- 6/30/2025
BAHUL RAMESH INTERVIEW: In this interview writer dop bahul ramesh speaks about kerala crime files chapter 2 | സ്പൂൺ ഫീഡിങ് എന്ത് കൊണ്ട് ഇല്ല !!!
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Short filmTranscript
00:00I used to be a binding in the back.
00:02I didn't use the binding.
00:06I used to be a little bit of a post.
00:09I would say they would be a mentor in the back.
00:14No, I would like to show you a scene at Simath.
00:18What was the process of that?
00:20Yeah.
00:21What was the process?
00:22No, I never had a two.
00:25I never had a cinema scene,
00:27and I never had a two scene.
00:29That's how we do it.
00:31Is it inter-blocking?
00:32No, it's not inter-blocking.
00:34It's not inter-blocking.
00:35There's a counter-factor in Sandhiv.
00:38I'll show you in Sandhiv.
00:41I'll show you in the interview.
00:44There's a great range of versatility.
00:46There's a great flexibility.
00:48There's a lot of flexibility.
00:50I'll show you how to do it.
00:52I'll show you how to do it.
00:54I'll show you how to do it.
00:56It's brilliant.
00:59Hello, viewers.
01:01Welcome to our show, Untold Vitaaj.
01:03We'll talk about Untold Stories.
01:05I'll show you in K7 in the undammed season.
01:07I'll show you in the same way in the future.
01:10Then I'll show you how to do it.
01:13Surnam, Sky.
01:15I've heard the right after.
01:17They're not delayed.
01:19They have the expectation.
01:21We've heard of the right after.
01:24I've heard some pressure of the right after.
01:27I was talking about Kishkindhan, I was thinking about this before.
01:32But Kishkindhan was only released at a time when it was released.
01:34Because when we were able to shoot Kishkindhan, it was released.
01:39But when we were able to get out of the shoot, Kishkindhan did release.
01:43I'm not going to be able to get out of everything.
01:47I didn't want to work on Kishkindhan, so we were able to get out of it.
01:52I have a few comments about how many people are working in the Munchlite group.
02:03I have a few comments about animals and dogs.
02:08How many people are working in the Munchlite group?
02:13No, I don't know.
02:16I don't know.
02:20Just real-time writing.
02:23If you're doing something spontaneously, you can't be able to do something.
02:28You can't be able to do anything.
02:30If you're doing something, you can't be able to do anything.
02:34We have a few comments about animals.
02:39I have a few comments about the poster.
02:41I have a few comments about the poster.
02:45I don't even know about the poster.
02:47You just said anything about problems?
02:49I would like to ask a comment about my own story.
02:54Yeah, I was asked to him, and he asked me how many people felt this man.
02:59So I wanted to see you as an associate of the film.
03:02I wondered if he would do something for a comedy for the film.
03:06Oh, yeah.
03:08I could see you.
03:10I've forgotten that.
03:12I was shot in the middle of the street during the first time.
03:16It was about 40 days during the first time.
03:19It was about the night in the middle of the street.
03:21It was about the exterior night.
03:24After that, I was able to go to Kishkindha and Kishkindha.
03:28It was a hard time shooting here.
03:31Like straight dogs, reverse tracking, etc.
03:36It's not like that.
03:37We didn't get any of that.
03:38It wasn't that good, Shamim.
03:40It was that good, that good, good, good, good.
03:41I'm not sure his name.
03:43Yes, but the other guy called a crew and said,
03:46he's like, I'm going to take him to the table.
03:50And then he was like, I don't know,
03:53but he was like, you should come here and see the scene.
03:58He was like, I will say, I'm not sure how to go.
04:03There is a scene in the film, but it's not a loophole.
04:12In the case of KCF, it's a festive impression.
04:19It's a back-to-back scene.
04:25What is the process of a loophole?
04:27What is the loopholehole?
04:29It's not a loopholehole.
04:31It is a tension.
04:33If it's a loopholehole, it's a bit of a foolproof.
04:38It's a bit of obsessive.
04:40It's a bit of a pressurized.
04:43Even if we're going with the flow,
04:48there's no way to shoot our crew in the hands.
04:53Never had a conversation. I didn't have any conversation anymore.
04:55I didn't have any conversation.
04:57We'd have a conversation while then in the same place.
05:00You very much.
05:01Because I'll see you in my life and be doing it.
05:04Don't get excited.
05:05I have an obsession with perfectionism.
05:08Those were physically attached to the camera.
05:11Just like me, a pick-up.
05:14No, I won't.
05:19I'm just trying.
05:21It's a cinema. It's a thriller, a drama, and it's a series.
05:29It's a series of episodes and durations.
05:41It's different. It's one process.
05:46It's a series of episodes. We have two.
05:50There's a cinema, a cinema, a cinema.
05:54I'm not even sure how to do it.
05:56It's a series of episodes.
05:58We had an impression.
06:00We didn't get to the extent of the experience.
06:03We could try and try to try and try.
06:07It's a bit confusing.
06:11I can't remember how many people were able to re-write.
06:15That's why I didn't trust my intuition.
06:18I said that the duration of the season is already coming,
06:24and the duration of the duration of the season is already coming.
06:27So, when I was in the beginning of the season,
06:32I didn't have to stop the final episode.
06:36That's why I said that.
06:38Then, I started the first episode, and I was able to take a meter and take a few minutes.
06:47Then, I started the first episode, and I started the first episode.
06:50Then, I started the first episode.
06:52When I started the first episode, I started to do a duration assessment.
06:57I started to skip the speed.
07:02Then, I started to judge a first-time reader.
07:05Then, I started to finish the first episode between 25 minutes and a reading time.
07:10So, I started to do a duration of twenty-fived minutes.
07:12I started to do a duration of twenty-five minutes.
07:15They started to do a duration for twenty-five minutes, and the result was afang of an assumption.
07:18Then, I started to get a meter.
07:21I started to get a meter, then I started to read the wordings, the syntax and other lines.
07:27Not all the types of아니ation, you know, for any type form.
07:30It's called the page alignment or composition.
07:34So, I think that 40 pages are equal to 25 minutes.
07:42I think that the average number of episodes are about 50 pages.
07:48So, we're going to make sure that all episodes are over 50 pages.
07:52But, okay, we thought that you would have a buffer with a 5 pages in the news.
07:58It's a safe range. Even if you don't have to go to 50 minutes, you can't go to 30 minutes.
08:05It's like a meter.
08:07Yes, it's like a meter.
08:10If you type in this episode, the page number is 36.
08:15It's not 36, then you have to go to the next episode.
08:20You have to go to the next episode.
08:22That's the format.
08:26How did the company have a contribution to this stage?
08:29Did you have a contribution to the company first?
08:33I can't tell anything about that.
08:36I can't tell anything about that.
08:38He already has a patent.
08:42He has a member.
08:44There was no case for his family and no franchise.
08:48Do you have any of that in your opinion?
08:52I can tell you that.
08:53I think I was very interested in the season 2.
08:58I think I was interested in this.
09:03I think that's how many people can do it.
09:05That's how many people can do it.
09:08And I think that's one of my friends.
09:10I think that's one of my friends.
09:13One of my friends?
09:14One of my friends is in college and PG.
09:16I studied in the film institute.
09:19He was an MBA student. He was an internship at the institute.
09:26I was a pastor and a senior.
09:31He was an institute culture or college culture.
09:35He was a friend of mine. He was a senior.
09:41He was a great friend at the institute.
09:44He was a great friend of mine.
09:48KCF is a great series in the history of KCF.
09:56In India, there was a series of traction in KCF.
10:03He was a very important character in KCF.
10:08He was a very important character detail.
10:13He was a great girl.
10:18He was a lot of people.
10:20He was a great kid.
10:21No, he was a great kid.
10:22He was a great kid.
10:24He was a great guy.
10:26He was a great girl.
10:27He was a great guy.
10:31ein bisschen was going to play with his head.
10:33He still didn't take that effort.
10:35Every time he came, he came from a few minutes.
10:39There was a lot of opportunities of him like that.
10:41But, he was set free to him.
10:43But, if he was to come here with me, he looked at him and came.
10:47He was sort of the same, when he went here as a long time.
10:51He was smart enough.
10:54That was a good priority tonight.
10:56We had a lot of the main core team in Season 1.
10:59he is in the office, he is all around the world.
11:03He is finally in the main cast, but he is in the game role as well
11:07he doesn't have a chance to see, he doesn't need anyone
11:11he has a new fresh lead, new face of the series
11:15that he did not come to be.
11:17He did not come to be a new character
11:19he introduced a face, but he comes to the other characters
11:23but the other characters are supporting roles
11:25It's not a scene like that, but I think it's okay to come here in one episode.
11:32The badge is the same thing. The badge is the same thing, the badge is the same thing.
11:38The direction department is the same thing, the direction department is the same thing.
11:48Do you know how to do it? Do you know how to do it?
11:54I had a dog in the house.
11:58I had a dog in the house.
12:02I had a dog in the house.
12:06I had a dog in my house.
12:09Attachment.
12:14Have you experienced this experience?
12:20Yes, I have.
12:22I had a dog in my house.
12:27I had a dog in the house.
12:29They had a allergy.
12:32I then both had the dogs in the house.
12:36My wife and Steph are not separated.
12:42I'm concerned about this.
12:44I got nothing to see the other scene.
12:48In the sixth episode, I was asking for the doctor to die.
12:57I got to go to the hospital now.
12:59I got to go to the hospital, get to the hospital, get to the hospital.
13:06It was a very hospital to get the hospital.
13:08I was worried about the doctor.
13:14It was a long time consuming.
13:16and put something in the room and kept in the room and then didn't buy something in the bedroom.
13:20there's nothing I have to spend time with.
13:23that's why it's so difficult to do most of them.
13:27so now the of the night is when I got the door open and then I got a light of fire moving.
13:35If you're in a picture I'm standing in the head of the head of the head of the head of the head of the head.
13:40Then it's not a huge amount of energy.
13:44When you're in that amount of energy, the energy can be used.
13:49You can have enough energy to try.
13:52So, you're using slow motion.
13:56But I'm like, now I'm so excited,
13:59I'm so excited.
14:01I'm like, we're all happy with some great relatives.
14:05I was so excited for this,
14:08and we're still thinking about it.
14:11We're doing it with a little bit and we're not sure.
14:14And we're thinking about it.
14:17We're feeling like we're feeling uncomfortable.
14:20That's what I express about.
14:22In any situation, it was expressed in a moment in the series.
14:32Do you have any sports sports here?
14:38We have a doctor who has a doctor who has a doctor.
14:43He has a doctor who has a doctor who has a doctor.
14:47We were able to consult with our script and we were able to execute all the ideas.
14:56We were able to do a trick with the dog.
15:00We were able to do a custom trick with the activity.
15:05We were able to shoot a candidate.
15:07We were able to shoot a frame and we were able to shoot a frame.
15:13So that's the skill that I'm doing.
15:18I'm going to go to custody of a few doctors.
15:21They did a lot of doctors, and they did a lot of doctors.
15:25They did a lot of training.
15:28They did a lot of doctors and a lot of doctors.
15:31Do you have any doctors in India?
15:35There are other mongrels, there are other doctors.
15:40There is a lot of adoption centers, but I call it a rehabilitation center.
15:46There is a lot of stress. There is a lot of stress.
15:52There is a lot of stress.
15:54So, I have a lot of training.
15:58So, I have a lot of stress.
16:00The dogs are happy, I am happy.
16:03I have a lot of stress.
16:10I have a lot of stress.
16:17I am happy with that.
16:22I have a lot of stress.
16:25So, I have a lot of stress.
16:30We had a lot of ideas about it. I had a lot of options for the casting.
16:36I had a big opportunity to go to the film and see how I did it.
16:42I didn't have a big deal with the film, but I didn't have a big deal with the film.
16:47I was like, I'm going to work with the film and I'm going to play a little bit.
16:54And I thought that was an instinct of a director, and I thought that was a brilliant director.
17:01That's why I was there.
17:03That's one of the characters.
17:06There are a lot of characters in my career.
17:12We auditioned a few people.
17:15I was there.
17:17I was there, and I thought that I was there.
17:21I was standing in the stands.
17:23I was there, and I was there.
17:25And I was there.
17:26Then I was there.
17:27There were little characters.
17:29You said that with the kid,
17:31there's no characters in my career.
17:33Because they don't have the most officers.
17:37But they don't have the most officers.
17:39But they don't have the most officers.
17:43And they don't have the power ful.
17:45I don't know how to do it.
17:47You can't see it.
17:49What is your character in the arc?
17:53It's a different contrast.
17:57It's a different way to the culture.
18:01I don't know how to do it.
18:03I don't know how to do it.
18:05I don't know how to do it.
18:07I don't know how to do it.
18:09I don't know how to do it.
18:11I don't know how to do it.
18:17It's a normal package.
18:21I don't know how to do it.
18:23We're not going to be a big fan of the cinema.
18:25We're not going to be a big fan of the film.
18:27We're not going to be surprised.
18:29I don't know how to do it.
18:31Do you have any reaction from this set?
18:35No.
18:37If we want to see your friends and if you want to go back to the other side,
18:41then we're going to set it up.
18:43Then we tell them how to do it.
18:45I realize how to do it.
18:47In real-time.
18:49I started a lot of time.
18:51There was a lot of time.
18:53I was talking to the other times.
18:55I were talking about it.
18:57The people said I don't know how to do it.
18:59That's very good. I'm very humble.
19:04Do you have confidence in me as a writer?
19:08I don't think so. I don't think so.
19:12There's a perspective. I've seen that.
19:16I've seen it as a cinematograph writer.
19:19I've seen it as a writer.
19:22I've seen it as a sex player.
19:26I've seen it as a writer.
19:30No.
19:31It's not a uncertainty.
19:34We haven't seen it as a whole.
19:37We haven't seen it as a complete thing.
19:39I've seen it as a gamble.
19:42I haven't seen it as an idea.
19:45Frankly, I've seen it as a person.
19:48I've seen it as a person.
19:50I've seen it as an idea.
19:52I've seen it as a developer.
19:54I've discovered it as a developer.
19:56I've seen it as a developer.
19:58I've seen it as a developer.
20:00Well, it's not a real project.
20:02They've just made a gamble.
20:04It means I'm alive.
20:06It's really amazing.
20:08I think it's hard to do a lot of things, but I think it's hard to do a lot of things.
20:15Every new movie, that's our first movie.
20:20Every time we get to the first work, we get to the first work, and we get to the insecurities.
20:27We don't have to worry about it.
20:30We don't have to worry about a commander.
20:32Every operation is the first operation.
20:36I think I can do this, but I never liked it.
20:41Everyone is becoming a veteran.
20:43Everyone's just great.
20:44Everyone is still happy in this stage.
20:48They are still happy.
20:50They are still happy, and they are still happy.
20:54I'm not very happy with this stage.
20:57I'm not happy with that.
20:58I'm not happy with that.
21:00It's hard to engage in the ambitions.
21:02You have to back me in a moment.
21:04Not a lot and they are all the same in the minute.
21:09You are all the same in the moment.
21:13Because one of the things I was told my career-stress...
21:16So that's how I did that.
21:18You are all the same in the moment.
21:21I thus always felt like I was stressed with that.
21:24This actor was very thin.
21:26You are all the same.
21:31No, because the time of this, I was running a shoot.
21:38We were on the same team, Sandeep Pradipa, and we were able to shoot.
21:43When we were doing that in the shooting, we were already working.
21:50We were working on this team and we were working on our work.
21:54So, we had a lot of work done.
22:00What kind of drama is that?
22:05It's a drama.
22:07Are you serious drama?
22:09Are you all these two?
22:12I'm sorry.
22:13As a teacher, I'm curious about the people who are worried about Sandeep.
22:18He's a hero.
22:20He's a great growth.
22:23From the 18th time period to the 23rd time period.
22:26There's a lot of facts in Sandeep.
22:29I'm very interested in that it's him.
22:35I am the only source of an account.
22:41How do you get the picture?
22:43Now I did a script on the scene.
22:47Then the script was the same,
22:50so, from the perspective of Sandeep,
22:52you won't get a picture of a story of Sandeep.
22:55Well, I hope that he has seen the story of Sandeep.
22:57No, it's not me, I'm your son, I am your son.
23:03My son is your son, you have a strong performance.
23:07You have a strong performance, you have a strong performance.
23:10You have a strong performance, you have a strong performance.
23:12So, I think that you are doing the work in your career.
23:17Then you will know that you have to take it back to your career.
23:21Not to me, but I am not getting involved.
23:23So, you have to think about the project viability, practical viability.
23:26In the parameters, I had a pitch and I had a lot of concerns about the viability and I had a lot of concerns.
23:36But I had a lot of questions and I had a lot of questions and I had a lot of questions and I had a lot of questions.
23:47I think it's correct for the performance and the performance and the performance and the performance is correct.
23:56We didn't do anything else.
24:00We did a lot of work.
24:02We committed to the location and location.
24:08We got a great appreciation for the production.
24:14When he was released, he was released. That was a great deal.
24:19Vahyengra Santhar Shandeev was a great deal.
24:23He was 100% great.
24:26He was a fire.
24:30He was a fire.
24:34He was a fire.
24:35He was a script.
24:42He was a fire.
24:45He was a good one of his films.
24:50Like Minetsha and Roommate.
24:52He was a good friend.
24:55He was a talented man, productivity and flexibility.
25:02I'm confident.
25:07He was confident about me.
25:09He was a challenge.
25:11But I don't know.
25:15We are all concerned about you.
25:16Because we have a lot of write-up,
25:18and we have a lot of money.
25:20Then we have a lot of money.
25:24Why are we happy after all?
25:28That's why we are happy.
25:30You are always happy that you have to do it.
25:35And we have to do it.
25:37We have to do it.
25:39I don't know how many people are going to be there.
25:42I'm very happy.
25:44What is the release apart from it?
25:48That's it.
25:49I'm going to go to the post-production post-production.
25:52I'm going to go to the release.
25:54A romance, a comedy.
25:56I'm going to go to the director,
26:00to go to the director,
26:02to go to the director and debut.
26:04What's your trend?
26:06I have ambitions, long-term plans.
26:09Going with the flow.
26:11I don't know what's going on.
26:13That's the genre.
26:15I don't know what's going on.
26:17But at the time, there's an idea.
26:19I don't know if there's an idea.
26:21There's an idea.
26:23There's an idea.
26:27There's a scene.
26:32You're going to cut the scene.
26:34You're going to go to the first scene.
26:38There's no idea.
26:41The first scene is nothing.
26:42It's the scene in a police station.
26:45There's an encounter in the police station.
26:47I saw the location,
26:49there's another one on the other side.
26:51Then there's no one on the other side.
26:53That's nothing.
26:57He was there.
26:58He was there.
27:01It's inter-block.
27:02No?
27:03No, he didn't have the same scene.
27:06He didn't have the same scene.
27:09He was there and he was there.
27:11He was there and he was there.
27:15He was there and he was there.
27:18But he didn't do that.
27:22After the first scene, we decided to move on to the point,
27:31We decided to move on to the point,
27:36We decided to move on to the scene,
27:38We decided to move on to the point,
27:41When we went on to the point, we made a route for the organic development.
27:47I didn't have a few elements in the script.
27:51Last one?
27:52Last one.
27:53Last one, I was able to get a curious subject.
27:59When I was able to get a new subject, I was surprised.
28:04I was surprised when I was able to get a new subject.
28:09I was able to get a new element in the environment.
28:13I was able to get a transistrative radio.
28:19If I had a transistrative radio, I could be in that case.
28:25I was able to get a new video with a new video.
28:30I was able to see the description behind the scenes,
28:33which is the sameсе of the reserve forests.
28:40So that means that the proximity of the population is the proximity to the population.
28:45No.
28:46No.
28:48That was true.
28:49That was true.
28:50Yes, the proximity of the population has been a logical explanation here.
28:54He has not to say that the population is the person who's in the script.
28:58But later the population is the person who's in the narrative and the stigma.
29:03You don't have to tell them about Curious Case of Up Upulla.
29:07I was curious because I was curious, because I was getting the title for a working title,
29:11as I was looking for the script until I was untitled,
29:15and so on my first page, I could be,
29:18for names sake, I could have done that for a random name.
29:23So, if I was to shoot it, I could have been in the final title.
29:27So, I am going to say,
29:29I am a very good person who has been calling for Bahuilmish,
29:35So, we are the most cool writer in the industry.
29:39I tend to get a lot of pressure on the work.
29:44But thank you for the timing and all the best.
29:46Thank you, thank you Ajit.
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