- 6/25/2025
"Kerala Crime Files Season 2" is a gripping Malayalam crime web series directed by Ahammed Khabeer, featuring Arjun Radhakrishnan and Aju Varghese in lead roles. The season follows SI Noble, newly assigned to a remote police station in rural Thiruvananthapuram, as he investigates the mysterious disappearance of civil police officer Ambili Raju. The case takes unexpected turns, uncovering secrets about Ambili's behavior and associations.
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00:00I'm a troll.
00:02Asura
00:04If you're a girl, you're a girl.
00:06I'm a bike.
00:08You're a girl, you're a girl.
00:10Jun?
00:11Jun, you're a girl.
00:13You're a girl, you're a girl.
00:15There's a girl who's a girl.
00:18I'm not sure if I'm a girl.
00:20I'm not sure if I'm a girl.
00:22I'm not sure if I'm a girl.
00:24That's a Lalehattan interview.
00:26I'm going to show you a film.
00:28Oh, yeah.
00:30I'm not a fan from the Clirer's.
00:35I was actually still as a character.
00:37I've lost my own.
00:38I thought my name was awesome.
00:40He's like, I don't know if I'm a girl.
00:42It's a real world.
00:43He's also such experience.
00:47Now we're going to dance today.
00:49You can do it.
00:50That's right.
00:55Hi, Hello viewers.
00:56First, welcome to our show Untold Vitaaj.
00:58Today, we will talk about Untold Stories.
01:01We have a lot of response to crime files in season 2.
01:05We have director Ahamad Kabeer and Mahesh Boulan.
01:10So, welcome.
01:12As a director, it's been six years since the film.
01:18Now, how do you like this series?
01:22I feel like everyone is a director.
01:24Because we grew up here as a theater.
01:28So, now, we have OTT as a custodial.
01:34That's a great experience.
01:38That's why we have a theater experience.
01:40We have to go to school and go to theater.
01:44We have to go to the cinema.
01:46That's why June is coming.
01:48June is coming to Covid.
01:50So, we need to go to theater and try to shop after going to theater.
01:56So, we have a genre shift in a bit.
01:58And we have an Hotschandler first web series.
02:02That hit.
02:03After that, the second episode,
02:04we started a platforming.
02:06After that, it was called 2J.
02:08So, I made a movie where there was a gap.
02:10So, I came and came.
02:12This was our first movie.
02:14This was our plan.
02:16This was our first movie,
02:18Yes, from the beginning, we will be able to do theater.
02:23In the beginning, we are going to be able to recognize the stage of the show.
02:28In the beginning, everyone would be able to recognize the stage of the show.
02:32And in the beginning, the series, the stage of the series, the stage of the series.
02:36What's the stage of the stage?
02:38Everyone would be able to say a few address?
02:43The stage is national.
02:46This is the National Malayana web series.
02:50I have a national web editor in Malayana.
02:57I used to have a national web editor in Malayana.
03:03I used to have a national web editor in Malayana.
03:07I was very worried about that.
03:11I was first in Malayana.
03:17I was not a fan of Malayana.
03:21I was also a fan of Malayana.
03:25I was also a fan of Malayana.
03:29I was happy.
03:32It was very happy.
03:34It was a majority in one location or a room.
03:42I was also a fan of Malayana.
03:47That is why it is an omelakse.
03:50The company has a lot of omelakse in Kerala crime phase.
03:54In Kerala crime phase 2, I had a lot of experience in Kerala crime phase 2.
04:08I had a lot of experience in Kerala crime phase 2.
04:12I had a lot of experience in Kerala crime phase 2 and I had a lot of experience in Kerala crime phase 2.
04:25I had a lot of experience in Kerala crime phase 2.
04:31I had a lot of experience in Kerala crime phase 2 and I had a lot of experience in Kerala crime phase 2.
04:50There was another area of alcohol phase 3.
05:02We shared about compassES in Kerala crime phase and tonal crime phase 1 where there was still the success.
05:08The prosely decorated into Kerala crime phase.
05:14That's why I thought I had a question.
05:16I thought I would say that I would choose to do anything.
05:19What are you doing?
05:21What are you doing?
05:22You can try and make a difference between what you do.
05:26What you do is you do a single plot.
05:29You can write a video.
05:31You can write a little web series format.
05:35You can write a little more.
05:37You can write a little more.
05:39You can write a scale up.
05:42that we have a problem with it.
05:44But, if you were to tell us about the script,
05:47the script is not always done.
05:50The script is not used.
05:51That's what we call it.
05:54I actually don't have the facts.
06:00But I actually don't have the script.
06:03I don't have the impression we're making.
06:06I don't have the impression that it's not.
06:09I think Madhuru is the second director of Madhuru, but he is the second director of Madhuru.
06:22He is the first director of Madhuru.
06:27He is the first director of Madhuru.
06:30The Madhuru is the third director of Madhuru.
06:44He is the first director of Madhuru.
06:50When people are in the past, they are frustrated with their own frustration.
06:54There is hope for me.
06:57When I was talking about COVID-19, that cinema has a hope.
07:01Because we are seeing the darkness of such dark, as we are seeing the darkness.
07:06There is a woman's name and a woman's name.
07:08There is a woman's name.
07:09The most famous bystanders are the most famous bystanders.
07:12That cinema has a hope for us to end.
07:15That's the answer.
07:16There is a lot of tension and the artist is very strong and happy.
07:22It's a process of doing it. It's completely scripted.
07:26We have a basic structure of the scene.
07:30People are doing it as a senior writer.
07:33They are doing the improvisation of Madhira.
07:36As a filmmaker, you are doing it as a filmmaker.
07:39Do you have any scene in Madhira's editing?
07:42No. I didn't do anything.
07:48I don't know if you are an independent artist.
07:55I don't know if that person is a filmmaker.
08:00I like to listen to Madhira's editing.
08:05It's a scene that is complicated because of Madhira.
08:10We have seen some of the scenes in Madhira's story, and we read the flashback and present.
08:24I think it's a bit of a tension.
08:27The flashback and present is a bit of a point.
08:31We mixed it up and mixed it up.
08:35That's an Argentine character.
08:45If I read several texts that I've read, I've got a list of texts from the same time.
08:53And I was going to see that in my family.
08:55I was just watching that.
08:57I didn't know anything.
08:59I didn't know anything about that.
09:01I didn't know anything about that.
09:03I didn't know anything about that.
09:05What was the scene in Madhuri?
09:09Crafty?
09:11Asunder?
09:13I didn't want to see that in my life.
09:15June!
09:17When I was in theatre, I was in the second half and I was in the last motion.
09:23I was just watching June and I didn't get to the school motion.
09:27I was in the movie as well.
09:30I was watching the film shoot in the movie.
09:35I was watching the short films and I was watching June.
09:40I was watching the end of my work.
09:42I was watching June and I was watching it.
09:44I was watching it all step by step.
09:46John told me, I was going to study. I would be like a better one.
09:52I'm going to go to a good graph and compare.
09:56That's not true.
09:58It's not true but in the intervals.
10:01It's true.
10:03It's true.
10:05You can't see any of the other people.
10:08In the past, you can see it.
10:11I don't know how to do it. I don't know how to do it, but I don't know how to do it.
10:17In crime-wise, one or two, it's very serious.
10:23It's very serious. It's very serious.
10:27It's very serious.
10:28It's very serious.
10:30It's very serious.
10:32There was a situation that was in the building.
10:34If you were here, the opposite can be a situation for a small city.
10:38The situation of a career-ground.
10:40How did you understand that?
10:43How did you know who the other members?
10:45We never heard about it.
10:46You can't understand the mind of a lot of the staff.
10:48You know, when you're a little kid out of that,
10:50you see the confidence that you're in that position.
10:52I think it's not a lot of tension.
10:54You know what I trust.
10:56It's clear that the others don't know how to do it.
10:58That's a good thing.
10:59I don't think of it.
11:00Now, we don't know how to make a picture.
11:01I don't know how to make a picture.
11:03I don't know how to make a picture.
11:04So, my first artist is now in the second season.
11:07Me and I have two full scripts.
11:09They don't know how to make a picture.
11:12Another thing I think,
11:14is that if I make a picture of the picture,
11:16I'm not sure how to make a picture.
11:16Now, I feel like I'm not a trustee.
11:20Asho said,
11:21I feel like the character is not a case.
11:23That's because of the text.
11:25So, I feel like you were not a case.
11:26That's why Arjun is now a full script for Arjun.
11:30There are characters in the other hand, they don't want to be able to do that.
11:34Because there are no doubts and complications.
11:38They don't trust us, they don't trust us.
11:40I don't want to be able to do that.
11:43I don't want to be able to be able to do that in any film.
11:48But I don't want to be able to be able to do that in any film.
11:50That's why my performance is so important.
11:55How do you think about the series?
12:01How do you think about the mindset of the series?
12:05In the cinema, the series also follows a script.
12:12Because the script is correct and the episode is correct.
12:18It's a process of shooting.
12:20I don't want to be able to do that in the two series.
12:23We have two characters.
12:24We have a pre-shake film.
12:26We have a pre-shake film.
12:28We have a pre-shake film.
12:30We have a pre-shake film.
12:32We have a pre-shake film.
12:34We have a pre-shake film.
12:36In the cinema, we have a pre-shake film.
12:39We have a pre-shake film that we wanted to shuffle a lot.
12:48I don't know how to shuffle this series.
12:50Is this a little time-consuming series?
12:53Yes, it's a little time-consuming process.
12:58It's a little time-consuming process.
13:02Is it a little time-consuming?
13:06No.
13:08It's a little time-consuming process.
13:18It's a little time-consuming process.
13:21Season 1 and season 2,
13:27we'll talk about a thriller format.
13:34If we want to cut the balance,
13:39we'll talk about a little bit about a thriller format.
13:45I'm going to talk about the same format.
13:47In season 2,
13:50we'll talk about the next one.
13:54I think that there is a dialogue that is happening here.
13:59There is a pose here.
14:01We have to do a conversation here.
14:03We have to talk about some of the things we have to talk about.
14:08We have to talk about some of the things we have to talk about.
14:12We have to talk about three years of reproduction.
14:15We have to talk about the cameraman, my-shad, and the director.
14:19Everything is in this way. We are in some way, if we are in some way that we are fixed with the locations and the solutions are fixed.
14:26We are in the same way, and there is no confusion.
14:30We are in the same way that we are in the same way.
14:35In the same way, if we were to shoot or change or transition or transition, we have already planned.
14:46So, in the end of the episode, it is a bit correct.
14:53It is designed to be designed.
14:56There is no confusion.
14:58If you have any confusion in the editing table, you can't be confused.
15:04There is no confusion.
15:06We are doing this pre-work.
15:08Yes, let me tell you about the reviews.
15:11There are also the concept of spoon-feeding in the cinema.
15:14They asked everyone to say,
15:16if you want to do something, if you want to do something, if you want to do something, if you want to do something.
15:20If you want to make a conscious decision,
15:24one is the reason.
15:26Two is the respect.
15:29There is also a lot of audience in the cinema.
15:33How do you feel about the balance between these two?
15:35The balance is that there is a web series,
15:38where you can actually edit that scale.
15:40If you want to edit it, you can do it.
15:44You can actually do it in 4 episodes.
15:47You can also do it in the making.
15:50In this episode, there are a lot of thrillers.
15:55There are a lot of thrillers, a lot of thrillers.
15:59It's a lot of fresh food.
16:01As I said, I thought it was 2-3 of this.
16:05But in this episode, we can build up the creative people.
16:09You don't have a big concept,
16:10you're not the same.
16:11There are many.
16:12There are many.
16:13There are many.
16:14There are many.
16:15There are many.
16:16We can see everything you can do.
16:19We are not using these scripts yet, because if we do this, we are making sure that we are selecting 2 or 3 times in the process.
16:32We have a lot of questions and we have to ask what we need to do, we can ask what we need to do.
16:40So, I don't have any questions. There are a lot of questions.
16:44What are you doing? What are you doing?
16:48So, there's a version. That's not my version.
16:52So, that's how it works.
16:53So, there's a discussion.
16:55For example?
16:56Yes, for example, what are you doing?
16:58What are you talking about?
17:00That's right.
17:01So, that's it.
17:02So, if you look at that, I don't know what you're talking about.
17:07So, there's a version.
17:08I don't think that's the version.
17:10You see, there's a few more things.
17:13I mean, kind of was coming in the interview.
17:17So, the guy doing this job.
17:20Like a job in a job, in a job in a job.
17:24He's doing it. He's doing it.
17:25He's doing it. He's doing it.
17:27He's doing it.
17:28He's doing it.
17:29He's doing it.
17:30So, as a job in a job with a job, he's doing it.
17:33He's doing it.
17:35He's doing it.
17:36Actually, we don't have a plan.
17:37But if we look at this graph, it's okay.
17:41There are discussions at the end of the day, but we are happy.
17:46We have two directors, we have two directors, we have two directors.
17:54Jeevo Chatter is also a kid in the middle of the day.
17:58That's why we have a kid in the middle of the day.
18:00Jeevo Chatter is the role of Jeevo Chatter.
18:02We have a kid in the middle of the day, but he is exciting.
18:07I asked him to talk to him about the interview and he is a coach.
18:13The girl is like a kid for the IAP in the name of the film.
18:18So I am convinced that we are a cast.
18:23There is no one who is a director.
18:25She is an actor and a director.
18:28She is a very famous actor.
18:29If you are any senior, everyone is a fan,
18:33and you know, you're all very good.
18:35So, we're all very good.
18:37We have to try to do something else,
18:40and we have to do something else.
18:43If you do something else, you know, we can do something else.
18:46I feel very helpful.
18:49I'm trying to do something else.
18:50It's a very serious thing that we have to do a nameboard.
18:55You can shoot it and you can hear it.
18:58So, we were talking to an episode and at one point, we went to a short poem in the episode and saw it go through the song,
19:07you could talk to me, a dog with an app, a dog, a dog and a dog with a dog.
19:12So, I was talking to him and I was talking to him and I was talking to him because he didn't meet that stage.
19:22There is a lot of things that we can help people.
19:26I don't think this is a director or actor.
19:30They can teach all the scenes.
19:34We can teach them a lot.
19:36They don't have any questions.
19:38They don't have any questions.
19:40They don't have any questions.
19:42They don't have any questions.
19:44They don't have any questions.
19:46If there is an artist and that's how we can do it...
19:52They don't have any questions.
19:54Maybe I have some answers.
19:56Got a lot of questions.
19:58You don't have to ask them?
20:00It's a weird question.
20:02But I don't have any questions.
20:04I am not sure to ask them to do the things here.
20:06We have nothing anymore.
20:08We need to ask a question…
20:10They don't have to ask them.
20:12They should ask them.
20:14There is no way to go to the train scene, we can do it.
20:21Now, I've got a lot of trailers.
20:26There's a lot of trailers.
20:29There's a lot of trailers in the cinema, but there's a lot of trailers.
20:35That's a factor.
20:36What's the trailer in this movie?
20:42No, I don't know. Everything is exciting.
20:47I think I've seen a trailer for a lot.
20:54I've seen a lot of films like a lot,
20:59but I've seen a lot of films like a lot.
21:01I've seen a lot of films like that.
21:04I'd like to see a lot of films like that.
21:07But I've seen a lot of films like that.
21:09I was a director of cinema and editor. I was a trailer of the film.
21:21I was a first to watch the film.
21:29They have a set of cinema, or a set of references, or reference music.
21:42We have a different cinema in the trailer.
21:49They don't have to direct the cinema, but they don't have to talk about other cinema in the theater.
21:56That's a great deal in the format.
22:01Is there a trail?
22:03Yes, there is.
22:04Is there a trail?
22:06No, there is a trail.
22:08There is a trail downplay in the last few days.
22:15So, we have to do the first trail in the family.
22:22In the first trailer, the end of the trailer came to the end of the trailer.
22:33The trailer came to the release of the trailer.
22:37That was in the interview of Dhrishyampaluta cinema.
22:42The trailer came to the trailer.
22:46We had to do it. We had a family and a family.
22:53The trailer came to the end of the trailer.
23:05It was the one that we had released.
23:12But in the second trailer, the trailer came to the end of the trailer.
23:18We had to do it.
23:20The trailer came to the end of the trailer.
23:24Now, there is a trailer that is very important in the film,
23:29and the fact that there is a BGM match in the theater.
23:34There is a trailer for many films,
23:37and there is an agreement between the film and the film.
23:40Because it may be a big star in the film,
23:43it may be a big star in the film,
23:45it may be a big star in the film,
23:47but it may be a big star in the film.
23:50I see a lot of films,
23:54the film and the film is a big star in the theater.
23:58It could be interesting to see how it is.
24:02I think that it might be interesting to see how it is.
24:05I think that it should be a big part in the film.
24:08It's another challenge.
24:12But I think that the film is a big star.
24:16I think it's been a great time to be able to see the crew as well.
24:27But the reason why I think this is a high point.
24:30I don't think I can't be able to see the film as well.
24:37We have a trailer for that.
24:40We can't be able to do a lot of the directors and directors.
24:45I think this is a good idea.
24:49Every cinema, every script, and every process,
24:55every person has to go to the cinema.
24:59I think this is a good idea.
25:03Then, if we were to go to the cinema,
25:06we would like to go to the other side.
25:09I think this is a good idea.
25:14How did you get a trailer?
25:16I have a trailer for you.
25:20Are you a trailer?
25:22I was the first trailer for Jada and I was on the show.
25:26I got a trailer for Jada, and I got a trailer for him.
25:30I got a trailer for him?
25:32I got a trailer for him.
25:36Are you doing a trailer for the movie?
25:40I have been working on television for 10 years.
25:47When I was working on television, I was also working on editing and editing.
25:53I was working on 8 hours and I was working on free time.
25:57I was working on V. V. Harshan, Nishad Yusuf, and I was working on other people.
26:05I was working on that.
26:08I was working on film.
26:12I was working on the ASTEM program producer for about 9 months.
26:17I was editing my show.
26:20I spent time spending on my post.
26:23I was working on the show and I was working on a short film.
26:26I was working on a RDR film.
26:29I was editing my show.
26:31I was working on that.
26:33I was working on casting.
26:35I was working on casting.
26:39I was working on a casting.
26:40I was working on the Jules and the director,
26:44and I was working on Joseph.
26:47Joseph was a young guy.
26:49Asa Meeta Pulli.
26:51I grew up on that image.
26:53I grew up on my father,
26:54and I grew up on his sweet father.
26:56Then I grew up on casting.
27:00I'm sure.
27:01We're all in the same way.
27:03We're all working with the tools and the skills we've got.
27:09But casting is strong.
27:11We are safe in a few months.
27:13I thought,
27:15I didn't think that was quite a lot of seniors.
27:16That's what I did.
27:18I don't know how much I can reach out to these people.
27:23I think there is a lot of seniority and performance.
27:29I think casting is a lot easier.
27:33I don't know how much I can do it now.
27:36I think there is an opportunity to do it now.
27:39It's a project that I've been doing with Arjun Das.
27:42I'm going to finish the shoot and I'm going to finish the production of this crime phase.
27:47That's why we're breaking the end of the day.
27:51We've got a lot of confusion.
27:52Then we've got an Arjun and we've got a movie.
27:53We've got to do that.
27:54We haven't fixed date.
27:56That movie is Rom-Com.
27:59That's right.
28:00Back to...
28:01That's right.
28:02It's a thriller.
28:03Back to the theater experience part.
28:05Okay, everyone's happy.
28:06Arjun is a romantic romance.
28:09There's a contrast.
28:12There's a lot of custom options.
28:16I'm curious about how Arjun is going to go and talk to our friends.
28:21I mean, we've got a lot of fun.
28:23We've got a lot of fun.
28:26You see, we've got a lot of fun.
28:27You've got to do that.
28:29You've got to do that.
28:31So, that's why we're going to join the internet.
28:33How many people do it?
28:35No one knows.
28:36Everyone loves to have fun.
28:37They're all going to have fun.
28:39Now, it's the one who's got to do it.
28:42You've got to get the national award winner.
28:44That's why I came to the work and recognized it.
28:51Now, there is a part that came to a series.
28:56I think it's a national award.
29:01I don't think it's an award.
29:07I've been doing a few projects and I've been doing a few projects and I've been doing a few projects.
29:14Do you have an award for Vyengaramater?
29:17No.
29:19I have an award for Vyengaramater.
29:31I've been doing a lot of work for Vyengaramater.
29:38I've been doing a lot of work for Vyengaramater.
29:44Do you have any other trailers?
29:47Yes, I've been doing a trailer.
29:50I've done many trailers for Vyengaramater.
29:56I've been doing a lot of the trailers for Vyengaramater.
30:01I've been doing a trailer for Vyengaramater.
30:05Do you have to have an acquisition kit for Vyengaramater?
30:12Do you have to be able to have an acquisition kit in the content?
30:15Well, I haven't had a total of a script inside.
30:20At this point, we'd have been working on a couple of projects and we'd have been looking at it on a couple of festivals.
30:30I've seen this in my opinion.
30:37We have a big advantage in the state award.
30:42We have a big advantage in the state award.
30:47We have a big advantage in the state award.
30:51We don't have to worry about the nationality.
30:59We don't want to be in the arena, but we don't want to be in the best cinema, script and editing.
31:07How did he do that?
31:09He did it, he did it, he did it, he did it.
31:13He did it, he did it, he did it.
31:16Now we are doing an English short film.
31:20He is a post-production.
31:22How did he do that?
31:24I agree.
31:27I hope he did it.
31:29So, how did he get feedback in the entire industry?
31:33I think I'm happy because we have been in the 19th century and we have been doing it.
31:41We have been doing it and it's been a long time for the duration and we have got cold.
31:45It's been a long time for a long time.
31:47It's been a long time, but it's been a long time because I received a message and cold.
31:53I think I was very happy in this episode.
32:00It's a little bit of time.
32:02Yes, it's a little bit of time.
32:05I think it's a good time.
32:08I think I'm happy.
32:10I think I'm happy.
32:13I think I'm happy.
32:16Yes, I did. I did a few things. I did a few things. I used to say something like that.
32:25Sometimes I used to say something like that. I used to say something like Chetan's News Cam.
32:34What is your name?
32:36Chetan's News Cam.
32:37What is it?
32:38What is it?
32:39Chetan's News Cam is a different one.
32:47I've never seen this recently.
32:51I've never seen this.
32:53I've never seen this before.
32:55I've never seen this before.
32:57I've never seen this before.
33:00It's really bad.
33:01I don't know why we're not.
33:03It's hard to see a lot of us.
33:05I've never seen this before.
33:06We've never seen this before, we've never seen this before.
33:09Nothing.
33:10What else is it?
33:12What's it?
33:13I've never seen it before.
33:15Because of the first season, I need to know it.
33:17But everything is not true.
33:21There's no tension.
33:23But everything is broken.
33:25That's why we're not doing that.
33:27In our career, we need to go to the flow.
33:31So, we're very lucky to check 2 and all of you guys.
33:36You can also join the theater in this theater.
33:42So, we'll join you in a lot of entertainment and entertainers.
33:46Thank you for the time and all of us.
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