He asked him while you were on your bikes?
29:14Yes.
29:15Oh.
29:16Didn't his crossbar get in the way when he kissed you?
29:18No.
29:19No.
29:20No problem.
29:21No problem.
29:22No problem.
29:23No problem.
29:24What a couple of wheelies.
29:25Now over to your son Nick.
29:26How are you Nick?
29:27Hi there.
29:28Jolly good.
29:29Right.
29:30Hi there.
29:31What do you do?
29:32I'm an assistant storekeeper.
29:33You had an accident carrying four trays of custard and cream desserts.
29:37What happened?
29:38I was carrying these trays of trifles down the kitchen and I didn't know there was bacon fat on the floor.
29:43Bacon fat all over the floor?
29:44All over the floor.
29:45Of course I slipped up on the bacon fat, felled in on my elbow, smashed my elbow to smithereens.
29:49Oh God.
29:50And the trifles just come down and fell all over top of me.
29:53So I was carrying custard and cream from head to foot and they had to hose me down before they could send me to casualty.
29:59How did you do that?
30:00Was that bad?
30:01It was.
30:02I was carrying out of that.
30:03I'll make a note of that.
30:04Trifle clumsy.
30:09Now who would you like to meet the most?
30:11Most before Bruce.
30:12Oh blimey.
30:13Not again.
30:14Yeah, I think so.
30:15I want to see if her legs are as long and as nice as they are on the TV.
30:18Well look.
30:19Hold on a minute.
30:20Oh.
30:26Here you are.
30:27Take them home with me.
30:28Take them home with me.
30:29And sort it out for yourself.
30:30All right.
30:34All right.
30:35There we go.
30:36Come on.
30:37Come on.
30:38Very nice to it.
30:39Those ladies have gone.
30:40Those ladies have gone.
30:41Right.
30:42Now we're ready for game number three which is called Jurassic.
30:46Take a look at this.
30:48Here's a picture of a dinosaur.
30:50Study it very carefully.
30:52Now, can we have our dinosaurs please?
30:55Hold on.
30:56Here we go.
30:57Come on.
30:58Here we go.
30:59This is your first class here.
31:01So come over here.
31:02And get behind your dinosaur.
31:04Be careful if they're...
31:05Well, well don't, erm...
31:06Bill!
31:07Follow me Bill!
31:08For goodness sake, God blimey, you nearly had us all in trouble there.
31:14Stand at the back here.
31:16God dear, we should put you on wheels.
31:18Right, now all you have to do is build your own dinosaur.
31:22You've got one and a half minutes to make a dinosaur, starting from now.
31:28Good.
31:38Yeah, make sure they go on.
31:42That's it.
32:06They all stick on, believe me.
32:09Get as many...
32:10How are we doing?
32:20Try and get him back on.
32:21Try and get that leg back on.
32:23Where are you going, Nick?
32:26Try and get the...
32:27Turn it down.
32:33Ten seconds left for finishing bits.
32:36Try and get as much on as you can.
32:38That's it.
32:47Very good over here.
32:48Let's remind ourselves of what it should look like.
32:54OK, let's see how you did.
32:57Now, you get one for the head.
32:59Just a minute.
33:01No, it should have been the other side.
33:02So you don't get anything for that one.
33:04But you do get a...
33:05See, we can move that round a bit.
33:06You do get a leg here, and you've got another leg on there.
33:10Let go of me.
33:11It's all right, now.
33:12You see, you've got the two legs.
33:13Poor thing, isn't it?
33:14It's just...
33:15What a view.
33:16So you've got three all together.
33:20That fair?
33:21Jolly good.
33:21Well done, you two.
33:23Now, this is a little bit better, I think.
33:26Two arms.
33:27That's wonderful.
33:27So you get one, two, one for the head, and the leg's on the wrong way,
33:33but you did get the foot onto the leg.
33:35So you get one, two, three, four points for you.
33:38OK, satisfied?
33:39All right.
33:40Then you go, then you go.
33:41Then you go.
33:42That's it.
33:43Good.
33:44Yes.
33:46Now, a good little fact.
33:48A good little fact.
33:50Good.
33:53Good.
33:53Good.
33:54Welcome aboard, Miss Ford.
33:56Well, Bill and Helen have three.
33:58Three.
33:59Janet and Nick have four.
34:00Four.
34:01Just one in it.
34:02OK, well done, all of you.
34:04We're in now for game number four,
34:07which is called Instrumentally Speaking.
34:09You're going to hear some popular TV themes
34:12played on a selection of musical instruments.
34:14One of you will write down what you think the instrument is,
34:18and the other one will pick up the instrument they think it is.
34:21Now, who's going to do the writing down?
34:22Me.
34:23You'll write down?
34:24You'll pick them up?
34:25You'll write them down, and you'll pick them up.
34:27OK, so to your lecterns, could we go?
34:30And the others, who are going to pick up,
34:32get right round the back.
34:34Bill, be careful there.
34:35Right round the back.
34:36That's fine.
34:39That's lovely.
34:40Could we have the first music, please?
34:43That was, of course, I'll just check, make sure I'm right.
35:02It was the music, and it was the mandolin.
35:09Now, what have you got over there?
35:10We have the ukulele.
35:12Ukulele.
35:13And we have the mandolin.
35:14Oh, you have the mandolin.
35:15One point.
35:16One point.
35:17Good.
35:18And we've got, liar.
35:23You've got a liar.
35:24OK.
35:25And we've got a banjo there, which is wrong.
35:27So, no points for us.
35:29Could we have the next piece of music, please?
35:31Now, it was, of course, One Foot in the Grave, the theme music,
35:50and it was the flute.
35:51So, what have we got over there?
35:52We're correct with the flute, and we have held up the flute.
35:54Flute, good.
35:55Two points.
35:56Well done.
35:57Well done, Dean.
35:59Dean's got the flute.
36:00Well done, my guys.
36:01Well done.
36:03Now, you've got the clarinet, which is wrong, Bill.
36:06What a shame.
36:07OK, no points for us again.
36:08The last one now.
36:14It's not in my key, is it?
36:18Life is a mighty little girl, and I'll all play the game with you.
36:26Right.
36:26Now, then, you've got an answer?
36:28Fine.
36:29It was, of course, the Generation Game theme, and it was the euphonium.
36:33So, what have we got there?
36:34The saxophone.
36:35The sax...
36:36The saxophone.
36:37Right.
36:38And we've got...
36:38And we have the euphonium, which is correct.
36:40Well done, Rosie.
36:41You're aside.
36:42Well done, Nick.
36:43OK.
36:43We've got the French horn, which is wrong, but Bill, at least, got one point for the euphonium.
36:53OK, Bill, now, bring around the tuba.
36:57And you bring the...
36:58Go and get the trombone and bring it around here, will you?
37:01The trombone, my darling, for the lady and the tuba.
37:04OK, good.
37:05And the trombone.
37:07Now, try and get a note out of that for an extra point.
37:10A note.
37:11Helen, away you go.
37:11Go on.
37:13Oh, my God.
37:15Oh, my God.
37:17Oh, yes!
37:19Oh, yes!
37:20You've got it.
37:21One point there.
37:22Now, Bill.
37:24Will you...
37:24Very good, yes.
37:28OK, for one point there.
37:29Now, Janet, away you go, darling.
37:31Get stuck into that.
37:32Oh.
37:33What a release, darling.
37:44OK, away you go.
37:45You've been tired to do that all day.
37:51Yes, yes.
37:53You get the dinosaur out.
37:54One point there.
37:55OK, just put them on the ground.
37:57Put them on the ground there.
37:58That's it.
37:59There we are.
37:59Don't shred on them and just walk forward.
38:01And you've been tired to do that.
38:03You've been tired to do that.
38:04You're right there.
38:08Now then, what's on the board, Miss Ford?
38:11Well, Bill and Helen have seven.
38:13Yes.
38:13Janet and Nick have ten.
38:15Oh, well done indeed, you two.
38:17Bad luck, you two.
38:19Very bad luck indeed.
38:21But you will get a generation game telephone from us.
38:24And thank you for all your help tonight.
38:26You've been absolutely marvellous.
38:27If you'll pop off over that side, thank you again.
38:30And let's remind ourselves who you'll be playing in our grand final.
38:34Come back over here.
38:38Now then, we've got a grand final for you.
38:42Now, if you're artistic, that will help.
38:45Please welcome our special guest star, Rolf Harris.
38:49Thank you so much for being here.
39:01Now, as you've heard with that welcome, they're a lovely, lovely audience.
39:04But I want you to concentrate on these four people here.
39:07Now, if I can help in any way, shape or form, please, that's what I'm here for.
39:11Oh, that's good, because I need a model.
39:13A model?
39:14Yeah.
39:14Oh, I'm going to be your model.
39:15I don't have to take my clothes off too long.
39:16Relax, relax.
39:19I've never been a male model.
39:22All right, so what do I have to do?
39:23Well, just take up a natural pose.
39:25A natural pose?
39:27Something just natural?
39:28Yeah, yeah.
39:29Yeah, be natural.
39:30Um, natural.
39:37It's how it feels.
39:39Believe it or not, it feels very natural.
39:41Could you hold that?
39:42Yeah, well, I'll hold it as long as I can.
39:44Okay, I'm going to start doing a caricature of Brucey, and you start off by doing the
39:50important caricature features.
39:52Good.
39:55What was that?
39:55What was that?
39:56Well, what do you think?
39:57Well, that's the nose, that's the nose bit.
40:00And then the chin is about there, isn't it?
40:02Yeah.
40:04What kind of people do you like painting most?
40:06Well, people that stand still is really good.
40:08And I'll do some hair in there, but I'll add some...
40:12Yeah, be careful up there, be careful.
40:14I'll add some black later on to that bit, okay?
40:16Just be careful up there, that's all I'm saying.
40:19Now, you'll notice this hand is really close to his face, so we'll have that coming out
40:23of the shirt like that and bending over there like that.
40:26Okay, and the other hand is right in the back, sort of about there somewhere.
40:30Good.
40:31Okay, now get rid of that brush.
40:33I suppose it does help if you get people that have got a lot of character about them.
40:37Yeah, but I'll make do.
40:38Could you stand still?
40:43It's like being in a pie fight and you can't win.
40:46Okay, now this shoulder should be up here.
40:49Massive shoulders, Bruce.
40:50Good.
40:50Yeah, I know.
40:51Well, what I'll do is I'll make sure I leave a space for that little handkerchief there.
41:00I'll leave a little bit of space, because if you put red on the black, it goes all scungy
41:04and turns into brown.
41:05Exactly, yeah.
41:06That's a marvellous shape now, isn't it?
41:08And that bit should be there, something like that.
41:11Yeah.
41:13Now, the leg.
41:14We've got to get the leg.
41:16That leg is bent like that and that comes out.
41:19And you'll notice the trouser sticks out at the front a little bit, like this.
41:23So then the heel is off the ground and the foot goes down there.
41:28Have you seen his shoes?
41:30Oh, God.
41:31It's the first time I noticed those today.
41:34God.
41:35It's nice to have a set of shoes that don't feel upset when you drop paint on them.
41:39Well, no, but God, I'd have brought an old pair of golf shoes.
41:41Now, the other leg, concentrate, that's slightly braced back the other way, like that, and
41:47that foot is on the ground there, right down there, like that.
41:51Now, I'm going to flatten the brush on the edge there and use the little points to do fine
41:56details.
41:56Oh, the features going in.
41:58The nose like this.
41:58Now, could you take up, give us that weird expression?
42:01What a weird expression.
42:04You know, the one where you show all the teeth and the eyes like this.
42:08Looking back at the public like that.
42:09Oh, really?
42:10Yeah, the big smile.
42:11That's it.
42:17I didn't know I did this.
42:20Now, the mouth sort of goes like that, and you've got to leave the space for the white
42:23teeth, otherwise it gets all grey when you put it in.
42:24Oh, yeah, don't forget the teeth.
42:26Be kind.
42:26Now, we'll do the eyes, leave a little space for a bit of white in the middle of those
42:32eyes there, because I'll put that in later, and the eyebrows will be up there like this.
42:37That's nice.
42:38And then there's some wrinkles go across here.
42:42Oh, I don't overdo the wrinkles.
42:44Don't over...
42:45Come on, love.
42:46And wrinkles down there.
42:46Yeah, but how many...
42:47There's smile lines around the eyes.
42:49It looks like Clapton Junction.
42:53And there's a big smile that goes around the corner of the mouth.
42:55If that goes up there like that and goes down there like this.
42:58And then the ear will be somewhere there.
43:00Somewhere rear.
43:01Sorry.
43:02I forgot to put any red in, didn't I?
43:05I forgot the red.
43:07The red goes splinge like that, and a little bit on the tie, like that, and a little bit
43:11of darker colour on the hair.
43:13Yeah, be careful out there.
43:14Yeah, not too much.
43:15Just the last finish in touch.
43:17Now, I'll just add a little bit for the shirt.
43:19Try not to touch the black, because it all goes grey and horrible.
43:22And I forgot to put a little bit in there, so I'll go splinge, and a little bit there.
43:27Splonge, like that.
43:29Now, I think it's best to use fingers for this last bit.
43:32A little tiny bit, just there for the centre of the eyes, like that.
43:37Like that.
43:37A little bit of light there.
43:38Gives it terrific light and life.
43:40And you put the big white of the eye on the other side to go, whee!
43:44Look at that.
43:45And then we need the teeth.
43:48Oh, the teeth, yeah.
43:48Don't forget the teeth.
43:49Put the fans in like that.
43:50Don't touch the black if you can avoid it.
43:54They're a bit cruel, aren't they?
43:58It's like a shark.
44:00Mix it in there, and a little bit just there over the ear.
44:03Oh, yeah, a bit of blue rinse on the side.
44:04I don't mind that.
44:05How's that?
44:06That should do it.
44:07And I'll just sign it here.
44:08Oh, please do.
44:09R-O-L-F, like that.
44:13How's that?
44:20Did you come back and do some marvellous?
44:21I did.
44:22That was absolutely great.
44:23Wasn't that marvellous?
44:26Now, the vital, vital, tough-up, heads or tails, Sharon?
44:30Heads.
44:31It is heads, yes.
44:34So you want to go first?
44:36You made it be mine.
44:36OK, take these two to a left luggage office.
44:40You come over here, my darling, and you go to the...
44:43Are you right-handed?
44:44Yes.
44:44Good.
44:44So you just stay there and use your paints there.
44:47Get over the other side by your paints, and you're right-handed as well.
44:50Right, good luck.
44:51Away you go.
44:52Right.
44:52I'll just be posing here.
44:54And by the way, you know, I'll ask you to do a bit of commentating while you do it individually.
44:59OK.
45:00So what are you doing now, my darling?
45:02See, I'm just doing your head, and I'm afraid that, uh, I've got to get a little bit of profile in here, so we'll have to have a nice little chin coming round here.
45:14Very nice.
45:15And there's a fist here.
45:17Oh, you've got one of the big hands.
45:20Yes, one of the big hands.
45:21Yes.
45:21What the hell's going on over there?
45:24Can you explain what you're doing?
45:26Well, um, it's, uh, it's kind of...
45:28Hey, what's he doing?
45:29He looks like a werewolf.
45:30It's, uh, it's a bit of your hair at the top.
45:34Oh, yeah, it's a bit of your side.
45:35And, uh, bop, bop, bop, bop, bop, bop, bop.
45:36I'm doing a bit of Ralph Harris, I thought I'd put that in here.
45:39Um, this is...
45:40And here we've got...
45:40Well, it's kind of the side bit, that there.
45:43And that's, um, just a splodge there.
45:47It's a splodge, yes.
45:48OK, darling, what are you up to now?
45:49I'm just about to do your arm, Bruce.
45:51Yes, fine.
45:52Because, uh, it's nice to have an arm attached to a body.
45:55Yeah, it is nice to have an arm attached to a body, but...
45:58You've just got to leave a little bit of room for your handkerchief.
46:01That's it, a little bit of room for your handkerchief.
46:03Yeah, and a bit squished there.
46:04Yes, fine.
46:06OK, how are you getting on?
46:07Come on, you're a bit behind.
46:08Yeah, I'm just coming up to the elbow, but I'm going to get a bit quicker now.
46:13There we go.
46:14There we go.
46:16Here we go.
46:17A little bit of red.
46:18Don't forget your little bit of red, yes.
46:20A little bit of red for your hanky.
46:21For your hanky.
46:22You haven't forgotten that.
46:23That's very good.
46:24Ralph will be pleased about that.
46:25A little bit of tie.
46:27That's it, a little bit of tie.
46:28Right there.
46:29Good.
46:30Hurry up, you haven't got my legs on yet, you.
46:33Come on, what are you doing?
46:34That's your leg.
46:36A little bit of white.
46:38And here.
46:43All right.
46:43A bit there.
46:45Sure.
46:46Sure.
46:47Then you've got to have some eyes.
46:48I suppose your eyes.
46:49Don't forget the eyes and the features.
46:51Eyes and features.
46:52That's it, that's right.
46:53You did that with the black, didn't it?
46:55I think he did.
46:55Eyebrows.
46:56I'm improvising.
46:57Fine, yeah, good.
46:58And there.
47:00And we've got to have a smile.
47:02We've got to have a smile.
47:03Yes, good.
47:04Oh, Blake.
47:04I like that.
47:06And what are you doing over there, then?
47:07I'm just going to put your...
47:09Oh.
47:10Your teeth.
47:10And I'm really nice.
47:12We're finishing touches.
47:13Don't get the teeth.
47:14She's got the teeth.
47:15She's got the teeth.
47:15Very good, very good.
47:17Okay, don't get the...
47:18Yes, hurry up there, because you're a bit behind.
47:20I mean, what's the good of me standing there?
47:30There you go.
47:31What was all that?
47:31What are you doing?
47:35A few hairs coming out your nose.
47:37Hair's coming out my nose.
47:44Hold on, stop.
47:47You'll be hearing from my solicitors.
47:49Wonderful cover.
47:51What a lovely effort.
47:52There you go over there.
47:54Don't help you up with everything.
47:56Have you had a couple ready?
47:57Right, here you come.
48:00Janet, you are one-handed, yes?
48:02Can you start this one?
48:03Okay, and there'll be your paints.
48:05Your paints are over there.
48:06Okay?
48:07Fine.
48:08Now, I'm going to be your model.
48:10I'll be standing here.
48:11Away you go.
48:12Go on, your time starts now.
48:14There we get the tan face, Paul Newman features.
48:19And what are you doing, Janet?
48:21I'm doing it.
48:22Oh, it's lovely, isn't it?
48:23It's lovely.
48:24Listen, I know I'm supposed to have a good tan, but that is ridiculous.
48:31Explain what you're doing now.
48:34Do your other sleeve now.
48:35Yes, it's good.
48:36Yes, it's lovely there.
48:38Doing your coat.
48:39Yes, I, yes.
48:40And you're putting another coat on my coat.
48:44Janet?
48:45Yes, sir?
48:46What is that?
48:46I'm not wearing slared trousers.
48:51Is that my leg, dear?
48:53I can't believe this.
48:54It's like a bad...
48:55I've got shoes on!
48:57I haven't got ten feet.
49:11That's it.
49:12Cover them up.
49:16It's time to put them down.
49:18Oh, come on.
49:19Right.
49:21How are we doing?
49:21Start putting the finishing touches.
49:24We want the features now, and the eyes, and the teeth.
49:30Darling, you're not painting a wall, dear.
49:34He's not pre-asote.
49:39That's it.
49:39At least the handkerchief's good.
49:41Right.
49:42OK, now.
49:43Don't forget the eyes as well.
49:46That's it.
49:46Is that the tie?
49:47Don't forget the eyes, Janet.
49:49And the features, dear.
49:51Get the features.
49:51Final touches.
49:57Put the teeth in, at least.
49:59Just get the teeth in.
50:04I'll smash you in.
50:11I mean...
50:12That's just being true.
50:15That is being true.
50:18No chance you're going to win.
50:19Right, OK.
50:23What about the whole dish?
50:29What do you think I am?
50:30A saber-toothed tiger?
50:32You're quite handsome.
50:34I'm standing in, I can't eat.
50:36Oh, God's sake.
50:41God.
50:43What's that?
50:47What is that?
50:48That's all right.
50:49My eyes looking through me here.
50:54What are you looking through me here?
50:56What are you looking through me here?
50:56Oh, my God.
51:17Do you want to take yours home?
51:25Not really, I don't think you did.
51:27Oh, now you've got an eye there.
51:29Put another eye.
51:31Put one on the back of your head.
51:33Time's up.
51:35Come here, my darlings.
51:39Come here.
51:41Come back to me.
51:43Come here.
51:45Oh, my goodness gracious.
51:47Now, stand by your boards.
51:49OK, and Rolf, will you come back to do some marking?
51:51Please. I need your help.
51:53Definitely.
51:55Rolf, Harry.
52:03It's John, first of all.
52:05What did you think?
52:07The pose is pretty good.
52:09You look as if you're about to set off on a marathon run.
52:11But the legs are not bad.
52:13He's got both feet flat in the ground.
52:15Which is, you didn't quite get that gone up.
52:17Should have got that.
52:19You fail to get any black in the pupils of the eyes there.
52:23They're all sort of white.
52:25It looks like the werewolf from Notre Dame or whatever.
52:27But it's good.
52:29I would say eight.
52:31Eight? Very good.
52:33That's a very difficult thing to do.
52:35Let's face it.
52:36Very difficult thing to do.
52:37I like the way that you left that space for the red and then put it cleanly in.
52:41Very good.
52:42Very good.
52:43And I think this has been the best face, the best tackling face, because that mouth shape is great.
52:48It is good, actually.
52:49It is good, actually.
52:50The teeth are good.
52:51Yes.
52:52It is a bit cruel.
52:53This worried me a bit when the elbow went down there and then the arm actually went and
52:57joined on the fourth leg.
52:58Two three parts.
52:59And then another bit up to there, like, oh, oh, oh, oh.
53:03I didn't notice that.
53:05That's lovely.
53:06That's lovely.
53:07But that's good, the foot off the ground.
53:08The foot off the ground is very good.
53:09The legs are a bit skinny.
53:10I've got to give this another eight.
53:11Another eight?
53:12Yes.
53:13Very good.
53:14Very good.
53:15Now, brace yourself.
53:17Brace yourself, because coming up now, I mean, look at this.
53:23I mean, I nearly came from a fight with it.
53:27I'm worried about the hand position.
53:30I didn't notice that either.
53:32See, you drew the hand in the right position, but you joined the thing to the wrong bit.
53:37It should have gone to there, see.
53:39Of course.
53:40Yeah, exactly.
53:41And you had the three-legged bit of an arm tilt.
53:43Click, click, click.
53:44So you've got two joints in the arm.
53:46Bit of a worry.
53:47There.
53:48And you had the orange feet, which worried me rigidly.
53:50Look at me with me foot here.
53:52What did I say?
53:53Six.
53:54Six.
53:55Yeah, it's good.
53:56It's good.
53:57It's good.
53:58It's good.
53:59It's good for a parrot.
54:00It's good for a parrot.
54:01Now then, well, I had so many eyes going there.
54:04I had eyes here at one time.
54:05They were good, the eyes.
54:06Blanked out again.
54:07Yeah.
54:08Good, yeah.
54:09What happened to the trouser?
54:10What are you trying to fill in?
54:11I don't know what happened.
54:12See, you've got a lot of stuff in this trouser.
54:14Can I have a look?
54:15But she's going to be...
54:16I was trying to fill it in.
54:17She's going to be the dame in pantomime, you see.
54:20She can't do everything.
54:21The worry is the orthopaedic operation necessary to turn the foot around the face.
54:25I stand like that.
54:28Yeah, that would have been very difficult, Janet.
54:31Yeah.
54:32You had this hand down there instead of up here.
54:34Yeah.
54:35Yeah.
54:36Did you know it was down the face in the wrong way?
54:37You didn't realise that at the time?
54:38No, I didn't.
54:39No, she was just going there.
54:40Five.
54:41Five.
54:42Just five.
54:43Can I just add that these two were the most entertaining thing that's happened all evening.
54:48A point each for entertainment value.
54:50So it's six and seven.
54:51Six and seven.
54:52All right.
54:55Come here.
54:56Come here, my love.
55:00Come here, my love.
55:02We do thank you for giving us such a wonderful game and such a lot of fun.
55:07I mean, people out there, we hope at home they had as much fun.
55:11What have you got coming up?
55:12Are you going...
55:13Well, I'm heading off to Australia in a minute.
55:14Oh, are you?
55:15Doing some concerts over there.
55:16Yeah, lovely.
55:17I've got a mad record based on the, you know, Stairway to Heaven.
55:19Oh, yeah, of course.
55:20A big album going out there.
55:21Yeah, of course, yeah.
55:22Cool.
55:23And that's going good.
55:24It's called Rolf Rules Okay.
55:25Yeah.
55:26And then I'm back to do Pantomime and Plymouth.
55:27Well, good luck for that.
55:28Good luck with everything you do.
55:29Thank you, sir.
55:30And thank you for giving us, once again, such a marvellous game.
55:31You're a gentleman.
55:32Rolf Harris, we thank you.
55:33All right.
55:34Off you go there.
55:35Come here, my love.
55:36Oh, you are all so marvellous, aren't you?
55:39What's on the final board, Miss Ford?
55:42Well, John and Sharon have 16.
55:4416.
55:45Janet and Nick have 13.
55:47Oh, dear, oh, dear.
55:49Bad luck, you two.
55:50But the last few days, I'll tell you, the last few apps will be miles.
55:55And you will get a Generation Game answering telephone and a pocket-coloured television set
56:00each.
56:01And thank you once again.
56:03You've been delightful.
56:04Thank you, please.
56:05OK, thanks a lot.
56:07Bye-bye now.
56:08And you two, come on.
56:09Round the back.
56:10Come on.
56:11Oh, yes, yes.
56:14Take the doors away, please.
56:16Now, lots of articles are going to pass before your eyes.
56:18Have a real good look.
56:19Look out for the tricky ones.
56:20They're more valuable than they look.
56:22OK?
56:23Good luck for this.
56:24You have 40 seconds, starting from now.
56:27On the conveyor belt tonight, we have a case of champagne, a rocking elephant, a decorative
56:33chair, a personal stereo, an old TV aerial, an espresso coffee maker, a laundry basket
56:42and towel, a chicken croc, a violin, a cordless drill, a flagon of vinegar, a velvet hold-all,
56:55an electric juicer, a cordless phone, a dessert set, a footstool, a basket of dried flowers,
57:03a cushion and tie, and a cheese dish.
57:08OK?
57:09Now, keep thinking all the time.
57:11Keep thinking lovely thoughts.
57:13Round you come.
57:14Round you come.
57:15That's it.
57:16Sit yourselves down.
57:17And you're going to get another, you're going to get another 40 seconds.
57:20You'll get the first 20 seconds.
57:22When you're a funny noise, you'll get the last 20 seconds.
57:25All you remember, you'll take home with you tonight.
57:27OK?
57:28And your 40 seconds, good luck, starts now.
57:30Television aerial.
57:31Television aerial.
57:32A cordless telephone.
57:33A drill.
57:34A footstool.
57:35Some pots.
57:36Champagne.
57:37Cuddly tights!
57:38The violin.
57:39The violin.
57:40Good, good.
57:41The chair.
57:42The chair.
57:43The chair.
57:44The little elephant thing.
57:45Wooden elephant thing.
57:46A cordless telephone.
57:48A cordless telephone.
57:49You've got that, yes?
57:50Yes.
57:53A juicer.
57:54A juicer.
57:55A juicer.
57:56A juice.
57:57A juicer.
57:58A coffee.
57:59A coffee.
58:00A espresso.
58:01A coffee, coffee, espresso.
58:02Do you have any vinegar on your chips?
58:03Yeah, a connoisse vinegar thing.
58:04Um, a violin.
58:05And, um...
58:06Do you eat dessert?
58:07Yes.
58:08Oh yeah, a dessert.
58:09A china dessert.
58:10Um, yeah, yeah, yeah, yeah.
58:11We've got the telephone.
58:12We've got the telephone, we've got the telephone.
58:13Oh, didn't they do well?
58:14Yes.
58:15Come on.
58:16That's your time.
58:17That's your time.
58:18That's your time.
58:19You're in welcoming.
58:20Now.
58:21Thank you for your time for your time.
58:22I'm glad you got the TV area, because that's this lovely television set here.
58:29All right, that is absolutely marvellous.
58:31The latest colour TV and the violin was important because...
58:35A fabulous holiday for four to Vienna.
58:39All about that?
58:40Who hasn't?
58:41Who hasn't?
58:42No.
58:43Well, there you are.
58:44Well, to Rosie and myself and everyone, and I do mean everyone,
58:49bye for now, see you next week.
58:51Be there!
58:51All right!
58:52All right!
58:53All right!
59:21And I won't be the game to see you
59:27Hey, my boy!
59:30Good night, man!
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